Podcast appearances and mentions of susan morrow

Today in this exciting interview we are thrilled to have a very special guest with us Susan "MoJo" Morrow-Johnson, share her extraordinary abilities to connect with the spirit world and how she uses her gifts to create multiple courses and a thriving business.Susan "MoJo" Morrow-Johnson has served as a psychic medium and coach since 2005. After talking with thousands of dead people, MoJo spooned in a heaping helping of the Other Side to her cauldron of talents, including writing, speaking, philosophy, and just a pinch of smart-ass to become the Destiny Coach. MoJo supports women entrepreneurs who are failing to find the fun, fulfillment, and funds that they got into business for. In her seminars, workshops, and coaching, MoJo works not on marketing or strategy, but on the energetic, spiritual side of you and your business.If you would like to connect with her, check out the links down below!Send her an EmailVisit her Website Follow her on Instagram Connect with her on FacebookAbout Donna AshtonI'm Donna Ashton, sorceress, course expert and host of Mystic Mic: Turn Words into Wealth podcast.I built a multiple 6-figure business entirely with courses and programs while working about 15 hours per week so I can have 4-Day weekends every week.I wave my magic wand and reuse content (book, presentation, workbooks, etc.) of overwhelmed thought leaders, authors and speakers who want to monetize what they've already created into a program to make more income and impact.Which course is best for your business? Take my quiz.Get the Words to Wealth guide (7 ways to monetize what you already created)

Join us in the latest episode of The Yakking Show as we explore the realms of self-discovery and enlightenment with the incredible Susan Morrow-Johnson. A renowned self-help speaker, trainer, author, and psychic medium, Susan shares profound insights on meditation, intuition, and finding purpose. Tune in to gain valuable tools and perspectives that can empower your journey toward fulfilling your inner potential. #SelfHelp #Meditation #Intuition #Purpose #PsychicMedium #PersonalGrowth https://MoJoMedium.com The Yakking Show is brought to you by Peter Wright & Kathleen Beauvais contact us to be a guest on our show. https://TheYakkingShow.com   peter@theyakkingshow.com    kathleen@theyakkingshow.com  Join our community today so you don't miss out on advance news of our next episodes. https://bit.ly/3JW9w46 Timeline 01:20                     Finding purpose in life 02:40                     Meditating like a rock star 05:40                     Feelings 09:45                     Truth & Logic – Intuition & Analysis 11:30                     The 3 Fs – Fulfillment, Fun, Funds 18:00                     How Susan discovered her psychic gift 21:35                     Medical Intuitive 24:40                     Synchronicity & Intuition 28:10                     Déjà vu 29:50                     Pattern recognition 31:50                     Susan's services 34:10                     Contact Susan Here are some of the tools we use to produce this podcast. Hostgator for website hosting. Podbean for podcast hosting Airtable for organizing our guest bookings and automations. Audio Pen for transcribing voice notes   Clicking on some links on this site will let you buy products and services which may result in us receiving a commission, however, it will not affect the price you pay.    

Join me for a fascinating conversation with Susan Morrow-Johnson, a psychic medium, speaker, and author based in Texas. In this episode, we delve into Susan's past and present experiences with book publishing, exploring the challenges and triumphs she has faced along the way. Tune in to gain valuable insights and inspiration from Susan's journey, and learn more about her history, her present and her future plans. Whether you're an aspiring author, a spiritual seeker, or just curious about the realm of the supernatural, this episode has something for you. Don't miss out on the wisdom and knowledge that Susan has to offer! The Super-Easy Meditation Guide for People Who Can't Meditate

These days, keeping your security, IT or research team close now that more of us than ever work remotely is a challenge. How do you keep team bonds strong when your main interaction path is your tiny little colleagues trapped in little squares on a computer monitor? Susan Morrow has been managing a remote team for almost two decades. She dispenses wisdom on coordinating schedules in multiple time zones, ensuring everyone's moving toward the same goal and helping team members of all work styles to do and feel their best. 0:00 - Cybersecurity team remote work2:30 - Remotely working with multiple teams4:16 - What doesn't work remotely? 5:51 - Avoiding remote work pitfalls7:27 - Solving team drift9:19 - Learn more from Susan Morrow9:58 - OutroAbout InfosecInfosec's mission is to put people at the center of cybersecurity. We help IT and security professionals advance their careers with skills development and certifications while empowering all employees with security awareness and phishing training to stay cyber-safe at work and home. More than 70% of the Fortune 500 have relied on Infosec Skills to develop their security talent, and more than 5 million learners worldwide are more cyber-resilient from Infosec IQ's security awareness training. Learn more at infosecinstitute.com.

Susan Morrow returns for her fourth time on the Cyber Work Podcast and the first since 2019. Morrow, simply put, is plugged into every aspect of digital identity currently being discussed, and she takes us deep into the security, ethical, practical and UX hurdles of current identity practices and gives us both an optimistic and pessimistic version of the digital identity practices in 10 years. – Get your FREE cybersecurity training resources: https://www.infosecinstitute.com/free – View Cyber Work Podcast transcripts and additional episodes: https://www.infosecinstitute.com/podcast0:00 - Digital identity 3:00 - Current digital identity concerns7:07 - Complicating digital identity8:22 - Digital identity and daily work13:00 - Secure coding14:03 - Biggest problems in identity20:54 - Competing identity systems24:50 - How identity affects other areas28:52 - The tech and processes of identity30:04 - Identity in the next decade34:24 - Jobs in identity40:00 - Identity evangelist 42:20 - Women in identity 45:-02 - What is Avoco Secure?47:28 - Learn more about Susan Morrow48:40 - OutroAbout InfosecInfosec believes knowledge is power when fighting cybercrime. We help IT and security professionals advance their careers with skills development and certifications while empowering all employees with security awareness and privacy training to stay cyber-safe at work and home. It's our mission to equip all organizations and individuals with the know-how and confidence to outsmart cybercrime. Learn more at infosecinstitute.com.

PLEASE NOTE: Around minute 47, I incorrectly say that Eric Milam, author of the definitive report on the BAHAMUT threat group, is employed by HP. He is, in fact, employed by Blackberry. I sincerely apologize to Mr. Milam for the error.In this special episode, we look back at how the show has evolved over the past three years and celebrate our amazing guests and viewers. You've helped grow the Cyber Work Podcast to nearly a million plays! To give back, we're launching a brand new way for EVERYONE to build their cybersecurity skills. It's free. It's hands-on. Oh, and did we mention there's more than $1,000 in prizes EVERY MONTH. – Learn more about the Infosec Skills monthly challenge: https://www.infosecinstitute.com/challenge– View Cyber Work Podcast transcripts and additional episodes: https://www.infosecinstitute.com/podcastHuge thank you to all the past guests who shared their expertise over the past 200 episodes. The timings of everyone in this episode are listed below. Happy listening!0:00 - Intro0:42 - Monthly challenges and $1,000 in prizes!1:30 - Cyber Work Podcast origins 2:32 - First episode with Leighton Johnson3:16 - Finding our first guests3:46 - Keatron Evans on incident response6:54 - Susan Morrow on two-factor authentication8:54 - Susan Morrow on GDPR 11:03 - Susan Morrow on "booth babes" and speaking up13:20 - Alissa Knight on getting arrested for hacking at 1716:39 - Alissa Knight on API security19:14 - Ron Gula on cybersecurity challenges23:23 - Amber Schroader on the real work of digital forensics26:19 - Theme of the Cyber Work Podcast27:01 - Jeff Williams on creating the OWASP Top Ten31:23 - David Balcar on the biggest APTs33:46 - Elie Bursztein on breaking into cybersecurity37:37 - Sam King on AppSec frameworks and analysis41:17 - Gary DeMercurio on getting arrested for red teaming47:19 - Eric Milam on the BAHAMUT threat group 53:39 - Feedback from Cyber Work Podcast listeners55:16 - Alyssa Miller on finding your career path 57:24 - Amber Schroader on computer forensics tasks59:07 - Richard Ford on malware analyst careers1:02:02 - Career action you can take today  1:02:19 - Rita Gurevich on reading and learning1:03:20 - Snehal Antani on transitioning careers1:04:26 - Promoting underrepresented voices1:05:09 - Mari Galloway on women in cybersecurity1:05:31 -  Alyssa Miller on diversity "dog whistles"1:10:11 - Christine Izuakor on creating role models1:10:52 - We want to hear your story1:11:40 - Monthly challenges and outro About InfosecInfosec believes knowledge is power when fighting cybercrime. We help IT and security professionals advance their careers with skills development and certifications while empowering all employees with security awareness and privacy training to stay cyber-safe at work and home. It's our mission to equip all organizations and individuals with the know-how and confidence to outsmart cybercrime. Learn more at infosecinstitute.com.

Join me and my guest, Susan Morrow-Johnson, aka The MoJo Medium, as we discuss the three things you can do to start manifesting things you want right now. Before the interview, I also chat about some of the very believable phishing email scams that are floating around now.  Find Susan at: MoJoMedium.com Instagram: @theMoJoMedium

Susan Morrow, head of research and development at Avoco Secure, returns to the podcast to discuss her 20 years in the security industry, how she landed a fortune 500 client working from her bedroom, and the growing role of women in the industry. Apply for Infosec's scholarships and get free security training: https://infosecinstitute.com/scholarship. Special offer for Cyber Work listeners: https://www.infosecinstitute.com/podcast.

Susan Morrow authentically speaks about the power of community, faith, strength, and a rare disease. MPS Awareness Day is May 15th --- Support this podcast: https://anchor.fm/maribeth-woodford/support

Jim examines a cult classic celebrating its 65th Anniversary, "Cat-Women Of The Moon," starring Sonny Tufts, Marie Windsor, Victor Jory, William Phipps, Douglas Fowley and Susan Morrow. Man's first expedition to the Moon discovers life in the form of women who closely resemble "The Hollywood Cover Girls," along with a sinister plot. Will MANkind prevail? Find out on this episode of "Monster Attack!"

It's been three months since the EU's General Data Protection Regulation (GDPR) went into effect. Returning guest Susan Morrow and host Chris Sienko take a look back at the initial rollout of GDPR, the compliance steps organizations have taken so far, and the potential future impact of GDPR. For more on security awareness and anti-phishing training, check out: https://www2.infosecinstitute.com/security-awareness

Passwords remain at the heart of many cybersecurity issues, and this week we take a deep dive into the topic with Susan Morrow, who has worked in numerous areas of the IT security industry since the early 1990s. Morrow discusses the new NIST password guidelines, how organizations are lagging behind, and variety of other password-related topics. The InfoSec Institute security awareness series highlights the importance of security education across all levels of an organization. For more on security awareness and anti-phishing solutions, check out SecurityIQ by InfoSec Institute: https://www2.infosecinstitute.com/security-awareness

País Estados Unidos Director Tom Ford Guion Tom Ford (Novela: Austin Wright) Música Abel Korzeniowski Fotografía Seamus McGarvey Reparto Amy Adams, Jake Gyllenhaal, Aaron Taylor-Johnson, Michael Shannon, Armie Hammer, Isla Fisher, Michael Sheen, Laura Linney, Kristin Bauer van Straten, Karl Glusman, Ellie Bamber, Toni French, Amanda Fields, Karli Karissa, Carson Nicely, Lee Benton, Imogen Waterhouse, Jena Malone Sinopsis Narra la historia de Susan Morrow, una mujer que tras abandonar a su primer marido, un escritor inédito, vive ahora con un médico. De repente recibe un paquete en el que descubre la primera novela de su ex, quien en una nota le pide que por favor la lea, pues ella siempre fue su mejor crítica. Susan lo hace y a medida que se sumerge en la narración, la propia novela acaba olvidando la historia principal para acabar hechizada por este relato dentro del relato, síntoma evidente de que a la nueva vida de Susan le falta algo y deberá explorar en su pasado para saber qué es lo que le impide seguir adelante.

As fantastic as it is to see Arrival gaining so much traction, I do hope that Amy Adams’ other big release, Nocturnal Animals, still gets enough attention. Tom Ford’s second feature, after A Single Man (2009), sees Adams playing an equally sleep deprived but much less scholarly professional at the peak of her career. Susan Morrow is the jaded owner of a glitzy contemporary art gallery, a realist in a world that is anything but reality. She first entered the creative world when she wanted to a bohemian herself, back when she was engaged to Edward Sheffield (Jake Gyllenhaal). Edward was just the kind of carefree romantic that her mother, Anne (Laura Linney), had always hated, and Susan has always hated her mother. She only has one scene, naturally the one where Susan announces her engagement, but that’s all we really need of her. She's the classic classist, conservative parent that any protagonist would want to rebel against, especially by running off with someone she looks down upon. Being married to Edward was supposed to stop Susan turning out anything like her, but, just as Anne warned her she would, she soon finds that he isn’t enough for her. The last thing she tells Susan, before they basically never see each other again, is that no matter what they do, everyone eventually turns into their mother. All of this is told through flashbacks. The present-day Susan is married to the much more ambitious and money-minded Hutton Morrow (Armie Hammer). They’re the kind of business couple who spend more nights away from each other in hotel rooms than they do at home. The world of the gallery where Susan works is an eerie mix of avant-garde artistry and sterile opulence. Funnily enough, it’s very reminiscent of the modelling universe of The Neon Demon, especially since Jena Malone and Karl Glusman are in the cast of this film as well. That said, most of the film takes place away from this narrative anchor, as it were. Ford is well aware that those tumultuous years with Edward are much more interesting than Susan’s current life with Hutton, even if the divorce is foreshadowed a bit too overtly. Many more years pass until she hears from him again, with the delivery of his latest manuscript for a novel entitled "Nocturnal Animals" that is dedicated to her. He used to call her a nocturnal animal when they were together, since even then she was a night owl. The book is a shockingly violent thriller about a family that go out on a camping trip in the middle of nowhere. After they've driven outside of any phone coverage, they are stalked, run off the road and harassed by a local gang. The dad tries to outplay them and get his wife and daughter to safety, but their assailants end up holding him down, forcing the two women into one of their cars and taking them far away, leaving him behind feeling useless and powerless. This is definitely the most intense, drawn-out and harrowing scene that this film delivers. Understandably, there were quite a few walkouts when it reached its darkest point. Most films only hint at or threaten to show these kinds of horrific occurrences, but this one goes much further with it than anyone was hoping. Still, it's integral to setting up the gruelling revenge story of Tony Hastings, the survivor of the attack, whose wife and daughter were both beaten, raped and murdered, leaving him with nothing but the raging need to find the men who did this to them. Often when films contain stories within stories they end up feeling quite trite and idle. They're usually told with wall-to-wall narration, an overdone fairytale aesthetic and double-casting that makes for some very overwrought allegory. Sometimes, funnily enough, it's very hard to be invested in a story that you know is fictional inside the world of the main story, even though the whole film is fictional anyway. However, the story of the novel inside this film adaptation of Austin Wright’s novel, Tony and Susan, is definitely not your average meta-narrative. It’s told so straightforwardly and given so much screen time that it almost makes you forget about the central story. In fact, this could have easily been just a single narrative film about Tony, although that would have been incredibly depressing. If nothing else, it's a relief when Susan puts the book down and returns to her unsatisfying but much less traumatic life. Compared with Edward’s novel and the romantic flashbacks, the main plot is pretty stagnant, with a much greater focus on characters than events. It certainly needs the two side plots to give it momentum, but equally both of the side plots rely on the central story to give them a more complex purpose. There is still a striking resemblance between Edward and Tony, not least because Gyllenhaal plays both of them, but even so their connection is much subtler than you’d expect. In one of the flashbacks, Edward defends himself against a bad review by saying that all authors write about themselves. Indeed, both him and Tony have been called weak by people with varying definitions of weakness, and strength. Eventually, both men decide that people see strength as cruelty, and they are done with being weak. By the same token, Tony’s wife, Laura, is basically Susan, although this connection is slightly veiled. Laura isn’t played by Adams, but, in a very inspired casting choice, she's portrayed by her startling lookalike, Isla Fisher. The allegory is there but it isn't being forced under a spotlight. It doesn’t have to match the main story beat for beat to make itself known. This is what makes Nocturnal Animals both a fascinating film to pick apart and a totally engrossing one to lose yourself in.Written by Christian TsoutsouvasSee omnystudio.com/listener for privacy information.

As fantastic as it is to see Arrival gaining so much traction, I do hope that Amy Adams’ other big release, Nocturnal Animals, still gets enough attention. Tom Ford’s second feature, after A Single Man (2009), sees Adams playing an equally sleep deprived but much less scholarly professional at the peak of her career. Susan Morrow is the jaded owner of a glitzy contemporary art gallery, a realist in a world that is anything but reality.  She first entered the creative world when she wanted to a bohemian herself, back when she was engaged to Edward Sheffield (Jake Gyllenhaal). Edward was just the kind of carefree romantic that her mother, Anne (Laura Linney), had always hated, and Susan has always hated her mother. She only has one scene, naturally the one where Susan announces her engagement, but that’s all we really need of her. She's the classic classist, conservative parent that any protagonist would want to rebel against, especially by running off with someone she looks down upon. Being married to Edward was supposed to stop Susan turning out anything like her, but, just as Anne warned her she would, she soon finds that he isn’t enough for her. The last thing she tells Susan, before they basically never see each other again, is that no matter what they do, everyone eventually turns into their mother.  All of this is told through flashbacks. The present-day Susan is married to the much more ambitious and money-minded Hutton Morrow (Armie Hammer). They’re the kind of business couple who spend more nights away from each other in hotel rooms than they do at home. The world of the gallery where Susan works is an eerie mix of avant-garde artistry and sterile opulence. Funnily enough, it’s very reminiscent of the modelling universe of The Neon Demon, especially since Jena Malone and Karl Glusman are in the cast of this film as well. That said, most of the film takes place away from this narrative anchor, as it were. Ford is well aware that those tumultuous years with Edward are much more interesting than Susan’s current life with Hutton, even if the divorce is foreshadowed a bit too overtly. Many more years pass until she hears from him again, with the delivery of his latest manuscript for a novel entitled "Nocturnal Animals" that is dedicated to her. He used to call her a nocturnal animal when they were together, since even then she was a night owl. The book is a shockingly violent thriller about a family that go out on a camping trip in the middle of nowhere. After they've driven outside of any phone coverage, they are stalked, run off the road and harassed by a local gang. The dad tries to outplay them and get his wife and daughter to safety, but their assailants end up holding him down, forcing the two women into one of their cars and taking them far away, leaving him behind feeling useless and powerless. This is definitely the most intense, drawn-out and harrowing scene that this film delivers. Understandably, there were quite a few walkouts when it reached its darkest point. Most films only hint at or threaten to show these kinds of horrific occurrences, but this one goes much further with it than anyone was hoping. Still, it's integral to setting up the gruelling revenge story of Tony Hastings, the survivor of the attack, whose wife and daughter were both beaten, raped and murdered, leaving him with nothing but the raging need to find the men who did this to them. Often when films contain stories within stories they end up feeling quite trite and idle. They're usually told with wall-to-wall narration, an overdone fairytale aesthetic and double-casting that makes for some very overwrought allegory. Sometimes, funnily enough, it's very hard to be invested in a story that you know is fictional inside the world of the main story, even though the whole film is fictional anyway. However, the story of the novel inside this film adaptation of Austin Wright’s novel, Tony and Susan, is definitely not your average meta-narrative. It’s told so straightforwardly and given so much screen time that it almost makes you forget about the central story. In fact, this could have easily been just a single narrative film about Tony, although that would have been incredibly depressing. If nothing else, it's a relief when Susan puts the book down and returns to her unsatisfying but much less traumatic life. Compared with Edward’s novel and the romantic flashbacks, the main plot is pretty stagnant, with a much greater focus on characters than events. It certainly needs the two side plots to give it momentum, but equally both of the side plots rely on the central story to give them a more complex purpose. There is still a striking resemblance between Edward and Tony, not least because Gyllenhaal plays both of them, but even so their connection is much subtler than you’d expect. In one of the flashbacks, Edward defends himself against a bad review by saying that all authors write about themselves. Indeed, both him and Tony have been called weak by people with varying definitions of weakness, and strength. Eventually, both men decide that people see strength as cruelty, and they are done with being weak. By the same token, Tony’s wife, Laura, is basically Susan, although this connection is slightly veiled. Laura isn’t played by Adams, but, in a very inspired casting choice, she's portrayed by her startling lookalike, Isla Fisher. The allegory is there but it isn't being forced under a spotlight. It doesn’t have to match the main story beat for beat to make itself known. This is what makes Nocturnal Animals both a fascinating film to pick apart and a totally engrossing one to lose yourself in. Written by Christian Tsoutsouvas