Podcast appearances and mentions of Susan Graham

We speak with Larry Ruttman, a 93-year-old attorney based in Boston who has developed a great love of classical music. His latest book is "Intimate Conversations: Face-to-Face with Matchless Musicians," a collection of interviews he was privileged to conduct with an array of fine performers, composers and conductors such as violinist Anne-Sophie Mutter, mezzo soprano Susan Graham, and composer Matthew Aucoin.

La conductora presenta de una forma fresca y coloquial historias, anécdotas e interpretaciones de las y los mejores cantantes de ópera nacionales e internacionales. Sus roles, preparación,experiencias, personajes, , etc. Conducido por la Soprano Conny Palacios, Cantante de opera y jazz

In this special edition of The Bottom-Up Revolution, recorded last week at the 2024 National Gathering, we have a double interview with Susan Graham and Ally Smither. Graham and Smither are part of a movement in Houston Texas called Stop TxDot I-45, which is working to prevent a massive highway expansion. Susan is a retired nurse who has lived in Houston for decades and who started the movement after hearing about the Texas Department of Transportation's plans for her neighborhood. Ally is originally from London, Ontario, in Canada. A professional opera singer, she stumbled upon the world of transportation advocacy during COVID-19, as well as finding a new professional path in communications, community advocacy and (most recently) as chief of staff for Texas Senator-Elect Molly Cook. ADDITIONAL SHOW NOTES Stop TxDot I-45 (site). Tiffany Owens Reed (Instagram). Do you know someone who would make for a great Bottom-Up Revolution guest? Let us know here!

[@ 3 min] It's a double-header on Oktavian when we go ‘Inside the Huddle' with Samantha Hankey, star of the Met's recent production of “Der Rosenkavalier”… and then we're joined by the Oktavian of her generation… Susan Graham! Plus you'll get color commentary from Matt Cummings about why it's one of the best mezzo roles in Operaland… [@ 1 h 1 min] In the ‘Two Minute Drill'… it's the Opera Legal Roundup! David Daniels takes a plea deal, and the Met is getting sued. The plaintiff will shock you… (or not…) SHOW NOTES https://www.nytimes.com/2023/08/04/arts/opera-star-david-daniels-guilty-plea-sexual-assault.html https://www.bbc.com/news/world-europe-66413874 GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

“Part of it simply is the tone from the top and walking the four corners. Early on there would be people who would walk up to me and say in the 10 years or 15 years, I've worked here, I've never spoken so much with the CEO”, says Todd. “I do love a good chat with folks and talk about their lives and their futures and we continue to work on that.”Todd and Susan talk through their career journeys from M&A Lawyer and Corporate Banking to joining Atlanta-based Builders Insurance Group as President & CEO and Chief of Staff respectively. They discuss the structure of the business, its growth through acquisition and how they are transforming a once siloed, fractured culture in to a strong, united place to build an insurance career. “It did need some significant cultural change very quickly. Folks needed to know they had a good safe place to be and the company was going to change fundamentally. It was a long listening tour of what matters to people.”Susan gives an insight in to three themed employee resource groups – Diversity, Equity & Belonging, Green Team and Builders Gifts Back – and their impact internally and on the wider community. One of the key impacts on the business has been a reduction in staff turnover from 20% to less than 1%. “One of the things we looked at was a global reset of titles and compensation. We worked very hard and spent a lot of time to get that right. We reset the entire company and made that statement to our people that we can't say we're a great place to work unless we live by the things that get us there.”Attracting a younger generation of talent has been another benefit of the culture reset, transforming Builders from a retirement destination company to a recognized employer of choice. Todd and Susan share their advice on retaining talent and empowering the next generation of leaders, including sponsorship of the National African American Insurance Association scholarships.“Make it part of your routine to stop and talk to someone briefly. It's truly is toned from the top. Being genuine, being humble and knowing your people is a crucial skill for any leader. That translates down to the next generation that we can foster into leaders in their own respect.”Connect with Todd Campbell and Susan Graham on LinkedIn or find out more about Builders Insurance Group The Insurance Coffee House Podcast is hosted by Nick Hoadley, CEO, Insurance Search, the Executive Search Consultancy for growing Insurance and Insurtech businesses around the globe.To discuss identifying & attracting the very best talent to your team or being a podcast guest, reach out to Nick via nick.hoadley@insurance-search.com Copyright Insurance Search 2023 – All Rights Reserved.

This podcast is a commentary and does not contain any copyrighted material of the reference source. We strongly recommend accessing/buying the reference source at the same time. ■Reference Source https://www.ted.com/talks/susan_graham_a_new_way_to_restore_earth_s_biodiversity_from_the_air ■Post on this topic (You can get FREE learning materials!) https://englist.me/37-academic-words-reference-from-susan-graham-a-new-way-to-restore-earths-biodiversity----from-the-air--ted-talk/ ■Youtube Video https://youtu.be/5JvxfCjuYho (All Words) https://youtu.be/BWIABfahaXg (Advanced Words) https://youtu.be/n7Kgz6pc7co (Quick Look) ■Top Page for Further Materials https://englist.me/ ■SNS (Please follow!)

In Fall 2023 Seattle Opera will present Handel's ALCINA, a magical opera seria about the vagaries of love, attraction, and gender. Seattle Opera Dramaturg Jonathan Dean introduces Handel operas and ALCINA, with musical examples from recital albums by Andreas Scholl and Sarah Connolly as well as recordings of ALCINA dating from 1959 (conducted by Ferdinand Leitner and starring Joan Sutherland); from 1962 (conducted by Richard Bonynge and starring Sutherland, Teresa Berganza, Monica Sinclair, and Luigi Alva); and 1999 (conducted by William Christie and starring Renee Fleming, Susan Graham, Kathleen Kuhlmann, Timothy Robinson, and Natalie Dessay).

La conductora presenta de una forma fresca y coloquial historias, anécdotas e interpretaciones de las y los mejores cantantes de ópera nacionales e internacionales. Sus roles, preparación,experiencias, personajes, , etc. Conducido por la Soprano Conny Palacios, Cantante de opera y jazz

Synopsis As the season begins, we offer you this “Autumn Music” — a woodwind quintet by American composer Jennifer Higdon. Higdon says she wanted to write a companion piece to another famous woodwind quintet titled “Summer Music” by Samuel Barber. Higdon's “Autumn Music” was commissioned by Pi Kappa Lambda, the national music honorary society, and premiered at their 1994 national convention in Pittsburgh. “Autumn Music,” says Higdon, “is a sonic picture of the season of brilliant colors. The music of the first part represents the explosion of leaves and the crispness of the air of fall. As the music progresses, it becomes more spare and introspective, moving into a more melancholy and resigned feeling.” Jennifer Higdon was born in Brooklyn in 1962, and teaches at the Curtis Institute of Music in Philadelphia. Her chamber and orchestral pieces have been performed by ensembles coast to coast. She's also active as a performer and, as she explains, as an enthusiastic member of the audience: “I love exploring new works — my own pieces and the music of others — in a general audience setting, just to feel a communal reaction to new sounds. Music speaks to all age levels and all kinds of experiences in our lives. I think it can express anything and everything.” Music Played in Today's Program Jennifer Higdon (b. 1962): Autumn Music –Moran Woodwind Quintet (Crystal 754) On This Day Births 1875 - Lithuanian composer Mikolajus Ciurlionis, in Varena (then the Kaunas province of the Russian Empire; Julian date: Sept. 10); 1933 - Spanish composer Leonardo Balada, in Barcelona; 1961 - American composer Michael Torke, in Milwaukee, Wisc.; Deaths 1989 - American song composer Irving Berlin, age 101, in New York City; Premieres 1869 - Wagner: opera, "Das Rheingold," in Munich at the Hoftheater, Franz Wüllner conducting; The opera was performed at the Bavarian emperor Ludwig II's request, but against the composer's wishes; 1938 - Webern: String Quartet, Op. 28, at South Mountain, Pittsfield, Mass., during the Berkshire Chamber Music Festival; This work was commissioned for $750 by the American music patron, Elizabeth Sprague Coolidge; 1964 - Jerry Bock: musical "Fiddler On the Roof" opens on Broadway: It would run for 3,242 performances before closing; 1971 - Barber: "The Lovers" for solo voice and chorus (after a poem by Pablo Neruda), in Philadelphia; 1989 - Bernstein: "Arias and Barcarolles" (orchestrated version prepared by Bright Sheng), at the Tilles Center of Long Island University with the New York Chamber Symphony conducted by Gerard Schwarz and featuring vocalists Susan Graham and Kurt Ollmann; The first version of this work, for soloists and piano four-hands, premiered on May 9, 1988, at Equitable Center Auditorium in New York City; 1990 - James MacMillan: "The Beserking" (Piano Concerto), at Henry Wood Hall in Glasgow by pianist Peter Donohoue and the Royal Scottish Orchestra, Matthias Bamert conducting; 1990 - Christopher Rouse: "Jagannath" for orchestra, by the Houston Symphony Orchestra, Christoph Eschenbach conducting; 2000 - Philip Glass: “Tirol Concerto” for piano and orchestra, by Dennis Russell Davies (piano and conductor) with the Stuttgart Chamber Orchestra, at the 7th annual Klangspuren Festival in Schwaz, Tirol (Austria); 2000 - Zwilich: "Millennium Fantasy" for piano and orchestra, by the Cincinnati Symphony, Jesús Lopez-Cobos conducting with soloist Jeffrey Biegel; Others 1937 - During the Spanish Civil War, Mexican composer Silvestre Revueltas conducts his 1935 composition “Homage to Federico Garcia Lorca” in Madrid while the city was under siege by Spanish fascist forces; The Spanish poet Lorca had been killed by the Falangists; Links and Resources On Jennifer Higdon On Barber's "Summer Music"

durée : 00:18:41 - Disques de légende du mardi 21 juin 2022 - Aujourd'hui dans Disques de légende, nous écoutons le Poème de l'amour et de la mer d'Ernest Chausson par Susan Graham.

This series focuses on topics that can help schools and communities successfully design and implement school responder models. This episode, Engaging Families, is a continuation of our School Responder Model Podcast Series. This discussion will feature Jeff Vanderploeg and Jeana Bracey from the Child Health and Development Institute of Connecticut as well as Susan Graham, an accomplished family engagement specialist. The series was produced by NCYOJ with support from the National Institute of Justice. The NCYOJ originally developed and maintained this podcast. The NCYOJ was operated by Policy Research, Inc. and operated from 2001 to 2022 and was formerly known as the National Center for Mental Health and Juvenile Justice. The NCYOJ improved life opportunities for youth through systems and practice improvement initiatives. This podcast should be viewed as a reference. It has not been updated since its publication. A transcript of this podcast is available at: https://www.prainc.com/wp-content/uploads/2022/03/NIJ_SRM_CHDI_EngagingFamilies-977140.pdf. This transcript has not been made 508 compliant. If you would like a 508 compliant version of this podcast's transcript, please email communications@prainc.com. This podcast was first shared in 2021.

In this podcast, Susan Graham, Artistic Advisor to the LA Opera's Young Artists Program, takes us through a scene-by-scene description of Bach's St. Matthew Passion. This production of St. Matthew Passion opens March 12, 2022.

La conductora presenta de una forma fresca y coloquial historias, anécdotas e interpretaciones de las y los mejores cantantes de ópera nacionales e internacionales. Sus roles, preparación,experiencias, personajes, , etc. Conducido por la Soprano Conny Palacios, Cantante de opera y jazz

Middlebury's Mahaney Arts Center hosted the New England premiere of an exciting new work by Richard Danielpour, commissioned by Music From Copland House. Performed by mezzo-soprano Susan Graham and the Music From Copland House ensemble, the work is a setting of poetry by U.S. Poet Laureate and Pulitzer Prize winner Rita Dove.

Welcome to the podcast Cleaning Nation! Today, we have Susan Graham who started cleaning homes in Zionsville, Indiana back in 2018 after losing a corporate job. After looking for a job for a few months, she started cleaning and loved the flexibility so much she never looked back. Now she's grown her business to the point where she only works part-time, has a handful of employees, and is looking to get better at bidding correctly for clients and wondering how best to get those systems in place Listen in as Mike drops lots of nuggets of wisdom along the way. 3:29 Creating an Easy Barrier for Potential Clients 6:27 Speaking to the Client's Pain 10:40 Approach Your Client without Judgement or Shame Want to know more about these tools and what you can do to get out of your own way and improve your mindset? Go to growmycleaningcompany.com to listen to our FREE webinar or growmycleaningcompany.com/talk and book a call with one of our coaches. They will get you set up with all the tools, systems, and more to build the business you've always wanted.

On @EchoChamberFP this week, we go on a search in Elrod and then hit you with some horror Shudder anthology fun. Lauren Fash directs 'Disappearance at Lake Elrod' and co-writes with Susan Graham. A year after her daughter, Lily's (Kinsley Isla Dillon) disappearance, another girl from Elrod, Georgia, Elodie (Cece Kelly), goes missing. Convinced there is a connection, Charlie (Robyn Lively) won't stop searching until she discovers the truth. 'Horror Noire' is a follow-up to Shudder's acclaimed 2019 documentary, Horror Noire: A History of Black Horror. Featuring new work from both established and emerging talents, this anthology will highlight six stories of Black horror and stream as a feature film on Shudder and AMC+. This week we have: Disappearance at Lake Elrod (Through the Glass Darkly) Watch Review: Here. https://youtu.be/0L1O_epnjJU Digital Release Date: 1st November 2021 Director: Lauren Fash Cast: Robyn Lively, Shanola Hampton, Bethany Anne Lind, Michael Trucco Credit: Lightbulb Film Distribution, However Productions Genre: Drama, Horror, Mystery, Thriller Running Time: 103 min Cert: 15 Platforms: AppleTV, Sky Store, Virgin Media, Amazon and Google Play, and available on DVDfrom Morrisons, Amazon and HMV.However Productions Trailer: Here. https://youtu.be/bRE-4tj-s_4 ------------ Horror Noire Watch Review: Here. https://youtu.be/eph7Bbofq9s Digital Release Date: 28th October 2021 Director: Joe West, Julien Christian Lutz, Zandashe Brown, Rob Greenlea, Robin Givens, Kimani Ray Smith Cast: Lesley-Ann Brandt, Luke James, Erica Ash, Tone Bell, Tony Todd, Peter Stormare, Lenora Crichlow, Rachel True, Brandon Michael Smyth, Sean Patrick Thomas Credit: Shudder, AMC, ID8 Multimedia, Swirl Films Genre: Horror, Thriller Running Time: 153 mins Cert: 18 Trailer: Here. https://youtu.be/AChv8qhMnc4 Website: Here. https://www.shudder.com/movies/watch/horror-noire/e2cedd21ff83c85d ------------ *(Music) 'All Bad' (feat. Anderson Paak) by Nas - 2020 --- Send in a voice message: https://anchor.fm/eftv/message

Land restoration is about more than planting trees, says environmentalist Susan Graham. Check out how her team combines drone technology with ecology-trained AI to restore degraded land and revive complex, biodiverse ecosystems -- whether it's on a small island or across an entire continent.

환경운동가 수잔 그레이엄은 자연환경 복원이 단순히 나무를 심는 일에서 그치는 것이 아니라고 말합니다. 수잔의 팀이 어떻게 드론 기술과 생태학 인공지능을 융합시켜서, 황폐화된 땅을 복원하고 생물다양성이 넘치는 생태계를 되살렸는지 알아보세요. 이 프로젝트는 작은 섬이든 대륙 전체든 가능합니다.

Land restoration is about more than planting trees, says environmentalist Susan Graham. Check out how her team combines drone technology with ecology-trained AI to restore degraded land and revive complex, biodiverse ecosystems -- whether it's on a small island or across an entire continent.

Land restoration is about more than planting trees, says environmentalist Susan Graham. Check out how her team combines drone technology with ecology-trained AI to restore degraded land and revive complex, biodiverse ecosystems -- whether it's on a small island or across an entire continent.

La restauration des terres ne se limite pas à la plantation d'arbres, explique l'environnementaliste Susan Graham. Découvrez comment son équipe combine la technologie des drones avec une IA formée à l'écologie pour restaurer les terres dégradées et faire revivre des écosystèmes complexes et riches en biodiversité, que ce soit sur une petite île ou sur tout un continent.

La restauración de tierras es algo más que plantar árboles, dice la ecologista Susan Graham. Descubre cómo su equipo combina la tecnología de los drones con la inteligencia artificial formada en ecología para restaurar tierras degradadas y recuperar ecosistemas complejos y biodiversos, ya sea en una pequeña isla o en todo un continente.

This series focuses on topics that can help schools and communities successfully design and implement school responder models. This episode, Engaging Families is a continuation of our School Responder Model Podcast Series. This discussion will feature Jeff Vanderploeg and Jeana Bracey from the Child Health and Development Institute of Connecticut as well as Susan Graham, an accomplished family engagement specialist. The series was produced by the National Center for Youth Opportunity and Justice with support from the National Institute of Justice. Access the episode transcript at the following link: https://srm.policyresearchinc.org/img/resources/NIJ_SRM_CHDI_EngagingFamilies-977140.pdf

23-åriga sopranen Karolina Bengtsson spås en lysande framtid och studerar nu på Mozarteum i Salzburg. Kommer från en bygd i Småland, där även 1800-talets världsstjärna Christina Nilsson föddes. I programmet medverkar även Karolina Bengtssons sångpedagog, professorn och världssopranen Barbara Bonney i Salzburg, altsångerskan Anna Larsson i Stockholm, svensk-ungerska sopranen Clarry Bartha i Tyskland. Clarry Bartha är konstnärlig ledare för internationella tävlingen Debut, samt Casting director för Festival Puccini Torre del Lago. Under större delen av 2020 och 2021 har Karolina Bengtsson fått digital undervisning  på grund av pandemin. Sopranen och professorn Barbara Bonney: - Karolina Bengtsson är så begåvad - det är inte klokt! Hon är den bästa sångerskan på Mozarteum just nu! Hennes röst är otroligt fin! Jag blir så lycklig när jag lyssnar till henne! Varje lektion är en konsert för mig. Jag sitter där och bara njuter. Ibland gråter jag. - Pandemin, med den digitala undervisningen, har paradoxalt nog medfört att jag kommit närmare mina elever. Genom kameran ser jag hur de använder munnen och tungan. Hur de andas och vad de tänker. Allt dessa som jag missar i ett rum när man inte är så nära. Jag tycker det här har varit helt fantastiskt! Svenska alten Anna Larsson var med i juryn i tävlingen Debut i Tyskland som Karolina Bengtsson vann: - Karolina slog juryn med häpnad redan på första provet. Det var väldigt, väldigt roligt att uppleva! Karolina är mycket trygg som sångare och sjöng t ex en svår aria ur Händels Julius Caesar. Hon gjorde det suveränt. Karolinas tilltal är väldigt öppet. Det betyder naturligtvis jättemycket för Karolina att få utvecklas tillsammans med Barbara Bonney, som kan anses ha varit den absolut största i världen i sitt röstfack, lyrisk sopran! Sopranen och konstnärliga ledaren Clarry Bartha bjuder varje år in 50 sångare av ca 600 sökanden till tävlingen Debut. - Jag hörde sopranen Karolina Bengtsson i Salzburg för två år sedan och fick gåshud av den naturlighet hon har i sin röst, vilken har en enorm potential att utvecklas. Karolina är språkbegåvad och ärlig i sitt sätt att sjunga, vilket gjorde mig väldigt glad. Hon är så självklar och har en enormt vacker röst! - Det är väldigt inne att vara operasångare och att bli berömd. Många imiterar och vistas i det här rosa livet med applåder och blommor. Men det finns ett visst allvar hos Karolina som jag tycker om. Som alla tycker om. Hon bryr sig inte så mycket om allt omkring, och är över huvud taget inte affekterad! Det är rösten och hennes ögon! Hon har den rätta blandningen av att vara ödmjuk och att vara hungrig. Hon är öppen och väldigt klok. Nu behöver hon något att bita i. Att vara operasångare är hårt arbete! - Karolina är nu lyrisk sopran. Jag hör framtiden med stora lyriska partier; Mozart förstås, Strauss, lyriskt ryskt, lyriskt italienskt, lyriskt franskt. Kanske med åldern går hon över från en Susanna till en Grevinna. Hon har ett fokus i rösten och en silverklang som är väldigt ovanlig, och påminner litet grand om slovakiska sopranen Lucia Popp, en av mina favoritsångerskor! Lyssna på Karolina Bengtssons operadebut som Pamina i Mozarts Trollflöjten tillsammans med andra studenter på Mozarteum i Salzburg. Länken fungerar från den 25 juni 2021 kl. 19:00: https://livestream.com/unimozarteumsalzburg/zauberfloete21 Manus, regi och produktion: Birgitta Tollan. Låtlista: W A Mozart, Solitudini amiche - Zeffiretti lusinghieri, Ilia's aria ur operan Idomeneo KV 366 FHD Karolina Bengtsson sopran, Mozarteumorchester Salzburg, Riccardo Minasi dirigent W A Mozart, Solitudini amiche - Zeffiretti lusinghieri, Ilia's aria ur operan Idomeneo KV 366 FHD Karolina Bengtsson sopran, Mozarteumorchester Salzburg, Riccardo Minasi dirigent Musik: Trad, Text: Wendela Hebbe, Fjorton År Tror Jag Visst Att Jag Var Alice Babs Sjöblom, Einar Ralf, Stockholms Studentsångare Daniel Nelson, Döden och Julia Karolina Bengtsson sopran, Malin Broman soloviolin & dirigent, Musica Vitae Daniel Nelson, Döden och Julia Karolina Bengtsson sopran, Malin Broman soloviolin & dirigent, Musica Vitae L v Beethoven, O war ich schon mit dir vereint, Marzelline's aria ur operan Fidelio Karolina Bengtsson sopran, Das Philharmonische Orchester Wurzburg, Enrico Calesso dirigent J. Haydn, Ragion nell'alma siede, Flaminias aria ur operan Il mondo della Luna Hob. XXVIII:7 Karolina Bengtsson sopran, Bernadette Bartos piano Ignaz Holzbauer, operan Günther Von Schwarzburg Michael Schneider, Claron Mcfadden, Clarry Bartha, Robert Wörle, Christoph Prégardien, Michael Schopper, Vokalensemble La Stagione (Frankfurt Am Main), La Stagione (Frankfurt Am Main) Antonín Dvoák, Rusalka, hennes aria Sången till månen Lucia Popp sopran, Münchener Rundfunkorchester, Stefan Soltesz dirigent Sibelius, Var Det En Dröm (Op 37:4) Barbara Bonney sopran, Antonio Pappano piano J. Haydn, Piercing Eyes Hob XXVIa Karolina Bengtsson sopran, Bernadette Bartos piano G Mahler, Symfoni Nr 2 c-moll, Urlicht Anna Larsson alt, Claudio Abbado dirigent, Orfeon Donostiarra San Sebastian kör, Luzernfestivalens orkester R Strauss, Der Rosenkavalier: Akt 2, "Mir Ist Die Ehre Wiederfahren" Barbara Bonney sopran, Susan Graham mezzosopran, Christoph Eschenbach dirigent, Wiener Philharmoniker W. A. Mozart, Trollflöjten, Ach ich fuhl's KV 620 Paminas aria Karolina Bengtsson sopran, Mozarteumorchester, Riccardo Minasi dirigent J. Haydn, Flaminias aria Ragion nell'alma siede ur operan Il mondo della Luna Karolina Bengtsson sopran, Bernadette Bartos piano

Sister's Morgan Pacheco and Susan Graham share with the Landmark Family their strength and hope to encourage women that Mother's Day is not a one day out of the year event.  Please Enjoy these ladies beautiful testimonies as they bless the hearts of Mother's everywhere. 

The Muthaship is headed to Maui! This week, we explore a little-known gem called La'akea Village, where the spirit of community and aloha is thriving. Flaven Clayton and her daughter Abigale, along with Susan Graham and her grandson Zen, join the show to share what it's like to be a part of this magical place in Paia. The non-profit organization offers support for parents navigating towards greater independence for their kids who are intellectually and developmentally disabled. Parents and caregivers say what La'akea Village delivers is vital, especially since special-needs students lose the huge support framework provided by the DOE once they graduate from high school.

Synopsis Some classical music snobs look down their nose at film scores, considering them less “serious” than “art” music written for the concert hall. Aaron Copland, for one, deplored this attitude. He admired the work of composers like Bernard Herrmann, Alex North, David Raksin, and Elmer Bernstein, whose successful Hollywood careers earned them financial rewards on the West Coast, if not the respect of the snootier East Coast music critics. Copland himself had spent some time in Hollywood, and knew what was involved in completing a film score on time AND on budget. On today’s date in 1940, at Grauman’s Chinese Theater in Hollywood, the press was invited to a special preview showing of a new film version of Thornton Wilder’s popular stage play “Our Town.” To match Thornton Wilder’s nostalgic play about American life in Grover’s Corners, New Hampshire, Copland’s score employed harmonies suggestive of old New England church hymns. For once, audiences AND the critics were impressed, and Copland quickly arranged an “Our Town” concert suite, which premiered on a CBS Radio broadcast in June of 1940, and reworked this suite for its first public performance by the Boston Pops and Leonard Bernstein in May of 1944. Music Played in Today's Program Aaron Copland (1900 – 1990) Our Town Suite Saint Louis Symphony; Leonard Slatkin, cond. BMG 61699 On This Day Births 1740 - Italian composer Giovanni Paisiello, in Roccaforzata, near Taranto; 1814 - German pianist and composer Adolph von Henselt, in Schwabach,Bavaria; Deaths 1707 - German organist and composer Dietrich Buxtehunde, age c. 70, in Lübeck; 1770 - (on May 9 or 10) English composer, conductor and writer on music Charles Avison, age 61, in Newcastle upon Tyne ; 1791 - American statesman and songwriter Francis Hopkinson, age 53, in Philadelphia; He was one of the signers of the Declaration of Independence, and dedicated a book of his songs to George Washington; 1799 - French composer Claude Balbastre, age c. 72, in Paris; Premieres 1812 - Rossini's opera "La Scala di seta" (The Silken Ladder), in Venice; 1868 - Bruckner: Symphony No. 1, in Linz, composer conducting; 1893 - Rachmaninoff: opera "Aleko," in Moscow at the Bolshoi Theater (Julian date: April 27); 1924 - R. Strauss: ballet "Schlagobers" (Whipped Cream), in Vienna; 1940 - The film "Our Town" opens in Hollywood at Grauman's Chinese Theater; The film was based on the play of the same name by Thorton Wilder, and featured a filmscore by Aaron Copland; Copland arranged a suite of music from his filmscore, which premiered on CBS Radio on June 9, 1940; A revised version of the suite was given its first public performance by the Boston Pops conducted by Leonard Bernstein on May 7, 1944; 1981 - Christopher Rouse: "The Infernal Machine" for orchestra (Movement II of Rouse's "Phantasmata"), at the Evian Festival, France, by the University of Michigan Symphony Orchestra, Gustav Meier conducting; 1986 - Ellen Taaffe Zwilich: "Concerto Grosso" (after Handel's Sonata in D), by the Handel Festival Orchestra of Washington, Stephen Simon conducting; 1988 - Bernstein: "Arias and Barcarolles," at Equitable Center Auditorium in New York City, by vocalists Louise Edeiken, JoyceCastle, John Brandstetter, and Mordechai Kaston, with the composer and Michael Tilson Thomas at the piano; An orchestrated version of this work prepared by Bright Sheng premiered on September 22, 1989, at the Tilles Center of Long Island University with the New York Chamber Symphony conducted by Gerard Schwarz and featuring vocalists Susan Graham and Kurt Ollmann; 1990 - John Harbison: "Words from Patterson" (to texts by William Carlos Williams), at the Kennedy Center in Washington, D.C., with baritone William Sharp and the members of the New Jersey Chamber Music Society; 1998 - John Tavener: "Wake Up and Die," for solo cello and orchestral cello section, at the Beauvais Cello Festival in Beavais , France; 1999 - Zwillich: "Upbeat!" by National Symphony, Anthony Aibel conducting; Others 1863 - American premiere of Berlioz's "Harold in Italy," by the Theodore Thomas Orchestra in New York. Links and Resources On the film "Our Town" The Copland Collection at the Library of Congress

Synopsis Some classical music snobs look down their nose at film scores, considering them less “serious” than “art” music written for the concert hall. Aaron Copland, for one, deplored this attitude. He admired the work of composers like Bernard Herrmann, Alex North, David Raksin, and Elmer Bernstein, whose successful Hollywood careers earned them financial rewards on the West Coast, if not the respect of the snootier East Coast music critics. Copland himself had spent some time in Hollywood, and knew what was involved in completing a film score on time AND on budget. On today’s date in 1940, at Grauman’s Chinese Theater in Hollywood, the press was invited to a special preview showing of a new film version of Thornton Wilder’s popular stage play “Our Town.” To match Thornton Wilder’s nostalgic play about American life in Grover’s Corners, New Hampshire, Copland’s score employed harmonies suggestive of old New England church hymns. For once, audiences AND the critics were impressed, and Copland quickly arranged an “Our Town” concert suite, which premiered on a CBS Radio broadcast in June of 1940, and reworked this suite for its first public performance by the Boston Pops and Leonard Bernstein in May of 1944. Music Played in Today's Program Aaron Copland (1900 – 1990) Our Town Suite Saint Louis Symphony; Leonard Slatkin, cond. BMG 61699 On This Day Births 1740 - Italian composer Giovanni Paisiello, in Roccaforzata, near Taranto; 1814 - German pianist and composer Adolph von Henselt, in Schwabach,Bavaria; Deaths 1707 - German organist and composer Dietrich Buxtehunde, age c. 70, in Lübeck; 1770 - (on May 9 or 10) English composer, conductor and writer on music Charles Avison, age 61, in Newcastle upon Tyne ; 1791 - American statesman and songwriter Francis Hopkinson, age 53, in Philadelphia; He was one of the signers of the Declaration of Independence, and dedicated a book of his songs to George Washington; 1799 - French composer Claude Balbastre, age c. 72, in Paris; Premieres 1812 - Rossini's opera "La Scala di seta" (The Silken Ladder), in Venice; 1868 - Bruckner: Symphony No. 1, in Linz, composer conducting; 1893 - Rachmaninoff: opera "Aleko," in Moscow at the Bolshoi Theater (Julian date: April 27); 1924 - R. Strauss: ballet "Schlagobers" (Whipped Cream), in Vienna; 1940 - The film "Our Town" opens in Hollywood at Grauman's Chinese Theater; The film was based on the play of the same name by Thorton Wilder, and featured a filmscore by Aaron Copland; Copland arranged a suite of music from his filmscore, which premiered on CBS Radio on June 9, 1940; A revised version of the suite was given its first public performance by the Boston Pops conducted by Leonard Bernstein on May 7, 1944; 1981 - Christopher Rouse: "The Infernal Machine" for orchestra (Movement II of Rouse's "Phantasmata"), at the Evian Festival, France, by the University of Michigan Symphony Orchestra, Gustav Meier conducting; 1986 - Ellen Taaffe Zwilich: "Concerto Grosso" (after Handel's Sonata in D), by the Handel Festival Orchestra of Washington, Stephen Simon conducting; 1988 - Bernstein: "Arias and Barcarolles," at Equitable Center Auditorium in New York City, by vocalists Louise Edeiken, JoyceCastle, John Brandstetter, and Mordechai Kaston, with the composer and Michael Tilson Thomas at the piano; An orchestrated version of this work prepared by Bright Sheng premiered on September 22, 1989, at the Tilles Center of Long Island University with the New York Chamber Symphony conducted by Gerard Schwarz and featuring vocalists Susan Graham and Kurt Ollmann; 1990 - John Harbison: "Words from Patterson" (to texts by William Carlos Williams), at the Kennedy Center in Washington, D.C., with baritone William Sharp and the members of the New Jersey Chamber Music Society; 1998 - John Tavener: "Wake Up and Die," for solo cello and orchestral cello section, at the Beauvais Cello Festival in Beavais , France; 1999 - Zwillich: "Upbeat!" by National Symphony, Anthony Aibel conducting; Others 1863 - American premiere of Berlioz's "Harold in Italy," by the Theodore Thomas Orchestra in New York. Links and Resources On the film "Our Town" The Copland Collection at the Library of Congress

I host a guest this week - Susan Graham of https://www.rainbowfoameez.com/! We discuss Intuition, mixed tapes and following your instincts! --- Send in a voice message: https://anchor.fm/jensmith/message Support this podcast: https://anchor.fm/jensmith/support

Forty-five percent of all medical laboratory workers have more than 20 years of experience, while only 23 percent have been on the bench for five years or less. A retirement bubble is coming and burnout among lab professionals is high in light of the Coronavirus pandemic. What can we do to recruit more people for MLS programs? On this episode of Inside the Lab, our hosts Dr. Lotte Mulder and Ms. Kelly Swails are joined by Dr. Kristina Behan, PhD, MLS(ASCP)CM, Department Chair of Medical Laboratory Sciences at the University of West Florida, Mr. James Payne, MS, Phlebotomy and Laboratory Science Teacher at the WEMOCO Career and Technical Education Program in Spencerport, New York, and Ms. Susan Graham, MS, MT(ASCP), Department Chair and MLS Program Director of the Department of Clinical Laboratory Science at SUNY Upstate Medical University, to discuss recruitment for MLS programs. Our panelists share what they are doing as educators to increase the number of young people entering a career in laboratory medicine. Listen in for Dr. Behan, Mr. Payne, and Ms. Graham’s insight on MLS education in the post-COVID era and learn what we can do as lab professionals to boost enrollment in clinical laboratory science programs. Topics Covered · The four categories of stakeholders who share concerns around the sustainability of university-based medical laboratory sciences programs· Strategies for growing the number of graduates to fill vacancies in the laboratory· How the pandemic affected MLS programs and the resilience of students in laboratory medicine· The value of career fairs and sharing classroom activities with middle and high school teachers · How laboratory professionals can help boost enrollment in MLS programs by providing shadowing opportunities, hosting field trips and offering to do stories for local media Connect with ASCP ASCPASCP on FacebookASCP on InstagramASCP on Twitter Connect with Dr. Behan Dr. Behan at the University of West FloridaDr. Behan on LinkedIn Connect with Mr. Payne BOCES 2 CTE at WEMOCOMr. Payne on LinkedIn Connect with Ms. Graham Ms. Graham at SUNYMs. Graham on LinkedIn Connect with Ms. Jaworski Ms. Jaworski on LinkedIn Connect with Ms. Swails & Dr. Mulder Ms. Swails on TwitterDr. Mulder on TwitterResources Inside the Lab in the ASCP StoreASCP Patient Champions ProgramASCP Career Ambassador Programs

Dr Susan Graham is intent on tackling the biggest challenges of our day. Learn how her young team of audacious problem-solvers maintain an attitude of persistent positivity while staring down our planet's dramatic loss of biodiversity, and two billion hectares of degraded land. Dr Graham sees this mass degradation as an enormous opportunity. She is intent on solving for the mismatch of scale when it comes to rate of degradation to rate of restoration. An entrepreneur from a young age, Susan has learnt to balance urgent action with deep thinking. Studying both medicine and engineering, she says "I wanted to scale beyond my hands." Where engineering has enabled scalable impact – Dendra became not only the first company to ever plant trees with drones, but as well, to dare to undertake species level analytics of complex biodiverse ecosystems –  Australian directness means the team get to the nub of the matter really quickly. There is a compelling tenacity to Susan's confidence to ask 'What's next? How can we change carbon markets?' for example. We hope you enjoy this conversation with Dr Susan Graham, and clearly hear her call to action to know that today is our day. Now is the time. The need for each of us to play our best game is urgent. See omnystudio.com/listener for privacy information.

See omnystudio.com/listener for privacy information.

Episode 29

durée : 01:59:30 - Auric, Scarlatti, Cilea, Graham, Pires, Lefèvre ... - par : François-Xavier Szymczak - Dans l' Eté classique matinal toute cette semaine, François-Xavier Szymczak s'appuiera chaque jour sur des dates anniversaires de naissance et de décès... ce matin, hommage à Georges Auric, Domenico Scarlatti, Francesco Cilea, Susan Graham, Maria Joao Pires, Alain Lefèvre et Goetz von Berlichingen. - réalisé par : Benjamin Hû

Elisabeth Kley is a ceramicist & painter based in New York City. https://elisabethkley.com/home.html   Miriam Makeba The Click Song https://open.spotify.com/track/329ss78X6RxaEa6iN1SsH8?si=hpAypZqVS-unq05_nGJeIg   Mompou Canciones i dances #6 Alicia de Larrocha https://open.spotify.com/track/7CvUhDROhXQxhrrmnC7FyW?si=PnLB-   A Chloris, Reynaldo Hahn,Susan Graham https://open.spotify.com/track/4pRn4mVhANBKiy5qYJBTql?si=miOWE0skSwOwkOvYI0hJ7g   Candela Buena Vista Social Club https://open.spotify.com/track/1eHGsCdAWh1Ffowzacpfoi?si=u3feP3xPTDG-BUO2TIkh5w   Sayuri Ishikawa https://open.spotify.com/track/7uaDIIs9LFEKsriiSpbyTx?si=PylHjW7gRd65dlwNGwP0fg   Amarelli mia bella Alfred Deller https://open.spotify.com/track/2GODUlkZI9GRW43oLMVrIa?si=BB44kiN1SdKFJeCUQilIHQ   You can find Elisabeth's work and the work of all the other artists involved in this podcast on www.whatartistslistento.com and @whatartistslistentopodcast on Instagram.    The podcast is hosted by the artist Pia Pack www.piapack.com / @piapack

Join us as we go to California and chat with Susan Graham, Mezzo Soprano extraordinaire, to have multiple cocktails, girl talk, laughs and all the feels we are going through with the loss of jobs and being stuck at home. http://susangraham.com/

Join us as we go to California and chat with Susan Graham, Mezzo Soprano extraordinaire, to have multiple cocktails, girl talk, laughs and all the feels we are going through with the loss of jobs and being stuck at home.

Bellaire UMC's Maundy Thursday worship experience with scripture; music from Kenneth Scott Peters, Marcus Jauregui, and Susan Graham; and reflections from Pastor Seann Duffin.

Betrouwbare Bronnen aflevering 71Te gast is Caroline de Gruyter, tien jaar lang Europa-correspondent in Brussel, daarna vier jaar werkzaam in Wenen en nu reizend door Europa vanuit Oslo. Ze schrijft wekelijks een veelgelezen column in NRC Handelsblad.De Europese Unie van nu lijkt een beetje op het Habsburgse Rijk, zegt De Gruyter. Habsburg, dat z’n duizend jaar standhield, was óók bonte verzameling nationaliteiten en talen onder één paraplu. Ze hadden net als wij één markt en één munt, het was moeilijk te besturen. Niettemin ontwikkelde zich onder Maria Theresia een moderne bureaucratie. Over deze overeenkomsten – en uiteraard de verschillen – praten we in deze aflevering van Betrouwbare Bronnen.‘Het Habsburgse Rijk kende altijd buffers langs zijn grenzen. Dat waren vorstendommen en regio's waarmee het samenwerkte om andere heersers op afstand te houden. Want Wenen hield niet van oorlog en wilde zijn machtige buren te vriend houden en conflicten dempen. Vertragen, langdurige diplomatie - en toen ook huwelijkspolitiek - als soft power waren dan slimme instrumenten. In deze tijd doet de EU het niet heel anders.’Volgens Caroline de Gruyter maakt de Brexit de Europese Unie sterker. ‘We beseffen door de Brexit dat we het met elkaar moeten doen, dat we zonder elkaar nergens zijn.’Het gaat beter met Europa dan velen onlangs nog vreesden. ‘Een paar jaar geleden hadden we het alleen maar over het mogelijke einde van de EU. Die zou imploderen of exploderen. Daar Is niets van uitgekomen.’‘We hebben een paar keer aan de afgrond gestaan, zeker met de bankencrisis en de euro-crisis. Maar iedere keer besloten ze: we gaan toch maar compromissen sluiten. We hebben al die crisissen overleefd omdat onze politici wilden dat we het overleefden. Ze komen met gestrekt been naar Brussel, niet bereid een krimp te geven, maar op een bepaald moment realiseren ze: als we allemaal niks geven, kunnen we er beter mee ophouden. Dan is het weer ieder voor zich en we weten dat dit altijd slecht af liep.’Nederland komt in de post-Brexit EU in een heel nieuwe positie. ‘In de Europese Unie had je altijd drie dominante stromingen: het Franse étatisme, het Duitse legalisme en het Angelsaksische liberalisme. Die clashten altijd, over elk issue dachten ze anders. Nederland zat heel vaak op de Britse lijn. We belden even met Londen en als we het dan eens waren, dan hoefden er nog maar enkele bij en je had een meerderheid. Nederland kan dat spel niet meer spelen. Nu moet Nederland bij elk onderwerp kijken welke operatie we opzetten. Soms aanhakend bij de Duitse lijn, maar vaak ook bij de Franse. We kunnen het goed met vinden met Emmanuel Macron want dat is een echte liberaal en Merkel niet, met haar bescherming van de auto-industrie.’En er ontstaan veel groepen: ‘Nederland cultiveert het Noordelijke clubje – Wopke en de zeven dwergen – en doen we weer meer met de Benelux. Je moet heel precies je gevechten kiezen. En: landen vragen er iets voor terug. Daarom moet je altijd ook een lijstje hebben met dingen die je niet zoveel kunnen schelen; waar je hen mee kan steunen.’***Het slotfragment in deze editie is de eindscène van 'Der Rosenkavalier', de ultieme 'Habsburg Opera'. U hoort de grote Amerikaanse sopraan Renée Fleming als 'die Marschallin' met Susan Graham als 'Octavian' en Christine Schäfer als 'Sophie' vanuit de Metropolitan Opera in New York in 2014. https://www.youtube.com/watch?v=fi810zB3L04&feature=youtu.be***Deze aflevering is mede mogelijk gemaakt door de Europese Commissie***Verder lezenhttp://www.carolinedegruyter.eu/***Tijdlijn aflevering 7100:00:00 - Intro00:01:39 - Deel 100:53:51 - Deel 201:49:20 - Uitro01:49:56 - Einde

Ep. 242: Susan Graham is the White mother of two biracial children whose father is Black.  She is also the author of Born Biracial: How One Mother Took on Race in America.  It is the true story of how she brought an invisible population to the forefront and started the multiracial movement. She started a simple advocacy group and turned it into a national civil rights movement. Along the way, her personal life was suffering. The emotional story of her marriage to a CNN News anchor, being a mother to biracial children, divorce, and remarriage are interwoven in her life’s story. This is the one story every interracial family should read. Susan is also the co-founder and Executive Director of Project RACE, which advocates for multiracial children, multiracial adults, and their families primarily through multiracial education and community awareness. It does not advocate for racial classifications, but is committed to the appropriate inclusion of multiracial people on any forms that require racial identification. It supports policies that make a positive impact on people of multiracial heritage at local, state, and national levels. Listen as we revisit our conversation in which Susan talks to Alex about Multiracial identity, the 2020 census, bone marrow donor registry, and her new book. For more on Susan and Project RACE, please visit the website: http://www.projectrace.com/ For more on host, Alex Barnett, please check out his website: www.alexbarnettcomic.com or visit him on Facebook (www.facebook.com/alexbarnettcomic) or on Twitter at @barnettcomic To subscribe to the Multiracial Family Man, please click here: MULTIRACIAL FAMILY MAN PODCAST Huge shout out to our "Super-Duper Supporters" Elizabeth A. Atkins and Catherine Atkins Greenspan of Two Sisters Writing and Publishing Intro and Outro Music is Funkorama by Kevin MacLeod (incompetech.com) Licensed under Creative Commons - By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/

durée : 01:58:46 - Relax ! du mercredi 02 octobre 2019 - par : Lionel Esparza - Un petit portrait de la chanteuse américaine Susan Graham, spécialiste de la mélodie française, et un disque de légende incontournable : 'Les Noces de Figaro' de Mozart par Herbert von Karajan et un casting de rêve... - réalisé par : Antoine Courtin

Ep. 233: Susan Graham is the White mother of two biracial children whose father is Black.  She is also the author of Born Biracial: How One Mother Took on Race in America.  It is the true story of how she brought an invisible population to the forefront and started the multiracial movement. She started a simple advocacy group and turned it into a national civil rights movement. Along the way, her personal life was suffering. The emotional story of her marriage to a CNN News anchor, being a mother to biracial children, divorce, and remarriage are interwoven in her life’s story. This is the one story every interracial family should read. Susan is also the co-founder and Executive Director of Project RACE, which advocates for multiracial children, multiracial adults, and their families primarily through multiracial education and community awareness. It does not advocate for racial classifications, but is committed to the appropriate inclusion of multiracial people on any forms that require racial identification. It supports policies that make a positive impact on people of multiracial heritage at local, state, and national levels. Listen as Susan talks to Alex about Multiracial identity, the 2020 census, bone marrow donor registry, and her new book. For more on Susan and Project RACE, please visit the website: http://www.projectrace.com/ For more on host, Alex Barnett, please check out his website: www.alexbarnettcomic.com or visit him on Facebook (www.facebook.com/alexbarnettcomic) or on Twitter at @barnettcomic To subscribe to the Multiracial Family Man, please click here: MULTIRACIAL FAMILY MAN PODCAST Huge shout out to our "Super-Duper Supporters" Elizabeth A. Atkins and Catherine Atkins Greenspan of Two Sisters Writing and Publishing Intro and Outro Music is Funkorama by Kevin MacLeod (incompetech.com) Licensed under Creative Commons - By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/

On Thursday, April 18, 2019, Cal Performances’ board of trustees co-chairs Helen Meyer and Susan Graham, and executive and artistic director Jeremy Geffen, announced the organization’s 2019-20 season, programmed by associate director Rob Bailis. Hear Bailis in conversation about the season with Cy Musiker, a KQED radio news reporter, anchor and recently retired host of KQED's weekly arts showThe Do List. Musiker is an alumnus of UC Berkeley's Graduate School of Journalism.Cal Performances' 2019-20 season showcases an exhilarating and expansive breadth of dance productions, from grand to intimate in scale, featuring a broad range of international performance traditions and starring renowned companies from the US and abroad in Zellerbach Hall, widely considered the finest concert dance venue on the west coast; virtuoso soloists and conductors making their Cal Performances debuts; and immersion in key bodies of work by Beethoven, Bartók and Liszt.An interdisciplinary set of projects explores the artistic accomplishments of UC Berkeley faculty and alumni and Berkeley natives — with composers, scholars, writers, filmmakers and performers bringing new and recent work to campus. Dance and contemporary music ensembles perform Cal Performances co-commissioned work and the season concludes with a Hewlett 50 Arts Commission project staged in collaboration with lead commissioner Stanford Live. Artists and ensembles with meaningful, decades-long relationships with Cal Performances and Bay Area audiences return, and master performers from across the globe travel to Zellerbach Hall for presentations that revive and refresh traditional and contemporary music and dance practices.Read a transcript and see photos on Berkeley News.(Alvin Ailey American Dance Theater photo by Andrew Eccles) See acast.com/privacy for privacy and opt-out information.

No f*cking fear from the cover-girl: my book Middle Finger Happiness! Susan Graham! Her sense of adventure for life is a must listen to episode... We should all be ‘more Susan’

Sam Snook, VP or Artist Management at IMG Artists chats about what a modern manager does, where he discovers his artists (or how best to approach managers you're interested in), and general industry wisdom. Hear it directly from the man who reps Susan Graham, Ben Bliss, Angela Meade and more. Special Guest: Sam Snook.

8 out of 10 - A Good Show!! www.latheatrebites.com Nov 17 – Dec 15,2018 The spooky adventures of Hansel and Gretel comes to the operatic stage with 12-foot-tall creatures, fantastical sets and elaborate special effects. Diva extraordinaire Susan Graham stars as the uproariously wicked witch, eager to lure her young victims into a delicious trap, but last-minute ingenuity saves the day and the plucky children emerge triumphant in the heartfelt conclusion.

Artistic Adviser to LA Opera's Domingo-Colburn-Stein Young Artist Program and opera superstar Susan Graham sits down with Classical KUSC's Brian Lauritzen in a conversation about her role debut as The Witch in LA Opera's production of “Hansel and Gretel” and how she approaches learning new parts.

Nicolai Gedda, Renata Scotto, Christian Gerhaher, Susan Graham, Anne-Sofie von Otter and Karen Cargill.

Opera superstar Susan Graham and Classical KUSC's Brian Lauritzen discuss her role as LA Opera's Domingo-Colburn-Stein Young Artist program's Artistic Adviser, as well as her own experiences as a young artist and some key moments from the beginning of her career.

Susan Graham, James Morris and Susanna Phillips joined St. Louis on the Air host Don Marsh on Wednesday's show to discuss the production.

‘It’s romantic opera, reinvented for the twenty-first century.’ In this episode of the Glyndebourne podcast we explore Samuel Barber’s Pulitzer Prize-winning opera, Vanessa, a story of longing, loss and manipulation set to a sumptuous score. Contributions come from critic David Benedict, opera director Keith Warner and Alexandra Coghlan, Glyndebourne’s Opera Content Specialist. Presenter: Katie Derham Produced by Katherine Godfrey for Whistledown Productions for Glyndebourne Festival 2018 The music in this podcast is from the Chandos and BBC Co-production of Vanessa. Music courtesy of G. Schirmer Inc (Chester Music Ltd). Leonard Slatkin conducts the BBC Symphony Orchestra, the role of Vanessa is performed by Christine Brewer with Susan Graham as Erika, Catherine Wyn-Rogers as The Old Baroness and William Burden as Anatol. Image: Shadric Toop painted collage Images: Wikimedia Commons

On Trimmel Gomes' latest episode of The Rotunda, Could Multiracial Americans Ease Racial Tensions? Amid racial and cultural tensions nationwide, advocates for the multiracial community are on a mission to remind the country that more things bind than separate the people in the United States. Gomes discusses the cultural and racial divide with Susan Graham, co-founder, and president of Project RACE. Gomes also interviews Andy Behrman, the president and CEO of the Florida Association of Community Health Centers about the services Floridians will be at risk of losing if the state's Low Income Pool (LIP) funding model changes. The Rotunda podcast is available each Monday via iTunes, Stitcher or Soundcloud. Follow on @RotundaPodcast on Twitter and visit www.rotundapodcast.com for daily updates.

On Trimmel Gomes’ latest episode of The Rotunda, Could Multiracial Americans Ease Racial Tensions? Amid racial and cultural tensions nationwide, advocates for the multiracial community are on a mission to remind the country that more things bind than separate the people in the United States. Gomes discusses the cultural and racial divide with Susan Graham, co-founder, and president of Project RACE. Gomes also interviews Andy Behrman, the president and CEO of the Florida Association of Community Health Centers about the services Floridians will be at risk of losing if the state’s Low Income Pool (LIP) funding model changes. The Rotunda podcast is available each Monday via iTunes, Stitcher or Soundcloud. Follow on @RotundaPodcast on Twitter and visit www.rotundapodcast.com for daily updates.

Australian engineer Dr Susan Graham is building drones to fire germinated seeds into soil. The system can access remote areas, determine the best places to plant and even help with mine rehabilitation.

Mezzo-soprano Susan Graham describes the background of "Frauenliebe und -leben Variations," and pianist Javier Perianes talks about performing Falla's "Nights in the Gardens of Spain" with the Boston Symphony Orchestra.

Meet Dr. Susan Grahan Pela primeira vez, fiz uma entrevista no GunCast. E também pela primeira vez, teremos um episódio em inglês. Direto de Oxford, conversei com a Dr. Susan Graham, pesquisadora de tal universidade e minha sócia na Singularity. Em linhas gerais, conversamos sobre equipes e seus acertos e erros. Se vc ainda não aprendeu ou não está aprendendo inglês é porque está de brincadeira na tomateira. Confira! ;) PARTICIPE Comente este episódio em www.guncast.com.br/susan Converse com outros ouvintes no grupo do Facebook: www.fb.com/groups/guncast AJUDE Se vc gostou do meu podcast, deixe um review no iTunes Se vc gostou de ouvir podcasts em geral, indique para os seus amigos. FALOU, PAPAI Edição: Sancler Miranda Produção: Renato Ribeiro

We hang out with Harry Rose, a.k.a Opera Teen, to get his insights about the next generation of opera-goers. Read more about Harry at https://operateen.wordpress.com. Also, we talk about whether or not rewriting the end of a unsatisfying opera creates more problems that it solves. Plus, our TKO segment returns to pit Janet Baker against Susan Graham in Purcell's 'Dido and Aeneas'.

Collaborative pianist, teacher, and vocal coach Chris Foley is the author of CollaborativePiano.com, one of the most popular classical music blogs that turns 10 years old in November, 2015. What is "collaborative piano"? Ah, great question! It happens to be the type of piano playing that both Chris and I specialize in, but I'll let Chris answer that question himself! Chris and I have known each other virtually for many years, but we've never actually spoken directly until this interview. So it's a real delight for me to introduce Chris Foley, who is an accomplished collaborative pianist based in Toronto Canada. A hallmark of Chris Foley's career in classical music has been his ingenuity, constant state of evolution and drive to pass on the rich legacy of chamber music, art song, opera and contemporary music as a dedicated teacher to new generations.  His wide-ranging career has spanned the academy, stage and even TV as pianist and singing coach on the sleeper hit on Bravo!Canada award winning reality show "Bathroom Divas".  A seeker of the cutting edge, this month Chris celebrates the 10th anniversary of his blog, The Collaborative Piano, which is one THE most popular classical music blogs out there. Happy 10th birthday, Chris! What an incredible accomplishment and amazing resource for classical music and collaborative pianists worldwide! Musical Selections: Die Schöne Müllerin, D.795 – 1. Das Wandern - with Dietrich Fischer-Dieskau and Gerald Moore Ariettes oubliées: 1. C'est l'extase langoureuse - with Dawn Upshaw and James Levine At The Statue Of Venus: A Lucky Child - with Susan Graham and Jake Heggie Schubert: Erlkönig, D. 328 (Op.1) – Wer reitet so spät - with Dietrich Fischer-Dieskau and Gerald Moore Sarasate: Malaguena, Op.21 No. 1 - with Itzhak Perlman and Samuel Sanders Show Notes Book: The Complete Collaborator: The Pianist as Partner by Martin Katz Tapestry Opera: https://tapestryopera.com/ Visit Chris' blog at http://collaborativepiano.com 

Ep. 23: Susan Graham, the founder of Project RACE (http://www.projectrace.com/), talks about her youth in Detroit, her interracial marriage, and raising biracial, Jewish children.  Susan then discusses how her experience of being forced to "check a box" on census forms led her to create Project RACE, which advocates for multiracial families and is leading the charge for identifying marrow donors for those who are multiracial. For more on host, Alex Barnett, please check out his website: www.alexbarnettcomic.com or visit him on Facebook (www.facebook.com/alexbarnettcomic) or on Twitter at @barnettcomic   Intro and Outro Music is Funkorama by Kevin MacLeod (incompetech.com) Licensed under Creative Commons - By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/

 I hope I am not inundating you too much with all these compilations, but I do think they are fun. 1. Fedora Barbieri                       Trovatore   "Stride la vampa." 2. Daniele Barioni                         La Rondine aria (with nice interpolation at end.) 3. Lina Bruna Rasa                       Cavalleria Rusticana   "Voi lo sapete" ( Insane chest!) 4. Grace Bumbry                           Don Carlo     "Oh don fatale." 5. Maria Callas                               La Gioconda     "Suicidio" 6. Enrico Caruso                            "Vesti la giubba" 7. Regine Crespin/Carlo Bergonzi        Ballo in Maschera Duet 8. Gilda Cruz-Romo                         Attila Cabaletta 9. Giuseppe de Luca                        Tanhauser Evening Star   (in Italiano.) 10.Bernardo de Muro                      Isabeau (Mascagni) aria 11.Ghena Dimitrova                         "Vissi d'arte" 12.Placido Domingo                         Tanhauser Rome Narrative 13.Nicolai Gedda/Fernando Corena       Elisir Duet 14.Mario Filippeschi                          "Messun Dorma"   (LOUD!) 15.Elina Garanca                                Cosi Fan Tutte"   Dorabella aria 16.Leyla Gencer                                  Adriana Lecouvreur Act 3 Phedre Narration 17.Marcello Giordani                           Huguenots aria 18.Thomas Hampson/Sam Ramey     Duet from Verdi's "Un Giorno di Regno" 19.Susan Graham                                   Komponist aria from Ariadne 20.Hei-Kyung Hong                                "Che bel sogno di Doretta" (Rondine) 21.Marilyn Horne                                     Cabaletta from Meyerbeer's "Le Prophete" 22.Kiri Te Kanawa                                     "Summertime"

SHARING WITH SUSAN ... Susan Graham is hosting her call tonight from her home office in Alberta, Canada.   Susan co-owns and operates her family’s 3rd generation ranch, located in the foothills of Alberta, along with her husband and 2 daughters. She was introduced to Zija just over a year and a half ago and started building her business to help others achieve many of the same health improvements that she experienced, aslong with a financially fulfilling business, on a part-time basis. Tonight Susan's guest is Dana Funk from Lafayette, Indiana. Dana has worked in health care for several years – currently full time as a registered nurse in a busy urgent care facility.  Dana also works part time at a local veterinary clinic for the Behavior and Training program. On top of all this, Dana has been engaged in building her Zija business on a part time basis for the past year.        

Catherine Bott profiles harpsichordist & conductor Harry Bicket - regular at Glyndebourne & the New York Metropolitan Opera, and current musical director of The English Concert - about his career and his recordings. Music includes works by Handel, Bach, Pergolesi and Gluck in performances by Renée Fleming, Lorraine Hunt Lieberson, Susan Graham, Andreas Scholl and Elizabeth Watts.

Susan Graham’s first love was theater and she practiced her skills throughout her school years by doing one-act plays and by getting involved in speech competitions. After high school she went to Yale where she studied drama whose alumni include Meryl Streep, Sigourney Weaver, Paul Newman and many more.  After graduation, Susan performed in broadway productions of Because of Beth and The Metaphysics of Breakfast. She also performed in the national tour of Scooby Doo! Live on Stage! Later she moved to Los Angeles where she has been busy writing, producing and starring in projects that she has helped to create. She also starred in Walt Disney Pictures’ Beverly Hills Chihuahua 2. http://susangraham.tv  

This week Alec talks with opera singer Renée Fleming, whose singing voice has been described as "double cream." Fleming remembers her professional debut -- “I was just jelly at the end of the first rehearsal” -- and celebrates her long association with The Metropolitan Opera. Fleming talks about performing and the challenges of being heard, without amplification, over an orchestra, but also about the pleasure of being in the audience “where I have literally been sobbing at the end” of an opera. Music excerpts included in Here's the Thing's conversation with Renée Fleming (in order of appearance): “Glück, das mir verblieb (Marietta's Lied)” from Korngold's Die Tote Stadt (Live performance from the Met's 125th Anniversary Gala, March 15, 2009; Conductor: James Levine) “I'll Be Seeing You” (Renée Fleming with the Eastman Jazz Ensemble/”Arranger's Holiday” recorded Fall 1981 (archive tape courtesy Renée Fleming; special thanks to Ed Fleming) "Contessa, perdono!" from Mozart's Le Nozze di Figaro, Houston Grand Opera. Conductor; Christoph Eschenbach. 1991 “Glück, das mir verblieb (Marietta's Lied)” from Korngold's Die Tote Stadt  (Live performance from the Met's 125th Anniversary Gala, March 15, 2009; Conductor: James Levine) “Dis-moi que je suis belle” from Massenet's Thaïs (Live Met performance, December 20th, 2008; Conductor: Jesús López-Cobos) “Hab' mir's gelobt” from Richard Strauss's Der Rosenkavalier (Live Met performance, January 9, 2010, with Susan Graham as Octavian and Christine Schäfer as Sophie; Conductor: Edo de Waart) “Mio caro bene” from Handel's Rodelinda (Live Met performance, January 1, 2005; Conductor: Harry Bicket) Finale from Tchaikovsky's The Queen of Spades (Live Met performance, March 26, 2011; Conductor: Andris Nelsons) Finale from Mozart's Le Nozze di Figaro (Live Met performance, February 12, 1994, with Dwayne Croft (Count Almaviva), Marie McLaughlin (Susanna), James Morris (Figaro), Jane Bunnell (Cherubino), François Loup (Dr. Bartolo), Judith Christin (Marcellina), Michel Sénéchal (Don Basilio), James Courtney (Antonio), and Korliss Uecker (Barbarina); Conductor: Julius Rudel) Special thanks this week to The Metropolitan Opera and the Houston Grand Opera for providing archival musical excerpts. In particular, thanks to Peter Clark, Mary Jo Heath, Brent Ness, Sam Neuman, Elena Park, and Claire Vince. And thanks to Paul Batsel at the Office of Renée Fleming. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Part One of two in which we honor the wonderful divas ofthe present generation. Included here are selections by: Vivica Genaux, Stephanie Blythe, Elina Garanca, Dolora Zajick,Maddalena Kozena, Susan Graham, Joyce di Donato, Judith Forst,Olga Borodina, Vesselina Kasarova, Ewa Podlés (in photo),Lisa Gasteen, Ruth Ann Swenson, Christina Gallardo-Domas,and Barbara Bonney (62 minutes)

A pot-pourri of 12 different renditions of the famousfinal trio from Strauss' sublime "Der Rosenkavalier." Selections are announced on the podcast for your edification. Artists include:  Elizabeth Schwarzkopf, Viorica Ursuleac, Regine Crespin, Lotte Lehmann, Eleanor Steber,  Helge Dernesch, Renee Fleming, Elizabeth Grummer, Lisa della Casa (in all three roles),Gundula Janowitz, Elizabeth Soederstrom, Rise Stevens,Sena Jurinac, Tiana Lemnitz, Susan Graham, Frances Bible,Jarmila Novotna, Birgitte Fassbaender, Erna Berger, Lucia Popp,Hilde Gueden, Marita Farell, Judith Raskin, Anne Elgar,Ileana Cotrubas, Anneliese Rothenberger, and Barbara Bonney                                (74 minutes)  

 A Happy Birthday tribute to Three Great Artists: Herman Uhde  (July 20, 1914) Licia Albanese  (July 2, 1913) Susan Graham  (July 23, 1960) Giuseppe Di Stefano  (July 24, 1921)                              (77 minutes)