Podcasts about Shetland

Send us a textThe podcast episode introduces James Phillips, who finds himself transitioning from military life to exploring horsemanship with passion in southeastern Idaho. His life story unfolds with roots in England where he first rode Shetland ponies, and later life in America following a family split. Navigating the emotional rollercoasters of family dynamics, James sought solace in learning and faith, engaging deeply with the lessons from the military and horses. He now channels his energy into being a intentional father and dedicated husband embracing the chaos and beauty of his life.

In this episode, Anne starts with all the details of this year's Shetland Hogmanay Box before diving into her experiences at the Connecticut and New Hampshire Sheep and Wool events and her trip to volunteer at the Woolly Good Gathering. Finally, she shares an excursion to the Western Massachusetts wool pelletizer with Erin Pirro of Morehouse Farm.  Things Mentioned in This Episode The I Thought I Knew How Facebook Group, Instagram, and website (where you can join the mailing list). The Shetland Hogmanay Box preorders will go live on May 17 at 2 pm eastern time. This year's box contains yarn from Aister 'Oo', Jamieson's of Shetland, Laxdale Yarn, The SIlly Sheep Fibre Co., Uradale Yarns, West Lynne Wool, and Langsoond Yarn, as well as a day of inclusions and a pattern created to use the yarn in the box designed by Mandy Moore.   Connecticut Sheep, Wool, and Fiber Festival New Hampshire Sheep and Wool Festival Woolly Good Gathering Western Massachusetts Fibershed Peggy Hart on Instagram Wool: Unravelying an American Story of Artisans and Innovation, by Peggy Hart Morehouse Farm's website and Instagram Check out Erin's video from our day at the pelletizer at her website! The pellets should appear on the Morehouse site. If you are in the midwestern United States, you might want to order wool pellets from closer to home from The Wool Yard. The Journal of Scottish Yarns Rhode Island's unofficial Sheep and Wool Festival takes place at Coggeshall Farm The Maine Fiber Frolic Massachusetts Sheep and Woolcraft Fair Music The songs in this episode were "What Love Means to You," from Tom Goldstein; "Better Than Us," by Humans Win; and Nicholas Rowe with "I Wish That I Could Sing It For You."

Stories and laughs abound in another couple's view of life episode. Nursing our ailing dogs, a new Pope, Mother's memories, anniversaries far and wide, true binging, dancing, music, golf spectating, and much more in the lively mix. Come on along!

Chris insists we don't yet have enough rogue-like deck builders yet. Andi is playing as a little girl - in a video game, that is. Kelley's new personal deity is Gomez. Josh isn't here because he's busy petting actual Shetland ponies. The post RPG Cast – Episode 768: “Death Is Super Salty” appeared first on RPGamer.

All the wool is a vlog  all about handspinning yarn, processing wool, knitting, owning a wool mill, farm life and everything in between.To watch this episode on YouTubehttps://youtu.be/DO7my6WrTy4This episode starts in the mill at the picker as we blend up Shetland wool and Suri alpaca. Then more picking with Shetland wool and dyed up tussah silk. Off to the carder we go with these fibers and of course a little handspinning. There is also a quick visit to the farm to see the pigs, alpaca, June the pony and the sheep.Find me at:https://www.ewethfulfiberfarm.com/Blogging at http://www.beingewethful.com/Ravelry group: Ewethful Fiber Farm & MillJoin Ewethful's Patreon Communityhttps://www.patreon.com/EwethfulFiberMillTo ask me a questionhttps://docs.google.com/forms/d/e/1FAIpQLSdkoshX7grvAiOcNxwAlUqFskm-opVlE1h_L6jmdO-CvGX8kg/viewform?usp=sf_linkFree hand spinning resources - " Ewethful's Wool School"https://www.ewethfulfiberfarm.com/pages/wool-educationFor details and to purchase the online course to  learn to handspin on wheelhttps://www.ewethfulfiberfarm.com/pages/lets-make-yarn-landing-pageFor details and to purchase the online course to learn to spin longdrawhttps://www.ewethfulfiberfarm.com/products/2256545Shop for Ewethful handspinning fibershttps://www.ewethfulfiberfarm.com/collectionsMentioned in this episode:Breakwater Beach VestDesigner: Irina Anikeevaknitted with Ewetopia YarnNYTimes articles re: pronatalismhttps://www.nytimes.com/2025/04/21/us/politics/trump-birthrate-proposals.htmlForeign Affairs magazine November/December 2024 editionArticle referenced: The Age of Depopulation: Surviving a World Gone GrayAuthor: Nicholas EberstadtOther sources I followNathan Tankushttps://www.nytimes.com/2025/04/10/business/economy/tariffs-apparel-american-made.htmlChad Scotthttps://www.youtube.com/@UCO1ydt_TOAZfwEgJpgOx2jQ Keds Economisthttps://www.youtube.com/@UC-L8bPaJ_aJznCLLtUHxnLA The Weekly Show with Jon Stewarthttps://www.youtube.com/@UCQlJ7XpBtiMLKNSd4RAJmRQ Reuters, Al Jazeera, NYTimes, NPR, Foreign AffairsAffiliate link:Wooleryhttps://woolery.com/?aff=352

All the wool is a vlog  all about handspinning yarn, processing wool, knitting, owning a wool mill, farm life and everything in between.To watch this episode on YouTubehttps://youtu.be/XTc7rocXgCgThis episode starts out at the wool mill where I am carding up some Shetland wool. Then we head to my studio where we dye up some wool and then take a quick pitstop by the fiber farm to say hi to the sheep. A little sewing talk is in here as I start the Dress #1 from 100 Acts of Sewing and I find myself in sewing heaven. Finally a little handspinning at my Majacraft and yes, a little politics as I review what's happening in the US this week. Find me at:https://www.ewethfulfiberfarm.com/Blogging at http://www.beingewethful.com/Ravelry group: Ewethful Fiber Farm & MillJoin Ewethful's Patreon Communityhttps://www.patreon.com/EwethfulFiberMillTo ask me a questionhttps://docs.google.com/forms/d/e/1FAIpQLSdkoshX7grvAiOcNxwAlUqFskm-opVlE1h_L6jmdO-CvGX8kg/viewform?usp=sf_linkFree hand spinning resources - " Ewethful's Wool School"https://www.ewethfulfiberfarm.com/pages/wool-educationFor details and to purchase the online course to  learn to handspin on wheelhttps://www.ewethfulfiberfarm.com/pages/lets-make-yarn-landing-pageFor details and to purchase the online course to learn to spin longdrawhttps://www.ewethfulfiberfarm.com/products/2256545Shop for Ewethful handspinning fibershttps://www.ewethfulfiberfarm.com/collectionsMentioned in this episode:The online sewing course I am taking is through Sew Liberatedhttps://sewliberated.com/our-coursesPattern: Nocturne Pants by Sew LiberatedSewing I am working onby 100 Acts of Sewing, Dress No 1https://www.100actsofsewing.com/Baby ponchopattern: Baby Doe Ponchodesigner: Appalachian Baby DesignSewing heaven is at Jeff's Sewing Machinehttps://www.sewingeugene.com/NYTimes articles re: textile industryhttps://www.nytimes.com/2025/04/12/us/south-carolina-manufacturing-tariffs.htmlhttps://www.nytimes.com/2025/04/10/business/economy/tariffs-apparel-american-made.htmlAffiliate link:Wooleryhttps://woolery.com/?aff=352

Episode 63 (17/04/25) On this episode - We start with Barry's second new idea for a cop show after realising there's already a Bafta winning TV show called ‘Shetland' that has been around for over a decade. Then Greg talks about the thrill of winning a giant charity pub quiz almost single handedly, Barry's Easter egg facts, going off Cadbury's Cream Eggs as you get older, Katy Perry going to space, the works and life of Willy Rushton in ‘Barry's Masters of Comedy'(with “impressions”), police officers who are better off at home, confusing onion rings, the exorbitant amount of energy used by Chat GPT to create pictures of action figures, SNL coming to the UK?, Fire Festival 2, a recap of the story so far in our improvised soap opera ‘Aylesbury Market' (before the latest episode), recommendations, Future Greg and a whole lot more! 

Shetland, Scotland native and independent journalist Jen Stout was in Russia in late February 2022 when the war with Ukraine broke out and quickly left for a border post in southern Romania to cover the great flood of refugees who were fleeing the fighting. Weeks later she entered Ukraine to report first-hand from the front lines and cities across the country. A writer with a great sense of empathy, Jen's main interest was not military strategy or international politics, but the Ukrainian people – their indomitable spirit, their poetic sensibilities  their hopes and fears. Her perspective is from the ground and her stories are filed from night trains, birthday parties, military hospitals and bunkers. Her very moving book is entitled: “Night Train to Odessa: Covering the  Human Cost of the Russia's War.”Heroes Behind HeadlinesExecutive Producer Ralph PezzulloProduced & Engineered by Mike DawsonMusic provided by ExtremeMusic.com

John Cena's back on top… and Kevin Nash has thoughts. In this week's episode, Big Kev breaks down the shockwaves of WrestleMania and why he thinks the ending was more “Hogan in '96” than the crowd may have realized. From kayfabe power dynamics to merch-moving politics, it's all under the microscope as Kevin sets the table for what should come next. But before we get into the squared circle, we take a cinematic detour. Michael Mann's Heat, Kevin Bacon playing a literal devil's bounty hunter, and how many rewatches does it take to admit Collateral might not hold up? Kev's got opinions, Sean's got DVD nostalgia, and somehow Al Pacino ends up with a jobber's gimmick. Welcome to Kliq This. The boys also break down what it really means to “look like a star” in today's wrestling climate—whether you're a 6'10” killer or a 5'1” flipper. Kev doesn't mince words when comparing Rey Mysterio's legacy to modern high-flyers, and yes, someone ends up being called a Shetland pony. Is the WWE pricing out the working-class fan? Is Heyman really the MacGuffin that holds the industry together? And why do modern entrances feel more like Coachella sets than fight-night spectacles? Kev walks through the economics, the nostalgia, and the fire (literally) of what makes a great entrance… and why Diesel's never gotten the love it deserved. And finally, WrestleMania predictions fly fast and furious—including a huge twist involving Cena, Cody, and Paul Heyman. Kev sees the chessboard clearly, even if it ends with someone becoming a “Heyman bottom.” If that line doesn't get your attention, nothing will. Watch now—before the markets open.

The Shetland Islands, is an archipelago in Scotland and the most northerly point of the United Kingdom lying between Orkney, the Faroe Islands, and Norway. It is also one of the most incredible and important locations for breeding seabirds in the world. In the summer of 2023 both Rob and Josh visited these amazing islands and were captivated by their rugged beauty and the birds that breed there. The pair are joined by wildlife photographer Rebecca Nason who lives on the Islands and runs Shetland Seabird Tours and the Noss Boat with her partner Phil Harris. Rebecca shares her knowledge of the islands and their birds, and Rob and Joss recall their trips and experiences. This is a must listen episode as the three share some valuable insights on the location and its birds. Their love and enthusiasm for the islands makes for a very compelling listen that hopefully will inspire your own adventures.About Rebecca:Rebecca hails from a family of keen naturalists & globe trotters & can't remember a time when she didn't have a passion for wildlife & photography. She has an MSc in Conservation Management & a 2:1 Hons degree in Geography & Environmental Studies. A varied career as a freelance ecologist & completely self-taught wildlife photographer, Rebecca also regularly guided wildlife tours in Shetland & overseas in locations including Sweden, Lesvos & Spitsbergen. Rebecca was Assistant Warden & Seabird Officer on Fair Isle for 2 years & has a passion for seabirds & cetaceans.Rebecca has excellent ornithological & communication skills & has worked in the tourism & conservation sectors throughout the last 20 years. She has been an award winning wildlife photographer for the last 12 years & an acclaimed wildlife photographic judge, for the prestigious Bird Photographer of the Year for 3 years before being a WildArt Photographer of the Year judge. She is keen to share her photographic passion with our passengers on our bespoke tours, so they too can enjoy the numerous photographic opportunities whilst aboard the Noss Boat.Rebecca has worked for several ecological consultancies carrying out bird survey work on both land & sea. She is a full member of the Chartered Institute of Ecology & Environmental Management & a full committee member, treasurer & membership secretary of the Shetland Bird Club. Rebecca is the first woman to be invited to join the Shetland Rarities Committee in Summer 2024.https://www.shetlandseabirdtours.com/https://www.instagram.com/puffinpassion/https://www.instagram.com/shetlandseabirdtours/About the Hosts:Rob Read has spent many years as a photography competition organiser; firstly as a founding director of, and primary organiser of Bird Photographer of the Year for the first five years of the competition, and more recently as founder, owner, and organiser of WildArt Photographer of the Year. Josh Galicki has been entering competitions for many years and has had significant success in many, including Bird Photographer of the Year. He is now part of the judging team for WildArt Photographer of the Year.Connect with the Podcast Instagram Account and Facebook Page using the following links:https://www.instagram.com/wildphotopodcast/https://www.facebook.com/profile.php?id=61570623586727Get in touch with us directly by sending an email to wildphotopodcast@gmail.comFind out more about your host's and view their work on their Instagram profiles:Rob - https://www.instagram.com/robreadphotos/Josh - https://www.instagram.com/galicki_photography/The WildArt Photographer of the Year competition website can be found here - https://www.wildartpoty.com/

Knitting and wool are so essential in the Faroe Islands that in the early 1800s, exports of sweaters and socks made up about half of the economy. Today, the nation of about 55,000 people has 8+ knitwear brands, 2 active spinning mills, and 70,000 ewes. Sissal Kristiansen, the owner of knitwear company Shisa Brand, started an initiative called The Wool Islands to celebrate the heritage and potential of Faroese fiber. “We owe it to our past and our future to utilise the natural resources that we have, and on the Faroe Islands, that is wool,” she says. The first project of the Wool Islands was a 15-minute documentary that takes viewers on a sweeping journey through the Faroese landscape, meeting shepherds, knitters, and of course sheep. Available to watch free on YouTube and the project's website, the film welcomes you to the small country, which is located in the North Atlantic between Shetland and Iceland. Today, the economy of the Faroe Islands relies on tourism; the film shows how enticing a destination it is for knitters, spinners, and textile lovers. Sheep and knitting are everywhere in the Faroe Islands, but maintaining the quality and value of the local wool depends on visitors, locals, knitters, and consumers to recognize its unique importance. Drawing on the natural colors produced by the native sheep, Faroese knitting patterns are characterized by graphic, highly contrasting stranded patterns that generally carry floats over less than five stitches. Sissal's designs for Shisa Brand feature bold traditional motifs in contemporary silhouettes and scales. Some of Shisa Brand's iconic garments feature black-and-white geometric patterns, and the ready-to-wear items are handmade by local handknitters using Faroese wool. Undeterred by wool's reputation for scratchiness next to the skin, she celebrates the lofty texture, warmth, and silkiness of the dual-coated fleece. Hearing Sissal speak about her home and her passion for Faroese wool will leave you yearning to wear Faroese knitwear, knit with Faroese yarn, and visit the country's wool islands. Links Shisa Brand website (https://www.shisabrand.com/) and Instagram (https://www.instagram.com/shisabrand) Find The Wool Islands film and resources about wool in the Faroe Islands at the program's website (https://www.thewoolislands.com/) Watch a panel (https://youtu.be/O07UJxisLeg?si=mUwdb82UIJfXW4gk) moderated by Isabella Rossellini featuring Sissal and other Faroese designers and producers, hosted by the Scandinavia House in April 2024 Read Sissal's “Legacy of Wool: Faroese Gold” in Farm & Fiber Knits (https://farmfiberknits.com/legacy-of-wool-faroese-gold/) Føroysk Bindingarmynstur (Faroese Knitting Patterns), the collection of Faroese knitting motifs documented by Hans Marius Debes, is available from Navia. (https://www.navia.fo/en/knitting-patterns/1151-foroysk-bindingarmynstur.html) Yarn grown in the Faroe Islands is available from Navia (distributed in the US by Kelbourne Woolens. (https://kelbournewoolens.com/collections/navia) Spinnaríið við ánna (Spinnery by the River) (https://kyrra.fo/pages/about-us) produces 100% Faroese yarns at a family-owned micro mill. Snaeldan (https://snaldan.fo/) mill produces yarn and knitwear in the Faroe Islands. Signabøgarður tógv (https://www.facebook.com/siignabogardur) offers 100% Faroese wool yarn. This episode is brought to you by: Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com (https://www.treenwaysilks.com/). You'll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white. If you love silk, you'll love Treenway Silks, where superior quality and customer service are guaranteed. KnitPicks.com has been serving the knitting community for over 20 years and believes knitting is for everyone, which is why they work hard to make knitting accessible, affordable, and approachable. Knit Picks responsibly sources its fiber to create an extensive selection of affordable yarns like High Desert from Shaniko Wool Company in Oregon. Are you looking for an ethical, eco-friendly yarn to try? Look no further than Knit Picks' Eco yarn line. Need needles? Knit Picks makes a selection for knitters right at their Vancouver, Washington headquarters. KnitPicks.com (https://www.knitpicks.com/)—a place for every knitter.

What if flipping through a magazine could win you a Shetland pony? In this heartwarming episode, we trot back to early 1900s America and uncover the delightful story of the Farmer's Wife magazine's pony contest. You'll meet young John, whose determination (and a little help from family) turned a dream into reality—despite plenty of skeptics.More than just a prize, the ponies became beloved companions and symbols of childhood ambition. With charming stories and nostalgic vibes, this episode explores how one contest captured hearts and changed lives. Whether you're a horse lover or just here for the feel-good moments, this one will leave you smiling. Listen in to learn more : (01:21 - 02:33)   A Pony Dream Sparked by Rainy Day Reading(04:28 - 05:06) The Community Can't Believe It's Real(06:20 - 07:10)   Busy the Multi-Talented Pony Superstar 

This week we got further updates on the Neo Energy and Repsol tie-up, Kistos' full year results for 2024 and the results of HAR2. Energy Voice's Ryan Duff, Erikka Askeland and Mat Perry discuss. First up, what's happening at Flotta? Erikka chats about the gas terminal's hydrogen plans and what attracted Neo Energy's private equity backers to the Spanish firm's UK division. Ryan argues that tax incentives from Repsol's extensive decommissioning liabilities may be the answer.  Next up, Ryan discusses Kistos and its plans to expand the Greater Laggan Area off the west coast of Shetland. The firm has brought attention to the Glendronach field now that operatorship of the area is changing hands. When talking about gas, there has to be a Trump, the trio discusses how US policy is impacting global oil and gas firms.  Finally, Mat chats about hydrogen and the results of HAR2. Was it perfect? No, but maybe it doesn't need to be. He discusses some of the talking points from a recent conference in Birmingham, which touched on getting hydrogen "good" but it doesn't need to be "perfect" in order to unlock investment. Price is still a sticking point for this fuel source but the government is aiming to tackle this too. 

All the wool is a vlog  all about handspinning yarn, processing wool, knitting, owning a wool mill, farm life and everything in between.To watch this episode on YouTubehttps://youtu.be/vo0FzOot8vcThis episode starts out at the wool mill where I am working with a rare breed, Clun Forest. Washing wool and then off to the carder we go. Also a little picking and carding of a Shetland/alpaca blend. Then I head home to do a little handspinning and show off my first completed sewing project, the Nocturne pants!Find me at:https://www.ewethfulfiberfarm.com/Blogging at http://www.beingewethful.com/Ravelry group: Ewethful Fiber Farm & MillJoin Ewethful's Patreon Communityhttps://www.patreon.com/EwethfulFiberMillTo ask me a questionhttps://docs.google.com/forms/d/e/1FAIpQLSdkoshX7grvAiOcNxwAlUqFskm-opVlE1h_L6jmdO-CvGX8kg/viewform?usp=sf_linkFree hand spinning resources - " Ewethful's Wool School"https://www.ewethfulfiberfarm.com/pages/wool-educationFor details and to purchase the online course to  learn to handspin on wheelhttps://www.ewethfulfiberfarm.com/pages/lets-make-yarn-landing-pageFor details and to purchase the online course to learn to spin longdrawhttps://www.ewethfulfiberfarm.com/products/2256545Shop for Ewethful handspinning fibershttps://www.ewethfulfiberfarm.com/collectionsMentioned in this episode:The online sewing course I am taking is through Sew Liberatedhttps://sewliberated.com/our-coursesPattern: Nocturne Pants by Sew LiberatedAffiliate link:Wooleryhttps://woolery.com/?aff=352

What do you get when you mix a determined kid, a magazine contest, and a Shetland pony? Pure magic. Meet Amelie Kafer from early 1900s Iowa—a young boy with big dreams and one epic case of mistaken identity (yes, Amelie was assumed to be a girl). Against the odds, he set out to win a pony named Bonnie… and spoiler alert: he did.This charming episode is packed with vintage vibes, a dash of childhood mischief, and the kind of pony-powered joy that turns dusty fields into racetracks. If you love heartwarming animal tales with a side of laughter, saddle up—this one's for you.Listen in to learn more : 02:04) Disappointment Turned Into Delight (05:45) Farm Chores Bring Joy to Bonnie

All the wool is a vlog  all about handspinning yarn, processing wool, knitting, owning a wool mill, farm life and everything in between.To watch this episode on YouTubehttps://youtu.be/SfMWKye31AYThis episode is a little different as I take a little break from the wool mill to play some catch-up at home. We start off on a walk with the dogs at one of the grass seed fields. Then it's homeward to show my current wip's. Handspinning, knitting and a bit of my first sewing project. Find me at:https://www.ewethfulfiberfarm.com/Blogging at http://www.beingewethful.com/Ravelry group: Ewethful Fiber Farm & MillJoin Ewethful's Patreon Communityhttps://www.patreon.com/EwethfulFiberMillTo ask me a questionhttps://docs.google.com/forms/d/e/1FAIpQLSdkoshX7grvAiOcNxwAlUqFskm-opVlE1h_L6jmdO-CvGX8kg/viewform?usp=sf_linkFree hand spinning resources - " Ewethful's Wool School"https://www.ewethfulfiberfarm.com/pages/wool-educationFor details and to purchase the online course to  learn to handspin on wheelhttps://www.ewethfulfiberfarm.com/pages/lets-make-yarn-landing-pageFor details and to purchase the online course to learn to spin longdrawhttps://www.ewethfulfiberfarm.com/products/2256545Shop for Ewethful handspinning fibershttps://www.ewethfulfiberfarm.com/collectionsMentioned in this episode:Breakwater Beach VestDesigner: Irina Anikeevaknitted with Ewetopia YarnLulu SlipoverDesigner: PetiteKnitknitted with handspun Shetland lamb yarnThe online sewing course I am taking is through Sew Liberatedhttps://sewliberated.com/our-coursesPattern: Nocturne Pants by Sew LiberatedAffiliate link:Wooleryhttps://woolery.com/?aff=352

Do those photos you've been seeing of the otherworldly landscapes of the Isle of Skye or the white-sand beaches of the Outer Hebrides keep catching your eye? This episode will help you decide if they're worth adding to your itinerary. Exploring Scotland's islands is like stepping into another world—each with its own unique charm, history, and rugged beauty. But with so many to choose from, it can be tricky to know if they're even worth adding to your itinerary in the first place—and which ones deserve a spot if you do. In this episode of the Scotland, Your Way series, I'm guiding you through the must-visit islands of the Hebrides, Orkney, and Shetland. You'll get a feel for what makes each one special, plus practical tips on how to get there. Whether you're short on time or planning a longer adventure, you'll leave with a clear idea of whether Scotland's islands are worth adding to your itinerary—and which ones to prioritize based on how much time you have. → Get SUPPORT designing your SCOTLAND TRIP ← Connect w/ Angela on Instagram LISTEN BACK: Episode 147: The Bahamas // Choosing the Right Island Episode 176: The Greek Island Matchmaker Episode Episode 237: Scotland, Your Way // A Guide to Every Region

El cohete Spectrum de Isar Aerospace explotó tras despegar desde Noruega, en el primer intento orbital europeo desde suelo continental  Por Félix Riaño @LocutorCoEste domingo 30 de marzo, a las 12:30 p. m. hora local en Noruega, despegó el cohete Spectrum desde el puerto espacial de Andøya, dentro del círculo polar ártico. El vehículo fue desarrollado por la startup alemana Isar Aerospace y no llevaba carga, pues era un vuelo de prueba. A los 18 segundos de vuelo, el cohete empezó a girar fuera de control y cayó al mar apenas 12 segundos después. El objetivo era comprobar que el sistema de vuelo y su tecnología funcionaran en condiciones reales. Aunque no alcanzó la órbita, el vuelo fue calificado como exitoso por la empresa. ¿Qué significa esto para Europa y su acceso al espacio?  Fue el primer cohete orbital lanzado desde Europa continental  La escena fue impactante: un cohete se alzó sobre un paisaje helado de montañas cubiertas de nieve. El Spectrum es un cohete de 28 metros de altura, diseñado para poner hasta 1.000 kilogramos en órbita baja. Su despegue fue transmitido en vivo por YouTube y observado con expectativa por toda la comunidad espacial. Este no era un cohete de la Agencia Espacial Europea, ni de algún gobierno: era una misión totalmente privada, hecha por Isar Aerospace, una empresa fundada en 2018 en Múnich. El lanzamiento fue una primicia: la primera vez que un cohete orbital salía desde el suelo del continente europeo —dejando fuera a Rusia y la Guayana Francesa—.  A los 18 segundos del despegue, algo falló. El cohete comenzó a tambalearse, perdió estabilidad, y el equipo de control activó el sistema de terminación de vuelo. Los motores se apagaron y la trayectoria fue redirigida al mar, donde cayó de manera controlada. A los ojos del público, fue un accidente, pero para los ingenieros fue una valiosa prueba. Las empresas espaciales como Isar Aerospace necesitan verificar que los cohetes funcionen por etapas. Cada segundo de vuelo aporta información para construir versiones más confiables. En este caso, se validaron los sistemas de ignición, despegue y seguridad. En ningún momento hubo personas en riesgo ni daño a las instalaciones, y eso también es parte del éxito.  La Agencia Espacial Europea felicitó públicamente a Isar Aerospace por el vuelo. Su director general, Josef Aschbacher, publicó en redes sociales: “Muchos datos ya fueron recolectados. Lanzar cohetes es difícil. No se rindan”. El puerto espacial de Andøya fue construido justamente para estos fines, con apoyo del gobierno noruego, y no sufrió daños tras la explosión. Esta misión no pretendía alcanzar la órbita, sino poner a prueba el vehículo en condiciones reales. Isar Aerospace tiene contratos firmados para lanzar dos satélites de vigilancia del océano Ártico antes de 2028. El sueño europeo es tener independencia en el acceso al espacio, sin depender de lanzamientos desde América o acuerdos con Rusia. Con este vuelo, Europa comienza a caminar ese camino.  El Spectrum fue desarrollado casi en su totalidad por el equipo de Isar Aerospace en Alemania. Compite en un mercado dominado por gigantes como SpaceX, que lanza cohetes reutilizables con gran frecuencia desde Estados Unidos. En Europa, iniciativas como ArianeGroup y Vega-C han tenido dificultades recientes, como retrasos técnicos o accidentes. Además de Isar, hay otras empresas que buscan participar en esta carrera espacial desde el continente: RFA y HyImpulse en Alemania, Latitude y MaiaSpace en Francia, y PLD Space en España. La idea es construir puertos espaciales en zonas seguras como las islas Shetland, los Azores o Esrange, en Suecia, para tener múltiples puntos de despegue y reducir los riesgos.  Aunque el Spectrum cayó al mar, Europa celebró el primer paso hacia su independencia espacial. El vuelo duró solo 30 segundos, pero fue suficiente para recopilar datos clave. ¿Qué opinas tú? Cuéntanos en redes y escucha más noticias así en Flash Diario:Flash Diario en Spotify

This week's episode was rocked by the announcement Repsol was merging its North Sea assets with private-equity backed Neo Energy. Energy Voice reporter Mathew Perry explains this is part of a trend for operators to distance themselves from the basin including Shell and Equinor, while Michael Behr confirms this the supply chain is also making marriages of convenience. One of the big North Sea buyers has been Ithaca Energy, which last year combined with Eni which in turn had absorbed Neptune Energy. Now they are looking at reviving the fortunes of West of Shetland's Cambo, the basin's second largest undeveloped oil and gas find and green campaigner bogeyman. Lastly, news editor Erikka Askeland tackles Chancellor Rachel Reeves' spring statement that wasn't, at least for the energy industry, and asks if it's possible for the UK to claim to be a superpower of both clean energy as well as the defence industry. 

Special guest Leyanne Baillie joins Penny Thomas and Stephen Scourfield to discuss the many treasures of her historic homeland — Scotland. During the episode, they dive into everything from haggis and highlands to the warm, welcoming spirit of its people. Leyanne shares invaluable travel tips for first-time visitors eager to discover all there is to love about this far-flung corner of Britain, while Stephen reveals his favourite spots for kayaking among Scotland’s breathtaking isles. At the end of the show, Penny puts Stephen and Leyanne to the test with a lively round of ‘This or That’, where they reveal their Scottish travel preferences . . . Edinburgh or Glasgow? A round of golf at St Andrews or a dip in a Scottish loch? And the toughest question of all — which is cuter, a Highland cow or a Shetland pony? + Subscribe to The Pod Well Travelled where you get your podcasts — and share it to your family and friends. + Sign up for eTravel via thewest.com.au/manage-email-preferences. It’s our free digital edition of travel that gets delivered to your inbox once a week and is full of new stories, fresh podcast episodes, upcoming events and more. + We’d love to hear from you — send your questions, comments or feedback for the podcast to The Pod Well Travelled team via travel@wanews.com.au.See omnystudio.com/listener for privacy information.

On this week's episode of The Therapy Crouch, Peter and Abbey dive into the chaos, comedy, and controversy surrounding Mother's Day, while Peter desperately tries to navigate the unwritten rules of making the day special—without accidentally putting his foot in it.From the hilarious debate over what actually constitutes an acceptable Mother's Day gift (is a lie-in really enough?) to the listener stories of husbands who spectacularly missed the mark, this episode is packed with laughs, frustration, and the ultimate relationship truths.Plus, Abbey reveals her latest impulse decision involving two Shetland ponies and three sheep, while Peter gets grilled over his very suspicious ‘pre-golf swim'. The Agony Abs section is all about sibling rivalry, freeloading family members, and the eternal question: why don't stepmums get enough Mother's Day recognition?!If you want to submit a question to the pod, hit the link below!https://docs.google.com/forms/d/1Mv3i0N5Jm1Kkjvd-4iUkpJEV1_Tisgq58siorNb9zS0/editOslo Skin Lab: https://www.osloskinlab.co.uk/products/the-solution-collagen?campcode=TSIFMEA0925UKO&utm_source=Instagram%20&utm_medium=Influencer&utm_content=IG_influencer&utm_campaign=TSIFMEA0925UKO_AbbeyClancy6030

Today, we welcome Patrick Snelle onto the R2Kast!

There've been cases of foot and mouth disease in Germany, Hungary and Romania this spring. How would we fare if it crossed the Channel? We're talking about biosecurity all this week, how to prevent disease, like FMD, from getting into the country and how to stop it spreading if it does. Livestock farmers have to follow strict rules when they move their animals. They also have to record all movements to ensure each individual cow or sheep can be traced in the event of an outbreak of a contagious disease. Cattle passports were introduced in 1998 after the BSE crisis and since 2010 all sheep have to be electronically tagged, a response to the major foot and mouth outbreak in 2001. We visit a south Cumbrian auction to hear about biosecurity measures and to see what farmers make of them. And James Wood, Professor of veterinary epidemiology at Cambridge University, tells us that in order to prevent the spread of disease, biosecurity measures are just part of the story. A group of cross party MPs has told the Government that farmers are way down the pecking order compared to the big supermarkets and food processors, and often feel powerless to challenge questionable behaviour by them. Yesterday in Parliament Alistair Carmichael, Liberal Democrat MP for Orkney and Shetland and also Chair of the Environment Food and Rural Affairs Select Committee, introduced what's called a ten minute rule bill; the ‘Food Supply Chain Fairness Bill' aims to give farmers a more level playing field. Presented by Caz Graham and produced by Beatrice Fenton.

Have you ever wondered why Shetland ponies are called "Shelties" or how horses can only breathe through their noses? In this fun and lighthearted episode, we dive into a horse-themed trivia quiz that's equally entertaining and educational! Every question brings a new surprise, from reminiscing about pacers at the St. Joseph County Fair to uncovering the tiny yet adorable Falabella breed.We also explore quirky horse behaviors—like why they curl their noses in the Flehmen response—and uncover fun facts about their sleep habits and surprising relatives. Join us for a playful, fact-filled ride that's sure to delight every horse lover!Listen in to learn more : (03:08) Horse Terminology and Color Identification (12:19) Horse Nose Sniffing Behavior (16:17) Identifying Cattle in a Picture 

It's so good to be back with you bringing another series of Making Stitches Podcast to your ears!My guest for this episode is Felicity aka Felix Ford, an artist who works in colour, sound and yarn. I first heard about Felix's work when a mutual friend contacted me and suggested she might be a good guest for the podcast – she was right!Before our chat which features in this episode, Felix asked to send me a couple of her books and an invitation to join one of her online courses so I could get a proper feel for her work. I signed up for the ‘Colour at Play' Course in the hope I would be able to improve my skills at marrying colours together when I design a crochet project. In addition to this, I discovered that Felix had a podcast herself – the KNITSONIK Podcast in which she recorded sounds and wove them together with interviews, chats about her work and her own musical compositions.I really enjoyed getting to know Felix through her work, and then by chatting to her late last year ready for this podcast episode. It was genuinely joyful to hear about Felix's experiences including learning to colour match oil paint to a basket of eggs, how designing yarny covers for her walking stick diverted conversations with strangers away from her disability to her creativity and how her work with sound, colour and yarn has led her to setting up the KNITSONIK school.I have to say a huge thank you to Felix for being so generous with her time and for allowing me to use some of her music in the podcast episode. You can find the KNITSONIK podcast here if you would like to hear more of Felix's audio work. (I can especially recommend the Shetland Wool Week episode)You can find the KNITSONIK website here.For the full show notes for this episode, please visit the Making Stitches Podcast website. To join the mailing list for the Making Stitches Newsletter, please click onto this link.The theme music is Make You Smile by RGMusic from Melody Loops .The Making Stitches logo was designed by Neil Warburton at iamunknown.You can support Making Stitches Podcast with running costs through Ko-fi.Making Stitches  Podcast is supported by the Making Stitches Shop which offers Making Stitches Podcast merchandise for sale as well as Up the Garden Path crochet patterns created by me & illustrated by Emma Jackson.Making Stitches Podcast is presented, recorded and edited by Lindsay Weston.

On 20 February, 1472, Orkney and Shetland officially became part of Scotland having been offered up as security for the dowry of the daughter of King Christian of Norway and Denmark. The marriage was aimed at quelling a long-standing tax-related feud between the two powers. But as time wore on, it began to feel as though the Scandinavians just didn't really want Orkney and Shetland all that much. In this episode, Arion, Rebecca and Olly look at how Vikings had come to control the islands in the first place; reveal why the citizens of Shetland have never stopped loving their Scandi past; and explain why if you want to properly describe the pattern variations of certain breeds of sheep you might need to learn a dead language…  Further Reading: • ‘On this day 1472: Orkney and Shetland join Scotland' (The Scotsman, 2015): https://www.scotsman.com/arts-and-culture/day-1472-orkney-and-shetland-join-scotland-1512113  • ‘The islands of Orkney and Shetland passed into Scottish ownership' (History Scotland, 2022): https://www.historyscotland.com/history/the-islands-of-orkney-and-shetland-passed-into-scottish-ownership-on/  • ‘20th February 1472: Orkney and Shetland Isles given to Scotland by Norway as a wedding dowry' (HistoryPod, 2019): https://www.youtube.com/watch?v=COI05mwNda4  This episode first aired in 2023 Love the show? Support us!  Join 

The scent of ancient Egyptian mummies has been unlocked thanks to pioneering smell analysis. We hear from UCL's Dr Cecilia Bembibre about the research conducted on nine mummified bodies that could allow museum visitors to experience the aromas of the past through "smellscapes."Also in this episode:South Korea halts downloads of DeepSeek over security fears.The Royal Society faces pressure over Elon Musk's fellowship.Cambridge researchers develop a brain implant that could revolutionise Parkinson's treatment.Leaked details suggest Apple is working on a foldable iPhone.Scottish company Skyrora prepares to launch a rocket from Shetland in 2026. Hosted on Acast. See acast.com/privacy for more information.

Cáel' as the new Amazon Teen IdolBy FinalStand. Listen to the Podcast at Explicit Novels."I've missed you too," Aya bumped foreheads with me. I was 'a Son of the White Stallion' who 'ran with the herds of Epona'. I was so proud of her. She had woven together a Magyar myth with an Amazon naming convention. Epona, the Celtic Horse Goddess and Aya's matron divinity, was worshiped with the sacrifice of foals, Amazons offered up fillies (female baby horsies) whose spirits ran with the Goddess in the Spirit World.When the pre-Christian Magyars went to war, they sacrificed a white stallion to entreat their deities to grant them victory. No one was about to slit my throat, or cut my heart out. I was made sacred, a spirit stud in Epona's vast herd of mares. How freakishly accurate."I love you for your brains, you know that, don't you?" I whispered to Aya."Yes. You are saving up your other love for Mommy," she kinda/sorta teased me. Out of the semi-circle of children, three stood out. More accurately, they were dwarfed by their companions. I took the group's indecision as an offer to advance."Hi," I addressed the smallest three members of the audience. "Are you the Fatal Squirts?""They are not allowed that name," Sophia interceded. "No Amazon child deserves an acknowledgement before their trial." I half-turned and nodded her way."(Cough, cough). "Excuse me, please." If she spoke Phoenician, I was boned for being obviously disrespectful of her authority and would have to take whatever punishment Sophia felt I deserved.Otherwise, I was getting away with binding 'leads to death' to 'blood-death wound' in that ancient and highly extinct tongue: 'fatal, squirts' indeed. Her hand fell on my shoulder."I have heard you laugh at death," Sophia remarked. If I was on Zoosk, all you would have to do was type in 'Preference: Amazon Male Who Dares Talk Back', and there was my smiling mug, all alone, staring back at you."Before I confess to anything, do you consider that an asset, or liability," I grinned."I withhold judgment," was her reply."I don't mean to 'laugh at death'. It is because all the other choices suck and, perhaps I've been called stubborn, bull-headed and 'not having even a passing acquaintance with common sense' a time, or two," I shrugged with my lovely burden curled around my left arm."No names, our tradition and my command," Sophia laid down the law. Sigh. I put Aya down. She didn't cause me a hint of trouble because she knew my heart. I unbuckled and handed her my two guns (my Glock-22, and 38). I motioned one of the mini-Amazons forward. She shuffled up to Aya's side and received my two tomahawks.Not only was no one leaving, the rest of the camp started coming down to see what was about to transpire. In my short stint at Havenstone, I had developed a reputation as an exciting fun-guy/irrepressible troublemaker."I feel your decision is founded on misinformation, or your rendering to be unjust," I told Sophia."Explain," Sophia requested.I hadn't disarmed for my sake, or hers. I gave up my weapons to affirm my desire to talk. I placed myself at my sister's mercy, thus expressing my trust in her. Amazons are not savages, just violently inclined.Later, Pamela would remind me that my behavior was precisely what Isharans were supposed to do, seek peace."Aya has taken a position as intern with Executive Services at Havenstone," I explained. "She held my position and served effectively for four days with good work reviews from the head of the department herself," I added."She has served in a caste, been assigned duties by members of that caste, performed errands and accomplished all that was asked of her. Doesn't that create an allowance for Aya, as she has been considered for a caste?" I was fishing for an excuse based on my instincts for these people."She has never been selected, chosen and been anointed to a caste, so her preliminary experience does not qualify," Sophia said after a few seconds of introspection. "Next?""She has charged forth into battle on my behest." The archery range."You were not an acknowledged member of the Host when that happened. Next?""She's tried to kill me," I tossed out there."What?" many exclaimed."No!" Aya gasped."When did this occur?" Sophia's eyes twinkled."At the archery range. She shot at me twice," I responded."She was practicing," was the counter. "Next?""Not next," I smiled. "I didn't have permission from anyone to step beyond the shooting line.In doing so, I accepted all calls to combat. Both Leona and Aya shot at me. Aya shot twice and came close once. Leona only hit me after I gave myself up to protect three Amazon children."Pause."Okay. Aya has served in combat, no matter how one-sided, " Sophia began."I was armed for part of the fight," I interrupted hurriedly. Aya's first arrow."Accepted. You were a viable combatant before that as witnessed by other Amazons in earlier encounters. She and another Amazon shot at you without any other claiming traditional ownership of you," Sophia nodded. The Leader had given me a 'bye' on my intern status."Aya may bear an honorific," Sophia loudly proclaimed her change in course. To Amazons, screwing up was a distant third to not owning up to what you did and not learning from your mistakes. Besides, I could tell Sophia was warming up to me, as a male and an Amazon."My war band?" Aya chirped."You do not have a war band, Aya Epona, but whatever name you use among yourselves is not a matter I will concern myself with," Sophia stated firmly. "Fifty days, Cáel." That was the end of it. Sophia turned and began walking uphill, conflict successfully resolved.The Fatal Squirts had emerged with a semi-official status, I had emerged without a new series of wounds and I had wrangled forth a small down payment for all the love and loyalty Aya had showered on me."Best Daddy in the World!" Aya shouted. "Mamitu! Mamitu!" Destiny.Amazons weren't huge believers in luck. They put their faith in training, planning, experience and diligence. For them, victory was a matter of destiny. Let the sloppy, treacherous Greeks invoke 'Nike', Victory, or 'Tyche', Luck for tossing them a positive outcome in battle. My side weren't thankful for the win they deserved.They acknowledged Mamitu had, through foresight, prepared the Host for what had to be done. For Aya, it was destiny that had put me in her path; she and her sisters trained for the hostage scenario multiple times, so she was a logical choice for my training. She had been training with the bow when I was giving her the inner strength and confidence to hit the target.Training, not mutual good fortune, put her at the range to make that shot. Whatever part luck played, that bolt that had saved my life and paved the way for Aya's rise to leadership had been a part of her training as well. Amazons didn't deny luck, nor did the put any trust in it."Hi, so who are the rest of you?" I addressed the Fatal Squirts while rearming."I am Mosa Oya," the tomahawk holder identified herself."I am, " the third member got out before we were propelled back into that 'never too distant' No-Man's Land. A girl, a stranger in her early teens, came up and shoved Aya hard."You are nothing special," the older girl growled at my buddy. My 'daughter' barely avoided sprawling in the dust.The intensity was palatable. Aya had no chance of beating this girl. Not only did her opponent have every physical advantage, she had three buddies as well, correction: two buddies and a twin sister. Amazons built lifetime bonds around these foursomes. Aya and company backed down, despite her obvious shame. She had just won an honorific as a child, unheard of before this. It was Amazon tactical thinking, not fear, that ruled Aya's mind. I was so proud of her."What's your name?" I inquired congenially of the newcomer. She flashed me a look of anger laced with teenage hormones, then turned and stormed away, actually, she only started to storm away. Her behavior had played right into my hands. I was an adult. She wasn't a full-fledged member of the Host, nor was she a child anymore. I had asked her a question and she had been disrespectful to me. Her bad. Still, I doubted anyone expected my leg sweep.The bully hit the ground hard, no rolling with the blow for her. My foot smashing down on her diaphragm drove the fight right out of her. I wasn't done. The twin rushed in, my thunderbolt left sent her flying back from whence she came. Amazons despise child abuse as cruel and socially cancerous, yet no one else was rushing in to stop me.Even her other two friends were obeying both basic Amazon battle philosophy and conduct. Two young teens versus me was stupid, and I wasn't alone. I had four Squirts plus two other women close by who saw nothing wrong with a cooperative pummeling. I lifted my foot a centimeter from the girl's chest."Let's try this again," I spoke softly. "I am Cáel Ishara. You have disparaged my house by putting your back to me after I, an adult, politely addressed you. In fifteen seconds your sin will pass beyond your ability to address and your actions will be viewed as your family's unwarranted insult. My sisters will seek vengeance against your sisters with the added advantage that your sisters won't know what's going on. Now, what's your name?"See, I could have gone straight to Step Two, the House on House vengeance. Me kicking her ass was merciful because after five, or six members of her house were jumped, one at a time by three, or four, of mine, those ladies were going to be truly curious why their youngster had been so fucking rude in front of so many fucking Amazons to the HEAD of a fucking First House.'Honorific' Aya still had no status except that of a child. Dumb Bunny was passed her 12th year test, so she was of her House, thus the insult. Despite my 'fantasy' assumption of the role of grunt, everyone knew that Cáel Cabbage-head was Cáel Ishara, Head of House Ishara. I was the only accepted male Amazon in existence, the only possessor of a 'five o'clock shadow' in camp, I was armed and I was so armed while walking among their children.She could not have possibly mistaken me for another. Her eyes showed that truism too. Her wrathful 'how dare that male!' morphed into 'oh fuck, my older sisters are going to be tossed down stairwells, jacked up in parking garages and they were going to be caught totally flat-footed when it happens, and it is all my (the girl's) fault'.In theory, Saint Marie could deny my feud (we were at war), or warn the girl's house of my request, but why would she? The crime couldn't have been more obvious and the Amazons were way past making harmful shit up about me."Zarana, Zarana of House Inara," she gasped.I switched foot placement, pivoted, reached down to arm-clasp my left with her left and ended with me pulling her effortlessly to a standing position."A pleasure to meet you Zarana Inara. I am Cáel Ishara, but you may call me Cáel if you wish," I gave her my award winning smile. "No one will ever doubt your courage in my presence," I added.'Lead with the left jab, then catch them with the right hook'. As true in interpersonal relationships as in boxing. I had beaten her handily seconds ago and now I was applauding her bravery. Again, I wasn't a Head of House calling attention to her virtue, but I was."Your sister shares your warrior's heart.""I, I, I don't know what came over me, " she started to give me a respectful head-nod. I hooked a finger under her chin to stop her."Are you going to reconsider your approach for dealing with a male Amazon, Zarana of Inara?" I bridged the awkward moment. Bing! I had turned a humiliation into a learning moment."Yes," she smiled at me. "Yes Cáel Ish, Cáel.""I swear by the All-Mighty, if I find this one crawling into your sleeping bag, I'm going to be very disappointed in you," Delilah ambushed me. Wa-ha?"Oh, come on!" I protested. "She's thirteen.""Fourteen," the other twin, bleeding lip and all, puffed herself up."Not helping, " I looked at the twin."Vaski," she supplied. What?"Vaski? Really? That was Grandmother's name, it is Magyar-Finnish," I wondered."We are almost related," she conjured the improbable out of the impossible."No you are not, young lady," Delilah serpentined her way to the front of the crowd. "You are not family now and you can't attempt to be for four more years.""Who would you be?" Zarana challenged Delilah. Man, those two kids were spunky."An honored guest," Priya provided. "I hope another lesson in manners will not be necessary.""I'll do my best," I volunteered. Priya had been addressing the twins; not me. Taking the hit was a bit of comedy to diffuse the moment."Some of you need to eat," a camp counselor stated. Another crisis down and the sky wasn't even dark yet."Cáel!" and here we went again. Thank you, Ishara, it was Europa, the strange one, meaning the one I understood the most.(Night and Day)This place kept getting more and more wonderful. There was one safe road that rolled out of the camp's front gate (there was no wall, the gate was ceremonial) and disappeared off toward the closest state road. Scheduled trips were made to the closest blip on the census data where they bought stuff (irrelevant) and were 'seen' by the locals (the important thing).If anyone investigated, there was a legitimate summer camp 'out there'. The counselors weren't friendly, but they worked with 'troubled' kids, so keeping the small talk to a minimum was excusable. Sure, they only saw women, usually the same ones each trip during a given summer. The camp held nearly a thousand people, so the all-female thing was dismissed as a quirk.That was the second layer of deception. We had already learned that the first layer was the idea of a camp for girls in the foster care system. The third layer was all the visible 'props'. This went beyond the typical craft centers, juvenile obstacle courses, and a dozen other distractions. (The only 'real' one was the stables. Amazons loved riding horses and being assigned to tend to their care was a high honor.)Thirty meters inside the gate was a bridged gulch. After dark, the bridge supports were removed turning a clear shot into the center of camp into a waiting death trap. If there was any doubt, the gulch, so comforting and protective, was a blast zone as well, designation: The Barbecue Pit. I couldn't find it, but I was sure there was an altar somewhere to the matron goddess for this summer camp, the Goddess Paranoia.The sleeping quarters for everyone? More props. Campers would go in, mill around for ten minutes, then curl up on their bed, the ones that warmed up to 98 degrees in the shape of human bodies. Then the campers went down the shafts beneath their bunks and dutifully shuffled along the one meter high underground tunnels to their mesa-based domiciles. Again, once in the cliff-side barracks, they had two chimneys, a tunnel back to the dorm building and a cleverly designed, nearly invisible front exit to choose from.Pamela took it in stride, Delilah was a bit peeved by the 'excessive' security. Virginia, we'd already dragged her through her dorm tunnel to her cave to sleep it off. For me, the tunnel's dimensions made it a tight fit. Amazons can be pretty strong, but they don't have shoulders as wide as mine, nor are they normally over a meter/eight (six feet for us Yankees).I would have complained, except I had a sneaking suspicion that Pamela had a trowel to give me so I could 'widen up' a twenty to forty meter stretch of tunnel the moment I opened my mouth. As the last portion of the instructional tour, we were directed to get our grub before it was gone because the sadistic chefs loved to watch the eight year old workhouse orphans fight over who got to lick the pot instead of starving.Not really. The victuals were actually very good. I had hopes of more bonding time with my Epona ladies, yet no sooner had I cleaned my tin plate and dinnerware, I found someone else who craved my attention, Sophia. She was hot for my touch and by that I meant she wanted to punch and kick me around for a bit, all in the name of fun."Since you are my guest, I will let you choose our weapons," Sophia decided."I choose hyperbole," I gracefully flowed from sitting with one leg down and the other bent to standing."Specify.""Caber tossing with real Sequoia. I'll wait for the ladies of Girl Scout Troop 666 to go get some, they have to be authentic; no substitutes accepted," I explained."That's not hyperbole," Sophia snorted. "Hyperbole would be, 'I want to use the biggest spears ever used by Amazons, or Goddesses'.""My hyperbole wasn't the caber tossing, it was us 'waiting' for a set of circumstances we both knew wouldn't happen," I countered. Sophia nodded.

Donald Trump has left the world reeling with a plan to turn Gaza into *checks notes* “the Riviera of the Middle East”. He vowed that the US will “take over” and “own” the Gaza strip, effectively endorsing the ethnic cleansing of 1.8 million Palestinians who would have “no alternative” but to leave. With rumours circling that his inner-circle are calling him an “HR manager” rather than a leader, in classic style, Keir Starmer has pushed back but avoided directly criticising Trump.News Agents co-host Lewis Goodall joins Nish and Coco to discuss this latest tidal wave of horror and whether Starmer has it in him to stand for something.On a more hopeful note, the decision to greenlight the giant new Rosebank oilfield off Shetland has been ruled unlawful by the courts. At the forefront of the fight has been Uplift Director Tessa Khan, who calls in to celebrate this major win for climate action and let us know how we can stop this oilfield for good.Later, Coco sinks her teeth into our household waste, after Green-led Bristol Council unleashes the wrath of local residents. CHECK OUT THESE DEALS FROM OUR SPONSORS Shopify: https://www.shopify.co.uk/podsavetheukAura Frames: https://www.auraframes.com Code: PSTUK  Useful LinksGet involved with the Stop Rosebank Campaignhttps://www.stopcambo.org.uk/https://www.parliament.uk/get-involved/contact-an-mp-or-lord/contact-your-mp/GuestsLewis GoodallTessa KhanAudio CreditsThe GuardianPod Save the UK is a Reduced Listening production for Crooked Media.Contact us via email: PSUK@reducedlistening.co.ukInsta: https://instagram.com/podsavetheukTwitter: https://twitter.com/podsavetheukTikTok: https://www.tiktok.com/@podsavetheukFacebook: https://facebook.com/podsavetheukYoutube: https://www.youtube.com/@PodSavetheUK

In this week's episode we spotlight the blue and green egg-laying but critically endangered Shetland Hen. In our main topic we discuss our favorite beginner's breeds and how/why we select our chickens. Amy Van Leuven of The Good Egg Company joins us to share her delicious Taters and Eggs recipe, and we talk Emma Bridgewater for some retail therapy. Grubbly Farms - click here for our affiliate link.https://www.anrdoezrs.net/click-100963304-15546963Pre and Probiotic and Vitamin and Electrolyte Powders!Bright and Early Coffee - use code CWTCL15 for 15% off of any bagged coffee. K Cups always ship free!https://brightandearlycoffee.com/Omlet Coops- Use Our Affiliate Link for 10% off!https://tidd.ly/3Uwt8BfChicken Luv Box -  use CWTCL50 for 50% off your first box of any multi-month subscription!https://www.chickenluv.com/Breed Spotlight is sponsored by Murray McMurray Hatcheryhttps://www.mcmurrayhatchery.com/Metzer Farms Waterfowlhttps://www.metzerfarms.com/Greenfire Farms - Shetland Henhttps://greenfirefarms.com/shetland_hen.htmlNestera UShttps://nestera.us/cwtclUse our affiliate link above for 5% off your purchase!Roosty'shttps://amzn.to/3yMDJAmy's Morning Taters and Eggshttps://coffeewiththechickenladies.com/farm-fresh-egg-recipes/amys-morning-taters-and-eggs/CWTCL Websitehttps://coffeewiththechickenladies.com/CWTCL Etsy Shophttps://www.etsy.com/shop/CoffeeWChickenLadiesAs Amazon Influencers, we may receive a small commission from the sale of some items at no additional cost to consumers.CWTCL Amazon Recommendationshttps://www.amazon.com/shop/coffeewiththechickenladiesSupport the show

It's a brave new world Dear Listeners. Your usual trio of numpties Andy, Ant and Dun guide you through the last week in QPR, New York, Executive orders and the New World Order. Thank god for the football... - We're Ninth! We're in Single digits! (until tomorrow) - 2 away games, 6 points, a ton of miles - The Contract kids, Lloyd and Kolli make the away fans Jolly - Why is Plymouth's keeper so bloody good against us - A great week for the Morgans, Keiran & Fox - A varied week for our Loanees. Edwards looks a steal, Ashby a sub-par sub - Koki's not hokey - Saito's stunning first goal for the club - We're 9th! Single digits! - A 'this week in New Yorking' x 'Democracy Manifest' Mash-up - The Gulf of America, America America and Johnny Childish - NFL stuff. New York happy: Buffalo advance to take on the Chiefs. New Jersey not happy: Saquon lifts the Eagles to an NFC East match up vs The Commanders - Dun doesn't do buses, even if they're quicker - Andy's a scale-model citizen - Ant's low blood pressure TV guide - Seann Walsh visits the Football Factory: Stand-up comedian and a stand-up guy - A gritty tale from Scunthorpe - Sheffield Wednesday up next. Will QPR have an 'owler? - QPR NYC's favorite New York Bands do South x South West London. - 'Fix your hearts or die' - RIP David Lynch. Thank you for the damn fine Cherry Pie. If you feel so inclined, hit us up with that sweet sweet 5 star review! All feedback most welcome.

http://www.copperplatemailorder.com                   Copperplate Time 493            presented by Alan O'Leary                           1. Bothy Band:  Green Groves/Flowers of Red Hill.   1975 2. Patrick Street:  The Raheen Set.  Live from Patrick Street 3. Planxty: Little Musgrave/Fahy's. The Woman I Loved So Well 4. Lennon Family: Dance of the Honey Bees.                Dance of the Honey Bees 5. PJ & Marcus Hernon:       Reel of Bogie/Austin Teirney's/ Road to Ballymac/Saint Ruth's Bush.    Celebrating 50 Years 6. Jimmy McHugh:Pigeon on the Gate.2nd Jimmy McHugh Concert 7. Four Provinces Ceili Band:  Ann McHugh's/Philip Sheil's.              2nd Jimmy McHugh Concert 8. Dermot Byrne:   Hardiman the Fiddler.  Dermot Byrne 9. John Carty: The Crosses of Annagh/The Cloone.  At It Again 10. Deirdre Scanlon: Ned of the Hill.   2nd Jimmy McHugh Concert 11. PJ Crotty & James Cullinane:  Tomeen O'Dea/Midsummer Night/Shamrock Hill.  Happy to Meet 12. Chrisy Moore: Clyde's Bonnie Banks. The Early Years 13. Sharon Newton Creasey:  The Ghost's Welcome/Big Pat's/Dogs Among the Bushes/Sean sa Cheo.  Auchensail 14. James Cullinane: Galway Bay/The Happy HP.  Here It Is 15. Patsy Moloney:     The Sweetheart/Farewell to London. The Temple in the Glen   15. Des Donnelly: Andy McGann's/The Maid Behind the Bar.                Remember Des Donnelly 16. Dezi Donnelly: The Spey in Spate/Cape Breton Fiddler's Welcome to Shetland. Familiar Footsteps 17. Ralph McTell:   Clare to Here.   Live in London 18. Moving Hearts:   Category.  Moving Hearts 1 19. Bothy Band:  Green Groves/Flowers of Red Hill.   1975

In this Ponysode episode, we journey back to 1918 to relive the delightful tale of Charlotte J Adams and her beloved Shetland pony, Shadyside Ranger.  Awarded as a prize for her exceptional salesmanship, Ranger brought joy and mischief to Charlotte's life and community in Massachusetts. Through Charlotte's charming letter, we explore the deep bond between humans and horses, celebrating the joy and adventures they bring.  Join us as we reflect on the timeless connection with these majestic animals and congratulate Charlotte and Ranger on their enduring legacy of happiness.

In the last Outside The Box of 2024, we've been watching Say Nothing, Shetland, Until I Kill You, The Day of the Jackal, Bad Sisters, Wolf Hall: The Mirror and the Light, Mrs Davies and, you've guessed it, more Attenborough, in the form of Asia.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Fi joins us from home today as she's not very well. After she's let Nancy out, Jane and Fi chat vasectomies, bell ringing and Shetland.Plus, gardener and broadcaster Alan Titchmarsh discusses his festive album Jack Frost: A Winter Tale in collaboration with composer Debbie Wiseman.Get your suggestions in for the next book club pick!If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Today we welcome Jaz Williams onto the R2Kast. Jaz shares her unique journey in agriculture, from her roots in a dairy farming family to her global adventures as a contract shepherd and wool handler. Her passion for livestock and dedication to learning have taken her from lambing sheds in the UK to remote farms in Shetland, the Falklands, and Australia.

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website rubbercheese.com/podcast.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned in this podcast.Competition ends on 11th December 2024. The winner will be contacted via Twitter. Our guests:https://www.wethecurious.org/ Chris Dunford, Sustainability and Science Director at We The Curious As Sustainability and Science Director, Chris Dunford has been responsible for Sustainable Futures at We The Curious since 2011. During that time, he has introduced a sector-leading programme of environmental best practice, innovative technologies, and organisational change. In 2019, We The Curious became the first science centre in the world to declare a climate emergency and pledged to meet ambitious decarbonisation targets in this decade, implemented alongside climate change adaptation.Beyond We The Curious, Chris has held positions as Head of Environmental Sustainability at UKRI, Elected Director of the Bristol Green Capital Partnership, Mentor of Arizona State University's ‘Sustainability in Science Museums' Global Fellowship, and Chair of the ASDC Decarbonisation Group. Chris' background is in science communication and stand-up comedy. https://w5online.co.uk/Victoria Denoon is the Head of Visitor Experience at W5 Science and Discovery Centre.Victoria joined W5 Science and Discovery Centre in March 2020 and has responsibility for all aspects of W5's operations. She is also currently an ASDC Trustee. Prior to joining the team at W5, she worked in Higher Education in the United States for 15 years with a particular interest in advancing the careers of women in STEM fields. http://www.aberdeensciencecentre.org/Bryan Snelling is the CEO of Aberdeen Science Centre. He's been in this position for five years having started in November 2019. Bryan has worked in the visitor attraction sector for 11 years having previously enjoyed 6 years as CEO at The Gordon Highlanders Museum in Aberdeen. Bryan has worked in many sectors during his career including education having worked across the UK in Portsmouth and London before moving to Aberdeen. Bryan is originally from South Wales and in his spare time he enjoys playing the guitar, playing cricket and reading. https://www.sciencecentres.org.uk/Shaaron Leverment is the Chief Executive at The Association for Science and Discovery Centres.Shaaron is the CEO of ASDC and has over 20 years' experience working in science engagement and education. She stands for the value of science centres and museums for social good, as community assets that are accessible and relevant for a more diverse public.Shaaron joined ASDC in 2016 as the Deputy CEO. She is also the co-founding director of 'Explorer Dome' that engages over 70,000 children and adults every year. She leads on a number of national and international programmes and collaborations that aim to improve the relevance and accessibility of STEM for a more diverse public. As a past president of the British Association of Planetaria, she is also currently the EDI co-chair of the International Planetarium Society. Shaaron is mum to two boys, and the owner of a large hairy Golden Retriever.She is part of varied networks, working with schools, universities, science centres, museums and volunteer groups, as well as nation-wide professional associations and Government agencies. She has created and directed national and international (EU) science engagement programmes, including leading the Horizon 2020 Hypatia programme in the UK to support greater gender inclusion in informal science education, and is the driving force behind Our Space Our Future, supporting participative practice in space science outreach.Through work with ASDC, Ecsite and other international partnerships, Shaaron is known for her work to support greater equity and inclusion within our STEM education and engagement organisations, with the ambition of embedding more equitable practice for transformative organisation-wide change. Transcription:  Paul Marden: Welcome to Skip the Queue. A podcast for people working in and working with visitor attractions. I'm your host, Paul Marden. Now, today's episode is a special one. A few days ago I was at the Association for Science and Discovery Centre's annual conference recording in front of a live studio audience. Joined by a panel of the great and good from the Science and Discovery Centre community, Victoria Denoon, Head of Visitor Experience at W5 Science and Discovery Centre. Bryan Snelling, the CEO of Aberdeen Science Centre. Chris Dunford at ASDC Sustainability Group Chair and Sustainability Director at We the Curious. And Shaaron Leverment, the CEO of ASDC. Now, I have to say, this was a bit of a proof of concept for us and we had a few technical gremlins, but whilst the sound quality isn't brilliant, the conversations absolutely were. Paul Marden: So without further ado, let's go over to that recording I took a couple of days ago. Why don't we start with our icebreaker questions? So this is a tradition for the podcast and nobody has been prepared for this. So, Victoria, you'll like this one. It's a really easy one. Bauble or custard cream? Victoria Denoon: You said it was going to be easy. Paul Marden: Oh, no, I could give you my answer straight away. It's a firmly held belief for me. Of course, it's the only answer to that question. Bryan, you have to live in a sitcom for the rest of your life. Which one? And why? Bryan Snelling: Oh God, can I have the ball? But do you know what? The only one that sprung to mind was Only Fools and Horses. I think, you know, a bit of dodgy dealing here and there. Can't go wrong with that, I think. Yeah, Wheeler dealing, you know what I mean? Paul Marden: One day Wanda's There'll be millionaires. Chris, play 10 instruments or speak 10 languages. Chris Dunford: Oh, horrible. I'm going to go for 10 instruments because I feel as if Google can do the rest. But 10 instruments? I can finally record my own albums. Paul Marden: And Shaaron, last but not least, control time like Hermione or Fly Like Harry. Shaaron Leverment: Oh, God, fly Like Harry, Paul Marden: Really? Shaaron Leverment: Yeah, yeah, 100%. Paul Marden: You don't need a time turner to be in every session. That wasn't the latest question at all. Okay, let's get cracking then with the main interview. Shaaron, first question is for you. This year and next sees the 25th anniversary of the millennium funded science centers which saw a huge amount of investments into science communic engagement across the country. What did that do to shape science in the last quarter of the century? And where do you think it will take us next. Shaaron Leverment: Great question. Paul Marden: Thank you. Shaaron Leverment: Like 25 years ago, as I mentioned in my talk, even no one really knew what science communication was. You know, now obviously there's masters in it, there's people who are doing PhDs in it and I think it's actually becoming a very important part of policy and recognised as strategically important in terms of the way in which nation engages with science. And I do believe that's because we have these amazing places across the U.K. now. Let's be honest, like a lot of them existed beforehand. There was at least 6, including Satrasphere, which is now Aberdeen Science Centre, which existed before the Millennium centers. And then suddenly all of these centers were. But now we've got 60, nearly 70 across the entire places. The Lost Shore is just open, which is all about surf and science. Shaaron Leverment: I think science, referring to one of our keynotes, is really becoming part of culture. And then we're no longer looking at sort of museums and centres as like cathedrals of science. We're looking at them as real kind of cultural and community assets. So that's where I think. I think that's where the trajectory is going for the next 25 years. I'll just wrap that into the end of that. Paul Marden: This is a follow up for that and really anyone can join in on this one. Thinking more about where we go in the next 25 years, let's talk about funding streams because we had a big lump of money back just before the millennium projects get them kicked off and we're unlikely to see that level of lottery funding again. So how can centres, after all, they are visitor attractions and charities in many cases. How do they diversify their income streams? Victoria Denoon: I think there's two things about that and one's really important from the ASDC perspective because there's what we can do individually, but there's also what we can do collectively as a network. So you know, we are looking at that particularly from the Millennium Science Centre perspective. Victoria Denoon: And obviously that's a bigger voice if we do that together. So that's really important to have those conversations. At W5 we do that by increasing what we do for corporate hire. We do a W5 late program, which is an 18 plus evenings for adults to come down. And because we're going to be 25 years old next year, there's that nostalgia that really helps sell that. So we're looking at key events to drive revenue across the year to really get more people in our door who wouldn't come to us otherwise. Bryan Snelling: Yeah, I think it's obviously very important to diversify our income. But what we're talking about here, in terms of the money we got in 2019, you're only really going to get that sort of money again from very large institutions or government. And I think whether you're trying to persuade an individual to come and visit your science centre or local, national, devolved governments to give you money, it's all about the message that you're sending. It's about the science centres are really important part, and we were talking about it earlier on, the culture of what we're doing here. So whether you're just one individual or a multinational that has big bucks, you've really got to try and make them understand that. Chris Dunford: I think it's. Yeah, I think it's almost as well as diversifying to new funders, it's also diversifying what the existing funders will be happy to fund, because I think the funders understandably want the shiny new exhibition, the lovely new outreach in the brand advance, the school workshop photo opportunity. And those are all good things. And we couldn't do those things without the funders. But they'll need to. As these buildings getting older, they need to recognize at some point that those things can take place in the building where the roof leaks and it closes in the summer because the heat wave and the cooling system can't keep up. So I think if you're saying to the funders, yes, you can support this workshop, but we will need some contribution towards the rooms that the workshop take place in. Chris Dunford: So I think it'd be helpful to understand that. And to do that, we just need to make the case better to our value. So it's not just this extra news thing, but day to day supporting us to literally keep the lights on and keep the rain out of the roof. Bryan Snelling: Can I just add, I think there's also an important thing here about mission drift. We should be true to our own mission. We should know where we're going, our direction, and not have as much as possible. Because I understand it's a balance. Not have as much as possible. The funder direct what we do. It should be the other way around, or at least. And one of the big words of this conference that I've heard is collaboration. And we shouldn't just be doing it all the money, we should be actually understanding this is what we should be doing and this is how we're going. You should be coming on board with us. Paul Marden: You risk the tail wagging the dog, don't you? If all you do is chase the sources of funding. And you do that in a haphazard way. It's got to follow, as you say, it's got to follow the mission and the core values of the centre. Victoria Denoon: And it is a relationship, you know, it's like philanthropy and, you know, universities doing their work with donors. I mean, you really do have to have mutual respect and understanding and be looking for sponsors or funders or partners who have the same mission and values that you do. That conversation becomes a lot easier. Paul Marden: Absolutely. Shaaron, any thoughts? Shaaron Leverment: I think I agree with what they're saying. It's really well put. Paul Marden: This is an audience question and this is from Kate Allen from Purple Stars. And she asked me, is the A in steam in cooperate and why it's not a binary question. Chris Dunford: Right. Bryan Snelling: Look it up. Victoria Denoon: Yes. Bryan Snelling: Did you see the inflection in that? Paul Marden: Absolutely. Bryan Snelling: I think it's a two way process. I think that the A is very important. And again, I'm gonna repeat myself, but I think it's been a big part of what the conference has been about and it's been about collaboration. Yes, it's important, but it's a two way process because it's not all about us incorporating the arts. It's also about the arts incorporating the st, the E and the M and the science elements. So I think it's a two way process at the moment. I feel this is just my own opinion that it's a little bit more give than take. Shaaron Leverment: I think there's an interesting, you know, there's an interesting conversation of like, do you need an artist for it to be art? What is art and what is science? You know, and actually, you know, so much of, you know, the engagements that we see involve huge creativity, kids making planets and things like that in science. I do think that we need to use all the tools to get across these massive ideas. And I don't actually even know what science is anyway, so I'm on the back. Shaaron Leverment: And I also noticed in Tom Crick, when he was looking at the curriculum, they separate mathematics and numeracy from science and tech, you know, and so in science, tech engineering is often considered the invisible E in stem. Maths is often considered the invisible M in STEM in science and discovery centres, you know, and so the arts as well. I fully believe that we need to be trans and multidisciplinary 100%. But you know, I think it includes, you know, the music and everything. I think includes absolutely everything. So maybe these acronyms, which is not, they're not useful at all. Paul Marden: I don't think it helps. One of the things that we talked about when we first. We were spinning ideas around this episode, weren't we? And you talked about the idea that you shocked me, that science matters to me and I care about it. And it's something that I enjoy doing with my family. And to consider that isn't for the government to consider. That's not really part of culture because they're funded quite separately. It offends my roles, I think. Shaaron Leverment: But also, you know, it's just another beautiful way of looking at the world. You might look up at a night sky, you know, like Mara or Kilda, like we're hearing by Este. And you might look at it with eyes where you're just wondering at the jewelry of creation or making pictures in the stars. Or you might also be wondering about, well, maybe there's a planet out there. Shaaron Leverment: And I think you can look with all eyes and you can. It's all in wonder. And the fact that they are segregated, it comes back to school science, I think. I think actually in the normal world, as human beings, we don't have to separate them, but it's just very hard, especially when these are crazy funding lines. Like Tom mentioned the difference. I did not know that festivals are considered part of culture, but science festivals aren't. It's madness. Chris Dunford: It also depends in a way what you're doing. So if you're putting the A into STEAM  because you say that as a society, as a cultural attraction, we want to involve ourselves, then obviously, yes, we don't want to. You know, it's inclusive because as Shaaron said, they can. They bring different things to the table. But if you're putting an A in there because you're saying that art is the same as the others, then they're no different. But that's good. It's good that art and science kind of behave in different ways. So. So they both start with an idea or a question. They can both be kind of curious or stimulated by something. But then whether we do night sky or whatever, the way that art might scrutinise the night sky would be different to the way that science will scrutinise. And that's fine. Chris Dunford: They can complement each other. It's not. You need to recognize the differences in those kind of, I don't know, the intellectual disciplines, so they can support each other rather than say, well, artists, science, design. It's not as simple as that. They're different, but that's okay. Victoria Denoon: I do think they play a part together in making things more accessible to people. So if you look at major technology companies, they focus just as much on the design and the look of some of their products as they do on the actual technology that goes into them. So there's a lovely added experience there with putting that together. I think it's very important, but for different reasons. Paul Marden: Absolutely. There's been a lot of talk at the conference about diversity and inclusivity. To a certain extent, inclusion is about understanding who your audience is and understanding what it is that they need. Paul Marden: So let's dig into that about your three science centres. What are the customer demographics, what does the audience look like and what areas of diversity and inclusion are important to them? Victoria Denoon: Well, I think that assumes we've actually asked our audiences, you know, what is important to them. And I don't, you know, I'd like to sort of throw that over to other representatives for science centres because we have done some of that, but we probably haven't done it enough to be able to actually answer that question. That's something we are really looking at because we have a lot of different information about the demographics, but not really what they want to see us do. So we're looking at different focus groups and how to involve more people in that to get a better picture of that for our particular science centre. Bryan Snelling: I think we were very lucky to receive a lot of well enough ISF funding plus local funding to completely overhaul our science centre four years ago. What happened four years ago, it was wonderful. But as Shaaron said, we're actually not a millennium sites and we've been going for 36 years. I think tech request, slightly longer than us, Shaaron Leverment: 38.Bryan Snelling: There we go. But not many longer than us. But over that time we've asked and we found out a lot of information about what our visitors wanted. And similar to what Victoria said, we don't necessarily ask enough. We recognise that's a bad thing. We need and we are putting in place and now to evaluate to get feedback more. But back then were very aware of sort of things that we needed to do. We needed to be wheelchair user friendly. Bryan Snelling: So everything is now accessible throughout the science centre. We're one of the lucky places that have a changing places facility which is incredibly good and it's gone down very well. We also have a sensory space which was retrofitted admittedly. But if you look at our feedback on the online, that's gone down fantastically well and it allows some of our neurosensitive visitors just to calm down, go there and just take a moment and then come back and I think the very fact that we're a science centre, it's very hands on, it's very stimulating. Bryan Snelling: So having that has been a real wonderful addition to what we've got. And I think we've also got to remember financial inclusion. So a lot of the sort of sponsorship that we look for is to work with in Scotland. It's called simd, the Scottish Index for Multiple Deprivation. Chris Dunford: I'm sure there's a similar thing in England, but I want to know what it is. Paul Marden: We'll talk about that in a minute. Bryan Snelling: But we a lot of again, it's not mission drift when you are also doing it. A lot of our funders want to give us money so we can support those maybe who don't have as much money as the rest of us. So all of these things we've taken into account and parts of what we do at the science centre. Chris Dunford: Yeah. I suppose the question ultimately is when we ask our visitors what does inclusion, diversity mean to them, we won't get the answer we need. And that's because if you have a certain demographic who are visiting and you ask them diversity, inclusion, then obviously they will speak from their own life experience. But actually the people need to ask the people who aren't visiting. So in that respect, I mean the things we draw upon, we work closely with things like local council, so we have access to their data of who's living in the city and who's facing areas of deprivation and that kind of thing. Chris Dunford: So you can kind of fairly accurately figure out who's around you in your community and who's around you in your community isn't mirroring who's coming through the door and straight away you know where your focus areas are and the reason they might not be visiting, it might be economic, but it could also because there's things that you do unintentionally. It makes it look like you're not for them. Paul Marden: Yes. Chris Dunford: So only by engaging with them, seeing you through their eyes, will you understand maybe why you've been doing a thing which wasn't encouraged when they through the door. I suppose the last thing to say on that is often it's very tempting to think the inclusion thing is going to be groups that can't afford to visit and therefore Chapel saying it may be then detracting from the purely commercial enterprise we need to do to keep the buildings open and running. Chris Dunford: And for some areas who cannot afford to visit, then yes, that's an important part of what you do. But there could be areas, community who aren't visiting. And they can afford to visit because for some reason you're not currently for them, you can become for them. And you've also opened up a whole other market as well. So whether you're looking at it because you want more visitors financially, or you're looking at it because you want to be able to reach everyone, you need to ask who's in the city, who isn't here currently visiting and can we find out why they're not visiting? And then we just work through those challenge at a time until you hopefully are truly reflecting those around you. Paul Marden: I was at a Museum and Heritage Show earlier this year. There was a really interesting talk about inclusivity and making places accessible. And one of the key facts was that people that need an accessible place to visit, if they don't know something is accessible because you haven't communicated it properly, they will assume you are not accessible. And so having the changing places toilet and the sensory room is amazing. But you also have to communicate that to people in order for them to come and feel like it is a place for them. And that's. You're right, it's not about the charitable end of the organisation. It can be just a commercial thing. When you tell that story simply and easily for people, all of a sudden you are not going to market. Shaaron Leverment: We're sort of encouraging people. We've got an accessibility conference coming up in May which will be hosted by Winchester. And hopefully between now and then we can really support people with some of these amazing visual stories. Because I think you're absolutely right that you do need to know if it's accessible. You need to know what facilities you need to have those opportunities to know that there's a quiet space and what to expect. And then someone, honestly, if they know what's there and what's not there, then that's enough. Paul Marden: I've talked about this example before podcast, but Skipton Town Hall is an amazing example. They've got a museum whose name escapes me, but they won last year's Kids in Museum's Family Friendly award. But they have an amazing page that talks about their accessibilities with photos and videos where you can see the entrance, every entrance to the building and where that entrance will lead you to. It shows you the changing places toilet. You know, they are making it super easy for you to be able to understand that. And it's on your page, but it's a page that's hugely valuable on their website. Victoria Denoon: I think just beyond what you can do on your own. Site for that. There are organisations you can work with that tell people the story about what attractions in their area are accessible. So making sure you know who those groups are and working with them to get your story out and how you can support that's really important. Paul Marden: I've got Tudor in front of me from Eureka and I know that's something that Eureka has done a lot of is communicating the accessibility of what they deeds the outside world. I'm going to take your Scottish index of multiple deprivation and take that back to the uk. I'm going to talk a little bit about Cambridge Science Centre because they've passed two weeks ago, they've just opened their new building and one of the things that they talked about on the podcast with me was that part of the motivation for locating it on Cambridge Science park was because it is cheap by jail with one of the areas of multiple deprivation within the city. Paul Marden: They run youth groups in that area and what they found was that even though these kids are in a youth group associated with the Science centre and they are right next door to the Science park, those kids don't feel that a career in Science in the UK's hotspot for tech is a place where they could end up. Paul Marden: They just don't feel like it is of them. So how do we help those kids and families in those areas feel like science centres are for them and a career in the future and in science and tech is an opportunity for them? Bryan Snelling: I think when were redesigning the Aberdeen Science Centre, as I said, the only thing that's still there because It's a Category 2 listed building is the outer walls. But what we looked at that time was we said, well, how can we make it relevant to the northeast of Scotland? So we have three zones in the Science Centre which relates to either the up and coming or very much mature economies up there. We have an energy zone, of course we do, but space, you know, Shetland is on our patch, big patch, so is Sutherland and those of you who know Scotland, very big patch. That sort of space is a big part of what's happening up in northeast Scotland, but also life sciences. So we made it relevant so that people on an everyday sort of and kids can sort of relate to things. Bryan Snelling: I think we're the only city and people will help me out here and bring me down to size if that's the case. We have hydrogen buses in Aberdeen. I think we're one of the only, let's go like that. One of the only cities that currently do that and they see these things travelling through the city centre every day. But you know, they want to know more about that. So it's about making it relevant, making it day to day obvious that this, you can work in this because actually it's there or it's that or it's yes. The other thing is about showing the other careers that you can link it, you can focusing on space, but there's more than just that. You somebody said, yes, you also need to have a chef in the Antarctica. Bryan Snelling: So show them the other careers actually link in with this sort of and just make it relevant. Chris Dunford: Yeah, and I think obviously if you've got sections of society where there's young people who feel that science isn't for them, I think the first thing to recognise obviously is that they are in their lives. They're obviously getting messages that are telling them that's the case in the way in which children from other backgrounds are getting messages telling them what science is for them. And you can see that through the lens of the science capital. You can't control all of those, but you can control how you interact with them. Now, obviously what Cambridge did is they were able to physically relocate. Most of us aren't in that position in terms of the whole building, although that reached us the ability to do that on a complete short term basis. Chris Dunford: But I think again it's recognising that inclusion work is so much more than just kind of saying, “Hey, we are free. Why don't you come along today and you can visit for free or whatever.” It's the diversity of your staff and that's across the organisation. Because if they visit and they see someone that looks like them and that tells them that it is for them in a way in which it's going to be very difficult to do with the people actually working there don't look like people they would recognise as being in that kind of group in that way. It's about the activities themselves. So again, the ideas of kind of co development. So if you develop activities, rather than guess what you think they would like, just find out what they would like and involve them in those activities. Chris Dunford: So inclusion is difficult and it takes a lot of time because you can't just kind of put a sign on the door and say work for you now. You need to change the organisation. So it is enabling them to visit and then to keep that relationship going. That's the other thing that's very difficult. But I think if you did one funded visit and they came once and that was it, that might not be Enough to make them go, “Oh, so I can't be a scientist.” You get some kind of relationship with them going on over time. So yeah, it's a long, drawn out process, which means you need to look very hard at yourself and be prepared and brave to make changes in your own organisation. Because unintentionally you are probably putting some of the barriers there yourselves. Shaaron Leverment: I just want to echo that it really is about building those relationships. We ran a program called Explorer Universe across eight centres. And you know, we were all about extra partnerships and being brave and making new engagement to people who would never have thought to come through your doors. And you know, it ended up being like a year long of partnership building and then those relationships and almost all the programs were outreach. Some of them ended up, you know, as a celebratory event coming through the science centre. But it was very much going to where the kids were going to their space, you know, physically and emotionally and mentally, whatever, and working in partnership. So if you don't have the staff that reflect that community, then you can work in partnership and create those moments. Shaaron Leverment: And then when they do come to the centre, be there at the front door to welcome them. You know, I know you and it's very much, you know, like an experience floor In North Wales. Were working in a playground, you know, and talking all about them jumping off the playground with like parachutes, talking about friction and stuff like that. And one of the best quotes from that was like, I didn't realise this was science. You're like turning what they are doing and saying that you are a techie, techie person, you are a sciencey person, you are an engineer. That's what it is. Shaaron Leverment: You know, it's not saying this is what science is, you know, it's changing the capital that they have already into science capital to know that they are already inherent, as Osley said, inherent sort of scientists anyway. Paul Marden: Yes. Shaaron Leverment: So, yeah.Victoria Denoon: I think science centres are in a really wonderful space here to be able to do that because, you know, we do build relationships with community groups and schools all the time. And research has shown that these young people, why they see themselves in relation to their peers, that will attract them more than anything else into potential careers in science. So having a space where people can come and, you know, we don't tell them, don't touch that, don't do that. Victoria Denoon: You know, they can really fully get hands on and engage in things and having that opportunity. We just opened two years ago, our Learning Innovation for Everyone Space. We offer free school programs there, particularly in partnership with Microsoft and do coding workshops and things like that and lots of other activities and you can also do OCN accredited programs with us there. So it's really about getting them together as a group of their peers and showing them what's possible in that space. Paul Marden: That's amazing. So I'm a dev by background. Telling the story of Computer Science is not something that you see in every science centre that you go to. The whole kind of the history of computing, it exists in places, there are pockets of it. But it's not something that I want to coding club as well. But how many of my kids could go to a local science centre and feel that what they're doing when they're coding the robot and building some Lego is related to something that they see when they're at the science centre and that there's a mental leap to go from this fun thing that we're doing with this robot to the career that is amazing that I could have in the future. It's really hard. Paul Marden: Talking of kids, I'm a trustee at Kids in Museum and we talk a lot about getting the voice of young people who visit attractions and young people, they're worthy, they're in their career and incorporating that into the decision making, strategic direction of museums and science centres. I think it's definitely really important when we talk about climate emergency to get that younger voice in so that trustees don't all look like me. Let's talk a little bit about the youth platform and how you incorporate the youth voice into what you guys do. Who wants to take that one first? I can spot who cracks first. Bryan Snelling: Okay. I'm not very good at this, am I? You are very good. No, but I'm actually quite proud of what we do at Aberdeen. We about a year and a bit ago introduced a STEM youth ball and we're very pleased with that. We actually work with a local festival so it's ourselves and Aberdeen Tech Fest that jointly I say support, but actually they support us. The youth board, it's made up of secondary school kids, young people and last year was a pilot year and it went very well. We're now looking at developing it further. But what they do is they look at what they want to do, they work out what they want to do within a board situation. Bryan Snelling: They've got all the usual bits, chair and the secretary, but they work out that they want to deliver this program and then they'll go away, work together on the delivery of that program. They'll also work out the marketing side of things. They'll also do all of that. But I also, and my counterpart with TechFest also bring our ideas and say what do you think about this? And they give us a very. Paul Marden: Take some of them and rubbish a few I guess.Bryan Snelling: That's what it's for. Paul Marden: Exactly. Bryan Snelling: I mean, let's get out of the way in a safe space before we then go ahead and spend money on this thing. Paul Marden: The most brutal focus could possibly bring together. Bryan Snelling: But we're very pleased with that. The other thing that we're currently looking at doing is working with local university, Robert Goldman University, especially the architecture school, to redevelop our outer area, the garden. It was the only area that wasn't developed when we did inside. And we undertook a number of brainstorming sessions with the youngsters and I mean your 5 to 12 year olds to get their input. And we did that a number of ways, remember drawing or talking or writing, whatever. And that was really interesting. We'd obviously, as the adults had done a similar thing but what they brought was a completely different point of view and it's wonderful. Paul Marden: Excellent. Victoria, you can't not look at teacher. It's only going to encourage me to. Victoria Denoon: No, I think you know, to what Bryan was saying there. We haven't started yet but we're looking at this idea of creating a Y suite, you know, which is our youth suite, which would be young people that will come in and kind of meet once a quarter to help us with some of those decisions. Bryan was talking about Inspiring Science Fund. We also did a huge renovation at W5 as a result of that and that involved a lot of consultation with young people, with teachers, et cetera. And we do a lot of youth led programs but we're looking at really how do we engage that in this more strategic direction going forward. Paul Marden: I think it's hugely valuable, isn't it? When you take it from a consultation point to something that is actually helping to drive the strategy of the organisation. It's transformational. Sharoon, do you have any thoughts about that? Shaaron Leverment: Yeah, I mean I sort of see it from a bird's eye view really, you know. But you know we have our Youth Voice Award because last year our volunteers award was won by. Part of our volunteers award was won by Winchester young group of environmental activists that were really doing great things down at Winchester Science Centre and influencing one seekers charity. And anyone who was at dinner last night, you might have seen the video from Zed King who has done so much work supporting Centre for Life and making massive changes there and not just there, like actually across the network. We are. So we've got this Youth Voice award as one of the only awards that we give because it is so important. We are all about. Not all about, but we are a lot about young people. Shaaron Leverment: So they need to have voice but it's very difficult to be sure how to do that and to make sure that we're not putting too much pressure. I mean here at this conference you can. There we've got some young people coming in showing their bio robots. We've got. Obviously we had the Esports award last night and our next keynote we've got two younger panel members to do a discussion about eco anxiety and how that feels for them to influence the way in which we think about our climate engagement from the voices of people who are experiencing it and experiencing this massive grief and anxiety about their own futures. So yeah, there's a lot of work going on obviously over in Armagh as well, you know, especially with autistic families and you know, I think it's. Shaaron Leverment: Yeah, it's a growing area and we're putting a lot of effort into encouraging like hearing these stories and different things and you know, I know we the curated. Well, with your authority sharing, I might just throw that over to you. I mean I think that's a great piece of work. Chris Dunford: Yeah. On the climate side especially. One thing we've done in the past is work with Bristol City Council, Youth Council, I think I might say most councils will have something like this because they then feed into the UK lean Parliament. I think that's really useful for two reasons. Firstly, because it gives them a space when you talk about climate issues. But secondly, it's helping them to understand the process of democracy, which young people's possibly more important now than ever. I think that's really key because I think what often happens, especially at events like cop, is that inside the room you've got the politicians and decision makers who are struggling with this really difficult challenge of how do we decarbonise and knowing there isn't an easy thing to fix it. Chris Dunford: It's going to be a lot of trailblazers, compromise, a lot of hard work outside where you've got the young people kind of screaming desperately do something, finally find the solution and then have these two different worlds. So I think if you could bring those together to bring the youth Voice into those conversations. What are the trade offs? What are the decisions? Because the consequence of decisions they inherit not us. But also it's useful for young people because it helps them understand that there isn't an easy solution and yes, there's going on strike and it's making the message clear, but there's getting into discussion of what are the trade offs, what are the compromises, and that's how a democracy works. I think that's really useful. Chris Dunford: But the other thing I'd say is if you're going to engage with young people on this and also be prepared for the fact that they're clear, they know what they want and they want the allies to take action. So if you say to them, great, there's time to change that, you're creating a youth board so you can learn about climate change, they'll say, yes, but what are you doing to reduce your carbon emissions? So we're doing this group and we're going to get your views on that. Thank you, that's fine. What are you doing to reduce your carbon emissions? So if you're going to enter into this space, they know what they want from us. They want to take action to create deep, radical and rapid decarbonisation. Chris Dunford: So be prepared for that question because they will ask it and it's the right to ask it. We need to do stuff as well as having board. At the same time, you've got to be taking the action to show that you're copying the agency, what they want. Shaaron Leverment: Have you seen the recent DCMS call as well? I mean, it's obviously strategically important at government as well. So all funders and DCMS in particular are making an election in this. So, yeah, leading the way. Paul Marden: A beautiful segue to my next question, which is what, Chris, this one's for you really is what are ASDC members doing ahead of national targets to reach net zero? Chris Dunford: Yeah. So it's probably worth just causing phone. So, in terms of the national target, for anyone who isn't aware, net zero for the UK is 2050. And net zero essentially means that your carbon emissions are down to zero or they're not zero, then you're offsetting what emissions you are creating. So the balance of the atmosphere is 2 0. And it's really hard. And the reason it's really hard, whether you're a government or an organisation, is you're following the greenhouse gas protocol, which means it's across all three scopes, which essentially means it's the stuff you expect. Chris Dunford: So it's the energy from the grid, it's your fuel and vehicles, it's burning gas in your home or places where, but it's also emissions from all the stuff that you buy and the investments from your bank and your pensions and it's the emissions from your business who travel to visit you. It's huge. It's very complex. So it's difficult. That's essentially what it means, the claim in terms of what sciences are doing. So it's a mixed back. There's plenty of science centers who still don't have a specific claim decarbonisation target, whether that be net zero or 2050 or sooner. So that's one issue I think we need to. Those who have done that piece of work have to work those who haven't to support them, enable them and encourage them to create a space where they can do. Chris Dunford: Because your Internet provider probably has a Net Zero pledge on their website, your supermarket certainly does. Your local council will, your university. So with science centres, it might seem strange that we're actually behind those players rather than leaving it. And of those that do have targets, there's probably about seven science centres in the network. This is student, big museum. So in terms of. In terms of the main science centres and then Tampa Gardens and museums, if you include them, there's probably about 11 organisations who have a kind of a decarbonisation net zero net neutral aimed before 2015. They're mostly around 2030. And again, that's really hard. And those organisations are now figuring out what that means and just how difficult that is. Chris Dunford: There is also even project who have boldly gone for a net positive to say they'll actually be removing more carbon than releasing by 2030. But it's really hard. And the reason it's hard for science centres is we're not Marks and Spencers. We can't just hire a stable team overnight and throw money at this problem. So we're renting some organisations who are tight on time and money who now to take on this huge challenge. That doesn't excuse us from the challenge. So there's no easy solution on the fact that we have to put resource into this. And I think that's why there aren't more Net Zero aims on websites for the centres at the moment. But I think we can get there. We need to recognise it's hard. Chris Dunford: And finally, if you are doing lots of engagement, as I said with schools, then again you need to be backing this up with some kind of Net zero. So it's a mixed bag of the network. There's probably about 10 or so that have specific net zero aims and they're mostly around 2030, 2040. But my prediction is in the coming years, those organisations are going to make some really hard choices and actually say how they're going to do that, because we know from experience it's really difficult. But that doesn't mean you shouldn't be doing it. It means you have to push even harder than you were before. Paul Marden: Thank you. Bryan Snelling: Can I add something? Paul Marden: Of course. Bryan Snelling: I think decarbonisation is an important message, full stop, especially in Aberdeen, for obvious reasons. I hope we feel that we have an important duty almost to the visitors to the northeast of Scotland and beyond. Because I think how can we talk the talk about decarbonisation if we don't walk the walk? So there's an internal thing, which notwithstanding how difficult it is, we're just starting down that route. We've had an energy audit done of ourselves. We're now in the process of working out what that roadmap is, or maybe it should be a cycle path road towards net zero, but we need to work that out. But on the other side, we're also tasked with telling people, this is what you should be doing. This is the energy transition. Bryan Snelling: This is how you renewable energy in the future. So how can you do both? How can you do one without the other one? I mean, and I think we just need to be aware of that. And I think as the future goes back to the very first question about what's happening in the future, that's all big part of what we need to be looking at.Paul Marden: Conference is all about shaping future science together. What's your take home message from the different talks that you've been to, or possibly because we've not finished the conference yet that you're looking forward to. What's the standout moment? I know. So I would say for me, the standout moment was last night's awards. I mean, if you weren't overtaken by Zed's video, if you weren't moved by Hamish talking about. And for me, what they both demonstrated is that volunteering and engagement is a conversation. It's a two way street, isn't it? Because they weren't just there as a resource doing things, they were getting something from the relationship and giving back to the sense, etc. At the same time. For me, that bit was the most powerful. Shaaron Leverment: Yeah. And I think actually, you know, there's a lot of emotion there, you know, and it's incredible to someone stand up and say science and you saved my life. Paul Marden: Yes. Shaaron Leverment: You know, I think it was just incredible and very brave. And I think that kind of bringing that emotion into science, it's really important and remembering the people, even people. I think there's been quite a few messages about, you know, the safe spaces that we provide and that interaction with people and that genuine understanding. I think I'm really excited about. We're no longer sort of let science speak for itself and we're not going. Shaaron Leverment: You know, I think people are socially connecting and using emotion a lot more because first we feel right, first we feel and that is what our inclusive outcomes are all about. That it's what makes a difference for someone who is disengaged and doesn't feel that science and technology could be for them to feeling that maybe there's a place they need to feel they belong. So I'm really excited about that aspect of it. I also agree with everything that the elders are about. Bryan Snelling: Really. Shaaron Leverment: Yeah. Chris Dunford: I think several things yesterday for me resonated with the thing which Stephen Breslin said at the very start, which is that we come to these conferences anxious and slightly overwhelmed by the challenges we're facing and leaves feeling energized and positive with at least some of the solutions. And I think that's. That's a similar pattern that I experienced with these conferences. And I think through that lens I've been listening to all the challenges yesterday. And it's just our job is hard and potentially getting harder and as it gets harder, it's more important to society than ever. And I think that's the main thing I'm taking away. Chris Dunford: And I don't just mean things like the inclusion work and the decarbonisation work which we've spoken about during this session, but even things like one of the sessions that really stuck me yesterday was where the Science museum were talking in the lightning talks about their new AI exhibition and the fact that when all the many centers open they could have exhibits that explained Google of motion by pendulums and spinning things. A physical thing. And now we're having to have conversations about AI where there is no physical thing you can hold in your hands. Chris Dunford: There's a historical artefact, it's a circuit board doesn't tell you anything about what circuit board really does in terms of how it impacts society and how are we going to do science communication, science engagement around these challenging issues like AI which are then mounted up with all these kind of social problems with them, which again, the laws of motion that we come with. So, so I suppose I'm going away with that is the fact that our creativity is going to be tested more than before and our ingenuity and our ability to collaborate beyond our initial partners. So, yeah, for me, weirdly, it's about the science communication side and things like AI are going to make that really challenging. And how are we going to do that? Any of the answers other than the fact that we know we're not doing it alone, we're doing it as a network. And that's obviously big talk. Victoria Denoon: Yeah, I think it's the same thing. That remark by Stephen really is something that stuck with me because I did come here as well, thinking about the challenges we're facing, not just as a Science and Discovery centre, but also politically at the moment and just how pessimistic you can be about things. And really being in this conference with all of these amazing people makes you feel more optimistic about things and I think that's just really powerful and it carries you through. So for me, that's. And I think some of the conversations that have been happening here, I feel like since last year we've made a huge jump in terms of where the impact of our network is going with other people. And, you know, Tom's talk this morning really brought that home a little bit as well. So I'm feeling very optimistic. Paul Marden: Thank you. We always end our interviews with a book recommendation, which can be personal or professional. So, Victoria, do you want to share yours with everyone? Victoria Denoon: Well, I think when were talking about this, it was like, what's your favourite book? And for me, my favourite book is actually Pride and Prejudice. It's a book I would read over and could read over and over again. Jane Austen's musings. Paul Marden: Excellent. Bryan. Bryan Snelling: You know, this is the most difficult question that you're going to be putting to us. I've read, you know, fiction most of my life. I mean, you can't. I've always got a book, always looking at a book. So I don't actually have favourites. Why is it favourites? What I can say is my most recent book that I've read was the Thursday we're at the Club by Rich Lawson, which is quite nice. The most profound one was actually 1984. I read that when I was about 18 and I thought, wow. And that was really quite interesting. Followed swiftly by Animal Farm, of course. Paul Marden: So that's three recommendations bankrupt me over. Chris. Chris Dunford: So I've gone for War of the Worlds by H.G. Wells. I'm a big fan of, like, old sci fi books. It's different to modern sci fi. Sci fi books like Jules Byrne and H.G. Wells will just ramble on pages about scientific theories at the time. Things they read in nature. So it's genuinely kind of science fiction. But War of the Royals because it's just. It scares me every time I read it. Like it still scares me. Absolutely. And I quite enjoy that. And I don't know why. And there's something about the complete, you know, civilisation. Actually some shouldn't put on this thread too hard, but there's something fascinating about that. Kind of, as he describes it, the liquefaction of society is everything kind of falls apart and every time I pick it up, I'm terrified and I pick it up again, I'm still terrible. Paul Marden: Shaaron, lastly, yours. Shaaron Leverment: I had forgotten this is a question. Paul Marden: Chris had three books, so you can choose. Shaaron Leverment: I'll go for in my. In my head I go for I just off the cup. The Martian is great. When it's got a little bit tiresome with the whole potatoes, improve it. But it is a brilliant. Yeah, it's great. Paul Marden: We are done. If you enjoyed today's episode, please like and subscribe on Apple Podcasts or Spotify. Thank you to my guests Victoria, Bryan, Chris and Shaaron, and my amazing ASDC Live studio audience. Paul Marden: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. You can find show notes and transcriptions from this episode and more over on our website, SkiptheQueue.fm. The 2024 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsDownload the 2024 Rubber Cheese Visitor Attraction Website Survey Report

Meet Helen Robertson this week on the podcast. Helen is a jewelry designer, knitting designer, and artist in Shetland. Her work celebrates nature, heritage, and Shetland, and frequently incorporates community building in her projects.  Links to Things Mentioned in the Episode Shetland Wool Week Transportation Survey Helen Robertson's website, Instagram, Facebook, and Ravelry. She can be reached at info@helenrobertson.com Shetland Arts Myth and Materiality in a Woman's World, by Lynn Abrams Mark Sinclair Photography Bonhoga Gallery Shetland Wool Week Shetland Wool Week Annual, featuring Helen's Flying Flock Shetland Fine Lace Knitting, by Carol Christiansen Slew Unst Knit Shetland Lace Deckchair Challenge on YouTube Unst Heritage Centre Glansin Glass Purl Together YouTube Channel

As it turns a touch wintry in Scotland, warm yourself up by moving your feet to some more top class music from the world of bagpipes.PlaylistTannahill Weavers with Turf Lodge, The Cape Breton Fiddlers' Welcome to Shetland, Lady Margaret Stewart and the Flaggon from Dancing Feet  Edinburgh City Police Pipe Band with the Inverness Gathering, The Drunken Piper and the Australian Ladies from Princes Street Parade Ann Gray with Jigs in D on Smallpipes from A Twist in the Tale Manawatu Scottish Pipe Band with Clan Macrae, Atholl Cummers and MacAllister's Dirk from Twelve Thousand Miles Liam O'Flynn with the Humours of Kiltyclogher and Julia Clifford's from The Piper's Call Pipe Major Robert Brown with Donald Cameron, Arniston Castle and John MacKechnie from The Pipes of Balmoral Vol 1 Llan de Cubel with Alboraes  de Victor Sàenz from La LLuz Encesa Support the show

Today's episode is where humor meets history in the livestock industry. Discover delightful anecdotes about cowboy hats saving bad hair days and the peculiar world of horse and livestock awards, from buckles to banners. The episode takes a fascinating turn as it revisits the ethically questionable era of ordering live Shetland ponies and burros from Montgomery Ward catalogs. Hosts Lynn and Regina reflect on past marketing strategies, pondering the welfare of these animals and their impact on human caretakers. Join this lively discussion filled with laughter, reflection, and unexpected tales from the livestock world. Listen in to learn more -- (02:21) Micro-Needling and Pony Purchases  (09:15) Pet Adoption Process Explained Briefly  (11:50) Pinto Pony Shipping and Guarantee (14:34) Impact of Disposable Pony Ownership

'The Sounds of Mousa' is a story about two back-to-back trips I did to Mousa, a small island off the west coast of Shetland. First, we head there at night to witness the return of thousands of storm petrels to their nests. The next day, we return in daylight to explore Mousa Broch and the trails across the island. Along the way, we'll meet the men who take you to the island, learn about traditional sheep farming and dive into the history of the island.At the end of the episode, I share my top tips for a slow adventure to Mousa and the surrounding area.Visit our website to find the full show notes incl. the transcript and links to places I mention in this episode.Help us spread the word about Wild for Scotland! If you hear something you like in this episode, take a screenshot and share what you like about it on your Instagram stories. And tag us @wildforscotland so we can say thank you! Browse my Scotland itineraries for your next trip.Help us spread the word about Wild for Scotland! If you hear something you like in this episode, take a screenshot and share what you like about it on your Instagram stories. And tag us @wildforscotland so we can say thank you!Join our email list for weekly resources and glimpses behind the scenes.Follow us on Instagram @wildforscotlandAlso check out my Scotland blog Watch Me See!

Description Returning guest Rachel Armstrong joins Joe to discuss the tv show Shetland. This is a BBC crime procedural set on the Shetland Islands that began airing in 2013. In the U.S. it has aired as part of Masterpiece Mysteries. … Continue reading →

The prolific Argentinean pianist Leo Genovese, and various tributes (to Shetland, but also to masters like McCoy Tyner, Chick Corea, Duke Ellington and Bud Powell) are at the heart of this playlist. The playlist features Josephine Davies; Antonio Faraò, John Patitucci, Jeff Ballard; Geoffrey Keezer; Brian Landrus; Leo Genovese [pictured], Demian Cabaud, Marcos Cavaleiro; John Lockwood and Nat Mugavero. Detailed playlist at https://spinitron.com/RFB/pl/19726016/Mondo-Jazz (from "Part 1" onward). Happy listening!

Gary brings you more great tunes from a the airts - well from Scotland, England and Canada to be precise!PlaylistRura with The Boys from Ballydowse and The Smasher from Despite the Dark P/M Iain Morrison with Jack Aloft and the Rakes of Kildare from Back to Back Martyn Bennett with Swallowtail from Martyn Bennett Eddie Seaman feat. Maeve MacKinnon with Uamh an Oir from Cave of Gold Simon Fraser University Pipe Band with Paardeburg, Port Sean Seasamh, Coppermill Studios, Biddy from Sligo, Donald Ross of Vancouver, Craig a Bhodich, Stirling Castle, The Brolum, The High Road to Linton, The Cape Breton Fiddlers' Welcome to Shetland from World Pipe Championships 1996 Blowzabella with Penda's Fe, The White Rose and Epic Branle from Dance Brian Lamond with Out of the Air, the Radar Racketeer, The Dirty Lough, the Rev Brother's Jig, Donella Beaton from Another Day at the Office Lori Watson with The Flooers o the Forest from Yarrow Acoustic SessionsSupport the show

Join Anne for a chat with knitwear designer Joanna Hunter! Grab your knitting and listen as Joanna shares her design process and experiences in the world of high fashion, film, and local commerce.  Links to Things Mentioned in This Episode #Wovember2024 posting prompts LoveWovember Marketplace 1917 is currently streaming on Amazon Prime in the US, if you would like to see Joanna's scarves and wristlets! Ninian's website, Instagram, and Facebook Purl Together YouTube Channel

Lesley Hart is an incredible Scottish actor and playwright who is best known for her great work on the long-running Scottish series “River City,” but today she is here to work on a way to get into your PANTS! On another installment of Ashley's Fringe Fest podcasts, we discuss the long journey to fully coming out as queer, surviving closeted relationships, being an older queer, and how the hottest kind of woman is one who is HOSTILE! Ashley can't crack Scotland (sexually). Lesley was in lesbian purgatory.   You can follow Lesley on Twitter for updates on her work: https://x.com/les_hart  And keep an eye out for her upcoming role in the BBC crime drama, “Shetland”: https://www.bbc.co.uk/programmes/p01s711r  SUPPORT OUR PODCAST: Bonus Content: https://www.patreon.com/WHGS Merch: https://shop.merchcentral.com/collections/ashley-gavin Watch on this YouTube: https://youtu.be/qxjdYGU09EA  FOLLOW ASHLEY GAVIN @ashgavs TikTok: https://www.tiktok.com/@ashgavscomedy Instagram: https://www.instagram.com/ashgavs/ YouTube: https://www.youtube.com/@ashgavs Twitter: https://twitter.com/ashgavs Tour Dates & Newsletter: https://www.ashleygavin.com/#dates EDITED BY SWETSHOP: Instagram: https://www.instagram.com/swetshop.tv/ ______________________________________________ SUPPORT OUR SPONSORS: HELIX: Get 25% OFF + two FREE pillows at https://helixsleep.com/gaysex Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Shetland Race is a historic, 200 mile race across the notorious North Sea from Bergen to Lerwick. August recently completed the 2024 Shetland Race on ISBJØRN, and he's is eager to tell the story and to share the numerous lessons he learned.  -- Join us on The QUARTERDECK, 59º North's online platform, to continue the discussion. First two weeks free!

This week, John Dickerson is joined by What Next host Mary Harris to discuss Donald Trump's pick for vice president, the excitement at the Republican National Convention (and why they're talking about a victory), and the aftermath of the Trump assassination attempt. Here are this week's chatters: John: The television series, Shetland on BritBox Mary: The New York Times: “100 Best Books of the 21st Century”  Listener chatter: Matt from Holland, MI on a visual representation of wealth inequality in America.  For this week's Slate Plus bonus episode, John and Mary talk about what to expect at the Democratic National Convention.  In the latest Gabfest Reads, David talks with Sierra Greer about her new book, Annie Bot: A Novel. And Gabfest Reads now has its own site! Email your chatters, questions, and comments to gabfest@slate.com. (Messages may be referenced by name unless the writer stipulates otherwise.) Podcast production by Ethan Oberman Research by Kat Hong  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Political Gabfest, John Dickerson is joined by What Next host Mary Harris to discuss Donald Trump's pick for vice president, the excitement at the Republican National Convention (and why they're talking about a victory), and the aftermath of the Trump assassination attempt. Here are this week's chatters: John: The television series, Shetland on BritBox Mary: The New York Times: “100 Best Books of the 21st Century”  Listener chatter: Matt from Holland, MI on a visual representation of wealth inequality in America.  For this week's Slate Plus bonus episode, John and Mary talk about what to expect at the Democratic National Convention.  In the latest Gabfest Reads, David talks with Sierra Greer about her new book, Annie Bot: A Novel. And Gabfest Reads now has its own site! Email your chatters, questions, and comments to gabfest@slate.com. (Messages may be referenced by name unless the writer stipulates otherwise.) Podcast production by Ethan Oberman Research by Kat Hong  Learn more about your ad choices. Visit megaphone.fm/adchoices

Melvyn Bragg and guests discuss the Saga of the Earls of Orkney, as told in the 13th Century by an unknown Icelander. This was the story of arguably the most important, strategically, of all the islands in the British Viking world, when the Earls controlled Shetland, Orkney and Caithness from which they could raid the Irish and British coasts, from Dublin round to Lindisfarne. The Saga combines myth with history, bringing to life the places on those islands where Vikings met, drank, made treaties, told stories, became saints, plotted and fought.With Judith Jesch Professor of Viking Studies at the University of NottinghamJane Harrison Archaeologist and Research Associate at Oxford and Newcastle UniversitiesAnd Alex Woolf Senior Lecturer in History at the University of St AndrewsProducer: Simon TillotsonIn Our Time is a BBC Studios Audio ProductionReading list:Theodore M. Andersson, The Growth of Medieval Icelandic Sagas, 1180-1280, (Cornell University Press, 2012)Margaret Clunies Ross, The Cambridge Introduction to the Old Norse-Icelandic Saga (Cambridge University Press, 2010)Robert Cook (trans.), Njals Saga (Penguin, 2001)Barbara E. Crawford, The Northern Earldoms: Orkney and Caithness from AD 870 to 1470 (John Donald Short Run Press, 2013)Shami Ghosh, Kings' Sagas and Norwegian History: Problems and Perspectives (Brill, 2011)J. Graham-Campbell and C. E. Batey, Vikings in Scotland (Edinburgh University Press, 2002)David Griffiths, J. Harrison and Michael Athanson, Beside the Ocean: Coastal Landscapes at the Bay of Skaill, Marwick, and Birsay Bay, Orkney: Archaeological Research 2003-18 (Oxbow Books, 2019)Jane Harrison, Building Mounds: Orkney and the Vikings (Routledge, forthcoming)Ármann Jakobsson and Sverrir Jakobsson (eds.), The Routledge Research Companion to the Medieval Icelandic Sagas (Routledge, 2017)Judith Jesch, The Viking Diaspora (Routledge, 2015)Judith Jesch, ‘Earl Rögnvaldr of Orkney, a Poet of the Viking Diaspora' (Journal of the North Atlantic, Special Volume 4, 2013)Judith Jesch, The Poetry of Orkneyinga Saga (H.M. Chadwick Memorial Lectures, University of Cambridge, 2020)Devra Kunin (trans.), A History of Norway and the Passion and Miracles of the Blessed Olafr (Viking Society for Northern Research, 2001)Rory McTurk (ed.), A Companion to Old Norse-Icelandic Literature and Culture (Wiley-Blackwell, 2004)Tom Muir, Orkney in the Sagas (Orkney Islands Council, 2005)Else Mundal (ed.), Dating the Sagas: Reviews and Revisions (Museum Tusculanum Press, 2013)Heather O'Donoghue, Old Norse-Icelandic Literature: A Short Introduction, (John Wiley & Sons, 2004) Heather O'Donoghue and Eleanor Parker (eds.), The Cambridge History of Old Norse-Icelandic Literature (Cambridge University Press, 2024), especially 'Landscape and Material Culture' by Jane Harrison and ‘Diaspora Sagas' by Judith JeschRichard Oram, Domination and Lordship, Scotland 1070-1230, (Edinburgh University Press, 2011)Olwyn Owen (ed.), The World of Orkneyinga Saga: The Broad-cloth Viking Trip (Orkney Islands Council, 2006)Hermann Pálsson and Paul Edwards (trans.), Orkneyinga Saga: The History of the Earls of Orkney (Penguin Classics, 1981)Snorri Sturluson (trans. tr. Alison Finlay and Anthony Faulkes), Heimskringla, vol. I-III (Viking Society for Northern Research, 2011-2015)William P. L. Thomson, The New History of Orkney (Birlinn Ltd, 2008)Alex Woolf, From Pictland to Alba, 789-1070 (Edinburgh University Press, 2007), especially chapter 7