Podcast appearances and mentions of sophie stone

A very personal essay series about communication, listening, performance and British Sign Language (BSL). Sophie Stone considers her own life, career as an actor and identity as a deaf person, through the role of communication, both spoken and in BSL. Hers is an unusual and vivid life – she was sometimes homeless as a child, became a young single mother, broke new ground as the first deaf acting student at RADA, enjoys a successful actor career, and maintains strong activist roots. Each essay describes a formative stage in Sophie's life and career, incorporating historical figures, the challenges and achievements of deaf and hard of hearing people since the 19th century and her own personal experience. Essay 5: Unspoken Communication Sophie eloquently speaks about being the child of addicts and finding a safe place to express emotions in the theatre. She talks about her relationship to her absent father and her unspoken grief held in silence after his death. Listen Harder broadcast on BBC Radio 3 will be accompanied by an animated transcript and BSL translation on BBC Sounds website, increasing accessibility. Sophie Stone is a leading actor who grew up in east London and has been Deaf since birth. She was the first deaf student at RADA. Since graduating, theatre includes: Othello (The Watermill Theatre); The Curious Incident Of The Dog In The Night Time (NT/Frantic Assembly Tour); The Living Newspaper (The Royal Court); The New Tomorrow (The Young Vic); The Beauty Parade (Wales Millennium Centre); As You Like It (Shakespeare's Globe); Emilia (Shakespeare's Globe/ West End); Jubilee (Lyric, Hammersmith/ Manchester Royal Exchange); The Greatest Wealth (The Old Vic); Herons (Lyric, Hammersmith); Mother Courage and Her Children (National Theatre); and In Water I'm Weightless (National Theatre of Wales). Television includes: The Chelsea Detective (2), Moving On, Two Doors Down (2), Shakespeare & Hathaway, Shetland, The Crown, Doctor Who, Mapp and Lucia, Moonstone, Marchlands, Midsomer Murders (2), Small World, Holby City, Casualty (2) and FM. Film includes: Name Me Lawand, Retreat (Sophie was awarded Best Actress Award, Clin d'Oeil Festival), My Christmas Angel, Confessions and Coming Home. She is co-founder of the Deaf & Hearing Ensemble Theatre Company, associate Artist for The Watermill Theatre, Pentabus Theatre and works as a consultant for several TV, Film and Theatre companies. Sophie had a lead role in Beethoven Can Hear You for BBC Radio 3 in 2020. Her essay for Radio 3 in 2020 for the Five Kinds of Beethoven series, was a critical success. It was accompanied by an animated transcript to increase accessibility. Writer and reader Sophie Stone Recording engineer Mat Clarke at Sonica Studios Sound designer Eloise Whitmore Producers Polly Thomas and Mina Anwar A Naked Production for BBC Radio 3

A very personal essay series about communication, listening, performance and British Sign Language (BSL). Sophie Stone considers her own life, career as an actor and identity as a deaf person, through the role of communication, both spoken and in BSL. Hers is an unusual and vivid life – she was sometimes homeless as a child, became a young single mother, broke new ground as the first deaf acting student at RADA, enjoys a successful actor career, and maintains strong activist roots. Each essay describes a formative stage in Sophie's life and career, incorporating historical figures, the challenges and achievements of deaf and hard of hearing people since the 19th century and her own personal experience. Essay 4: Ownership of Communication Sophie talks about finding and owning her authentic voice. She discusses her years as an actor in a profession that sadly lacked space for disabled actors to own their own experiences without being seen as less than able. Sophie explores a brief history of Sign Language from around the world and its importance as a vital communication tool. Listen Harder broadcast on BBC Radio 3 will be accompanied by an animated transcript and BSL translation on BBC Sounds website, increasing accessibility. Sophie Stone is a leading actor who grew up in east London and has been deaf since birth. She was the first deaf student at RADA. Since graduating, theatre includes: Othello (The Watermill Theatre); The Curious Incident Of The Dog In The Night Time (NT/Frantic Assembly Tour); The Living Newspaper (The Royal Court); The New Tomorrow (The Young Vic); The Beauty Parade (Wales Millennium Centre); As You Like It (Shakespeare's Globe); Emilia (Shakespeare's Globe/ West End); Jubilee (Lyric, Hammersmith/ Manchester Royal Exchange); The Greatest Wealth (The Old Vic); Herons (Lyric, Hammersmith); Mother Courage and Her Children (National Theatre); and In Water I'm Weightless (National Theatre of Wales). Television includes: The Chelsea Detective (2), Moving On, Two Doors Down (2), Shakespeare & Hathaway, Shetland, The Crown, Doctor Who, Mapp and Lucia, Moonstone, Marchlands, Midsomer Murders (2), Small World, Holby City, Casualty (2) and FM. Film includes: Name Me Lawand, Retreat (Sophie was awarded Best Actress Award, Clin d'Oeil Festival), My Christmas Angel, Confessions and Coming Home. She is co-founder of the Deaf & Hearing Ensemble Theatre Company, associate Artist for The Watermill Theatre, Pentabus Theatre and works as a consultant for several TV, Film and Theatre companies. Sophie had a lead role in Beethoven Can Hear You for BBC Radio 3 in 2020. Her essay for Radio 3 in 2020 for the Five Kinds of Beethoven series, was a critical success. It was accompanied by an animated transcript to increase accessibility. Writer and reader Sophie Stone Recording engineer Mat Clarke at Sonica Studios Sound designer Eloise Whitmore Producers Polly Thomas and Mina Anwar A Naked Production for BBC Radio 3

A very personal essay series about communication, listening, performance and British Sign Language (BSL). Sophie Stone considers her own life, career as an actor and identity as a Deaf person, through the role of communication, both spoken and in BSL. Hers is an unusual and vivid life – she was sometimes homeless as a child, became a young single mother, broke new ground as the first deaf acting student at RADA, enjoys a successful actor career, and maintains strong activist roots. Each essay describes a formative stage in Sophie's life and career, incorporating historical figures, the challenges and achievements of deaf and hard of hearing people since the 19th century and her own personal experience. Essay 3: Visibility of Communication Sophie talks candidly about the fear and isolation she felt as a deaf child, how seeing other deaf people, finding a community experiencing the world in similar ways, encouraged her to realise she was not alone. In challenging limiting beliefs and fighting for Deaf rights, Sophie describes finding the courage to carve out new pathways and opportunities in her life and career, creating opportunities for deaf voices to be integral to the creative process, and carving space for deafness to be made visible. Listen Harder broadcast on BBC Radio 3 will be accompanied by an animated transcript and BSL translation on BBC Sounds website, increasing accessibility. Sophie Stone is a leading actor who grew up in east London and has been Deaf since birth. She was the first deaf student at RADA. Since graduating, theatre includes: Othello (The Watermill Theatre); The Curious Incident Of The Dog In The Night Time (NT/Frantic Assembly Tour); The Living Newspaper (The Royal Court); The New Tomorrow (The Young Vic); The Beauty Parade (Wales Millennium Centre); As You Like It (Shakespeare's Globe); Emilia (Shakespeare's Globe/ West End); Jubilee (Lyric, Hammersmith/ Manchester Royal Exchange); The Greatest Wealth (The Old Vic); Herons (Lyric, Hammersmith); Mother Courage and Her Children (National Theatre); and In Water I'm Weightless (National Theatre of Wales). Television includes: The Chelsea Detective (2), Moving On, Two Doors Down (2), Shakespeare & Hathaway, Shetland, The Crown, Doctor Who, Mapp and Lucia, Moonstone, Marchlands, Midsomer Murders (2), Small World, Holby City, Casualty (2) and FM. Film includes: Name Me Lawand, Retreat (Sophie was awarded Best Actress Award, Clin d'Oeil Festival), My Christmas Angel, Confessions and Coming Home. She is co-founder of the Deaf & Hearing Ensemble Theatre Company, associate Artist for The Watermill Theatre, Pentabus Theatre and works as a consultant for several TV, Film and Theatre companies. Sophie had a lead role in Beethoven Can Hear You for BBC Radio 3 in 2020. Her essay for Radio 3 in 2020 for the Five Kinds of Beethoven series, was a critical success. It was accompanied by an animated transcript to increase accessibility. Writer and reader Sophie Stone Recording engineer Mat Clarke at Sonica Studios Sound designer Eloise Whitmore Producers Polly Thomas and Mina Anwar A Naked Production for BBC Radio 3

A very personal essay series about communication, listening, performance and British Sign Language (BSL). Sophie Stone considers her own life, career as an actor and identity as a deaf person, through the role of communication, both spoken and in BSL. Hers is an unusual and vivid life – she was sometimes homeless as a child, became a young single mother, broke new ground as the first deaf acting student at RADA, enjoys a successful actor career, and maintains strong activist roots. Each essay describes a formative stage in Sophie's life and career, incorporating historical figures, the challenges and achievements of deaf and hard of hearing people since the 19th century and her own personal experience. Essay 2: Forms of Communication Sophie looks at different forms of communication, and how her relationship to sounds and her other senses and has shaped her work as a deaf actor. She talks about the challenges and possibilities of shaping a more authentic representation of disability on stage and screen. The essay explores the ways deaf artists have perceived their own deafness and how this impacts their own creativity. Listen Harder broadcast on BBC Radio 3 will be accompanied by an animated transcript and BSL translation on BBC Sounds website, increasing accessibility. Sophie Stone is a leading actor who grew up in east London and has been deaf since birth. She was the first deaf student at RADA. Since graduating, theatre includes: Othello (The Watermill Theatre); The Curious Incident Of The Dog In The Night Time (NT/Frantic Assembly Tour); The Living Newspaper (The Royal Court); The New Tomorrow (The Young Vic); The Beauty Parade (Wales Millennium Centre); As You Like It (Shakespeare's Globe); Emilia (Shakespeare's Globe/ West End); Jubilee (Lyric, Hammersmith/ Manchester Royal Exchange); The Greatest Wealth (The Old Vic); Herons (Lyric, Hammersmith); Mother Courage and Her Children (National Theatre); and In Water I'm Weightless (National Theatre of Wales). Television includes: The Chelsea Detective (2), Moving On, Two Doors Down (2), Shakespeare & Hathaway, Shetland, The Crown, Doctor Who, Mapp and Lucia, Moonstone, Marchlands, Midsomer Murders (2), Small World, Holby City, Casualty (2) and FM. Film includes: Name Me Lawand, Retreat (Sophie was awarded Best Actress Award, Clin d'Oeil Festival), My Christmas Angel, Confessions and Coming Home. She is co-founder of the Deaf & Hearing Ensemble Theatre Company, associate Artist for The Watermill Theatre, Pentabus Theatre and works as a consultant for several TV, Film and Theatre companies. Sophie had a lead role in Beethoven Can Hear You for BBC Radio 3 in 2020. Her essay for Radio 3 in 2020 for the Five Kinds of Beethoven series, was a critical success. It was accompanied by an animated transcript to increase accessibility. Writer and reader Sophie Stone Recording engineer Mat Clarke at Sonica Studios Sound designer Eloise Whitmore Producers Polly Thomas and Mina Anwar A Naked Production for BBC Radio 3.

A very personal essay series about communication, listening, performance and British Sign Language (BSL). Sophie Stone considers her own life, career as an actor and identity as a deaf person, through the role of communication, both spoken and in BSL. Hers is an unusual and vivid life – she was sometimes homeless as a child, became a young single mother, broke new ground as the first deaf acting student at RADA, enjoys a successful actor career, and maintains strong activist roots. Each essay describes a formative stage in Sophie's life and career, incorporating historical figures, the challenges and achievements of deaf and hard of hearing people since the 19th century and her own personal experience. Essay 1: Communication Withheld Sophie talks candidly about her early years as a deaf child, denied access to language and communication through an inadequate education system teaching oralism above any other form of communication. Sophie describes her rebellious teenage years and how through finding BSL and the language of theatre, she began to find deeper more authentic ways to communicate. Listen Harder broadcast on BBC Radio 3 will be accompanied by an animated transcript and BSL translation on BBC Sounds website, increasing accessibility. Sophie Stone is a leading actor who grew up in east London and has been deaf since birth. She was the first Deaf student at RADA. Since graduating, theatre includes: Othello (The Watermill Theatre); The Curious Incident Of The Dog In The Night Time (NT/Frantic Assembly Tour); The Living Newspaper (The Royal Court); The New Tomorrow (The Young Vic); The Beauty Parade (Wales Millennium Centre); As You Like It (Shakespeare's Globe); Emilia (Shakespeare's Globe/ West End); Jubilee (Lyric, Hammersmith/ Manchester Royal Exchange); The Greatest Wealth (The Old Vic); Herons (Lyric, Hammersmith); Mother Courage and Her Children (National Theatre); and In Water I'm Weightless (National Theatre of Wales). Television includes: The Chelsea Detective (2), Moving On, Two Doors Down (2), Shakespeare & Hathaway, Shetland, The Crown, Doctor Who, Mapp and Lucia, Moonstone, Marchlands, Midsomer Murders (2), Small World, Holby City, Casualty (2) and FM. Film includes: Name Me Lawand, Retreat (Sophie was awarded Best Actress Award, Clin d'Oeil Festival), My Christmas Angel, Confessions and Coming Home. She is co-founder of the Deaf & Hearing Ensemble Theatre Company, associate Artist for The Watermill Theatre, Pentabus Theatre and works as a consultant for several TV, Film and Theatre companies. Sophie had a lead role in Beethoven Can Hear You for BBC Radio 3 in 2020. Her essay for Radio 3 in 2020 for the Five Kinds of Beethoven series, was a critical success. It was accompanied by an animated transcript to increase accessibility. Writer and reader Sophie Stone Recording engineer Mat Clarke at Sonica Studios Sound designer Eloise Whitmore Producers Polly Thomas and Mina Anwar A Naked Production for BBC Radio 3

Deepa Shastri, an actress, sign song performer and British Sign Language consultant. Deepa explores how Deaf culture and sign language being represented in the arts is so important to the deaf community but also how the arts and sign language naturally go hand in hand - due to the visual and expressive nature of sign language. Back in the 80s, when Marlee Matlin became the first deaf Oscar winner for her performance in 'Children of a Lesser God', things were about to become very exciting for the deaf arts. Fast forward a few decades, Deepa shares how we are now entering a new era where deaf people are being represented on screen and on stage with the likes of Rose Ayling-Ellis picking up the Glitterball, Sophie Stone appearing in Dr. Who and Nadeem Islam making waves on series such as ITV's 'The Bay'. Theatre companies such as Deafinitely Theatre were and continue to be the breeding ground of deaf talent. Within the context of exploring Deafinitely Theatre's work, Deepa explores the complex process of translating Shakespeare plays to British Sign Language and how BSL has its limitations; we do not have signs for every word that exists in the English Dictionary which makes translation difficult. Still, the positives outweigh the limitations. Sign language is very poetic which bodes well for Shakespeare plays in sign language. Deepa concludes that she believes we're entering the golden age for deaf performers as sign language and deaf performers are appearing on all platforms to show the beauty of sign language and how it elevate a performance or a production. A Flashing Lights Media production for BBC Radio 3.

Sophie Stone kicks the most ass, Late-Capitalism claims its worthiest victim yet, and the Doctor's cards tell us that "It was my fault. I should have known you didn't live in Aberdeen!" Toby Whithouse interview: https://ew.com/comic-con/2015/10/12/doctor-who-toby-whithouse-comic-con-interview/ The Terminus podcast episode we mentioned talking about Clara's Icarus fate. http://terminus.libsyn.com/terminus-podcast-episode-12-here-comes-the-drum-under-the-lake

Sophie Stone makes work that shifts between painting, sculpture, and domestic floor rugs. Sophie talks about the state of ambiguity in her work, allowing materials to use their own muscles, her installation at NADA House on Governor’s Island, stains as gesture and grungy versus polished surfaces, frustration leading to revelation, letting go in studio, and reinterpreting decorative art and beauty.

Fan Wonderland talks to Ukrainian based artist Alice Blake about her fan art, how she got started, and her advice for other artists as well as talking about multiple fandoms. TJ & Alice discuss how Alice learnt to draw and what inspires her, and how she dealt with uncertainty about her style and how she overcame it. They also discuss how fan art has been utilised within shows recently, Thasmin, Legends of Tomorrow, the consistent killing of LGBTQIA+ characters in TV shows, as well as how Doctor Who has changed for people who are deaf and blind by creating strong characters with actresses such as Ellie Wallwork and Sophie Stone and much more, of course including Alice in Wonderland. Mild spoilers are contained for Doctor Who (2005) episodes including New Years special Resolution. Podcast Cover designed by Fan Wonderland Cover Images Provided by Alice Blake Art Alice Blake Links: Instagram: https://www.instagram.com/aliceblakeart/ Twitter: https://twitter.com/aliceblakeart Tumblr: https://aliceblakeart.tumblr.com/ Episode Notes: -TJ mentioned Series/Season 12 on two occasions. What was meant was the 12th Doctor’s Era with Peter Capaldi -The deaf actress in Doctor Who TJ mentioned was Sophie Stone .

¿Alguno de vosotros necesita un sandwich? Más que nada porque la duración de esto va creciendo y puede que paséis hambre POR CIERTO: ¡Que nos equivocamos! - Ricardo vuelve a meter la pata dando una referencia bíblica. Se trata de Mateo 28,20 (no 16,20). Vergüenza de cura. - A partir 23:28 hablamos de Eleanor Wallwork, la actriz que da vida a Hanne en el capítulo y señalábamos que era la primera actriz ciega de la serie. Desde luego es la primera actriz ciega, pero nos olvidábamos de Sophie Stone que aparecía en Under the Lake/Before the Flood haciendo el papel de Cass O'Donnel y que, como su personaje, es sordomuda (¡y eso que mencionábamos (sin nombrarla expresamente, porque somos así de espesillos a veces) a Marlee Matlin!) - 1h48min37s: La actriz que originalmente interpretaba a Susan no actuó en Matrix. No es Carrie Ann Moss, ni siquiera Carrie Ann Ford: es Carole Ann Ford. Aunque seguro que en en su casa le llaman Carrie también.

¿Alguno de vosotros necesita un sandwich? Más que nada porque la duración de esto va creciendo y puede que paséis hambre POR CIERTO: ¡Que nos equivocamos! - Ricardo vuelve a meter la pata dando una referencia bíblica. Se trata de Mateo 28,20 (no 16,20). Vergüenza de cura. - A partir 23:28 hablamos de Eleanor Wallwork, la actriz que da vida a Hanne en el capítulo y señalábamos que era la primera actriz ciega de la serie. Desde luego es la primera actriz ciega, pero nos olvidábamos de Sophie Stone que aparecía en Under the Lake/Before the Flood haciendo el papel de Cass O'Donnel y que, como su personaje, es sordomuda (¡y eso que mencionábamos (sin nombrarla expresamente, porque somos así de espesillos a veces) a Marlee Matlin!) - 1h48min37s: La actriz que originalmente interpretaba a Susan no actuó en Matrix. No es Carrie Ann Moss, ni siquiera Carrie Ann Ford: es Carole Ann Ford. Aunque seguro que en en su casa le llaman Carrie también.

¿Alguno de vosotros necesita un sandwich? Más que nada porque la duración de esto va creciendo y puede que paséis hambre POR CIERTO: ¡Que nos equivocamos! - Ricardo vuelve a meter la pata dando una referencia bíblica. Se trata de Mateo 28,20 (no 16,20). Vergüenza de cura. - A partir 23:28 hablamos de Eleanor Wallwork, la actriz que da vida a Hanne en el capítulo y señalábamos que era la primera actriz ciega de la serie. Desde luego es la primera actriz ciega, pero nos olvidábamos de Sophie Stone que aparecía en Under the Lake/Before the Flood haciendo el papel de Cass O'Donnel y que, como su personaje, es sordomuda (¡y eso que mencionábamos (sin nombrarla expresamente, porque somos así de espesillos a veces) a Marlee Matlin!) - 1h48min37s: La actriz que originalmente interpretaba a Susan no actuó en Matrix. No es Carrie Ann Moss, ni siquiera Carrie Ann Ford: es Carole Ann Ford. Aunque seguro que en en su casa le llaman Carrie también.

Long podcast episode is long. And late. But them's the breaks during a confluence of technical issues and illness, I suppose? Still, it's finally here, nonetheless! Now, full disclosure, this episode was actually recorded before the second part 'Before the Flood'' aired, so obviously some of my speculation and predictions didn't quite turn out to come true, of course, but, hey, some of them did! You can even play Nicole-is-right-or-wrong Bingo, if you'd like -- though I don't have any pre-made Bingo cards for the occasion, unfortunately! Anyway, I hope you all will join me on this episode, as I gush about the newest episode of Doctor Who. And, as always, glad to have you all aboard. Enjoy the ride! Episode 12 – Here Comes The Drum: Under the Lake   Table of Contents:0:00:00 - Opening and Welcome0:02:43 - Happy Fandom Time0:16:32 - Discussion of 'Under the Lake'0:51:48 - Coming Soon on the Next Episode! (Plus Goodbye, Thanks, and Outro!)     Links: + Email: terminusdwpodcast@gmail.com + Terminus on Stitcher + Terminus on iTunes + Facebook: https://www.facebook.com/groups/terminusdwpodcast/ (the social group) or Like Us at: https://www.facebook.com/TerminusDWPodcast + Twitter: https://twitter.com/TerminusCast + Tumblr: http://terminusdwpodcast.tumblr.com + Terminus Amazon Online Store + Music Theme:  'Violin Doctor Who Theme' by ViolinistBAKA (on YouTube) + Earth Station One Network Fun Links Related to the Show:+ BBC press release for 'Class' + Two Minute Time Lord ep #390 (in cahoots with the Reality Bomb podcast)  + Radio Free Skaro ep #496 + Big Finish News Page + The Sixth Doctor's new regeneration story from Big Finish -- 'The Last Adventure' + TimeGate (Atlanta's Doctor Who & British Media Convention) + Airzone Solution DVD + Oculus Rift + Radio Times: What Was on the Doctor's Prompt Cards in Under the Lake? + Tumblr post about Clara's characterization by user 'tilthenexttimedoctor' + 'Wanderlust' fanfiction by me (warning: very naughty!) + Sapiosexuality definition + Vid of Sophie Stone and Zaqi Ismail talking about using BSL on Doctor Who + 'Press Gang' + 'In the Flesh' + 'Les Revenants' ('The Returned' French version)   BE SURE TO CHECK THE TERMINUS AMAZON A-STORE FOR WHERE TO BUY OTHER THINGS MENTIONED IN THE EPISODE!   Notes: Opening audio clips from the Fifth Doctor serial 'Terminus' and the Tenth Doctor serial 'The Shakespeare Code', copyright BBC. The female robot voice was from '2nd Speech Center' text-to-voice software. 'Doctor Who' theme was by ViolinistBAKA, link provided above.

In this episode, Daniel and Shana are highly amused (and at least somewhat impressed by) the second two-part story of Series 9, "Under the Lake/Before the Flood." A base-under-siege with a nifty Golden Age SF time travel twist, this story inspires discussion of subjugated peoples controlled by mental conditioning, the way that that metaphor might reflect modern-day patriarchal structures, and the use of time travel paradoxes in Moffat Who. Also: email about military adventurism in the Western world, discussion of the space opera elements of Blake's 7, and a rough definition of the word miniarchist. All that and a rubber monster, too.  Main Topic: Under the Lake/Before the Flood. Shana's Intro. Daniel didn't hate this. Where have these characters been? Semaphore. Sophie Stone. New producer. Our deaf listeners? An email from Henry, our miniarchist friend. Quote, unquote. Literally. "Don't ding a poet!" Blake's 7. The Underwater Menace DVD and the possibility of streaming. A letter from Tom and military metaphor. "Lean back and think of England." Toby Whithouse. Shana does her Susan Foreman impersonation for Jack Graham. Petroleum. I'm from UNIT. Pacing. O'Donnel versus Osgood. The Cold War. Prentiss and BDSM. The Tivolians and the Ood. Not Robin Williams. Daniel is an idiot. The love stories. Feels like a Classic Who four-parter. Still not a bossy control freak. Dynamic female characters. The bootstrap paradox. Breaking the fourth wall. Rock star anarchist Rod Serling. Our blind listeners. Doctor Who as a time travel story. Robert Osborne. Structure. Fixed points and Time Lords. Flood myths. Bigger pictures. "Can we call him Aladdin?" Consistent universes. Alien races in Classic Who. Trek vs. Who. "They can't say the Doctor's been racist for 2000 years." Future history. Creature design. The Fisher King versus the Graf Vynda-K. Screwdriver vs. Sunglasses. Next week: State of Decay.  Full Battle Rattle, a documentary mentioned in the show. Shana and Daniel discuss The Mind Robber and the God Complex. Find Our Stuff!  Find us on iTunes! Or Facebook! We love email (oispacemanpodcast@gmail.com)! And all our episodes are on oispaceman.libsyn.com. You can also find a text blog associated with this podcast at oispacemanblog.wordpress,com. Our theme song is "Doctor Who Theme on Minimoog" by James Bragg. Find his Youtube channel at youtube.com/hyperdust7 and his band page at phoenix-flare.com.  Daniel's Tumblr Twitter Shana's Tumblr Twitter 

Charles Skaggs & Jesse Jackson review "Under the Lake", the third episode from Doctor Who Series 9 in 2015, featuring Peter Capaldi as the Twelfth Doctor, Jenna Coleman as Clara Oswald, Sophie Stone as Cass, and Colin McFarlane as Commander Moran! Find us here:Twitter: @NextStopSMG, @CharlesSkaggs, @JesseJacksonDFW Instagram: @nextstopeverywherepodcast Facebook: Facebook.com/Nextstopeverywherepodcast Email: NextStopEverywhereSMG@gmail.com Listen and subscribe to us in Apple Podcasts and leave us a review!