Podcasts about auditions

What are Worship Directors looking for when auditioning new team members? In this episode, we share our hearts about what we have experienced and seen all over the world when it comes to auditioning , and join the worship ministry of a church. You can reach out to us with any questions, comments or topic requests at awakenthepodcast@gmail.com #awakenthepodcast

Violences alléguées à la prison de Melrose : les auditions débutent ce mardi à la Commission nationale des droits humains by TOPFM MAURITIUS

Karen Shuman, the director of Deerfield Theater's upcoming Shrek the Musical, came on the podcast to talk about the show and upcoming auditions. Karen discusses her lifelong passion for theater, tracing her journey from childhood to her current role as a director. She shares her love for Shrek, mentioning how it is a favorite in her household and how she pushed hard for it to be staged because of its heartfelt and fun nature. Karen also highlights the unique and catchy new songs in the musical, which differentiates it from the popular movies. We reflect on the inclusive and educational aspects of community theater, emphasizing its benefits for actors of all ages and skill levels.Karen provides insights into the audition process, urging potential actors to approach it with excitement rather than fear, and explaining what her casting team looks for in auditions. The conversation touches on the nature of the show, with roles for various age groups and opportunities for all cast members to shine. Karen speaks passionately about the transformative power of live theater and its importance in fostering human connection away from screens. Sign up for auditions using this link! Auditions at 836 Jewett Park Drive, Deerfield on:* Sunday, August 17, 1:00-5:00 PM* Monday, August 18, 6:00-9:00 PM* Tuesday, August 19, 6:00-9:00 PMCallbacks: Wednesday, August 20, 6:00-10:00 PMShow Dates: November 14–16 & 21–23 at Caruso Theater, DeerfieldDeerfield TheaterPurchase TicketsWe'll see you at the theater! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit deerfieldtheater.substack.com

Today, we're thrilled to welcome back a truly special guest—one of only three returning guests in our show's history—the incredible actor Alain Uy. Since his last appearance in January 2021, Alain's career has soared, with standout roles in The Cleaning Lady, Power IV, and most recently Ballard. But here's the twist: despite this impressive success, Alain candidly admits to quitting acting multiple times a year—sometimes even right before a premiere. Alain offers invaluable insight into his creative process. He shares his technical self-tape approach—including the unexpected power of the cold read—and how embracing imperfection can create audition magic. You'll learn his simple but transformative framework for breaking down any scene as an argument, negotiation, or seduction. These are the unforgettable stories that landed Alain Uy right here. CREDITS: Ballard Station 19 True Detective Grey's Anatomy The Morning Show Power Book IV: Force The Cleaning Lady The Paper Tigers Helstrom Grimm Pure Genius The Last Ship Rizzoli & Isles GUEST LINKS: IMDB: Alain Uy, Actor, Producer, Director THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition MAGIC MIND: 48% off ONEAUDITION20 THE BRIDGE FOR ACTORS: Become a WORKING ACTOR THE PRACTICE TRACK: Membership to Practice Weekly PATREON: @thatoneaudition CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher EPISODE CREDITS: WRITER: Erin McCluskey WEBSITE & GRAPHICS: Chase Jennings ASSISTANT: Elle Powell SOCIAL OUTREACH: Alara Ceri

Join us as we meet the creators of Rafy, an innovative app transforming how actors prepare auditions. In this eye-opening conversation, we explore how this technology is giving actors more control over their audition process while addressing long-standing industry challenges.Jamila Hache and Dani Rojas share how they developed Rafy during the pandemic to solve the common struggle of finding readers for self-tapes. The app uses AI to provide customizable reading partners, allowing actors to practice anytime without dependency on others. They discuss their ethical approach to AI implementation, subscription plans with tokens for scenes, and exciting new features including Playhouse for practice scenes and voice-recognition for slates. The conversation highlights how technology can empower actors in an industry that has historically placed them at a disadvantage.Like, subscribe, and let us know in the comments how technology has changed your acting career!0:00 Intro and guest introduction0:55 Welcome to the CFA podcast1:34 Meeting Jamila and Dani3:10 How Haeleigh discovered the Rafy app5:03 Creating Rafy during the pandemic7:52 Understanding self-tape challenges10:01 How AI can help actors ethically12:22 The self-tape process explained14:54 Industry realities for actors17:53 Giving actors more control19:40 How Rafy works for auditions21:40 Subscription plans and tokens24:19 Introducing Playhouse feature27:21 Potential partnership with screenwriters30:17 New features: Slates with voice recognition32:10 The story behind the name "Rafy"34:03 App availability and web version coming35:00 Closing and contact informationSend us a textFor our listeners, CFA's teamed up with We Make Movies to get you a discount on production management services, including access to comprehensive production insurance and workers' comp for your next shoot. Visit wemakemovies.org/insurance and use code CFA23 on your intake form for 10% off your quote.Calling all actors! Take 25% off your membership at WeAudition with code: CFA25 Website: www.cinematographyforactors.com Instagram: https://www.instagram.com/cinematographyforactors TikTok: https://www.tiktok.com/@cinematographyforactors Cinematography for Actors is a community aimed at bridging the gap between talent & crew through our weekly podcast & community events. Our weekly show supports the filmmaking community through transparent, honest & technically focused interviews with the goal of elevating the art of effective storytelling.

Can You Use a Reader of a Different Gender in a Self Tape?Ever wonder if using a reader of a different gender could hurt your audition?In today's acting episode, we break down a common worry actors face when taping at home: does your reader's gender matter - and how can you make sure it doesn't distract from your performance?You'll discover:Why casting directors don't care about your reader's gender - but something else does matterThe one thing your reader should never do when reading linesA simple way to be ready for big auditions, no matter who's around to helpHit play now and learn how to keep your acting strong, even with the “wrong” reader behind the camera.Contact Info and ResourcesMartin's Email: martin@cityheadshots.comMartin's Website: https://www.martinbentsen.comHeadshots: https://www.cityheadshots.comShoot Footage for Your Reel: https://www.actorscreenershoot.comEdit Footage Into a Reel: https://www.demoreelsnyc.com This podcast dives deep into the world of acting in film, exploring the journey of movie acting with stories, building confidence among aspiring actors, navigating auditions and productions, and offering insights from acting agents, coaches, and the challenges of becoming SAG-AFTRA eligible to advance your acting career, skills, and landing roles.

Minnesota Ryan comes out of the shadows to help recap Auditions 7 from America's Got Talent Season 20. The Viral Big Board is back, Ryan shows his love for a discarded act, and we get our regular medical lesson. GRV Jessica Sanchez Xi'An Acrobatic Troupe Anna Wilson Sirca Marea Crash Adams Sandra Risser The Boykinz Andy Starr Jonathon Arons Elastic Summary In this episode of AGT Time, Cody and Minnesota Ryan discuss the latest auditions from Season 20 of America's Got Talent. They reflect on the performances, the dynamics of the judges, and the changes in the show this season. Highlights include a nostalgic return from Jessica Sanchez, a surprise audition from Anna, and impressive acrobatic acts. The hosts also share their thoughts on the performances, the judges' feedback, and predictions for the future of the contestants. In this episode, the hosts discuss various acts from the current season of AGT, focusing on aerial performances, the impact of social media stars, and the evolving criteria for acts returning to the show. They explore the balance between talent and popularity, predict outcomes for the live shows, and consider the implications of having professional acts on the platform. The conversation highlights the excitement and challenges of the current season, with a particular emphasis on the potential for standout performances and the future direction of AGT. Contact Information Facebook | Twitter | Instagram | Threads | Bluesky |  Email About AGT Time Podcast AGT Time Podcast is a weekly podcast covering the hit NBC talent competition America's Got Talent. The hosts, Cody Patterson & Jay Bock, recap each episode during the regular season. We do rewatch older seasons during the offseason, have guest interviews, or review movies. AGT Commenter makes a frequent appearance on the podcast and gives his deep insight into America's Got Talent.  The podcast is typically recorded on Thursday nights and released on Fridays. Riverside.fm We are in the affiliate program for Riverside.fm. If you sign up using this link, then we receive a percentage from your subscription. This really helps us support this podcast.  #AGT #AmericasGotTalent   

Read the written blog HERE! If you have any questions about the college audition process, feel free to reach out at mailbag@mappingthecollegeaudition.com. If you're interested in working with MTCA for help with your individualized preparation for your College Audition journey, please check us out at mtca.com, or on Instagram or Facebook.  Follow Us!  Instagram: @mappingthecollegeaudition YouTube: @MTCA (Musical Theater College Auditions)  TikTok: @mtcollegeauditions  Charlie Murphy:@charmur7  About MTCA:  Musical Theater College Auditions (MTCA) is the leader in coaching acting and musical theater students through the college audition process and beyond with superlative results. MTCA has assembled a roster of expert artist-educators who can guide students artistically, organizationally, strategically, and psychologically through the competitive college audition process. MTCA provides the tools, resources, and expertise along with a vast and strong support system. They train the unique individual, empowering the artist to bring their true, authentic self to their work. MTCA believes that by helping students reveal their potential it allows each school to connect with those who are truly right for their programs, which in turn guides each student toward their best college fit.  About Charlie Murphy:  Charlie is a proud graduate of Carnegie Mellon University's BFA program. As an Actor he has performed with theaters such as: NY Public Theatre's “Shakespeare in the Park”, The Pearl Theatre Company, Hudson Valley Shakespeare Festival, Chautauqua Theatre Company, Kinetic Theatre Company, and the Shakespeare Theatre of DC. With MTCA [Musical Theater College Auditions -- mtca.nyc], he has been helping prospective theatre students through the college process for over 15 years. As a Teacher and Director, he is able to do a few of his favorite things in life: help students to find their authentic selves as artists, and then help them find their best fit for their collegiate journey. Through this podcast, he hopes to continue that work as well as help demystify this intricate process. This episode was produced by Kelly Prendergast and Socials by Jordan Rice. Episode theme music is created by Will Reynolds with Additional Vocals from Elizabeth Stanley Learn more about your ad choices. Visit megaphone.fm/adchoices

BOSSes, are you ready to nail those voiceover auditions? In this episode of the VO Boss podcast, Anne Ganguzza talks with special guest Kelly Moscinski, owner and head of casting at The VoiceCaster. Kelly, who oversees thousands of auditions, reveals what truly stands out to casting directors and how you can stop being predictable to book more jobs. Get ready to transform your approach to commercial auditions with invaluable insights straight from the source!   00:00 - Anne (Host) Hey bosses, Anne Ganguzza here. Are you ready to take the next step in your voiceover career? At Anne Ganguzza Productions, I specialize in target marketed coaching and demo production that gets you booked. If you're thinking about elevating your performance or creating an awesome demo, check me out at anneganguzza.com.  00:22 - Speaker 2 (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss, a vo boss. Now let's welcome your host and gang guza hey everyone, welcome to the vo boss podcast.  00:44 - Anne (Host) I'm your host, Anne Ganguzza, and today I am thrilled to welcome very special guest, Kelly Moscinski. Kelly, the owner and head of casting at the Voice Caster, which, very impressively, is the oldest voiceover casting house in the country, established in 1975. So, with almost 20 years of experience in voiceover and even more in entertainment, Kelly casts and directs all things voiceover. She's also a coach for voice actors, teaching group classes, private coaching, and I am so excited that she's going to be teaching a VO Boss workshop coming up on July 16th, which I am super excited for. She is also the founder of the VoiceCaster Lab, a digital VO training and community platform offering a variety of learn-at-your-own-pace courses, seminars, a membership community and other resources dedicated to giving voiceover artists the chance to learn from the casting perspective, which is so, so important. Kelly, it is absolutely wonderful to have you here today. Thank you so much.  01:43 - Kelly (Guest) Thank you so much for having me.  01:45 - Anne (Host) I am just excited to chat with you. It's been I feel like it's been not so long ago that I saw you, but, like we always, we're like we kind of just pass each other because we're always like on these schedules which are insanely busy, and I always think that you know, I think I'm pretty busy in this industry, but my goodness, you're doing an awful lot over there at the Voice Caster with your classes and you've got all sorts of fun new things that I've seen you come out with this year. So for the bosses who are not familiar with you, let's let's kind of start at the beginning and tell us a little bit about how you got started in the industry and your casting journey. What led you to the voice caster?  02:24 - Kelly (Guest) For me it was, you know I did. I did drama club, you know theater in high school. When I went to college I originally went to school for pre-med. I wanted to be a psychiatrist, so I was focusing on psychology and then from there it was just. I was so involved in the theater department and eventually, after, after a little hesitation, I decided to get my degree in theater instead of following the pre-med path I had.  02:51 And then I got my master's degree in writing and you know it was kind of while I was working on that that you know I had friends. I was doing a ton of directing. So I just had some friends who were like working at local radio and TV stations. They'd ask me for advice on an actor. You know I need this kind of a voice for a spot, you know. So I was starting to do some voiceover before I even really realized what I was getting into. And then I moved out to Los Angeles and you know I had actually interviewed in the same week at voice caster and at a talent agency the same week at VoiceCaster and at a talent agency. Talent agency wanted to bring me on as an agent and VoiceCaster wanted me to come on as a casting assistant and I was like you know what I feel like casting is my calling. You know, I get to, I get to cast, I get to direct. You know there were opportunities to teach. You know, like, all of the things I wanted were kind of all in one with VoiceCaster. And, you know, as soon as I walked into the office, I was like, yeah, this is home. And so I kind of knew right away. And then that was in 2009.  03:55 In 2013, the previous owner, huck Liggett, came to me and said I'm retiring, I'm gone in two weeks. Do you want to take over? I've had other offers. Yeah, he's like. I had other offers, a lot of money, he's like, but I don't want just anyone to take over. Wow, and so he's like, if you don't want it, we're closing down the doors. Wow, yeah.  04:20 - Anne (Host) And wow, what a compliment.  04:22 - Kelly (Guest) That's amazing, wow, yeah yeah, and it's funny because I actually had just gotten back from a week vacation when he came to me on that Monday and like he's like pulled me aside. I thought I was getting fired, I was like oh no, what's going on?  04:36 Like what did I do?  04:37 What happened while I was gone? It was only a week. Who knew it was going to be the next big step in my career? And yeah, so, within, within within two weeks, I took over completely, so it was a very quick transition but, like I said, as soon as my foot stepped in that office, I just knew that this is where I was going to going to be.  04:59 - Anne (Host) You know it's, isn't that? Isn't that funny. It's like when you step into a home, when you're buying a home, and all of a sudden you're like, oh yeah, this is it. I have so many questions because you seem to just go from like, oh, I went to school for, and then I went into education and then went into voiceover and did you get any pushback from people in your life that said, hey, it's obvious that you have multiple talents, and there's always those people, kind of the naysayers, that are like, really Like theater or the arts. There's always those people, that kind of the naysayers that are like really like, yeah, theater, or you know the arts. And so tell us, did you have any pushback from, let's say, you know, family members or loved ones about that?  05:53 - Kelly (Guest) Yeah, absolutely Absolutely. You know, it's one of those things where I I originally was like, oh, I can't just go into theater, so maybe I can, maybe I can teach theater. So I decided to take the education track, kind of in between that and within like three semesters, I think I I basically I had all of the classes I had needed for an education degree. I just never did the student teaching, so I could have gotten my education degree as well. But instead I was like no, I just I want to commit to this, this is all I can see myself doing. So why? Why have the plan B? You know, it's like when you have plan B, you fall back on plan B and it's like I don't, I'm not, yeah, that's it.  06:36 - Anne (Host) That's a really, that's a really great perspective.  06:38 I like that Because you, you felt it and I think you and you went for it and that's that's so.  06:45 I love that because I feel like I'm kind of that person too, like, if you feel so strongly about it, I feel like, well, that's where I'm supposed to be and that's where I should be, and I feel like my work ethic was there to drive it to the place where it needed to be. And I think a lot of times I never second guess my work, my intuition, my gut feeling I feel like that might be the same thing for you, absolutely, absolutely. So then, along the way right to becoming like, first of all, to have someone say to you I'm going to close the doors if you don't take over First of all, that's what a compliment. And and so obviously I mean there was, there's just a ton of talent there, did you have? Have? It sounds like you had no hardships a long way, but I feel like you might have, like I definitely did so tell us about maybe you know a hardship or something that was a challenge for you.  07:42 - Kelly (Guest) Yeah, yeah. So I mean, first of all it was, you know, through through college my dad was battling leukemia and so it's like he was actually in a hospital in the same city that I was going to school, and so you know I was going over there every day before rehearsals, after classes, you know, anytime I could kind of sneak in, I would go over to the hospital and see him.  08:05 You know, and it's like he couldn't come to my graduation, he couldn't come to some of our shows because just too many people. And you know, and it's like he couldn't come to my graduation, he couldn't come to some of our shows because just too many people. And you know, when you're going through cancer treatments you have to be careful of that Part of I stuck around to get my master's degree. I think I would have probably left after my bachelor's degree, but I stuck around to get my master's degree. I started dating my now husband and so I was like I guess I'll stick around for this guy, I'll stick around for my family, you know.  08:33 And I was originally going to go to New York because I wanted to work in the Broadway world, you know. And then he actually convinced me, my husband, travis, convinced me to come to LA. So we moved to LA with nothing and it took me. I sent out back in the day when you send out, you know, cover letters and resumes through the mail.  08:54 - Anne (Host) Yeah, I remember those days, Not email.  08:56 - Kelly (Guest) I do remember those days I sent out over 350 just different casting offices, talent agencies, knowing like this is where I want to be and I can be a very determined person. It can be challenging and, you know, it's like we went through all of our savings, like we had nothing. And it was very much one of those things where I'm like okay, I took a theater job here, I took another job here. It's like I started to work, you know, retail customer service it lasted about three days and then a theater job, you know, and then a theater job fell in my lap.  09:33 They weren't willing to work with my theater hours, so I was like, well, I'm going to take the lower paying job because it's what I want to do. And that's actually how I met Catherine originally, and you know so it's like I was just taking all these things that I could stage, managing, you know things like that. It was like we have to do something to make money and it's like sure, luckily, you know, my husband was like he does construction as well. So he ended up working for a couple of TV shows where he was building sets. And then Huck called and he was like I have been hanging on to your resume since I got it last June and just waiting for an opening. So it's like he kind of knew this was perfect.  10:13 It came at the perfect timing. You know, it's one of those things where I'm like I always feel like things fall into place exactly when they're supposed to. You know, when they're supposed to, we yeah, we were in that limbo of like are we really going to make it here? You know, like we're going to have to start borrowing money from family or something soon. Like what, what are we doing? Like this is crazy. So yeah, then, then you know, voice caster fell into place and there's that determination.  10:43 - Anne (Host) I think that that came through. Yes, yeah, that's so interesting because I mean I have a little bit of a similar story when we moved out west, I mean from the East Coast, and you know, we moved out for a job for my husband and ultimately, nine months later, he got, like you know, he got laid off. And so then everybody said, well, when are you coming back? And I'm like, no, no, no. And I was like, oh, by the way, I quit my job in education and said, oh, I'm going to try to do this voiceover thing full time. So, Jerry, you're going to have to, like you know, float me for a little bit. And, interestingly enough, we just determination. I was like I am not going back because I love the weather too much and I really was starting to love.  11:23 California, I was like I don't want to go back to the snow and the property taxes, but I did love the East Coast but yeah, and it was like I was just determined to make that work. So, yeah, good for you. I mean wow. And so let's talk a little bit about casting and your love for casting and you said in your bio connection beats perfection every time. I'd love to hear you elaborate on that in terms of, you know, casting either a voice talent or just any kind of talent.  11:58 - Kelly (Guest) Honestly, that is kind of my theory in life. You know, I mean it's in voiceover, it is just in life. You know, it's one of those things where so often I feel like we all strive for some sort of level of perfection. I'm guilty.  12:13 - Anne (Host) Yeah.  12:13 - Speaker 2 (Announcement) Oh, me too.  12:14 - Kelly (Guest) Me too, and it's something that we set for ourselves. You know, it's like we set this bar for ourselves. Nobody else is telling us what perfect means, you know. So it's like we're putting these things on ourselves. And you know, it is one of those things where I always say 70% perfect is perfect. It does not have to be perfect. You know, done is better than perfect. Connection over perfection is my way of saying. I would much rather hear you connected to the script and connected, having a point of view, having an intention having an audience.  12:56 All of that versus every word being perfectly articulate. A few weeks ago I actually just I cast somebody in in a in a. It was a commercial and she actually slurred a word. Most people wouldn't even submit that audition, right, it's like Ooh, I got to clean that up. No, it was one of those things where so often now I am hearing clients say we want to hear the humanness, we want to hear the imperfections, we want to hear the flaws. So it's not about being perfect. They'll make you perfect in the session If you want to book the job. It is more about having that connection and that's something that we can hear in those first three to five seconds that we listen to.  13:30 - Anne (Host) Oh gosh, yes, I love that and I love that you say that, because I mean I always in my, in my, in my genres that I'm that I'm kind of known for in corporate narration and e-learning everybody thinks articulation is, you know, they have to say it perfectly. I'm like, please don't, because that's super robotic and super boring and it just it's not something that that people like to listen to for any length of time, maybe for a few words. I can handle it if you do something articulately. But I'm that teacher that will say, please, I mean, don't. I mean I just need to understand you, but you know, slur it a little bit, like jam those words together.  14:06 I don't, I don't need to hear perfection at all. As a matter of fact, please don't. I just I can't, I can't listen to more than a sentence of it. And so I love that you say that as well, because I think really and you also, you know, talked about hearing that from the very beginning, like from the first words of the script you can hear it if somebody is not connected and you can hear it if they're just kind of glossing over the words or reading the words. Let's talk a little bit more about that the importance of, because in in our workshop, which I'm going to have you talk about in just a minute, I mean it's all about auditioning for your, for commercial genres, and so what is it that gets listened to? What is it that that books the gig or gets them shortlisted?  14:47 - Kelly (Guest) Yeah, it comes down to personality. It comes down to you know? Do they sound like they have an opinion? Do they sound like they're connected to the copy? Is there something else going on besides? I'm reading a commercial script. You know so. We hear so many commercials. You know we have all heard thousands and thousands of commercials that when we look at a script, we know what it's going to sound like. Yes, it's like there's a melody in our head that we play. Oh, it's such a battle then to get out of it, yeah.  15:16 But really like that's not the read, that's going to book the job right it's going to be the thing that is just uniquely you, where it's like oh wow, the final spot would never be like that, but you showed the personality, you made the choices, you had the commitment and that is what stands out. That's what books you the job. And then you get into the session and that's when they're like okay, well, let's clean this up, let's smooth this out, let's inflict, and all of a sudden it sounds exactly like you heard in your head, but you will not book the job if you give that read.  15:47 - Anne (Host) Because it's boring. Can we just? Let's just say that one more time for the bosses out there, Because I've had so many students say, but that's not what I hear and I'm like, but that's not what I'm teaching. I'm teaching you to audition and get the job first, and then whatever happens happens. I mean you don't need me as a coach to tell you what it sounds like in your head. We all hear it and I think we all innately know what that melody is and you don't need me to coach you, but you need me to coach you how to be an actor so that you can get the job. And then ultimately I love that you said it does A lot of times it will end up sounding like what we heard in our head. But to get the job you've got to show the people that are listening, or at least get their attention, because everybody else hears that same melody in their head. And if you're listening, tell us what it's like to listen to 200 auditions in a row with the same melody, with everybody just being predictable. I think it's the person that you know.  16:42 And let's talk a little bit more about point of view, because I think sometimes people don't understand what point of view means, and especially when it comes to commercial. Well, shouldn't I have a point of view, that is, of the company that I'm working for? Or how do I have my own point of view, and why does that matter? And so people would ask me that as well. Why should I have a point of view when it comes to e-learning? Why should I have a point of view when it comes to corporate? Why should I have a point of view for an explainer? Let's talk about point of view.  17:07 - Kelly (Guest) Yeah, so point of view. There's a few different parts to it. So first of all there is. You know what point of view are you coming from? Are you coming from the company point of?  17:18 - Anne (Host) view.  17:18 - Kelly (Guest) Are you the pro? Are you the expert? Do you know what you're talking about? I can tell you that you know for certain products, you have to be a certain level of expert on the product, otherwise, you know, how are we going to trust you?  17:33 - Speaker 2 (Announcement) when you're talking about.  17:34 - Kelly (Guest) You know medical or pharmaceutical, or you know something like that, where it's like we need to be able to trust you. However, there's also the other side, where it's you are the user. Did you just discover this and you're excited to share it, or have you been using it for a little bit and you want to share it with your friend or you know? So it's like you can either be the expert or you can be the real life user of the product. So usually, especially if we're sticking into the conversational zone, then you're going to want to be the user. You don't want to, even if the script says our product blah, blah, blah, or we do this, blah, blah, blah or we do this, like when it's very clearly from the brand point of view, you still need to. Your point of view should still be more personal than that.  18:16 - Anne (Host) Exactly.  18:22 - Kelly (Guest) You know the product, you love the product, but also having an opinion, you know, and it's like not just the anticipated opinion or the typical opinion, it right. It's like if there's something in the script that is like, wow, this is really cool, like then let us hear how cool you think, that is Like that's something that's going to stand out. It's going to be different when other people do. You know, it's like so many commercials they have three product features, right, and so it's like some people say, oh, we'll build each of those or give each one a little bit of a different. You know coloring or you know things like that. And it's like my thing is which is your favorite? Yeah, absolutely, tell me which one is your favorite.  19:03 - Anne (Host) That's going to stick with me more than anything else from a company standpoint, unless you're in some sort of a parody or a character dialogue right where you're going to be angry about it or you're going to be mad about it, or you're going to be crying about it or you won't like it. Right, for the most part, you have to come from that place of authority. You have to like the product, you have to believe in it, and I think that's where the shades of the point of view of you can come through. That and you can make that choice. Like I like how you said, like some people will be like OK, there's different shades of your point of view for different features, but I think as an actor, you make that choice. You make that choice about what do you think is a little bit more important than the other. Not that they're not you know, features are not important but like, maybe one you like a little bit better than the other. No-transcript, no-transcript in front of you, I think.  20:15 - Kelly (Guest) Yeah, yeah.  20:16 - Anne (Host) Point of view, I think is so, so important, and especially coming in with a point of view in the first few words or the first line. And so let me ask you, out of so many auditions that you would get, how often do you listen to the entire audition, do you? I mean, can you just yeah, like you know right?  20:34 - Kelly (Guest) away, I know. So everybody gets about three to five seconds, you know, and that is also why I say like lead, lead with your riskier, take your bolder take the one with the personality, because you only get three to five seconds. You know, on any given project, I have usually between 400 and 1200 auditions.  20:53 - Anne (Host) Wow, that's a lot it gets crazy.  20:56 - Kelly (Guest) Yeah, yeah. So it's like I can't give people more than three to five seconds. So then from there I'm sorting all of the auditions. Once I narrow it down, then I will look at the people that I, you know, passed on to the second round, and usually by that point I have like 100 left, maybe 150.  21:13 - Anne (Host) Wow, and then I will listen to. I'm just thinking. I'm taking the lower number right 400 auditions and you give them five seconds a piece. How long is that I mean? How long does it take you to? You know what I mean? Is it a day? What does that break down to? Hours?  21:27 - Kelly (Guest) Start to finish in a project like that, I mean I can. There are some projects I mean on the lower end. It's like I can knock them out in a couple hours. Yeah, yeah yeah, so that's a lot to listen to in a couple hours.  21:38 - Anne (Host) Yes, so that's why leading with the riskier one, leading with the one that is even. Sometimes I'll even say it's got to be a different melody.  21:52 - Kelly (Guest) But I don't want you to think about it as a melody, right? Think about it as a different point of view that drives the fact that it sounds different. Yeah, yeah, you emphasize a different word because you have a different intention on that take, or you know, yeah, things like that and I love that.  21:59 - Anne (Host) you said like I. Actually, you said that there was a slur on somebody that you cast. And the funny thing is is I have a favorite corporate corporate video that I play when I speak at places and I talk about corporate and how it really is storytelling. And one of my favorite corporate videos is voiced by an artist that has a rasp and a lisp and she slurs her words a little bit and it's the most beautiful take because her point of view is nuanced and it actually brings you along this journey throughout this two minute, this two minute video, and you don't even have to watch the this two minute, this two minute video. And you don't even have to watch the video, you can just listen to it.  22:38 It's so nuanced that I thought to myself gosh, I usually will give somebody the script and I'll say well, this, this is super easy to just say conversationally, right, but she had so many different notes of so many different points of view that she just really told the story and I think that that is the most important thing. And when it comes to commercials, let's talk about stories in commercials. Are you a believer that every commercial has a story to tell?  23:07 - Kelly (Guest) Yeah, yeah, you know it's one of those things where it's like there is the commercials happening because there is something either new or improved right, so it's like there's always a problem and solution. And so, you know, the problem is because things are happening to real people, so it really is figuring out the story and that's why, you know, having that point of view, but also an intention you know, your intention is obviously not to sell, right? I mean, of course it is, it's a commercial.  23:36 - Anne (Host) But I have to sound like you're selling.  23:37 - Kelly (Guest) Exactly, exactly. You're either getting them excited or you're reassuring them, or you're informing someone, or you know there's so many different things that you can play that are not to sell. But yeah, it's absolutely telling that story. You know, even even in the short scripts, you know there's still something behind that.  23:55 And part of your job as an actor is what is that? What is that pre life? You know, it's like I always say a commercial should be thought of like a slice of life. It is mid conversation. Something is happening before this that prompted you to say this to somebody. Something is going to happen after this.  24:12 - Anne (Host) And there's pre life, I think, for every genre. Somebody, something is going to happen after this. And there's pre-life, I think, for every genre for every script really Absolutely.  24:17 And I think there's pre-life also which I try to teach, because if I'm doing longer format narration, you can't forget about life in the middle of the script or life three quarters of the way through the script, because a lot of times people will just slip back into that kind of melody and it's really hard to keep someone engaged. I mean, you think it's hard to keep someone engaged for 60 seconds, right? I mean, try to keep them engaged for a couple of minutes and that is. I think that the pre-life can happen before many sentences in that script and I think that it's important to consider that as you go through the script, that it's important to consider that as you go through the script. So what would you say is the biggest mistake that voice actors make in their auditions?  25:07 - Kelly (Guest) Either just is an immediate dismissal or sometimes angers you. So two things come to mind. First thing is labeling following the instructions. First thing is labeling following the instructions. Like it sounds so basic, but out of 400 auditions I'll usually have at least 20 or 30 who aren't even labeled correctly. So I don't even give, I don't even give them five seconds, they just instantly are like nope, I'm done. They couldn't follow instructions. So that's number one.  25:30 - Anne (Host) Isn't that funny. That's your number one.  25:31 - Kelly (Guest) I know, I know.  25:34 - Anne (Host) Yeah, follow instructions. I'm like that too. I'm like my God, if you can't even name it right, yeah, yeah, because that's. I feel like I will take that as a personal insult to my time, because I literally, if I can't 400, you said 400 to a thousand. Yeah, oh, my goodness, I can't imagine, like, handling a thousand files and if they're not named correctly, right, and you can't like organ. I mean, it's so, organization is so important when it comes to, you know, figuring out who am I, you know, who do I like? Here's my shortlist, here's, you know, who are you going to recommend? And I think, yeah, file naming is so, so darn important, and I don't understand why it's so difficult sometimes that's how I am too.  26:17 - Kelly (Guest) I'm like oh, I try to keep it so simple in our instructions.  26:20 - Anne (Host) you know and you know but okay, so file naming is one, what's another, what's another?  26:25 - Kelly (Guest) The other one is trying to be who you think we want you to be, giving us the read that you think is the right read or the read that we want, I will tell you that we don't know what we want. The client doesn't know what they want. It's like they might have an idea, but sometimes they hear something different and they're like oh, that's brilliant, and so don't try to be what you think we want you to be. You have to be yourself, because what we want is you as you are you?  26:57 - Anne (Host) know authentic unapologetically, you and I think sometimes would you say that the creative process is not complete yet. A lot of times we think we're the last, we're the last to be hired. And so I feel sometimes when people are like, well, I didn't expect that, you know, I auditioned for that and I did not expect that one to book the job, when I feel like, even if the casting specs, if it's something completely different than the casting specs, so would you say that if somebody writes the casting specs nine times out of 10, does it turn out to be different than what they're looking for?  27:28 - Kelly (Guest) or yeah, or some variation of it, because you know, you've seen the specs where they're like, oh, we want it really like mellow and laid back, but it has to have high energy and be upbeat. And it's like, you know, the specs contradict each other and so it's like, well then, what do they want? Typically, that's because there are multiple people in these meetings and it's like, oh okay, one person wants it laid back and mellow, another wants it upbeat, with high energy, and so those get kind of mushed into one. So that's kind of you know, you don't know what they want, because there are six people deciding and they all want different things.  28:05 - Anne (Host) Ah, yeah, right, so it's not always just one person that's deciding. And let's talk about the copywriting, because there's a lot of times when the copywriting doesn't match what the specs really want, like, they'll say, conversational, but yet the writing will be very silly. And so what? What is your best advice for voice actors in that case?  28:27 - Kelly (Guest) Yeah, so a couple of things. First of all, I always recommend recording a couple of takes before you even look at the specs. You know. So it's like you do whatever, whatever your instinct is, and then look at the specs and see you know how that changes. That might be a different take, it might be you scrap all the other stuff you know all together.  28:48 But it is tricky when it is written as an announcer script introducing the all new blah, blah, blah, you know, and it's like, oh, but we want it conversational, super casual you know. So it is a matter of you know. I always say subtext first of all, so instead of introducing, it's like hey, check this out, or you know kind of substituting that in your mind Making sure I think the biggest thing when they're asking for conversational authentic is making sure that you are still connecting, you still have that point of view.  29:20 You still have that intention. It's really easy to lose when you have a word like introducing or something that's very selly.  29:29 So it's kind of, you know, still keeping that story, keeping all of the, the acting elements in there is key. And then if you find like, ah, I can't get out of this, it's just sounding so silly, it's sounding so announcer-y, then honestly lean into that and do a take or two like that, because then you have it out, you have it there and you're not fighting yourself. So it's a little easier, once you get that out, to then try to try to just bring it in a little bit more and personalize.  29:59 - Anne (Host) Would you, would you then recommend to maybe have that take as the second take? Yeah, like, and if you are encouraging people to do more than one take per audition, absolutely.  30:10 - Kelly (Guest) Yeah, if it's your only take to send, I wouldn't do it because they're going to be like I didn't follow directions. But absolutely, especially if you know, a lot of times we ask for two or three takes, that'd be a great second or third take, you know especially if you know it felt good as you were doing it, Then yay, and you're going to be doing a VO Boss now, because VO Peeps is now merged into VO Boss.  30:37 - Anne (Host) but you're going to be doing a VO Boss workout for commercial auditioning, so talk a little bit about what we're going to cover in that class.  30:44 - Kelly (Guest) Yeah. So one of the things going back to these three to five seconds, that is something that I want to make sure that we cover. So I am actually putting together, I'm stringing together three to five seconds of multiple auditions, 5060 auditions so you can hear what I get to hear on the casting side.  31:02 - Anne (Host) So love that.  31:03 - Kelly (Guest) Yeah, so you it. That's. That's a gem. You'll be able to hear if if people are connected or not. You'll be able to hear I love that everything that you can hear. And then I'll play the final. You know, I'll play the audition that booked it and then the final spot so that you can kind of see, you know, how things change throughout the process. But I think kind of giving you a glance into the casting side.  31:26 - Anne (Host) Yeah, I love that.  31:27 - Kelly (Guest) Will help you realize like, oh, okay, it's like I can say it a million times, but until you hear it it's not going to stick. And then you will never look at the opening sentence of your auditions the same again. You know it's going to transform how you read and what you submit.  31:44 - Anne (Host) I feel like that is probably one of the most important things is that very first sentence and I always talk about.  31:50 I talk about it in terms of like melody, in terms of singing, like if you just start with the first word and you don't have a pre-life, it all starts pretty much on the same note and I feel like that's not, that's not necessarily in starting it in the right way or starting it in the way that's going to showcase the fact that you are, have a pre-life and that you're connected and you have a story to tell and a purpose, and so that's very I'm very excited about. Wow, that's going to be really, really valuable for our listeners, so very excited about that. Bosses, I'm quite sure, by the time we air this, that we may be sold out. I'm not sure, but you can always check out vobosscom and we'll be having audit tickets as well as participants. So I'm so excited, Kelly, that you're going to be doing this and tell us a little bit about because we kind of do similar things. I mean, we have a membership, we have a community, we coach classes. Tell us a little bit about your classes and your community.  32:50 - Kelly (Guest) Yeah, yeah, absolutely so. Through VoiceCaster, we have all different levels of classes, beginning to pros. We do commercial, we have animation and video games, we have an accent class. All of those are live classes that we do. Most of themover learn at your own pace course, as well as our signature Finding your Authentic Voice course as well, and you know so. Those are both learn at your own pace kind of a thing. And then, on top of that, we also have our VoiceCaster Insiders membership, which is an online community. We do weekly workouts open to all members. We do monthly calls for any. You know q&a, all of that. We do monthly challenges where you can, you know, working on different parts of the business, performance, business mindset. You know all of that. And we do prizes at the end. And then nice.  33:53 Yeah, and then we have daily things. So we have like our Monday motivation, our take action Tuesday, wednesday wisdom, you know. So it's like we're doing things seven days a week and yeah, it's just, it's been a great community for people just to kind of have a place to go as a sounding board and you know, doing, doing the workouts and you know all of that, sure. So yeah, that's that's been a lot of fun for us, as well as the workouts and you know all of that, sure, um, so yeah, that's that's been a lot of fun for us, as well. As the members and myself, ben and katherine, are, you know, active in there every day. So yeah.  34:23 - Anne (Host) So I'm gonna ask you what people ask me. How do you do it all? I don't sleep yeah, I hear that I hear that, yeah, that's lot, that's a lot.  34:35 - Kelly (Guest) Yeah, it is, it is a lot and it's, you know, it's really prioritizing my days. You know, kind of figuring out as much as I can, because you also know like we're in a business where things change real quick and it's like hey, I need to get somebody in for a session. Hey, I need this casting done by yesterday. Hey, you know putting out fires but trying to, you know, have have my set schedule as much as possible as well.  35:00 - Anne (Host) Well, oh my gosh, it's been so, it's been so nice talking with you.  35:04 - Speaker 2 (Announcement) I really really enjoyed this conversation.  35:06 - Anne (Host) I'm very excited about our workshop that's coming up guys July 16th and check that at VeoBosscom and, I guess, leave us with your one best piece of advice for anybody new coming into this industry. What would you recommend?  35:22 - Kelly (Guest) Be you, be uniquely you. Whatever makes you you. Be that and always you know in everything that you do. I mean that's life advice, but it's also voiceover advice. You know it's like, just be yourself. You know, if you are determined, if you have the passion, if you have the love for this industry, then show up as yourself, and that is going to take you further than anything else.  35:50 - Anne (Host) Love it, love it. Thank you so much again, bosses. I'm going to give a great big shout out to our sponsor, ipdtl. You too can connect and network like bosses. Find out more at IPDTLcom. Guys, have an amazing week and we will see you next week. Thank you, Thanks.  36:08 - Speaker 2 (Announcement) Bye. Join us next week for another edition of VO Boss with your host, anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via IPDTL.   

Auditions are hard! Shakespeare auditions are even harder, if you're unsure where to start.Welcome to the series where I go through a play and chat through audition monologue options best suited for each type of character. Today we're talking about Antony & Cleopatra!

On this episode of Bounced From The Roadhouse:Special Guests in 4B: Zaccy MoonZac - Zaccy Moon IntroductionWaiting 30 Minutes to Swim After EatingDog Park BJLick the Lollipop, Smell the SoapSuperman MovieWe Listen, But We Don't JudgeTemp AcclimationZac - Florida Man StoryZac - What is Your First Impression of UsZac - Reads the Text Line10 Things 10 Years AgoZac - Rapid Fire QuestionsThat's a Great QuestionGetting Away with MurderZac - Job Interview Questions10 Things in the FutureQuestions? Comments? Leave us a message! 605-343-6161Don't forget to subscribe, leave us a review and some stars Hosted on Acast. See acast.com/privacy for more information.

Cody & AGT Commenter are here to recap America's Got Talent season 20 Auditions 6. We recap the Hot Dog Eating Contest, Cody talks about the best first 15 minutes of AGT Auditions, and Commenter finally enjoys an episode.  Anna Sarafina Bay Melnick Virgolino Travis Horn Mike Munz Austin Brown Adam Boreland EDT Dance Team Gina Bellina and Lilliana Yuriyan Birmingham Youth Choir Gendai Summary In this episode of AGT Time, the hosts recap the hot dog contest and discuss the latest auditions from America's Got Talent. They delve into the performances of various acts, including danger acts, young talents, and returning contestants. The conversation highlights the importance of originality in performances, the dynamics of stage presence, and the judges' reactions to the acts. The hosts share their insights and personal opinions on the performances, providing a comprehensive overview of the episode. In this episode of America's Got Talent, the hosts discuss a variety of performances, including Austin Brown's comeback, a surprise dance crew led by Journey, and the heartfelt audition of Gina and Liliana. The comedic act by Yuri On with an air hamster received mixed reviews, while the Birmingham Youth Choir earned a golden buzzer for their powerful performance. Gen Dai's unique laser show captivated the audience, showcasing the diversity of talent on the show. Contact Information Facebook | Twitter | Instagram | Threads | Bluesky |  Email About AGT Time Podcast AGT Time Podcast is a weekly podcast covering the hit NBC talent competition America's Got Talent. The hosts, Cody Patterson & Jay Bock, recap each episode during the regular season. We do rewatch older seasons during the offseason, have guest interviews, or review movies. AGT Commenter makes a frequent appearance on the podcast and gives his deep insight into America's Got Talent.  The podcast is typically recorded on Thursday nights and released on Fridays. Riverside.fm We are in the affiliate program for Riverside.fm. If you sign up using this link, then we receive a percentage from your subscription. This really helps us support this podcast.  #AGT #AmericasGotTalent     

Kick it with me as I talk about doing being a cat, a callback, Squid Game Season 3, Arnold, and auditioning at a comedy club. If you want to ask me a question to be answered on a future episode send them to JamesCamachoComedy@gmail.com or comment it.

SHOW #1538 SHOW Jacuzzi Talk, Dust, TV Dinners, Auditions, Psych Ward, and Global Crisis

Learn more about your ad choices. Visit megaphone.fm/adchoices

Sleepers Got Talent is officially underway and today Greg and Carter review 11 participants' audition tapes! The Sleepers Podcast is now available daily with new episodes every Monday-Friday!

Ever wondered what makes a great singing studio setup? In this solo episode, Alexa Terry explores the key elements of a well-equipped singing studio, offering practical insights for teachers working in both private and institutional settings. From essential tools to thoughtful touches that support vocal, emotional, and educational needs, this episode is packed with practical tips for building a space that enhances learning, creativity, and professionalism. About the presenter click HERE RELEVANT MENTIONS & LINKS Sarah Joyce Cat Ogden Singing Teachers Talk - Ep.69 Understanding Pregnancy for the Singer and the Self-Employed  Singing Teachers Talk - Ep.155 & 156 Building Neurodiversity-Inclusive Voice Studios Yamaha Clavinova  Bose Soundlink Max Singing Teachers Talk - Ep.174 Demystifying Tax for the Self-Employed Singing Teacher Zoom MyMusicStaff Singing Teachers Talk - Ep.93 How to Organise Your Singing Studio Business with MyMusicStaff Information Commissioner's Office (ICO)Olly ChristopherSinging Teachers Talk - Ep.186 How to Balance a Teaching and Performance Career  The Pianist of Willesden LaneWalt FritzSinging Teachers Talk - Ep.193 How to Master Tongue Tension for Better Singing  Kaya Herstad CarneySinging Teachers Talk - Ep.159 How Toys and Props Can Create Dynamic Singing Lessons Line HiltonFeldenkraisBecca LuterSinging Teachers Talk - Ep.204 Mastering Self Tapes for Auditions with Becca Luter Jessica Friend  ABOUT THE GUEST Alexa runs a singing tuition practice in the South of England, and is a singing tutor at one of the UK's leading performing arts schools – Italia Conti, where she also regularly panels entry auditions and assessments. Alexa is the host of the BAST Training Singing Teachers Talk podcast, mentors for the BAST Training Level 5 qualification, and has presented on topics of Musical Theatre repertoire, authentic Musical Theatre performance, and imposter syndrome for The Sing Space and Vocology in Practice.  SEE FULL BIO HERE: https://www.basttraining.com/blog/ep-217-setting-up-for-success-singing-teachers-studio-essentials-with-alexa-terry/ WebsiteInstagram: @AlexaTerryVocalCoaching   BAST Training helps singers gain the confidence, knowledge, skills & understanding required to be a successful singing teacher. "The course was everything I hoped it would be and so much more. It's an investment with so much return. I would recommend this course to any teacher wanting to up-skill, refresh or start up." Kelly Taylor, NZ ...morebasttraining.com | Subscribe | Email Us | FB Group

Kick it with me as I talk about doing 5 auditions last week including some big ones, doing stand up at a surprise birthday party, and more. If you want to ask me a question to be answered on a future episode send them to JamesCamachoComedy@gmail.com or comment it.

Cody and Jay recap Auditions 5 from America's Got Talent Season 20. We finally get Guinness World Record adjudicator talk, we talk about the Spice Girls' Guiness World Records, and we get a surprise appearance from a famous blogger. King Moore Alain Simoniv Andrea M Andrea Over Pro-Motion Bill Taylor and his Appalachian Heathens The Bodyguards Tom Sandoval and The Most Extras Duo Stardust Shuler King Benn Family Band Summary In this episode of AGT Time, Cody and Jay discuss the latest auditions from America's Got Talent, including performances from young rapper King Moore, magician Alan Simonov, and hula hoop artist Andrea M. Andrea, who attempts to break a world record. The duo also reflects on the role of the adjudicator in the show, the unique acts of double Dutch jump ropers, and the musical stylings of Bill Taylor and the Appalachian Heathens. The episode highlights the variety of talent showcased on AGT and the judges' reactions to each performance. In this episode, the hosts review various performances from America's Got Talent, highlighting impressive aerial acts, musical performances, and stand-up comedy. They discuss the judges' reactions, the unique talents showcased, and the emotional stories behind some acts. The conversation flows through each performance, providing insights and critiques, while also engaging in light-hearted banter about the nature of talent shows. Contact Information Facebook | Twitter | Instagram | Threads | Bluesky |  Email About AGT Time Podcast AGT Time Podcast is a weekly podcast covering the hit NBC talent competition America's Got Talent. The hosts, Cody Patterson & Jay Bock, recap each episode during the regular season. We do rewatch older seasons during the offseason, have guest interviews, or review movies. AGT Commenter makes a frequent appearance on the podcast and gives his deep insight into America's Got Talent.  The podcast is typically recorded on Thursday nights and released on Fridays. Riverside.fm We are in the affiliate program for Riverside.fm. If you sign up using this link, then we receive a percentage from your subscription. This really helps us support this podcast.  #AGT #AmericasGotTalent   

See omnystudio.com/listener for privacy information.

See omnystudio.com/listener for privacy information.

See omnystudio.com/listener for privacy information.

See omnystudio.com/listener for privacy information.

See omnystudio.com/listener for privacy information.

See omnystudio.com/listener for privacy information.

See omnystudio.com/listener for privacy information.

See omnystudio.com/listener for privacy information.

Cody and Jay are back to recap America's Got Talent Season 20 Auditions 4. Cody's over singers getting second chances, crazy magician gimmicks, and getting election results during the AGT broadcast. Listen to him act like a grumpy old man in this week's podcast. Summary In this episode of AGT Time, hosts Cody and Jay recap the latest auditions, sharing their thoughts on various performances, including the Funkateer Dancers, Chase Varnes, Duo Soma, and more. They discuss the judges' comments, the role of technology in performances, and the dynamics between contestants and judges. The conversation highlights the importance of audience engagement, trust in duo acts, and the subjective nature of humor in comedy. Overall, the episode provides a comprehensive overview of the auditions and the unique talents showcased on AGT. In this episode, the hosts discuss various performances from the latest AGT auditions, highlighting the creativity and uniqueness of each act. They delve into the audience's reactions, the innovative use of technology in juggling, and the charm of Mama Duke's musical style. The conversation also touches on the challenges of audience participation in music and the appeal of country fusion music, culminating in a critique of a magic act that utilizes AI. Overall, the episode captures the essence of entertainment and the diverse talents showcased on the AGT stage. Contact Information Facebook | Twitter | Instagram | Threads | Bluesky |  Email About AGT Time Podcast AGT Time Podcast is a weekly podcast covering the hit NBC talent competition America's Got Talent. The hosts, Cody Patterson & Jay Bock, recap each episode during the regular season. We do rewatch older seasons during the offseason, have guest interviews, or review movies. AGT Commenter makes a frequent appearance on the podcast and gives his deep insight into America's Got Talent.  The podcast is typically recorded on Thursday nights and released on Fridays. Riverside.fm We are in the affiliate program for Riverside.fm. If you sign up using this link, then we receive a percentage from your subscription. This really helps us support this podcast.  #AGT #AmericasGotTalent   

Download your free volunteer development toolkit here:  https://getmxu.com/resources/volunteer-development-toolkitGet the free team night guide:  https://getmxu.com/resources/team-night-guideMasterclasses for every position in worship ministry:  https://getmxu.com/browseFREE RESOURCES

Bleach TYBW Part 4 Voice Auditions Begin?! Kubo teases new scenes, Rebirth of Souls Update, and Anime Expo Panel news! This week on Bleach Boys, we're diving into a massive week of Bleach news!! From game updates to anime developments! Bleach Rebirth of Souls finally drops its long-awaited patch featuring Ranked Matches, TYBW Ichigo, and several character balance changes. We break down the latest Anime Expo 2025 TYBW Panel description, which could give us major hints about Part 4's surprises. Plus, we debate the ultimate matchup: Jugram vs. Pre-TYBW Aizen!! Who wins and why?Also in this episode: Kubo reveals he's listening to Kazui's voice actor auditions, giving us insight into what Part 4 might focus on. We discuss Kubo's behind-the-scenes animation comments, his hilarious reaction to Megan Thee Stallion's Yoruichi cosplay, and three new Klub Outside answers! One even hinting that a London arc for Ichigo may be on the horizon. We answer some top-tier Discord fan questions, revisit Seireitei Times, and talk about what Bleach character we'd move into another anime universe. Finally, we wrap up with more My Hero Academia Vigilantes hype!

It's your Friday Bonus Ball – and Emun Elliott is back for round two!Following a belter of a main episode earlier this week, Emun kindly stuck around for more chat, confessions, and casting horror stories. From humiliating Coke ad auditions to the trauma of packed screening rooms, he takes us through the unglamorous reality of trying to “make it” – and why the struggle never really stops. Massive thanks to Emun – and roll on Martin's return next week.Make sure you subscribe and leave a 5 star review! If you'd like to share the times you've been a resourceful rascal, or want to get in touch, send an email to Hello@RestlessNativesPodcast.comPlease review Global's Privacy Policy: https://global.com/legal/privacy-policy

The Bock Brothers are back for their annual team-up to recap America's Got Talent Season 20 Auditions 3. Scott is a conspiracy theorist; he compares AGT acts to baseball and football, and they get wigged out by dancing robotic dogs. Summary In this episode of AGT Time, hosts Jay and Scott review the third episode of America's Got Talent Season 20. They discuss various acts, including an aerial duo, a robot act that didn't make it on stage, the Osaka Philharmonic's humorous performance, Charity Lockhart's powerful singing, Spaceman Bob's quirky rap, and the dance group Urban Theory. The judges' reactions and comments provide insight into the performances, highlighting both the strengths and weaknesses of each act. In this episode, the hosts discuss various performances from the latest AGT episode, comparing the live experience to TV viewing, exploring the nuances of magic and dance, and analyzing judges' reactions. They delve into the impact of technology on performances, the importance of song choice, and the dynamics of group performances, particularly choirs. The conversation highlights the evolution of the show and the variety of acts presented, emphasizing the need for engaging storytelling and the excitement of live performances. Contact Information Facebook | Twitter | Instagram | Threads | Bluesky |  Email About AGT Time Podcast AGT Time Podcast is a weekly podcast covering the hit NBC talent competition America's Got Talent. The hosts, Cody Patterson & Jay Bock, recap each episode during the regular season. We do rewatch older seasons during the offseason, have guest interviews, or review movies. AGT Commenter makes a frequent appearance on the podcast and gives his deep insight into America's Got Talent.  The podcast is typically recorded on Thursday nights and released on Fridays. Riverside.fm We are in the affiliate program for Riverside.fm. If you sign up using this link, then we receive a percentage from your subscription. This really helps us support this podcast.  #AGT #AmericasGotTalent   

durée : 00:03:39 - Un monde connecté - par : François Saltiel - La commission TikTok chargé d'évaluer depuis le mois d'avril l'impact du réseau social sur la santé mentale des mineurs recevait 5 créateurs de contenus jugés problématiques comme : Nasdas, AD Laurent et Alex Hitchens.

What would you do if you were a starving actor that just lost his last orange? Start a cookware Company of course. Dave Young: Welcome to The Empire Builders Podcast, teaching business owners the not-so-secret techniques that took famous businesses from mom-and-pop to major brands. Stephen Semple is a marketing consultant, story collector, and storyteller. I'm Stephen's sidekick in business partner Dave Young. Before we get into today's episode, a word from our sponsor, which is, well, it's us, but we're highlighting ads we've written and produced for our clients. So here's one of those. [Eco Office Ad] Dave Young: Welcome back to The Empire Builders Podcast. Dave Young here alongside Stephen Semple and we're talking empires. Empires, businesses that started from scratch and are now, well, as the title suggests, empires, kind of the whole idea. I saw that we were listed in some top lists in Canada as well, like top business podcasts and top reverse engineering podcasts. I thought that was a cool, that's the list that I'd rather be on anyway. Stephen Semple: Well, we were higher ranked on that one, so there you go. I think it was number two or three on that, wasn't it? Dave Young: It didn't even know it was a thing. Stephen Semple: Yeah, pretty exciting. Dave Young: So today, you whispered in my ear that we're talking about the HexClad Corporation. Stephen Semple: HexClad. Dave Young: These are the pots and pans. People with the, apparently according to ads that I've caught glimpses of are now the perfect pans. They think they've built a better mousetrap. Stephen Semple: Yeah, and it is interesting. If you take a look at them, if you've ever seen them, they actually have this pattern in them, and there's now a bunch of knockoffs, of course. But the whole idea is with the raised surface of stainless steel, you can actually, the pan will brown, because a lot of nonstick pans don't brown very well. So the whole idea is you can get a nice searing with them. And also the way it's constructed, the nonstick surface is better protected. Dave Young: So you're not going to scrape the Teflon right off the bottom of your pan with your eggs. Stephen Semple: It'll withstand higher heat. You can put it in a 500-degree oven. So in many ways, one could argue with those things that that is a better nonstick pan. Dave Young: Sure. So who, what, when did this happen? Stephen Semple: So they were founded in December of 2016 by Danny Winer and Cole McCray. And boy, I'll tell you very much a bootstrapped backyard business when they started. And in 2024, it's estimated the business did 500 million in sales, have become $1 billion brand. Dave Young: How do you build Teflon pans, nonstick pans as a backyard kind of thing? Stephen Semple: Well, that's what we're going to learn here. Now, here's the other interesting thing. They now do cookware and knives and accessories and all that other stuff, but they started basically with pots and pans and Danny's first business was, he was an actor. Dave Young: Oh, okay. Well, that makes perfect sense. Stephen Semple: Doesn't it? Dave Young: Sure. Stephen Semple: So Danny started off as an actor. That was his goal, and he moved to LA, of course, lots of auditions. And there's a certain point when you're doing that, one of the things that starts to creep in is that sense of that feeling of failure. So he's struggling a little bit with that. And then in 1994, he's in a really bad car accident, literally shatters his leg and does some damages to the vertebrae. He's doing lots of rehab, many months with a cane, and there's no way to act and he has to figure out how to recover and make money, and he's never felt so poor. One day he's coming home, and this is literally his worst moment. He's coming home. He has this home that's on the side of a hill and he has no money and he couldn't work yet.

Shane Willis opens up about turning down a major role on moral grounds—even though it meant saying no to working with a dream director. In this episode of Get Scene Unscripted, host Jesse Malinowski dives deep with Shane on how setting clear boundaries actually opened more doors, the ups and downs of finding the right agent, and how balancing acting with law school and family life has made him a better artist.

Cody and Jay are back to recap America's Got Talent Season 20 Auditions 2. We talk Savannah Bananas, Jay's choice of wardrobe, and singers should always bring their mama to play alongside them.  Summary In this episode of AGT Time, hosts Cody and Jay discuss the performances from the second episode of Season 20 of America's Got Talent. They share their thoughts on various acts, including Tani's drone tricks, CitiLimitz's musical performance, Amanda's trick shots, the Kid Clippers dance team, and the TT Boys' acrobatic foot juggling. The hosts provide insights into the strengths and weaknesses of each act, highlighting their entertainment value and potential for success in the competition. In this episode, the hosts review various performances from America's Got Talent, discussing the strengths and weaknesses of each act. They cover a range of performances from singers to a magic act, and a juggling duo, providing insights into the entertainment value and the judges' reactions. The conversation highlights the diversity of talent showcased on the show and the hosts' personal preferences. AGT Commenter's Blog on FwrdAxis Contact Information Facebook | Twitter | Instagram | Threads | Bluesky |  Email About AGT Time Podcast AGT Time Podcast is a weekly podcast covering the hit NBC talent competition America's Got Talent. The hosts, Cody Patterson & Jay Bock, recap each episode during the regular season. We do rewatch older seasons during the offseason, have guest interviews, or review movies. AGT Commenter makes a frequent appearance on the podcast and gives his deep insight into America's Got Talent.  The podcast is typically recorded on Thursday nights and released on Fridays. Riverside.fm We are in the affiliate program for Riverside.fm. If you sign up using this link, then we receive a percentage from your subscription. This really helps us support this podcast.  #AGT #AmericasGotTalent   

Your social media is more than just a highlight reel—it's your personal brand. In this episode, I share the real story of reviewing potential hires and what their online presence told me before I ever spoke to them. Whether you're an aspiring dancer, teacher, or titleholder, your posts are your first impression. I'll walk you through why your feed matters, what employers and judges look for, and the one question you should always ask before hitting “post.”

In this captivating episode, host Keith Reza sits down with Dennis Andres, the lead actor in the groundbreaking new musical Juliet and Romeo. They dive into thought-provoking topics like cultural identity, the art of comedy, and the importance of celebrating life's milestones, along with heartfelt discussions on parenthood. The conversation shifts to the creative vision behind Juliet and Romeo, revealing how this fresh adaptation reimagines Shakespeare's classic with innovative twists. Dennis also shares behind-the-scenes insights into the challenges of balancing singing and acting, as well as how COVID-19 transformed audition processes in the theater industry.   Dennis's Socials IG: https://www.instagram.com/denniscrandres/ Support the show on https://patreon.com/rezarifts61  Follow Keith on all social media platforms: FB: https://www.facebook.com/realkeithreza IG:https://www.instagram.com/keithreza  X:https://www.twitter.com/keithreza  TT:https://www.tiktok.com/keithreza  Book Keith on cameo at www.cameo.com/keithreza Check out my website for dates at https://www.keithreza.com/  Subscribe - Rate & Review on Apple Podcasts - Tell a friend :) Be a Rifter! Takeaways

We're back!! Season 20 is here, and Cody and Jay are here to recap auditions 1 of America's Got Talent season 20. Summary In this episode of AGT Time, Cody and Jay discuss the exciting changes in Season 20 of America's Got Talent, including the return of Mel B and a new production team. They review various acts, starting with Eric Badlands Booker, whose competitive eating performance raises questions about its entertainment value. Team Recycled's dance crew performance is critiqued for its lack of originality, while Zack Mers' magic act is deemed rudimentary. Lightwire's visually stunning dance and projection show suffers from production issues, and Micah Palacio's original rap performance is well-received for its creativity and energy. In this episode, the hosts review various acts from America's Got Talent, discussing their performances, audience reactions, and personal insights. They explore themes of personal growth through learning, the impact of performance on audiences, and the unique talents showcased in the auditions. The conversation highlights the diversity of acts, from singers to contortionists, and the hosts' preferences for certain performances over others. They also touch on the production aspects of the show and the judges' comments, culminating in a discussion about the potential for Simon's golden buzzer to finally win. AGT Commenter's Blog on FwrdAxis Contact Information Facebook | Twitter | Instagram | Threads | Bluesky |  Email About AGT Time Podcast AGT Time Podcast is a weekly podcast covering the hit NBC talent competition America's Got Talent. The hosts, Cody Patterson & Jay Bock recap each episode during the regular season. We do rewatch older seasons during the offseason, have guest interviews, or review movies. AGT Commenter makes a frequent appearance on the podcast and gives his deep insight into America's Got Talent.  The podcast is typically recorded on Thursday nights and released on Fridays. Riverside.fm We are in the affiliate program for Riverside.fm. If you sign up using this link, then we receive a percentage from your subscription. This really helps us support this podcast.  #AGT #AmericasGotTalent   

Paul Byrne chats to Brian Dean and tries his hand at auditioning for The Young Offenders Hosted on Acast. See acast.com/privacy for more information.

Now Ireland has successfully extradited someone from Dubai are the good days over for fugitives? Ballincollig's fight for a fire station reaches a crucial phase. The Young Offenders are looking for people and Paul tries out for the part. And more... Hosted on Acast. See acast.com/privacy for more information.

This is our 60th episode of The Acting Podcast

How Does Casting Really Work—and What Can You Do to Stand Out?Ever wonder what actually goes on behind the scenes from the moment you submit for a role to when someone gets the part?Casting can feel like a black box, but understanding the process gives you power.In this episode of The Actor's Career Compass, Martin breaks down every step - from submissions and self-tapes to callbacks and offers - so you know exactly what to expect and how to show up strong.Here's what you'll walk away with:What casting directors look for at every stage (and how to impress them without guessing)A foolproof mindset to handle auditions without stress or second-guessingThe 5-part casting breakdown that helps you avoid common mistakes and boost your audition-to-booking ratioListen now and start walking into auditions prepared, confident, and ready to do your best.Contact Info and ResourcesMartin's Email: martin@cityheadshots.comMartin's Website: https://www.martinbentsen.comHeadshots: https://www.cityheadshots.comShoot Footage for Your Reel: https://www.actorscreenershoot.comEdit Footage Into a Reel: https://www.demoreelsnyc.com This podcast dives deep into the world of acting in film, exploring the journey of movie acting with stories, building confidence among aspiring actors, navigating auditions and productions, and offering insights from acting agents, coaches, and the challenges of becoming SAG-AFTRA eligible to advance your acting career, skills, and landing roles.

Feeling behind in your acting or voiceover career?   You're not alone. But you might be burning through your creative energy in the wrong ways. In this blog, we'll unpack something that rarely gets talked about in the entertainment industry: desperate energy. What it looks like, how it sneaks into your process, and why it might be the real reason you feel stuck. What Is Desperate Energy? Desperate energy is that anxious, frantic feeling that shows up when you think you're falling behind. It's applying to projects far below your rate just to stay busy Sending emails that sound like begging rather than offering value Obsessively checking job boards and refreshing your inbox Saying yes to everything, even if it doesn't align with your goals It feels like progress, but it's just panic in disguise. And it doesn't lead to your best work. Why Talented Actors Burn Out Most actors don't fail because they aren't good enough. They fail because they're exhausted. The entertainment industry rewards people who are grounded and consistent. Not those who hustle out of fear. If you're operating from a place of desperation, your decisions will reflect that. You'll chase misaligned jobs, sabotage your rates, and create chaos in your outreach. A prepared actor is a powerful one. A desperate actor is a noisy one. Desperation vs. Preparation Here's the difference in how each one shows up: Desperate Energy Prepared Energy Sends mass emails with no targeting Sends thoughtful outreach to aligned leads Auditions for anything and everything Submits only for strong-fit roles Overthinks every rejection Moves on with focus and perspective Chases opportunities from guilt Follows a repeatable business system   Prepared actors don't rely on luck. They build habits that create consistency. You're Not Behind — You're Building Here's a truth that might surprise you. You're probably not behind. You're just in a part of the story that no one posts about. You're laying track for a train that hasn't arrived yet. That doesn't mean you're late. It means you're doing the work. Comparison creates fake urgency. Your timeline isn't broken. It's unfolding. Five Ways to Shift Desperate Energy This Week Create a morning check-in. Set one creative and one business goal to guide your day. Limit job board time. Give yourself 10 focused minutes instead of getting stuck for hours. Track your outreach. Use a CRM or simple spreadsheet to stay organized. Submit and let go. Don't carry one audition's result into the next. Post a reminder. Write this on a sticky note: Building does not mean behind. Put it on your mic. Your mirror. Your computer. Wherever you need to see it. Your Brain Thinks You're in Danger When you feel behind, your brain can't always tell the difference between a real threat and a made-up one. The nervous system doesn't distinguish between missing a flight and watching someone else book a dream role. Both can feel like danger if you let them spiral. This is why structure matters. Habits and systems help ground you in the reality of what you're actually doing — not what you're afraid you're not doing. Final Thought: Keep Building The outreach that goes unanswered. The audition that goes nowhere. The early morning rehearsal no one sees. That's building. You're not behind. You're in the part of the journey that creates the part everyone else sees later. These quiet days matter. They're not wasted. They're foundational. What's one habit you'll try this week? Tag @actingbusinessbootcamp with your sticky note mantra. Mandy wants to see what you're committing to — and she'll share hers too.

In This Episode, We Cover:✅ Why most marketing efforts don't lead to clients✅ The 4 steps of client attraction: Connect, Engage, Pre-Offer, Sell✅ How to create lead magnets that warm people up for your offer✅ Why selling should feel like inviting, not convincingChapters:[03:00] Understanding Autoimmune Triggers[06:00] The 4 Phases of Client Attraction Explained[09:45] The Right Way to Message People on LinkedIn[14:30] Why Business is Like Playing Jazz[16:00] Rejection, Auditions, and Entrepreneurial Grit[21:00] Best Advice: Decide and Align Fast[23:00] Dream Guests: Dolly Parton and Madonna[24:00] Where to Learn More from Hailey

EPISODE 387: We Holding Auditions! by TeezyTalksPodcast

A potential NJ Transit strike could begin if the agency and its engineers' union fail to reach a contract agreement, marking what would be the region's first major transit stoppage in two decades. Meanwhile, Albany lawmakers are pressing prison officials for answers after corrections officers were charged with murder in the deaths of two incarcerated people. Plus, the MTA held live auditions Wednesday at Grand Central Madison for its Music Under New York program, with 54 performers vying to become official subway musicians.

This week, Josh tries his best to talk about baseball and football. He's got a plan to fix sports scouting and acting auditions at the same time and...it's kinda thought out.Find all tour dates and ticket links for the Flowers Tour at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.joshjohnsoncomedy.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Avoid ticket resellers and join the waitlists to be notified when more tickets are released!Join the JJS Patreon for bonus podcasts, videos, and replays of virtual live shows at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/joshjohnsonshow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find Josh's albums and socials at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/joshjohnsoncomedy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out Logan's projects and social media at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/logannielsen⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get in the mailbag by emailing joshjohnsonshow@gmail.comMusic by Brad Kemp. Find his stuff and hire him at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.secondbedroomstudio.com/⁠⁠⁠⁠⁠⁠⁠⁠Coming soon: circusstore.com

Chelsea Peretti inspires Fortune, Mae, and Tig to share some of their wildest audition stories... plus a brand new Handsome song, body waxing, and more!Handsome is streaming LIVE from Austin April 12! Get your tickets here.Handsome is hosted by Tig Notaro, Mae Martin, and Fortune FeimsterFollow us on social media @handsomepodMerch at handsomepod.comWatch Handsome on YouTubeThis is a Headgum podcast. Follow Headgum on Twitter, Instagram, and Tiktok. Advertise on Handsome via Gumball.fm.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.