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2 episodes with Andrew S Curran
2 episodes with Andrew S Curran
2 episodes with Andrew S Curran
2 episodes with Andrew S Curran
2 episodes with Andrew S Curran
2 episodes with Andrew S Curran
2 episodes with Andrew S Curran
Who's Black and Why?: A Hidden Chapter from the Eighteenth-Century Invention of Race (Harvard University Press, 2022) is the first translation and publication of sixteen submissions to the notorious eighteenth-century Bordeaux essay contest on the cause of black skin. In 1739 Bordeaux's Royal Academy of Sciences announced a contest for the best essay on the sources of "blackness." The authors ranged from naturalists to physicians, theologians to amateur savants. Documented on each page are European ideas about who is Black and why. Looming behind these essays is the fact that some four million Africans had been kidnapped and shipped across the Atlantic by the time the contest was announced. The essays themselves represent a broad range of opinions. Some affirm that Africans had fallen from God's grace; others that blackness had resulted from a brutal climate; still others emphasized the anatomical specificity of Africans. All the submissions nonetheless circulate around a common theme: the search for a scientific understanding of the new concept of race. More importantly, they provide an indispensable record of the Enlightenment-era thinking that normalized the sale and enslavement of Black human beings. Translated into English and accompanied by a detailed introduction and headnotes written by Henry Louis Gates, Jr., and Andrew Curran, each essay included in this volume lays bare the origins of anti-Black racism and colorism in the West. Andrew S. Curran is the William Armstrong Professor of the Humanities at Wesleyan University. Henry Louis Gates, Jr is the Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research at Harvard University. Caleb Zakarin is the Assistant Editor of the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Who's Black and Why?: A Hidden Chapter from the Eighteenth-Century Invention of Race (Harvard University Press, 2022) is the first translation and publication of sixteen submissions to the notorious eighteenth-century Bordeaux essay contest on the cause of black skin. In 1739 Bordeaux's Royal Academy of Sciences announced a contest for the best essay on the sources of "blackness." The authors ranged from naturalists to physicians, theologians to amateur savants. Documented on each page are European ideas about who is Black and why. Looming behind these essays is the fact that some four million Africans had been kidnapped and shipped across the Atlantic by the time the contest was announced. The essays themselves represent a broad range of opinions. Some affirm that Africans had fallen from God's grace; others that blackness had resulted from a brutal climate; still others emphasized the anatomical specificity of Africans. All the submissions nonetheless circulate around a common theme: the search for a scientific understanding of the new concept of race. More importantly, they provide an indispensable record of the Enlightenment-era thinking that normalized the sale and enslavement of Black human beings. Translated into English and accompanied by a detailed introduction and headnotes written by Henry Louis Gates, Jr., and Andrew Curran, each essay included in this volume lays bare the origins of anti-Black racism and colorism in the West. Andrew S. Curran is the William Armstrong Professor of the Humanities at Wesleyan University. Henry Louis Gates, Jr is the Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research at Harvard University. Caleb Zakarin is the Assistant Editor of the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Who's Black and Why?: A Hidden Chapter from the Eighteenth-Century Invention of Race (Harvard University Press, 2022) is the first translation and publication of sixteen submissions to the notorious eighteenth-century Bordeaux essay contest on the cause of black skin. In 1739 Bordeaux's Royal Academy of Sciences announced a contest for the best essay on the sources of "blackness." The authors ranged from naturalists to physicians, theologians to amateur savants. Documented on each page are European ideas about who is Black and why. Looming behind these essays is the fact that some four million Africans had been kidnapped and shipped across the Atlantic by the time the contest was announced. The essays themselves represent a broad range of opinions. Some affirm that Africans had fallen from God's grace; others that blackness had resulted from a brutal climate; still others emphasized the anatomical specificity of Africans. All the submissions nonetheless circulate around a common theme: the search for a scientific understanding of the new concept of race. More importantly, they provide an indispensable record of the Enlightenment-era thinking that normalized the sale and enslavement of Black human beings. Translated into English and accompanied by a detailed introduction and headnotes written by Henry Louis Gates, Jr., and Andrew Curran, each essay included in this volume lays bare the origins of anti-Black racism and colorism in the West. Andrew S. Curran is the William Armstrong Professor of the Humanities at Wesleyan University. Henry Louis Gates, Jr is the Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research at Harvard University. Caleb Zakarin is the Assistant Editor of the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Who's Black and Why?: A Hidden Chapter from the Eighteenth-Century Invention of Race (Harvard University Press, 2022) is the first translation and publication of sixteen submissions to the notorious eighteenth-century Bordeaux essay contest on the cause of black skin. In 1739 Bordeaux's Royal Academy of Sciences announced a contest for the best essay on the sources of "blackness." The authors ranged from naturalists to physicians, theologians to amateur savants. Documented on each page are European ideas about who is Black and why. Looming behind these essays is the fact that some four million Africans had been kidnapped and shipped across the Atlantic by the time the contest was announced. The essays themselves represent a broad range of opinions. Some affirm that Africans had fallen from God's grace; others that blackness had resulted from a brutal climate; still others emphasized the anatomical specificity of Africans. All the submissions nonetheless circulate around a common theme: the search for a scientific understanding of the new concept of race. More importantly, they provide an indispensable record of the Enlightenment-era thinking that normalized the sale and enslavement of Black human beings. Translated into English and accompanied by a detailed introduction and headnotes written by Henry Louis Gates, Jr., and Andrew Curran, each essay included in this volume lays bare the origins of anti-Black racism and colorism in the West. Andrew S. Curran is the William Armstrong Professor of the Humanities at Wesleyan University. Henry Louis Gates, Jr is the Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research at Harvard University. Caleb Zakarin is the Assistant Editor of the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices
Who's Black and Why?: A Hidden Chapter from the Eighteenth-Century Invention of Race (Harvard University Press, 2022) is the first translation and publication of sixteen submissions to the notorious eighteenth-century Bordeaux essay contest on the cause of black skin. In 1739 Bordeaux's Royal Academy of Sciences announced a contest for the best essay on the sources of "blackness." The authors ranged from naturalists to physicians, theologians to amateur savants. Documented on each page are European ideas about who is Black and why. Looming behind these essays is the fact that some four million Africans had been kidnapped and shipped across the Atlantic by the time the contest was announced. The essays themselves represent a broad range of opinions. Some affirm that Africans had fallen from God's grace; others that blackness had resulted from a brutal climate; still others emphasized the anatomical specificity of Africans. All the submissions nonetheless circulate around a common theme: the search for a scientific understanding of the new concept of race. More importantly, they provide an indispensable record of the Enlightenment-era thinking that normalized the sale and enslavement of Black human beings. Translated into English and accompanied by a detailed introduction and headnotes written by Henry Louis Gates, Jr., and Andrew Curran, each essay included in this volume lays bare the origins of anti-Black racism and colorism in the West. Andrew S. Curran is the William Armstrong Professor of the Humanities at Wesleyan University. Henry Louis Gates, Jr is the Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research at Harvard University. Caleb Zakarin is the Assistant Editor of the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Who's Black and Why?: A Hidden Chapter from the Eighteenth-Century Invention of Race (Harvard University Press, 2022) is the first translation and publication of sixteen submissions to the notorious eighteenth-century Bordeaux essay contest on the cause of black skin. In 1739 Bordeaux's Royal Academy of Sciences announced a contest for the best essay on the sources of "blackness." The authors ranged from naturalists to physicians, theologians to amateur savants. Documented on each page are European ideas about who is Black and why. Looming behind these essays is the fact that some four million Africans had been kidnapped and shipped across the Atlantic by the time the contest was announced. The essays themselves represent a broad range of opinions. Some affirm that Africans had fallen from God's grace; others that blackness had resulted from a brutal climate; still others emphasized the anatomical specificity of Africans. All the submissions nonetheless circulate around a common theme: the search for a scientific understanding of the new concept of race. More importantly, they provide an indispensable record of the Enlightenment-era thinking that normalized the sale and enslavement of Black human beings. Translated into English and accompanied by a detailed introduction and headnotes written by Henry Louis Gates, Jr., and Andrew Curran, each essay included in this volume lays bare the origins of anti-Black racism and colorism in the West. Andrew S. Curran is the William Armstrong Professor of the Humanities at Wesleyan University. Henry Louis Gates, Jr is the Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research at Harvard University. Caleb Zakarin is the Assistant Editor of the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices
Who's Black and Why?: A Hidden Chapter from the Eighteenth-Century Invention of Race (Harvard University Press, 2022) is the first translation and publication of sixteen submissions to the notorious eighteenth-century Bordeaux essay contest on the cause of black skin. In 1739 Bordeaux's Royal Academy of Sciences announced a contest for the best essay on the sources of "blackness." The authors ranged from naturalists to physicians, theologians to amateur savants. Documented on each page are European ideas about who is Black and why. Looming behind these essays is the fact that some four million Africans had been kidnapped and shipped across the Atlantic by the time the contest was announced. The essays themselves represent a broad range of opinions. Some affirm that Africans had fallen from God's grace; others that blackness had resulted from a brutal climate; still others emphasized the anatomical specificity of Africans. All the submissions nonetheless circulate around a common theme: the search for a scientific understanding of the new concept of race. More importantly, they provide an indispensable record of the Enlightenment-era thinking that normalized the sale and enslavement of Black human beings. Translated into English and accompanied by a detailed introduction and headnotes written by Henry Louis Gates, Jr., and Andrew Curran, each essay included in this volume lays bare the origins of anti-Black racism and colorism in the West. Andrew S. Curran is the William Armstrong Professor of the Humanities at Wesleyan University. Henry Louis Gates, Jr is the Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research at Harvard University. Caleb Zakarin is the Assistant Editor of the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
Who's Black and Why?: A Hidden Chapter from the Eighteenth-Century Invention of Race (Harvard University Press, 2022) is the first translation and publication of sixteen submissions to the notorious eighteenth-century Bordeaux essay contest on the cause of black skin. In 1739 Bordeaux's Royal Academy of Sciences announced a contest for the best essay on the sources of "blackness." The authors ranged from naturalists to physicians, theologians to amateur savants. Documented on each page are European ideas about who is Black and why. Looming behind these essays is the fact that some four million Africans had been kidnapped and shipped across the Atlantic by the time the contest was announced. The essays themselves represent a broad range of opinions. Some affirm that Africans had fallen from God's grace; others that blackness had resulted from a brutal climate; still others emphasized the anatomical specificity of Africans. All the submissions nonetheless circulate around a common theme: the search for a scientific understanding of the new concept of race. More importantly, they provide an indispensable record of the Enlightenment-era thinking that normalized the sale and enslavement of Black human beings. Translated into English and accompanied by a detailed introduction and headnotes written by Henry Louis Gates, Jr., and Andrew Curran, each essay included in this volume lays bare the origins of anti-Black racism and colorism in the West. Andrew S. Curran is the William Armstrong Professor of the Humanities at Wesleyan University. Henry Louis Gates, Jr is the Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research at Harvard University. Caleb Zakarin is the Assistant Editor of the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
This week, editor Andrew S. Curran and biological anthropologist Nina G. Jablonski discuss Curran's new book Who's Black and Why?: A Hidden Chapter from the Eighteenth-Century Invention of Race. Curran co-edited the book with Henry Louis Gates, Jr. This conversation originally took place May 4th, 2022 and was recorded live via Zoom. We hope you [...]
This week, editor Andrew S. Curran and biological anthropologist Nina G. Jablonski discuss Curran's new book Who's Black and Why?: A Hidden Chapter from the Eighteenth-Century Invention of Race. Curran co-edited the book with Henry Louis Gates, Jr. This conversation originally took place May 4th, 2022 and was recorded live via Zoom. We hope you [...]
“In 1739 the members of Bordeaux's Royal Academy of Sciences met to determine the subject of the 1741 prize competition,” historians Henry Louis Gates Jr. and Andrew S. Curran write at the beginning of “Who's Black and Why? A Hidden Chapter from the Eighteenth-Century Invention of Race.” “As was customarily the case, the topic they chose was constructed in the form of a question: ‘What is the physical cause of the Negro's color, the quality of [the Negro's hair, and the degeneration of both [Negro hair and skin]?' According to the longer description of the contest that later appeared in the Journal des savants, the academy's members were interested in receiving a winning essay that would solve the riddle of the African variety's distinctive physical traits. But what really preoccupied these men were three larger (and unspoken) questions. The first two were straightforward: Who is Black? And why? The third question was more far-reaching: What did being Black signify? Never before had the Bordeaux Academy, or any scientific academy for that matter, challenged Europe's savants to explain the origins and, implicitly, the worth of a particular type of human being.” This week on the podcast, Lewis H. Lapham speaks with Andrew S. Curran, co-editor of “Who's Black and Why? A Hidden Chapter from the Eighteenth-Century Invention of Race,” about the ramifications of this 1741 contest and the racist answers to these questions offered by Montesquieu; Georges-Louis Leclerc, count de Buffon; and other philosophers based in one of France's wealthy slave-trading ports. Thanks to our generous donors. Lead support for this podcast has been provided by Elizabeth “Lisette” Prince. Additional support was provided by James J. “Jimmy” Coleman Jr.
Jimmy Wales talks Diderot & collecting knowledge + Tariq Goddard on Mark Fisher aka k-punk. The French writer Diderot was thrown into prison in 1749 for his atheism, worked on ideas of democracy at the Russian court of Catherine the Great and collaborated on the creation of the first Encyclopédie. Biographer Andrew S. Curran and Jenny Mander look at Diderot's approach to editing the first encyclopedia. Plus writer and publisher Tariq Goddard on the work and legacy of his collaborator and friend, the critical theorist Mark Fisher who analysed the culture of Capitalism following the economic crash of 2008. Shahidha Bari presents. Diderot and the art of Thinking Freely by Andrew S Curran is out now. k-punk: the collected and unpublished writings of Mark Fisher (2004-2017) edited by Darren Ambrose is out now. Producer: Luke Mulhall You can find a playlist of programmes on the Free Thinking website on The Way We Live Now exploring ideas from boredom, to whether doctors should cry? the joy of sewing to ideas about consent. https://www.bbc.co.uk/programmes/p072637b
Denis Diderot was an 18th-century French philosopher, art critic, and writer, best known for serving as co-founder, chief editor, and contributor to the Encyclopédia along with Jean le Rond d'Alembert. He was an important member of the Age of Enlightenment, who claims the Encyclopédia as its crowning achievement. Diderot used his influence in society to bring to light the unfair treatment of the working class caused by his contemporaries in power. However, his work brought the wrath of the government upon him. Today, we bring in Andrew S. Curran to give us a closer look at Diderot's life and the politics of his era. Guest: Andrew S. Curran is the William Armstrong Professor of the Humanities. He has served on the editorial board of Studies in Eighteenth-Century Culture and is presently on the board of Critical Philosophy of Race and Diderot Studies. Curran also received a National Endowment for the Humanities Public Scholars award in 2016. He has authored such books as Sublime Disorder: Physical Monstrosity in Diderot's Universe, The Anatomy of Blackness: Science and Slavery in an Age of Enlightenment, as well as the topic of today's show, Diderot and the Art of Thinking Freely. The post The Life of Denis Diderot appeared first on KPFA.
Lewis H. Lapham talks with Andrew S. Curran, author of “Diderot and the Art of Thinking Freely.” Thanks to our generous donors. Lead support for this podcast has been provided by Elizabeth “Lisette” Prince. Additional support was provided by James J. “Jimmy” Coleman Jr.
Good news: Michigan's newly-elected Attorney General Dana Nessel removed the state from three amicus briefs opposing FFRF lawsuits. After we analyze the National Prayer Breakfast and the Christian-nationalist "Project Blitz" strategy to inject religion into state governments, we hear Susan Hofer sing Dan Barker's love ballad “It's Only Natural" in honor of Darwin's birthday on February 12. Then we talk with professor Andrew S. Curran, author of the new book Diderot and the Art of Thinking Freely about the 18th-century's most famous atheist, the French encyclopedist Denis Diderot.
Jimmy Wales talks Diderot & collecting knowledge + Tariq Goddard on Mark Fisher aka k-punk. The French writer Diderot was thrown into prison in 1749 for his atheism, worked on ideas of democracy at the Russian court of Catherine the Great and collaborated on the creation of the first Encyclopédie. Biographer Andrew S. Curran and Jenny Mander look at Diderot's approach to editing the first encyclopedia. Plus writer and publisher Tariq Goddard on the work and legacy of his collaborator and friend, the critical theorist Mark Fisher who analysed the culture of Capitalism following the economic crash of 2008. Shahidha Bari presents. Diderot and the art of Thinking Freely by Andrew S Curran is out now. k-punk: the collected and unpublished writings of Mark Fisher (2004-2017) edited by Darren Ambrose is out now. Producer: Luke Mulhall
On Tuesday, January 22nd, Josh will be talking with Andrew S. Curran about his latest book Diderot And The Art Of Thinking Freely. A spirited biography of the prophetic and sympathetic philosopher, Denis Diderot, who helped build the foundations of the modern world. Curran's previous books include The Anatomy of Blackness: Science and Slavery in an Age of Enlightenment, and Sublime Disorder, Physical Monstrosity in Diderot's Universe. Anna talks with Blythe Baird about the upcoming release of her poetry collection If My Body Could Speak. A celebration of girlhood and all of its struggles and triumphs, If My Body Could Speak balances the softness of femininity with the sharpness that girls are forced to become. Baird is a viral and award-winning writer who has garnered international recognition for her poems that speak out on sexual assault, mental illness, eating disorder recovery, sexuality, and healing.
Denis Diderot has long been regarded as one of the leading figures of the French Enlightenment, thanks to his editorship of the influential multi-volume Encyclopédie. As Andrew S. Curran explains in his biography Diderot and the Art of Thinking Freely (Other Press, 2019) however, this was just one product of his wide-ranging literary efforts. The son of a cutler, Diderot underwent training for a life in the church, only to abandon it for an uncertain literary career. Initially finding success as a translator, his early works gained Diderot both acclaim and led to his imprisonment for several months. It was soon after his release that Diderot began work on the Encyclopédie, a years-long project that proved an important vehicle for spreading many of the ideas of the Enlightenment. Curran demonstrates that editing the Encyclopédie served as a way for Diderot to advance his views while avoiding the brunt of the controversy they engendered, with many of his later, often radical works not published until many years after his death in 1784. Andrew S. Curran (Ph.D., New York University, 1996) is the William Armstrong Professor of the Humanities and a member of Wesleyan University's Romance Languages and Literatures department. In addition to Diderot and the Art of Thinking Freely, his major publications include an edited volume (Faces of Monstrosity in Eighteenth-Century Thought in Eighteenth-Century Life) and two books: Sublime Disorder: Physical Monstrosity in Diderot's Universe (Voltaire Foundation, Oxford, 2001) and, more recently, The Anatomy of Blackness: Science and Slavery in an Age of Enlightenment (Johns Hopkins University Press, Baltimore, 2011 / paper 2013). The Anatomy of Blackness recently appeared in French translation (Anatomie de la noirceur) at Classiques Garnier. Learn more about your ad choices. Visit megaphone.fm/adchoices
Denis Diderot has long been regarded as one of the leading figures of the French Enlightenment, thanks to his editorship of the influential multi-volume Encyclopédie. As Andrew S. Curran explains in his biography Diderot and the Art of Thinking Freely (Other Press, 2019) however, this was just one product of his wide-ranging literary efforts. The son of a cutler, Diderot underwent training for a life in the church, only to abandon it for an uncertain literary career. Initially finding success as a translator, his early works gained Diderot both acclaim and led to his imprisonment for several months. It was soon after his release that Diderot began work on the Encyclopédie, a years-long project that proved an important vehicle for spreading many of the ideas of the Enlightenment. Curran demonstrates that editing the Encyclopédie served as a way for Diderot to advance his views while avoiding the brunt of the controversy they engendered, with many of his later, often radical works not published until many years after his death in 1784. Andrew S. Curran (Ph.D., New York University, 1996) is the William Armstrong Professor of the Humanities and a member of Wesleyan University’s Romance Languages and Literatures department. In addition to Diderot and the Art of Thinking Freely, his major publications include an edited volume (Faces of Monstrosity in Eighteenth-Century Thought in Eighteenth-Century Life) and two books: Sublime Disorder: Physical Monstrosity in Diderot’s Universe (Voltaire Foundation, Oxford, 2001) and, more recently, The Anatomy of Blackness: Science and Slavery in an Age of Enlightenment (Johns Hopkins University Press, Baltimore, 2011 / paper 2013). The Anatomy of Blackness recently appeared in French translation (Anatomie de la noirceur) at Classiques Garnier. Learn more about your ad choices. Visit megaphone.fm/adchoices
Denis Diderot has long been regarded as one of the leading figures of the French Enlightenment, thanks to his editorship of the influential multi-volume Encyclopédie. As Andrew S. Curran explains in his biography Diderot and the Art of Thinking Freely (Other Press, 2019) however, this was just one product of his wide-ranging literary efforts. The son of a cutler, Diderot underwent training for a life in the church, only to abandon it for an uncertain literary career. Initially finding success as a translator, his early works gained Diderot both acclaim and led to his imprisonment for several months. It was soon after his release that Diderot began work on the Encyclopédie, a years-long project that proved an important vehicle for spreading many of the ideas of the Enlightenment. Curran demonstrates that editing the Encyclopédie served as a way for Diderot to advance his views while avoiding the brunt of the controversy they engendered, with many of his later, often radical works not published until many years after his death in 1784. Andrew S. Curran (Ph.D., New York University, 1996) is the William Armstrong Professor of the Humanities and a member of Wesleyan University’s Romance Languages and Literatures department. In addition to Diderot and the Art of Thinking Freely, his major publications include an edited volume (Faces of Monstrosity in Eighteenth-Century Thought in Eighteenth-Century Life) and two books: Sublime Disorder: Physical Monstrosity in Diderot’s Universe (Voltaire Foundation, Oxford, 2001) and, more recently, The Anatomy of Blackness: Science and Slavery in an Age of Enlightenment (Johns Hopkins University Press, Baltimore, 2011 / paper 2013). The Anatomy of Blackness recently appeared in French translation (Anatomie de la noirceur) at Classiques Garnier. Learn more about your ad choices. Visit megaphone.fm/adchoices
Denis Diderot has long been regarded as one of the leading figures of the French Enlightenment, thanks to his editorship of the influential multi-volume Encyclopédie. As Andrew S. Curran explains in his biography Diderot and the Art of Thinking Freely (Other Press, 2019) however, this was just one product of his wide-ranging literary efforts. The son of a cutler, Diderot underwent training for a life in the church, only to abandon it for an uncertain literary career. Initially finding success as a translator, his early works gained Diderot both acclaim and led to his imprisonment for several months. It was soon after his release that Diderot began work on the Encyclopédie, a years-long project that proved an important vehicle for spreading many of the ideas of the Enlightenment. Curran demonstrates that editing the Encyclopédie served as a way for Diderot to advance his views while avoiding the brunt of the controversy they engendered, with many of his later, often radical works not published until many years after his death in 1784. Andrew S. Curran (Ph.D., New York University, 1996) is the William Armstrong Professor of the Humanities and a member of Wesleyan University’s Romance Languages and Literatures department. In addition to Diderot and the Art of Thinking Freely, his major publications include an edited volume (Faces of Monstrosity in Eighteenth-Century Thought in Eighteenth-Century Life) and two books: Sublime Disorder: Physical Monstrosity in Diderot’s Universe (Voltaire Foundation, Oxford, 2001) and, more recently, The Anatomy of Blackness: Science and Slavery in an Age of Enlightenment (Johns Hopkins University Press, Baltimore, 2011 / paper 2013). The Anatomy of Blackness recently appeared in French translation (Anatomie de la noirceur) at Classiques Garnier. Learn more about your ad choices. Visit megaphone.fm/adchoices
Denis Diderot has long been regarded as one of the leading figures of the French Enlightenment, thanks to his editorship of the influential multi-volume Encyclopédie. As Andrew S. Curran explains in his biography Diderot and the Art of Thinking Freely (Other Press, 2019) however, this was just one product of his wide-ranging literary efforts. The son of a cutler, Diderot underwent training for a life in the church, only to abandon it for an uncertain literary career. Initially finding success as a translator, his early works gained Diderot both acclaim and led to his imprisonment for several months. It was soon after his release that Diderot began work on the Encyclopédie, a years-long project that proved an important vehicle for spreading many of the ideas of the Enlightenment. Curran demonstrates that editing the Encyclopédie served as a way for Diderot to advance his views while avoiding the brunt of the controversy they engendered, with many of his later, often radical works not published until many years after his death in 1784. Andrew S. Curran (Ph.D., New York University, 1996) is the William Armstrong Professor of the Humanities and a member of Wesleyan University’s Romance Languages and Literatures department. In addition to Diderot and the Art of Thinking Freely, his major publications include an edited volume (Faces of Monstrosity in Eighteenth-Century Thought in Eighteenth-Century Life) and two books: Sublime Disorder: Physical Monstrosity in Diderot’s Universe (Voltaire Foundation, Oxford, 2001) and, more recently, The Anatomy of Blackness: Science and Slavery in an Age of Enlightenment (Johns Hopkins University Press, Baltimore, 2011 / paper 2013). The Anatomy of Blackness recently appeared in French translation (Anatomie de la noirceur) at Classiques Garnier. Learn more about your ad choices. Visit megaphone.fm/adchoices
Denis Diderot has long been regarded as one of the leading figures of the French Enlightenment, thanks to his editorship of the influential multi-volume Encyclopédie. As Andrew S. Curran explains in his biography Diderot and the Art of Thinking Freely (Other Press, 2019) however, this was just one product of his wide-ranging literary efforts. The son of a cutler, Diderot underwent training for a life in the church, only to abandon it for an uncertain literary career. Initially finding success as a translator, his early works gained Diderot both acclaim and led to his imprisonment for several months. It was soon after his release that Diderot began work on the Encyclopédie, a years-long project that proved an important vehicle for spreading many of the ideas of the Enlightenment. Curran demonstrates that editing the Encyclopédie served as a way for Diderot to advance his views while avoiding the brunt of the controversy they engendered, with many of his later, often radical works not published until many years after his death in 1784. Andrew S. Curran (Ph.D., New York University, 1996) is the William Armstrong Professor of the Humanities and a member of Wesleyan University’s Romance Languages and Literatures department. In addition to Diderot and the Art of Thinking Freely, his major publications include an edited volume (Faces of Monstrosity in Eighteenth-Century Thought in Eighteenth-Century Life) and two books: Sublime Disorder: Physical Monstrosity in Diderot’s Universe (Voltaire Foundation, Oxford, 2001) and, more recently, The Anatomy of Blackness: Science and Slavery in an Age of Enlightenment (Johns Hopkins University Press, Baltimore, 2011 / paper 2013). The Anatomy of Blackness recently appeared in French translation (Anatomie de la noirceur) at Classiques Garnier. Learn more about your ad choices. Visit megaphone.fm/adchoices
Denis Diderot has long been regarded as one of the leading figures of the French Enlightenment, thanks to his editorship of the influential multi-volume Encyclopédie. As Andrew S. Curran explains in his biography Diderot and the Art of Thinking Freely (Other Press, 2019) however, this was just one product of his wide-ranging literary efforts. The son of a cutler, Diderot underwent training for a life in the church, only to abandon it for an uncertain literary career. Initially finding success as a translator, his early works gained Diderot both acclaim and led to his imprisonment for several months. It was soon after his release that Diderot began work on the Encyclopédie, a years-long project that proved an important vehicle for spreading many of the ideas of the Enlightenment. Curran demonstrates that editing the Encyclopédie served as a way for Diderot to advance his views while avoiding the brunt of the controversy they engendered, with many of his later, often radical works not published until many years after his death in 1784. Andrew S. Curran (Ph.D., New York University, 1996) is the William Armstrong Professor of the Humanities and a member of Wesleyan University’s Romance Languages and Literatures department. In addition to Diderot and the Art of Thinking Freely, his major publications include an edited volume (Faces of Monstrosity in Eighteenth-Century Thought in Eighteenth-Century Life) and two books: Sublime Disorder: Physical Monstrosity in Diderot’s Universe (Voltaire Foundation, Oxford, 2001) and, more recently, The Anatomy of Blackness: Science and Slavery in an Age of Enlightenment (Johns Hopkins University Press, Baltimore, 2011 / paper 2013). The Anatomy of Blackness recently appeared in French translation (Anatomie de la noirceur) at Classiques Garnier. Learn more about your ad choices. Visit megaphone.fm/adchoices
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