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Dr Anna Marie Prentiss joins Host Chris Lynn to discuss the origins of institutionalised inequality. Anna is an archaeologist specializing in the ancient history of the Great Plains, Pacific Northwest, and Arctic regions of North America. She has a methodological specialty in lithic technology and theoretical interests in the archaeology of villages and towns, social inequality, hunter-gatherer mobility and technological organization, and the cultural evolutionary process. She is associate editor of the scholarly journal, Current Anthropology. Dr. Prentiss is actively engaged in a long term study of the evolution of complex hunter-gatherer-fisher societies on the interior of British Columbia. The current focus of this research is a multi-year excavation at the Bridge River archaeological site, located near the town of Lillooet, British Columbia. With funding from the National Science Foundation, Dr. Prentiss, along with her students and colleagues conducted major excavations during 2008 and 2009 to examine socio-economic and political changes that occurred during the occupation span of the village. Recent research (2012-2023) at Bridge River has been funded by the National Endowment for the Humanities and the National Science Foundation. ------------------------------ Find the paper discussed in this episode: Prentiss, A. M., Foor, T. A., Hampton, A., Walsh, M. J., Denis, M. & Edwards. A. (2023). Emergence of persistent institutionalized inequality at the Bridge River site, British Columbia: the roles of managerial mutualism and coercion. Philos Trans R Soc Lond B Biol Sci, 14;378(1883). doi: 10.1098/rstb.2022.0304 ------------------------------ Contact Dr. Prentiss: anna.prentiss@mso.umt.edu ------------------------------ Contact the Sausage of Science Podcast and Human Biology Association: Facebook: facebook.com/groups/humanbiologyassociation/, Website: humbio.org, Twitter: @HumBioAssoc Chris Lynn, Co-Host Website: cdlynn.people.ua.edu/, E-mail: cdlynn@ua.edu, Twitter:@Chris_Ly Anahi Ruderman, SoS Co-Producer, HBA Junior Fellow E-mail: aniruderman@gmail.com, Twitter: @@ani_ruderman
Send us a textIn this episode of Midlife with Courage, Kim welcomes Katie Prentiss, a filmmaker and actor from Portland, Oregon, who shares her extraordinary journey of embracing creativity and caregiving in midlife. Katie talks about her transition from being a stay-at-home mom and portrait photographer to diving into the world of acting and filmmaking. She discusses her mother's battle with frontal temporal dementia (FTD), her midlife pivot to acting, and her ambitious project, 'Wake Up Maggie,' which aims to raise awareness for this lesser-known type of dementia. Katie's story is a testament to resilience and the pursuit of passion, highlighting the courage required to navigate life's unexpected turns. Listen to this inspiring conversation filled with valuable insights and words of encouragement.00:00 Welcome to Midlife with Courage00:26 Meet Katie Prentiss01:17 Katie's Courageous Journey02:14 From Stay-at-Home Mom to Entrepreneur05:49 The Acting Leap15:46 Creating Her Own Work22:44 Raising Awareness for FTD29:27 Final Thoughts and EncouragementFollow Katie on her WEBSITE to learn more about her. If you want to learn more about her new movie "Wake Up Maggie" you can go to her Instagram account. You will find updates about the movie's progress and learn how you can support her mission of bringing awareness to FTD. Get your free ebook called Daily Habits for Hormonal Harmony by going to my website. This free guide will help you balance your hormones through some easy daily activities. Just add your email to the popup and your guide will be on its way to your inbox.From morning until bedtime, you can help yourself feel better! Support the showKim Benoy is a retired RN, Certified Aromatherapist, wife and mom who is passionate about inspiring and encouraging women over 40. She wants you to see your own beauty, value and worth through sharing stories of other women just like you.Would you like to get a "sneak" listen to each podcast? Subscribe to my website to get my weekly inspirational message and a link to that week's podcast a day ahead of everyone else! Just click the link below to get on the list! SUBSCRIBE WEBSITEFACEBOOK
How dreadfully old I am getting! Sixteen!" Thus begins the lifelong diary of young Katherine as she pours out her hopes, dreams, and spiritual journey on the pages of her dear. old journal. Whimsical and charming Katherine is engagingly candid about her character flaws and her desire to know God. As you listen to her share her heart through these journal entries, you will be amazed and delighted by the depth of her character and the womanly wisdom and godliness she develops over the years. From the agonies of being a teenager to the delicate balancing act between being a wife/mother/daughter/neighbor, it is easy to relate to Katherine's triumphs and trials whether you are 16 or 60. Listen to her unforgettable story set in the early 1800's as you are encouraged to "step heavenward," and don't be surprised if you find yourself recommending it to all of your friends and family! Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
How dreadfully old I am getting! Sixteen!" Thus begins the lifelong diary of young Katherine as she pours out her hopes, dreams, and spiritual journey on the pages of her dear. old journal. Whimsical and charming Katherine is engagingly candid about her character flaws and her desire to know God. As you listen to her share her heart through these journal entries, you will be amazed and delighted by the depth of her character and the womanly wisdom and godliness she develops over the years. From the agonies of being a teenager to the delicate balancing act between being a wife/mother/daughter/neighbor, it is easy to relate to Katherine's triumphs and trials whether you are 16 or 60. Listen to her unforgettable story set in the early 1800's as you are encouraged to "step heavenward," and don't be surprised if you find yourself recommending it to all of your friends and family! Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
How dreadfully old I am getting! Sixteen!" Thus begins the lifelong diary of young Katherine as she pours out her hopes, dreams, and spiritual journey on the pages of her dear. old journal. Whimsical and charming Katherine is engagingly candid about her character flaws and her desire to know God. As you listen to her share her heart through these journal entries, you will be amazed and delighted by the depth of her character and the womanly wisdom and godliness she develops over the years. From the agonies of being a teenager to the delicate balancing act between being a wife/mother/daughter/neighbor, it is easy to relate to Katherine's triumphs and trials whether you are 16 or 60. Listen to her unforgettable story set in the early 1800's as you are encouraged to "step heavenward," and don't be surprised if you find yourself recommending it to all of your friends and family! Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
How dreadfully old I am getting! Sixteen!" Thus begins the lifelong diary of young Katherine as she pours out her hopes, dreams, and spiritual journey on the pages of her dear. old journal. Whimsical and charming Katherine is engagingly candid about her character flaws and her desire to know God. As you listen to her share her heart through these journal entries, you will be amazed and delighted by the depth of her character and the womanly wisdom and godliness she develops over the years. From the agonies of being a teenager to the delicate balancing act between being a wife/mother/daughter/neighbor, it is easy to relate to Katherine's triumphs and trials whether you are 16 or 60. Listen to her unforgettable story set in the early 1800's as you are encouraged to "step heavenward," and don't be surprised if you find yourself recommending it to all of your friends and family! Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
How dreadfully old I am getting! Sixteen!" Thus begins the lifelong diary of young Katherine as she pours out her hopes, dreams, and spiritual journey on the pages of her dear. old journal. Whimsical and charming Katherine is engagingly candid about her character flaws and her desire to know God. As you listen to her share her heart through these journal entries, you will be amazed and delighted by the depth of her character and the womanly wisdom and godliness she develops over the years. From the agonies of being a teenager to the delicate balancing act between being a wife/mother/daughter/neighbor, it is easy to relate to Katherine's triumphs and trials whether you are 16 or 60. Listen to her unforgettable story set in the early 1800's as you are encouraged to "step heavenward," and don't be surprised if you find yourself recommending it to all of your friends and family! Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
What if the hardest moments in our lives were also the ones that woke us up the most? What if loss, caregiving, and midlife unraveling weren't just things to endure but were actually invitations to live more fully? Today, we're having one of those conversations—the kind that's raw, real, and full of heart. My guest is Katie Prentiss, an actress, filmmaker, and storyteller who found herself at a crossroads after losing her mother to frontotemporal dementia. That loss sent her into a deep reevaluation of life, leading her to embrace risk, creativity, and the kind of aliveness that only comes from facing the hard stuff head-on. Katie's journey is one so many of us will recognize—caring for someone we love, navigating grief, and wrestling with the unknown. She talks about the contraction and expansion of life, the fear of genetic illness, and how caregiving shifts our perspective—much like becoming a parent does. Through it all, she's chosen to create. Her upcoming film, Wake Up, Maggie, is a love letter to caregivers, midlife transformations, and the moments that shake us awake. It's an honest look at what it means to let go, rebuild, and embrace the messiness of our lives. Today, we talk about what it means to step into the unknown, why telling these stories matters, and how we can support one another in making them heard. Katie's reflections on fear, creativity, and resilience are deeply moving, and I have no doubt you'll walk away feeling a little more alive yourself. Thank you, Katie! To learn more visit: www.katieprentiss.com www.wakeupmaggiemovie.com https://www.instagram.com/katieprentiss/ https://www.imdb.com/name/nm10018602/ https://www.tiktok.com/@katieprentiss https://www.instagram.com/wakeupmaggiemovie/ Thank you to our sponsor, Zinnia TV, a therapeutic dementia care platform to support caregivers. We invite you to use the code GATHER20 for 20% off an annual subscription HERE. We are not medical professionals and are not providing any medical advice. If you have any medical questions, we recommend that you talk with a medical professional of your choice. willGather has taken care in selecting its speakers but the opinions of our speakers are theirs alone. Thank you for your continued interest in our podcasts. Please follow for updates, rate & review! For more information about our guest, podcast & sponsorship opportunities, visit willgatherpodcast.com
This week, I sit down with Katie Prentiss, a filmmaker, actress, and caregiver who transformed her most profound loss into a powerful creative mission. Katie shares her raw and inspiring journey of caring for her mother through frontotemporal dementia (FTD), a challenging form of dementia that impacts personality and communication far differently than traditional memory-loss conditions.At the age of 62, Katie's mother, Maggie, passed away from FTD. Through our conversation, we follow Maggie's transition from caregiver to actress and the filmmaking of her debut film, "Wake Up Maggie," hoping to raise awareness about dementia and caregiving. Katie beautifully describes grief as a "slow goodbye." She shares transformative perspectives, saying that grief doesn't have to have the final word and that facing fear can become a pathway to clarity and purpose. And, my favorite: the sun is always shining above the clouds, even when we can't see it. Katie has had to learn how to embrace life fully, knowing the genetic uncertainty of FTD, following the diagnosis of another family member. But she's already learned how creative expression is a healing outlet and the importance of viewing midlife as an unraveling. Key Takeaways:Understanding the unique challenges of frontotemporal dementia.The emotional landscape of caregiving for a parent with a progressive illness.How grief can be a catalyst for personal transformation.The power of creative expression in processing loss.RESOURCES:Movie | "Wake Up Maggie"IMDbIG | Wake Up MaggieCONNECT WITH KATIE:WebsiteIGFBYouTubeSend Victoria a text message! Support the show_______NEED HELP? National Suicide Prevention Lifeline: 1-800-273-8255 Crisis Text Line provides free, 24/7 support via text message. Text HOME to 741741 to connect with a trained Crisis Counselor If you are struggling with grief due to any of the 40+ losses, free resources are available HERE.CONNECT WITH VICTORIA: Instagram Website LinkedIn Facebook This episode is sponsored by Do Grief Differently™️, my twelve-week, one-on-one, in-person/online program for grievers who have suffered any type of loss to feel better. Click here to learn new tools, grief education, and the only evidence-based method for moving beyond the pain of grief. Would you like to join the mission of Grieving Voices in normalizing grief and supporting hurting hearts everywhere? Become a sup...
In the SEC, the SWAC, The Sun Belt Conference, and all over America we're celebrating college football and its student athletes. They work so hard for the enjoyment of the fans of their schools and lately they and other student athletes are being compensated for their Name, Image and Likeness. Our guest, attorney Andrew Coffman from Phelps Dunbar will tell us a bit about the laws and rights associated with NIL.If you're curious about NIL I've got a 10-minute podcast for you. MPB's 10 Minute Time Out recently had a NIL episode. Here's the link to own award-winning broadcaster Lacey Alexander's show.Next Monday (01/20/2025) is MLK Day and it's also Inauguration Day. MPB Think Radio will broadcast the audio from a 1973 special MPB TV interview with Coretta Scott King on the anniversary of Dr. King's actual birthday - tomorrow, Jan. 15th That's at 6:30pm. On Monday the 20th our special programing of President's Trump's Inauguration from 10am to noon.(and yes, it the NCAA Men's Football National Championship). He's MPB Think Radio's Schedule. Surprise! It's election season. It's always election season. Gov. Tate Reeves has scheduled six special elections in Mississippi this year: two for the Mississippi House of Representatives, three for trial courts and one for a district attorney position.1. The residents of Calhoun, Lafayette, Pontotoc and Webster Counties will choose a representative for Mississippi House District 23 on March 25. 2. Lauderdale County residents in the district will vote for a House District 82 representative on March 25 to fill a vacancy. 3. Clarke and Lauderdale counties will vote for their choice for the 12th Chancery District, Place 1 Judge seat on Feb. 3.4. Pearl River County voters will vote for their choice of Pearl River County Court Judge in a Nov. 4 special election. 5. Forrest and Perry counties will vote for circuit court judge on Nov. 4.The qualifying deadline for the House of Representatives, county, circuit and chancery judge special elections is on Feb. 3 at 5 p.m.6. The 1st Circuit Court District includes residents in Alcorn, Itawamba, Lee, Monroe, Pontotoc, Prentiss and Tishomingo counties; they will vote for their choice for district attorney on Nov. 4. The qualifying deadline for the district attorney special election is on Sept. 5 at 5 p.m.(Mississippi Free Press) Hosted on Acast. See acast.com/privacy for more information.
In this heartfelt and inspiring episode, Wendy Valentine sits down with actor, filmmaker, and storyteller Katie Prentiss to discuss her transformative journey of caregiving, creativity, and healing. Katie shares the deeply personal story of losing her mom to frontotemporal dementia (FTD) and how it inspired her upcoming film, Wake Up Maggie. This film is more than a project—it's a mission to raise awareness about dementia, honor caregivers, and explore life's most profound moments of love, loss, and awakening. Tune in for a powerful conversation that will inspire you to embrace life, find meaning in the challenges, and live fully in the present. What You'll Learn in This Episode: Katie's personal journey of caregiving for her mom and how it changed her life. The differences between frontotemporal dementia (FTD) and other forms of dementia, like Alzheimer's. The emotional impact of caregiving and how it can lead to personal transformation. The inspiration and process behind Katie's film, Wake Up Maggie, and how storytelling can drive awareness and change. Practical advice and uplifting words for caregivers and those impacted by dementia. Episode Highlights: Katie's Story: From navigating caregiving challenges to rediscovering herself as a filmmaker and actor. FTD Awareness: Understanding the symptoms and challenges of frontotemporal dementia. Finding Purpose Through Grief: How Katie turned her fear and loss into a mission to inspire and educate others. Caregiver Resilience: A look at the sacrifices and joys of caring for loved ones with dementia. The Power of Storytelling: Katie's vision for Wake Up Maggie and its potential to spark conversation and change. This episode is a must-listen for caregivers, storytellers, and anyone seeking to find light through life's darkest moments. Tune in now and be inspired!
On this episode of Veteran On the Move, host Joe speaks with Air Force Veteran and Qualthera founder, Donald Prentiss. A Medical Lab Generalist, Prentiss served on both active duty and in the reserves. He discusses his transition out of the military, acknowledging its challenges despite initial expectations. Leveraging his military experience, he pursued roles within the medical field, gradually advancing into management and operations. Prentiss ultimately established his own lab, encountering the hurdles of revenue cycle management along the way. He shares valuable lessons learned from these experiences and how they informed the development of his current venture, Qualthera. Donald acquired an existing compounding pharmacy and shares his insights on navigating the acquisition process and ensuring the long-term sustainability of the business for future generations. Episode Resources: About Us | Qualthera Central Drug About Our Guest Donald Prentiss is the Founder and CEO of Qualthera, a revolutionary compounding pharmacy network dedicated to providing tailored, high-quality therapeutic solutions nationwide. With a personal mission of bringing people quality therapy for life, Donald leads Qualthera in expanding its reach to address unique and unmet healthcare needs across the U.S. About Our Sponsors Navy Federal Credit Union The holidays are upon us and all those travel and gift expenses are piling up. With Navy Federal Credit Union's NEW cashRewards Plus card you'll earn unlimited 2% cash back on every purchase. We use our Navy Federal cash rewards card for all of our purchases throughout the year. Another great thing about the NEW cashRewards Plus card is you never have to pay attention to changing spend categories. You can spend your 2% cash rewards on anything you want, not just everyday purchases. With a $2k spend you'll receive 200 dollars cash back and a Walmart Plus annual membership. They also never limit how much you can earn from your spending. Sound too good to be true? Learn more at here. At Navy Federal, our members are the mission. Join the conversation on Facebook! Check out Veteran on the Move on Facebook to connect with our guests and other listeners. A place where you can network with other like-minded veterans who are transitioning to entrepreneurship and get updates on people, programs and resources to help you in YOUR transition to entrepreneurship. Want to be our next guest? Send us an email at interview@veteranonthemove.com. Did you love this episode? Leave us a 5-star rating and review! Download Joe Crane's Top 7 Paths to Freedom or get it on your mobile device. Text VETERAN to 38470. Veteran On the Move podcast has published 500 episodes. Our listeners have the opportunity to hear in-depth interviews conducted by host Joe Crane. The podcast features people, programs, and resources to assist veterans in their transition to entrepreneurship. As a result, Veteran On the Move has over 7,000,000 verified downloads through Stitcher Radio, SoundCloud, iTunes and RSS Feed Syndication making it one of the most popular Military Entrepreneur Shows on the Internet Today.
State Senator Sue Prentiss zooms on with me as we talk about the election, the make up of the NH Senate in the next 2 years, this being a budget year, her take on the election, what she is looking to accomplish and lots more.
7:20 a.m. - Daniel Sparks - Senator, MS District 5 (Itawamba, Prentiss, and Tishomingo) - Chair, Economic & Workforce Development Committee & Vice-Chair, Judiciary B Committee Topic: Lots going on nationally but let's bring the conversation back to some state matters as we look ahead to the legislative session. It's on the horizon already. Daniel will discuss what bills and key issues will be at the forefront of this session and give us an update on any committee hearings that he has taken part in recently. 8:05 a.m. - Leah Long - National Federation of Independent Small Business, MS & LA Director Topic: Their latest report showing that small business optimism is improving.
Send Cathy a text:)What happens when a devoted caregiver and mother of four decides to pursue a midlife career change into acting? Join us for an engaging conversation with Katie Prentiss, who shares her personal story of caring for her mother with frontotemporal dementia (FTD) while raising her family. Katie opens up about the emotional and practical challenges she faced, the tough decisions she had to make, and the financial strains of long-term care. She offers candid reflections and practical advice for those navigating the complexities of caregiving, emphasizing the importance of presence, touch, and remembering the person beyond the disease.Katie's journey is not just about struggle, but transformation. After her mother's passing, Katie found healing through acting, culminating in her upcoming film, "Wake Up Maggie." This creative endeavor serves as a tribute to her mother and a heartfelt homage to caregivers everywhere. We delve into the film's narrative, a mix of struggles, joy, and humor, and discuss how this project aims to raise awareness about FTD. Katie's resilience shines through as she shares her gratitude for the opportunity to tell this story and the connections she's made through storytelling and filmmaking.Throughout the episode, we explore the profound journey of caregiving and the importance of being present during moments of crisis. Katie emphasizes focusing on positive moments amidst the challenges, drawing parallels between caregiving and parenting. We reflect on the shared experiences and the beauty and laughter that can be found in difficult times. To close, Katie invites listeners to follow the progress of "Wake Up Maggie" and offers resources for those affected by FTD, reminding us all to prioritize self-care and connection.Ready to take your caregiving journey to the next level?Work with me to create a plan that brings balance and joy back into your life. Looking for a healthier coffee option? Fabula Coffee is organic, low-acid, and packed with clean ingredients to fuel your day. It's my go-to coffee every morning, and I love how it's gentle on my stomach while still delivering a rich, smooth flavor. Whether you're a busy caregiver like me or just need a better coffee solution, Fabula is a must-try!Head over to fabula.com and enter CAREGIVERCUP at checkout to get Support the showThank you for listening. If you know of another caregiver who could benefit from this podcast, please copy and share this episode. Follow me by clicking on the links below: ➡️ Get my free resource: 17 SHIFTS TO RECUDE CAREGIVER STRESS & SAY GOOD-BYE TO CAREGIVER BURNOUT If you're interested in 1:1 Coaching ➡️ schedule a 30 minute FREE chat CONNECT WITH CATHY ON INSTAGRAM @cathylynnvan for daily tips and inspiration
State Senator Sue Prentiss zooms on as we talk about how things have been going since I last had her on the radio (4 years ago). She talks about how things are in the Senate, different things she has championed on a bipartisan level, hot topics in the Senate & around the State, staying in touch with various communities as a Senator, and lots more.
In this episode of My Simplified Life, host Michelle Glogovac talks with Katie Prentiss, a multi-hyphenate creative who shares her journey from being a photographer to becoming an actor and filmmaker. Katie discusses how she stumbled into acting, her experience making her first film, and the importance of telling stories that resonate. She also delves into the challenges of the film industry, particularly for women in midlife, and outlines her current project, a feature film titled Wake Up Maggie. What we're talking about Embrace the Journey Create Your Own Opportunities The Power of Storytelling Embrace the Journey Katie Prentiss' transition into acting and filmmaking was not a planned route but a journey of curiosity and passion. Her story underscores the importance of being open to new experiences and following one's interests, even if they initially seem unconventional or daunting. This should encourage you to embrace your own journey. Create Your Own Opportunities Faced with the limited roles available for women in midlife, Katie took the advice of her acting coach to heart and began creating her own films. This takeaway highlights the importance of taking initiative and making your own path in industries that may not readily offer opportunities. The Power of Storytelling Katie's films, particularly those based on personal experiences, demonstrate the impact of storytelling. Her work shows how sharing personal stories can connect with audiences deeply, raising awareness and empathy for often overlooked issues. LINKS MENTIONED Katie Prentiss' Website https://www.katieprentiss.com/ Wake Up Maggie Movie https://www.katieprentiss.com/wake-up-maggie Katie Prentiss' Instagram https://www.instagram.com/katieprentiss/
Tiger Talk Podcast by Northeast Mississippi Community College
Northeast Mississippi Community College President Dr. Ricky G. Ford sits down with Marketing and Public Relations Specialist Liz Calvery to discuss the new AimUp program that will be housed at the Northeast at Corinth campus. Ford not only discusses the program and how it will impact student lives but talks about how the program will help the local workforce and economies of the five-county service district that Northeast serves -- Alcorn, Prentiss, Tippah, Tishomingo and Union counties. To wrap up, Ford shares updates on Northeast News, discussing athletics, academics, workforce development, student activities, human resources, and other important topics at one of the nation's top community colleges. For those who may have missed an episode, all Northeast TigerTalk episodes are archived at https://nemcctigertalk.simplecast.com.--NEMCC--Information about Northeast Mississippi Community CollegeNortheast Mississippi Community College is a leading educational institution that provides comprehensive academic, technical, and workforce training programs to empower students and promote lifelong learning. With a commitment to excellence, Northeast Mississippi Community College fosters a supportive environment that prepares individuals for success in their chosen fields.For more information about Northeast Mississippi Community College, visit http://www.nemcc.edu.
Here it is, it's finally here: the season finale of Criminal Minds: Evolution Part Deux. Who will live? Who will die? Whose fate will be called into question despite the fact that we know no principal cast member is going to die at this juncture? In "Save The Children", the Gold Stars kidnap Prentiss and it's up to Voit the serial killer to help the team find her. Ronnie and Jazz are just glad it's over. For now. Tune in next week for Deliver The Profile Guest Shots.
The identity of the last Gold Star member is revealed; Prentiss must confront Jade and her accomplice before time runs out for the BAU. --- Support this podcast: https://podcasters.spotify.com/pod/show/mo-sisco/support
7:05 a.m. - Daniel Sparks -?Senator, MS Dist. 5 (Itawamba, Prentiss, and Tishomingo) Chair, Economic & Workforce Development Committee & Vice-Chair, Judiciary B Committee Topic: Recent bills becoming law, thoughts on Neshoba speeches, thoughts on the presidential election, etc. 8:35 a.m. - Lars Larson - Nationally syndicated talk host Topic: The Harris campaign VP announcement and presidential election discussion.
The BAU zeroes in on a UnSub in D.C. with an usual M.O.; Prentiss and Rossi dive into the BAU's history to find connections to Gold Star.; Prentiss reaches out to someone from Rossi's past; Voit utilizes his lawyer to reach out to Damien. --- Support this podcast: https://podcasters.spotify.com/pod/show/mo-sisco/support
JJ and Prentiss get high in "Message in a Bottle", one of the dumbest hours this show has ever delivered us. Not since "Eyes Wide Shut" has marijuana been portrayed so poorly. But at least there's other plot, such as Tyler running afoul of an ex-girlfriend and David Rossi cleaning a gun.
Alvez and Garcia profile who might be targeting Tyler's ex-girlfriend; JJ helps Prentiss work through an existential hangover; when Rossi's Voit delusions reach a breaking point, Rossi confronts Voit and unpack what has been truly haunting him. --- Support this podcast: https://podcasters.spotify.com/pod/show/mo-sisco/support
The BAU is called to Jackpot, Nevada, with another series of Gold Star killings with the same gruesome M.O. Elias Voit says goodbye to his wife and two girls. Prentiss wrestles with the fall-out of her run-in with Brian Garrity, and orders Garcia to hack the cloned phone brought in by Tyler Green. The intel gets them closer to identifying the killers at the heart of the Gold Star conspiracy. Knowing that one of the killers spoke to Voit, Prentiss is forced to make a deal with him. --- Support this podcast: https://podcasters.spotify.com/pod/show/mo-sisco/support
Eyes are still being taken out in "Kingdom of the Blind", episode 4 of the interminable slog that is Criminal Minds: Evolution: Season 2. This time the enucleator draws little tattoos on herself after committing the act, like Mr. Zsasz. Unlike Mr. Zsasz, nobody even approaching Alan Grant or Norm Breyfogle's talent level is working on this shit. Also, Sicarius meets with his family and Prentiss is bailed out of jail by a Rossi who's still talking to Head Sicarius. Christ almighty.
The BAU investigates the "Moving Day Murders" and track a ritualistic killer with a particular method of subduing his victims; Tyler goes rogue to track down the latest Gold Star lead; Prentiss is targeted by conspiracy theorists. --- Support this podcast: https://podcasters.spotify.com/pod/show/mo-sisco/support
A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight on APEX Express, Host Miko Lee speaks with artivists from the upcoming exhibition at Edge on the Square opening this Saturday June 29 and running through February 2025! TRANSCRIPT Walking Stories: Artivists POV Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express. Miko Lee: [00:00:34] Good evening this is Miko Lee and welcome to Apex Express. We are so happy to have you with us. We are going to be talking about something really personal to me tonight. We are talking about the new interactive exhibition at Edge on the Square in San Francisco, Chinatown. The whole exhibition is called Walking Stories and it is stories from our Asian American community. And we invite you to join us. It opens June 29th and runs all the way through December. Opening night, June 29th is going to be interactive performances and amazing little goodies so we really invite you to join us for opening, but if you can make it that night, we're running all the way through the end of December. Okay, so a little bit of background. Some of you might know that I have been a host on Apex Express for the past seven and a half years, and it has truly been a delight and a joy. As part of that time, I learned that Apex Express is part of a network of Asian American progressive groups. That's called AACRE, which is short for Asian Americans for Civil Rights and Equality. And about two and a half years ago, I joined the staff of AACRE, which has been such a joy to be around colleagues that share the same values and passions and beliefs in supporting and uplifting our community. For the past year, we have been working on a narrative strategy, really trying to reframe how Asian Americans are portrayed in the media, how we're perceived within our own community. We were initially going to do this with the Pacific Islander community as well. But in talking to our sister colleagues, they are going through their own process of a PI narrative strategy and I totally respect that. At some point we will merge and join those voices together. So right now we're focusing on Asian American stories. Through the past year through wonderful funding from San Francisco foundation's Bay Area Creative Corps we were actually able to fund approximately 37 different artists and embed them in different AACRE groups to be able to create narratives that resonate with their own communities. So that in this exhibit Walking Stories, we're going to hear stories about Hmong folks and formerly incarcerated folks, folks that are queer and trans and folks that have stories to share, because we all have important stories to share. Our exhibit is inviting folks to think about how they can get involved, how they can share their own stories, how they can join us in this collective movement for rewriting our history of the kind of silent, quiet model minority that sits in the background that's used as the wedge issue for larger things like reparations and affirmative action and really reframes that and brings back our Asian American activist past because we know that is who we are. That is our history going back from the first time that we came into this country. We invite folks in the community to join us to see more about who these stories are, to find out, to get involved to see what resonates with them and even what doesn't resonate with them. But really join us in this conversation. So tonight I'm really pleased to be talking with just a few of the artists that are in Walking Stories. So that you can get some insight into their process and how they made the piece that they're going to be sharing. The exhibit itself will be at Edge on the Square in San Francisco Chinatown. When you walk in, you are going to see this timeline of lanterns hanging from the ceiling. That's about an Asian American activist history. You're going to see a really cool, nourishing power piece, which we're going to talk to the artists about, that is about how potlucks were used as a tool for queer and trans organizing. You are going to learn more about Hmong dance. And what does that look like, and what does it feel like in your own body? You're going to learn about ancestors, the power of our ancestors and how we can bring that to help us in our healing and moving forward. You're going to see in the exhibit about a Hmong story cloth reimagined with a modern perspective, you're going to see stories of south Asians activists and what they represent. And what does it mean to be a south Asian Muslim in America today? You're going to hear some of these stories. You're going to see them. We hope that you'll experience them. Then we hope that you'll learn more and find out about what we're doing and how you can get involved. So join me on this little journey through some of the artivists—that's artists that are also activists—that are part of our exhibit called Walking Stories. Come board. Join us. Welcome Hà Trần to Apex Express. We're so happy to have you with us. Trần Châu Hà: [00:05:40] Thank you for having me. Miko Lee: [00:05:41] So you are amazing artist, but I want to start and go back and for you to tell us who are your people and what legacy do you carry with you? Trần Châu Hà: [00:05:52] Ooh, oh my god, that's such like a big question. I guess my people are the people at Asian Prisoner Support Committee. I come from like a lineage of like Vietnamese refugees, and I think about like the ways that our communities have been impacted by the legacy of imperialism, which includes like incarceration, deportation, and things of that nature. I would say my community are folks who are impacted by, those kinds of pipelines and violences, Southeast Asian folks broadly. Miko Lee: [00:06:14] And what legacy do you carry with you from them? Trần Châu Hà: [00:06:18] I think the easy answer is like resilience clearly. To exist and survive under so many different violences and still move forth and create such beautiful communities. Miko Lee: [00:06:25] Hà how did you get started working with Asian Prisoner Support Committee? Trần Châu Hà: [00:06:29] It actually started from an interpersonal relationship. My best friend who also works at the organization now. They actually explained to me that a APSC was doing all this work in regards to like stopping the prison to deportation pipeline, how like so many of our Southeast Asian American community members were impacted by this kind of incarceration and things of that nature. At that point, it just became my political home after many, many years. Miko Lee: [00:06:50] Thanks for sharing that. Then tell us about the work that you have in the new exhibit that is opening up called Walking Stories. Can you tell us the title of your piece and then describe it for us? Trần Châu Hà: [00:07:01] The piece I'm making is a comic called We Was Girls Together. It's a quote from Sula by Toni Morrison. The comic is about my friend Maria Legarda. She's a re-entry coordinator at the Asian Prisoner Support Committee. She's also a Filipino immigrant who's facing deportation to the Philippines now after she was incarcerated in CCWF for 14 years. We met each other through APSC I know her as a very generous and kind person who loves crocheting. She's always been like an extreme light every time I come to the office and interact with her. But I also know that Maria is like someone who frankly, knows all these like incarcerated women or like formerly and currently incarcerated women. She really shows me what it looks like to be, like, an abolitionist feminist despite the kind of struggles and difficulties that she's moving through as someone who's literally currently still facing deportation because of her quote unquote, deportable offense. My comic is about Maria Legarda. It starts with like her story, her migration story from the Philippines. She was born under the Marcos regime, which basically socioeconomically destabilized the Philippines. She came to the US for economic opportunity. But clearly she had a really hard time adjusting, and then eventually she made some choices that led her to a federal offense that led to her decades of incarceration. When she was in prison, she met all these, wonderful women of color who also were survivors of sexual and gendered violence, so I just follow her story through her healing. Despite the fact that she's healed so deeply and she's shown so much care to other people and she has these communities she still is deportable to a country that she hasn't been to in 30 or so years, and doesn't consider home anymore. Miko Lee: [00:08:27] Share with me a little bit about how zines are your choice of art medium? Trần Châu Hà: [00:08:32] I love the nature of how like accessible they are. I think I kind of started out as an illustrator and an essayist separately. But then I realized as I was like writing essays I couldn't necessarily share those things immediately with my mom. She's not super fluent in English, right? But like when I combined the medium of illustration and writing into creating a comic in a zine, I could show that to my mom and even if she can't fully understand all the writing she could still access, like the actual medium. And then the form of the zine is something that is meant to be taken away. It's meant to be shared with other people. I started going to a lot of zine fests last year and it just made me realize like, oh yeah, I want all my stuff to be accessible, right? Like I don't want it necessarily to be underneath a pay wall or things of that nature. I think there's something like, you know, for lack of a better word, very like, democratic about zine making, and as well as, comics generally. Miko Lee: [00:09:20] I love how you do the mom test. Trần Châu Hà: [00:09:22] Yes. It's funny, I wrote, an essay about my grandmother, actually, in the Asian American Writers Workshop like 2021, and I had to literally translate the entire thing for her to read it to make sure all the details were right, and I was like, wait, I could have just made this easier by like illustrating some of it to make it accessible across language barriers and things of that nature. Miko Lee: [00:09:40] And has Maria read through the scene? Trần Châu Hà: [00:09:42] Yes, she has. Miko Lee: [00:09:44] What has been her take on it? Trần Châu Hà: [00:09:46] She actually sent me a very long signal which like made me cry because I was like, oh my god, I can't believe she actually thought this about the work. She was talking about how it helped her reflect on everything she's gone through but also like these relationships that have really sustained her. Namely like, I mentioned this person named Granny in the comic who I've met who's essentially like the person who adopted Maria when she just became incarcerated and was dealing with the fallout and trauma of sexual violence and things of that nature. The comic reminds Maria of just her growth essentially over all these years, but also all these rich relationships that still continue to sustain her like across carceral walls and things of that nature. Miko Lee: [00:10:17] And what do you hope people that come and see your work and take one of your zines, what do you hope that they walk away with? Trần Châu Hà: [00:10:25] The obvious answer to the question is, like, how cruel the prison to deportation pipeline is. For someone to build such wonderful communities in the United States and for borders being so arbitrary and things of that nature that they can be stolen away from these communities at any point, and how cruel and unnecessary that all feels for immigrants and refugees who have been criminalized to experience this kind of double punishment. I think the other element of it is the ways that women, specifically currently and formerly incarcerated women create these networks of care amongst each other that, in light of the state not supporting them and their healing, whether they've experienced gendered or sexual violence, these people will find each other, these women will find each other and they'll be able to support each other and help each other through these processes of healing and also like fighting sexual violence in the carceral system. Yeah, just like highlighting those kinds of like organic networks and that relationship building that we don't necessarily get to see in like, for example, like mainstream media or like policy making or things of that nature. Miko Lee: [00:11:18] What will people see when they walk into the Rdge on the Square exhibit space? Trần Châu Hà: [00:11:23] Yes, you will see 15 comic pages in acrylic frames and then underneath that will be a table with actually takeaways. So feel free to take the comic away in like a booklet form as well, but you can also read it out on the wall when you walk in. Miko Lee: [00:11:35] Thank you so much for sharing with us about your artistry and your vision and your story about Maria and your connection with Asian Prisoner Support Committee. We look forward to seeing your work. Trần Châu Hà: [00:11:45] Thank you, Miko. Pleasure speaking with you. Miko Lee: [00:11:48] Next up, listen to “Staygo” from DARKHEART, A Concert Narrative by singer and songwriter Golda Sargento. MUSIC That was the voice of Golda Sargento from the new Filipinx futurism punk rock sci-fi DARKHEART. Katie Quan, artist, activist, ethnic studies teacher. I'm so happy to have you on Apex Express. And the first question I want to ask you is, who are your people and what legacy do you carry with you? Katie Quan: [00:16:51] I would say that my people, I really strongly identify with Asian American movement artists, makers, and shakers from like the 60s and 70s. It was my first introduction to really seeing Chinese Americans be out there and be really vocal, be excited, and be loud and angry about all these different topics. And so I've really gravitated towards just all that excitement, all that energy over the past decade just after learning more about them. I really just enjoyed seeing what that looks like and how we can continue that energy, especially for East Asian Americans here in the States, as we move into a new generation of game makers. Miko Lee: [00:17:38] Tell us about how you carry that legacy of feisty activism into your work as an artist. Katie Quan: [00:17:44] I like to consider myself a legacy of the Asian American movement. My grandparents came here in the 30s and 40s. I also have great grandparents and great great grandparents who traveled between the US and China, back and forth, back and forth and so I find myself really attached to their stories as well as how they've overcome a lot of those obstacles that Chinese Americans had to face during that time frame. My parents are both second generation Chinese American. They met at Self-Help for the Elderly, which was a organization that came from the Asian American movement in terms of making sure that our elderly are actually taken care of and have culturally relevant care. My parents were very much interested in enrolling us into bilingual education. Bilingual education was not a popular educational pedagogy at that point, partly because people thought that if you learned another language that was not English, that you would lose your Americanness in a lot of ways. And so one of the things that I really like to bring into my art is making sure that legacy and that history is always challenged and always, it feels relevant to where we are now, but also can meet other people where they're at. I do understand that not everyone gets to have a lot of those kinds of privileges where they see themselves, in their role models or that they didn't grow up around the history, I understand that that's the case. And so making sure that the work that I always produce meets people where they need to be at, is something of interest and something that I carry with me in all my work. Miko Lee: [00:19:32] Thank you, Katie. Can you talk about the work that you have been doing with Chinese for Affirmative Action and tell us about the reparations zine that you've been developing? Katie Quan: [00:19:43] Me and a team of other artists, academics and activists have been working to make a reparations zine alongside Chinese for Affirmative Action. Here in San Francisco reparations is still a very contentious issue. So one of the things that we're trying to really bring about and inform, especially the Chinese American demographics, is what reparations are and how we can support the work that black communities need and what they're doing at the moment. Within the zine, we are really covering what reparations are, how African Americans in San Francisco have contributed to the making of the city and also the Bay Area, how their community has been bulldozed in many, many ways, whether it's through health, environmental justice, redlining, all of these different issues. What's happened in the past 50, 60 years reparations is that first step in terms of saying sorry and, how can we begin to mend this wound that the United States has created consistently over time with this particular population. Miko Lee: [00:20:54] What has surprised you about this process? Katie Quan: [00:20:58] It's hard. [Laughs] And not that I didn't think it wasn't going to be hard. But I think the team that we've been working with, we've been really fortunate because we have some, second, third and fourth generation activists and artists, but we also have a team of other people who are new immigrants, and we've been really fortunate to learn from their perspective. And so rather than approaching it in a lens that talks about anti-blackness, sometimes it's talking about what it means to be American. And how do we participate in democracy? It's bringing a very positive spin, or just kind of a different spin to topics that we already know, and then that we talk about all the time, but making sure that it's accessible to everybody. Miko Lee: [00:21:46] So this zine is going to be available for free in the Edge on the Square exhibition. Can you talk about what people will see when they walk into the exhibition and see your work? What are they going to see? What are they going to experience? Katie Quan: [00:21:59] Yeah, we are hoping to make sure that our exhibition is big and it's bold, but at the same time it feels simple in its messaging. Asking people a little bit about what they know about reparations, being able to challenge their own thinking of what they know about black communities here in San Francisco, what they've done. Also talking about how we ourselves get information, how do we learn the things that we know and how can we challenge that? Or how can we push that forward? And so we will have an interactive element, but we will also have the zine there available, which will be created both in English and in Chinese for anybody who needs it. We will also have additional resources via QR code so that if anybody has any other questions or want to learn more about it, want to act on their excitement for this particular issue that they can also do so. Miko Lee: [00:22:58] And what do you hope that people will walk away from your after taking away your zine after seeing the exhibit? What are you hoping that they will learn or or do after seeing your work? Katie Quan: [00:23:10] One of the things that we kind of came across when creating the zine is that people had very strong opinions about reparations. They didn't always have all the information, but they had very strong opinions and they had very particular beliefs that come from their own life experiences. Our goal for this is not necessarily to persuade one way or the other, but it's to make sure that they're informed and just making sure that they have all the facts so that they can make a decision that best suits their own life experiences. We're also hoping that people walk away feeling like they know a little bit more and that they can share that with their own communities in a way that makes sense for them. Miko Lee: [00:23:51] Katie Quan, thank you so much for joining us on Apex Express. Katie Quan: [00:23:54]Yes, thank you so much. Miko Lee: [00:23:55] Next up, take a listen to “Live It Up” by Bay Area's Power Struggle. MUSIC That was “Live It Up”by Bay Area's Power Struggle. Welcome Tsim Nuj to Apex Express. Tsim Nuj: [00:27:32] Hi, Miko. Thank you so much for having me today. Miko Lee: [00:27:37] Can I start with just by asking you, who are your people and what legacy do you carry with you? Tsim Nuj: [00:27:46] Who are my people and what legacy do I carry with me? My people are Hmong. My ancestors were living in northern Laos, in the mountains and in the jungles and farming. That's where my lineage and then my ancestors had to flee their homes because of the Vietnam War and the secret war in Laos to find refuge in Thailand and then now we're here in the US. specifically in Merced, California in the Central Valley on indigenous Yokut land. So yeah, that's my, those are my people. I think that my community here in Merced that I organize with, who are also queer and trans folks of color are also my people. And I think that the legacy that I carry is this legacy of, I carry this legacy of love. I think that in moments of having to find home and having to survive, I think that love really grounded my people and my people's families. And so I think that I'm really holding onto this act of loving. That I think really grounds me and really affirms who I am and the journey as I honor my ancestors. And I really, as I think about the descendants, right, my descendants, the young people who are a emerging and, you know, the future generations that are coming. And so I think that there's this really special moment where I feel like I'm really longing to connect with my ancestors, especially those who were queer and trans, my queer and trans Hmong ancestors. And I've been also connecting with my descendants. And then I think that there's also this present moment, right, where I'm also connected deeply with my community, who consists of being children of immigrant refugees, you know, queer and trans folks, and folks that are really reimagining and really fighting for a world where we can all be liberated and be our full, authentic, genuine, loving selves. Miko Lee: [00:29:58] Thank you for sharing. Your art form is as a dancer, as a movement person, and you've created a video for the Walking Stories exhibition. Can you tell us the name of that video and what inspired you to create that? Tsim Nuj: [00:30:14] I feel really honored to be a part of the Walking Stories exhibit, and this is actually my first exhibit that I get to be a part of and share my work in and so it feels very exciting and it feels very, like such an honor that I get to be a part of this project that's a collection of works who the artists and yeah, the folks that are a part of this are just such like incredible, brilliant beings, sharing our stories. And so my dance video The title of it is Our Queer Hmong Love Dance. What really inspired this piece was this idea of being home, right? And this idea of belonging. There's, there's so much ideas that came up for me. And I think that these ideas were coming up because of a recent transition. Last year, around this time, actually, I graduated from UC San Diego, and I was coming home, right, after five years. And so I think that this piece is really about connecting with my roots and finding home specifically in Merced and in the Central Valley. And really trying to think about who I am as a Hmong person. But it was also about who I was as a Hmong and queer person, right? A queer and Hmong person. And so I started to think about these rituals or these sounds and these movements that I really needed to explore. And so a lot of that exploration and that work. I got to practice and be in process and I think it's really what I needed in this moment. And so I'm really grateful I'm really grateful that I get to share it with my community and I'm really grateful that I get to share with my community and the folks that come and see our exhibit and I really I'm really hopeful that folks will resonate with it and really get to just witness me. Miko Lee: [00:32:14] And so folks will come to the exhibit, they'll see all these different works, they'll see a booth that will have your film playing in it. Is there something that you want to have your audience lingering with or thinking about after they watch your work? Tsim Nuj: [00:32:30] Yes. I really want my audience, the folks that come to the exhibit, feel invited to witness my piece, my video in the booth. I want them to allow themselves to really feel, right, whatever they're feeling, whatever is coming up for them. Whether it's the sounds that are guiding them, whether it's the visuals, right. Whether it's, you know, there might be some words or some images that come up, and I really want the audience to just really be with their bodies. Be with their minds, their spirits, right? And I, I hope that they allow themselves to just feel it. And I, I remember having a conversation with you Miko about this like meditative presence. And so I'm hoping that my audience or the folks that come and witness the entire exhibit, right? I hope that they are curious, and that they really allow themselves to just be with the work, whatever that means for them. I don't want to tell people how to watch my work, right? But I do want them to just really, be with it, right? And, and if you can, I hope that you'll be able to watch it for its entirety. I think that there's something really beautiful happening, with how I have put this video together and so I hope that you can be with it. Take the deep breaths. Take those breaths, right, pay attention to the sensations that you experience in your body. What I want the audience to take away from after seeing my piece, I hope that they get to receive it and that they breathe it in and they're with it, right. And that they really see me and see the people that are in this video. And I hope that they see parts of themselves in it, and parts of their stories and their journeys. And I also really want them to think about these questions that I propose and that I ask, right? That I'm also asking myself. This piece is a dedication, right? I think that I'm creating this piece for my ancestors. I'm dancing for my descendants, and I think I'm also asking them, I'm in conversation with them, right? About where is home? Especially for folks who have been displaced, because of very violent histories of war and persecution and having to flee our homes, right, and survive all that, like, thinking about our indigenous relatives here on Turtle Island and thinking about Palestinians in Gaza. I think that, there's in this moment, this piece, I do ask, and I am trying to find this home, this idea of going home. And also how do we dance there, right? Like, how do we dance towards home? And so what is dance for us? I'm just really inspired by, black queer and trans feminists, specifically Prentiss Hemphill, and just the conversations that Prentiss has shared on their Spotify podcast, go and check it out. I think that this piece is also about remembering and honoring the folks who have come before me and the folks that will arrive after me. Miko Lee: [00:35:32] Tsi Nuj, thank you so much for sharing your story. And we look forward to seeing your dance piece in Walking Stories. Tsim Nuj: [00:35:41] Thank you so much, Miko, for your time and for creating the space for me. Yeah, I like, I think there's a lot of excitement that I feel in my body. And so like, I want to talk about the work, but please, please, please, for whoever is listening, come and be with us. Come and experience our work and be in conversation with us. I think it's really important in this moment for us to uplift one another's voices and really affirm each other's stories. When we think about collective liberation, it really is doing this work, right? Of thinking about what is collective care and collective love look like, how do we lean into our creativity, our ancestral technologies and practices to really make meaning of how we show up in this world, right? And to really empower us, right? To, you know, continue showing up for one another and because we know that this work is lifelong. Healing and, you know, really creating this world where we are all free. I hope that the folks that are listening to this and the folks that come to the exhibit and everybody, right, I really hope that we can feel how important it is for each one of us and all of us to be in this movement towards the liberation of everybody, right? Because our liberations are, are so deeply intertwined and connected. So thank you. Miko Lee: [00:37:04] Thank you so much. That was great. Let's take a listen to one of Byron Au Young's compositions called “Know Your Rights.” This is part of the trilogy of the activists songbook. This multi-lingual rap gives steps to know what to do when ICE officers come to your door. MUSIC That was “Know Your Rights” performed by Jason Chu with lyrics by Aaron Jafferis and composed by Byron Au Young. Welcome Visibility Project and Related Tactics to Apex Express. I'm so happy to have you all with me this evening, and I would love to just ask you all the question I love asking for people, which is what is your story? What's your background? And what legacy do you carry with you? And let's start with Weston. Weston Teruya: [00:40:12] I am a Japanese American and Okinawa American from Hawaii. I identify as an Asian American and person of color, and I draw on the histories of cross-racial solidarity between communities as a strategic alliance and community building effort for justice. Miko Lee: [00:40:34] Thanks, Weston. And Michelle, how about you? Who are your people and what legacy do you carry with you? Michelle K Carlson: [00:40:41] Hi, thanks, Miko. I'm Korean American. I grew up in Seattle, Washington and spent most of my time on the West Coast. I, similar to Weston, operate in a realm of cross racial solidarity, linking myself often to histories of racial solidarity justice movements. Weston and I are representing Related Tactics, which is an artist collective that also anchors itself within these histories of cross racial solidarity. We make all sorts of artistic works at the intersection of race and culture. Miko Lee: [00:41:18] Thanks, Michelle. And finally, Mia Nakano, who are your people and what legacy do you carry with you? Mia Nakano: [00:41:24] Thank you so much for having me here. I'm Mia Nakano she/her pronouns and I'm the executive director of the Visibility Project. I am a queer fourth generation Japanese American woman. I am the daughter of a single mother and the sibling of a deaf adult. And I think that all of those relationships and intersectional identities bring forth all of the work that I do. And so I think about queer ancestors, I think about accessibility in the deaf community, I think about all of the really powerful women that have been incredibly present in my life to shape who I am today. Miko Lee: [00:42:10] Thank you, Mia. And you are two different groups of artists. One is Visibility Project. The other is Related Tactics. Can you share with us a little bit about how this collaboration came about? Mia Nakano: [00:42:22] I was invited to participate as a contributing artist in one of Related Tactics' very first shows back in, I believe, in 2016, and have been following their work as a growing artistic practice and a collective for quite some time. I've always been thinking about how could the Visibility Project as a queer led, you know queer, LGBTQ, archiving and organizing artistic practice collaborate with this cross racial, very intersectional, collective in Related Tactics. One of the ideas that has sort of been percolating for me over a long period of time was that so many queer Asian American organizations and so many queer spaces have all come out of the idea and like the gathering around potluck spaces, right? So potlucks being safe spaces for queer folks, for folks of color, for marginalized communities who didn't have safe spaces to gather. And many queer Asian organizations started off with potlucks that then turned into social and political groups, which then shifted into political advocacy and culture change, and then ultimately like legislative change. And I saw such deep connections in terms of how I see related tactics and experience related tactics. It's building roots and planting seeds for multiple relationships and collaborations through the different intersecting ways that our communities have been able to come together over the past few years. Miko Lee: [00:44:18] So how did this collaboration begin working on this concept around potlucks? Michelle K Carlson: [00:44:24] This is Michelle from Related Tactics. The three of us have known each other for a long time and Mia and I have worked together in a lot of different capacities over the years. I think Related Tactics, at the core of what we do is coming together with this kind of shared belief and shared value system around collectivity as this really productive material and tool and method for creative action in the world. I think at the core of that is understanding that we don't have all the information and we don't like to be the only voice in the room and we are not the ones that necessarily should be telling the stories for everyone. Related Tactics, when we often get an opportunity, one of our common strategies is just to figure out a way to share that out and to bring more voices into the room to be in concert with our own. When we understood that the Visibility Project was also going to be a part of this project, we're like we should join forces and bring our communities together. And I think we've been looking for a way to do that over the years. Miko Lee: [00:45:35] Talk to me about the title, Nourishing Power. Where does that come from? What is that about? Mia Nakano: [00:45:41] I think because of the individual artistic practices, And the people who comprise Related Tactics, and myself at the Visibility Project, we are all so incredibly busy, that all of our contributions to our various communities, whether it's at universities, in social justice movements, in artistic organizations, we're all about cultivating the power of other people while putting artists into artistic practices and people first, right? Like you have to, put on your oxygen mask first before you're able to really step out and fully do the work that you want to be doing. And to do that, you have to nourish yourself, you have to nourish your power. And I think that there's also the idea of the collectivity and framework that Related Tactics brings where we can all also do that for one another, right? When one person is at 10 percent capacity, the other two people can step forth and we can all move and lift each other up together rather than doing it as individuals. Miko Lee: [00:46:52] Thank you. And Weston, what can people expect when they walk into Edge on the Square, the corner of Grant and Clay? What will they see that will show them your work? Weston Teruya: [00:47:04] So the center point of our installation is going to be these carts with an array of takeaways that people are free to engage with in different ways, and they are essentially prompt for various potlucks that, we've contributed as a themes and as collaborators and then have also invited a group of additional artists to contribute as well. One of the modes that Related Tactics works in is in the form of the takeaway and part of the impetus behind that is that we want to provide the seed for people to create their own sort of spaces and gatherings and encounters with people beyond the gallery walls. We don't want art to just be this thing that only exists in these defined spaces. We've had different projects that use that mode, and this is one of them. We invite people to engage with it, take these ideas, plant the seeds for their own potlucks beyond the walls of the gallery and hopefully have these opportunities to build community, in their own spaces, in their own worlds, amongst their own networks of people. Miko Lee: [00:48:12] I love the accessible takeaway. I still have a divest yourself matchbox from one of your shows. [Laughs] I love that. Michelle, what's a concrete example of a takeaway from Nourishing Power? Michelle K Carlson: [00:48:27] One of the examples I would talk about is, one of the artists we've invited, Joy Enriquez, has created like hundreds of tiny ceramic spoons. They're thinking a lot about how does one articulate when they need support. They talk about it as if one only has so many spoons to use in a day, but you have way more things you need to do with those spoons. How do you survive that? How do you ask for support? How do you allocate those spoons to this kind of overwhelming existence? They have all these really beautiful prompts that will be printed on a card to take away, but then also you can take away a ceramic spoon that they've been spending many hours in a ceramic studio, making and firing. I think there's this idea too, that there's many, many ways one can use that spoon that can exist to support your day to day that you might not think about. So they have some things that are about how one might hold or touch the spoon or things you might do with it that isn't just about eating. That also really embodies the spirit of this project, that it's also not just about potlucks in the sense of like, bring food to a table, but that it's about this kind of space to share knowledge, to share resources, to exchange things when you don't feel like you have the thing you're supposed to bring, or you can't meet the expectation, the greater expectations of what is supposed to occur in that moment. But that the potluck is a space for us to share and support each other in ways that we maybe have not been able to imagine yet. Miko Lee: [00:50:06] Ooh, I love that. And Mia, how many different artists are there? How many, and how did you go about selecting all these different artists that are participating? Mia Nakano: [00:50:15] There's over a dozen artists who are participating, and we collectively just started brainstorming and extending out invitations to our various communities and folks that we've worked with in the past, folks who, have participated in Related Tactic shows or know, you know, through other pathways and connections. And then I just reached out to a few Visibility Project participants, even folks going back that I interviewed over 15 years ago to ask if they would be willing to participate. Each person was invited to create one prompt, one initial prompt of what the potluck would be, like if they were to have a potluck, right? So we have somebody who put forth a potluck for screaming, a potluck for nourishing. So different artists are putting forth their own individual potlucks, and one prompt connected to that, and then folks will be able to use that as a seed to create their own gathering spaces in the future. Miko Lee: [00:51:15] If there's an action word that you would want people to walk away with, what's that action word after they go to see your exhibit? What is the verb that you want them to do? Weston Teruya: [00:51:27] I think it might be gather. That's sort of the crux of what we're hoping to seed. Miko Lee: [00:51:33] What about an emotion? Is there an emotion you want folks to walk away with? Mia Nakano: [00:51:38] I like the idea of gathering, in that also kind of to be able to connect, right? Like we're not just coming together, like we're building something that we want to connect and maintain. Michelle K Carlson: [00:51:50] Yeah. And I think also like exchanging, right? It's like something really active is happening, there's an exchange, everybody's kind of, there's like a reciprocity too. That you know, that nobody is hosting, like everybody's coming and sharing and exchanging and giving and receiving and maybe nourish is actually the right, I don't know if nourish is an emotion, but I think in the social justice world it is. [Laughs] So it feels like nourish actually is probably a useful emotion. I think reciprocity is also like a feeling that should happen, that when you are giving you're not doing so to the point of extraction because you are also receiving. And that's I think one of the core things about this project wasn't just about Related Tactics and or Visibility Project offering ideas. It was like, we have created a prompt for a potluck and in many ways audience members will come into the show and see our potluck because it will have all these contributions from all these other artists. And so you get to kind of leave with like a goodie bag, doggie bag that is like the kind of residue of our potluck. We hope that folks go home and do that for themselves within their communities, either using our prompts or using our prompts as a platform to create their own space. Miko Lee: [00:53:18] Is there a perfect amount of people to attend a potluck? Like how many dishes do you want at your potluck? Michelle K Carlson: [00:53:26] I feel like we're in like a seven to ten vibe. Like 15 tops, then it's too many. You know, it's like, because not too many, but it, there's a different thing that's happening when you get over 15 people in a room. But like, I feel like 10 is the zone where you can still have kind of like close intimate, you know, conversations where you can like build trust, you can spend some time, get around to see everyone, get a little bit of everybody's, you know, contribution, and then, but it's not like so small that it's like you and one other person and you're on a very awkward blind date or something. Miko Lee: [00:54:09] And are you all down for the themed potlucks or do you like them to be just open ended, bring whatever you want? Mia Nakano: [00:54:17] I love a themed potluck. I love just like some sort of container where you're going in and you're acknowledging I've got dessert, or we're gonna go over to Southeast Asia, rather than everybody showing up with ten pots of rice and they're just eating rice all night. Michelle K Carlson: [00:54:35] Or tortilla chips, or like Trader Joe's brownie bites, like five containers of those. No shame on brownie bites. Miko Lee: [00:54:44] Okay, how can folks find out more about your work? Mia Nakano: [00:54:48] So folks want to check out what the Visibility Project is doing, you can go to visibilityproject.org and learn about all the participants and hear their stories and even go on an LGBTQ digital history tour of the Asian American community in the Bay Area. Michelle K Carlson: [00:55:04] If you want to find out more about Related Tactics, you can go to relatedtactics.com or find us on Instagram and our handle is just at Related Tactics. Miko Lee: [00:55:15] Thank you so much for joining me and I look forward to seeing your work in the show and feeling nourished and planning my next potluck. Thank you so much. So that was a chance to listen to just a few of the artivists that are part of Walking Stories. You got a little insight into where they're coming from and how they created their pieces. And there's so many more artivists that you didn't get to hear from. So I hope you'll come to our exhibit that runs June 29th through the end of December. We'll be at Edge on the Square in San Francisco Chinatown. We'll put a link in the show notes at our website kpfa.org backslash programs, backslash apex express. We hope that you'll join us and share your story too, because all of us have important stories to tell. Thank you so much for joining us on Apex Express. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Hien Nguyen, Jalena Keane-Lee, Miko Lee, Nate Tan, Paige Chung, Preti Mangala-Shekar, and Swati Rayasam. Tonight's show was produced by Miko Lee and edited by Ayame Keane-Lee. Have a great night. The post APEX Express – 6.27.24 – Walking Stories appeared first on KPFA.
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A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight on APEX Express, Host Miko Lee speaks with artivists from the upcoming exhibition at Edge on the Square. TRANSCRIPT Walking Stories: Artivists POV Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express. Miko Lee: [00:00:34] Good evening this is Miko Lee and welcome to Apex Express. We are so happy to have you with us. We are going to be talking about something really personal to me tonight. We are talking about the new interactive exhibition at Edge on the Square in San Francisco, Chinatown. The whole exhibition is called Walking Stories and it is stories from our Asian American community. And we invite you to join us. It opens June 29th and runs all the way through December. Opening night, June 29th is going to be interactive performances and amazing little goodies so we really invite you to join us for opening, but if you can make it that night, we're running all the way through the end of December. Okay, so a little bit of background. Some of you might know that I have been a host on Apex Express for the past seven and a half years, and it has truly been a delight and a joy. As part of that time, I learned that Apex Express is part of a network of Asian American progressive groups. That's called AACRE, which is short for Asian Americans for Civil Rights and Equality. And about two and a half years ago, I joined the staff of AACRE, which has been such a joy to be around colleagues that share the same values and passions and beliefs in supporting and uplifting our community. For the past year, we have been working on a narrative strategy, really trying to reframe how Asian Americans are portrayed in the media, how we're perceived within our own community. We were initially going to do this with the Pacific Islander community as well. But in talking to our sister colleagues, they are going through their own process of a PI narrative strategy and I totally respect that. At some point we will merge and join those voices together. So right now we're focusing on Asian American stories. Through the past year through wonderful funding from San Francisco foundation's Bay Area Creative Corps we were actually able to fund approximately 37 different artists and embed them in different AACRE groups to be able to create narratives that resonate with their own communities. So that in this exhibit Walking Stories, we're going to hear stories about Hmong folks and formerly incarcerated folks, folks that are queer and trans and folks that have stories to share, because we all have important stories to share. Our exhibit is inviting folks to think about how they can get involved, how they can share their own stories, how they can join us in this collective movement for rewriting our history of the kind of silent, quiet model minority that sits in the background that's used as the wedge issue for larger things like reparations and affirmative action and really reframes that and brings back our Asian American activist past because we know that is who we are. That is our history going back from the first time that we came into this country. We invite folks in the community to join us to see more about who these stories are, to find out, to get involved to see what resonates with them and even what doesn't resonate with them. But really join us in this conversation. So tonight I'm really pleased to be talking with just a few of the artists that are in Walking Stories. So that you can get some insight into their process and how they made the piece that they're going to be sharing. The exhibit itself will be at Edge on the Square in San Francisco Chinatown. When you walk in, you are going to see this timeline of lanterns hanging from the ceiling. That's about an Asian American activist history. You're going to see a really cool, nourishing power piece, which we're going to talk to the artists about, that is about how potlucks were used as a tool for queer and trans organizing. You are going to learn more about Hmong dance. And what does that look like, and what does it feel like in your own body? You're going to learn about ancestors, the power of our ancestors and how we can bring that to help us in our healing and moving forward. You're going to see in the exhibit about a Hmong story cloth reimagined with a modern perspective, you're going to see stories of south Asians activists and what they represent. And what does it mean to be a south Asian Muslim in America today? You're going to hear some of these stories. You're going to see them. We hope that you'll experience them. Then we hope that you'll learn more and find out about what we're doing and how you can get involved. So join me on this little journey through some of the artivists—that's artists that are also activists—that are part of our exhibit called Walking Stories. Come board. Join us. Welcome Hà Trần to Apex Express. We're so happy to have you with us. Trần Châu Hà: [00:05:40] Thank you for having me. Miko Lee: [00:05:41] So you are amazing artist, but I want to start and go back and for you to tell us who are your people and what legacy do you carry with you? Trần Châu Hà: [00:05:52] Ooh, oh my god, that's such like a big question. I guess my people are the people at Asian Prisoner Support Committee. I come from like a lineage of like Vietnamese refugees, and I think about like the ways that our communities have been impacted by the legacy of imperialism, which includes like incarceration, deportation, and things of that nature. I would say my community are folks who are impacted by, those kinds of pipelines and violences, Southeast Asian folks broadly. Miko Lee: [00:06:14] And what legacy do you carry with you from them? Trần Châu Hà: [00:06:18] I think the easy answer is like resilience clearly. To exist and survive under so many different violences and still move forth and create such beautiful communities. Miko Lee: [00:06:25] Hà how did you get started working with Asian Prisoner Support Committee? Trần Châu Hà: [00:06:29] It actually started from an interpersonal relationship. My best friend who also works at the organization now. They actually explained to me that a APSC was doing all this work in regards to like stopping the prison to deportation pipeline, how like so many of our Southeast Asian American community members were impacted by this kind of incarceration and things of that nature. At that point, it just became my political home after many, many years. Miko Lee: [00:06:50] Thanks for sharing that. Then tell us about the work that you have in the new exhibit that is opening up called Walking Stories. Can you tell us the title of your piece and then describe it for us? Trần Châu Hà: [00:07:01] The piece I'm making is a comic called We Was Girls Together. It's a quote from Sula by Toni Morrison. The comic is about my friend Maria Legarda. She's a re-entry coordinator at the Asian Prisoner Support Committee. She's also a Filipino immigrant who's facing deportation to the Philippines now after she was incarcerated in CCWF for 14 years. We met each other through APSC I know her as a very generous and kind person who loves crocheting. She's always been like an extreme light every time I come to the office and interact with her. But I also know that Maria is like someone who frankly, knows all these like incarcerated women or like formerly and currently incarcerated women. She really shows me what it looks like to be, like, an abolitionist feminist despite the kind of struggles and difficulties that she's moving through as someone who's literally currently still facing deportation because of her quote unquote, deportable offense. My comic is about Maria Legarda. It starts with like her story, her migration story from the Philippines. She was born under the Marcos regime, which basically socioeconomically destabilized the Philippines. She came to the US for economic opportunity. But clearly she had a really hard time adjusting, and then eventually she made some choices that led her to a federal offense that led to her decades of incarceration. When she was in prison, she met all these, wonderful women of color who also were survivors of sexual and gendered violence, so I just follow her story through her healing. Despite the fact that she's healed so deeply and she's shown so much care to other people and she has these communities she still is deportable to a country that she hasn't been to in 30 or so years, and doesn't consider home anymore. Miko Lee: [00:08:27] Share with me a little bit about how zines are your choice of art medium? Trần Châu Hà: [00:08:32] I love the nature of how like accessible they are. I think I kind of started out as an illustrator and an essayist separately. But then I realized as I was like writing essays I couldn't necessarily share those things immediately with my mom. She's not super fluent in English, right? But like when I combined the medium of illustration and writing into creating a comic in a zine, I could show that to my mom and even if she can't fully understand all the writing she could still access, like the actual medium. And then the form of the zine is something that is meant to be taken away. It's meant to be shared with other people. I started going to a lot of zine fests last year and it just made me realize like, oh yeah, I want all my stuff to be accessible, right? Like I don't want it necessarily to be underneath a pay wall or things of that nature. I think there's something like, you know, for lack of a better word, very like, democratic about zine making, and as well as, comics generally. Miko Lee: [00:09:20] I love how you do the mom test. Trần Châu Hà: [00:09:22] Yes. It's funny, I wrote, an essay about my grandmother, actually, in the Asian American Writers Workshop like 2021, and I had to literally translate the entire thing for her to read it to make sure all the details were right, and I was like, wait, I could have just made this easier by like illustrating some of it to make it accessible across language barriers and things of that nature. Miko Lee: [00:09:40] And has Maria read through the scene? Trần Châu Hà: [00:09:42] Yes, she has. Miko Lee: [00:09:44] What has been her take on it? Trần Châu Hà: [00:09:46] She actually sent me a very long signal which like made me cry because I was like, oh my god, I can't believe she actually thought this about the work. She was talking about how it helped her reflect on everything she's gone through but also like these relationships that have really sustained her. Namely like, I mentioned this person named Granny in the comic who I've met who's essentially like the person who adopted Maria when she just became incarcerated and was dealing with the fallout and trauma of sexual violence and things of that nature. The comic reminds Maria of just her growth essentially over all these years, but also all these rich relationships that still continue to sustain her like across carceral walls and things of that nature. Miko Lee: [00:10:17] And what do you hope people that come and see your work and take one of your zines, what do you hope that they walk away with? Trần Châu Hà: [00:10:25] The obvious answer to the question is, like, how cruel the prison to deportation pipeline is. For someone to build such wonderful communities in the United States and for borders being so arbitrary and things of that nature that they can be stolen away from these communities at any point, and how cruel and unnecessary that all feels for immigrants and refugees who have been criminalized to experience this kind of double punishment. I think the other element of it is the ways that women, specifically currently and formerly incarcerated women create these networks of care amongst each other that, in light of the state not supporting them and their healing, whether they've experienced gendered or sexual violence, these people will find each other, these women will find each other and they'll be able to support each other and help each other through these processes of healing and also like fighting sexual violence in the carceral system. Yeah, just like highlighting those kinds of like organic networks and that relationship building that we don't necessarily get to see in like, for example, like mainstream media or like policy making or things of that nature. Miko Lee: [00:11:18] What will people see when they walk into the Rdge on the Square exhibit space? Trần Châu Hà: [00:11:23] Yes, you will see 15 comic pages in acrylic frames and then underneath that will be a table with actually takeaways. So feel free to take the comic away in like a booklet form as well, but you can also read it out on the wall when you walk in. Miko Lee: [00:11:35] Thank you so much for sharing with us about your artistry and your vision and your story about Maria and your connection with Asian Prisoner Support Committee. We look forward to seeing your work. Trần Châu Hà: [00:11:45] Thank you, Miko. Pleasure speaking with you. Miko Lee: [00:11:48] Next up, listen to “Staygo” from DARKHEART, A Concert Narrative by singer and songwriter Golda Sargento. MUSIC That was the voice of Golda Sargento from the new Filipinx futurism punk rock sci-fi DARKHEART. Katie Quan, artist, activist, ethnic studies teacher. I'm so happy to have you on Apex Express. And the first question I want to ask you is, who are your people and what legacy do you carry with you? Katie Quan: [00:16:51] I would say that my people, I really strongly identify with Asian American movement artists, makers, and shakers from like the 60s and 70s. It was my first introduction to really seeing Chinese Americans be out there and be really vocal, be excited, and be loud and angry about all these different topics. And so I've really gravitated towards just all that excitement, all that energy over the past decade just after learning more about them. I really just enjoyed seeing what that looks like and how we can continue that energy, especially for East Asian Americans here in the States, as we move into a new generation of game makers. Miko Lee: [00:17:38] Tell us about how you carry that legacy of feisty activism into your work as an artist. Katie Quan: [00:17:44] I like to consider myself a legacy of the Asian American movement. My grandparents came here in the 30s and 40s. I also have great grandparents and great great grandparents who traveled between the US and China, back and forth, back and forth and so I find myself really attached to their stories as well as how they've overcome a lot of those obstacles that Chinese Americans had to face during that time frame. My parents are both second generation Chinese American. They met at Self-Help for the Elderly, which was a organization that came from the Asian American movement in terms of making sure that our elderly are actually taken care of and have culturally relevant care. My parents were very much interested in enrolling us into bilingual education. Bilingual education was not a popular educational pedagogy at that point, partly because people thought that if you learned another language that was not English, that you would lose your Americanness in a lot of ways. And so one of the things that I really like to bring into my art is making sure that legacy and that history is always challenged and always, it feels relevant to where we are now, but also can meet other people where they're at. I do understand that not everyone gets to have a lot of those kinds of privileges where they see themselves, in their role models or that they didn't grow up around the history, I understand that that's the case. And so making sure that the work that I always produce meets people where they need to be at, is something of interest and something that I carry with me in all my work. Miko Lee: [00:19:32] Thank you, Katie. Can you talk about the work that you have been doing with Chinese for Affirmative Action and tell us about the reparations zine that you've been developing? Katie Quan: [00:19:43] Me and a team of other artists, academics and activists have been working to make a reparations zine alongside Chinese for Affirmative Action. Here in San Francisco reparations is still a very contentious issue. So one of the things that we're trying to really bring about and inform, especially the Chinese American demographics, is what reparations are and how we can support the work that black communities need and what they're doing at the moment. Within the zine, we are really covering what reparations are, how African Americans in San Francisco have contributed to the making of the city and also the Bay Area, how their community has been bulldozed in many, many ways, whether it's through health, environmental justice, redlining, all of these different issues. What's happened in the past 50, 60 years reparations is that first step in terms of saying sorry and, how can we begin to mend this wound that the United States has created consistently over time with this particular population. Miko Lee: [00:20:54] What has surprised you about this process? Katie Quan: [00:20:58] It's hard. [Laughs] And not that I didn't think it wasn't going to be hard. But I think the team that we've been working with, we've been really fortunate because we have some, second, third and fourth generation activists and artists, but we also have a team of other people who are new immigrants, and we've been really fortunate to learn from their perspective. And so rather than approaching it in a lens that talks about anti-blackness, sometimes it's talking about what it means to be American. And how do we participate in democracy? It's bringing a very positive spin, or just kind of a different spin to topics that we already know, and then that we talk about all the time, but making sure that it's accessible to everybody. Miko Lee: [00:21:46] So this zine is going to be available for free in the Edge on the Square exhibition. Can you talk about what people will see when they walk into the exhibition and see your work? What are they going to see? What are they going to experience? Katie Quan: [00:21:59] Yeah, we are hoping to make sure that our exhibition is big and it's bold, but at the same time it feels simple in its messaging. Asking people a little bit about what they know about reparations, being able to challenge their own thinking of what they know about black communities here in San Francisco, what they've done. Also talking about how we ourselves get information, how do we learn the things that we know and how can we challenge that? Or how can we push that forward? And so we will have an interactive element, but we will also have the zine there available, which will be created both in English and in Chinese for anybody who needs it. We will also have additional resources via QR code so that if anybody has any other questions or want to learn more about it, want to act on their excitement for this particular issue that they can also do so. Miko Lee: [00:22:58] And what do you hope that people will walk away from your after taking away your zine after seeing the exhibit? What are you hoping that they will learn or or do after seeing your work? Katie Quan: [00:23:10] One of the things that we kind of came across when creating the zine is that people had very strong opinions about reparations. They didn't always have all the information, but they had very strong opinions and they had very particular beliefs that come from their own life experiences. Our goal for this is not necessarily to persuade one way or the other, but it's to make sure that they're informed and just making sure that they have all the facts so that they can make a decision that best suits their own life experiences. We're also hoping that people walk away feeling like they know a little bit more and that they can share that with their own communities in a way that makes sense for them. Miko Lee: [00:23:51] Katie Quan, thank you so much for joining us on Apex Express. Katie Quan: [00:23:54]Yes, thank you so much. Miko Lee: [00:23:55] Next up, take a listen to “Live It Up” by Bay Area's Power Struggle. MUSIC That was “Live It Up”by Bay Area's Power Struggle. Welcome Tsim Nuj to Apex Express. Tsim Nuj: [00:27:32] Hi, Miko. Thank you so much for having me today. Miko Lee: [00:27:37] Can I start with just by asking you, who are your people and what legacy do you carry with you? Tsim Nuj: [00:27:46] Who are my people and what legacy do I carry with me? My people are Hmong. My ancestors were living in northern Laos, in the mountains and in the jungles and farming. That's where my lineage and then my ancestors had to flee their homes because of the Vietnam War and the secret war in Laos to find refuge in Thailand and then now we're here in the US. specifically in Merced, California in the Central Valley on indigenous Yokut land. So yeah, that's my, those are my people. I think that my community here in Merced that I organize with, who are also queer and trans folks of color are also my people. And I think that the legacy that I carry is this legacy of, I carry this legacy of love. I think that in moments of having to find home and having to survive, I think that love really grounded my people and my people's families. And so I think that I'm really holding onto this act of loving. That I think really grounds me and really affirms who I am and the journey as I honor my ancestors. And I really, as I think about the descendants, right, my descendants, the young people who are a emerging and, you know, the future generations that are coming. And so I think that there's this really special moment where I feel like I'm really longing to connect with my ancestors, especially those who were queer and trans, my queer and trans Hmong ancestors. And I've been also connecting with my descendants. And then I think that there's also this present moment, right, where I'm also connected deeply with my community, who consists of being children of immigrant refugees, you know, queer and trans folks, and folks that are really reimagining and really fighting for a world where we can all be liberated and be our full, authentic, genuine, loving selves. Miko Lee: [00:29:58] Thank you for sharing. Your art form is as a dancer, as a movement person, and you've created a video for the Walking Stories exhibition. Can you tell us the name of that video and what inspired you to create that? Tsim Nuj: [00:30:14] I feel really honored to be a part of the Walking Stories exhibit, and this is actually my first exhibit that I get to be a part of and share my work in and so it feels very exciting and it feels very, like such an honor that I get to be a part of this project that's a collection of works who the artists and yeah, the folks that are a part of this are just such like incredible, brilliant beings, sharing our stories. And so my dance video The title of it is Our Queer Hmong Love Dance. What really inspired this piece was this idea of being home, right? And this idea of belonging. There's, there's so much ideas that came up for me. And I think that these ideas were coming up because of a recent transition. Last year, around this time, actually, I graduated from UC San Diego, and I was coming home, right, after five years. And so I think that this piece is really about connecting with my roots and finding home specifically in Merced and in the Central Valley. And really trying to think about who I am as a Hmong person. But it was also about who I was as a Hmong and queer person, right? A queer and Hmong person. And so I started to think about these rituals or these sounds and these movements that I really needed to explore. And so a lot of that exploration and that work. I got to practice and be in process and I think it's really what I needed in this moment. And so I'm really grateful I'm really grateful that I get to share it with my community and I'm really grateful that I get to share with my community and the folks that come and see our exhibit and I really I'm really hopeful that folks will resonate with it and really get to just witness me. Miko Lee: [00:32:14] And so folks will come to the exhibit, they'll see all these different works, they'll see a booth that will have your film playing in it. Is there something that you want to have your audience lingering with or thinking about after they watch your work? Tsim Nuj: [00:32:30] Yes. I really want my audience, the folks that come to the exhibit, feel invited to witness my piece, my video in the booth. I want them to allow themselves to really feel, right, whatever they're feeling, whatever is coming up for them. Whether it's the sounds that are guiding them, whether it's the visuals, right. Whether it's, you know, there might be some words or some images that come up, and I really want the audience to just really be with their bodies. Be with their minds, their spirits, right? And I, I hope that they allow themselves to just feel it. And I, I remember having a conversation with you Miko about this like meditative presence. And so I'm hoping that my audience or the folks that come and witness the entire exhibit, right? I hope that they are curious, and that they really allow themselves to just be with the work, whatever that means for them. I don't want to tell people how to watch my work, right? But I do want them to just really, be with it, right? And, and if you can, I hope that you'll be able to watch it for its entirety. I think that there's something really beautiful happening, with how I have put this video together and so I hope that you can be with it. Take the deep breaths. Take those breaths, right, pay attention to the sensations that you experience in your body. What I want the audience to take away from after seeing my piece, I hope that they get to receive it and that they breathe it in and they're with it, right. And that they really see me and see the people that are in this video. And I hope that they see parts of themselves in it, and parts of their stories and their journeys. And I also really want them to think about these questions that I propose and that I ask, right? That I'm also asking myself. This piece is a dedication, right? I think that I'm creating this piece for my ancestors. I'm dancing for my descendants, and I think I'm also asking them, I'm in conversation with them, right? About where is home? Especially for folks who have been displaced, because of very violent histories of war and persecution and having to flee our homes, right, and survive all that, like, thinking about our indigenous relatives here on Turtle Island and thinking about Palestinians in Gaza. I think that, there's in this moment, this piece, I do ask, and I am trying to find this home, this idea of going home. And also how do we dance there, right? Like, how do we dance towards home? And so what is dance for us? I'm just really inspired by, black queer and trans feminists, specifically Prentiss Hemphill, and just the conversations that Prentiss has shared on their Spotify podcast, go and check it out. I think that this piece is also about remembering and honoring the folks who have come before me and the folks that will arrive after me. Miko Lee: [00:35:32] Tsi Nuj, thank you so much for sharing your story. And we look forward to seeing your dance piece in Walking Stories. Tsim Nuj: [00:35:41] Thank you so much, Miko, for your time and for creating the space for me. Yeah, I like, I think there's a lot of excitement that I feel in my body. And so like, I want to talk about the work, but please, please, please, for whoever is listening, come and be with us. Come and experience our work and be in conversation with us. I think it's really important in this moment for us to uplift one another's voices and really affirm each other's stories. When we think about collective liberation, it really is doing this work, right? Of thinking about what is collective care and collective love look like, how do we lean into our creativity, our ancestral technologies and practices to really make meaning of how we show up in this world, right? And to really empower us, right? To, you know, continue showing up for one another and because we know that this work is lifelong. Healing and, you know, really creating this world where we are all free. I hope that the folks that are listening to this and the folks that come to the exhibit and everybody, right, I really hope that we can feel how important it is for each one of us and all of us to be in this movement towards the liberation of everybody, right? Because our liberations are, are so deeply intertwined and connected. So thank you. Miko Lee: [00:37:04] Thank you so much. That was great. Let's take a listen to one of Byron Au Young's compositions called “Know Your Rights.” This is part of the trilogy of the activists songbook. This multi-lingual rap gives steps to know what to do when ICE officers come to your door. MUSIC That was “Know Your Rights” performed by Jason Chu with lyrics by Aaron Jafferis and composed by Byron Au Young. Welcome Visibility Project and Related Tactics to Apex Express. I'm so happy to have you all with me this evening, and I would love to just ask you all the question I love asking for people, which is what is your story? What's your background? And what legacy do you carry with you? And let's start with Weston. Weston Teruya: [00:40:12] I am a Japanese American and Okinawa American from Hawaii. I identify as an Asian American and person of color, and I draw on the histories of cross-racial solidarity between communities as a strategic alliance and community building effort for justice. Miko Lee: [00:40:34] Thanks, Weston. And Michelle, how about you? Who are your people and what legacy do you carry with you? Michelle K Carlson: [00:40:41] Hi, thanks, Miko. I'm Korean American. I grew up in Seattle, Washington and spent most of my time on the West Coast. I, similar to Weston, operate in a realm of cross racial solidarity, linking myself often to histories of racial solidarity justice movements. Weston and I are representing Related Tactics, which is an artist collective that also anchors itself within these histories of cross racial solidarity. We make all sorts of artistic works at the intersection of race and culture. Miko Lee: [00:41:18] Thanks, Michelle. And finally, Mia Nakano, who are your people and what legacy do you carry with you? Mia Nakano: [00:41:24] Thank you so much for having me here. I'm Mia Nakano she/her pronouns and I'm the executive director of the Visibility Project. I am a queer fourth generation Japanese American woman. I am the daughter of a single mother and the sibling of a deaf adult. And I think that all of those relationships and intersectional identities bring forth all of the work that I do. And so I think about queer ancestors, I think about accessibility in the deaf community, I think about all of the really powerful women that have been incredibly present in my life to shape who I am today. Miko Lee: [00:42:10] Thank you, Mia. And you are two different groups of artists. One is Visibility Project. The other is Related Tactics. Can you share with us a little bit about how this collaboration came about? Mia Nakano: [00:42:22] I was invited to participate as a contributing artist in one of Related Tactics' very first shows back in, I believe, in 2016, and have been following their work as a growing artistic practice and a collective for quite some time. I've always been thinking about how could the Visibility Project as a queer led, you know queer, LGBTQ, archiving and organizing artistic practice collaborate with this cross racial, very intersectional, collective in Related Tactics. One of the ideas that has sort of been percolating for me over a long period of time was that so many queer Asian American organizations and so many queer spaces have all come out of the idea and like the gathering around potluck spaces, right? So potlucks being safe spaces for queer folks, for folks of color, for marginalized communities who didn't have safe spaces to gather. And many queer Asian organizations started off with potlucks that then turned into social and political groups, which then shifted into political advocacy and culture change, and then ultimately like legislative change. And I saw such deep connections in terms of how I see related tactics and experience related tactics. It's building roots and planting seeds for multiple relationships and collaborations through the different intersecting ways that our communities have been able to come together over the past few years. Miko Lee: [00:44:18] So how did this collaboration begin working on this concept around potlucks? Michelle K Carlson: [00:44:24] This is Michelle from Related Tactics. The three of us have known each other for a long time and Mia and I have worked together in a lot of different capacities over the years. I think Related Tactics, at the core of what we do is coming together with this kind of shared belief and shared value system around collectivity as this really productive material and tool and method for creative action in the world. I think at the core of that is understanding that we don't have all the information and we don't like to be the only voice in the room and we are not the ones that necessarily should be telling the stories for everyone. Related Tactics, when we often get an opportunity, one of our common strategies is just to figure out a way to share that out and to bring more voices into the room to be in concert with our own. When we understood that the Visibility Project was also going to be a part of this project, we're like we should join forces and bring our communities together. And I think we've been looking for a way to do that over the years. Miko Lee: [00:45:35] Talk to me about the title, Nourishing Power. Where does that come from? What is that about? Mia Nakano: [00:45:41] I think because of the individual artistic practices, And the people who comprise Related Tactics, and myself at the Visibility Project, we are all so incredibly busy, that all of our contributions to our various communities, whether it's at universities, in social justice movements, in artistic organizations, we're all about cultivating the power of other people while putting artists into artistic practices and people first, right? Like you have to, put on your oxygen mask first before you're able to really step out and fully do the work that you want to be doing. And to do that, you have to nourish yourself, you have to nourish your power. And I think that there's also the idea of the collectivity and framework that Related Tactics brings where we can all also do that for one another, right? When one person is at 10 percent capacity, the other two people can step forth and we can all move and lift each other up together rather than doing it as individuals. Miko Lee: [00:46:52] Thank you. And Weston, what can people expect when they walk into Edge on the Square, the corner of Grant and Clay? What will they see that will show them your work? Weston Teruya: [00:47:04] So the center point of our installation is going to be these carts with an array of takeaways that people are free to engage with in different ways, and they are essentially prompt for various potlucks that, we've contributed as a themes and as collaborators and then have also invited a group of additional artists to contribute as well. One of the modes that Related Tactics works in is in the form of the takeaway and part of the impetus behind that is that we want to provide the seed for people to create their own sort of spaces and gatherings and encounters with people beyond the gallery walls. We don't want art to just be this thing that only exists in these defined spaces. We've had different projects that use that mode, and this is one of them. We invite people to engage with it, take these ideas, plant the seeds for their own potlucks beyond the walls of the gallery and hopefully have these opportunities to build community, in their own spaces, in their own worlds, amongst their own networks of people. Miko Lee: [00:48:12] I love the accessible takeaway. I still have a divest yourself matchbox from one of your shows. [Laughs] I love that. Michelle, what's a concrete example of a takeaway from Nourishing Power? Michelle K Carlson: [00:48:27] One of the examples I would talk about is, one of the artists we've invited, Joy Enriquez, has created like hundreds of tiny ceramic spoons. They're thinking a lot about how does one articulate when they need support. They talk about it as if one only has so many spoons to use in a day, but you have way more things you need to do with those spoons. How do you survive that? How do you ask for support? How do you allocate those spoons to this kind of overwhelming existence? They have all these really beautiful prompts that will be printed on a card to take away, but then also you can take away a ceramic spoon that they've been spending many hours in a ceramic studio, making and firing. I think there's this idea too, that there's many, many ways one can use that spoon that can exist to support your day to day that you might not think about. So they have some things that are about how one might hold or touch the spoon or things you might do with it that isn't just about eating. That also really embodies the spirit of this project, that it's also not just about potlucks in the sense of like, bring food to a table, but that it's about this kind of space to share knowledge, to share resources, to exchange things when you don't feel like you have the thing you're supposed to bring, or you can't meet the expectation, the greater expectations of what is supposed to occur in that moment. But that the potluck is a space for us to share and support each other in ways that we maybe have not been able to imagine yet. Miko Lee: [00:50:06] Ooh, I love that. And Mia, how many different artists are there? How many, and how did you go about selecting all these different artists that are participating? Mia Nakano: [00:50:15] There's over a dozen artists who are participating, and we collectively just started brainstorming and extending out invitations to our various communities and folks that we've worked with in the past, folks who, have participated in Related Tactic shows or know, you know, through other pathways and connections. And then I just reached out to a few Visibility Project participants, even folks going back that I interviewed over 15 years ago to ask if they would be willing to participate. Each person was invited to create one prompt, one initial prompt of what the potluck would be, like if they were to have a potluck, right? So we have somebody who put forth a potluck for screaming, a potluck for nourishing. So different artists are putting forth their own individual potlucks, and one prompt connected to that, and then folks will be able to use that as a seed to create their own gathering spaces in the future. Miko Lee: [00:51:15] If there's an action word that you would want people to walk away with, what's that action word after they go to see your exhibit? What is the verb that you want them to do? Weston Teruya: [00:51:27] I think it might be gather. That's sort of the crux of what we're hoping to seed. Miko Lee: [00:51:33] What about an emotion? Is there an emotion you want folks to walk away with? Mia Nakano: [00:51:38] I like the idea of gathering, in that also kind of to be able to connect, right? Like we're not just coming together, like we're building something that we want to connect and maintain. Michelle K Carlson: [00:51:50] Yeah. And I think also like exchanging, right? It's like something really active is happening, there's an exchange, everybody's kind of, there's like a reciprocity too. That you know, that nobody is hosting, like everybody's coming and sharing and exchanging and giving and receiving and maybe nourish is actually the right, I don't know if nourish is an emotion, but I think in the social justice world it is. [Laughs] So it feels like nourish actually is probably a useful emotion. I think reciprocity is also like a feeling that should happen, that when you are giving you're not doing so to the point of extraction because you are also receiving. And that's I think one of the core things about this project wasn't just about Related Tactics and or Visibility Project offering ideas. It was like, we have created a prompt for a potluck and in many ways audience members will come into the show and see our potluck because it will have all these contributions from all these other artists. And so you get to kind of leave with like a goodie bag, doggie bag that is like the kind of residue of our potluck. We hope that folks go home and do that for themselves within their communities, either using our prompts or using our prompts as a platform to create their own space. Miko Lee: [00:53:18] Is there a perfect amount of people to attend a potluck? Like how many dishes do you want at your potluck? Michelle K Carlson: [00:53:26] I feel like we're in like a seven to ten vibe. Like 15 tops, then it's too many. You know, it's like, because not too many, but it, there's a different thing that's happening when you get over 15 people in a room. But like, I feel like 10 is the zone where you can still have kind of like close intimate, you know, conversations where you can like build trust, you can spend some time, get around to see everyone, get a little bit of everybody's, you know, contribution, and then, but it's not like so small that it's like you and one other person and you're on a very awkward blind date or something. Miko Lee: [00:54:09] And are you all down for the themed potlucks or do you like them to be just open ended, bring whatever you want? Mia Nakano: [00:54:17] I love a themed potluck. I love just like some sort of container where you're going in and you're acknowledging I've got dessert, or we're gonna go over to Southeast Asia, rather than everybody showing up with ten pots of rice and they're just eating rice all night. Michelle K Carlson: [00:54:35] Or tortilla chips, or like Trader Joe's brownie bites, like five containers of those. No shame on brownie bites. Miko Lee: [00:54:44] Okay, how can folks find out more about your work? Mia Nakano: [00:54:48] So folks want to check out what the Visibility Project is doing, you can go to visibilityproject.org and learn about all the participants and hear their stories and even go on an LGBTQ digital history tour of the Asian American community in the Bay Area. Michelle K Carlson: [00:55:04] If you want to find out more about Related Tactics, you can go to relatedtactics.com or find us on Instagram and our handle is just at Related Tactics. Miko Lee: [00:55:15] Thank you so much for joining me and I look forward to seeing your work in the show and feeling nourished and planning my next potluck. Thank you so much. So that was a chance to listen to just a few of the artivists that are part of Walking Stories. You got a little insight into where they're coming from and how they created their pieces. And there's so many more artivists that you didn't get to hear from. So I hope you'll come to our exhibit that runs June 29th through the end of December. We'll be at Edge on the Square in San Francisco Chinatown. We'll put a link in the show notes at our website kpfa.org backslash programs, backslash apex express. We hope that you'll join us and share your story too, because all of us have important stories to tell. Thank you so much for joining us on Apex Express. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Hien Nguyen, Jalena Keane-Lee, Miko Lee, Nate Tan, Paige Chung, Preti Mangala-Shekar, and Swati Rayasam. Tonight's show was produced by Miko Lee and edited by Ayame Keane-Lee. Have a great night. The post APEX Express – June 13, 2024- Walking Stories appeared first on KPFA.
We're back, and we're diving deep into flashbacks of Prentiss with Doyle. She was right...they judged the outfit. It's another Criminal Minds recap! Due to the nature of the show, there will be discussion of violence and sexual assault. Original theme music composed and performed by Nate Youngblood. This podcast was produced by Nate Youngblood.
7:20 a.m. - Daniel Sparks - Senator, MS Dist. 5 (Itawamba, Prentiss, and Tishomingo) - Chair, Economic & Workforce Development Committee & Vice-Chair, Judiciary B Committee Topic: Feedback on his bill that was signed by the Governor to reconstitute Boards and Agencies. Also, his thoughts on relocation of thousands of illegal alien minors to Mississippi. 8:35 a.m. - Ben Milam - Multimedia Journalist, SuperTalk MS News Topic: The week in the news and some of the biggest headlines of the week.
On Episode 2 of Testimony Central we have on James Mason, and he tells of a terrifying encounter of what he saw down in Mammoth cave, and atmospheric jelly fish!
Today we will discuss a man who did not handle a break up well. Not only is it frustrating to hear about the terror and violent outbursts he put his ex, Angela Tillman through. It is also alarming the number of times she tried to get help from the police and they did nothing to help protect her. Listen to this week's episode to hear about the escalations of Prentiss Coleman. Sources: https://www.familysearch.org/ark:/61903/1:1:6K7C-KBGB Vicksburg Evening Post Edition Feb 10 1985 Page 35 Coleman v. State, 1999-KA-00670-SCT. - Mississippi - Case Law - VLEX 887817628 --- Support this podcast: https://podcasters.spotify.com/pod/show/homicidehobbies/support
Oral Arguments for the Court of Appeals for the Seventh Circuit
United States v. Prentiss Jackson
7:20 a.m. Daniel Sparks - Senator, MS Dist. 5 (Itawamba, Prentiss, and Tishomingo) - Chair, Economic & Workforce Development Cmte. & Vice-Chair, Judiciary B Cmte. Topic: Update from the legislative session, his committees, the upcoming deadlines, thoughts on whether there will be something decided upon re: medicaid expansion and PERS this year, etc. 8:05 a.m. - Mike McCormick - President, MS Farm Bureau Federation Topic: Animal RFID tags, foreign land ownership, and his thoughts on the 2024 legislative session.
Join us on The Freedom Achievers Podcast for an enlightening episode with special guest Prentiss Holt as we delve into the dynamic transformation of the sales business. In this thought-provoking conversation, Prentiss shares valuable insights on how sales strategies have evolved in the ever-changing business landscape. From the traditional methods to the cutting-edge approaches, discover the keys to success in the modern sales era. Whether you're a seasoned professional or a budding entrepreneur, this episode is a must-listen for anyone looking to thrive in the evolving world of sales and business. Tune in and unlock the secrets to staying ahead in the game on The Freedom Achievers Podcast with Prentiss Holt: "Sales Business Has EVOLVED." GET A COPY OF MY NEW BOOK: THE TRUTH ABOUT FAILURE AND LEARN HOW TO GET FREE ACCESS TO THE TRAINING: https://www.truthaboutfailure.com/ JOIN MY COACHING ACADEMY: https://freedomachieveracademy.com/join
Daniel Sparks
Season 14 rolls on with "Twenty Seven", an episode about machete murders in DC that occur every 27 minutes. Is it stupid or is someone trying to make a dumbass point? Both! Meanwhile, Prentiss gets the least charismatic love interest ever. Good thing we cover these out of order so we already know this romance ultimately goes nowhere. MENDOZA!!!!! (That's his name, not just a Simpsons reference.)
In this episode, Ryan Prentiss, an arborist, coffee enthusiast, bike fanatic, and constant student of life, joins us to share the story of his bike tour from San Francisco, California to Peru and how he learned to adapt to the unexpected. Ryan is living the adventure life with a passion for experiencing adventure himself and as an outdoor guide and educator for others.
In this episode, I speak with Ben Prentiss. Ben has been a Strength and Conditioning Coach for over 2 decades. He is the owner of Prentiss Hockey Performance in Stamford CT. He is also level 5 certified wirh Charles Poliquin. He has trained several Stanley Cup winners, Hall of Famers, and several NHL individual award winners. I hope you enjoy!
Divya Alter is a certified nutritional consultant, educator, and chef in the Shaka Vansiya Ayurveda tradition. Divya and her husband Prentiss founded Divya's Kitchen, a plant-based restaurant in New York City that reimagines classic dishes through an Ayurvedic lens. Divya's brand has since expanded to include a line of plant-based retail food products, educational videos and two books. She is the author of What to Eat for How You Feel: The New Ayurvedic Kitchen and Joy of Balance: An Ayurvedic Guide to Cooking with Healing Ingredients. In this episode Colette chats with Divya about obesity from an Ayurvedic perspective and they discuss the following: Ayurveda's teaching on obesity as a malnutrition disorder. The symptoms of the syndrome of obesity. Causes of obesity according to Ayurveda. Holistic healing tips for the body and mind. Preventing obesity. Check out Divya's Introduction to Ayurvedic Cooking Masterclass. With over 8 hours of guided video instruction, interactive workbooks, study guides, and recipes tailored for your unique journey, these lessons are your ultimate companions, whether you're a beginner or a seasoned home chef. * Thanks to Kerala Academy for sponsoring this episode. Explore the selection of weight management herbs at keralaayurveda.store and check out Kerala's weight loss bundle. Use the code ELEMENTS10KA for a 10% discount your first order. Applicable on all Kerala Ayurveda products. One-time use only. Cannot be combined with other discounts. * Visit Colette's website www.elementshealingandwellbeing.com Online consultations & Gift Vouchers Private at-home Digestive Reset Cleanse tailored to you Educational programs - Daily Habits for Holistic Health Have questions before you book? Book a FREE 15 min online Services Enquiry Call * Join the Elements of Ayurveda Community! * Stay connected on the Elements Instagram and Facebook pages. * Thanks for listening!
The Atlantic Group Tuesday Night Speaker Meeting February 6, 2024 First 10 Minute Speaker on the 2nd Tradition: Richard H. Second 10 Minute Speaker: Lee H. Main Speaker: Prentiss M.
7:20 a.m.
7:20 a.m. - Daniel Sparks - Senator, MS Dist. 5 (Itawamba, Prentiss, and Tishomingo) & Vice-Chairman, Senate Corrections Cmte. 8:05 a.m. - Austin Sumrall - Restaurant Owner and Chef, White Pillars Restaurant and Lounge 8:35 a.m. - Dixon Williams - SuperTalk MS Sports Director
In this week's podcast episode, Troy Edgar meets with Mark Newsome, IBM Consulting Vice President & Senior Partner, U.S. Federal Healthcare. Mark's approach to management in IBM's Veterans Affairs and Defense Health programs demonstrates valuable lessons in humble and thoughtful leadership. Mark shares his journey of resilience from his childhood in Prentiss, MS to Washington, D.C., his foundation for success, and his mantra "service before self, humility, and excellence." This is a must-hear conversation for leaders in the business industry and veterans transitioning into the corporate world. Ameritocracy™ is produced by Prospect House Media and recorded in studio locations in Los Angeles and Washington DC.
PRENTISS, PARIS, and RYAN deal with the personal fallout from their work for The Program. They are soon again called to serve their country, this time making their way south of the border to meet with a contact called FABIAN. Support The Work at: https://ko-fi.com/sorryhoneyVisit Us At: https://sorryhoney.captivate.fm/Join our Discord to tell us all the things we did wrong: https://discord.gg/XpUbfhCXVVFollow us on Twitter for additional content: https://twitter.com/SorryHoneyCastLikewise, Instagram: https://www.instagram.com/sorryhoneypodcast/Published by arrangement with the Delta Green Partnership. The intellectual property known as Delta Green is a trademark and copyright owned by the Delta Green Partnership, who has licensed its use here. Illustrations by Dennis Detwiller are reproduced by permission. The contents of this podcast are © GiggleDome Productions, LLC, excepting those elements that are components of Delta Green intellectual property.
We'll just die if we don't get to talk about Paula Prentiss in 1975's “The Stepford Wives” this week! The original and far superior adaptation of Ira Levin's potentially prophetic novel features a real Mary and Rhoda duo in Katherine Ross's Joanna and Prentiss's Bobbie, who along with Tina Louise's Charmaine can't understand why the other wives in town just love to keep their houses clean and their loser husbands happy. It seems the only other sane woman around is a therapist two towns over with some unfortunately timed plans. Things get pretty bleak, but at least the dog survives. Join us for The Best Supporting Aftershow and early access to main episodes on Patreon: www.patreon.com/bsapod Email: thebsapod@gmail.com Instagram: @bsapod Colin Drucker - Instagram: @colindrucker_ Nick Kochanov - Instagram: @nickkochanov
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