Podcasts about Porgy and Bess

The first part of Backstage Babble's 200th episode celebration is here, and it is an honor to be talking theater legend Jack O'Brien, who recently received the lifetime achievement award at the 2024 Tonys. Tune in to hear some of the stories of his expansive career, including the genesis of his newest show THE ROOMMATE, his advice for young directors, his friendship an collaboration with Stephen Sondheim, figuring out the sensitive timing of SHUCKED, learning from Ellis Rabb about how to give notes to actors, the show of his that launched more careers than any other, his unique relationship with the cast of PORGY AND BESS, how he decided to leave his position as artistic director of The Old Globe, the intriguing critical response to IMAGINARY FRIENDS and CAROUSEL, how his revival of ST. LOUIS WOMAN almost came to Broadway, revising DAMN YANKEES with George Abbott, his criteria for choosing shows to direct, how INTO THE WOODS changed the regional theater landscape, and so much more. This episode is a masterclass in directing from one of the greatest theatrical minds of all time. I can't think of a more perfect way to celebrate 200 episodes.

Porgy and Bess is an English-language opera by American composer George Gershwin.

John W. Bubbles and Todd Duncan had deep roots on the Indiana Avenue scene, and both were featured in the original cast of George Gershwin's Porgy and Bess. Explore their lives and music on the latest episode of Echoes of Indiana Avenue.  John W. Bubbles was a streetwise song and dance man who became a star of the vaudeville stage as a young man on the Avenue. Bubbles created the role of Sportin' Life in Porgy and Bess.  Todd Duncan was a classically trained vocalist who studied at Butler University and broke racial barriers in the world of opera. Duncan was George Gershwin's original Porgy.

Dr. Kendra Y. Hamilton's Romancing the Gullah in the Age of Porgy and Bess (University of Georgia Press, 2024) is a literary and cultural history of the Gullah Geechee Coast, a four-state area that is one of only a handful of places that can truly be said to be the “cradle of Black culture” in the United States. An African American ethnic group who predominantly live in the Lowcountry region of South Carolina, North Carolina, Georgia, and Florida within the coastal plain and the Sea Islands, the Gullah people have preserved a significant influence of Africanisms because of their unique geographic isolation.  This book seeks to fill a significant cultural gap in Gullah history. While there is a veritable industry of books on literary Charleston and on the Lowcountry, along with a plenitude of Gullah-inspired studies in history, anthropology, linguistics, folklore, and religion, there has never been a comprehensive study of the region's literary influence, particularly in the years of the Harlem and Charleston Renaissance. By giving voice to artists and culture makers, uncovering buried histories, and revealing secret cross-racial connections amid official practices of Jim Crow, Hamilton sheds new light on an incomplete cultural history. Dr. Kendra Y. Hamilton is an associate professor of English and Director of Southern Studies at Presbyterian College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Dr. Kendra Y. Hamilton's Romancing the Gullah in the Age of Porgy and Bess (University of Georgia Press, 2024) is a literary and cultural history of the Gullah Geechee Coast, a four-state area that is one of only a handful of places that can truly be said to be the “cradle of Black culture” in the United States. An African American ethnic group who predominantly live in the Lowcountry region of South Carolina, North Carolina, Georgia, and Florida within the coastal plain and the Sea Islands, the Gullah people have preserved a significant influence of Africanisms because of their unique geographic isolation.  This book seeks to fill a significant cultural gap in Gullah history. While there is a veritable industry of books on literary Charleston and on the Lowcountry, along with a plenitude of Gullah-inspired studies in history, anthropology, linguistics, folklore, and religion, there has never been a comprehensive study of the region's literary influence, particularly in the years of the Harlem and Charleston Renaissance. By giving voice to artists and culture makers, uncovering buried histories, and revealing secret cross-racial connections amid official practices of Jim Crow, Hamilton sheds new light on an incomplete cultural history. Dr. Kendra Y. Hamilton is an associate professor of English and Director of Southern Studies at Presbyterian College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Dr. Kendra Y. Hamilton's Romancing the Gullah in the Age of Porgy and Bess (University of Georgia Press, 2024) is a literary and cultural history of the Gullah Geechee Coast, a four-state area that is one of only a handful of places that can truly be said to be the “cradle of Black culture” in the United States. An African American ethnic group who predominantly live in the Lowcountry region of South Carolina, North Carolina, Georgia, and Florida within the coastal plain and the Sea Islands, the Gullah people have preserved a significant influence of Africanisms because of their unique geographic isolation.  This book seeks to fill a significant cultural gap in Gullah history. While there is a veritable industry of books on literary Charleston and on the Lowcountry, along with a plenitude of Gullah-inspired studies in history, anthropology, linguistics, folklore, and religion, there has never been a comprehensive study of the region's literary influence, particularly in the years of the Harlem and Charleston Renaissance. By giving voice to artists and culture makers, uncovering buried histories, and revealing secret cross-racial connections amid official practices of Jim Crow, Hamilton sheds new light on an incomplete cultural history. Dr. Kendra Y. Hamilton is an associate professor of English and Director of Southern Studies at Presbyterian College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Dr. Kendra Y. Hamilton's Romancing the Gullah in the Age of Porgy and Bess (University of Georgia Press, 2024) is a literary and cultural history of the Gullah Geechee Coast, a four-state area that is one of only a handful of places that can truly be said to be the “cradle of Black culture” in the United States. An African American ethnic group who predominantly live in the Lowcountry region of South Carolina, North Carolina, Georgia, and Florida within the coastal plain and the Sea Islands, the Gullah people have preserved a significant influence of Africanisms because of their unique geographic isolation.  This book seeks to fill a significant cultural gap in Gullah history. While there is a veritable industry of books on literary Charleston and on the Lowcountry, along with a plenitude of Gullah-inspired studies in history, anthropology, linguistics, folklore, and religion, there has never been a comprehensive study of the region's literary influence, particularly in the years of the Harlem and Charleston Renaissance. By giving voice to artists and culture makers, uncovering buried histories, and revealing secret cross-racial connections amid official practices of Jim Crow, Hamilton sheds new light on an incomplete cultural history. Dr. Kendra Y. Hamilton is an associate professor of English and Director of Southern Studies at Presbyterian College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Dr. Kendra Y. Hamilton's Romancing the Gullah in the Age of Porgy and Bess (University of Georgia Press, 2024) is a literary and cultural history of the Gullah Geechee Coast, a four-state area that is one of only a handful of places that can truly be said to be the “cradle of Black culture” in the United States. An African American ethnic group who predominantly live in the Lowcountry region of South Carolina, North Carolina, Georgia, and Florida within the coastal plain and the Sea Islands, the Gullah people have preserved a significant influence of Africanisms because of their unique geographic isolation.  This book seeks to fill a significant cultural gap in Gullah history. While there is a veritable industry of books on literary Charleston and on the Lowcountry, along with a plenitude of Gullah-inspired studies in history, anthropology, linguistics, folklore, and religion, there has never been a comprehensive study of the region's literary influence, particularly in the years of the Harlem and Charleston Renaissance. By giving voice to artists and culture makers, uncovering buried histories, and revealing secret cross-racial connections amid official practices of Jim Crow, Hamilton sheds new light on an incomplete cultural history. Dr. Kendra Y. Hamilton is an associate professor of English and Director of Southern Studies at Presbyterian College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Dr. Kendra Y. Hamilton's Romancing the Gullah in the Age of Porgy and Bess (University of Georgia Press, 2024) is a literary and cultural history of the Gullah Geechee Coast, a four-state area that is one of only a handful of places that can truly be said to be the “cradle of Black culture” in the United States. An African American ethnic group who predominantly live in the Lowcountry region of South Carolina, North Carolina, Georgia, and Florida within the coastal plain and the Sea Islands, the Gullah people have preserved a significant influence of Africanisms because of their unique geographic isolation.  This book seeks to fill a significant cultural gap in Gullah history. While there is a veritable industry of books on literary Charleston and on the Lowcountry, along with a plenitude of Gullah-inspired studies in history, anthropology, linguistics, folklore, and religion, there has never been a comprehensive study of the region's literary influence, particularly in the years of the Harlem and Charleston Renaissance. By giving voice to artists and culture makers, uncovering buried histories, and revealing secret cross-racial connections amid official practices of Jim Crow, Hamilton sheds new light on an incomplete cultural history. Dr. Kendra Y. Hamilton is an associate professor of English and Director of Southern Studies at Presbyterian College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

It's Tony season on Broadway and this week we have two major figures of American theatre who have won nine Tony Awards between them: Audra McDonald and Jason Robert Brown.Performer Audra McDonald is currently on a concert tour of Australia. Her first Tony Award came for her breakthrough role in Rodgers & Hammerstein's Carousel and she's added five more Tonys to her collection since then. And the composer and lyricist Jason Robert Brown won his first Tony Award for Parade, which is coming to Sydney's Seymour Centre.

On this day in 1928, Maya Angelou was born Marguerite Johnson in St. Louis, Missouri. See omnystudio.com/listener for privacy information.

Frederick Ballentine is an American tenor whose awards include a Grammy for his recording of George Gershwin's PORGY AND BESS. The opera star exudes a sense of ease, confidence, and fun when it comes to his career as an in-demand collaborator on everything from classic operas, to cutting-edge contemporary works. Frederick Ballentine spoke with Suzanne about his beloved teachers and mentors, his musical projects, and how he memorizes so much music!

Season 1 -- the Podcast itself -- Premieres with Episode 1 "Stupid Courage," introducing your Host, Michael Holland, and beginning the Story of the Life & Career of Storyteller William Goldman. We'll travel from Lone Pine, California to Highland Park, Illinois to New York City; learning about the 1939 Classic ‘Gunga Din,' Goldman's growing up and his time in the Army, becoming a Writer, all of it culminating in the release of his First Novel, ‘The Temple Of Gold.' Please see ⁠⁠Our Text Supplement⁠⁠ for Book, Theatre, & Film Lists, and our Full Index. Would you like to Purchase the Goldman-specific Titles you've heard about in this Ep? Please see Direct Links here (using THESE Links help Support the Show)! 'On Location In Lone Pine' 'Maverick' 'Gunga Din' 'Scarface: The Story of a Grizzly' 'Porgy And Bess' 'Mixed Company' ⁠'The Temple Of Gold'⁠ 'William Goldman' 'The Craft Of The Screenwriter' 'William Goldman: The Reluctant Storyteller' 'Shangri-La' Further info, questions, comments, find us on Instagram @fromoutofthepastpodcast or Email at fromoutofthepastpodcast@yahoo.com! Thanks for listening ...

The great songs from the great musicals

Guest hosted by Jeff Lunden, this is the conclusion of a three-part program paying tribute to iconic lyricist Ira Gershwin known for his collaborations with his brother George, Jerome Kern and Harold Arlen, to name a few, and his numerous Broadway shows including FUNNY FACE, GIRL CRAZY, PORGY AND BESS and OF THEE I SING. This tribute includes an archival interview from 1969 with the lyricist discussing his successful career alongside his composer brother, George. Additionally, this episode includes rare recordings of Ira Gershwin singing his own songs and features music from DAMSEL IN DISTRESS, SHALL WE DANCE, OF THEE I SING, FUNNY FACE and THE GOLDWYN FOLLIES.   Featured archival acetate recordings: “HI-H0,” “WHO CARES?” “STIFF UPPER LIP,” “THE BABBIT AND THE BROMIDE,” plus bonus modern recordings of “I GOT RHYTHM,” and “LOVE IS HERE TO STAY.”   Originally produced and broadcast in 1983. For more information go to AnythingGoesPL.com or BPN.FM/Anything Goes. Theme music arranged by Bruce Coughlin. Associate producer Jeff Lunden. Anything Goes – Backstage with Broadway's Best – is produced and hosted by Paul Lazarus. Learn more about your ad choices. Visit megaphone.fm/adchoices

Guest hosted by Jeff Lunden, this is the second of a three-part program paying tribute to iconic lyricist Ira Gershwin known for his collaborations with his brother George, Jerome Kern and Harold Arlen, to name a few, and his numerous Broadway shows including FUNNY FACE, GIRL CRAZY, PORGY AND BESS and OF THEE I SING. This episode features the second half of a tribute to Gershwin as star-studded guests share personal anecdotes and perform Ira's songs including Tony Bennett, Betty Comden, Adolph Green, Arthur Schwartz, Ginger Rogers, Judy Garland (via a movie clip), Tommy Tune and Twiggy.          Featured songs: “THEY ALL LAUGHED,” “LADY BE GOOD,” “WHO CARES?” “EMBRACEABLE YOU,” “BUT NOT FOR ME,” “THE MAN THAT GOT AWAY,” “LETS CALL THE WHOLE THING OFF,” and “LOVE IS HERE TO STAY.”   Originally produced and broadcast in 1983. For more information go to AnythingGoesPL.com or BPN.FM/Anything Goes. Theme music arranged by Bruce Coughlin. Associate producer Jeff Lunden. Anything Goes – Backstage with Broadway's Best – is produced and hosted by Paul Lazarus. Learn more about your ad choices. Visit megaphone.fm/adchoices

Guest hosted by Jeff Lunden, this is the first of a three-part program paying tribute to iconic lyricist Ira Gershwin known for his collaborations with his brother George, Jerome Kern and Harold Arlen, to name a few, and his numerous Broadway shows including FUNNY FACE, GIRL CRAZY, PORGY AND BESS and OF THEE I SING. This episode features a tribute to Gershwin as star-studded guests share personal anecdotes and perform his songs including Hal David, Margaret Whiting, Cab Calloway, Jonathan Sprague, Priscilla Baskerville, and Bruton Lane.   Featured songs: “MY SHIP,” “SOMEONE TO WATCH OVER ME,” “IT AIN'T NECESSARILY SO,” “BESS, YOU IS MY WOMAN NOW,” “OF THEE I SING,” and “PUT ME TO THE TEST.”   Originally produced and broadcast in 1983. For more information go to AnythingGoesPL.com or BPN.FM/Anything Goes. Theme music arranged by Bruce Coughlin. Associate producer Jeff Lunden. Anything Goes – Backstage with Broadway's Best – is produced and hosted by Paul Lazarus. Learn more about your ad choices. Visit megaphone.fm/adchoices

The conclusion of a three-part program featuring musical theater historian Alfred Simon discussing iconic composer Vincent Youmans, best known for writing the hit song “TEA FOR TWO.” On what would have been Youmans' 83rd birthday, this tribute explores the composer's prolific career and the unfortunate circumstances surrounding his untimely death. The episode includes songs from TAKE A CHANCE and FLYING DOWN TO RIO. Additionally, there is a bonus tribute to composer George Gershwin and features music from OF THEE I SING, PORGY AND BESS, and LADY BE GOOD.   Featured songs: “I WANT TO BE WITH YOU,” “RISE AND SHINE,” “MUSIC MAKES ME,” “CARIOCA,” “FLYING DOWN TO RIO,” “HELLO, GOOD MORNING,” “PORGY AND BESS,” “FASCINATING RHYTHM” and “TEA FOR TWO.”   Originally produced and broadcast in 1981. For more information go to AnythingGoesPL.com or BPN.FM/Anything Goes. Theme music arranged by Bruce Coughlin. Anything Goes – Backstage with Broadway's Best – is produced and hosted by Paul Lazarus. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nikki Renée Daniels has been in ten Broadway Shows including COMPANY, THE BOOK OF MORMON, THE GERSHWINS' PORGY AND BESS, ANYTHING GOES & LES MISERABLES. She starred in the role of Angelica Scuyler in the Chicago company of HAMILTON. In this episode, Nikki discusses her experience as the first black actor to play the role of "Bobbie" in the Broadway revival of Stephen Sondheim's COMPANY. She shares how she decided to pursue musical theater over opera as a Soprano and the joys and challenges she finds in raising her daughters in New York City. VOTE FOR STAGES IN PEOPLES CHOICE AWARDS Nikki Renee Daniels Neuro Gum Stages Listeners Strip Make for Stages ListenersSupport the show: http://www.stagespodcast.netSee omnystudio.com/listener for privacy information.

We discuss films that exist only in bootleg form to this day, which includes THE LAST SHARK, ABBY and PORGY AND BESS, as well reminsce about our own experiences watching 'Bootlegs'. Join the Patreon now for an exclusive episode every week, access to our entire Patreon Episode back catalogue, your name read out on the next episode, and the friendly Discord chat: patreon.com/theimportantcinemaclub Subscribe, Review and Rate Us on Apple Podcasts: podcasts.apple.com/us/podcast/the-…ub/id1067435576 Follow the Podcast: twitter.com/ImprtCinemaClub Follow Will: twitter.com/WillSloanESQ Follow Justin: twitter.com/DeclouxJ Check out Justin's other podcasts, THE BAY STREET VIDEO PODCAST (@thebaystreetvideopodcast), THE VERY FINE COMIC BOOK PODCAST (www.theveryfinecomicbookpodcast.com) and NO SUCH THING AS A BAD MOVIE (@nosuchthingasabadmovie), as well as Will's MICHAEL AND US (@michael-and-us)

In June Seattle Opera presents BOUND, a one-act chamber opera (music by Huang Ruo, libretto by Bao-Long Chu). This opera features Vanessa Vo playing đàn bầu (monochord) and đàn tranh (Vietnamese zither). In this podcast, Vo demonstrates and discusses these instruments with Dramaturg Jonathan Dean. Plus, as a bonus: Vo's performance, on the đàn bầu of “Summertime” from Gershwin's PORGY AND BESS, arranged by Nguyen Le, with Frank Martin at the piano. This performance was chosen as one of NPR's Songs We Love in 2015.

Ella Fitzgerald and Louis Armstrong - Porgy and BessПодкаст про студийный альбом американской джазовой певицы Эллы Фицджеральд и трубача Луи Армстронга, выпущенный в 1957 году на лейбле Verve Records. Третий и последний альбом пары для лейбла, это набор подборок из оперы Джорджа Гершвина «Порги и Бесс». Оркестровые аранжировки сделаны Расселом Гарсией, который ранее аранжировал джазовую вокальную запись 1956 года The Complete Porgy and Bess.Приятного прослушивания! Если подписаться на подкаст и сделать репост выпуска, то в Summertime кто-то скажет Bess, you is my Woman now, а кто-то подумает Oh Lawd, I'm on My Way!Наш Telegram:https://t.me/mousepodcastApple Podcast:https://podcasts.apple.com/ru/podcast/mousepodcast/id1648443353?i=1000610373456Яндекс музыка:https://music.yandex.ru/album/23340474/track/113283825Звук:https://zvuk.com/episode/131078164Группа в VK:https://vk.com/public216420089Mave:https://mousepodcast.mave.digital/ep-38

TWiV notes Ashish Jha's call for doctors to combat a vacuum of medical information while ignoring our contributions, China CDC's surveillance of SARS-CoV-2 at the Huanan Seafood Market, and an experimental infectious attenuated COVID-19 vaccine that elicits superior mucosal and systemic immunity in hamsters. Hosts: Vincent Racaniello, Dickson Despommier, Alan Dove, Kathy Spindler, and Brianne Barker Subscribe (free): Apple Podcasts, Google Podcasts, RSS, email Become a patron of TWiV! Links for this episode Register for ASV 2023 MicrobeTV Discord Server Jha ignores TWiV contribution to disseminating science information (STAT) Surveillance of SARS-CoV-2 at the Huanan Market (Science) Pandas in the Huanan Market? (ArsTechnica) Infectious attenuated COVID-19 vaccine candidate (Nature Micro) Virus attenuation by codon pair deoptimization (Cell Rep) Timestamps by Jolene. Thanks! Weekly Picks Dickson – Jazz Project: Conductor/composer: Gill Evans. Produced Sketches of Spain, Porgy And Bess. Quincey Jones. Numerous albums, all kinds of music. Duke Ellington. Prolific musician, pianist, and composer. Antonio Carlos Jobim. Signature album: Sound track from the film – Black Orpheus. Signature songs: Girl From Ipanema; The Waters of March. Brianne – This is what it sounds like when plants cry Kathy – I know who you are by Barbara Rae-Venter Alan – Svalbard seed vault virtual tour Vincent – We're Asking the Impossible of Vaccines by Katherine Wu Intro music is by Ronald Jenkees Send your virology questions and comments to twiv@microbe.tv

In this episode, the host talks about the opera Porgy and Bess, by George Gershwin, while listening to it. Apologies for the clicking sounds in the recording!

On the next Charlotte Talks, we meet Victor Ryan Robinson, the actor portraying Sportin' Life in Opera Carolina's latest production of George Gershwin's "Porgy and Bess". Robinson is the first actor ever to make their Metropolitan Opera, Broadway, and Kennedy Center debuts in the same year. We find out more about him and this latest production.

En este audio nos hemos ido a la ópera. Así, como suena. Porgy and Bess, la obra de los Gershwin, que adaptaba la novela de Dubois Heyward, ha sido revisada en muchos momentos, pero a finales de los 50 coincidía con el estreno de la película dirigida por Otto Preminger. Este hecho produjo un efecto de reclamo importante para las discográficas; el sello Verve lanzó su adaptación con Ella Fitzgerald y Louis Armstrong al frente de una maravillosa orquesta dirigida por el arreglista Russell García. Esperamos que os guste este peculiar episodio. Gracias por estar ahí. 💙 Apoya este proyecto desde 1,49€ al mes. Tan solo tienes que pulsar el botón azul que tienes en la cabecera de este canal 💙 Gracias infinitas. Síguenos en Twitter: @CDSradioShow o si lo deseas súmate a nuestro grupo de Telegram: https://t.me/CDSpodcast para charlar sobre música, libros, películas... de todo un poco.

Dan Wilson of Debunk the Funk joins TWiV to explain why he decided to take on science misinformation and how he critiques people who promulgate incorrect information. Hosts: Vincent Racaniello, Dickson Despommier, Rich Condit, and Brianne Barker Guest: Dan Wilson Subscribe (free): Apple Podcasts, Google Podcasts, RSS, email Become a patron of TWiV! Links for this episode Support MicrobeTV with a Spike t-shirt (Vaccinated.us) with promo code MicrobeTV International Scientific Coordinator Position (agajewski at icsnicaragua.org for more info) Debunk the Funk (YouTube) Letters read on TWiV 960 Timestamps by Jolene. Thanks! Weekly Picks Dickson – Jazz Project:  InstrumentalTrumpet: Clifford Brown/Miles Davis/Winton Marsalis. Clifford Brown: Signature album: Study In Brown, Signature song: Sandu; Miles Davis: Signature albums: Kind Of Blue; Sketches Of Spain; Porgy And Bess; Miles. Signature song: Time After Time. Wynton Marsalis: Signature album: Standard Time. Signature song: Do You Know What It Means To Miss New Orleans Brianne – Physicists Create a Wormhole Rich – Dec 1 APOD: Artemis 1 Flight Day 13 Vincent – An Ancient Language, Once on the Brink, Is a British Isle's Talk of the Town Intro music is by Ronald Jenkees Send your virology questions and comments to twiv@microbe.tv

The great songs from the great musicals

His grandmother as conduit to his ancestors and what is “holy”; deep reflections on slavery and his journey through “The Slave Letters”; the brutality and abuse of his parents and grandfather; the rejection of Christianity and his embrace of Buddhist practice; the release of guilt and a future bound up in kindness and beauty.   Michal Dawson Connor is an accomplished performer and composer of choral, chamber, and solo vocal works, with a particular emphasis on slave songs created before the Civil War. He was born in Jamestown, New York and is a proud alumnus of Carnegie-Mellon University and L'Ecole Hindemith in Vevey, Switzerland.  Mr. Connor's Broadway credits include featured performances in the Tony-Award winning productions of RAGTIME and SHOWBOAT as well as starring roles in productions of THE MOST HAPPY FELLA, BIG RIVER, and PORGY AND BESS. In addition to soloing on multiple occasions for President Ronald Reagan, he's immensely proud of performing for Archbishop Desmond Tutu, Reverend Billy Graham, Elizabeth Dole, and Admiral Michael Mullen. Mr. Connor is a published author of THE SLAVE LETTERS currently available on Amazon.com.  On network television, he was a guest star on FRIENDS, as well as several appearances on the Emmy-Award winning show: EXTREME MAKEOVER: HOME EDITION. Here's a link to Michal's project, THE SLAVE LETTERS: https://www.theslaveletters.com/about    Michal's Instagram: @michal.d.connor Michal's YouTube: Michal's Videos   Official Website: nicholasdagosto.com Instagram: @nicholasdagosto #GodsDelicateShow Twitter: @nicholasdagosto #GodsDelicateShow  LinkedIn: Nicholas D'Agosto  Music by Sean Whalen, Art by Alexandra Delano

American soprano Mary Elizabeth Williams, beloved in Seattle for performances such as Tosca, Abigaille in NABUCCO, and Serena in PORGY AND BESS, just made her role debut as Isolde, the first time she's ever sung a Wagner opera. She discussed the character, the singing, and her two-and-a-half year journey towards this achievement with Seattle Opera Dramaturg Jonathan Dean. This podcast features clips of Williams singing Tosca (conducted by Julian Kovatchev) and “Pace, pace, mio Dio” from LA FORZA DEL DESTINO (conducted by Carlo Montanaro), as well as Amber Wagner singing Brangäne in TRISTAN (conducted by Jordan de Souza).

En 1943, la revista Metronome le pidió a Duke Ellington que nombrara a los mejores arreglistas y colocó a Will Vodery en primer lugar. Con José Manuel Corrales.

Ayako Ohtake, a Sydney-based Japanese soprano singer, hosts biweekly music segment called VIVA! Opera for SBS Japanese. - アフリカ系米国人のドラマを歌い上げるオペラです。

Thomas Pflege ist Bandleader von Jazzmed, einer Formation, die nur aus Ärzten besteht. Er selbst ist Augenarzt in Wien. Seit vergangenen Herbst stehen Jazzmed wieder auf der Bühne. Ihr nächster Auftritt ist am 10. Juni im Porgy & Bess.

El musical, pionero, Shuffle Along fue, para bien y para mal, el espectáculo más influyente escrito e interpretado por negros en las primeras décadas del siglo XX. Con José Manuel Corrales.

Today's the day for WPMT's premiere of a special Broadway Musical Double Header with highlights from the 1943 Broadway production of Rodgers and Hammerstein's “Oklahoma!” starring Alfred Drake as "Curly" and Joan Roberts as "Laurey” and the 1942 Broadway production of “Porgy and Bess” with music by George Gershwin and lyrics by Ira Gershwin, starring Anne Brown as "Bess" and Todd Duncan as "Porgy" with, host, actor Henry Hull. Listen in at 1 PM CT on YouTube, Spotify, Facebook or any major podcast platform.

PORGY AND BESS COMPOSER: George Gershwin LYRICIST: Ira Gershwin, DuBose Heyward BOOK: DuBose Heyward SOURCE: Porgy by DuBose Heyward (1925)  DIRECTOR: Rouben Mamoulian PRINCIPLE CAST: Anne Brown (Bess), John W. Bubbles (Sportin' Life), Todd Duncan (Porgy),  OPENING DATE: October 10th, 1935 CLOSING DATE: January 25th, 1936 PERFORMANCES: 124 SYNOPSIS: When the murderous Crown abandons his lover Bess, a disabled beggar, Porgy, vows to protect her. When Crown vows to return and take Bess away, Porgy and Bess's love for one another is thrown into peril.  With a score and libretto by George and Ira Gershwin with DuBose Heyward respectively, Porgy and Bess tells the controversial love story of a disabled Black man named Porgy through the style of grand opera. The premiere production featured a troupe of classically trained Black singers and was significant for the way it fused American folk music with classical orchestrations. Key songs became standards in their day, and ‘Summertime' maintains its popularity as a jazz cover. Davóne Tines explores the complexity of this piece, specifically how it relates to the black experience being created through a white lens.  Davóne Tines- Heralded as a "singer of immense power and fervor" and “[one] of the most powerful voices of our time” (@latimes) "the immensely gifted American bass-baritone Davóne Tines has won acclaim, and advanced the field of classical music." (@nytimes) this “next generation leader (Time Magazine) is a path-breaking artist at the intersection of many histories, cultures, and aesthetics, his work blends opera, spirituals, gospel, and anthems, as a means to tell a deeply personal story of perseverance and human connection. SOURCES Porgy and Bess Members of the Original Broadway Cast Recording. Decca (1940) Porgy and Bess, starring Dorothy Dandridge and Sidney Poitier, directed by Otto Preminger. Columbia Pictures (1959) The Strange Career of Porgy and Bess: Race, Culture, and America's Most Famous Opera by Ellen Noonan, Chapel Hill: University of North Carolina Press (2012) The Gershwins' Porgy and Bess: A 75th Anniversary Celebration by Robin Thompson, Amadeus (2010) “On My Way”: The Untold Story of Rouben Mamoulian, George Gershwin, and Porgy and Bess by Joseph Horowitz, W.W. Norton & Company (2013) Learn more about your ad choices. Visit megaphone.fm/adchoices

The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London. --------------------------------------------------------------------------- Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441 https://live365.com/station/CBS-Radio-Mystery-Theater-a57491 ----------------------------------------------------------------------------

Before You Go co-host Nicole Franklin has the honor of inviting her longtime friend  Juanita Smith who shares memories of her composer husband Hale Smith with Bryant Monteilh and the audience. It's a walk through musical history as Hale Smith's work in the genres of classical, jazz and spirituals brought him, Juanita and their family from Cleveland, Ohio to New York City. Upon arriving in NYC, Juanita quickly found work at the United Nations and Hale was surrounded by a nucleus of talent which included Kathleen Battle, Randy Weston, Melba Liston, Dizzy Gillespie, Ron Carter, Ahmad Jamal and more.  Juanita is now the publisher of her late husband's spiritual arrangements and because of her impeccable memory, her stories are filled with evidentiary facts and fascinating encounters. This episode originally aired on KBLA Talk 1580 in Los Angeles.The music of Hale Smith heard in this episode may be found here: 1) This Little Light Of Mine"https://www.youtube.com/watch?v=cUd7RMPQAxUProvided to YouTube by NAXOS of America This Little Light of Mine (arr. H. Smith) · Icy Rene Simpson I, too ℗ 2012 Longhorn Music Released on: 2012-08-07 Artist: Icy Rene Simpson Artist: Artina McCain Composer: Hale Smith Composer: Traditional  2) "Contours" Hale Smithhttps://www.youtube.com/watch?v=8t1YYuz7DV4&t=83s Hale Smith (1925-2009): Contours, for Orchestra (1960) --- The Louisville Orchestra diretta da Robert Whitney  3) Bess, You is My Womanhttps://www.youtube.com/watch?v=Panv8OJjgHk "Bess, You Is My Woman" From the Opera, "Porgy and Bess" Music by George Gershwin Lyrics by Du Bose Heyward and Ira Gershwin Featuring Todd Duncan and Anne Brown Accompanied by the Decca Symphony Orchestra Directed by Alexander Smallens Recorded May 15, 1940 Decca 29069A 4) I Love Musichttps://www.youtube.com/watch?v=fW8NQgqYoVQ Provided to YouTube by Universal Music Group I Love Music · Ahmad Jamal Trio The Awakening ℗ 1970 The Verve Music Group, a Division of UMG Recordings, Inc. Released on: 1997-01-01 Producer: Ed Michel Composer: Emil Boyd Composer: Hale Smith   5) I Want to Die Easyhttps://www.youtube.com/watch?v=94EwXQTKrlY Anthony Anderson- Baritone Michael Crabill- Piano 6) I Love Musichttps://www.youtube.com/watch?v=MFk5lKLHMw8From Hale Smith's tribute concert. T.K. Blue, Saxophone & Flute Carlton Holmes, Piano Corcoran Holt, Bass Alvin Atkinson, Drums Benny Powell, Trombone  

Some people see the word teamwork and we see the word Workmate. Today join Lindsey and Aaron as they talk about Phase 2 of the teamwork series. enjoy and leave a voice mail (347) 877-5682 --- Send in a voice message: https://anchor.fm/firstcomelovetcm/message

Our Season 2 premiere episode features hosts Nicole Franklin and Bryant Monteilh as they visit with stage and screen star Terry Carter. Fans of Battlestar Gallactica know him as Colonel Tigh. PBS viewers know his award-winning documentary, A Duke Named Ellington. Terry shares numerous stories from a lengthy career which includes roles on Broadway and even a history-making turn in the newsroom as the first African American news anchor when he was hired at WBZ-TV Boston.Co-starring roles alongside  Eartha Kitt, Vinie Burrows, Diahann Carrroll and Pam Grier leave Terry a lot to talk about.  Tune in to discover the key to a lengthy and impressive career.This episode originally aired on KBLA Talk 1580, Los Angeles.

En 1959 se grababa y editaba la mejor versión versión que existe de PORGY AND BESS de Gershwin con Louis Armstrong y Ella Fitzerald y estos días es actualidad al poderse escuchar con un sonido remasterizado. El famoso tenor peruano JUAN DIEGO FLORES nos ha sorprendido con un disco que quiere ser un homenaje a su paisana, ya fallecida, CHABUCA GRANDA…Son dos de las diez noticias musicales que darán paso a la selección musical preparada para nuestro programa.

Jazz Anthology di lun 04/10/21

Sunday 29 August 2021: Two books about two very different composers—from Elizabethan England to the birth of New York City.

When we hear the name George Gershwin, we often associate it with jazz or musical theater, but he didn't see himself that way. He saw himself as a standard composer of his time and influenced by the sounds around him. So what does that mean for his opera Porgy and Bess? Or is it a Broadway musical? DISCLAIMER: This episode contains acts of extreme violence, hints at sexual misconduct, and deals with racial controversy. Listener discretion is advised. Theme music is by Daryl Banner: https://darylbanner.bandcamp.com/ Become a member of The Composer Chronicles on Patreon to get ad-free versions of all the episodes, early access to those ad-free versions, access to the member-only podcast Unscripted, and other things podcast related! https://www.patreon.com/thecomposerchronicles Sign up for Run the Town! | Alexandrian Media Store Music used in this episode: Paris in the Rain by Martin Landstrom Fragile by Bonn Fields Lost Lovers' Theme by Bonn Fields Origo by Bonn Fields Nephrite by Bonn Fields December Feeling by Vendla Anew by Hara Noda --- Send in a voice message: https://anchor.fm/thecomposerchronicles/message

On a completely different note (and tone and genre), Carl looks at American Composer George Gershwin's opera 'Porgy and Bess'.

John W. Bubbles and Todd Duncan had deep roots on the Indiana Avenue music scene, and both were featured in the original cast of George Gershwin's iconic opera Porgy and Bess.

Porgy and Bess faces controversy each time it is performed. Black subject matter, created by the white composer George Gershwin, provides lush music rife with stereotypes. This is the second in a two-part series to help prove, or disprove, that Gershwin's music transcends racial stereotypes.

Porgy and Bess faces controversy each time it is performed. Black subject matter, created by the white composer George Gershwin, provides lush music rife with stereotypes. This is the first in a two-part series to help prove, or disprove, that Gershwin's music transcends racial stereotypes.

A new episodeSupport this podcast at — https://redcircle.com/50-greatest-otr-shows/donations

A vivid live complete broadcast from the 1952 US State Department tour to Berlin with William Warfield, Cab Calloway and the 25-year-old Leontyne Price.