Podcasts about Sprout

https://jacksprout.com/ Listen to us live on mytuner-radio, onlineradiobox, fmradiofree.com and streema.com (the simpleradio app)https://onlineradiobox.com/search?cs=us.pbnnetwork1&q=podcast%20business%20news%20network&c=ushttps://mytuner-radio.com/search/?q=business+news+networkhttps://www.fmradiofree.com/search?q=professional+podcast+networkhttps://streema.com/radios/search/?q=podcast+business+news+network

MONDAY HR 4 Nerdy News with Ryan. Darth Vader's lightsaber sold for this much. Russ shares his most recent diet adventures. News From The Headlines Ron Jon founder passes away.

MONDAY HR 4 Nerdy News with Ryan. Darth Vader's lightsaber sold for this much. Russ shares his most recent diet adventures. News From The Headlines Ron Jon founder passes away. See omnystudio.com/listener for privacy information.

「軽井沢Book Journey」の9⽉と10⽉は、「軽井沢ブックフェスティバル」とのスペシャルコラボ企画。10 ⽉25⽇（土）～26⽇（日）、ライジングフィールド軽井沢で開催予定の、軽井沢を舞台にした本のお祭り。こちらに参加される本に関わる⼈々に、週替わりでお話を聞いていきます。その初回となる今回、ゲストにお招きをしたのは、編集者の岡澤浩太郎さんです。 2019年に小海町に移住されてからは、⽂字だけでなく⾳声での発信もスタートされました。 岡澤さんのPODCAST番組「sprout!」には毎回、素敵な⼈々がゲストに登場していらっしゃいます。さらにPODCASTと同じ名前の雑誌も創刊されています。それはどのような理由だったのでしょうか。じっくりとお話をうかがいました。音声配信「Sprout!」https://note.com/mahora/m/mb905aec9073d/hashtag/12278雑誌「sprout!」https://hachiyodo.stores.jp/items/67ef838f6d1512a9643a388a【岡澤浩太郎さんプロフィール】東京のFMラジオ局J-WAVEや、雑誌『Tokion（トキオン）』『 STUDIO VOICE』などの編集部を経て、2009年からフリーランス編集者として活動。2018 年、⼀⼈出版社の⼋燿堂（はちようどう）を開始し、2019年には東京から⻑野に移住。2023 年にはポッドキャストの『sprout!』開始、翌2024年には同名の『sprout!』という雑誌も創刊。本づくりと庭づくりを同時並⾏で試⾏している。 [軽井沢ブックフェスティバル2025 お申し込みはこちらから]https://peatix.com/event/4568425#岡澤浩太郎 #sprout #編集者 #フリーランス #小海町 #ひのなおみ #編集者 #軽井沢bj #FM軽井沢

https://jacksprout.com/ Listen to us live on mytuner-radio, onlineradiobox, fmradiofree.com and streema.com (the simpleradio app)https://onlineradiobox.com/search?cs=us.pbnnetwork1&q=podcast%20business%20news%20network&c=ushttps://mytuner-radio.com/search/?q=business+news+networkhttps://www.fmradiofree.com/search?q=professional+podcast+networkhttps://streema.com/radios/search/?q=podcast+business+news+network

Send us a textIn this episode we interview Jill Ransome, SVP of Marketing at Unite Us, a tech company redefining how organizations connect people with the services they need. Jill brings over 20 years of marketing experience—10 of those in leadership roles—and offers a sharp, seasoned perspective on how AI is transforming the content game in B2B.What you'll learn in this episode:Why AI is an amplifier, not a replacement, for content creatorsHow Jill's team uses AI tools like ChatGPT, Qualified, and Sprout to streamline marketing effortsThe importance of structured prompting and creative briefs for quality AI-generated contentWays to blend human insight with AI speed to retain brand authenticityHow Jill creates a culture of experimentation and AI literacy across a remote teamTactical strategies for budgeting and integrating new tools without disrupting the coreWhen not to trust AI—and how to spot the red flagsWhat it really means to align AI tools with business objectives, not hype

Welcome to Jake's Happy Nostalgia Show, the podcast where nostalgia comes alive!This week, we welcome actress, composer, and teaching artist Liz Filios! From 2010 to 2012, Liz brought joy to young viewers as one of the hosts of Sprout's morning block, The Sunny Side Up Show. Continuing her work with kids, she went on to create Storytime in the Zoom Room in 2020, a free interactive learning space for children and caretakers. Beyond her work in children's entertainment, Liz is an accomplished stage performer, with credits in productions like Into the Woods, Red Velvet, Vincent in Brixton, and An Iliad, where she was also a composer. Join us as we reminisce about her time on Sprout, explore her journey in the performing arts, and celebrate her dedication to inspiring and engaging audiences of all ages.Keep up with Liz!https://www.lizfilios.comhttps://www.facebook.com/lifilioshttps://www.youtube.com/@LizFilioshttps://www.instagram.com/lizfilios/Taping date: November 11, 2024Edited by: Chris Bixby (Co-Host)https://www.facebook.com/cbixby2000Be sure to check out our website, where you can learn more about the podcast and find how to follow the Happy Nostalgia team!https://jakeshappynostalgiashow.weebly.com/Listen to our podcast on Spotify and other audio platforms!https://open.spotify.com/show/1PdrRWSmUdQ3m2NpNR9lSkhttps://linktr.ee/JakesHappyNostalgiaShow

https://jacksprout.com/ Listen to us live on mytuner-radio, onlineradiobox, fmradiofree.com and streema.com (the simpleradio app)https://onlineradiobox.com/search?cs=us.pbnnetwork1&q=podcast%20business%20news%20network&c=ushttps://mytuner-radio.com/search/?q=business+news+networkhttps://www.fmradiofree.com/search?q=professional+podcast+networkhttps://streema.com/radios/search/?q=podcast+business+news+network

https://jacksprout.com/ Listen to us live on mytuner-radio, onlineradiobox, fmradiofree.com and streema.com (the simpleradio app)https://onlineradiobox.com/search?cs=us.pbnnetwork1&q=podcast%20business%20news%20network&c=ushttps://mytuner-radio.com/search/?q=business+news+networkhttps://www.fmradiofree.com/search?q=professional+podcast+networkhttps://streema.com/radios/search/?q=podcast+business+news+network

【Mandarin Kitchen 料理英文】How to Grow Sprouts at Home 居家豆芽輕鬆種本集節目有：✅ A simple guide to sprouting mung beans at home 簡單在家孵豆芽；✅ Tips to save money when vegetables get expensive 颱風天吃菜菜的省錢小妙招；✅ Vocabulary and daily English you can use for real-life cooking 開箱即可用的英文單字與句子。

https://jacksprout.com/ Listen to us live on mytuner-radio, onlineradiobox, fmradiofree.com and streema.com (the simpleradio app)https://onlineradiobox.com/search?cs=us.pbnnetwork1&q=podcast%20business%20news%20network&c=ushttps://mytuner-radio.com/search/?q=business+news+networkhttps://www.fmradiofree.com/search?q=professional+podcast+networkhttps://streema.com/radios/search/?q=podcast+business+news+network

BOSSes, get ready for an inspiring conversation with a true powerhouse of performance. In this episode of the VO Boss Podcast, we welcome the incredibly talented Stacia Newcomb, a veteran voice actor and performer who has been lighting up the mic and screen for over 20 years!   00:01 - Speaker 1 (Announcement) Hey bosses, if you're ready to start that demo journey, let's craft your professional demo together. As an award-winning professional demo producer, I'll collaborate with you to showcase your talent in the best possible light. From refining your delivery to selecting the perfect scripts to showcase your brand, I'll ensure your demo reflects your skills and personality. Let's create a demo that opens doors and paves the way for your success. Schedule your session at anneganguzza.com today.  00:33 - Speaker 2 (Announcement) It's time to take your business to the next level, the Boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a Boss a VO Boss. Now let's welcome your host, Anne Ganguzza.  00:52 - Anne (Host) Hey, hey everyone. Welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and today I'm here with a very special guest who's been lighting up the mic and the screen for over 20 years. Who's been lighting up the mic and the screen for over 20 years?  01:09 Stacia Newcomb is a powerhouse voice actor, performer and creator whose work spans just about every medium, let's say television, radio, video games, audiobooks and even puppetry. You might recognize her as the star voice See what I did there and fuzzy face of star from the Good Night Show on Sprout, where she's brought warmth and comfort to bedtime for kids for over a decade. Not only that, but she's voiced characters for Disney, nickelodeon, pbs, kids and Cartoon Network. And, of course, you've heard her in campaigns for brands like Geico, verizon, subway and Dunkin'. She's made her mark on stage and screen from a memorable appearance on 30 Rock, which I found to be quite interesting We'll talk about that in a minute to sold-out off-Broadway comedy shows like Can I Say this? I Can Shit Show and Potty in the USA. I can't say that because it's my podcast. Yes, these days she's running her own studio in the Berkshires Sound and the Furry where she produces family-friendly content and helps other performers find their voice. Welcome to the show Stacia.  02:12 - Stacia (Guest) Wow, thank you. That was quite the intro.  02:15 - Anne (Host) I'm like wow, I was like wow, I don't think 30 minutes is enough time for us, Stacia, to go through everything that you've done. Let's not, then We'll talk about whatever we want to. It's just, it's so amazing. I mean, so you've been in the industry for over 20 years, which actually to me, I've been in it just the voiceover aspect for like 18. And so 20 years feels like it was yesterday to me. But talk to us a little bit, talk to the bosses and tell us a little bit how you first got into performance. I assume performance was before voiceover.  02:50 - Stacia (Guest) Yeah, yeah, hey, bosses. Yeah, I started as an actor. I wanted to be an actor for as long as I can remember, I mean when I was little. My mom still tells a story about how I performed for all of my five-year-old friends at my fifth birthday party, which sounds like still a good party to me, right? So, yeah, so I started as an actor and through that I tried to just branch off into any direction that I could, to be living a creative life and be able to continue performing in whatever medium I could. You know.  03:34 - Anne (Host) So what was one of the first things that you did? Performance wise, professionally, yes, professionally.  03:38 - Stacia (Guest) So I this is so random, but there is. I'm from Massachusetts, that's where I grew up. In Newport, rhode Island, which I don't know if there are any Gilded Age fans out there there was a mansion, the Astors Beachwood, and the Astors Beachwood was owned by the Astors at the time when I graduated high school. At the time, for about 10 or 15 years, I think they had. They hired actors from all over the country to live there and perform as both aristocrats and servants of the 1890s the year was 1891. And we yeah, it was all improv, like some days I'd be an aristocrat and some days I'd be a little housemaid.  04:22 - Anne (Host) Wow, that sounds so interesting. Now you said Massachusetts. Now see, I'm originally a New York State girl, right, and I've been up and down the East Coast, so Massachusetts would suggest that you have an accent in there somewhere. Yeah, I sure do.  04:37 - Stacia (Guest) It's right there.  04:38 - Anne (Host) Yeah, and of course I feel like, because I had a very New York State accent which was kind of similar, believe it or not, not quite as I don't know, not quite as accented as, not as ugly. Is that what you're trying to say? Oh no, because I would say things like car and water and it would be like really flat with my A is water.  05:01 And when I moved to New Jersey, oh my gosh did they make fun of me, and so I should not make fun of you?  05:04 in New Jersey, in New.  05:04 - Stacia (Guest) Jersey, they say, they say water.  05:05 - Anne (Host) They say water, what's water, and so I literally like and I think you're, I think possibly at the time this was before voiceover I said, oh gosh, all right, so let me try to tame that, and so I did my own taming of my own accent and then ultimately, I got into voiceover.  05:36 And back when I got into voiceover it was a thing to neutral, to quote, unquote, neutralize, whatever that means, neutralize your accent. And I said it was in a pink envelope and I brought it to the backstage door and so I heard myself say that and I was like and so from then on I just I started pronouncing my R's and have never looked back.  06:02 I imagine once you do, you have family that's still in the area.  06:05 - Stacia (Guest) Yes, in fact, we just moved my mom out of the area.  06:08 - Anne (Host) Yeah, when you go to family reunions and I think that when I get around my you know, my family in New Jersey, like we all start talking quicker and then we start, you know, well, let's talk about you know, we just like get into that accent and it just happens inadvertently but outside of the accent. So that's a really cool first gig. And so then did you go to school for theater?  06:33 - Stacia (Guest) We did OK. So I had done a little dinner theater and then I but I had been auditioning in New York. I had a big callback when I was like 18. I was called back for Les Mis and it didn't happen, unfortunately. But it's cool because it led me on other adventures.  06:52 - Anne (Host) Sure, that was one of my first shows by the way that I saw that. I saw that. I was in a show. No, yeah. No, I can't claim that, but but a callback for Les Mis is really awesome.  07:01 - Stacia (Guest) Yeah, it was a big deal, I and I, so I always. The plan was always to move to New York City, but it just takes a while to get on your feet and New York City is very expensive and a little scary when you're you know, sure is Absolutely Very scary.  07:15 Yeah, and so I ended up getting there eventually. But I did go to college and then I quit college because I realized at some point, like I'm getting a degree in musical theater and what am I going to do with that degree? And I'm spending so much money, but when you're 19 years old you don't realize what you're signing on the dot. You're signing your name on the dotted line for thousands upon thousands of dollars and it's the program itself ended up falling apart. And there were all these promises that were made to me, like you know I, because they gave me a bunch of credits because I'd already been working as an actor, and then I was going to go to London and then they were going to give me my master's so I should have had my master's within five years master's in theater performance. They also had a program where, like I would get my equity card and they do theater during the summers. But it was a small liberal arts Catholic college in Minnesota and the program sort of fell apart and I escaped. I was like this is not.  08:21 - Anne (Host) I had to get out of there. I escaped. That was a lot of that was a lot of words, and I'm not going to make this political at all, but that was a lot of words when you said Minnesota Catholic theater. Coming from a Catholic girl.  08:35 - Stacia (Guest) So I get that. Yes, so it was run by these two incredible gay men who were. They were amazing, but as you can imagine the politics at the time and just yeah, they were amazing, but as you can imagine the politics at the time and just yeah, yeah, yeah, absolutely, and so all right.  08:48 - Anne (Host) So you quit college. And then what? I quit college.  08:53 - Stacia (Guest) But I got a job before I left, so I needed the impetus and the excuse to get out, which so I ended up working for Goodspeed Musicals, which is in Connecticut and they're a really pretty famous like regional theater. They'd won a lot of awards at the musical Annie started there, so I went there to be an intern in costuming and then I left that because I was like this is not what I want to be doing, I want to be performing. But it got me back east, which was great, and then from there I ended up taking like odd jobs, living with my parents for a little bit until I landed a show that took me on tour as a one person it was actually two different one woman shows for this company that's an educational theater company, and so I did that for like five years and while I was doing that I was able to make enough money to move to New York City and just keep going.  09:47 - Anne (Host) Now, what shows were those that you did that? The one woman shows, because that's quite a thing to do, a one woman show.  09:53 - Stacia (Guest) Yeah, and they're educational. So we would go to I would go alone really, I would travel all over the country, and one of them I played the fictional best friend of Anne Frank, and then the other one I played this young Irish girl who came over during the great wave of immigrants in the early 1900s. So I would go to, like schools and libraries and small theaters, and it was.  10:16 - Anne (Host) It was really incredible, an incredible job for a learning experience Now, at any given time at this point in your life. Did your parents or anyone ever say to you well, okay, so when are you going to get a real job? Do you know what I mean? Is it that? Was it ever like that for you?  10:35 - Stacia (Guest) I mean, yeah, I mean, I think probably in my own mind I thought not real job, but like when's the real, when are we gonna you know, and certainly when I would do my? You know, when that really happens is like around March or April, when you start doing your taxes and you're like exactly, theater doesn't pay, and so yeah, but I didn't get pressure like that from my parents. I got, I was lucky to get their support.  11:05 - Anne (Host) Yeah, that's wonderful.  11:06 - Stacia (Guest) I mean, they didn't have to support me financially and that's, I think, all that mattered to them.  11:10 - Anne (Host) Well, that's actually huge.  11:12 - Speaker 2 (Announcement) And.  11:12 - Anne (Host) I love that Because you had support to be able to go out and follow your creative dreams, which, I mean, my gosh, you, you've actually I mean you have the gamut of of creative things that you've done, and I imagine that just gives you such wonderful experience, because you're so rounded in all the areas that would make it important for you to be successful in any of those business areas.  11:38 - Stacia (Guest) Thank you, I think it's it's. It's also like trying new things and being new at things and, um, trying to not get be stagnant. You know, like just um, and and even always in my voiceover career, it's like I have to remind myself to uh, like that I get to do this and that that this is what I love, and just to to make it. How do you make it fresh when you've been doing it for so long?  12:08 - Anne (Host) For so long, absolutely.  12:11 - Stacia (Guest) And it's a different thing when you look at whatever you're about to experience or do with fresh eyes or like beginner eyes or like from a beginner experience, because you immediately are like, whoa, I love this, you know, and sometimes I think that can easily bring back the magic to whatever you're working on.  12:34 - Anne (Host) Yeah, yeah. So, these days are you mostly doing voiceover, doing voiceover and performing.  12:41 - Stacia (Guest) Yeah Well, so the pandemic changed a lot of things for me. We, because I've been in New York City and you know I'm still. We still have our apartment in New York City, but I'm mostly up at our house in the woods in the Berkshires. Yeah, I am still auditioning, I am still doing voice, a lot of voiceover. So yeah, I'm kind of all over the place and sort of open to whatever happens. I'm not I think I haven't been fully steering my own ship. I've kind of been like I don't know where are we going to go, Whatever you know, and just being open to whatever.  13:15 - Anne (Host) And there's so much good to be said in that though.  13:18 Yeah kind of allowing it to happen. I, I think for me and I don't know, I don't know what to call it, but for me I've always followed my gut or my intuition, and a lot of times, if things don't come right away, I know they will at some point, but I don't. I try not to rush myself to get to any specific spot, because I know that if it's going to happen, it's going to happen, and and the time it takes to kind of evolve the solution or the you know, to actually say okay, yes, now I know I have more, I have more direction, and now I'm heading in this direction. So I love that you said that. I love that Because you're not always sure right, you're not.  13:55 - Stacia (Guest) You're not. And you know the business has changed so much over the last, you know, over the last five years. I mean it's. It's kind of crazy. It's a new world and it's different. Navigating it is different, even though I'm with the same agents, even though I'm, you know, still in the business and I know the casting people or the producers that I know and have worked with. It's just, it's different. Approaching it like, hey, yeah, I don't have to rush. I really love that, Anne, because I feel like there is a rush.  14:30 - Anne (Host) There's always a rush I want it now. Yeah, no, I agree, I think so many of my students are always. They want it, they want it now, and I'm like, well, there's something to be said to letting it marinate and letting it evolve and letting it happen.  14:43 - Stacia (Guest) And also like looking in the other direction or seeing what else you know, I think. I think a lot of times, artists, especially if you're focused on one particular medium, you just focus on that one thing. And I, I recently started painting. Am I good at it?  15:01 - Anne (Host) No, I love it. I love it, but I don't think anybody could ever accuse you of not like experiencing or exploring different mediums, but it keeps you alive, it keeps you like, creative and happy, and that's what I want.  15:14 - Stacia (Guest) It'd be exactly that like lightens you up and it opens you up to when you are approaching commercial copy or whatever. It is Right Because you're, because you haven't been like. Why am I not looking? Why am I not? What am I? Who do I?  15:31 - Anne (Host) need to be for this piece of copy and you're just, you're just letting it, you're letting it happen. Yeah, yeah, I love that. Oh my gosh. So what? Before I actually talk to you about, let's say, some character, I want to. I have some character questions to ask you, because I think you're always a character in voiceover and no matter what genre you're working on. But I do want to talk about puppetry and what got you into that?  15:51 - Stacia (Guest) I had been doing Pokemon. I was very lucky. When I moved to New York I worked as a cater waiter when I wasn't doing the that one of those one woman shows and a friend had introduced me to the studio that that at the time was recording Pokemon. So you know how it's like things trickle Around. That same time this show was off Broadway it was called Avenue Q and then that musical came to Broadway, which is where I was finally able to get tickets, because you could not get tickets to it and it was crazy and it was such a special show. It's just so funny. The music is great and touching. It has so much heart to it. I mean it's a little dated now, but at the time it was, it was just extraordinary.  16:38 - Anne (Host) And it's still yeah.  16:39 - Stacia (Guest) So in that show for anyone who any of the bosses out there that that haven't seen it or don't know about it in that musical you see the full-on puppeteers playing the puppets on stage and it's so revealing. And me, as a young woman, I always loved puppets. I had puppets as a kid. I had like an Alf puppet from Burger King. I had a Kermit the Frog puppet. I loved puppets. Never thought that it could be a career, never thought in a million years. And when you think about it there aren't a lot of. It seems like there aren't a lot of female puppeteers. There are and there are more, but as I was growing up it was all men really, and then you would have like even the female characters. I mean Miss Piggy's, like one of the most famous women female characters of all time. She's played by a man and so you know the idea of being able to play a, be a puppet. It just was not. It never, you know. And so I saw that show and it was just incredibly revealing to me. It was like a light bulb moment. So I immediately got a puppet and started training.  17:52 I actually was so lucky that I got into a class that John Tartaglia had been teaching at that point in the city and I got to study with him, which was amazing and he's a beautiful human being, and so from there it was just kind of magical. Somehow this show was uh happening. I did another little uh on camera thing, but then this show the good night show happened. I auditioned for it and I had already created this little four-year-old girl character. They wanted me to change it up and make it a boy character. Well, those voices are going to be very similar, because a four-year-old boy and girls can sound pretty similar oh yeah yeah, Actually I was listening to it, I was trying to figure out.  18:35 - Anne (Host) You know, I felt like it could have been either yeah, right, right, because it's so young.  18:41 - Stacia (Guest) So yeah, so I auditioned for it and I booked that job and it became a huge part of my life. I ended up creating a part of the show and writing for the show and helping create the spinoff of the show, and so there's your, there's your acting, your puppetry, your your voiceover.  19:00 - Anne (Host) I mean you're, I mean production, I mean it's all aspects.  19:04 - Stacia (Guest) Yeah, absolutely yeah that's, that's amazing. It was, it was a really it was a really special show and a beautiful community and even now I, michelle who, michelle Lepe, who was the host on the show she still gets messages about, you know, from the kids who grew up with it, just like how much it meant to them, which is very sweet. I don't because no one, because I don't look like this.  19:29 - Anne (Host) Well, you know, I can say something similar because I was a teacher for 20 years and so I watched my kids grow up and I literally had one of them contact me just recently on LinkedIn thanking me for setting them on the path, and I was like, oh my gosh, like that just meant the world to me, and so I think that's beautiful.  19:49 Right, and that's one of the reasons why I love doing any educational voiceover. Sure, because I feel like there's, and not just e-learning, but like medical, like I mean anything that educates an explainer that can help someone, and even corporate. Do you know what I mean? Because you're always come at it from an aspect of how can I help you, the person that I'm talking to, you know, look better, feel better, be better, you know, and really that's commercial too, because it really should be about how you're helping the person that's listening to you, yeah, and connecting in that way, and not necessarily what you sound like while you're doing it, yeah.  20:31 Let's not get wrapped up in that, yeah, no. And so with that, it's a good segue to start talking about characters, because you've done so many characters, but you also have done commercials. So when it comes to characters in voiceover, let's talk a little bit about that. How is it that you prepare for any given piece of copy? Is it always a character?  20:56 - Stacia (Guest) Is it always a character you mean like with?  21:00 - Anne (Host) character copy or what you mean, or any kind of copy. Do you create a character for any type of copy, any type of copy, I think?  21:06 - Stacia (Guest) for me, my approach to commercial copy is it depends on the spot but it also is like how you know the age old question how would I talk to? A friend about this sitcom, you know, like whatever it is, but I and so it's just about bringing my authentic self to it. But also there's a there's. I think there is a musicality to it, but also it really depends on what's on the page right or what we're selling, you know do you ever envision?  21:37 - Anne (Host) do you ever envision yourself as the um, the, the? On camera the zip cream or the character zip cream or the. The person on camera. The character Zipcreme or the person on camera.  21:47 - Stacia (Guest) Sure, yeah, I think I mean I love when you get any kind of visual or if they give you the break of what is gonna be on screen and then you can kind of I love visualizing. I think visualizing because what it does for me is it brings my imagination to life, which immediately I'm having way more fun in the booth yeah. Yeah, and it's enjoyable, even when the copy is like maybe a little like dry or sad or whatever, like liven it up by visualizing what's happening.  22:26 - Anne (Host) Yeah absolutely Believe it or not. That's a big thing. Even if I'm doing e-learning, I'm imagining that I'm the teacher, because I was a teacher for so long and so I can draw upon that experience, and it's better for me to talk almost like a one-on-one coaching with a student. And if I try to envision myself in front of the class, even when I was a teacher, I was always looking at one person at any given time. Yes, so it made it much more personal, of course, and so for e-learning, I'm a character Corporate narration. I'm a character because I work for the company and I'm trying to provide a solution that is going to help the person that I'm talking to, which makes it a whole lot more interesting than if you're just reading about it to someone.  23:15 - Stacia (Guest) Totally yeah, or sound, trying to sound like someone who reads these kinds of things. Right, it's like, because it's a really I think what it comes down to is connection and we, as actors, need to connect right copy, which means I probably need to understand it. That's, that's excellent.  23:25 - Anne (Host) So yeah, so how? What are your steps for connecting to copy?  23:28 - Stacia (Guest) It really depends on the piece. Recently I had to do what was pretty lengthy and I had to do the spot in 15 seconds and it was like okay, I don't usually read things over and over and over again because they feel like there's an element of um, uh, over overdoing it you know, I agree I agree.  23:52 So my booth is here behind me. That's why I'm pointing behind me, in case anyone's wondering Um, and so sometimes when I get in there, I will run it a few times like that particular spot because it had to be so quick. But at the same time, of course, they're going to want it to sound like I just talk, like that, you know, and so it's like it's marrying those two things right when I want it to come off like it feels like me. I'm just sort of having this talk, but I'm also. It's very quick and rapid and it falls within the 15 seconds. Yeah, so my approach is not always the same thing. It really depends on what I'm working with, and sometimes there isn't enough time, like in that 15 seconds, there's not enough time to visualize or do this. It's wall to wall copy and it's also I'm talking about this cool thing that you're going to love, and so it's just about like who sometimes I like playing with? Who am I talking to? Where am I? Proximity is such a fun thing to play with too.  24:57 - Anne (Host) You can do that in a minute or two, totally Right. Yeah, and that's the thing I always try to emphasize to my students is that it doesn't take a whole lot of time to figure out who you are and who you're talking to and maybe set a scene up, yeah, and to get yourself rolling on that. I mean it's nice if you have the entire scene as it progresses through, because that allows you to help tell the story. But if you don't have all the time in the world, but a lot of times we're auditioning in our studios. I mean, we're not live auditioning as much as we used to. Gosh knows that's the case, right? Um, and unless we're like in front of a, we're being live directed. That's a different story, right, but if we've got the time before we go into the studios, I mean, what do you take five minutes?  25:37 - Stacia (Guest) if you put different scenarios on it, because you're probably sending more than one read on this commercial copy and we don't know. But the thing that I've loved playing with recently is I really love doing a take. That's for me what do I want?  25:53 to do with this? How do I want to bring myself to this? Because I think that what makes us viable, that what makes us marketable, is us. We are not disembodied voices. We are human beings with lived in experiences, and so we're not just bringing our incredibly gorgeous voices. We are human beings with lived in experiences, and so we're not just bringing our incredibly gorgeous voices. We are bringing ourselves to this copy and what our lived experiences and our lives, and so that that's really fun to to, just like I would. I would, I would encourage everyone to just do one for you. What do you want it to sound like?  26:29 - Speaker 1 (Announcement) Exactly.  26:30 - Stacia (Guest) Because that's the most empowering feeling is to be like I want to do this with this, and that's when you're collaborating too Sure sure, and is that the take that you submit first?  26:42 - Anne (Host) Not necessarily. Is that take one, or is it the second take?  26:46 - Stacia (Guest) Like lately I have been exploring it and I just feel like I just want to be a little more playful, yeah, and so, yeah, I mean, I say not necessarily.  26:56 - Anne (Host) The truth is I lean towards that one, unless I've worked with the people before.  27:00 - Speaker 2 (Announcement) Yeah, and I know what they're looking for. You know what I mean then I'm gonna just give them what they want.  27:04 - Anne (Host) But uh, if I don't know, and it's not like a critical like I, I always think like it's kind of like gambling for me, right, sure we're all gambling.  27:13 - Stacia (Guest) We're just all right, we're all gambling, right.  27:15 - Anne (Host) So I'm just gonna like, well, you know what, I'm just gonna do my best and I'm gonna, and I'm, and I'm gonna, just, you know, send it and forget it, that kind of thing. So I'm not gonna put so much stock in like, oh my god, did I do the right thing? Did I give them what they wanted? Am I going to get this? I try never to like hope and wish in that way for any job.  27:35 - Stacia (Guest) If you're saying I want to do this and that's where I'm like no, both of those takes are for me. It's not that it's for me, but it's like I'm going to give you what I want to give you, and then I'm going to give you another take of something different that I want to do with this.  27:53 And of course I read all the specs and of course I read and I'll even, you know, watch other spots that they've done to get an idea. Like we got to do our homework right, but then it's like you asked me to do this. I'm going to got to do our homework right, but then it's like you asked me to do this. I'm gonna do it my way. See, it's fun. I'm gonna have fun with it. I'm gonna. It's so much easier to let go when you like, because if you hold on to what you like, if you, if you don't give the what you want to do with it, read, then it's like you might live with regret yeah, you know, or like it sounds like everybody else's yeah right  28:29 at the end of the day maybe even they're all gonna sound somewhat the same, anyway, you know, but it's like at least you know you had fun with it. You felt like your authentic self and you and you played yeah yeah, you know.  28:43 - Anne (Host) So, being a singer, which I, that was the other part of the medium that I didn't really talk to you about, but I mean, I can actually hear just your talking voice, although I've never heard you sing. Except I did, I did go, you know, I did my homework, I did my, I did my YouTube. You have a gorgeous voice.  28:58 Oh, thank you, but I can hear that.  29:00 I can hear that in your voice as you speak to me, and it's so funny because I think that no one should have to try, right.  29:10 I think that no one should have to try right to create a voice that somebody thinks they want to hear. Because when we're connecting right and I actually listened to quite a different number of songs that you did in different styles, and one was from your potty show, and so you had such a range there and what was so cool is that you were just undoubtedly yourself and just like in all aspects of yourself, and that was just so cool because it was connecting and that was what I was looking for as a human being. I was looking for that, that connection in the voice and while you were on stage and while you were communicating to me, and I feel like it's the same exact thing. It's the same exact thing for voiceover, right. It's all about like your voice is beautiful, no matter what you're you know what I mean, no matter what you're doing, you don't have to try and so just connect with me, and that's really what I'm looking for as a human being, and I think that's what most casting directors are looking for.  30:04 And they tell me over and over again, that's really what they're looking for. Is connection, not necessarily the sound.  30:11 - Stacia (Guest) I think we get caught up in the sound. The sound or I flubbed on this, or I you know this or that, whatever it is, and it's like I. I don't want to be listening and I am because it's so hard when you're doing this yourself.  30:28 - Anne (Host) It is hard not to listen.  30:30 - Stacia (Guest) You have to take off the director hat while you're the actor, and then you have to take off the engineering.  30:39 - Anne (Host) You know you have to compartmentalize, because if you don't, and you don't because you'll, and then when you come back, Because if you don't and you don't because you'll, and then when you come back and you're the engineer slash director and you listen back and you're like, oh, as an actor, I really loved that last take, that's weird. I don't like listening to it, like I don't. I don't have that feeling brought this up because it's hard. It's hard for us to separate the ears, right. It's like you have to develop an ear, right, you have to develop an ear as an actor, you have to develop an ear as an audio engineer and you have to be able to separate them.  31:13 And it's funny because I've always maintained back, when I was really, you know, moving on this in this career, I was in a place where they were doing construction outside my home and I had, when I was in my studio, I had my headphones on. I had to keep them on because I had to make sure that there was none of that sound coming in, and so I had my headphones on a lot of time. And if, if you get good at it, I always say the headphones are just amplifying your voice, and so if you can not listen to your voice and just you know what I mean, like you can record with your headphones on. I mean, right, you got to do it when you're live directed anyways. So I'm always saying people are saying, oh, I don't wear my headphones because I try to listen to myself.  31:53 I'm like I could listen to myself with my headphones off. Do you know what I mean? But you've got to be able to compartmentalize, and I love that you said that, because that is a skill and it's a skill that I think takes a little bit of time for for people to to really really get to be able to to say, okay, this is my, this is my actor ears. Yeah, versus what do I sound like?  32:16 - Stacia (Guest) right, it's that constant like don't listen what you sound like and it's. It's also like there's because there is that judgment that comes in you and that when you are wearing cans, if you aren't telling your self limiter I talk about this a lot and we'll talk about it when when we work together with everyone, but if you aren't challenging them and saying I don't need you here right now, it's very powerful to send them away, to send that voice to me. For some reason, it's right here.  32:48 - Anne (Host) It's just very like right, that's like the magic secret Stacia, I mean I love that it works for me. So, I want to say that we are going to be having you as a VO Boss workshop guest director, so, and and we are going to be talking character creation. So will we be discussing, talk a little bit about what we're going to be talking character creation. So will we be discussing, talk a little bit about what we're going to be doing in that class.  33:08 - Stacia (Guest) What I would love to do is see where everyone's at, what they want to play with, and, of course, do that, but also, I think, for everyone, I would love to share the self limiter and what I, what I do to get rid of that sort of you know, it's a, it's a protection right. That's what that voice is doing. It's trying to help you, but it's not helpful. I love that.  33:34 - Anne (Host) Oh my gosh, that's like secret sauce.  33:36 - Speaker 2 (Announcement) Yeah, yeah, I think so.  33:38 - Anne (Host) I know how hard that I mean. It's just, it's so hard. I mean, and you do have to, you have to be able to, you have to be able to separate it, you have to wrangle that?  33:46 - Stacia (Guest) Yeah, because that that voice that's trying to protect you inevitably is is keeping you safe. It's keeping you safe, it's doing its job and you don't. You do not want anyone keeping you safe when you're in your booth. Yeah, it is not a place for safety.  34:04 - Anne (Host) It is a place to play.  34:06 - Stacia (Guest) If you're playing safe and you're in a dramatic role for a video game and you're, you know you're about to I don't know shoot up some monsters, or you're afraid for your life or it, or you're, you know, some silly little kid like you got to be a little kid, you got to be playful and you know, or you got to be scared of those monsters or whatever's on that page. It is not a place for you to be protected or be playing it safe.  34:33 - Anne (Host) Yeah, yeah, I love that. Did I just get on a soapbox? I think I did. I think that, no, I love that and and all right. So, from a different perspective right, I mean a different perspective, it the way that it hit me, but I love that. You teach that because I am.  34:47 You know, I've had health issues, right, I had cancer, and before I was diagnosed, I was like so worried about what I was sounding like and what. You know how the audition went and did. Should I have done it this way? Should I have you know? And then all of a sudden, it was like whoa, like what was I? Like that just didn't seem important anymore. I shouldn't be.  35:09 Why was I so worried about what I sounded like when, in fact, I just, you know, I'm fighting this disease right now, and so it gave me such a license to permit myself to be free. Yeah, just not worry and not have that self-judgmental voice on me all the time. It was an amazing thing that happened to me and unfortunately I mean well, I mean fortunately I'm here and everything's good, you know. So nobody, nobody, has to worry about it. But in reality, it was one of the best things that could have happened for my performance, for my actor, my actor self, was to say what the hell was I so damn worried about? What was I? What was I trying to be? You know what? Just screw it Like, isn't it incredible?  35:47 - Stacia (Guest) how? So empowering? So it's like grief is off. Grief is awful and we all, as humans, live through it and the way that it can have some magical elements and empowerment in it is really incredible. Talking about that and how you're like I don't care, Like I don't. Why am I going to concentrate on what I sound like? That was not a priority.  36:16 - Anne (Host) No, Well, what I sounded like is not a priority anymore.  36:19 - Stacia (Guest) No, no no, it was amazing, because it's like a reminder of who you are, who your soul is Like. You want to connect with people and that's what you do. I love it.  36:29 - Anne (Host) Oh, my God, I'm so excited, so excited for you to join us. So, bosses, make sure that you check out the show notes and I'll have a link to the VO. Boss, or just go right to the VO Boss website.  36:41 - Stacia (Guest) Is it down here? Is it? Should I point to things?  36:45 - Anne (Host) I'll be putting it in the post. So it's on VeoBosscom. You guys check out the events and sign up for Stacia, because it's going to be an amazing class. And, stacia, I just want to say thank you, this has been so much fun. Thank you so much for joining us.  36:59 - Stacia (Guest) It was a pleasure.  37:00 - Anne (Host) Yeah, it's been wonderful Really getting really getting to know you even better. I'm so excited.  37:05 - Stacia (Guest) Back at you. You're an incredible interviewer. It's really what a joy.  37:10 - Anne (Host) Thank you Well thank you, I appreciate it. Well, look, bosses. I'm going to give a shout out to our sponsor, ipdtl. You too can connect and network like bosses, like Stacia and myself. Find out more at IPDTLcom. Bosses have an amazing week and we'll see you at Stacia's class right. Yay, in August. I'll be there and we'll be with you next week with another episode. Thanks, so much.  37:33 - Speaker 2 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content. Sign up for our mailing list at vobosscom and receive exclusive content industry revolutionizing tips and strategies and new ways to rock your business like a Boss. Redistribution with permission. Coast to coast connectivity via IPDTL.   

egg Fried rice with onion capsican, bean sprout

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Help MuggleCast grow! Become a MuggleCast Member and get great benefits like Bonus MuggleCast! Patreon.com/MuggleCast  Grab official merch! MuggleCastMerch.com Pick up overstock merch from years past, including our 19th Anniversary Shirt! MuggleMillennial.Etsy.com On this week's episode, we discuss the events of Chapter 32 of Order of the Phoenix, "Out of the Fire." Join Andrew, Eric, Micah, and Pam as they cover the second attempted break-in to Professor Umbridge's office, and the fallout. Chapter-by-Chapter continues with Harry Potter and the Order of the Phoenix, Chapter 32: Out of the Fire Our Time Turner segment takes us back to Episode 470 of MuggleCast, titled “Silky Smooth Snape.” Should Harry have known that his vision was a ruse? The hosts go all-in on listing several signs, and whether they alone reveal the truth. Micah connects the threads between Sirius and Harry in books 3 and 5. What is Hermione getting at by mentioning Harry's 'saving people thing'? Often times, Harry has legitimately been left to fix the Hogwarts problem and save people. Can we blame him? We discuss the power lust present in both Umbridge and Draco, and how they need each other at this time. Umbridge's treatment of Snape is interesting, since she does trust he's as horrible as she is. What Hermione does works perfectly on Umbridge. Why? Why aren't the two other heads of House, Flitwick and Sprout, also members of the Order? Is Dumbledore skeptical of their loyalty, or is he just giving them a break?? The hosts have differing ideas about what being a 'bad mofo' means, when rating who the baddest was in this chapter. Our Lynx Line patrons answer the question, when was a time that you successfully thought on your feet the way Hermione does with Umbridge? Quizzitch: In this chapter Umbridge placed Stealth Sensor Spells around her office door. Founded by Edward Calahan over 150 years ago, the company which currently holds at least 15% of the market share for home security systems, is called ADT. What does ADT stand for? Join in on the fun! Learn more about your ad choices. Visit megaphone.fm/adchoices

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Now, the sun is shining… we're due some very hot hot hot weather, and the last thing we want to be doing in the heat is stand over a hot stove. We are well and truly into salad season, and here to give us some inspiration on how to elevate your plate is the co founder of Sprout and Co, Theo Kirwan

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Our artists today represent a very specific category within the folk music genre, which lately has come to be known as “Freak Folk”: one is a contemporary singer-songwriter, and the other is an “ancestral” group (when you consider they derived from the early 1970s, before there was even a category for it); one hails from the U.K., the other from California. However, both The Incredible String Band and Joanna Newsom share an “off the grid” sense of musicality and exist in a space well beyond any pop music fashion - past, or present.JOANNA NEWSOMWho doesn't like harp music? It's the preferred instrument of the angels, after all, and Joanna Newsom is indeed one of those. Whimsical, profound, incandescent - all these adjectives apply to this nerdy goddess, who, I was delighted to learn, is also the life partner of the silly comedian, Andy Samberg (and, cousin to the Governor of California). These personal stats ground her in a concrete reality that detracts a bit from her mystery, but, at the same time enhances her approachability. Listening to The Sprout and the Bean is like being gifted a pass to the 100 acre wood to visit Pooh, or transported to an elven glade where everything - (animals, plants, earth, and water) is imbued with magic - where the pantheism between man and nature serenely collapses all sense of temporality…. Whoa…getting a bit woo woo here. Never mind all that. Just enjoy her otherworldly conjurings!THE INCREDIBLE STRING BANDThe Scottish duo of Robin Williamson and Mike Heron formed the nucleus of one of the strangest musical acts of the last century. It takes a moment to get past what initially seems like off-key meanderings to appreciate that there is a deep level of sophistication and prescience here, in terms of world music, that still sounds fresh and modern - over 50 years later.Props to Joe Boyd, the genius UK producer at Elektra records at the time, for discovering, recording, and introducing this band of medievally dressed musical magicians to the world. And, they would have made an even bigger splash (no pun intended), if the inclement weather at Woodstock hadn't delayed their scheduled performing slot - (Melanie grabbed it) - which forced them to crowbar their gossamer stylings within the hardest of hard rock line ups the next day. As a result, their ethereal charms went unappreciated. Our featured cut, Waltz of the New Moon displays their unique vision and vocal technique perfectly.

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D-Nox has carved a global reputation for genre-blurring sets that fuse progressive, tech-house, trance, and techno into something magnetic and unforgettable. Whether behind the decks, steering Sprout and Plastik Park, or teaming up as D-Nox & Beckers, his taste, energy, and dancefloor instincts have made him a true underground favorite. D-Nox will perform at Balance Croatia 2025. @d-nox_official __________________________________________________ BALANCE CROATIA SOLD OUT! Limited daily tickets remain. Balance Croatia 2025 Thu 7th Aug - Mon 11th Aug 2025 The Garden Resort, Tisno Head to www.balancecroatia.com for more info. IG: www.instagram.com/balancecroatia

You don't need to wait until everything is perfect to start. You just need a little courage, a little structure, and the willingness to get messy.— Rebecca In this empowering episode, Brandi Hofer sits down with Teacher Rebecca, founder of Studio Sprout, to talk about the transformative power of process-based art education. They dive into Rebecca's journey—from teaching in-person to expanding her creative classroom online—and explore how embracing mess, flexibility, and structure can unlock true artistic freedom. Together, they tackle the fear of failure, societal pressure on creatives, and what it really takes to build a sustainable art practice.Start Before You're Ready:Fear of failure is part of the creative process. Rebecca encourages artists to take imperfect steps forward—building confidence through action, not waiting for the “right” time.Balance Structure with Freedom:Creativity thrives with both boundaries and exploration. Rebecca's philosophy blends gentle guidance with open-ended play—perfect for both young learners and emerging artists. Check Out Our Collaboration!  We're thrilled to announce our creative partnership: ⁠Painting Animal Portraits with Studio Sprout⁠. This project combines Brandi's portrait techniques with Rebecca's playful, child-centered approach to art education. It's perfect for families, classrooms, or anyone looking to bring joy and expression into their creative practice.

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In this episode, we feature Quandra Gray the founder of What The Sprout!  After years in visual design, Quandra was drawn to a new type of creation—one rooted in health and sustainability. With no backyard for gardening, Quandra found the power of growing microgreens at home. Now, she's helping others cultivate microgreens for better health and community impact—all from the comfort of home. Quandra uses her experience to help others grow their own food. She's teaching people how to cultivate microgreens for health and make a positive impact on their community—all from the comfort of their home. We hope you enjoy!

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Welcome back Pauper fam! This week Thomas sat down with Kyle Herman (AKA PickledHeart on Discord) to chat about his recent victory with Walls at the West Coast Pauper Open hosted by Laughing Dragon in Santa Clara, CA! Then Cameron and Thomas chat about some super sweet decks popping up in recent challenge results. Thanks as always for listening!Kyle's Winning Walls Decklist: https://moxfield.com/decks/yk_Kt-CrKUeBjY-oFfJuwgJoin our Discord! https://discord.gg/kdvSavFkpzCheck out our YouTube channel: https://www.youtube.com/@CommonGroundMTGUpcoming Pauper Events:6/14 Pauper-oncini Tournament, Clinton, WI: https://spicerack.gg/events/18791006/29 Pauper $1k+ at NRG Indianapolis! Signup link coming soon!8/2 The 2nd Common Ground Cup (Pauper $1k+) @ Game Knight, Columbia TN! Signup link coming soon!8/9 Upstate NY Pauper Open II in Rochester, NY: https://www.spicerack.gg/events/1947943Any questions or feedback for us? Email us at: commongroundmtgpod@gmail.comhttps://twitter.com/CamPlaysMagichttps://twitter.com/ThomasDoesALothttps://twitter.com/Hippo_1124Thomas' BlueSky: @thomasdoesalot.bsky.social Hippo's BlueSky: @hippo2112.bsky.social

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Part 5 of Carrion Harvest. Where do you bug out to, when … the monsters are Godzilla sized bugs? As hope starts to diminish, rapidly, Sprout reflects on the final, damning chapter of her life with her mom and Harvey. Carrion Harvest is a Dagaz Media production for Realm. Written by Morgan Sylvia. Performed by Jessica Taige. Editing and sound design by Rory O'Shea. Music by Blue Dot Sessions and Epidemic Sound. Undertow is a production of Realm, hosted by Fred Greenhalgh. Executive produced by Fred Greenhalgh and Molly Barton. Looking for more Realm shows? Check out OUTLIERS voiced by Rory Culkin, IF I GO MISSING THE WITCHES DID IT starring Oscar-nominated actress Gabourey Sidibe; ORPHAN BLACK: THE NEXT CHAPTER and POWER TRIP starring Emmy-winner Tatiana Maslany; MARIGOLD BREACH starring Jameela Jamil and Manny Jacinto; and ECHO PARK starring Harry Shum Jr. Realm subscribers get early, ad-free access to new episodes. Subscribe at realm.fm. Follow us: Instagram: @RealmMedia_ X: @RealmMedia

Part 5 of Carrion Harvest. Where do you bug out to, when … the monsters are Godzilla sized bugs? As hope starts to diminish, rapidly, Sprout reflects on the final, damning chapter of her life with her mom and Harvey. Carrion Harvest is a Dagaz Media production for Realm. Written by Morgan Sylvia. Performed by Jessica Taige. Editing and sound design by Rory O'Shea. Music by Blue Dot Sessions and Epidemic Sound. Undertow is a production of Realm, hosted by Fred Greenhalgh. Executive produced by Fred Greenhalgh and Molly Barton. Looking for more Realm shows? Check out OUTLIERS voiced by Rory Culkin, IF I GO MISSING THE WITCHES DID IT starring Oscar-nominated actress Gabourey Sidibe; ORPHAN BLACK: THE NEXT CHAPTER and POWER TRIP starring Emmy-winner Tatiana Maslany; MARIGOLD BREACH starring Jameela Jamil and Manny Jacinto; and ECHO PARK starring Harry Shum Jr. Realm subscribers get early, ad-free access to new episodes. Subscribe at realm.fm. Follow us: Instagram: @RealmMedia_ X: @RealmMedia

Part 4 of Carrion Harvest. Sprout's life of luxury is about to encounter a horrible grist mill - human cruelty on the one, beyond-human monsters on the other. The high costs of cheap corn come calling. Carrion Harvest is a Dagaz Media production for Realm. Written by Morgan Sylvia. Performed by Jessica Taige. Editing and sound design by Rory O'Shea. Music by Blue Dot Sessions and Epidemic Sound. Undertow is a production of Realm, hosted by Fred Greenhalgh. Executive produced by Fred Greenhalgh and Molly Barton. Looking for more Realm shows? Check out OUTLIERS voiced by Rory Culkin, IF I GO MISSING THE WITCHES DID IT starring Oscar-nominated actress Gabourey Sidibe; ORPHAN BLACK: THE NEXT CHAPTER and POWER TRIP starring Emmy-winner Tatiana Maslany; MARIGOLD BREACH starring Jameela Jamil and Manny Jacinto; and ECHO PARK starring Harry Shum Jr. Realm subscribers get early, ad-free access to new episodes. Subscribe at realm.fm. Follow us: Instagram: @RealmMedia_ X: @RealmMedia Learn more about your ad choices. Visit megaphone.fm/adchoices

Part 4 of Carrion Harvest. Sprout's life of luxury is about to encounter a horrible grist mill - human cruelty on the one, beyond-human monsters on the other. The high costs of cheap corn come calling. Carrion Harvest is a Dagaz Media production for Realm. Written by Morgan Sylvia. Performed by Jessica Taige. Editing and sound design by Rory O'Shea. Music by Blue Dot Sessions and Epidemic Sound. Undertow is a production of Realm, hosted by Fred Greenhalgh. Executive produced by Fred Greenhalgh and Molly Barton. Looking for more Realm shows? Check out OUTLIERS voiced by Rory Culkin, IF I GO MISSING THE WITCHES DID IT starring Oscar-nominated actress Gabourey Sidibe; ORPHAN BLACK: THE NEXT CHAPTER and POWER TRIP starring Emmy-winner Tatiana Maslany; MARIGOLD BREACH starring Jameela Jamil and Manny Jacinto; and ECHO PARK starring Harry Shum Jr. Realm subscribers get early, ad-free access to new episodes. Subscribe at realm.fm. Follow us: Instagram: @RealmMedia_ X: @RealmMedia Learn more about your ad choices. Visit megaphone.fm/adchoices

https://jacksprout.com/ Listen to us live on mytuner-radio, onlineradiobox, fmradiofree.com and streema.com (the simpleradio app)https://onlineradiobox.com/search?cs=us.pbnnetwork1&q=podcast%20business%20news%20network&c=ushttps://mytuner-radio.com/search/?q=business+news+networkhttps://www.fmradiofree.com/search?q=professional+podcast+networkhttps://streema.com/radios/search/?q=podcast+business+news+network

Part 3 of Carrion Harvest. Sprout's life of luxury has come at a steep cost, and the ambitions of her stepfather, Harvey, may be reaching the point of no return. She has precious little time to be a rebellious teenager before the world will be irrevocably shifted, in ways she could never imagine. Carrion Harvest is a Dagaz Media production for Realm. Written by Morgan Sylvia. Performed by Jessica Taige. Editing and sound design by Rory O'Shea. Music by Blue Dot Sessions and Epidemic Sound. Undertow is a production of Realm, hosted by Fred Greenhalgh. Executive produced by Fred Greenhalgh and Molly Barton. Looking for more Realm shows? Check out OUTLIERS voiced by Rory Culkin, IF I GO MISSING THE WITCHES DID IT starring Oscar-nominated actress Gabourey Sidibe; ORPHAN BLACK: THE NEXT CHAPTER and POWER TRIP starring Emmy-winner Tatiana Maslany; MARIGOLD BREACH starring Jameela Jamil and Manny Jacinto; and ECHO PARK starring Harry Shum Jr. Realm subscribers get early, ad-free access to new episodes. Subscribe at realm.fm. Follow us: Instagram: @RealmMedia_ X: @RealmMedia Learn more about your ad choices. Visit megaphone.fm/adchoices

Part 3 of Carrion Harvest. Sprout's life of luxury has come at a steep cost, and the ambitions of her stepfather, Harvey, may be reaching the point of no return. She has precious little time to be a rebellious teenager before the world will be irrevocably shifted, in ways she could never imagine. Carrion Harvest is a Dagaz Media production for Realm. Written by Morgan Sylvia. Performed by Jessica Taige. Editing and sound design by Rory O'Shea. Music by Blue Dot Sessions and Epidemic Sound. Undertow is a production of Realm, hosted by Fred Greenhalgh. Executive produced by Fred Greenhalgh and Molly Barton. Looking for more Realm shows? Check out OUTLIERS voiced by Rory Culkin, IF I GO MISSING THE WITCHES DID IT starring Oscar-nominated actress Gabourey Sidibe; ORPHAN BLACK: THE NEXT CHAPTER and POWER TRIP starring Emmy-winner Tatiana Maslany; MARIGOLD BREACH starring Jameela Jamil and Manny Jacinto; and ECHO PARK starring Harry Shum Jr. Realm subscribers get early, ad-free access to new episodes. Subscribe at realm.fm. Follow us: Instagram: @RealmMedia_ X: @RealmMedia Learn more about your ad choices. Visit megaphone.fm/adchoices

https://jacksprout.com/ Listen to us live on mytuner-radio, onlineradiobox, fmradiofree.com and streema.com (the simpleradio app)https://onlineradiobox.com/search?cs=us.pbnnetwork1&q=podcast%20business%20news%20network&c=ushttps://mytuner-radio.com/search/?q=business+news+networkhttps://www.fmradiofree.com/search?q=professional+podcast+networkhttps://streema.com/radios/search/?q=podcast+business+news+network

Part 2 of Carrion Harvest. Last time we learned of our protagonist, Sprout, how she came from a simple childhood in Maine, but after her mother was widowed, she remarried a mysterious and ambitious man by the name of Harvey. Harvey, and his special corn which is meant to solve world hunger, delivers a life of luxury beyond their imagination… But the cost of that luxury is higher than anyone will realize Carrion Harvest is a Dagaz Media production for Realm. Written by Morgan Sylvia. Performed by Jessica Taige. Editing and sound design by Rory O'Shea. Music by Blue Dot Sessions and Epidemic Sound. Undertow is a production of Realm, hosted by Fred Greenhalgh. Executive produced by Fred Greenhalgh and Molly Barton. Looking for more Realm shows? Check out OUTLIERS voiced by Rory Culkin, IF I GO MISSING THE WITCHES DID IT starring Oscar-nominated actress Gabourey Sidibe; ORPHAN BLACK: THE NEXT CHAPTER and POWER TRIP starring Emmy-winner Tatiana Maslany; MARIGOLD BREACH starring Jameela Jamil and Manny Jacinto; and ECHO PARK starring Harry Shum Jr. Realm subscribers get early, ad-free access to new episodes. Subscribe at realm.fm. Follow us: Instagram: @RealmMedia_ X: @RealmMedia Learn more about your ad choices. Visit megaphone.fm/adchoices

https://jacksprout.com/ Listen to us live on mytuner-radio, onlineradiobox, fmradiofree.com and streema.com (the simpleradio app)https://onlineradiobox.com/search?cs=us.pbnnetwork1&q=podcast%20business%20news%20network&c=ushttps://mytuner-radio.com/search/?q=business+news+networkhttps://www.fmradiofree.com/search?q=professional+podcast+networkhttps://streema.com/radios/search/?q=podcast+business+news+network

What makes you happy? Is it money? Or maybe it's the money tree (Pachira aquatica). This famous houseplant is also a forest tree, so why did it become synonymous with feng shui, harmonious qi, and interior design? Then we play a new game of Happy Go Lucky!Completely Arbortrary is produced and hosted by Casey Clapp and Alex CrowsonSupport the pod and become a Treemium MemberFollow along on InstagramFind Arbortrary merch on our storeFind additional reading on our websiteCover art by Jillian BartholdMusic by Aves and The Mini-VandalsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

https://jacksprout.com/ Listen to us live on mytuner-radio, onlineradiobox, fmradiofree.com and streema.com (the simpleradio app)https://onlineradiobox.com/search?cs=us.pbnnetwork1&q=podcast%20business%20news%20network&c=ushttps://mytuner-radio.com/search/?q=business+news+networkhttps://www.fmradiofree.com/search?q=professional+podcast+networkhttps://streema.com/radios/search/?q=podcast+business+news+network

Everyone — even the "queen of children's music" — makes mistakes on occasion!We are thrilled to share an interview with Laurie Berkner, the bestselling, award-winning children's recording artist, about making music and making mistakes. Laurie's albums have been bestsellers on a chart typically dominated by movie soundtracks and major label compilations. With more than 1 billion total streams, an average of more than 22 million monthly streams, more than 535 million YouTube channel views, and millions of CDs and DVDs sold, Laurie's songs have become beloved classics for children worldwide. Her debut DVD, which went quadruple platinum, was the first-ever indie children's music DVD to enter Billboard's Top Music Video chart at #1. Laurie's 16th album, A Laurie Berkner Halloween, was released in September 2024, and a Laurie Berkner Greatest Hits album will be out in May 2025.A longtime fixture on TV's Noggin and Universal Kids (formerly Sprout) channels, Laurie was the first recording artist to ever appear in a music video interstitial on Noggin and was featured in nearly all the episodes of the channel's Jack's Big Music Show. Laurie can also be heard in two seasons of the ten-chapter Audible Original series she created, Laurie Berkner's Song & Story Kitchen. Laurie has written the music and lyrics for three children's musicals and Simon & Schuster Books for Young Readers has published a series of three picture books with Laurie, each based on one of her songs: We Are the Dinosaurs, Pillowland, and Monster Boogie.In this interview on the Little Kids, Big Hearts podcast, Laurie chats with LKBH host Todd Loyd about making mistakes: The theme of the month!

What makes trees weep? Perhaps the answer lies in the aptly named weeping cherry (Prunus x subhirtella 'Pendula'). Today we talk gravitropism and why some plants just have it backward. Then, we listen to you tree-themed Beatles covers and announce the winner of THE HAT!Completely Arbortrary is produced and hosted by Casey Clapp and Alex CrowsonSupport the pod and become a Treemium MemberFollow along on InstagramFind Arbortrary merch on our storeFind additional reading on our websiteCover art by Jillian BartholdMusic by Aves and The Mini-VandalsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

https://jacksprout.com/ Listen to us live on mytuner-radio, onlineradiobox, fmradiofree.com and streema.com (the simpleradio app)https://onlineradiobox.com/search?cs=us.pbnnetwork1&q=podcast%20business%20news%20network&c=ushttps://mytuner-radio.com/search/?q=business+news+networkhttps://www.fmradiofree.com/search?q=professional+podcast+networkhttps://streema.com/radios/search/?q=podcast+business+news+network

What makes you angry? Is it the Jeffrey pine (

Why are we so afraid of the silver maple (Acer saccharinum)? Perhaps because of the risk involved. In today's episode of Inside Sprout, we discuss tree risk assessment as we ask ourselves the question: if a tree falls, and no one is around to see it, is there any risk?Completely Arbortrary is produced and hosted by Casey Clapp and Alex CrowsonSupport the pod and become a Treemium MemberFollow along on InstagramFind Arbortrary merch on our storeFind additional reading on our websiteCover art by Jillian BartholdMusic by Aves and The Mini-VandalsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to Inside Sprout, a 5 part mini-series on trees that best embody and illicit our most basic human emotions. Today we start with disgust and the black locust (Robinia pseudoacacia). This tree is almost universally despised for its invasiveness, but has found a very important and loving niche for itself in the woodworking community.Completely Arbortrary is produced and hosted by Casey Clapp and Alex CrowsonSupport the pod and become a Treemium MemberFollow along on InstagramFind Arbortrary merch on our storeFind additional reading on our websiteCover art by Jillian BartholdMusic by Aves and The Mini-VandalsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Discover all of the podcasts in our network, search for specific episodes, get the Optimal Living Daily workbook, and learn more at: OLDPodcast.com. Episode 3060: Tracking every purchase and asking three simple questions can revolutionize your spending habits. Kalen Bruce highlights the power of intentionality in finances, encouraging mindfulness about whether a purchase is necessary, if there's a more cost-effective way to buy it, and if quality should be prioritized. By applying this approach to everything from groceries to major expenses like housing and insurance, you can reduce wasteful spending and improve your financial well-being. Read along with the original article(s) here: https://freedomsprout.com/intentional-spending/ Quotes to ponder: "This is a way to stop that. Basically, you're going to track everything you buy, just like you would when you start budgeting, but you're going to actually talk about every single purchase." "It pays to spend more on quality, whether for your health or for your wallet. Or both." "If you're intentional about the things you're spending your money on, you're going to spend less and spend on the right things - improving your financial health." Episode references: Intentional Children: https://www.amazon.com/Intentional-Children-Raising-Money-Smart-Intention/dp/1734973439 Learn more about your ad choices. Visit megaphone.fm/adchoices