Podcasts about akhnaten

This episode features a live recording of the opening night pre-performance lecture for "Akhnaten," which runs now through March 22 at LA Opera. In this lecture, musicologist and Connects affiliated scholar Dr.Tiffany Kuo takes you on an intellectual journey that is as mesmerizing as the performance itself. Focusing on the symbolism of the heart and the sun, Tiffany talks spells on papyrus and trancelike rhythms. Get your tickets to "Akhnaten" now at LAOpera.org.

In this episode, LA Opera Chorus Director Jeremy Frank and critically acclaimed countertenor John Holiday sit down for an intimate interview. Listen in as they identify famous countertenors in popular culture and dish on Philip Glass's "Akhnaten", playing now through March 22—with an added performance on March 21st. With his inimitable spirit, John shares about growing up singing, his unexpected TV debut, and how he's taking care of himself during the run of this production. Get your tickets to Akhnaten now at LAOpera.org.

Internationally acclaimed conductor Dalia Stasevska joins host Gail Eichenthal for a revealing conversation about the sounds, mentors, and moments that shaped her life. From Finland's legendary conducting tradition to the role models who changed her path, Dalia shares what inspires her on and off the podium, including her favorite moment in LA Opera's current production of Philip Glass's Akhnaten. Discover what makes this opera unforgettable, then experience it for yourself. Akhnaten is selling fast, with an additional performance just added on March 21. Get your tickets now at LAOpera.org.

En este episodio de Detrás del telón, el crítico Gerardo Kleinburg habla sobre Akhnaten de Philip Glass, explorando el contexto musical e histórico de esta ópera icónica. Las funciones en el Dorothy Chandler Pavilion serán del 28 de febrero al 22 de marzo. Las entradas ya están disponibles en LAOpera.org.

Celebrated director Phelim McDermott has a long relationship with the opera "Akhnaten." In this episode, McDermott and our host, Gail Eichenthal, explore the "paradox of power and vulnerability" in opera, improvisation as the basis of theatre, and how each performance is different every single night. Join us as we get ready to raise the curtain on "Akhnaten," Philip Glass's tribute to a trailblazing pharaoh on February 28; and with ticket demand at an all-time high, we're adding an extra date on March 21st. You can get your tickets now at LAOpera.org.

In this episode of "Serious Fun With Opera," a "Behind the Curtain" miniseries, Dr. Kristi Brown-Montesano interviews UCLA's Chair of Musicology, Bob Fink, about musical minimalism--a term that "Philip Glass would not answer to," he says, but that is a "quintessentially American form." They discuss the concepts of trance, aural wallpaper, and the sublime, all swirling around Philip Glass's "Akhnaten', coming up on the LA Opera stage. Get your tickets now at LAOpera.org.

In this episode, LA Opera Connects affiliated scholar, Dr. Tiffany Kuo, brings you "Opera in the Community," a Behind the Curtain mini-series that pairs each opera in our historic 40th Anniversary Season with an arts organization in Los Angeles. This episode pairs Philip Glass's opera Akhnaten, which is set in ancient Egypt, with The Getty Villa, whose upcoming exhibition synchronicitously features the ancient Egyptian Book of the Dead. Dr. Kuo's interview with The Getty's Dr. Sara Cole reveals many surprises: that the Book of the Dead isn't really a book... That mummies were often wrapped in writing... And all the secrets of the afterlife! Listen in as they talk sun gods, gold-plated statues, and disrupting the status quo--and then get your tickets for Akhnaten at laopera.org.

En este episodio de Detrás del telón, la soprano, musicóloga y médica Patricia Caicedo habla sobre la relación entre las experiencias universales de la música y la muerte. A través de ejemplos musicales como el Réquiem de Mozart, los funerales de jazz de Nueva Orleans, las tradiciones musicales funerarias chinas y Akhnaten de Philip Glass, Patricia nos invita a reflexionar sobre nuestras propias relaciones con estos conceptos. Las funciones del Akhnaten serán en el Dorothy Chandler Pavilion del 28 de febrero al 22 de marzo. Las entradas ya están disponibles en LAOpera.org.

In this episode, music critic and regular "Detrás del telón" host Gerardo Kleinburg takes us into the world of "Akhnaten" — in his words, "an utterly singular opera unlike any other." Kleinburg's exploration pulls themes from history, art history, and religion to weave a fascinating portrait of the historical figure Akhnaten before taking us into musical minimalism and the surprising world of composer Philip Glass. LA Opera's hypnotic production of "Akhnaten" is playing February 28-March 22. Get your tickets now at LAOpera.org. Did you know you can listen to LA Opera podcasts in Spanish? "Detrás del telón" takes you into the world of opera, with hosts including music critic Gerardo Kleinburg and musicologist Dr. Patricia Caicedo. Each episode is presented entirely in Spanish. Find "Detrás del telón" wherever you listen to podcasts or at LAOpera.org/Podcasts.

Following a performance of "West Side Story" earlier this season, LA Opera Connects hosted a special panel on Arts & Health to celebrate the launch of the 2025 Arts and Health Week video series. This conversation touches on the arts as an essential part of personal and community wellness, and features LA Opera Advisor for Special Projects Renée Fleming and soprano Gabriela Reyes in dialogue with community leaders Kristin Sakoda, Sarah Lyding, and Shavonda Webber-Christmas. Interested in learning more about how the arts are vital to healing? Visit LAOpera.org/ArtsandHealth and be sure to save the date for the 5th annual Arts & Health Week Summit on June 12, 2026, information is available at LAOpera.org/Summit. Recharge your mind, body, and spirit with LA Opera's Creative Care, a free Zoom series that invites you to experience the healing power of the arts. Led by Connects teaching artists, each online gathering incorporates mindfulness, creative expression, learning, and self-reflection, all rooted in themes from our upcoming performances and other special topics. Rsvp now for our next session highlighting Philip Glass's "Akhnaten" on February 10, 2026. Tap into some inner peace and joy via LAOpera.org/CreativeCare.

In this special look inside the Domingo-Colburn-Stein Young Artist Program, LA Opera's Senior Director of Artistic Planning Paul Hopper is joined by Young Artist Emily Damasco. Today, Emily and Paul chat about early opera memories, pierogi pizza, the intersection of arts and health, and the two roles Emily will be singing on the LA Opera mainstage this season in "Akhnaten" and "The Magic Flute." You can get your tickets to see this young soprano soar at LAOpera.org.

In this special look inside the Domingo-Colburn-Stein Young Artist Program, we're featuring Young Artist Vinícius Costa, a bass from São Paulo, Brazil, who is singing three roles on the LA Opera main stage this season. Listen in as he chats with LA Opera's Paul Hopper about his musical origin story, first impressions of the American vocal scene, and visions for the future of his career. Catch this Young Artist on stage in "Akhnaten," "Falstaff," and "The Magic Flute." Tickets are available now at LAOpera.org.

Few classical singers embrace movement as vividly as the star countertenor Anthony Roth Costanzo. He explores all the possibilities of a performing career, from opera to cabaret. His captivating high tones specialise in both early and modern operas: famously, in the testing title role of Philip Glass' Akhnaten. Recent audacious projects include playing Maria Callas, and a solo Marriage of Figaro where he sang all the roles. As director of Opera Philadelphia he has attracted new audiences with a successful Pick Your Price ticket scheme. He's an astonishing, eloquent advocate for the arts – including dance.Anthony Roth Costanzo began performing professionally aged 11 and has appeared in opera, concert, recital, film and on Broadway. In 2024, he became the General Director and President of Opera Philadelphia. He has appeared with many of the world's leading opera houses and at a venues ranging from Carnegie Hall to Madison Square Garden. His most recent album is Anthony Roth Costanzo & Justin Vivian Bond: Only an Octave Apart, and he stars on the Metropolitan Opera's Grammy award-winning recording of Akhnaten.Anthony's website https://anthonyrothcostanzo.com/Opera Philadelphia https://www.operaphila.org/Why Dance Matters is a dance podcast featuring inspiring conversations with extraordinary people from the world of dance and beyond. Hosted by David Jays, editor of Dance Gazette, this podcast explores how dance shapes lives and why it matters to us all. Brought to you by the RAD, which inspires the world to dance, these insightful stories will surprise and delight. Tune in and discover more on our website. Hosted on Acast. See acast.com/privacy for more information.

durée : 00:14:57 - Journal de la création du dimanche 12 octobre 2025 - par : Laurent Vilarem - Philip Glass, superstar des opéras de France ! En attendant "Akhnaten" le 25 octobre à la Philharmonie, l'Opéra de Nice présentait (avant l'Opéra de Paris!) la création française de "Satyagraha", chef d'œuvre de 1980, dans une mise en scène de Lucinda Childs. Reportage. - réalisé par : Lionel Quantin Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

This February 2026, Akhnaten returns to the Dorothy Chandler Pavilion for the first time in a decade. In this special episode, we rewind to a 2017 conversation between Akhnaten's composer, Philip Glass, and LA Opera's then-artist-in-residence, Matthew Aucoin. Together, they explore the radical reign of the pharaoh Akhnaten, the revolutionary vision that reshaped ancient Egypt, and the hypnotic score that continues to captivate audiences around the world. Celebrate 40 years of bold storytelling with LA Opera. Tickets to our historic anniversary season, including Akhnaten, West Side Story, The Magic Flute, and more are on sale now at LAOpera.org.

Some of you may remember when I described my abduction in December 2015, and my subsequent encounter with the 3 tall beings at an unknown location, possibly a craft.The 3 beings showed me, or what I interpreted as otherworldly entities coming to Earth, landing a massive circular craft in the area of the Nile Delta, and expanding into various civilizations, conveying their knowledge and influence over multiple millennia.The civilization that these 3 beings seemed most interested in showing me was Ancient Egypt, around the time of Amenhotep III's reign during the 18th Dynasty. The scenario seemed to suggest that there was a profound sighting of a large, bright disk in the sky. The priests refused to interpret the sighting, but Amenhotep and his advisors believed it to be a God or Divine Deity. Years later, his son Amenhotep IV, later known as Akhnaten, determined this UAP was the Sun God, Aten. This resulted in his decree that the official Egyptian religion would be based on worshipping the one God, Aten, and the beginning of monotheism.Since my abduction, I have been fascinated with world religions and interpretations, in particular, ancient beliefs and how those beliefs manifested.So, this evening, I would like to discuss, along with input from the chat audience, the subject of extraterrestrial influence on man's beliefs, customs, and religion.Please write your comments and/or questions in CAPS. You can post these thoughts at any time, and we will attempt to conduct a discussion as seamlessly as possible. I appreciate your cooperation.Hi. My name is Lon Strickler. I hope that you enjoy listening to Phantoms & Monsters Personal Reports. I have a question for you. Have you ever had an unexplained sighting or encounter? Do you have photographic and/or video evidence of your experience? Would you like to share your unique story with our readers and listeners? Please feel free to forward your account to me, either through my email lonstrickler@phantomsandmonsters.com or call me at 410-241-5974. You can also visit my website at https://www.phantomsan...​ and use the contact link on the homepage. Your personal information will be kept confidential if requested.I have been a paranormal and anomalies researcher & investigator for over 45 years. My reports & findings have been featured in hundreds of online media sources. Several of these published reports have been presented on various television segments, including The History Channel's 'Ancient Aliens,' Syfy's 'Paranormal Witness', 'Fact or Faked: Paranormal Files,' Destination America's 'Monsters and Mysteries in America,' and, more recently, 'Unsolved Mysteries' on Netflix. I have been interviewed on hundreds of radio & online broadcasts, including multiple guest appearances on 'Coast to Coast AM.'One of my encounters was featured on Destination America's 'Monsters and Mysteries in America' television show for 'The Sykesville Monster' episode. I am a published author of 9 books on various cryptid & supernatural subjects.In addition, I am an intuitive who has worked with hundreds of clients who sought help with their personal hauntings and unexplained activities. I never charge for my services.If you feel that I can help answer your questions, please feel free to contact me. Thanks for your consideration.Do you have a report or encounter that you would like to be read on 'Personal Reports' & featured on the Phantoms & Monsters blog? Contact me at ⁠lonstrickler@phantomsandmonsters.com⁠Would you like to help us out? ⁠⁠https://www.buymeacoffee.com/lonstrickl0⁠⁠Phantoms & Monsters Homepage & Blog -⁠ ⁠https://www.phantomsandmonsters.com⁠⁠Books by Lon Strickler - ⁠⁠https://www.amazon.com/~/e/B009JURSD4⁠⁠You can also support us by using PayPal at ⁠https://bit.ly/4bXQgP8⁠Credits: All content licensed and/or used with permission.#God #extraterrestrial #religion #paranormal

Some of you may remember when I described my abduction in December 2015, and my subsequent encounter with the 3 tall beings at an unknown location, possibly a craft.The 3 beings showed me, or what I interpreted as otherworldly entities coming to Earth, landing a massive circular craft in the area of the Nile Delta, and expanding into various civilizations, conveying their knowledge and influence over multiple millennia.The civilization that these 3 beings seemed most interested in showing me was Ancient Egypt, around the time of Amenhotep III's reign during the 18th Dynasty. The scenario seemed to suggest that there was a profound sighting of a large, bright disk in the sky. The priests refused to interpret the sighting, but Amenhotep and his advisors believed it to be a God or Divine Deity. Years later, his son Amenhotep IV, later known as Akhnaten, determined this UAP was the Sun God, Aten. This resulted in his decree that the official Egyptian religion would be based on worshipping the one God, Aten, and the beginning of monotheism.Since my abduction, I have been fascinated with world religions and interpretations, in particular, ancient beliefs and how those beliefs manifested.So, this evening, I would like to discuss, along with input from the chat audience, the subject of extraterrestrial influence on man's beliefs, customs, and religion.Please write your comments and/or questions in CAPS. You can post these thoughts at any time, and we will attempt to conduct a discussion as seamlessly as possible. I appreciate your cooperation.Hi. My name is Lon Strickler. I hope that you enjoy listening to Phantoms & Monsters Personal Reports. I have a question for you. Have you ever had an unexplained sighting or encounter? Do you have photographic and/or video evidence of your experience? Would you like to share your unique story with our readers and listeners? Please feel free to forward your account to me, either through my email lonstrickler@phantomsandmonsters.com or call me at 410-241-5974. You can also visit my website at https://www.phantomsan...​ and use the contact link on the homepage. Your personal information will be kept confidential if requested.I have been a paranormal and anomalies researcher & investigator for over 45 years. My reports & findings have been featured in hundreds of online media sources. Several of these published reports have been presented on various television segments, including The History Channel's 'Ancient Aliens,' Syfy's 'Paranormal Witness', 'Fact or Faked: Paranormal Files,' Destination America's 'Monsters and Mysteries in America,' and, more recently, 'Unsolved Mysteries' on Netflix. I have been interviewed on hundreds of radio & online broadcasts, including multiple guest appearances on 'Coast to Coast AM.'One of my encounters was featured on Destination America's 'Monsters and Mysteries in America' television show for 'The Sykesville Monster' episode. I am a published author of 9 books on various cryptid & supernatural subjects.In addition, I am an intuitive who has worked with hundreds of clients who sought help with their personal hauntings and unexplained activities. I never charge for my services.If you feel that I can help answer your questions, please feel free to contact me. Thanks for your consideration.Do you have a report or encounter that you would like to be read on 'Personal Reports' & featured on the Phantoms & Monsters blog? Contact me at ⁠lonstrickler@phantomsandmonsters.com⁠Would you like to help us out? ⁠⁠https://www.buymeacoffee.com/lonstrickl0⁠⁠Phantoms & Monsters Homepage & Blog -⁠ ⁠https://www.phantomsandmonsters.com⁠⁠Books by Lon Strickler - ⁠⁠https://www.amazon.com/~/e/B009JURSD4⁠⁠You can also support us by using PayPal at ⁠https://bit.ly/4bXQgP8⁠Credits: All content licensed and/or used with permission.#God #extraterrestrial #religion #paranormal

Countertenor Anthony Roth Costanzo began performing professionally at the age of 11 and has since appeared in opera, concert, recital, film, and on Broadway. He has performed in the world's great opera houses and symphony halls.In June 2024, he began his tenure as the general director and president of Opera Philadelphia.His most recent album, Anthony Roth Costanzo & Justin Vivian Bond: Only an Octave Apart was released in January 2022. His first solo album, ARC was released in September 2018 and nominated for the 2019 GRAMMY Award for Best Classical Solo Vocal Album. He also stars on the Metropolitan Opera's recording and DVD of Akhnaten which won the 2022 GRAMMY award for best opera recording.Anthony was the recipient of the 2020 Beverly Sills Award from the Metropolitan Opera, a winner of the 2020 Opera News Award, and the 2019 Musical America vocalist of the year.He graduated Magna Cum Laude and Phi Beta Kappa from Princeton University where he was awarded the Lewis Sudler Prize for extraordinary achievement in the arts, and where he has returned to teach.

Proclive al minimalismo repetitivo y la orquesta sinfónica, el norteamericano experimenta con todo tipo de escenarios, desde la ópera y el cine hasta a la poesía. Estudioso de la matemática, la filosofía y la espiritualidad oriental, ha llegado a un público masivo con sus creaciones._____Has escuchadoConcerto for Violin and Orchestra (1987). David Nebel, violín; London Symphony Orchestra; Kristjan Järvi, director. Sony (2020)Cuarteto n.º 3 “Mishima” (1985). Cuarteto Quiroga, cuarteto de cuerda. Grabación sonora realizada en directo en la sala de conciertos de la Fundación Juan March, el 23 de noviembre de 2022Étude for Solo Piano, No. 2 (1995). Anthony Romaniuk, piano. Grabación sonora realizada en directo en la sala de conciertos de la Fundación Juan March, el 3 de mayo de 2023Glassworks. Opening (1981). Víkingur Ólafsson, piano. Deutsche Grammophon (2017)_____Selección bibliográficaEVANS, Tristian, Shared Meanings in the Film Music of Philip Glass: Music, Multimedia and Postminimalism. Ashgate, 2015FANET, Sylvain, Philip Glass: Accords et désaccords. Le Mot et le Reste, 2022FRANDSEN, Paul John, “Philip Glass's Akhnaten”. The Musical Quarterly, vol. 77, n.º 2 (1993), pp. 241-267*GLASS, Philip et al., Music by Philip Glass. Harper & Row, 1987—, Palabras sin música: memorias. Malpaso Ediciones, 2017GLASS, Philip y John Howell, “Interview: Satyagraha and Contemporary Opera”. Performing Arts Journal, vol. 6, n.º 1 (1981), pp. 68-83*GRIMSHAW, Jeremy, “High, ‘Low,' and Plastic Arts: Philip Glass and the Symphony in the Age of Postproduction”. The Musical Quarterly, vol. 86, n.º 3 (2002), pp. 472-507*HASKINS, Rob et al., “Philip Glass and Michael Riesman: Two Interviews”. The Musical Quarterly, vol. 86, n.º 3 (2002), pp. 508-529*KOSTELANETZ, Richard (ed.), Writings of Glass. Essays, Interviews, Criticism. University of California Press, 1999NICKLESON, Patrick, The Names of Minimalism: Authorship, Art Music, and Historiography in Dispute. University of Michigan Press, 2023POTTER, Keith, Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass. Cambridge University Press, 2000*RICHARDSON, John, Singing Archaeology: Philip Glass's Akhnaten. University Press of New England, 1999SWED, Mark, “Philip Glass's Operas”. The Musical Times, vol. 129, n.º 1749 (1988), pp. 577-579WATERS, Robert (Robert Francis), The Stage Works of Philip Glass. Cambridge University Press, 2022 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

For this Musicals Magazine Podcast, Edward Seckerson meets Zachary James, who's currently hotting up the Underworld on the other side of that wall in Hadestown. James, who originated the role of Lurch in the Andrew Lippa musicalisation of The Addams Family, is perhaps best known to date – indeed immortalised – as The Scribe/Amenhotep III in Philip Glass's Akhnaten in the jaw-dropping Phelim McDermott, Olivier Award-winning staging at English National Opera in 2016. His work has straddled the opera and Musical Theatre worlds in intriguing ways and as an actor-singer his work is nothing if not diverse. Plus his 6'6” frame makes him hard to miss.   Never miss an issue of Musicals magazine – subscribe today The opening and closing musical excerpts featured in this podcast are from the Overture to Gypsy (film version), taken from Jule Styne's ‘Overtures Vol 2', courtesy of JAY Records.

US-born Zachary James is a Grammy award winning actor and musician, who has had a lustrous career across stage and screen, having originated several iconic Broadway roles and sung with the world's greatest orchestras and opera companies, including The New York Philharmonic, Philadelphia Orchestra and NHK Symphony Tokyo to name a few.   He will be returning to the West End as ‘Hades' in the Tony and Grammy winning musical, HADESTOWN. The Broadway musical is making its long-awaited London premiere, and follows the entwining mythic tale of two love stories between Orpheus and Eurydice and that of King Hades of the Underworld and his wife Persephone. The show will open at the Lyric Theatre on 10th February, described by Vogue as ‘your next musical theatre obsession'.   After majoring in Musical Theatre at Ithaca College, James made his Broadway debut in CORAM BOY at the Imperial Theatre before playing ‘Thomas Hassinger' in the original cast of the Tony Award winning production of SOUTH PACIFIC (Lincoln Center). He then originated the role of ‘Lurch' in the Broadway musical of THE ADDAMS FAMILY (Lunt-Fontanne Theatre), followed by his professional operatic debut as ‘Abraham Lincoln' in THE PERFECT AMERICAN (Teatro Real) in Madrid, which was written specifically for Zachary by renowned composer, Philip Glass. He then revived the role on the West End for English National Opera and in Brisbane for Opera Queensland.   Following this, Zachary created the role of ‘Amenhotep' in the Olivier Award winning production of AKHNATEN on the West End for English National Opera, later reprising the role for The Metropolitan Opera and Los Angeles Opera. Other theatre highlights include the role of ‘John Claggart' in the Emmy Award winning PBS broadcast of BILLY BUDD (Des Moines Metro Opera), ‘Sweeney Todd' in SWEENEY TODD (Opera Omaha) and more.   Zachary made his first television debut alongside Tina Fey and Steve Martin as ‘Carl', a Federal Agent, on beloved American sitcom 30 ROCK before appearing on a number of series including MURPHY BROWN, LAW & ORDER: ORGANIZED CRIME, and THE BLACKLIST.

Luxury and Power is the title of a new British Museum exhibition focusing on the politics of display used by rulers in Persia and Greece. Ahead of the coronation, Anne McElvoy hears from the curator, from academics researching past royal rituals in Tudor and Medieval England and about power and royalty on the operatic stage from Verdi's Don Carlos and Aida and to Philip Glass's Akhnaten and Britten's Gloriana. Dr Jamie Fraser is curator for the Ancient Levant and Anatolia at the British Museum and has curated Luxury and power: Persia to Greece Dr Joanne Paul is a writer, historian and broadcaster working on the history of the Renaissance, Tudor and Early Modern Periods. Professor Sarah Hibberd is Stanley Hugh Badock Chair of Music at the University of Bristol. Her research focuses on nineteenth century opera and music theatre in Paris and London. Dr Julia Hartley is a BBC Radio 3/AHRC New Generation Thinker who writes about Dante, Proust and representations of Iran. She lectures at the University of Glasgow School of Modern Languages and Cultures. Producer: Ruth Watts Luxury and power: Persia to Greece runs at the British Museum in London from 4 May 2023 - 13 Aug 2023 On BBC Radio 3 you can find a discussion about recordings of Coronation Anthems on Building a Library, part of Record Review and music by Royal composers featured on In Tune and Radio 3 is broadcasting the music commissioned for the coronation before the ceremony begins. You can find that on BBC Sounds Music: Meyerbeer, Le Prophète, The Coronation March, London Symphony Orchestra, Richard Bonynge, Decca – SXL.6541 Verdi, Don Carlos, Act II, Cejour heureux est plein d'allgègresse! Coro del Teatro alla Scala di Milano, Claudia Abbado, Deutsche Grammophon – DEF058231107

Anthony Roth Costanzo is one of the world's most in demand countertenors who has recently completed a run of Philip Glass' opera Akhnaten at English National Opera, performing the title role of the legendary Egyptian king. In this short interview (Anthony was very kindly taking some time out from his off day to speak to me), we talked about some of the challenges of performing the very demanding role of Akhnaten, working directly with Philip Glass, the development of the countertenor voice, presenting classical music to new audiences, and bringing joy to audiences on stage. Anthony's bio: https://anthonyrothcostanzo.com/About. The i's review of Akhnaten: https://inews.co.uk/culture/akhnaten-london-coliseum-review-astonishing-staging-philip-glass-proves-why-we-need-the-eno-2216322. Anthony's Humans of Classical Music video: https://www.youtube.com/watch?v=SXab0t6dnSE. Anthony's performance of Gershwin's classic "I Got Rhythm": https://www.youtube.com/watch?v=YAnyv4LV8ko. Interview with Anthony recorded 20 March 2023; podcast published 8 April 2023. Main editing by German at Your Podcast Editor. Anchor is now part of Spotify for Podcasters. --- Send in a voice message: https://podcasters.spotify.com/pod/show/talking-classical-podcast/message

Sam speaks to soprano Ella Taylor about their upcoming roles in Philip Glass's Akhnaten at ENO and Verdi's Don Carlo at the Royal Opera. The conversation turns to Ella's trepidation at embarking on a new production with a new set of co-workers, what it means to be a trans singer playing trouser roles – and ancient Egyptian trivia.…Links:Trans Voices video: https://www.theguardian.com/culture/video/2022/mar/10/the-uks-first-professional-trans-choir-its-a-joyful-act-of-resistance Akhnaten at ENO: https://www.eno.org/whats-on/akhnaten/ Don Carlo at ROH: https://www.roh.org.uk/tickets-and-events/don-carlo-by-nicholas-hytner-details Shadwell's Powder Down: https://shadwell.bandcamp.com/album/powder-down … Buy us a coffee innit: https://ko-fi.com/classicalpod … Follow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/

Luke Jones meets the countertenor Anthony Roth Costanzo, whose show Only An Octave Apart is about to begin a month long run at Wilton's Music Hall in London. He discusses how he discovered his range, why he fuses opera with pop and his return to the ENO next year in Philip Glass's Akhnaten. Luke takes a tour round See Monster in Weston-super-Mare, a retired North Sea rig that's been turned into one of the UK's largest art installations as part of the Unboxed festival. And a discussion on the impact of the cost of living crisis on theatre and live music. Jamie Njoku-Goodwin speaks from the Labour Party Conference and Mark Davyd from the Music Venue Trust. Eleanor Lloyd from (SOLT) The Society of London Theatres/UK Theatre.

This week, host Isaac Butler talks to Shanta Thake, chief artistic officer of New York City's Lincoln Center for the Performing Arts. In the interview, Shanta describes the different branches of Lincoln Center and discusses the institution's new mission to make all of those branches more welcoming and accessible to more people. She also describes her role as a curator and explains how she and her team are always on the lookout for new talent.  After the interview, Isaac and co-host Karen Han discuss the business side of live production. They also interrogate Isaac's claim that “90% of art is bad.”  In the exclusive Slate Plus segment, Shanta and Isaac talk about one of their favorite operas, Philip Glass' Akhnaten.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. -- Check out Remote Works here: https://link.chtbl.com/remoteworks?sid=podcast.WORKING Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host Isaac Butler talks to Shanta Thake, chief artistic officer of New York City's Lincoln Center for the Performing Arts. In the interview, Shanta describes the different branches of Lincoln Center and discusses the institution's new mission to make all of those branches more welcoming and accessible to more people. She also describes her role as a curator and explains how she and her team are always on the lookout for new talent.  After the interview, Isaac and co-host Karen Han discuss the business side of live production. They also interrogate Isaac's claim that “90% of art is bad.”  In the exclusive Slate Plus segment, Shanta and Isaac talk about one of their favorite operas, Philip Glass' Akhnaten.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. -- Check out Remote Works here: https://link.chtbl.com/remoteworks?sid=podcast.WORKING Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host Isaac Butler talks to Shanta Thake, chief artistic officer of New York City's Lincoln Center for the Performing Arts. In the interview, Shanta describes the different branches of Lincoln Center and discusses the institution's new mission to make all of those branches more welcoming and accessible to more people. She also describes her role as a curator and explains how she and her team are always on the lookout for new talent.  After the interview, Isaac and co-host Karen Han discuss the business side of live production. They also interrogate Isaac's claim that “90% of art is bad.”  In the exclusive Slate Plus segment, Shanta and Isaac talk about one of their favorite operas, Philip Glass' Akhnaten.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. -- Check out Remote Works here: https://link.chtbl.com/remoteworks?sid=podcast.WORKING Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host Isaac Butler talks to Shanta Thake, chief artistic officer of New York City's Lincoln Center for the Performing Arts. In the interview, Shanta describes the different branches of Lincoln Center and discusses the institution's new mission to make all of those branches more welcoming and accessible to more people. She also describes her role as a curator and explains how she and her team are always on the lookout for new talent.  After the interview, Isaac and co-host Karen Han discuss the business side of live production. They also interrogate Isaac's claim that “90% of art is bad.”  In the exclusive Slate Plus segment, Shanta and Isaac talk about one of their favorite operas, Philip Glass' Akhnaten.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. -- Check out Remote Works here: https://link.chtbl.com/remoteworks?sid=podcast.WORKING Learn more about your ad choices. Visit megaphone.fm/adchoices

Grammy-winning countertenor Anthony Roth Constanzo talks about his unique style and gender-bending repertoire from Phillip Glass' Akhnaten to his collaboration with transgender singer-songwriter Justin Vivian Bond (interviewed by Brian DeShazor). Host Billy Eichner and winners Bad Bunny and Dove Cameron lead the queer contingent at the MTV Video Music Awards! And in NewsWrap: The Eastern Caribbean Supreme Court finds the “sodomy” and “buggery” laws of Saint Kitts and Nevis unconstitutional, India's Supreme Court supports legal protections and social benefits for same-gender couples, Belgrade EuroPride organizers say Serbian President Aleksandar Vučić had no right to cancel their upcoming event, the Fifth U.S. Circuit Court of Appeals favors religious healthcare professionals' right to refuse trans patients treatment, a Kansas teacher wins compensation for a suspension incurred for refusing to use a transgender student's correct name and pronouns, Brazil's President Jair Bolsonaro faces jail time on charges related to lies connecting COVID-19 vaccinations to HIV/AIDS, and more international LGBTQ news reported this week by Joe Boehnlein and MR Raquel (produced by Brian DeShazor). All this on the September 5, 2022 edition of This Way Out! Join our family of listener-donors today at http://thiswayout.org/donate/

Zachary James (The Metropolitan Opera's Akhnaten, Broadway's The Addams Family) feeds Jimmy gazpacho for the first time. They also discuss Jimmy's first exposure to opera, Zach's performing at the Metropolitan Opera and Zach's special connection to gazpacho.  Jimmy's mother recaps the storylines of her favorite soap operas.

Attending an opera premiere at the Metropolitan Opera is a big deal. And it can become epic. Listen to LTNF Live about the opera Akhnaten.

A decade ago, Costanzo had surgery that threatened to destroy his singing voice. Now he stars as a gender-fluid Egyptian pharaoh in the Met Opera's production of Philip Glass' Akhnaten. He's a countertenor, meaning he sings in a high range that's associated with women's voices. He knows all about the history of countertenors and their predecessors, castrati.Justin Chang reviews the new film Memoria, starring Tilda Swinton, which he calls a "sonic detective story."

A decade ago, Costanzo had surgery that threatened to destroy his singing voice. Now he stars as a gender-fluid Egyptian pharaoh in the Met Opera's production of Philip Glass' Akhnaten. He's a countertenor, meaning he sings in a high range that's associated with women's voices. He knows all about the history of countertenors and their predecessors, castrati.Justin Chang reviews the new film Memoria, starring Tilda Swinton, which he calls a "sonic detective story."

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Through his operas, his symphonies, his compositions for his own ensemble, and his wide-ranging collaborations with artists ranging from Twyla Tharp to Allen Ginsberg, Leonard Cohen to David Bowie, Philip Glass has had an extraordinary and unprecedented impact upon the musical and intellectual life of his times.The operas – “Einstein on the Beach,” “Satyagraha,” “Akhnaten,” and “The Voyage,” among many others – play throughout the world's leading houses, and rarely to an empty seat. Glass has written music for experimental theater and for Academy Award-winning motion pictures such as “The Hours” and Martin Scorsese's “Kundun,” while “Koyaanisqatsi,” his initial filmic landscape with Godfrey Reggio and the Philip Glass Ensemble, may be the most radical and influential mating of sound and vision since “Fantasia.” His associations, personal and professional, with leading rock, pop and world music artists date back to the 1960s, including the beginning of his collaborative relationship with artist Robert Wilson. Indeed, Glass is the first composer to win a wide, multi-generational audience in the opera house, the concert hall, the dance world, in film and in popular music – simultaneously.He was born in 1937 and grew up in Baltimore. He studied at the University of Chicago, the Juilliard School and in Aspen with Darius Milhaud. Finding himself dissatisfied with much of what then passed for modern music, he moved to Europe, where he studied with the legendary pedagogue Nadia Boulanger (who also taught Aaron Copland , Virgil Thomson and Quincy Jones) and worked closely with the sitar virtuoso and composer Ravi Shankar. He returned to New York in 1967 and formed the Philip Glass Ensemble – seven musicians playing keyboards and a variety of woodwinds, amplified and fed through a mixer.The new musical style that Glass was evolving was eventually dubbed “minimalism.” Glass himself never liked the term and preferred to speak of himself as a composer of “music with repetitive structures.” Much of his early work was based on the extended reiteration of brief, elegant melodic fragments that wove in and out of an aural tapestry. Or, to put it another way, it immersed a listener in a sort of sonic weather that twists, turns, surrounds, develops.There has been nothing “minimalist” about his output. In the past 25 years, Glass has composed more than twenty five operas, large and small; twelve symphonies, thirteen concertos; soundtracks to films ranging from new scores for the stylized classics of Jean Cocteau to Errol Morris's documentary about former defense secretary Robert McNamara; nine string quartets; a growing body of work for solo piano and organ. He has collaborated with Paul Simon, Linda Ronstadt, Yo-Yo Ma, and Doris Lessing, among many others. He presents lectures, workshops, and solo keyboard performances around the world, and continues to appear regularly with the Philip Glass Ensemble.From https://philipglass.com/biography/. For more information about Philip Glass:Words Without Music: https://wwnorton.com/books/Words-Without-Music/“The beginner's guide to Philip Glass”: https://www.eno.org/discover-opera/the-beginners-guide-to-philip-glass/“How Philip Glass Went From Driving Taxis to Composing”: https://www.theatlantic.com/business/archive/2018/04/philip-glass-taxi-driver-composer/558278/“Philip Glass”: https://www.interviewmagazine.com/music/philip-glass

Karen Kamensek is the guest conductor for Charlotte Symphony (CSO) and leads a program with Sibelius' Symphony No. 2 and Shostakovich's Violin Concerto No. 1 featuring CSO concertmaster Calin Lupanu. Kamensek is in demand around the world as a guest conductor for both opera productions and symphonic concerts. Her recording of Philip Glass's Akhnaten with the Metropolitan Opera Orchestra and Chorus recently won the Grammy for Best Opera Recording. She talks about what she's learned from Philip Glass, what it's like to work with a brand-new orchestra, and how conducting operas and concerts are different. Pictured: Conductor Karen Kamensek by Denise Biffar.

Bókmenntasagan er uppfull af eyjum, sem sögusvið, sem táknmynd, sem hugarástand. Í fyrirlestri sem haldinn var í Háskóla Íslands í hádeginu í dag fjallaði Ástráður Eysteinsson prófessor í almennri bókmenntafræði um eyjafræði og bókmenntir. Þar fjallaði hann um þetta þverfræðilega rannsóknasvið, eyjafræðina og hvernig það birtist í bókmenntum, bæði erlendum og íslenskum. Ástráður verður gestur víðsjár hér í lok þáttar og segir okkur betur frá þessu forvitnilega fræðasviði. Snorri Rafn Hallsson, heimspekingur og dagskrárgerðarmaður í Vín, heldur áfram með pistla sína um atvinnumál hér í Víðsjá. Í dag fer Snorri Rafn á örlítið tilraunakenndari slóðir en áður. Í pistli dagsins tengir hann heimspeki Hönnuh Arendt við söngtifur, lítil skordýr sem dvelja ofan í jörðinni mestan hluta ævinnar. Hvað ætli þær geti sagt okkur um stöðu vinnunnar í tilveru okkar? En við byrjum á að taka á móti góðum gesti hér í Víðsjá. Dísella Lárusdóttir sópran söngkona er nýkomin til landsins eftir að hafa tekið á móti Grammy-verðlaunum í Las Vegas. Dísella tók við verðlaunum fyrir bestu óperu-upptöku af óperunni Akhnaten eftir Philip Glass, þar sem Dísella fer með eitt af burðarhlutverkunum. Dísella lenti í morgun og mætti nánast beint til okkar í afar frjálslegt spjall, ásamt dóttur sinni Snædísi Lind. Umsjón: Halla Harðardóttir og Jóhannes Ólafsson.

Bókmenntasagan er uppfull af eyjum, sem sögusvið, sem táknmynd, sem hugarástand. Í fyrirlestri sem haldinn var í Háskóla Íslands í hádeginu í dag fjallaði Ástráður Eysteinsson prófessor í almennri bókmenntafræði um eyjafræði og bókmenntir. Þar fjallaði hann um þetta þverfræðilega rannsóknasvið, eyjafræðina og hvernig það birtist í bókmenntum, bæði erlendum og íslenskum. Ástráður verður gestur víðsjár hér í lok þáttar og segir okkur betur frá þessu forvitnilega fræðasviði. Snorri Rafn Hallsson, heimspekingur og dagskrárgerðarmaður í Vín, heldur áfram með pistla sína um atvinnumál hér í Víðsjá. Í dag fer Snorri Rafn á örlítið tilraunakenndari slóðir en áður. Í pistli dagsins tengir hann heimspeki Hönnuh Arendt við söngtifur, lítil skordýr sem dvelja ofan í jörðinni mestan hluta ævinnar. Hvað ætli þær geti sagt okkur um stöðu vinnunnar í tilveru okkar? En við byrjum á að taka á móti góðum gesti hér í Víðsjá. Dísella Lárusdóttir sópran söngkona er nýkomin til landsins eftir að hafa tekið á móti Grammy-verðlaunum í Las Vegas. Dísella tók við verðlaunum fyrir bestu óperu-upptöku af óperunni Akhnaten eftir Philip Glass, þar sem Dísella fer með eitt af burðarhlutverkunum. Dísella lenti í morgun og mætti nánast beint til okkar í afar frjálslegt spjall, ásamt dóttur sinni Snædísi Lind. Umsjón: Halla Harðardóttir og Jóhannes Ólafsson.

Bókmenntasagan er uppfull af eyjum, sem sögusvið, sem táknmynd, sem hugarástand. Í fyrirlestri sem haldinn var í Háskóla Íslands í hádeginu í dag fjallaði Ástráður Eysteinsson prófessor í almennri bókmenntafræði um eyjafræði og bókmenntir. Þar fjallaði hann um þetta þverfræðilega rannsóknasvið, eyjafræðina og hvernig það birtist í bókmenntum, bæði erlendum og íslenskum. Ástráður verður gestur víðsjár hér í lok þáttar og segir okkur betur frá þessu forvitnilega fræðasviði. Snorri Rafn Hallsson, heimspekingur og dagskrárgerðarmaður í Vín, heldur áfram með pistla sína um atvinnumál hér í Víðsjá. Í dag fer Snorri Rafn á örlítið tilraunakenndari slóðir en áður. Í pistli dagsins tengir hann heimspeki Hönnuh Arendt við söngtifur, lítil skordýr sem dvelja ofan í jörðinni mestan hluta ævinnar. Hvað ætli þær geti sagt okkur um stöðu vinnunnar í tilveru okkar? En við byrjum á að taka á móti góðum gesti hér í Víðsjá. Dísella Lárusdóttir sópran söngkona er nýkomin til landsins eftir að hafa tekið á móti Grammy-verðlaunum í Las Vegas. Dísella tók við verðlaunum fyrir bestu óperu-upptöku af óperunni Akhnaten eftir Philip Glass, þar sem Dísella fer með eitt af burðarhlutverkunum. Dísella lenti í morgun og mætti nánast beint til okkar í afar frjálslegt spjall, ásamt dóttur sinni Snædísi Lind. Umsjón: Halla Harðardóttir og Jóhannes Ólafsson.

Akhnaten Burrowes is an up and coming actor and the award winning Bajan social media influencer behind the web series Bev. His blend of humor and Bajan culture connects his fans at home and around the world with nostalgia and laughter.In this episode, Akhnaten discusses his inspiration for Bev, his upcoming sitcom, and his aspirations to work with award-winning playwright and cinematic innovator Tyler Perry.Listen and share with others interested in becoming a social media personality and the content creator space.

Jess Gillam is joined by composer Carlos Simon to share the music they love including the Philip Glass opera Akhnaten, Quincy Jones' Happy Feet, Gabriela Lena Frank, Earth Wind and Fire and a cracking tune from Sibelius. Playlist: Philip Glass - Funeral of Amenhotep (from Akhnaten) [Metropolitan Opera Orchestra & Chorus, Karen Kamensek, Zachary James] Bach - Sonata for Violin and Keyboard No.3 in E Major, BWV 1016; 3rd movement [Renaud Capuçon (violin), David Fray (piano)] Quincy Jones - Happy Feet (from the movie Walk, Don't Run) Traditional – The Butcher's Boy [Kronos Quartet, Natalie Merchant] Gabriela Lena Frank - Leyendas, “An Andean Walkabout” - mvt. 2 Tarqueada [Chiara Quartet] Fanny Mendelssohn - Das Jahr - June [Liana Serbescu (piano)] Earth Wind and Fire - Can't Let Go Sibelius - Symphony No. 2 in D major, Op. 43; 2nd Movement [New York Philharmonic, Leonard Bernstein]

 Akhnaten is an opera in three acts based on the life and religious convictions of the Egyptian pharaoh Akhenaten (Amenhotep IV), written by the American composer Philip Glass in 1983. The libretto is by Philip Glass in association with Shalom Goldman, Robert Israel, Richard Riddell, and Jerome Robbins. According to the composer, this work is the culmination of his two other biographical operas, Einstein on the Beach (about Albert Einstein) and Satyagraha (about Mahatma Gandhi). These three people – Akhenaten, Einstein, and Gandhi – were all driven by an inner vision that altered the age in which they lived, in particular Akhenaten in religion, Einstein in science, and Gandhi in politics. Purchase the music (without talk) at: http://www.classicalsavings.com/store/p1399/Glass%3A_Akhnaten.htmlYour purchase helps to support our show!  Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber.  @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber  Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html  staff@classicalmusicdiscoveries.com 

Host Silas Farley delves deep into the creation of Jerome Robbins' Glass Pieces in part two of this new Hear the Dance episode. Former NYCB Principal Dancers and husband and wife duo Maria Calegari and Bart Cook share intimate details about the second movement pas de deux, the development of which marked the beginning of their relationship; Corps de Ballet Member Gretchen Smith remarks on the shared legacy of performing these roles and knowing that “Everything we're taught now is learned through those that were in the room”; and former Principal Dancer Helene Alexopoulos reflects on the importance of Glass Pieces as a celebration of the Company through its focus on the corps de ballet—and an important statement from Robbins, as the work premiered just two weeks after George Balanchine's death. (30:07) Written by Silas Farley Edited by Emilie Silvestri Reading List: Somewhere: The Life of Jerome Robbins by Amanda Vaill Words Without Music by Philip Glass Jerome Robbins: By Himself by Amanda Vaill Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Rubric and Façades from Glassworks, excerpts from the opera Akhnaten by Philip Glass All music performed by the New York City Ballet Orchestra.

Den amerikanske tonsättaren Philip Glass har skrivit över 25 operor, mängder av film- och teatermusik, orkesterverk, pianomusik med mera. Lyssna på alla avsnitt i Sveriges Radio Play. År 2019 fyllde Philip Glass egen grupp The Philip Glass Ensemble 50 år och detta firades med en internationell jubileumsturné, som bland annat besökte Stockholm och Malmö.Många har säkert hört Philip Glass musik utan att tänka på det. Som till exempel den musik han skrev för succéfilmen ”Timmarna”.På 60-talet samarbetade Philip Glass med Ravi Shankar i Paris. Internationellt uppmärksammad blev han med den banbrytande operan ”Einstein on the Beach”, som han gjorde tillsammans med Robert Wilson.De senaste åren har hans operor ”Satyagraha” och ”Akhnaten” nått en stor publik. Folkoperan och Cirkus Cirkörs uppsättning av den första av dem fick Philip Glass själv uppleva på BAM i New York.– Jag hamnade med Philip bakom scenen och då sa han att han var glad att han fått leva och se den här uppsättningen, berättar tenoren Leif-Aruhn Solén i programmet.Nu är han aktuell med cirkusoperan ”Circus Days and Nights”, skriven direkt för Cirkus Cirkör.Medverkar i programmet gör dirigent Karen Kamensek, Cirkus Cirkörs Tilde Björfors, musikjournalisten Hanna Höglund och givetvis Philip Glass själv.En dokumentär från 2021 av Kerstin Berggren.

Mon invité est Antoine Robert, le réalisateur de Deux oiseaux un court métrage détonnant comme on en voit peu, à hauteur d'enfant et pour un public adulte comme jeune. Antoine est également illustrateur et CG artist basé à Arles. Le site d'Antoine Robert : http://www.ant-robert.com/ La bande annonce de son film Deux oiseaux : https://www.youtube.com/watch?v=V_fkfVBYQ0c La page VOD de Deux oiseaux : https://vimeo.com/ondemand/deuxoiseaux Son précédent film Le taxidermiste : https://vimeo.com/52068093 Les recommandations d'Antoine : La page Allociné de Calamity, une enfance de Martha Jane Cannary de Rémi Chayé : https://www.allocine.fr/film/fichefilm_gen_cfilm=271607.html La page Allociné de Drunk de Thomas Vinterberg : https://www.allocine.fr/film/fichefilm_gen_cfilm=275050.html La page Allociné de 2001 : l'odyssée de l'espace, le meilleur film de tous les temps (en toute objectivité) : https://www.allocine.fr/film/fichefilm_gen_cfilm=27442.html La page Allociné de Koyaanisqatsi de Godfrey Reggio : https://www.allocine.fr/film/fichefilm_gen_cfilm=33233.html Une émission de France Musique, Musicopolis, qui revient sur la première à Avignon en 1976 de l'opéra Einstein on the beach, musique composée par Philip Glass (il y a aussi une courte biographie du compositeur en vidéo) : https://www.francemusique.fr/emissions/musicopolis/avignon-1976-creation-d-einstein-beach-de-philip-glass-75929 La bande-annonce de l'opéra Satyagraha (joué à l'ENO de Londres en 2018) composé par Philip Glass : https://www.youtube.com/watch?v=RoAN_xDcmmI La bande-annonce de l'opéra Akhnaten (joué au Metropolitan Opera de New York en 2019) composé par Philip Glass : https://www.youtube.com/watch?v=rSn_UAquOfw La page bandcamp des punks Lillois de Jodie Faster : https://jodiefaster.bandcamp.com/ Le site de la maison d'édition Les Requins Marteaux sur lequel on peut trouver le Pinocchio de Winshluss : http://lesrequinsmarteaux.com/livres Format Court : http://www.formatcourt.com/ Pour ne louper aucune pépite ! ► Yodar : yodar.fr/ ► Facebook : www.facebook.com/Y0dar/ ► Instagram : www.instagram.com/y0dar/ ► Twitter : twitter.com/Y0DAR ► Soundcloud : @y0dar Podcast réalisé par Aline Crétinoir

What happens when a DRAMATIC Soprano, Alexandra Loutsion, and a Mezzo, Annie Rosen, who “will crush your soul” come for a chat? (This is a normal occurrence on Voice with Julia's #TECHNIQUETALKS) Alex sings the nice LADIES like Turandot, Tosca, and Elektra with companies like San Francisco Opera, Canadian Opera Company, and Pittsburgh Opera.  Watch Alex tear it up as Turandot: https://youtu.be/NyM5ExJkU9Q Annie rips up the stage with roles like Adalgisa, Suzuki, and Melisande and at theaters like Lyric Opera of Chicago, Deutsche Opera Berlin, The Metropolitan Opera, and sings some amazing new operas like Akhnaten and Bel Canto. Hear Annie crush your soul: https://youtu.be/2-5AL_4NASk Watch interview on YouTube: https://youtu.be/tuwPL-MdRVs  Voice with Julia's #techniquetalks is where we demystify conversations surrounding vocal technique with

Open, are the double-doors of the horizon. Unlocked, are their bolts. #Akhenaten #AmenhotepIV #LudicrousHustle LIFE-OUT-OF-BALANCE [#XÆA0132] --- Support this podcast: https://anchor.fm/stevenapplegate/support

St Germain discusses the spiritual significance of Akhnaten in world history and why the opera is attracting so much world-wide interest today.

A young pharaoh transforms ancient Egypt with his revolutionary religious ideas—a tale made modern through Philip Glass's mesmerizing and distinctive musical style. Learn more about Akhnaten with our In Focus podcast, hosted by author, Met radio commentator, and staff writer William Berger.

“I think I've learned to not take things so personally through this piece of music.” In this episode, mezzo-soprano J'Nai Bridges discusses the song “When I am laid in earth”, also known as “Dido's Lament”. It's a stunning aria from Henry Purcell's opera Dido and Aeneas in which Dido laments over her broken heart after her lover, the Trojan war hero Aeneas, abandons her. The song gave Bridges insight into the nature of memory and respect that she's taken to heart, and illustrates one of the many powerful lessons opera can teach us all. Subscribe wherever you get your podcasts to receive a new episode every day or delve deeper into our companion playlist. J'Nai Bridges is a mezzo-soprano. She'll be appearing this season with the Metropolitan Opera as Nefertiti in Philip Glass's Akhnaten. Did you like the track J'Nai chose? Listen to the music in full: "When I am laid in earth" by Henry Purcell