OPERABIZ PODCAST

Fresh off the Met's production of FIRE SHUT UP IN MY BONES, Will Liverman sits down to chat about the significance of this opera, and takes us behind the scenes of embodying the dynamic role of a living public figure, and how to create opportunity in the industry. We discuss how the role was tailored to him, what that process was like, and a glimpse behind the curtain. A cross-genre musician, Will also talks about other genres, favorite artists, and what feeds him musically. Special Guest: Will Liverman.

Lee Anne sits down for a realistic discussion about rolling with Covid protocol punches and 21st-century trends in opera auditions. She's heard over 10,000 auditions and she offer great insight to all those making a first impression, even in digital auditions. From self-producing to saving auditions that go awry, this is a must-listen for young artists! Special Guest: Lee Anne Myslewski, Vice President, WOLF TRAP Opera and Classical Programming.

Soprano Jennifer Rowley talks about mainstage auditions, European auditions, and honing your audition offerings for more successful auditions. She defines "contrasting arias" for the working professional and walks us through what it's like to audition for a mainstage role. It's a must-listen for this audition season and the perfect way to kick off the return of the OperaBiz Podcast! Special Guest: Jennifer Rowley.

Jump into a conversation with Ana De Archuleta, where we discuss approaching managers, making statements in auditions, and the de-stigmatization of the "Slash" (side gig/day job) that is a necessity for young and emerging singers in the industry today. Special Guest: Ana De Archuleta - Pres. & CEO of ADA Artists.

J. Patrick Raftery and I sit down for a casual conversation while working together at Taos Opera Institute, June 2019. He shares insights about the ever-changing industry, his transition from baritone to tenor, and anecdotes from his 4 decades in opera.

J'Nai Bridges sits down for an informal discussion after her first day working at the Met on Akhnaten. We talk modern singer life, the legacy of Jessye Norman, and long-needed changes in the opera industry. A bit more casual than the usual episode, J'Nai and Daniel hang out outside the Met for a real chat about where she's been, how she got here, and where we're all going. Special Guest: J'Nai Bridges.

Making her Metropolitan Opera conducting debut this season, Karen Kamensek sits down to discuss her road to conducting, her collaboration with Philip Glass, and a largely European career. She shares her insights on Glass' music as well as a fresh perspective on life on the podium. For more info, visit her at www.karenkamensek.com Special Guest: Karen Kamensek, Conductor.

At the Met this season for Porgy and Bess as Sportin' Life, Frederick Ballentine talks about playing the villain, on-stage community, and his advice for young singers. Special Guest: Frederick Ballentine.

Sidney discusses the life of a modern singer, the joys of teaching, and his journey from seeing his first opera to a life on stage. Recorded March, 2019. Special Guest: Sidney Outlaw.

Kicking off Season 2 of the OperaBiz podcast: PR guru Andrew Ousley joins the conversation for an informative talk about the state of social media for singers, what a PR firm actually does in classical music, and where he thinks this corner of the industry is going. From analytics to trends to what gets you noticed, Andrew has some great insight for singers at any level of their profession. Special Guest: Andrew Ousley.

From MT to opera, off to Broadway and TV, and now back on the opera stage again, Zachary James brings a unique and fresh perspective on the opera industry. Special Guest: Zachary James.

Susanna Phillips, soprano, known to most MetOpera fans as Musetta in La Bohème (11 consecutive seasons). We talk about the process of preparing a role, favorite roles, and when it's time to retire a role and move on to others. Special Guest: Susanna Phillips.

Peter Szep comes on to talk about what's happening in the NYC opera scene, chat about new works and premiers during NY OperaFest 2019, and the great collaboration of opera. Special Guest: Peter Szep.

Lila Palmer, librettist, comes on to discuss the side of the industry many people take for granted: the text. From creating new works, to collaborative efforts, to crafting a story, Lila brings a unique perspective to the world of opera. Special Guest: Lila Palmer.

Conductor Timothy Myers (Santa Fe, HGO, Washington National Opera, MNOp, et al.) sits down to discuss working on world premiers, the collaborative effort of opera, and taking the road less traveled to a career. Recorded at Minnesota Opera, one day before the world premier of The Fix. Special Guest: Timothy Myers.

Allen Perriello, Head of Music for MNOpera and Director of Glimmerglass Young Artist Program, hangs out for a great conversation during the world premier week of The Fix in Minneapolis. We talk audition "strategy," modern music, and a bit about the world of collaborative piano. Special Guest: Allen Perriello.

Get to know one of the Met's up and coming mezzos, on stage for 6 roles this 2018-2019 season: Samantha Hankey. We talk about juggling multi-role prep, her musical background, and collaborating on new music. Special Guest: Samantha Hankey.

Sam Snook, VP or Artist Management at IMG Artists chats about what a modern manager does, where he discovers his artists (or how best to approach managers you're interested in), and general industry wisdom. Hear it directly from the man who reps Susan Graham, Ben Bliss, Angela Meade and more. Special Guest: Sam Snook.

From singing with your own voice to his blog and social media engagement, baritone Lucas Meachem covers the ins and outs of being a modern singer. Special Guest: Lucas Meachem.

Ben Bliss, tenor, discusses his transition from Hollywood production to the Met stage, about tenacity, and the importance of knowing when to pivot. Special Guest: Ben Bliss.

Join The Chautauqua Opera Company's General & Artistic Director (Steven Osgood) and administrative staff (Michael Berg and Sara Noble) in the "studio" for an in-depth look at their company, the Young Artist program, and their dynamic summer experience in Western New York. From casting to production, the team talks about the ins and outs of their company with some history and tips thrown in. Recorded November 2018. Special Guest: Chautauqua Opera Company.

Dísella Lárusdóttir - soprano - sits down for a couple beers and an educational chat about life working at the Met, being a mom, and her family "band." "Described by The New York Times as “reliably breathtaking” and Opera News as having a voice of “bewitching beauty and presence,” Icelandic soprano Dísella Làrusdóttir is quickly gaining international attention for being one of the most promising talents of her generation. With her beautiful voice, compelling artistry, charismatic stage presence, and unusual musical stylistic versatility, Ms. Làrusdóttir is successfully redefining what it means to be an opera singer in this day and age." Special Guest: Dísella Lárusdóttir.

For both a better follower experience, and as a way to beat the algorithm: here are some details on why follower engagement on social media means the world.

Clint Borzoni (composer) and John de los Santos (librettist/director) talk about the process of creating The Copper Queen, commissioned by Arizona Opera. From composing style to workflow to casting, the duo describes the timeline of their most recent work. Both discuss their professional influences, and even recap their night of research in the infamous haunted hotel in Arizona. Special Guests: Clint Borzoni and John de los Santos.

How To: a brief guide to Twitter. This microbogging platform can be a powerful tool for artists.

Christopher Maltman is a baritone presently starring in the MetOpera's Marnie, and is well known for his commanding presence, rich tone, and broad career throughout Europe and the USA. We discuss how he ended up here, how life on 2-wheels is second to none, and the importance of artistic honesty. Special Guest: Christopher Maltman.

If singers are thinking of themselves as a business, should they treat their social media like one too? Should their accounts be separated between personal and professional?

Kirsten Chambers is a soprano known for her dynamic role portayals singing Strauss (The Metropolitan Opera, Florida Grand Opera, Carnegie Hall, et al.). Now she's cheating on Strauss with Schönberg and Wagner, teaching masterclasses around the world, and starting a new singer's-only project: Singers Anonymous. We talk about how to prep a Strauss role in 2 days, her Met Opera debut, and the chellenges of being a professional singer in the modern age. Special Guest: Kirsten Chambers.

"What should I post to stay relevant when I'm only singing a few gigs a year?" Today we tackle this question with a little chat about the concept of posting on downtime. Some specific examples are given as well as ideas for good practice.

Krysty Swann is a mezzo-soprano, total nerd, and charismatic performer with credits that include Carnegie Hall, Lyric Opera of Chicago, and The Metropolitan Opera. Krysty talks about casting, being prepared, and just being yourself in the opera world...along with a little D&D and comics chat. photo cred: Theodore Samuels Special Guest: Krysty Swann.

Krysty Swann is a mezzo-soprano, total nerd, and charismatic performer with credits that include Carnegie Hall, Lyric Opera of Chicago, and The Metropolitan Opera. Krysty talks about casting, being prepared, and just being yourself in the opera world...along with a little D&D and comics chat. photo cred: Theodore Samuels Special Guest: Krysty Swann.