Podcasts about Modern music

Matthias Ford is a serial entrepreneur and the founder and CEO of Prism.fm, a transformative platform streamlining operations for the live music industry. With a background as a live music promoter and a deep passion for both technology and artistry, Matthias bridges the gap between efficiency and human connection. A father of two and a creator at heart, he's building tools that empower artists, enhance audience engagement, and preserve the magic of in-person experiences in a rapidly digitizing world.In this episode, Matthias Ford unpacks the future of live events, the power of social media, and how artists can reclaim control of their audience data.Key Takeaways:Why artists should take ownership of their data and promotion efforts in the live music sceneHow the pandemic reshaped our craving for in-person experiences—and why that mattersWhat Neuralink, the metaverse, and AI mean for the future of live entertainment and human connection---→ Discover more about Matt and Prism.fm at prism.fmBook an Artist Breakthrough Session with the Modern Musician team: https://apply.modernmusician.me/podcast

Episode OverviewDrew sits down with LA-based composer and educator Zach Heyde to unpack how he's blended film scoring, a 100,000-subscriber YouTube channel and a thriving mentorship program into a balanced creative life. They dig into sustaining passion, ditching hustle culture, and why sharing knowledge can be a business model in itself.Key Topics & Timestamps00:01 – Zach's early start: piano at 7 and first composing gigs → landing “Kung Fu Panda: The Dragon Knight” (dream job) NSP - Zach Heyde08:00 – Reality of writing 10 min of orchestral music per week & protecting creative energy NSP - Zach Heyde16:00 – Moving from Tennessee to LA for community, not clout—how genuine relationships create work opportunities NSP - Zach Heyde20:50 – 18 years on YouTube: what 100 K subs taught Zach about intention vs. vanity metrics NSP - Zach Heyde33:00 – Inside Zach's Composer Bootcamp & Pro Group: teaching the business of music, not just theory NSP - Zach Heyde42:30 – Lowering the “publish” barrier: tactics for beating over-thinking and sharing in real time NSP - Zach Heyde50:00 – Upcoming projects: recording live strings in Budapest and turning the process into content NSP - Zach HeydeTakeawaysYour creative “North Star” evolves. Let the fog clear naturally.Time-boxed scoring (3 hrs/minute) demands new workflows; balance craft with sustainability.Authentic networking = making friends first; work follows.Audience trust grows faster when your content serves genuine curiosity, not algorithms.Teaching can satisfy creative, financial, and community needs simultaneously.Ship fast: capture the impulse before perfectionism kills momentum.Resources & LinksZach's YouTube channel – https://youtube.com/zachheydeZach's IG: @zachheydeZach's Composer Pro Group & Bootcamp – details on https://zachheyde.comThe Call of Raven's Hollow (Album): https://zachheyde.bandcamp.com/album/the-call-of-ravens-hollowConnect with DrewCreative Balance Newsletter: https://thedrewenglish.substack.com/Drew's IG: @drewenglishhDrew's Website: www.drewenglish.com

Le Karibfutursound de Célia Wa ouvre le bal, le post dub noisy rock de Brain Damage le referme… Célia Wa est notre 1ère invitée dans la #SessionLive pour la sortie du 1er album Fasadé.                                                                                                                                Célia Wa est une artiste guadeloupéenne née à Paris, chanteuse, flûtiste et multi-instrumentiste. Initiée dès son plus jeune âge aux musiques traditionnelles afro-caribéennes, elle développe un style unique qu'elle nomme «Karibfutursound», fusionnant soul, électro, gwo ka, jazz et hip-hop.Après avoir intégré l'American School of Modern Music de Paris, elle multiplie les collaborations. Elle sort son premier «WA EP» en 2013, suivi de deux autres Adan on dòt solèy - Karibfutursound part 1 en 2018, puis Wastral en 2021.Célia Wa se distingue par son engagement pour le patrimoine culturel antillais et son désir d'affirmer son identité guadeloupéenne à travers sa musique.Après 3 EP, Fasadé, cet album de 9 titres qu'elle a puisé dans son « nan-nan » artistique comme elle le dit elle-même : une base Gwoka teintée de sonorités soul, jazz et même d'amapiano. Un univers électro-acoustique #Karibfutursound qui s'inscrit dans la mouvance « Kako », rencontre de tradition et modernité. Fasadé incarne la volonté de lier les cultures et de dépasser les seules limites de l'arc caribéen. Chaque morceau libère une énergie qui sublime aussi bien la colère que l'enthousiasme, pour aboutir à une véritable célébration de l'amour, de la détermination et de la liberté.Titres interprétés au grand studio- Ola (colère) Live RFI- Huey (lettre à son fils) Live RFI+ Extraits de l'album- Rasanbleman Feat. Roger Raspail (Toto Bissainthe)- No Lies Feat. Ousmane Kouyaté- Sango Feat. OwomideLine Up : Célia Wa (voix,flûte), Xavier Belin (claviers, voix) et Christophe Négrit (batterie,voix)Son : Benoît Letirant, Mathias Taylor► Album Fasadé (Heavenly Sweetness 2025).Site - Bandcamp - YouTube. Puis nous recevons Brain Damage dans la 2nde #SessionLive pour la sortie de Oide Oide.La rencontre entre Brain Damage et la Japonaise Emiko Ota marque le début d'un fascinant projet à tiroirs, où récits et propositions musicales insolites se juxtaposent, s'entremêlent et s'entrechoquent. Ensemble, ils explorent l'univers mystique des yōkai japonais, ces créatures surnaturelles qui peuplent le folklore nippon. Emiko Ota s'inspire de cinq de ces chimères emblématiques : Katsura Otoko, Tenome, Isogashi, Azuki Arai et Baku, chacune représentant une facette mystérieuse de l'imaginaire japonais, du charme trompeur à la peur, en passant par la frénésie et les rêves dévorés. Tour à tour séduisante, inquiétante, agitée ou apaisante, Emiko navigue entre registres et émotions, donnant vie à ces créatures légendaires à travers une palette vocale riche et nuancée.La musique de Brain Damage, quant à elle, a subi une transformation radicale. Chaque morceau est sculpté avec précision, tantôt enjoué et énergique, tantôt contemplatif et mystérieux, capturant la nature imprévisible des yōkai et s'adaptant parfaitement aux récits mythologiques portés par la chanteuse japonaise.Dans une approche résolument expérimentale, Martin Nathan a fait appel à Mad Professor, l'une des dernières légendes vivante du dub international, pour remixer cette nouvelle création. Se pliant au jeu avec malice, le mythique producteur plus en forme que jamais, propose ici des versions incroyablement aérées et néanmoins apocalyptiques. Ensemble donc, ils proposent une certaine vision du dub, qui réinvente l'inattendu: le post-dub. Si les techniques de traitement sonores inhérentes au style demeurent : mixages évolutifs, échos, réverbérations et basses fréquences quasi palpables, les sources anglo-jamaïcaines du genre ont bel et bien été remplacées, re-conceptualisées, recomposées, réécrites.Une véritable renaissance artistique, avec comme prétexte le post-dub, pour à nouveau explorer, captiver, surprendre.Une oeuvre singulière, immersive, où l'audace et l'inventivité du propos musical s'accorde avec la narration allégorique portée par Emiko Ota. Une véritable exploration des ombres et des lumières, un voyage auditif et spirituel à travers les légendes japonaises. Entre la douceur des rêves et la morsure des cauchemars…Titres interprétés au grand studio- Tenome, Live RFI- Katsuro Otoko, extrait Cd Dub- Isogashi, Live RFI.Line Up : Martin Nathan : machines, Emiko Ota : chant.Son : Mathias Taylor, Benoît Letirant.► Album Oide Oide (Jarring Effects 2025)Site - YouTube - Bandcamp - Instagram. Réalisation : Hadrien Touraud.

Le Karibfutursound de Célia Wa ouvre le bal, le post dub noisy rock de Brain Damage le referme… Célia Wa est notre 1ère invitée dans la #SessionLive pour la sortie du 1er album Fasadé.                                                                                                                                Célia Wa est une artiste guadeloupéenne née à Paris, chanteuse, flûtiste et multi-instrumentiste. Initiée dès son plus jeune âge aux musiques traditionnelles afro-caribéennes, elle développe un style unique qu'elle nomme «Karibfutursound», fusionnant soul, électro, gwo ka, jazz et hip-hop.Après avoir intégré l'American School of Modern Music de Paris, elle multiplie les collaborations. Elle sort son premier «WA EP» en 2013, suivi de deux autres Adan on dòt solèy - Karibfutursound part 1 en 2018, puis Wastral en 2021.Célia Wa se distingue par son engagement pour le patrimoine culturel antillais et son désir d'affirmer son identité guadeloupéenne à travers sa musique.Après 3 EP, Fasadé, cet album de 9 titres qu'elle a puisé dans son « nan-nan » artistique comme elle le dit elle-même : une base Gwoka teintée de sonorités soul, jazz et même d'amapiano. Un univers électro-acoustique #Karibfutursound qui s'inscrit dans la mouvance « Kako », rencontre de tradition et modernité. Fasadé incarne la volonté de lier les cultures et de dépasser les seules limites de l'arc caribéen. Chaque morceau libère une énergie qui sublime aussi bien la colère que l'enthousiasme, pour aboutir à une véritable célébration de l'amour, de la détermination et de la liberté.Titres interprétés au grand studio- Ola (colère) Live RFI- Huey (lettre à son fils) Live RFI+ Extraits de l'album- Rasanbleman Feat. Roger Raspail (Toto Bissainthe)- No Lies Feat. Ousmane Kouyaté- Sango Feat. OwomideLine Up : Célia Wa (voix,flûte), Xavier Belin (claviers, voix) et Christophe Négrit (batterie,voix)Son : Benoît Letirant, Mathias Taylor► Album Fasadé (Heavenly Sweetness 2025).Site - Bandcamp - YouTube. Puis nous recevons Brain Damage dans la 2nde #SessionLive pour la sortie de Oide Oide.La rencontre entre Brain Damage et la Japonaise Emiko Ota marque le début d'un fascinant projet à tiroirs, où récits et propositions musicales insolites se juxtaposent, s'entremêlent et s'entrechoquent. Ensemble, ils explorent l'univers mystique des yōkai japonais, ces créatures surnaturelles qui peuplent le folklore nippon. Emiko Ota s'inspire de cinq de ces chimères emblématiques : Katsura Otoko, Tenome, Isogashi, Azuki Arai et Baku, chacune représentant une facette mystérieuse de l'imaginaire japonais, du charme trompeur à la peur, en passant par la frénésie et les rêves dévorés. Tour à tour séduisante, inquiétante, agitée ou apaisante, Emiko navigue entre registres et émotions, donnant vie à ces créatures légendaires à travers une palette vocale riche et nuancée.La musique de Brain Damage, quant à elle, a subi une transformation radicale. Chaque morceau est sculpté avec précision, tantôt enjoué et énergique, tantôt contemplatif et mystérieux, capturant la nature imprévisible des yōkai et s'adaptant parfaitement aux récits mythologiques portés par la chanteuse japonaise.Dans une approche résolument expérimentale, Martin Nathan a fait appel à Mad Professor, l'une des dernières légendes vivante du dub international, pour remixer cette nouvelle création. Se pliant au jeu avec malice, le mythique producteur plus en forme que jamais, propose ici des versions incroyablement aérées et néanmoins apocalyptiques. Ensemble donc, ils proposent une certaine vision du dub, qui réinvente l'inattendu: le post-dub. Si les techniques de traitement sonores inhérentes au style demeurent : mixages évolutifs, échos, réverbérations et basses fréquences quasi palpables, les sources anglo-jamaïcaines du genre ont bel et bien été remplacées, re-conceptualisées, recomposées, réécrites.Une véritable renaissance artistique, avec comme prétexte le post-dub, pour à nouveau explorer, captiver, surprendre.Une oeuvre singulière, immersive, où l'audace et l'inventivité du propos musical s'accorde avec la narration allégorique portée par Emiko Ota. Une véritable exploration des ombres et des lumières, un voyage auditif et spirituel à travers les légendes japonaises. Entre la douceur des rêves et la morsure des cauchemars…Titres interprétés au grand studio- Tenome, Live RFI- Katsuro Otoko, extrait Cd Dub- Isogashi, Live RFI.Line Up : Martin Nathan : machines, Emiko Ota : chant.Son : Mathias Taylor, Benoît Letirant.► Album Oide Oide (Jarring Effects 2025)Site - YouTube - Bandcamp - Instagram. Réalisation : Hadrien Touraud.

In this engaging conversation, Brian Karem and John Fugl discuss the legacy of the Beatles and their impact on modern activism. They explore how John Lennon would likely respond to today's political climate, the evolving activism of Paul McCartney, and George Harrison's humanitarian efforts. The discussion highlights the importance of protest music and the cultural significance of the Beatles in addressing social issues. In this engaging conversation, Brian J. Karem and John discuss the enduring legacy of George Harrison and The Beatles, exploring their impact on music, society, and personal lives. They delve into the underrated songs of George Harrison, the spirituality and activism of the band members, and the current state of protest music. The discussion highlights personal anecdotes, the cultural significance of The Beatles, and the need for more political expression in modern music.Follow us on Twitter: https://twitter.com/JATQPodcastFollow us on BlueSky: https://bsky.app/profile/jatqpodcast.bsky.socialIntragram: https://www.instagram.com/jatqpodcastYoutube:https://www.youtube.com/channel/UCET7k2_Y9P9Fz0MZRARGqVwThis Show is Available Ad-Free And Early For Patreon supporters here:https://www.patreon.com/justaskthequestionpodcastPurchase Brian's book "Free The Press"  

Welcome to Episode 68 of The Larry Ohh Show! In this episode, we dive into the exciting FL Studio 25 Beta 4 update, showcasing the new mastering plugin "Emphasis" and its powerful features. We also answer listener voicemails, discuss Splice's $50M acquisition of Spitfire Audio, and reflect on music nostalgia, timeless tracks, and the state of modern music production. Don't miss the laughs, insights, and producer tips!  Must Have Producer Tools: http://yahelpme.com Leave us a voicemail: 401-903-8714This is a weekly podcast where we talk about everything FL Studio and music production!Larry Ohh (Host):  / larryohh  John Phelps (Co-Host):@ItsJohnPhelps on TikTok@ItsJohnPhelps on IGhttps://itsjohnphelps.com0:00 Intro0:17 FL Studio 25 Beta 4 Announcement & Emphasis Plugin Reveal1:07 Deep Dive into Emphasis: Features, Maximus Comparison, & More2:22 Emphasis Plugin Demo on a Track3:37 Exploring Loudness (LUFS) & Plugin Parameters4:33 Testing Emphasis on a Master & Preset Discussion6:35 Mid/Side Processing & Delta Feature Breakdown8:25 Listening to Voicemails9:58 MIDI Note Automation in FL Studio vs. Ableton12:25 Solving the MIDI Automation Puzzle16:11 Splice Acquires Spitfire Audio for $50M18:34 AI in Music Creation: Splice Create & Industry Impact20:54 Spitfire Audio's Sample Quality & AI Training Potential23:16 Off-Topic: Embracing "Punk Status" & Music Nostalgia25:12 Why Older Music Feels Timeless28:29 Modern Music, TikTok Trends, & Artistic Intent31:47 Reflecting on Music Production Evolution34:48 T

Featuring music from London's Kokoroko, new music from Australia's King Gizzard & the Lizard Wizard, Tsapiky! Modern Music from Southwestern Madagascar + more!

Little Anthony and the Imperials: A Doo-Wop Legend Who Still Shines BrightIn the golden age of American music, few voices soared as high—or cut as deep—as that of Little Anthony. Born Jerome Gourdine in Brooklyn, Little Anthony became one of the most distinctive and emotional falsettos in soul, doo-wop, and classic pop music history. As the lead singer of Little Anthony and the Imperials, his voice helped define an era, touching hearts with hits like “Tears on My Pillow,” “Goin' Out of My Head,” and “Hurt So Bad.” His music not only broke chart records but also broke barriers between genres, blending doo-wop harmonies, soul grooves, and pop sensibilities in a way that left a lasting mark on American R&B history.Before the spotlight, Little Anthony grew up in a neighbourhood immersed in gospel and street-corner harmonies. Young Jerome began singing doo-wop as a teenager. He joined a vocal group called The Duponts, who released a single in 57.His big break came when he joined The Chesters, a vocal group that would soon rename itself The Imperials. With Jerome now taking center stage as “Little Anthony”—a nickname given by a legendary due to his youthful appearance and high-pitched voice—the group's sound clicked immediately. His natural falsetto became their signature.In 58, the group signed to a label. Their debut single, “Tears on My Pillow,” exploded on the charts. With its raw emotion, aching falsetto, and lush harmonies, the song became an anthem of teen heartache and a pillar of 1950s American pop.From that point, Little Anthony and the Imperials embarked on a journey that would bring them lasting fame. They followed up with hits like “Shimmy Shimmy Ko-Ko Bop,” “I'm on the Outside (Looking In),” “Goin' Out of My Head,” and “Hurt So Bad.” It was Little Anthony's voice that made the group stand out during the changing tides of 60s music, when the British Invasion and Motown were reshaping the industry.Songs like “Goin' Out of My Head” became pop-soul classics, covered by countless artists across genres—from Frank Sinatra to The Lettermen.Their sound matured in the 60s, becoming more orchestrated and polished. Working with producers like Teddy Randazzo, they crafted sophisticated, adult-oriented pop-soul that prefigured the lush soul ballads of later decades.In 2009, Little Anthony and the Imperials were inducted into the Rock and Roll Hall of Fame. The induction was presented by Smokey Robinson, who praised Anthony's emotive voice and the group's groundbreaking blend of genres. Unlike many of his peers, Little Anthony has remained active well into his 80s, still taking to the stage with the same passion and charisma that made him a star in the 50s. Whether singing at doo-wop revival shows, soul festivals, or headlining his own concerts, Little Anthony still delights audiences wherever he goes.His presence remains strong on platforms like PBS specials, oldies cruises, and classic soul tours, where fans young and old gather to hear the voice that made them fall in love with music in the first place.Little Anthony's music is more than a nostalgic reminder of the past—it's a living, breathing testament to the power of vocal harmony, heartfelt songwriting, and soul-stirring performance. His contributions helped shape not only the sound of doo-wop but also the emotional core of American soul and pop. His hits continue to be rediscovered by younger audiences and sampled in modern tracks, proving the timeless appeal of his work.As the frontman of one of the most influential vocal groups of all time, Little Anthony remains a legend—not just for his voice, but for his passion, resilience, and devotion to the music.

Lors des deux concerts des Who au Royal Albert Hall de Londres fin mars, le groupe a marqué les esprits avec un nouveau line-up épuré, la première performance live du titre perdu "The Song Is Over" et la résurrection de "Love Ain't For Keeping", voir en ligne sur notre site. Un post sur le compte Instagram de Bruce Springsteen intrigue particulièrement. Il montre une fiche d'enregistrement du label Thrill Hill Recording datée du 3 avril, accompagnée du message , simple blague ou véritable teasing ? Billy Corgan célèbre l'anniversaire des Smashing Pumpkins sans les Smashing Pumpkins : un triple anniversaire avec les 30 ans de ‘'Mellon Collie and the Infinite Sadness'' et les 25 ans des albums ‘'Machina/The Machines of God'' et ‘'Machina II/The Friends and Enemies of Modern Music''. Neil Young craint qu'on lui interdise de revenir aux États-Unis après après sa tournée européenne et ses critiques contre Donald Trump. Mots-Clés : Roger Daltrey, santé, scène, état physique, vieillesse, sourd, aveugle, voix, show à la perfection, setlist, 1ᵉʳ avril, canulars, rumeur, volume, Tracks, communiqué officiel, projet, carrière, inédits, célébrer, héritage, solo, tournée, Aghori Mhori Mei, avenir, préparation, Love Earth Tour, The Chrome Hearts, Royaume-Uni, concert, Belgique, blog, Neil Young Archives, crainte, détenu, retour. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, en direct chaque jour à 7h30 et 18h30 sur votre radio rock'n'pop. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankxDistribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Le guitariste Thomas Naïm est le seul guitariste au monde à proposer un album solo sur Hendrix. La #SessionLive reçoit Thomas Naïm pour la sortie de l'album May This Be Love et le spécialiste français de Jimi Hendrix : Yazid Manou !C'est après un stage d'été au Berklee College of Music de Boston et des cours à l'American School of Modern Music à Paris, que Thomas Naïm fonde avec la chanteuse Joyce Hozé le duo Tom & Joyce. Influencé par la MPB, la bossa nova des 60's et le jazz, le groupe enregistre deux albums : Tom & Joyce sorti en 2002 (Yellow Productions/East West) et Antigua en 2005 (Yellow Productions/Tommy Boy) sur lequel participe le légendaire batteur Tony Allen et dont certains morceaux seront remixés par des producteurs de dance music parmi les plus reconnus (Masters At Work, François Kevorkian ou Bob Sinclar).Par la suite, Thomas Naïm sera sollicité pour accompagner sur scène ou en studio de nombreux artistes venant d'horizons parfois très différents parmi lesquels Youn Sun Nah, Hugh Coltman, Hindi Zahra, Sébastien Tellier, Ala.ni, Mayra Andrade, Tiken Jah Fakoly, Blick Bassy, Idrissa Diop, Bob Sinclar, Salomé de Bahia, Brisa Roché, Bernard Lavilliers, Albin de la Simone, Michel Fugain, Claire Diterzi, Renan Luce…Il mène en parallèle depuis plusieurs années une carrière solo à la tête d'un trio avec le bassiste Marcello Giuliani et le batteur Raphaël Chassin avec lesquels il enregistre en 2018 l'album Desert Highway.En 2020, Thomas Naïm va confronter son trio aux compositions du maître Jimi Hendrix et enregistrer l'album Sounds of Jimi. L'idée de départ n'est pas de reprendre les titres d'Hendrix tel quel mais de trouver pour chaque morceau une esthétique plus personnelle, et à l'exception de trois titres chantés par Hugh Coltman et Célia Kameni, de privilégier l'approche instrumentale. L'album accueillera également en invités Erik Truffaz à la trompette et Camille Bazbaz à l'orgue.En 2022, il retourne en studio avec son trio augmenté de l'organiste/pianiste de Marc Benham pour enregistrer, sous la houlette du réalisateur grand angle Daniel Yvinec, On the Far Side, un album consacré à ses propres compositions dont la sortie est prévue pour février 2023. Thomas Naïm y retrouve ses premières amours, le Jazz, qu'il mêle à ses influences de toujours la pop, le rock psychédélique, les bandes originales de films et mille autres choses. Laurent Bardainne (saxophone) souffle sur trois titres un vent créatif qui donne à cet album unique une force et une couleur presque mystique.Avec May This Be Love, Thomas Naïm devient le 1er guitariste au monde, à reprendre Hendrix en guitare solo.Titres interprétés au grand studio- Hey Joe Live RFI- The Wind Cries Mary, extrait de l'album- Purple Haze Live RFILine Up : Thomas Naïm, guitare.Son : Benoît Le Tirant, Camille Roch, Mathias Taylor.Album May This Be Love (Rootless Blues 2025).Site -  YouTube - Bandcamp. Yazid Manou est journaliste, relations presse et spécialiste de Jimi Hendrix en France. en 1990, il organise un concert à l'Olympia pour les 20 ans de la disparition du guitariste américain. Il est le héros du roman « Blues pour Jimi Hendrix » écrit par Stéphane Koechlin. Yazid Manou est le gardien d'un mort comme Anubis dans la mythologie égyptienne, Jimi Hendrix. Il porte des fleurs sur sa tombe, soigne sa postérité, veille à sa gloire... En 1990, vingt ans après la mort de Jimi le 18 septembre 1970, il a organisé le festival « Jimi's Back » à Paris pendant une semaine dont une soirée à l'Olympia qui a bouleversé sa vie. Il y a invité de nombreux artistes pour reprendre les thèmes du bluesman. Il a convié bien sûr en premier lieu l'ex-bassiste de Jimi, Noel Redding, personnage douloureux et attachant, frappé quelques mois plus tôt par un deuil terrible, la mort de sa fiancée Carol Appleby dans un accident de voiture. Depuis, la vie de Yazid - devenu par la suite attaché de presse indépendant - est rythmée par les nouvelles de la « famille Hendrix », disputes avec la soeur adoptive Janie, rencontre avec ceux qui l'ont connu (B. B. King, Eric Clapton, Paul McCartney, Johnny Hallyday, Miles Davis, Taj Mahal), sorties d'albums (Jimi a davantage publié de disques une fois mort que vivant), disparition des témoins, Noel, Buddy Miles, Monika Dannemann (dernière compagne), Al Hendrix (son père) puis Mitch Mitchell. Il a construit sa vie autour d'un mort, de la mort en général. Yazid est un infatigable marcheur africain arpentant le pavé parisien en compagnie de son fantôme.Playlist Jimi Hendrix par Yazid Manou51st Anniversary, Wait Until Tomorrow, Red House & All Along the Watchtower.Concert du 20 mars @ Le 360 Paris.Réalisation : Hadrien Touraud.

On this week's episode, Jen had the opportunity to sit down with Kevin Longwill, one of Yamaha's '40 under 40' to discuss teaching 'Modern Music' and the impact of broadening music education horizons to appeal to non-traditional music students.You can learn more about Kevin and his upcoming Modern Music invitational at Abington Senior High School here: https://www.m3asd.com/invitational

In this episode of the Mixing Music Podcast, Dee Kei and Lu dive into the concept of declinism—the cognitive bias that makes us believe things are getting worse, even when they aren't. They explore how this mindset manifests in the music industry, from nostalgia-driven skepticism to resisting new trends and technologies. More importantly, they break down practical ways to stay open-minded, adapt to industry shifts, and ensure long-term creative and professional growth. Tune in to learn how to fight the illusion of decline and keep evolving!SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's Private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We sat down with Four Year Strong to talk about their latest album Analysis Paralysis, the evolution of the band, and how they navigate the ever-changing music industry.Follow us - https://linktr.ee/ManOverboardPodcast

The life of Michael Parenti is truly extraordinary, as he witnessed two significant cultural movements that changed the word. Growing up in Malibu, he went to school with the likes of Sean Penn and Charlie Sheen, met a young Madonna before she was an international star, hung out in Bob Dylan's house, and saw live acts like Nirvana and Red Hot Chilli Peppers long before MTV made them famous. As an internet entrepreneur, he became involved with the Bitcoin Foundation and also saw the early days of Ethereum. He attended hundreds of events, spoke with some of the people who are completely unapproachable today, and found himself in the middle of something magical, naive, and revolutionary. In this episode, we talk about the backstage politics that Michael Parenti witnessed and what it was like to believe in the cyhpherpunk dream more than a decade ago. Time stamps: Intro (00:00:48) Why Michael Is Exiled (00:01:54) Mainstream Adoption (00:02:11) Price Manipulation? (00:07:02) Debate on Bitcoin's Future (00:10:03) Ethereum as a Layer for Bitcoin (00:11:22) Bitcoin's Limitations (00:14:30) Government Surveillance and Compliance (00:16:21) Michael's Personal Experience with the Government (00:19:22) Reality of Government Power (00:21:21) Citrea (00:22:44) Room Mates at Pizza Day (00:24:34) Networking at Paralelni Polis (00:26:02) Ethereum as a Sidechain with WBTC (00:28:16) Bitcoin Foundation Experiences (00:32:06) Concerns Over Bitcoin's Direction (00:35:17) New York Agreement (00:37:28) Lightning Network & Disappointment (00:41:10) Bitcoin's Value and Community (00:45:13) Layer Two Labs and Bitcoin Maximalism (00:47:23) Challenges of Rootstock (00:52:17) Blockstream & Fear of Change (00:54:23) Incentives and Bitcoin's Stagnation (00:57:31) Self-Custody Challenges (01:00:38) Satoshi's Naivety (01:05:19) Zcash Is Satoshi's Vision (01:07:28) Historical Context of Bitcoin (01:12:10) Mt. Gox and Early Exchanges (01:14:55) Vitalik Buterin's Contributions (01:16:36) Toxicity in Bitcoin Development (01:18:35) Legal Uncertainty in Bitcoin (01:22:00) Ethereum's Development Model (01:24:19) Bitcoin's Future and Upgrades (01:29:09) SideShift (01:30:35) NoOnes (01:32:28) Dysfunction of Bitcoin Communities (01:34:06) Bitcoin Foundation: The Good, The Bad, The Corruption (01:35:36) Social Media's Role in Bitcoin's Evolution (02:01:10) Wikileaks and Bitcoin Intersection (02:02:09) Early Bitcoin Community Dynamics (02:04:20) Cypherpunks Mailing List Involvement (02:05:03) Wikileaks and Decentralized Media (02:06:45) Bitcoin as a Response to Financial Blockades (02:12:34) Transition to Bitcoin Foundation (02:15:55) Reflections on Bitcoin's Growth (02:18:08) Community Dynamics Across Cryptocurrencies (02:20:42) Samson Mow (02:23:28) Inflation and Daily Costs (02:27:00) Crisis of Conscience (02:28:56) Leaving Paralelni Polis and Event Fatigue (02:29:49) Celebrity Encounters in Malibu (02:30:36) Transition from Bitcoin to Ethereum (02:39:02) Music Journalism, Television & Editing (02:43:24) Crypto's Emergence (02:48:54) The Evolution of Crypto Communities (02:52:27) Government and Capital Accumulation (02:53:28) Bitcoin's Role in the Future (02:56:58) Critique of Stablecoins (03:02:37) The Need for Multiple Cryptocurrencies (03:03:57) The Absurdity of Bitcoin Narratives (03:05:02) The Toxicity of Crypto Tribes (03:09:25) Disillusionment with Cryptocurrency (03:20:43) The Future of Bitcoin (03:24:05) The Death of the American Empire, Climate Change & Economic Realities (03:25:19) Disruption and Change (03:31:05) Discussion on Realpolitik (03:34:00) Julian Assange's Impact (03:34:56) Podconf (03:36:10) Future of Bitcoin Forks (03:38:10) Redistribution of Satoshi's Coins (03:39:53) Privacy Magazine (03:43:17) Is Peter Todd Satoshi Nakamoto? (03:43:50) Identifying Satoshi (03:46:22) Early Bitcoin Experience (04:03:09) MultiBit Wallet (04:04:41) Advice to Younger Self (04:05:25) Bitcoin Foundation Today (04:06:00) Memes and Education (04:12:24) Influence on Ethereum Community (04:15:50) Regrets About NFTs (04:18:09) Personal Aspirations vs. Wealth (04:23:18) Trust Fund Kids in Los Angeles (04:24:50) Nabila Yacht DJing (04:27:51) Classic Cars vs. Luxury Vehicles (04:28:49) Selling Family Heirlooms (04:34:07) Being Neighbors with Mick Fleetwood and Chris Carter (04:34:40) Disinterest in AI (04:36:43) Focus on Privacy Tech (04:39:39) Concerns About Universal Basic Income (04:41:55) Geopolitical Implications of Technology (04:44:23) Fascination with Physics (04:51:00) Optimism for the Future & Aging (04:54:00) Cultural Nostalgia (04:58:00) Opportunities in the Internet Age (05:05:05) Historical Perspective on Human Advancement & Optimism (05:10:20) Current State of Layer Two Solutions (05:16:30) Concerns about Bitcoin's Transaction Fees (05:19:27) Future of Decentralized Exchanges (05:22:39) Incentives for Bitcoin Holders (05:24:49) Bringing Use Cases to Bitcoin (05:27:17) Impact of Other Blockchains on Bitcoin (05:29:43) Gold vs. Bitcoin Narrative (05:31:16) Physical Gold Demand (05:34:00) Lexus or Supra? (05:36:37) Bitcoin Flipping Gold? (05:37:30) Privacy Conference Planning (05:44:02) Live Viewership Metrics (06:09:09) Bob Dylan (06:12:45) Tom Petty Anecdote (06:19:09) Nirvana in Vienna (06:26:37) Desert Sessions (06:28:17) Early ZZ Top Albums (06:29:06) Stevie Ray Vaughan (06:31:11) Chess Records and Iconic Artists (06:31:44) Meeting Little Richard (06:32:50) Video Production Beginnings (06:32:50) Gary Busey's Music (06:35:04) Malibu Music Scene (06:36:23) The Doors Film Project (06:37:42) Meeting Robin Williams in Acting Class (06:41:00) Oingo Boingo and Danny Elfman (06:43:17) Decline of Western Civilization (06:45:52) Managing the Surf Punks (06:46:16) Fear and Punk Scene (06:47:09) Ramones Concert Experience (06:50:27) Talking Heads and Ramones (06:51:03) David Bowie's Influence (06:52:40) A Teenage Adventure with Led Zeppelin (06:54:07) David Lee Roth in Hollywood (07:04:39) Pink Floyd Tour Experience (07:10:47) Record-Breaking Podcast (07:12:02) First Big Concert Experience (07:14:47) Introduction to Hip Hop (07:17:08) Family's Music Background (07:22:21) Meeting Donald Fagen of Steely Dan (07:26:38) David Bowie Records (07:30:46) Critique of Modern Music (07:38:13) Music Journalism Experience (07:41:19) Bitcoin Takeover Podcast Theme Song (07:41:59) Girlfriend's Comment (07:43:11) Regret Over 1965 Fender Twin Reverb (07:43:28) Mesa Boogie Story (07:44:31) Promotions (07:49:24) Proof of Work Summit (07:50:05) Difficult Questions at Conferences (08:00:06) Experience in Music Journalism (08:01:29) Cultural Judgment and Values (08:02:00) Observations on Events (08:02:35) Podcast Purpose (08:03:02) American Exceptionalism (08:03:52) Interpersonal Interactions (08:04:06) Personal Growth and Change (08:04:40) Tribalism and Online Culture (08:05:04) Decentralization and Freedom (08:06:56) Critique of Monero Community (08:08:00) Record Podcast Duration (08:09:44)

Asher returns to share his journey as an independent artist facing the rapid technological changes of the music industry. Discover how he balances the allure of advanced tools like AI while staying true to his artistic roots. Asher opens up about the intricacies of collaboration, revealing the necessity of producing fully-realized tracks to engage other artists meaningfully. Delve into the potential pitfalls of AI, and learn about the tightrope walk of maintaining artistic integrity amid evolving industry practices.This episode also brings you behind the scenes of a captivating collaborative project with renowned artists like Ginny and Johannes. Asher recounts navigating record label complexities to secure Ginny's participation, known for her work alongside big names such as Dave Matthews and Jay-Z. With contributions from the talented drummer Johannes and Lucas Sater from the Pentatonix, this musical endeavor is filled with rich, creative synergy. Asher shares reflections on past collaborative challenges, emphasizing the importance of respecting each partner's creative vision and celebrating the diversity of genres he's excited to explore in upcoming projects.Support the show

In this engaging conversation, The Millennial General interviews Noc Beteck, a versatile and creative artist navigating the complexities of the modern music landscape. They discuss the impact of technology on music monetization, Noc's unique sound, his creative process in the studio, and the importance of self-reflection and accountability in personal growth. Noc expresses gratitude for the opportunities provided by Power 102.8 Los Angeles and emphasizes the significance of genuine connections with audiences.Support this podcast at — https://redcircle.com/power-102-8-los-angeles/donations

In this episode of the Shepherd Press Podcast, host Anthony Russo welcomes guest Humphrey Dobson to discuss his new book, 'Music to the Glory of God: Why You Should Think About Music.' Anthony and Humphrey explore the universal presence of music, its deep influence on our souls, and the importance of evaluating its quality. They delve into historical perspectives and standards for beauty, the role of music in worship, and the impact of modern music trends. The episode features Dobson's insights on the spiritual implications of music and practical advice for Christians on making thoughtful music choices. 01:56 Introducing Humphrey Dobson 03:06 Defining Music and Its Impact 06:47 The Objective Principles of Beauty in Music 10:42 The legacy of J.S. Bach13:13 Evaluation of Modern Music and Its Historic Impact20:43 Conclusion and Next StepsFollow Shepherd Press on social media for more insights:Facebook: @shepherdpressInstagram: @shepherdpressincGrab a copy of 'Music to the Glory of God' : https://www.shepherdpress.com/products/music-to-the-glory-of-god/

Aaron Axelsen is a music industry veteran with over 25 years of experience, from DJing to discovering and supporting groundbreaking artists. As the co-founder of Pop Scene and a longtime radio programmer, Aaron has played a pivotal role in shaping the careers of countless emerging musicians. His expertise lies in combining grassroots marketing with a deep understanding of what resonates with audiences, making him a trusted figure in the ever-evolving music industry.Join us as Aaron shares his journey and invaluable insights for artists and industry enthusiasts alike:Why timing and authenticity are key ingredients for breaking into the music scene.How grassroots marketing and platforms like Pop Scene foster artist growth.Practical advice for building relationships, navigating labels, and creating music that lasts.-----To learn more about Aaron visit: https://www.djaaronaxelsen.com/Book an Artist Breakthrough Session with the Modern Musician team: https://apply.modernmusician.me/podcast

Send me any questions hereIn this conversation, Ian interviews Barry Aiken, a seasoned musician, producer and composer, who shares his journey in the music industry, from his early love for music to his experiences as a touring musician and teacher. Barry discusses the evolution of music culture, the importance of unique skills in the industry, and offers valuable advice for aspiring musicians navigating today's landscape. In this conversation, Barry Aiken discusses the importance of diverse music genres, the critical role of listening in developing musical skills, and the value of early musical exposure. He reflects on the learning experiences gained from playing in bands and emphasizes that success in music is not solely defined by fame but by the joy of creating and collaborating with others.TakeawaysBarry's passion for music started in second grade.He chose a teaching degree over a performance degree.Writing music opened many doors for Barry.The music industry has changed significantly over the years.Aspiring musicians should learn recording software.Teaching music can be a fulfilling career.Unique skills are essential for success in music.Pop music has become simpler in production.Live musicianship is often lacking in modern recordings.The 70s were a golden era for diverse music on the radio. There are great musicians across various genres, but accessibility can be limited.Listening to a variety of music is crucial for developing a good ear.Your ears must recognize beautiful melodies and rhythms to express them as a player.Playing in bands provides invaluable experience and learning opportunities.Early exposure to high-quality music influences musical development.Success in music can be defined by the joy of collaboration, not just fame.Failing in music is a significant learning opportunity.Listening to music with high information content is essential for growth.Translating what you hear into your instrument requires practice and patience.The magic of a band comes from the collective sound, not just the lead performer.Ian Christianson Instagram: https://www.instagram.com/christianson_ian?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw== Support the show

An interview with the record label veteran and Gamma founder, who has worked closely with Whitney Houston, Drake, Chief Keef and Lana Del Rey.Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

In this episode of Working Class Audio, Matt reconnects with Grammy-winning producer and engineer J.J. Blair, last featured in Episode 96. J.J. shares the challenges of building a state-of-the-art recording studio in the Hollywood Hills and offers insights from his popular "Microphone Mondays" series. He also opens up about his recent heart surgery and recovery, emphasizing the importance of prioritizing health in a demanding profession. J.J.'s impressive credits include producing and mixing the Grammy-winning album Press On by June Carter Cash, engineering Rod Stewart's Grammy-winning and #1 Billboard album The Great American Songbook, Vol. 3, and engineering and mixing Joanna Connor's #1 Billboard Blues album, 4801 South Indiana Avenue. In This Episode, We Discuss: "Microphone Mondays" series Building a state-of-the-art recording studio Acoustic design, soundproofing, and the science of great studio environments Incorporating vintage and modern gear, including a custom Rupert Neve console Adapting production techniques for genres from Motown to modern rock Reflections on heart surgery, health, and maintaining resilience in the industry The importance of studying hit productions and what makes songs stand out J.J.'s experience with social media success and connecting with audiences Links and Show Notes: J.J. on Instagram J.J.'s Website Credits: Guest: J.J. Blair Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau WCA Theme Music: Cliff Truesdell

50 years ago this month the German band Kraftwerk released Autobahn – an album that not only marked a dramatic departure in their sound, but went on to change the entire course of contemporary music. With the title track, a 22-minute ode to the German motorway, Kraftwerk's founding members Ralf Hütter and Florian Schneider forged a modern musical language, using electronics to articulate a new and optimistic vision of the future.To discuss Autobahn's genesis and enduing legacy Tom Gatti is joined by Jude Rogers, journalist and author of The Sound of Being Human: How Music Shapes Our Lives, and Uwe Schütte, author of Kraftwerk: Future Music from Germany.Read: How Kraftwerk's Autobahn remade pop Hosted on Acast. See acast.com/privacy for more information.

Check out BeerBiceps SkillHouse's Monetizing Content Creation Course- https://bbsh.in/ra-yt-mcc BeerBiceps SkillHouse को Social Media पर Follow करे :- YouTube : https://www.youtube.com/channel/UC2-Y36TqZ5MH6N1cWpmsBRQ Instagram : https://www.instagram.com/beerbiceps_skillhouse Website : https://linktr.ee/BeerBiceps_SKillHouse For any other queries EMAIL: support@beerbicepsskillhouse.com In case of any payment-related issues, kindly write to support@tagmango.com Level Supermind - Mind Performance App को Download करिए यहाँ से

Lou Donaldson, November 1, 1926 – November 9, 2024We honor the late, great Lou Donaldson who created new pathways for generations of Jazz musicians to come. Everything I Play Gonna Be Funky (From Now On) Christian McBride/NPR's Jazz Night in America “Let's Cool One” from Thelonius Monk's "Genius of Modern Music, vol. 2"“A Night at Birdland” (Blue Note Feb. 21, 1954) - Night in Tunisia Interview @ Live at Birdland Blues WalkAlligator BugalooMidnight Creeper - Lou DonaldsonEthan Iverson's "Transitional Technology"Unlock your FREE Open Studio trial to become a better player today.Looking to drop a question? Want to listen to the audio pod? Look no furtherhttps://youllhearit.com/Have a question for us? Leave us a SpeakPipeCheckout courses from Adam, Peter and more at Open Studio

Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

In this episode of the audionerds podcast the guys talk about music tech events and the bass or 808 being replaced. Are we seeing more hip hop music using just the 808 instead of the kick? Are we noticing a decline in our music tech events? Do people want to see more audio tech events? Does the song going bad sound better without the kick? Lets find out.This episode is sponsored by UjamGet Subcraft here: https://cutt.ly/weSaODtl➡️ Get Our Rosetta Plugins: https://cutt.ly/RwAEmuRF➡️ Our Site: https://www.helpmedevvon.com Please subscribe to our YouTube and rate our podcast it helps us a lot!➡️ https://linktr.ee/myaudionerdsFollow Ushttps://www.instagram.com/helpmedevvon➡️Join this channel to get access to perks:https://www.youtube.com/channel/UCGyDjbX9F9ARt_8sgv5kGDg/joinFollow The CastDevvon Terrellhttps://instagram.com/helpmedevvonLJhttps://instagram.com/prodbyljeanHere is L.Jean channel! https://youtube.com/@LJean1Courtney Taylorhttps://instagram.com/officialcourtneytaylor#podcast #mixing #mastering

durée : 00:13:07 - Le Disque classique du jour du lundi 07 octobre 2024 - Présentée comme «An Experiment in Modern Music» lors de sa création en 1924, Rhapsody in Blue va faire la gloire de George Gershwin, qui s'attèlera très vite à une version pour piano seul, enregistrée ici par Claire Huangci qui, pour son premier album solo pour Alpha Classics.

durée : 00:13:07 - Le Disque classique du jour du lundi 07 octobre 2024 - Présentée comme «An Experiment in Modern Music» lors de sa création en 1924, Rhapsody in Blue va faire la gloire de George Gershwin, qui s'attèlera très vite à une version pour piano seul, enregistrée ici par Claire Huangci qui, pour son premier album solo pour Alpha Classics.

Welcome to Season 4, Episode 40! You may not know what a steel guitar is, but once you hear the sound it makes, we guarantee you've heard music where it's used. Originating in Hawaii, the steel guitar has gone on to spark innovation and integration into bluegrass, blues, jazz, country, and more.  In this episode, we share the origins of the Hawaiian Steel Guitar as well as some of the key players and events that made Hawaiian music so popular in the early 1900s. To learn more, we recommend checking out recordings of Sol Ho'opi'i, King Nawahi, Kalama's Quartet, Sam Ku West, and other masters of the Hawaiian Steel Guitar. You can also read the book Kika Kila: How the Hawaiian Steel Guitar Changed the Sound of Modern Music by John Troutman. We also take time to discuss the big night of Emmy wins for Shōgun as well as the historic season for Shohei Ohtani. We close out this episode by talking about what we're watching… DiDi the movie and Sarah Kinsley in concert.  If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or social media links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com. Segments 00:25 Talking about Shōgun and Shohei Ohtani 03:10 The History of the Hawaiian Steel Guitar 19:16 What Are We Watching? The Movie Didi and Sarah Kinsley in Concert

In this episode of "Concerts That Made Us," Brian engages in a captivating conversation with Jamie Pagliaro, the charismatic frontman of Bard, also known as The Bard Band. Jamie delves into the inspiration behind their latest track, "Dread not the Ferryman," which was conceived during an evocative camping trip that sparked a creative surge within the band. He elaborates on their distinctive approach of intertwining classic literature with contemporary music, creating a rich tapestry of sound that resonates with both modern and traditional audiences.Jamie provides an in-depth look at their meticulous recording process, highlighting the band's dedication to capturing the raw, unfiltered energy of their live performances within the confines of the studio. He emphasizes the significance of authenticity and spontaneity in their music, striving to preserve the dynamic essence of their on-stage presence.Reflecting on his personal journey through the world of live music, Jamie recounts several memorable concerts that have left an indelible mark on his artistic development. He vividly describes the awe-inspiring experience of witnessing Paul McCartney's legendary show, which profoundly influenced his musical aspirations. Additionally, he shares the exhilarating yet challenging memory of a rain-soaked Neil Young performance, underscoring the unpredictable and often transformative nature of live music.Throughout the episode, the conversation underscores Bard's unwavering commitment to originality and innovation. Jamie's anecdotes and insights reveal the profound impact that live music has had on his artistry, shaping his creative vision and fueling the band's passion for pushing musical boundaries. The episode serves as a testament to the enduring power of live performances and the unique magic they bring to both artists and audiences alike.Find Bard here: https://www.thebardband.com/Find CTMU here:LinktreeNewsletter: https://concertsthatmadeus.aweb.page/p/f065707b-2e34-4268-8e73-94f12bd2e938Save 10% on Band Builder Academy membership by following this link https://bandbuilderacademy.com/Brian_Concerts/join and using promo code "concerts" at signup Become a member at https://plus.acast.com/s/concerts-that-made-us. Hosted on Acast. See acast.com/privacy for more information.

The Truth About Natural Beauty in a Filtered World. Join us for a thought-provoking episode that dives into the evolving landscape of beauty standards and the impact of cosmetic enhancements on our perception of natural beauty. There is a dark side to beaut like the plastic surgery obsessions. This episode we are discussing the cultural, social, and psychological shifts driven by the rise of plastic surgery and other aesthetic interventions impact.➤ Support Go Stand and Preach https://www.gostandandpreach.org/donateYou Can Also Follow Me on: ➤TikTok: https://www.tiktok.com/@gostandandpreach ➤Facebook: https://www.facebook.com/gostandandpreach ➤Instagram: https://www.instagram.com/gostandandpreach/ ➤Apple Podcast: https://podcasts.apple.com/us/podcast/no-pillz-with-gordon-mcghee/id1707970107?i=1000662278399➤Spotify:https://open.spotify.com/show/1tq6QGWTkCFe2skOb7x2Yb?si=66c65281dd64453700:00 Introduction to the No Pills Podcast01:14 The Death of Natural Beauty02:03 Cultural Reflections on Beauty02:39 The Cosmetic Industry's Influence04:40 Barbie's Impact on Beauty Standards06:35 Modern Music and Beauty Perception11:10 Social Pressures and Makeup13:09 The Golden Ratio and Unrealistic Standards15:59 The Deception of Modern Beauty18:12 The Quick Fix Mentality19:06 The Quest for Perfection: How Much is Too Much?20:03 The Dangers of Cosmetic Surgery21:01 Society's Role in Cosmetic Obsession22:23 The Influence of Social Media and Vanity23:00 The Financial Incentives Behind Beauty25:22 Men and the Pressure of Vanity34:55 The True Meaning of Beauty39:10 A Call for Integrity and Self-RespectContact No Pillz: Tweet us @nopillzpodcast Email: nopillzpodcast@gmail.com YouTube: @nopillzpodcast Insta: @nopillzpodcast Thanks for listening & keep podcasting!

In the first book in the Modern Music Masters series, Tom Boniface-Webb examines the Manchester band Modern Music Masters-Oasis (MMM, 2020). Founded in 1994 and playing together until their spectacular and abrupt breakup in 2009, during their time together Oasis made an imprint on British music that will last for generations, impacting fans throughout the world. Modern Music Masters-Oasis looks at the ways in which the band's chart placings--including eight number 1 albums and eight number 1 singes- show the larger narrative of rock-n-roll and the way Oasis impacted the rock-n-roll landscape during their 15-year history. Modern Music Masters-Oasis is the first in this series of books that explores artists (most of which from the United Kingdom) by looking at the social and political environment surrounding their careers.  Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the first book in the Modern Music Masters series, Tom Boniface-Webb examines the Manchester band Modern Music Masters-Oasis (MMM, 2020). Founded in 1994 and playing together until their spectacular and abrupt breakup in 2009, during their time together Oasis made an imprint on British music that will last for generations, impacting fans throughout the world. Modern Music Masters-Oasis looks at the ways in which the band's chart placings--including eight number 1 albums and eight number 1 singes- show the larger narrative of rock-n-roll and the way Oasis impacted the rock-n-roll landscape during their 15-year history. Modern Music Masters-Oasis is the first in this series of books that explores artists (most of which from the United Kingdom) by looking at the social and political environment surrounding their careers.  Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In the first book in the Modern Music Masters series, Tom Boniface-Webb examines the Manchester band Modern Music Masters-Oasis (MMM, 2020). Founded in 1994 and playing together until their spectacular and abrupt breakup in 2009, during their time together Oasis made an imprint on British music that will last for generations, impacting fans throughout the world. Modern Music Masters-Oasis looks at the ways in which the band's chart placings--including eight number 1 albums and eight number 1 singes- show the larger narrative of rock-n-roll and the way Oasis impacted the rock-n-roll landscape during their 15-year history. Modern Music Masters-Oasis is the first in this series of books that explores artists (most of which from the United Kingdom) by looking at the social and political environment surrounding their careers.  Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In the first book in the Modern Music Masters series, Tom Boniface-Webb examines the Manchester band Modern Music Masters-Oasis (MMM, 2020). Founded in 1994 and playing together until their spectacular and abrupt breakup in 2009, during their time together Oasis made an imprint on British music that will last for generations, impacting fans throughout the world. Modern Music Masters-Oasis looks at the ways in which the band's chart placings--including eight number 1 albums and eight number 1 singes- show the larger narrative of rock-n-roll and the way Oasis impacted the rock-n-roll landscape during their 15-year history. Modern Music Masters-Oasis is the first in this series of books that explores artists (most of which from the United Kingdom) by looking at the social and political environment surrounding their careers.  Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In the first book in the Modern Music Masters series, Tom Boniface-Webb examines the Manchester band Modern Music Masters-Oasis (MMM, 2020). Founded in 1994 and playing together until their spectacular and abrupt breakup in 2009, during their time together Oasis made an imprint on British music that will last for generations, impacting fans throughout the world. Modern Music Masters-Oasis looks at the ways in which the band's chart placings--including eight number 1 albums and eight number 1 singes- show the larger narrative of rock-n-roll and the way Oasis impacted the rock-n-roll landscape during their 15-year history. Modern Music Masters-Oasis is the first in this series of books that explores artists (most of which from the United Kingdom) by looking at the social and political environment surrounding their careers.  Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Sam Fischmann is a cofounder of the audio plugin company Musik Hack. As a software developer and musician he is passionate about demystifying the mastering process and making it accessible to everybody by creating tools that enable musicians to focus more on the creative and less on the technical.In this episode, you'll learn about:The Truth Behind Loudness StandardsWhere the -14LUFS Target Came FromDeveloping and Trusting Your Own TasteHow Machine Learning Can Help Us Build Better Audio ToolsThe Ethics of AI Audio ToolsGrowth through mistakesSeparating Creative Instincts from Technical InstinctsOwning the Role That You Are Best at, Even If It's Not The One You WantConnect with Sam:

Ed's career in music has been nothing short of remarkable, spanning multiple roles including trumpeter, teacher, conductor, and entrepreneur. His deep involvement in so many facets of the musical world has made him a leading voice not just in the trumpet community, but in the broader world of music.In Part 1 of our conversation, Ed takes us back to his early days, sharing stories from his time studying with two of the most iconic trumpet teachers of his era—Vincent Cichowitz and William Vacchiano. We'll dive into his experiences at Juilliard and hear about his early days in New York, including what it was like to work with legendary conductors like Leonard Bernstein and Pierre Boulez. Ed also shares fascinating anecdotes about some of the great orchestral trumpet players he's encountered, such as Tom Stevens, Morris Murphy, and John Wilbraham, and their unique approaches to working with conductors. Plus, he'll give us an inside look at his teaching philosophy, particularly his thoughts on preparation methodology.[Subscriber Content] In Part 2, I ask Ed a thought-provoking question: if he were a student today, knowing what he knows now, what would he do differently? His answer leads us into a rich discussion about music and interpretation that goes beyond the trumpet. We wrap up our conversation by delving into Ed's significant contribution to the trumpet community—Chosen Vale, a project that has left a lasting impact on musicians everywhere.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

It is a privilege to welcome music duo Fox and Bones to The Jake's Take with Jacob Elyachar Podcast.  Scott Gilmore and Sarah Vitort, known as Fox and Bones, have been igniting stages since 2016.  Their infectious blend of Americana charm has graced international platforms alongside notable acts like Rayland Baxter, The Dead South, ZZ Ward, The Talbott Brothers, and Horse Feathers. Rooted in genuine folklore aspirations, the duo's music is infused with over 25 years of combined songwriting expertise. With a soul-stirring, retro-infused folk-rock sound, Scott's powerhouse vocals complement Sarah's resonant tones, creating poignant and relatable music that resonates deeply with audiences.Their dedication to their craft has earned them prestigious awards, including first place at the 2023 Tucson Folk Festival songwriting contest and second place in the International Acoustic Music Awards. Additionally, Fox and Bones are the founders of Portland's Folk Festival, an annual event held at the iconic Crystal Ballroom. This three-night celebration of folk and roots music serves as a fundraiser for All Good NW, a local charity supporting the houseless community, and Music Portland, an advocate for local musicians in the Portland area.  On this episode of The Jake's Take with Jacob Elyachar Podcast, Fox and Bones discussed their latest album, Long Time Honey, and some of the stories behind its songs.Let's connect on social media! Visit my channels on:A) Facebook: https://www.facebook.com/JacobElyachar/B) Instagram: https://www.instagram.com/jacobelyachar/C) Threads: https://www.threads.net/@jacobelyacharD) TikTok: https://www.tiktok.com/@therealjacobelyacE) YouTube: https://www.youtube.com/@JacobElyacharBecome a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

Join Phil for a chat with Liam and Will of Tribal Jury - talking about the challenges of finding gigs, harnessing your online image effectively and spending your money wisely! Tribal Jury on Instagram Join us on our Facebook Group: Music Survival Guide Community Come and follow us on Instagram! We are at: Music Survival Guide Podcast Phil's Page Phil can be found at: www.vortissoundstudios.com Phil can be emailed at: Phil@philthemixengineer.com If you want to get in contact with us at the podcast, email us at: musicsurvivalguide@gmail.com

Join Sofia and Natalie as they test their pop music knowledge! They've created a fun trivia game for a road trip playlist. See if you can get the answers right along side them! 

Join Rob Fredette on this engaging episode of the HODGEPOD podcast as he sits down with special guest Joe Zegarelli to dive deep into the world of music. This episode switches gears to explore the rich history and enduring influence of reggae music. Discover how reggae's syncopated melodies and anti-establishment vibes have shaped genres like rock, pop, and hip-hop. Listen as Joe Zegarelli, a DJ and music producer from Charlotte, NC, shares his insights on reggae's evolution, its pioneers like Bob Marley and King Tubby, and its unexpected connections to modern-day bands and artists. From the birth of dub music to reggae's therapeutic effects, this episode is a melodic journey through time and sound. Perfect for music lovers and curious minds alike, tune in to uncover the rhythmic threads that connect past and present, leaving an indelible mark on the music we enjoy today. RECORDED AUGUST 8, 2024 Please give a listen, share , follow and give a rating. HODGEPOD can be heard on Apple, Spotify, IHEART, Audacy, TuneIn and The Podbean App Joe has a website www.ClassyRhythms.com Social media websites: Instagram: @Fvngi.wav and Soundcloud is Fvngi.  

Join Rob Fredette on this engaging episode of the HODGEPOD podcast as he sits down with special guest Joe Zegarelli to dive deep into the world of music. This episode switches gears to explore the rich history and enduring influence of reggae music. Discover how reggae's syncopated melodies and anti-establishment vibes have shaped genres like rock, pop, and hip-hop. Listen as Joe Zegarelli, a DJ and music producer from Charlotte, NC, shares his insights on reggae's evolution, its pioneers like Bob Marley and King Tubby, and its unexpected connections to modern-day bands and artists. From the birth of dub music to reggae's therapeutic effects, this episode is a melodic journey through time and sound. Perfect for music lovers and curious minds alike, tune in to uncover the rhythmic threads that connect past and present, leaving an indelible mark on the music we enjoy today. RECORDED AUGUST 8, 2024 Please give a listen, share , follow and give a rating. HODGEPOD can be heard on Apple, Spotify, IHEART, Audacy, TuneIn and The Podbean App Joe has a website www.ClassyRhythms.com Social media websites: Instagram: @Fvngi.wav and Soundcloud is Fvngi.  

Ray Bush founded The Music Royalty Co. (MRC) in 2014 after identifying opportunities to modernize royalty calculations in the face of music data's exponential explosion as streaming began to take off. A decade later and the company has remained an expert in complex royalty calculations for labels, publishers and distributors, while also evolving to meet the accountancy needs of music companies. In our latest podcast, we speak to Bush about the company's first decade, how the global music industry has financially grown in that same time, the impact of having a dedicated royalty service, and much more!

Who are Imagine Dragons? Why has their music dominated every mall, stadium, and TV commercial for the past 10 years? Why do old fogies like us find their music so obnoxious??Perhaps Imagine Dragons are the industry's final attempt to kill rock and roll. Or maybe their music is a sincere expression of their soul and just happens to sound like that. Either way, the only to find out is to dig in. So get fired up, believers! Cal and Nick are going to dive into the story of the biggest rock band of the modern age; a tale that involves a few strange coincidences and quite a lot of religion...FOLLOW US:Instagram: polishing.podcast Twitter/X: @polishing_turds email: polishingturdspodcast@gmail.com

Franz Hilberath is a music publicist and founder of MP3 PR who has worked with a wide roster of bass music artists including Zedd's Dead, Rezz, Subtronics and more. He takes a customized approach to connect artists with the right publicity outlets to promote their releases, tours and more.In this episode we talk about how the role of publicity and PR has evolved over the years, MP3's approach to working with clients, the importance of storytelling, how to pitch yourself properly and having a deeper WHY behind what you're doing.Follow Franz and MP3 PR here:https://www.instagram.com/franzmp3https://www.mp3pr.comFollow Nik Cherwink here:https://www.instagram.com/nikcherwinkAnd visit my site to join the mailing list or book a free coaching call:https://www.nikcherwink.com

Franz Hilberath is a music publicist and founder of MP3 PR who has worked with a wide roster of bass music artists including Zedd's Dead, Rezz, Subtronics and more. He takes a customized approach to connect artists with the right publicity outlets to promote their releases, tours and more.In this episode we talk about how the role of publicity and PR has evolved over the years, MP3's approach to working with clients, the importance of storytelling, how to pitch yourself properly and having a deeper WHY behind what you're doing.Follow Franz and MP3 PR here:https://www.instagram.com/franzmp3https://www.mp3pr.comFollow Nik Cherwink here:https://www.instagram.com/nikcherwinkAnd visit my site to join the mailing list or book a free coaching call:https://www.nikcherwink.com

The interview begins at the top of the episode. For more information about the hall of fame, visit www.FARHOF.org. 

Mat Maxwell is an American musician with almost two decades of studio and touring experience, specializing in the electric bass. He has played this instrument with some of music's biggest names, performing all over the world. Mat is also the author of “Hired Musician: A Guide to Getting and Keeping Gigs,” a book offering insights on navigating the modern music industry. Beyond his touring and session work, Mat also enjoys teaching lessons and hosting clinics… a good cigar and tasty beverages. www.moneymaestroblog.com/ep-78

D&P Highlight Hour 4 06062024