POPULARITY
2 episodes with fire shut up
2 episodes with fire shut up
3 episodes with fire shut up
2 episodes with fire shut up
2 episodes with fire shut up
2 episodes with fire shut up
2 episodes with fire shut up
2 episodes with fire shut up
2 episodes with fire shut up
Legendary trumpeter Terence Blanchard is the first Black composer to have had an opera performed at the Metropolitan Opera. But, as he says, he isn't the first Black composer qualified to do so. This hour, we talk to musicians who are changing the face of opera by bringing new stories to the fore. GUESTS: Terence Blanchard: Executive Artistic Director at SF Jazz and Multiple Grammy Award-winning trumpeter and composer. He has performed as part of Art Blakey & The Jazz Messengers and composed the scores for dozens of films, including Spike Lee films like BlacKkKlansman and Malcolm X. In 2021 he became the first Black composer to have had their opera performed at the Metropolitan Opera with Fire Shut Up in My Bones. He will be performing selections from Fire Shut Up in My Bones in Hartford on April 24th. Julia Bullock: Grammy Award-winning classical singer. She has curated a program that she performs called “History’s Persistent Voice.” It’s a multimedia project that includes poetry, visual art and music inspired by the songs of enslaved people. See omnystudio.com/listener for privacy information.
In the second part of our conversation with 2024 NEA Jazz Master trumpeter and composer Terence Blanchard, we explore the emotional and creative depths of his work, from his jazz innovations to his evolution as an opera composer.Blanchard shares the challenges of scoring the documentary When the Levees Broke and discusses how his Grammy-winning album A Tale of God's Will emerged from those themes, evolving into a deeply personal statement on loss and resilience. From jazz to film and opera, he examines how his musical voice has expanded across genres, culminating in his historic operas Champion and Fire Shut Up in My Bones—the first opera by an African American to be produced at the Metropolitan Opera. He also discusses his role in bringing the Monk Institute (now the Herbie Hancock Institute) to New Orleans after Katrina and his ongoing dedication as an educator and mentor to young musicians.He discusses his then-new role as Artistic Director of SFJAZZ, where he provides opportunities for mid-career as well as emerging musicians and brings innovative programming to audiences. As he reflects on receiving the NEA Jazz Master honor, Blanchard considers the legacy of those who came before him and the responsibility of carrying the music forward.
In the second part of our conversation with 2024 NEA Jazz Master trumpeter and composer Terence Blanchard, we explore the emotional and creative depths of his work, from his jazz innovations to his evolution as an opera composer.Blanchard shares the challenges of scoring the documentary When the Levees Broke and discusses how his Grammy-winning album A Tale of God's Will emerged from those themes, evolving into a deeply personal statement on loss and resilience. From jazz to film and opera, he examines how his musical voice has expanded across genres, culminating in his historic operas Champion and Fire Shut Up in My Bones—the first opera by an African American to be produced at the Metropolitan Opera. He also discusses his role in bringing the Monk Institute (now the Herbie Hancock Institute) to New Orleans after Katrina and his ongoing dedication as an educator and mentor to young musicians.He discusses his then-new role as Artistic Director of SFJAZZ, where he provides opportunities for mid-career as well as emerging musicians and brings innovative programming to audiences. As he reflects on receiving the NEA Jazz Master honor, Blanchard considers the legacy of those who came before him and the responsibility of carrying the music forward.
They told him his work was too controversial and rejected it from the academy! But he knew Black people worldwide needed to know the truth – so he published it on his own. What was so important that he could not keep quiet? _____________ 2-Minute Black History is produced by PushBlack, the nation's largest non-profit Black media company. PushBlack exists to amplify the stories of Black history you didn't learn in school. You make PushBlack happen with your contributions at BlackHistoryYear.com — most people donate $10 a month, but every dollar makes a difference. If this episode moved you, share it with your people! Thanks for supporting the work. The production team for this podcast includes Cydney Smith, Len Webb, and Lilly Workneh. Our editors are Lance John and Avery Phillips from Gifted Sounds Network. Julian Walker serves as executive producer. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Few musicians tower like Terence Blanchard. The eight-time Grammy winner has been recording for more than four decades, and though his early work recalls the legacy of midcentury greats, for years now, Blanchard has been remaking and reshaping the genre, turning it into a force to give voice to social change. A trumpeter, pianist, composer, Blanchard has pushed the genre and his own artistry beyond jazz to opera and film scores.rnrnBlanchard began playing in his teenage years with the Lionel Hampton Orchestra. By the 1980s, he was playing with Art Blakley's Jazz Messengers. In the 90s, he began performing solo and working with filmmaker Spike Lee, a collaboration that would include films from Do the Right Thing to BlacKKKlansman. During the same period of time, he began to work in opera, turning Charles Blow's 2014 memoir Fire Shut Up in My Bones into an opera for the Metropolitan Opera's 2021-2022 season, marking the first time a project from an African-American composer was presented from the Met's world-renowned stage.rnrnBlanchard is in Cleveland for an appearance with The Cleveland Orchestra's Mandel Opera and Humanities Festival, where he will perform the music of Wayne Shorter. Before he does, he'll join moderator Jeff Johnson on our stage for a conversation about power and his own artistry and what it means to use music to address social challenges.
For all the influence Twitter has had on our culture, no community there has made quite as much impact as Black Twitter. The virtual community grew from a loose online hangout to an influential cultural force that directed conversations about race and culture not only on social media, but in our society at large. A new documentary miniseries from Hulu called Black Twitter: A People's History charts that monumental trajectory. This week on Gadget Lab, we chat about the rise and solidification of Black Twitter with showrunner Joie Jacoby, director and executive producer Prentice Penny, and WIRED senior writer Jason Parham, who wrote the WIRED cover story the docuseries is based on.Black Twitter: A People's History premieres on May 9th on Hulu. Read Jason's three-part series of stories about Black Twitter. Recommendations:Joie recommends the Met Opera show Fire Shut Up in My Bones. Prentice recommends the YouTube channel Pitch Meetings. Jason recommends X-Men 97 on Disney+. Lauren recommends watching Black Twitter: A People's History and reading Jason Parham's story that inspired the show. Mike recommends trying the new instant coffees that are popping up. (Instant coffee is good now, he swears.) Jason Parham can be found on social media @nonlinearnotes. Joie Jacoby is @joiejacoby. Prentice Penny is @The_A_Prentice Lauren Goode is @LaurenGoode. Michael Calore is @snackfight. Bling the main hotline at @GadgetLab. The show is produced by Boone Ashworth (@booneashworth). Our theme music is by Solar Keys.
Jazz Master Terence Blanchard celebrates the upcoming New Orleans Jazz and Heritage Festival and his Grammy Award-winning opera, “Fire Shut Up in My Bones”.
On the final episode of our series, host Khadija Mbowe is joined by the renowned trumpet player and composer Terence Blanchard. Hear the pair talk like two old friends as they get real about everything from their experiences navigating the opera world to the power that sharing an article has to convey fatherly love. Get Tickets To See Terence Blanchard Live in Philly on April 7, 2024!https://www.ensembleartsphilly.org/events-and-tickets/2023-24/kcp/terence-blanchard/Music from this episode:BLANCHARD - "Opening Credits," Malcolm X BLANCHARD - "Peculiar Grace," Fire Shut Up in My Bones, The Metropolitan OperaBLANCHARD - "Step Dance Sequence," Fire Shut Up in My Bones, The Metropolitan OperaDVORAK - Symphony No. 9 in E minor, Op. 95 (“From the New World," The Philadelphia OrchestraThe Philadelphia Orchestra's HearTOGETHER series is generously supported by lead corporate sponsor Accordant Advisors. Additional major support has been provided by the Otto Haas Charitable Trust.
Terence Blanchard Interview Terence Blanchard, born in New Orleans in 1962, is a celebrated jazz trumpeter, composer, and bandleader. Rising from the vibrant musical scene of his hometown, Blanchard's talent quickly garnered attention, leading to collaborations with jazz legends like Lionel Hampton and Art Blakey. His partnership with filmmaker Spike Lee catapulted him to international acclaim, as he composed scores for numerous acclaimed films, including "Jungle Fever," "Malcolm X," and "BlacKkKlansman." Blanchard's music transcends traditional boundaries, seamlessly blending jazz with other genres and addressing social issues through projects like his band E-Collective. He has also ventured into opera composition, premiering successful works such as "Champion" and "Fire Shut Up in My Bones." Blanchard's multifaceted career and unwavering commitment to innovation have solidified his legacy as a pioneering force in contemporary music. Recently, I spoke with the trumpet legend about his life, music, and thoughts on winning an NEA Jazz Masters Award, one of the highest honors for jazz musicians. You can check out, my article at https://njjs.org/
SynopsisToday's date in 1962 marks the birthday in New Orleans of Terence Blanchard, American jazz trumpeter, composer and educator. “I come from a family of musicians,” Blanchard says. “My father was an opera singer, my mother played piano and taught voice, my grandfather played the guitar. What I wanted was to be a jazz musician, have a band, travel and create music.”Well, he got his wish! Blanchard started piano at 5 and trumpet at 8, playing music with childhood friends Wynton and Branford Marsalis at summer music camps and studied composition with their father, Ellis Marsalis. In 1980, while still in his teens, Blanchard began performing with the Lionel Hampton Orchestra and later Art Blakey and the Jazz Messengers.In the 1990s, Blanchard started writing film and TV scores and has composed more than 40 of them to date. In 2019, he was nominated for an Academy Award for his music for Spike Lee's BlacKkKlansman.He holds major teaching positions and tours with his quintet, the E-Collective. In 2021, his opera Fire Shut Up in My Bones was premiered at the Metropolitan Opera.Music Played in Today's ProgramTerence Blanchard (b. 1962): ‘Ron's Theme,' from BlacKkKlansman Suite; the E-Collective, with a 96-piece orchestra Back Lot Music CD 779
University of Richmond student Mark Johnson, '24, sits down with Jepson Leadership Forum speaker Charles Blow, New York Times columnist, MSNBC political analyst, anchor of PRIME with Charles Blow on the Black News Channel, and author of "Fire Shut Up in My Bones" and "The Devil You Know," prior to his Jepson Leadership Forum presentation "Black Masculinity." The 2023-24 Jepson Leadership Forum focuses on "Masculinity in a Changing World." The last few decades have seen rapid changes in gender relations and norms—in the household, in the workforce, and in government.invites speakers to discuss masculinity in the context of these recent cultural changes. Specific topics include the role of hormones in gender identity and behavior, status competition and violence, challenges facing men as a result of the changing nature of the family and the economy, Black masculinity in the United States, and the past and future of patriarchy globally. Take 5 is a series of informal interviews with the scholars and experts who present as part of the lecture series. Feb. 13, 2024
All Praises to the Most High A'HÂYÂH!!! And YASHAYA!!! Yashana in the Highest!!! Call or Text the Prayer, Praise, Testimony and Discussion line!!! 24 hours a day 7 days a week!!! (407)476-7163 !!! We are a Husband and Wife Team!!! Evangelists James and Louise Eads We are Street Evangelists and Online Ministers too. Preaching the Gospel of Christ Yashaya and our Heavenly Father A'HÂYÂH!!! Repent and Follow Yashaya!!! And be Baptized for the Remission of Sins and for the sins of your forefathers!!! We Have 2 Websites https://www.wsm.charity/ And https://satw.icu/ Thank you everyone that gives to this Ministry to get the Gospel of Yashaya across the World. We have Pay Pal and Cash App PayPal: Email address is watchmanstreetministry@gmail.com Thank you for your prayers and support https://www.paypal.me/JamesEads Cash App: $Evangelists7 --- Send in a voice message: https://podcasters.spotify.com/pod/show/james-eads2/message
The Jepson Leadership Forum presents Charles Blow for a discussion on "Black Masculinity," on the University of Richmond campus. Blow is a New York Times columnist, MSNBC political analyst, anchor of PRIME with Charles Blow on the Black News Channel, and author of "Fire Shut Up in My Bones" and "The Devil You Know." The last few decades have seen rapid changes in gender relations and norms -- in the household, in the workforce, and in government. The 2023-24 Jepson Leadership Forum invites speakers to discuss masculinity in the context of these recent cultural changes. Feb. 13, 2024
(AURN News) – American Urban Radio Networks' national correspondent, Jamie Jackson, is the host of an engaging new national PBS special celebrating the enduring legacy and remarkable career of acclaimed jazz composer Terence Blanchard. Titled "Terence Blanchard in Dallas," the special is captivating audiences across the nation, now airing on 280 PBS stations and the PBS streaming app Passport. Blanchard, renowned for his influential collaborations with filmmaker Spike Lee spanning over three decades, is the focus of the national special, shedding light on his life, latest projects, and showcasing performances from two concerts held in Dallas. The concerts feature his band, E-Collective, accompanied by the Turtle Island String Quartet, as well as excerpts from his opera "Fire Shut Up in my Bones," performed with the Dallas Symphony Orchestra. Notably, this opera, based on the memoir of author and columnist Charles M. Blow, marked a historic milestone as the first by a Black composer staged by the Metropolitan Opera of New York. Having been nominated for two Academy Awards and securing seven Grammy wins, Terence Blanchard's influence on the world of music and film is undeniable. The PBS special promises an intimate look into his journey and contributions to the arts. Jackson has served AURN News since 2015, previously covering the White House as a pool reporter and correspondent. The special, produced by public media station KERA, showcases Jackson's conversations with Blanchard that explore the depth of his artistry. “I am so grateful to KERA for this opportunity and I was honored when they asked me to do this earlier this year. To have an opportunity to honor Black excellence through Blanchard's work and the performances that are seen is one of the highlights of my career. This national PBS special is a must-see and shows why we need more programs highlighting Black excellence and Black trailblazers like Terence Blanchard on television. KERA and its leadership should be commended for this project and their commitment to allowing Black voices to be heard,” Jackson said. "Terence Blanchard in Dallas" is not just a tribute to a musical icon; it is a testament to the power of representation and the importance of recognizing Black excellence in the arts. Learn more about your ad choices. Visit megaphone.fm/adchoices
There are tons of new operas popping up throughout the United States right now! With that comes more opportunities to make new music happen which is so exciting! This week, Ellen and Alyssa break down five show options to choose from (including both of their favorites) when picking out your contemporary American opera rep for your package this year. Want some other options? Check out the list of honorable mentions below! Be sure to check out the summer rep series playlist to listen and follow along with all five parts of our summer rep series! RESOURCES: Summer Rep Series Spotify playlist Learn Your Music The Right Way Workbook Summer Reset Bundle MUSIC RESOURCES: https://modernsingermag.com/?q=careers-resources/5-modern-operas-add-your-repertoire https://en.wikipedia.org/wiki/Tom_Cipullo#Glory_Denied https://www.classicalvocalrep.com/products/Glory-Denied-2-Arias-Catalogue-Aria-Congregation-Aria-101607.html https://www.classicalvocalrep.com/products/Glory-Denied-2-Arias-My-Darling-Jim-After-You-Hear-Me-101606.html https://en.wikipedia.org/wiki/Fire_Shut_Up_in_My_Bones https://en.wikipedia.org/wiki/Fellow_Travelers_(opera) https://issuu.com/bostonlyricopera/docs/fellow_travelers_r3_v2_single_481a786f5154d2 https://mnopera.org/season/2017-2018/fellow-travelers/synopsis/ https://www.jakeheggie.com/works/deadman https://stageagent.com/shows/opera/2501/dead-man-walking-opera/ https://en.wikipedia.org/wiki/Dead_Man_Walking_(opera) https://en.wikipedia.org/wiki/Flight_(opera) Let's get social: Support the podcast Follow us on social media Search our website Check out our Shop Follow Ellen Follow Alyssa REP LIST: SOPRANO My Darling, Jim - Glory Denied Leave it in the road - Fire Shut Up in My Bones MEZZO-SOPRANO This Journey - Dead Man Walking Minskwoman's Aria - Flight COUNTERTENOR Dawn, Still Darkness (or the Refugee's Aria) - Flight TENOR Last Night - Fellow Travellers BARITONE Catalogue Aria - Glory Denied Everybody hear that? - Dead Man Walking Our Very Own Home - Fellow Travellers BASS-BARITONE Peculiar Grace - Fire Shut Up in My Bones HONORABLE MENTIONS: The Little Prince Dark Sisters Marnie Akhanatan Billy Budd Ghosts of Versailles Fantastic mr fox Little women Shining Brow Amelia Emmeline Handmaid's Tale Everest Dr. Atomic --- Send in a voice message: https://podcasters.spotify.com/pod/show/modern-singer-llc/message Support this podcast: https://podcasters.spotify.com/pod/show/modern-singer-llc/support
Town Square with Ernie Manouse airs at 3 p.m. CT. Tune in on 88.7FM, listen online or subscribe to the podcast. Join the discussion at 888-486-9677, questions@townsquaretalk.org or @townsquaretalk. First, Sarah Rothenberg, Artistic Director of DACAMERA, joins us with a preview of the upcoming 2023-2024 season of the arts organization, which includes a new suite from jazz trumpeter and composer Terence Blanchard from his history-making opera “Fire Shut Up in My Bones”, two world premieres from Etienne Charles and composer Matthew Aucoin and director Peter Sellars, and a celebration of composer Fanny Mendelssohn in concert and film. To learn more about DACAMERA'S 2023-2024 Season, click here. Plus, June 16 – 23, DACAMERA is offering a free virtual streaming event of its recent production of Kendrick Scott's “Unearthed”, which is a memorialization of the Sugar Land 95 through original music, poetry, and visual art. For more information, click here. The Sugar Land 95 refers to 95 African-American individuals whose remains were uncovered during construction of a new school in Fort Bend Independent School District in 2018. Our conversation on The Sugar Land 95 continues with the co-hosts of a new Texas Newsroom podcast Sugar Land, Journalist Brittney Martin and Southwestern University Assistant Professor of Anthropology Dr. Naomi Reed. Their podcast explores details about who The Sugar Land 95 were, the systemic issues around them, and what progress has been made in the five years since they were discovered. The first two episodes of the Sugar Land podcast will be released Friday, June 16, 2023, on HoustonPublicMedia.org and all major podcast platforms. The remainder of the 8 episodes will be released weekly, every Thursday. Guests: Sarah Rothenberg Artistic Director, DACAMERA Brittney Martin Independent Journalist Co-Host & Executive Producer, Sugar Land podcast Dr. Naomi Reed Assistant Professor of Anthropology, Southwestern University Co-Host & Senior Producer, Sugar Land podcast Town Square with Ernie Manouse is a gathering space for the community to come together and discuss the day's most important and pressing issues. We also offer a free podcast here, on iTunes, and other apps
On the verge of receiving the coveted George Peabody Medal for Outstanding Contributions to Music and Dance in America, the trumpeter and composer Terence Blanchard joins Sara Mohr-Pietsch. He discusses his ventures into the operatic world, the success of The Met's recent production of his opera Fire Shut Up in My Bones, and returning to the New York opera company's hallowed stage for their current run of his first opera, Champion, which is based on the life of boxer Emile Griffith. Sara travels to the Church of Our Most Holy Redeemer, in Chelsea, to hear from a modern von Trapp family lineage of singers – the Bevan Family Consort. We hear from sisters Sophie and Mary Bevan about their new album, following in the musical footsteps of their parents' generation, and singing together as a family. David Price, Director of Analysis at the International Federation of the Phonographic Industry, gives Music Matters the latest news about how listeners access and engage with classical music recordings. And, as his new collection of lyrics – Never Good with Horses – hits the bookshelves, the Poet Laureate Simon Armitage discusses the art of writing words that can be set to music. We hear too about a special speed-dating project, as part of the Leeds Lieder festival, which paired-up 12 poets from the city with 12 young composers to create a songbook. Sara talked to composers Georgia Barnes and Daniel Saleeb, and the poet Dalton Harrison.
They told him his work was too controversial and rejected it from the academy! But he knew Black people worldwide needed to know the truth – so he published it on his own. What was so important that he could not keep quiet? _____________ 2-Minute Black History is produced by PushBlack, the nation's largest non-profit Black media company. PushBlack exists to amplify the stories of Black history you didn't learn in school. You make PushBlack happen with your contributions at BlackHistoryYear.com — most people donate $10 a month, but every dollar makes a difference. If this episode moved you, share it with your people! Thanks for supporting the work. The production team for this podcast includes Cydney Smith, Len Webb, and Lilly Workneh. Our editors are Lance John and Avery Phillips from Gifted Sounds Network. Julian Walker serves as executive producer. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Camille A. Brown - (Director/Choreographer) 3-time Tony award nominee is the first Black woman to direct and choreograph a play on Broadway in 67 years. Ms. Brown choreographed the Met Opera's critically acclaimed Porgy and Bess and Terrence Blanchard's Fire Shut Up in My Bones, which she also co-directed with James Robinson, making her the first Black director of a Met mainstage production. She is also the founder and director of Camille A Brown and Dancers. Awards include the 2021 ISPA/International Society for the Performing Arts Distinguished Artist Award, 2020 Dance magazine Award, Bessie Award (Mr. TOL E. RAncE), Jacob's Pillow Dance Award, Doris Duke Artist Award, United States Artists Award and five Princess Grace Awards. Foundation fellowships from Ford Art of Change, Guggenheim, TED, Emerson Collective. In addition to a Tony Award nomination, Camille has received an Obie Award, two AUDELCO Awards, three Drama Desk nominations and three Lortel nominations. Philanthropic/Activist Causes: Every Body Move and Social Dance for Social Change
Entrevue avec Yannick Nézet-Séguin, chef d'orchestre québécois : le chef d'orchestre québécois Yannick Nézet-Séguin a remporté deux trophées lors de la 65e cérémonie des Grammy Awards diffusée dimanche. Il a remporté la statuette du meilleur enregistrement d'opéra avec l'œuvre contemporaine Fire Shut Up in My Bones de Terence Blanchard. Plus tard, il a reçu le Grammy du meilleur album solo vocal pour l'opus Voice of Nature : The Anthropocene dans lequel il accompagne, au piano, la soprano américaine Renée Fleming. Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr
Entrevue avec Yannick Nézet-Séguin, chef d'orchestre québécois : le chef d'orchestre québécois Yannick Nézet-Séguin a remporté deux trophées lors de la 65e cérémonie des Grammy Awards diffusée dimanche. Il a remporté la statuette du meilleur enregistrement d'opéra avec l'œuvre contemporaine Fire Shut Up in My Bones de Terence Blanchard. Plus tard, il a reçu le Grammy du meilleur album solo vocal pour l'opus Voice of Nature : The Anthropocene dans lequel il accompagne, au piano, la soprano américaine Renée Fleming. Chronique de Patrick Delisle-Crevier, journaliste culturel au 7 jours : la distribution de l'adaptation de la comédie musicale du film The BodyGuard. Le spectacle a été présenté à Londres et Toronto sera présenté à Montréal en mars prochain et à Québec en juin. La mise en scène est effectuée par Joël Legendre et les chorégraphies par Steve Bolton. La rencontre Nantel-Durocher avec Guy Nantel : les anglophones qui diabolisent la loi 96. Entrevue avec Emmanuel Bilodeau, acteur : la Société Saint-Jean-Baptiste de Montréal va présenter son spectacle Déclaration d'amour, pour l'amour du français le samedi 11 février 2023 à 19h au Gesù. Le tout sera animé par France Castel et Emmanuel Bilodeau. Les participants feront aussi un hommage à René Lévesque dans le cadre des célébrations de son 100e anniversaire. Une production QUB Radio Février 2023Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr
Opera Theatre of St. Louis Artistic Director James Robinson is at the helm of both “Awakenings” and “Harvey Milk,” two operas readying for world premieres within a week of each other. Robinson discusses both shows, the source material they draw upon and his work bringing “Fire Shut Up in My Bones” from its St. Louis debut to the Met.
Oasis Ministries -- Touching Hearts and Changing LivesTitle: Fire Shut Up In My BonesSpeaker: Pastor Anthony WynnDate: 04-10-2022---------------------------------------------------Resources►Spiritual Checklist: https://www.oasisministries.com/spiri...►Bible Course: https://www.oasisministries.com/bible...►Prayer Journals: https://www.oasisministries.com/praye...►TV Schedule: https://www.oasisministries.com/broad...►Partnership: https://www.oasisministries.com/partn...---------------------------------------------------Socials►Instagram: instagram.com/oasisministries►Twitter: twitter.com/theoasismin►Facebook (main): https://www.facebook.com/oasismin►Facebook Oasis L.O.T. : facebook.com/oasislot►Facebook Group: facebook.com/groups/oasisminonline---------------------------------------------------Contact►Email: contact@oasisministries.com►Phone: 1.877.226.4088►Website: https://www.oasisministries.com/conta...►Mailing address: Oasis Ministries P.O. Box 3088 Riceville, TN 37370►Visit us: 245 County Road 677 Riceville, TN 37370
New York Times columnist Charles M. Blow's widely acclaimed memoir is the source for this extremely moving story of his traumatic youth in Louisiana. Composer Terence Blanchard, one of the most influential figures in American jazz, teamed up with librettist Kasi Lemmons, director of such remarkable films as Harriet and Eve's Bayou to create an opera adaptation of this remarkable story. The result is an an opera that is timely, moving and powerful, revealing the Black experience in this country as few other operas have done and it's currently at the Lyric Opera in Chicago. Stephen Rawson talks with Blanchard and features excerpts from the opera, courtesy of the Metropolitan Opera.
We're celebrating Jazz Appreciation month with an in-depth conversation with composer and jazz musician Terence Blanchard. Terence Blanchard has a long list of exceptional jazz credentials, but most recently he's found acclaim as the first Black composer to compose an opera—Fire Shut Up in My Bones—presented by the Metropolitan Opera. In this podcast, he discusses how he came to write Fire Shut Up in My Bones (which was funded in part by the Arts Endowment), the bitter-sweetness of its Met premiere, how he works with collaborators in jazz, in opera and in film—especially his long collaboration with Spike Lee, how composing for film enabled him to write opera, the influence of Art Blakey on his music, the impact of Black Lives Matter on his work, and the joy of playing live with his group the E Collective. Terence Blanchard is thoughtful, eloquent, and gracious with a deep sense of history and a great sense of humor. Follow us on Apple Podcasts!
We're celebrating Jazz Appreciation month with an in-depth conversation with composer and jazz musician Terence Blanchard. Terence Blanchard has a long list of exceptional jazz credentials, but most recently he's found acclaim as the first Black composer to compose an opera—Fire Shut Up in My Bones—presented by the Metropolitan Opera. In this podcast, he discusses how he came to write Fire Shut Up in My Bones (which was funded in part by the Arts Endowment), the bitter-sweetness of its Met premiere, how he works with collaborators in jazz, in opera and in film—especially his long collaboration with Spike Lee, how composing for film enabled him to write opera, the influence of Art Blakey on his music, the impact of Black Lives Matter on his work, and the joy of playing live with his group the E Collective. Terence Blanchard is thoughtful, eloquent, and gracious with a deep sense of history and a great sense of humor. Follow us on Apple Podcasts!
Teenage MET Opera ambassador Layla Felder shares her excitement about “Fire Shut Up in My Bones.” The opera is airing Friday on WABE TV, from PBS “Great Performances.” Plus, our series “Speaking of Music” features singer-songwriter Yang. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
This is our weekly message brought to you by View Ridge Community Church Click here to go to VRCC ONLINE Click here to download the "Church Center" App
CW: mentions of child sexual abuse. This week, Anna and Krista feature a fairly new but very powerful opera from composer Terrance Blanchard, Fire Shut Up in My Bones. The episode is short, but that shows you just how good this opera is.
March 20, 2022 pm
Speaking a covering of VICTORY IN THY WALK THY ENDEAVORS DAILY --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/judahcarey-strong/support
Baltimore Symphony Orchestra assistant conductor Jonathan Taylor Rush discusses his top classical moments of the year, including the aria "Men Don't Break" from Terence Blanchard's opera "Fire Shut Up in My Bones. And, during their service, Avalisa Ellicott and Paula M. Neira both feared getting kicked out of the military for being transgender. They join us to discuss a notable year for American military veterans identifying as transgender.
This week on the podcast, Maggie welcomes Will Liverman, baritone and star of the historic opera, Fire Shut Up In My Bones at The Met Opera. They chat about his path into the opera world, representation on stage and his opportunity to star in the first ever black composed opera presented at The Met. Maggie also features Pure Placid as the female owned business.
This week Kyle Long talks with Grammy Award-winning jazz trumpeter and Oscar-nominated film composer Terence Blanchard. Earlier this year, Blanchard made international news when his opera “Fire Shut Up in My Bones” was performed at the Metropolitan Opera in New York. This was the first performance of an opera composed by an African American in the Met's 138 year history.
Terence Blanchard's opera “Fire Shut Up in My Bones” was the first the opera composed by an African American to be performed at New York City's Metropolitan Opera in its 138 year history.
In this week's episode, we listen to and discuss Terence Blanchard's Fire Shut Up in My Bones and Kris Bowers's scoring for the Netflix shows Bridgerton and Dear White People. --- SOCIALS: Facebook: www.facebook.com/relativepitchpodcast Instagram: www.instagram.com/relativepitch_ Twitter: www.twitter.com/relativepitch_ Spotify: https://open.spotify.com/show/7sIViEIbMcgjb3w4gsydQN Apple Music: https://podcasts.apple.com/us/podcast/relative-pitch/id1534509637 Website: relativepitchpodcast.com
Daily devotional commentary for October 29 taken from Jeremiah 20:9
This week, Documenta and Dingle discuss Charles M. Blow's lyrical 2014 memoir Fire Shut Up in My Bones and its fabulous new opera adaptation by Terence Blanchard and Kasi Lemmons, the first opera by a black composer in the Metropolitan Opera's nearly 140-year history! WTF!Also mommies, lobsters, and a barnful of big scary puppets. Links:The operaThe book (affiliate link)Bread and Puppet TheaterTwitter: @DocumentaBInstagram: @DocumentaBarbrismWebsite: DocumentaBarbrism.comEmail: buttstuff@documentabarbrism.comAffiliate links:I host House of Barbrism on Buzzsprout!I record Adventures in Gaybysitting on Riverside.fm!
Fresh off the Met's production of FIRE SHUT UP IN MY BONES, Will Liverman sits down to chat about the significance of this opera, and takes us behind the scenes of embodying the dynamic role of a living public figure, and how to create opportunity in the industry. We discuss how the role was tailored to him, what that process was like, and a glimpse behind the curtain. A cross-genre musician, Will also talks about other genres, favorite artists, and what feeds him musically. Special Guest: Will Liverman.
DescriptionThe Metropolitan Opera is back after a long pandemic shutdown with a new season. It launched with Terence Blanchard's “Fire Shut Up in My Bones,” marking the first time that a Black composer and a Black librettist have found their way to the Met. This is indeed a historic moment, fueled by recent events, and yet long overdue. Join me, as we take a minute to get the scoop!Fun Fact“If you have passion for something and you work hard and study hard and put forth the effort, the sky's the limit. One thing I believe as an artist is when you're honest about what you are creating, you are creating something that will touch other people who are dealing with the same issues.” — Terence Blanchard, ComposerAbout StevenSteven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more.A Note To Music Students et al.All recordings and sheet music are available on my site. I encourage you to take a look and play through some. Give me a shout if you have any questions.Got a topic? Pop me off an email at: TCMMPodcast@Gmail.com Support the show (https://www.buymeacoffee.com/TCMM)
Thursday, October 21, 2001 - From Concordia to the Metropolitan Opera! Baritone Christopher Kenney plays Chester in "Fire Shut Up in My Bones," the Met's first performance of an opera by a Black composer. The performance will stream in movie theatres Saturday, October 23. ~~~ TellTale: Dakota Folklife and Stories is a collection of narratives describing the shared personal experiences and lore of life on the North Dakota plains. They feature interviews with senior citizens, many of whom are in eldercare facilities. The most recent episodes feature veterans. Today we hear from Vietnam Veteran David Daeley. ~~~ Sue Balcom has some tips for buttoning up your garden in this week's Main Street Eats.
“Fire Shut Up in My Bones” is the Metropolitan Opera's first production composed by a Black artist — Grammy winner Terence Blanchard. The show is based on the memoir by New York Times columnist Charles Blow, about his difficult childhood growing up in small-town Louisiana in the 1970s. Blanchard tells KCRW that he could see himself in Blow's story: “There's a lot of things within that family life that people don't talk about. While there's a strong sense of community, sometimes you have to find your own way because that community can stifle you, not in an intentional way. But you have to be strong and stick to your guns.” Meanwhile, off the coast of LA, more than 100 ships are waiting to offload their cargo, and thousands of foreign workers are stuck at sea. And the LA City Council this week approved sweeps of homeless camps in 54 locations. In the Senate on Capitol Hill, all 50 Republicans voted against debating the bill that would've made Election Day a federal holiday and allowed automatic and same-day voter registration. Senate Majority Leader Chuck Schumer now says he plans to introduce separate legislation as soon as next week.
Featuring a score by renowned jazz musician Terence Blanchard, and a libretto by actor and director Kasi Lemmons, Fire Shut Up in My Bones was this year's Opening Night performance, marking the return of live opera to the Met stage after the longest closure in company history. In this episode of The Metropolitan Opera Guild Podcast, librettist and author Joanne Sydney Lessner explores this exciting new work!
The Global Supply Chain Is A Mess One of the continuing consequences of the COVID-19 pandemic is the disruption of supply chains. The global supply chain is slowing down at a time when demand is high. The Takeaway spoke to Derek Thompson, staff writer for The Atlantic, about the complex issues causing shortages on store shelves and slowdowns in services. Are Toys Becoming More Gender Neutral? Last week, LEGO — the world's largest toy maker — announced it would make its toys more gender neutral. And earlier this month, the state of California passed a law requiring large retailers to display toys and childcare items in gender-neutral ways. All of this comes as the debate intensifies over whether toys create and perpetuate gender stereotypes. We spoke with Elizabeth Sweet, assistant professor of sociology at San Jose State University to look at both developments, the history of gendered toys, the push to make toys more gender neutral, and more. Terence Blanchard is First Black Composer at Metropolitan Opera House Terence Blanchard joined today's show.You may already be familiar with Terence Blanchard as a 6-time Grammy winner, jazz trumpet player and composer of over 40 film scores, earning him a BAFTA and Academy Award nominee for Best Original Score for Spike Lee's 2018 film, BlacKkKlansman. Blanchard also happens to write operas. He composed Fire Shut Up in My Bones, based on Charles Blow's memoir of the same title, and it is the first opera by a Black composer to be housed at the Metropolitan Opera House in New York City. For transcripts, see individual segment pages.
The Global Supply Chain Is A Mess One of the continuing consequences of the COVID-19 pandemic is the disruption of supply chains. The global supply chain is slowing down at a time when demand is high. The Takeaway spoke to Derek Thompson, staff writer for The Atlantic, about the complex issues causing shortages on store shelves and slowdowns in services. Are Toys Becoming More Gender Neutral? Last week, LEGO — the world's largest toy maker — announced it would make its toys more gender neutral. And earlier this month, the state of California passed a law requiring large retailers to display toys and childcare items in gender-neutral ways. All of this comes as the debate intensifies over whether toys create and perpetuate gender stereotypes. We spoke with Elizabeth Sweet, assistant professor of sociology at San Jose State University to look at both developments, the history of gendered toys, the push to make toys more gender neutral, and more. Terence Blanchard is First Black Composer at Metropolitan Opera House Terence Blanchard joined today's show.You may already be familiar with Terence Blanchard as a 6-time Grammy winner, jazz trumpet player and composer of over 40 film scores, earning him a BAFTA and Academy Award nominee for Best Original Score for Spike Lee's 2018 film, BlacKkKlansman. Blanchard also happens to write operas. He composed Fire Shut Up in My Bones, based on Charles Blow's memoir of the same title, and it is the first opera by a Black composer to be housed at the Metropolitan Opera House in New York City. For transcripts, see individual segment pages.
This week we're decoding with the man who wrote the code - Terence Blanchard, composer of Fire Shut Up in My Bones. Not only is it the work that reopened the Met after its 18-month pandemic shutdown, but it's also the first opera by a Black composer ever to be performed there. Based on the 2014 memoir of the same name by New York Times columnist Charles M. Blow, Fire Shut Up in My Bones is a coming-of-age story about his childhood in a tiny town in northwest Louisiana. From a young age, Charles knew he was different, not like his brothers or the other boys. After being sexually assaulted by his older cousin, he was consumed by shame, and especially when he began to feel attraction toward boys as well as girls. The South was not the place to be questioning one's sexual identity as a Black man in the 1970s and 80s. But in the aria “Peculiar Grace,” he puts his questions aside and looks forward to a brighter future. Host Rhiannon Giddens and her guests explore the experience of feeling like an outsider, and the life-changing path toward self-acceptance. Composer Terence Blanchard is a multiple Grammy-winning composer and jazz trumpeter. Fire Shut Up In My Bones is his second opera, and it premiered at Opera Theatre of St. Louis in 2019. He has scored countless films, and is known for his many collaborations with the film director Spike Lee, including most recently Da 5 Bloods and BlacKkKlansman. Each was nominated for an Academy Award for Best Original Score. He credits his father for his love of opera, and he has a particular fondness for Puccini's La bohème. Baritone Will Liverman is singing the role of Charles in the Met's production of Fire Shut Up In My Bones. While he was sitting on his couch during the pandemic, wondering if he'd ever get to sing in front of an audience again, he was invited to send an audition tape and landed the role just a few days later. Will has collaborated with D.J. and artist K-Rico to create The Factotum, a contemporary adaptation of Rossini's The Barber of Seville for the Lyric Opera of Chicago. He is an alumnus of the Ryan Opera Center at the Lyric Opera of Chicago. Dr. E. Patrick Johnson is an artist, writer, and professor of Performance Studies and African American Studies at Northwestern, where he is also the Dean of the School of Communication. He is the author and editor of several award-winning books, including Sweet Tea: Black Gay Men of the South. His research for the book included dozens of interviews with men who were born, raised, and still live in the South, and he later adapted it into a staged-reading, Pouring Tea, as well as a full-length play and a documentary. He has received multiple awards both for his scholarship and his stage work.
Tension in Poland is climbing to boiling point over European Union membership and the UK's food industry supply chains are in in chaos weighed down under severe labour shortages. Christiane Amanpour is joined by the EU's former chief negotiator, and now French presidential candidate, Michel Barnier. Then, in just three weeks world leaders will meet in Glasgow for the COP26 climate conference, where they'll reckon with a dispiriting report from the United Nations showing that the world is warming faster than scientists previously thought. Christiane speaks to Danish Prime Minister Mette Frederiksen during her state visit to India where she's been highlighting the urgency of tackling climate change while maintaining economic growth. And finally, in its 138 year history, the Metropolitan Opera has never hosted a performance by a black composer, until now. Walter Isaacson speaks to six-time Grammy award winning musician and composer, Terence Blanchard about his new work "Fire Shut Up in My Bones." To learn more about how CNN protects listener privacy, visit cnn.com/privacy
Jazz United was in the house when Terence Blanchard became the first Black composer to have an opera presented at The Met. In this episode, Greg Bryant and Nate Chinen laud 'Fire Shut Up in My Bones' for its music, its message and its broader meaning.
It's important to seek out artists who continually demonstrate the courage to prize their sense of truth, embrace their voice and work without apology. In this weeks solo episode, Charlie shares some thoughts on the Nobel Laureate Wole Soyinka, the new opera Fire Shut Up in my Bones by Terence Blanchard at the Met, the documentary Val, and the incredible life of Melvin Van Peebles. Charlie also highlights the fine acting of Lee Jung-jae in the new Netflix show Squid Game, Maya Cade's extensive open resource with her Black Film Archive, and an inspiring Ted talk on twerking by Lizzo. You can follow CBP on Instagram @creatingbehavior, and Charlie's NYC acting conservatory, the Maggie Flanigan Studio @maggieflaniganstudio. For written transcripts, Charlie's blog, or to contact him for private coaching, check out https://www.creatingbehaviorpodcast.com
Welcome to the 16th episode of MN Opera's New York Times-very-briefly-mentioned podcast, THE SCORE! This week, to celebrate our Sweet Sixteen, we are joined by a dear friend, a brilliant colleague, and our favorite Cubano, Frankie Charles, the Impact Department Coordinator here at MN Opera (0:00:27). This episode is a little different. Given Frankie's background in technical theater, things started out as a discussion about equity and colorism in production, but then it turned into something we weren't quite expecting. So if you want to get to know us a bit better, please join us for a fun, poignant and deeply personal conversation that delves into race, higher education, queerness, family and so much more. And since it's Latinx Heritage Month, we send you into the week with a little Pure Latinx Joy to compliment our usual PB&J (1:26:55). This week we celebrate Cima Funk, Lil Nas X, Full Circle Everest Expedition and the historic opening of Terence Blanchard and Kasi Lemmons' Fire Shut Up in My Bones, the first opera by a Black composer to premiere at the Metropolitan Opera! Let's do it to it, ya'll! Hosts: Lee Bynum, Rocky Jones, Paige Reynolds Guest: Frankie Charles Producer: Rocky Jones Links "The Podcasts Opera Pros Tune To" (https://www.nytimes.com/2021/09/25/arts/music/podcasts-opera-pros-tune-to.html (New York Times)) Cima Funk, Cun Cun Prá (https://open.spotify.com/album/24UH0bSpSX7dikFJI9dE0v?si=pXpUww4ySiqJ02HPm3V0Eg&dl_branch=1 (Spotify)) "The Met Comes Alight Again With Fire Shut Up in My Bones" (https://www.vulture.com/2021/09/opera-review-fire-shut-up-in-my-bones-metropolitan.html (Vulture)) Full Circle Everest Expedition (https://fullcircleeverest.com/ (Website)) New episodes of THE SCORE drop every other Monday. If you like what you hear, please support us and SUBSCRIBE to the show on your favorite podcast app and be sure to SHARE our show with your friends. Also, leaving a 5-star REVIEW on Apple Podcasts is a great way to help get the word out. For more info about the exciting EDI work happening at MN Opera, please visit https://mnopera.org/edi/ (mnopera.org/edi). Email your questions or comments to thescore@mnopera.org
Nate and Benjamin start off by chatting about their week in New York including Nate's pre-karaoke check-in with Lorde at Dr. Clark. Benjamin discusses his attendance of the reopening of the Met Opera for the premiere of Terence Blanchard's “Fire Shut Up in My Bones” including an epic stop-and-chat with dealer and frequent pod foil Adam Lidemann and Rashid Johnson's exhibition on view at the opera house. The gents are then joined by ascoted collector and pontificator Alain Servais to briefly discuss a recent blow-up concerning comments he made about americans in basel before they move on to more interesting subjects such as his history collecting, the paramount importance of art over money, an earlier, smaller art world, and his favorite places to travel to see art. All that, and more, only on Nota Bene. Don't transact until you've listened. --- Support this podcast: https://anchor.fm/benjamin-godsill/support
This episode is also available as a blog post: https://thecitylife.org/2021/09/27/the-metropolitan-operas-live-in-hd-series-returns-to-cinemas-on-october-9-with-mussorgskys-boris-godunov-followed-by-the-historic-met-premiere-of-terence-blanchards-fire-shut-up-in-my-bone/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support
September 27 will be an historic night for opera lovers: the Metropolitan Opera, the largest performing arts company in the nation, will open its season after the long pandemic shut-down with “Fire Shut Up in My Bones.” Supported by the National Endowment for the Arts since its development period, “Fire Shut Up in My Bones” is based on the memoir by Charles Blow. It's composed by jazz great Terence Blanchard with a libretto by Kasi Lemmons, and it is the first opera by a Black composer to be performed at the Metropolitan Opera. Angel Blue will be starring along with baritone Will Liverman. It's the second time Angel Blue has opened the season for the Metropolitan Opera: in 2019, she was Bess in the Grammy-winning production of “Porgy and Bess”—a role in which she shone. But shining on stage is what Blue does as a singer and as an actress. For the past decade and a half, Blue has performed to great acclaim in opera houses around the world and in a variety of roles. Now, she has emerged as one of the most vibrant sopranos performing today. Her voice has been praised for its “shimmering beauty” that is “always perfectly controlled and consistent throughout her expansive range.” In this podcast, Angel Blue and I talk about opera and its joys, “Fire Shut Up in My Bones,” her career in Europe, her first-time performing at the Met, and her thoughts about DEI and opera. Follow us on: Apple Podcasts Google Podcasts
September 27 will be an historic night for opera lovers: the Metropolitan Opera, the largest performing arts company in the nation, will open its season after the long pandemic shut-down with “Fire Shut Up in My Bones.” Supported by the National Endowment for the Arts since its development period, “Fire Shut Up in My Bones” is based on the memoir by Charles Blow. It's composed by jazz great Terence Blanchard with a libretto by Kasi Lemmons, and it is the first opera by a Black composer to be performed at the Metropolitan Opera. Angel Blue will be starring along with baritone Will Liverman. It's the second time Angel Blue has opened the season for the Metropolitan Opera: in 2019, she was Bess in the Grammy-winning production of “Porgy and Bess”—a role in which she shone. But shining on stage is what Blue does as a singer and as an actress. For the past decade and a half, Blue has performed to great acclaim in opera houses around the world and in a variety of roles. Now, she has emerged as one of the most vibrant sopranos performing today. Her voice has been praised for its “shimmering beauty” that is “always perfectly controlled and consistent throughout her expansive range.” In this podcast, Angel Blue and I talk about opera and its joys, “Fire Shut Up in My Bones,” her career in Europe, her first-time performing at the Met, and her thoughts about DEI and opera.
Kasi is an award-winning director, writer and actress who has been a staple in Hollywood for nearly three decades, most recently with her Oscar nominated film Harriet. Her acclaimed 1997 feature directorial debut Eve's Bayou was recently inducted into the National Film Registry. Kasi wrote the libretto for Fire Shut Up in My Bones, which will open the Metropolitan Opera Season on September 27th and she's currently directing the Whitney Houston story, I Wanna Dance with Somebody. Kasi is a Professor of Film at New York University's Tisch School of the Arts.
Terence Blanchard is one of jazz's most esteemed trumpeters and defies expectations by creating a spectrum of artistic pursuits. He's a twice-Oscar nominated film composers, and a two-time opera composer whose most recent opera “Fire Shut Up in My Bones” opens New York's Metropolitan Opera season on 27 September 2021. A month ago, on the 27th August, Terence released his new album Absence on Blue Note Records. It features his synth-inflected band E-Collective and the acclaimed Turtle Island Quartet and pays homage to the life and music of the great Wayne Shorter. Terence was in the middle of rehearsing the opera in NYC when we chatted about jazz, opera, film scoring, and the lasting effect of great teachers. Show Notes: Tracks played: - Absence - Diana - The Second Wave - Excerpt from “Champion” performed by the Washington National Opera - When It Was Now - Perry Mason Official Soundtrack, "Home Alone" Absence was released on 27 August 2021 on Blue Note Records Fire Shut Up In My Bones runs at The Met in NYC from 27 September till 23 October 2021 Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel Support The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of "The Insider", a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the music biz and the artists who inspire them.
Terence Blanchard is one of jazz's most esteemed trumpeters and defies expectations by creating a spectrum of artistic pursuits. He's a twice-Oscar nominated film composers, and a two-time opera composer whose most recent opera “Fire Shut Up in My Bones” opens New York's Metropolitan Opera season on 27 September 2021. A month ago, on the 27th August, Terence released his new album Absence on Blue Note Records. It features his synth-inflected band E-Collective and the acclaimed Turtle Island Quartet and pays homage to the life and music of the great Wayne Shorter. Terence was in the middle of rehearsing the opera in NYC when we chatted about jazz, opera, film scoring, and the lasting effect of great teachers. Show Notes: Tracks played: - Absence - Diana - The Second Wave - Excerpt from “Champion” performed by the Washington National Opera - When It Was Now - Perry Mason Official Soundtrack, "Home Alone" Absence was released on 27 August 2021 on Blue Note Records Fire Shut Up In My Bones runs at The Met in NYC from 27 September till 23 October 2021 Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel Support The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of "The Insider", a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the music biz and the artists who inspire them.
Soprano Angel Blue makes her Santa Fe Opera debut in concert Saturday, August 7, 2021. Jane caught a spare moment with Angel upon her arrival in Santa Fe to learn more about who she is on stage, off stage, and in the practice room. Angel also shares strong opinions and guidance for young singers, who may fall into the comparison trap with “the greats” who've come before them. Angel's Bio: Angel Blue has emerged in recent seasons as one of the most important sopranos before the public today. On September 23, 2019 she opened the Metropolitan Opera's 2019/2020 season as Bess in a new production of George Gershwin's Porgy and Bess. These performances followed her internationally praised French Opera debut and role debut as Floria Tosca at the Aix-en-Provence Festival in July of 2019. She has also been praised for performances in many other theaters, such as the Vienna State Opera, Semperoper Dresden, San Francisco Opera, Seattle Opera, Theater an der Wien, Oper Frankfurt, and San Diego Opera. In the current season, Ms. Blue will appear in concert at the Carmel Bach Festival and in galas in St. Petersburg and Santa Fe, with fall performances of Fire Shut Up in My Bones and Porgy and Bess at the Metropolitan Opera in New York. Mentioned in this Episode: HiHo Kids meet an opera singer video CREDITS Destination Santa Fe Opera is a Santa Fe Opera podcast, produced and edited by Andrea Klunder at The Creative Impostor Studios. Mixed by: Edwin R. Ruiz Hosted by: Jane Trembley Featuring: Angel Blue, American soprano *** Learn more about the Santa Fe Opera and plan your visit at http://www.santafeopera.org. We'd love for you to join us on Instagram, Twitter, Facebook, and TikTok @santafeopera.
Struggles make us who we are today ,and with God it can only get better .
The Lord had placed His Words inside of Jeremiah, and even if he tried to walk away from his calling, he couldn’t. There was a fire inside his bones, the fire of the Word of God, that would not stay silent. God had given Jeremiah words to speak, and even though it caused him persecution, …
We are made in the image of the Most High. What is that like? It is like fire upwards and fire downwards. --- Send in a voice message: https://anchor.fm/mirigyellowbird/message
Frances Tarlton “Sissy” Farenthold Endowed Lecture Series in Peace, Social Justice and Human Rights Is this really a racial reckoning? with Charles M. Blow Presented in partnership with the Rapoport Center for Human Rights and Justice at UT’s School of Law After the killing of George Floyd, millions of people, of all races and ethnicities, in America and around the world, poured into the streets as part of historic protests to demand racial justice. Some began to call those protests a major civil rights moment, a long-overdue, honest dealing with racial justice and equality. But, as months have passed, as progress has stalled and protests narrow, we are forced to wrestle with the question: Is this really a racial reckoning? Join the Rothko Chapel and the Bernard and Audre Rapoport Center for Human Rights and Justice at the University of Texas at Austin for the 6th annual Frances Tarlton “Sissy” Farenthold Endowed Lecture in Peace, Social Justice and Human Rights. The 2020 Farenthold Lecture kicked-off a series of Rothko Chapel programs exploring the past, present, and future of civil and human rights in this country. Which rights are particularly at-risk in today’s society, and how can we become more effective advocates and activists as we work to undo injustice and create a society of equality and equity? A moderated Q&A session by ABC13’s news anchor Melanie Lawson followed the lecture. About Charles M. Blow Charles M. Blow is an Op-Ed columnist at The New York Times, where his column appears on Mondays and Thursdays. Mr. Blow’s columns tackle hot-button issues such as social justice, racial equality, presidential politics, police violence, gun control, and the Black Lives Matter Movement. Mr. Blow is also a CNN commentator and was a Presidential Visiting Professor at Yale, where he taught a seminar on media and politics. He is the author of the critically acclaimed New York Times best-selling memoir, Fire Shut Up in My Bones. The book won a Lambda Literary Award and the Sperber Prize and made multiple prominent lists of best books published in 2014. People Magazine called it “searing and unforgettable.” Mr. Blow joined The New York Times in 1994 as a graphics editor and quickly became the paper’s graphics director, a position he held for nine years. He then went on to become the paper’s design director for news before leaving in 2006 to become the art director of National Geographic Magazine. Before coming to The Times, Mr. Blow had worked at The Detroit News. He graduated magna cum laude from Grambling State University in Louisiana, where he received a B.A. in mass communications, and he holds an honorary doctorate from Massachusetts College of Art and Design in Boston. He lives in Brooklyn and has three children.
In this episode, acclaimed journalist and op-ed columnist for the New York Times, Charles M. Blow, walks The Tight Rope with Dr. Cornel West and Professor Tricia Rose. The author of bestselling memoir Fire Shut Up in My Bones shares a grand geopolitical vision for Black America in his new book, The Devil You Know. The new text is an unsettling manifesto, proposing nothing short of what some may see as the most audacious power play by Black people in the history of this country. Become a member of The Tight Rope Patreon family for BTS access and more exclusive content! You can join at https://www.patreon.com/thetightropepodFull video versions at https://youtube.com/therealnews Previous episodes at https://youtube.com/thetightropepod Creator/EP: Jeremy BerryEP/Host: Cornel WestEP/Host: Tricia RoseProducers: Allie Hembrough, Ceyanna DentBeats x Butter (IG: @Butter_Records) Facebook: https://www.facebook.com/thetightropepod Instagram: https://www.instagram.com/thetightropepodTwitter: https://www.twitter.com/thetightropepod Help us continue producing radically independent news and in-depth analysis by following us and making a small donation:Donate: https://therealnews.com/donate-yt Sign up for our newsletter: https://therealnews.com/sign-up-ytLike us on Facebook: https://facebook.com/therealnewsFollow us on Twitter: https://twitter.com/therealnews
You just can't keep the goodness of the Lord quiet or to yourself! Scripture reading of Jeremiah 20:9. --- Send in a voice message: https://anchor.fm/overcomerslifegroup/message
Welcome to Honey In The Rock, your daily dose of inspiration and encouragement. In this episode, we shall be studying (Jeremiah 20). We shall also listen to a sermon by Reverend William Marrion Branham titled, 63-1116E - "Perseverance." I hope you find it to be a blessing.
Redeeming Love Fellowship --- Send in a voice message: https://anchor.fm/joeann-harrod/message
A Burning Fire Shut Up in my Bones Jeremiah 20:9 Speaker: DJ Kessinger Date: 8/9/20
Daily devotional commentary for October 29 taken from Jeremiah 20:9
In the first sermon of the series about the prophets, “God May Not Be Who You Think She Is,” Rev. Tom Are looks at Jeremiah and the passage where he admits that if it were possible to be anything other than a prophet, he would. It’s not a job he wants. But it is a job he must do. Jeremiah 20:7-13Support the show (https://www.villagepres.org/giving.html)
Performed by Sis. Beth Vallance
Ryan Shephard
The name Terence Blanchard is well known in the worlds of jazz and opera. Host Don Marsh talks with the Academy Award nominee and Grammy Award-winning composer/trumpeter about his latest OSTL commissioned production, “Fire Shut Up in My Bones,” as well as his work on the recent Spike Lee film, "BlacKkKlansman."
Jeremiah 20:9-11 - Torrance Nash - Sunday Evening Service - Sonlife Broadcasting Network - 07/30/17. Please visit www.jsm.org for more information. Episode Length: 23:59
Host Elizabeth Andersen is joined by Kent Cozad, D. Rashaan Gilmore, and Eric Peterson to talk about Charles M. Blow’s “Fire Shut Up in My Bones.” Complex people are often confident yet […] The post Sandra Moran Book Club-Charles Blow appeared first on KKFI.
New York Times columnist Charles M. Blow joins Khalil Muhammad, Director of NYPL’s Schomburg Center for Research in Black Culture, for a conversation about Blow’s new memoir, “Fire Shut Up in My Bones.” Through the lens of Blow’s powerful personal story, the two men discuss visual art, social justice, and the need for empathy in American culture.
New York Times columnist Charles M. Blow talks about coming of age in constant crisis in his first memoir, Fire Shut Up in My Bones.
When we talk about America's history of segregation, its not just about race and class, but also about geography. Even as the civil right movement would begin to take hold in the late 60’s and seventies, there were parts of America, particularly in the rural South, that we untouched by that progress. Places where slavery was not just a legacy to be overcome, but still in the fabric of the cultural DNA of place.It is into this landscape that a young boy grows up, prematurely comes of age due to familial sexual abuse and yet has the strength, courage, and intelligence to make it out. To become not just a pillar of the NY Times editorial page, but a man brave enough share his sometimes painful story. That man is Charles Blow. His new memoir is Fire Shut Up in My Bones.My conversation with Charles Blow:
Charles M. Blow, New York Times op-ed columnist, will join us to talk about his own extraordinary life story -- growing up in segregated, dirt-poor Louisiana. As told in his new memoir, Fire Shut Up in My Bones, he will share his reflections on coming of age in the South.Shawn Dove, director of the Open Society Foundations' Campaign for Black Male Achievement, will serve as moderator for the discussion.Talking About Race is presented in partnership with Open Society Institute-Baltimore. Recorded On: Wednesday, October 1, 2014
Pastor Z. Legend June 8, 2014 Fire Shut Up In My Bones Acts 2:1-4 1When the day of Pentecost came, they were all together in one place. 2Suddenly a sound like the blowing of a violent wind came from heaven and filled the whole house where they were sitting. 3They saw what seemed to be tongues of fire that separated and came to rest on each of them. 4All of them were filled with the Holy Spirit and began to speak in other tongues as the Spirit enabled them.
Getting the Word of God in you
© 2020-2025 Ivy Podcast Discovery LLC
