Swedish botanist, physician, and zoologist
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Welcome back to the It's All Greek Retrospective series that contains previously aired short segments about gardening acronyms, jargon, and botanical nomenclature. In this third and last part of a series, Master Gardener Jean Thomas covers plants that have been named after people, a discussion about soil pH, and a range of acronyms. The first short segment covers the popularity of naming plants for people. It's been going on since people began naming plants at all, dating back to at least four centuries BC. Two causes are usually to blame; either the ego of the “discoverer” or the desire to flatter someone powerful. There are often great stories to uncover. One of the most interesting is the name of the Christmas standard, the Poinsettia (not poinTsettia). Dr, Joel Poinsett was the first U.S. Ambassador to Mexico and an avid plant collector. His life story is a colorful one, but the only reason anyone remembers his name is because of the seasonal flower. Actually, the history of the flower and its interaction with humans is equally interesting. Some other names every gardener is familiar with are: Forsyth because this gentleman (1737-1804) was a respected palace gardener in England and was honored with the name of the familiar Forsythia; Kasper Wister (died in 1818) was a famous botanist in Pennsylvania and honored with the name of the popular Wisteria. Wister and Forsyth were honored by the English botanist Thomas Nuttall (1786-1859), who spent over thirty years cataloging plants in the U.S., and had the power to assign formal names to plants. The familiar Magnolia x soulangeana was named by and for Pierre Magnol and m. Soulange-Boudin, and developed from two Chinese species. Many familiar shrubs bear the species names (like Sargentii( C.S. Sargent), Fortuneii (R. Fortune), Thunbergii ( Carl Peter Thunberg)), named for contemporaries and students of Linnaeus. Many plant and animal names honor the interesting Pere Armand David with the appelation “davidii.” The familiar Fuchsia (Dr. Fuchs) and Dahlia (Dr. Dahl) are good herbaceous examples. The large Lobelia group (415 species) was named by Linnaeus himself for Dr. Mathias De Lobile. The conversation then moves on to one of the great topics discussed by gardeners without a real understanding of the mechanism. The pH of soil is crucially important and measured and adjusted fanatically by gardeners. The way the chemistry works is described, starting with the litmus papers we dealt with in school science classes. Cations and anions are the active ions that determine how soil makes nutrition available to plants. A scale is used, with one end called acid and the other end called alkaline. The place on the scale tells the soil's description as to what kinds of nutrients are best assimilated. “Acid” soil is best for blueberries and Rhododendrons and “Alkaline” soil is better for Lilacs and Spirea. Gardeners assiduously “adjust” the soil with amendments like sulfur or wood ash, remembering that this takes several seasons to effect. Jean closes this segment with an aside about names where she wonders about Monkshood, Begonias and Darth Vader. The final segment moves on to acronyms, which translates to “names from the extremities.” It refers to new names for things created from the initials of word describing the things. Like Scuba, Laser, and Yahoo. There is also another related usage of initials called initialism, where the actual letters are sounded out, not merged into a new word. For instance, AT&T or DEC. Both of these practices are twentieth century phenomena. Further discussion of acronyms leads us to AVID, CRISP and PRISM, all popular programs in New York, devised by Cornell and the NY Department of Conservation. In a nutshell, the ideal acronym is an invented word that should either help recognize its subject or be catchy enough to be memorable and relatable to its subject. Host: Jean Thomas Guest:Jean Thomas Photo By: Jean Thomas Production Support: Linda Aydlett, Deven Connelly, Teresa Golden, Tim Kennelty, Amy Meadow, Xandra Powers, Annie Scibienski, Jean Thomas Resources
In this Knowledge Natter, Lou Northway talks to Helen Garbett from Paragon Veterinary Referrals, Linnaeus about how her team reduced errors in practice with ‘Huddle Up for Safer Care (HUSH) huddles'. The team were named Quality Improvement Champions in the 2025 Knowledge Awards. Read the transcript
Hello Interactors,It's been awhile as I've been enjoying summer — including getting in my kayak to paddle over to a park to water plants. Time on the water also gets me thinking. Lately, it's been about what belongs here, what doesn't, and who decides? This week's essay follows my trail of thought from ivy-covered fences to international borders. I trace how science, politics, and even physics shape our ideas of what's “native” and what's “invasive.”INVASION, IVY, AND ICEAs I was contemplating this essay in my car at a stop light, a fireweed seedling floated through the sunroof. Fireweed is considered “native” by the U.S. Government, but when researching this opportunistic plant — which thrives in disturbed areas (hence it's name) — I learned it can be found across the entire Northern Hemisphere. It's “native” to Japan, China, Korea, Siberia, Mongolia, Russia, and all of Northern Europe. Because its primary dispersal is through the wind, it's impossible to know where exactly it originated and when. And unlike humans, it doesn't have to worry about borders.So long as a species arrives on its own accord through wind, wings, currents, or chance — without a human hand guiding it — it's often granted the status of “native.” Never mind whether the journey took decades or millennia, or if the ecosystem has since changed. What matters is that it got there on its own, as if nature somehow stamped its passport.As long time Interactors may recall, I spend the summer helping water “native” baby plants into maturity in a local public green space. A bordering homeowner had planted an “invasive species”, English Ivy, years ago and it climbed the fence engulfing the Sword Ferns, Vine Maples, and towering Douglas Fir trees common in Pacific Northwest woodlands. A nearby concerned environmentalist volunteered to remove the “alien” ivy and plant “native” species through a city program called Green Kirkland. Some of the first Firs he planted are now taller than he is! Meanwhile, on the ground you see remnants of English Ivy still trying to muster a comeback. The stuff is tenacious.This is also the time of year in the Seattle area when Himalayan Black Berries are ripening. These sprawls of arching spikey vines are as pernicious as they are delicious. Nativist defenders try squelching these invaders too. But unlike English Ivy, these “aliens” come with a sugary prize. You'll see people walking along the side of roads with buckets and step stools trying their darnedest to pluck a plump prize — taking care not to get poked or pierced by their prickly spurs.This framing of “invasive” versus “native” has given me pause like never before, especially as I witness armed, masked raids on homes and businesses carried out by U.S. Immigration and Customs Enforcement (ICE) agents. These government officials, who are also concerned and deeply committed citizens, see themselves as removing what they label “invasive aliens” — individuals they fear might overwhelm the so-called “native” population. As part of the Department of Homeland Security, they work to secure the “Homeland” from what is perceived as an invasion by unwanted human movement. In reflecting on this, I ask myself: how different am I from an ICE agent when I labor to eradicate plants I have been taught to call “invasive” while nurturing so-called “native” species back to health? Both of us are acting within a worldview that categorizes beings as either threats or treasures. At what cost, and with what consequences?According to a couple other U.S. agencies (like the National Park Service and the U.S. Department of Agriculture) species are considered native if they were present before European colonization (i.e., pre-1492). The idea that a species is “native” if it was present before 1492 obviously reflects less a scientific ecological reality than a political opinion of convenience. Framing nativity through the lens of settler history rather than ecological process ignores not only millennia of Indigenous land stewardship, but prehistoric human introductions and natural migrations shaped by climate and geology. Trying pin down what is “native” is like picking up a squirming earthworm.These little critters, which have profoundly altered soil ecosystems in postglacial North America, are often labeled “naturalized” rather than “native” because their arrival followed European colonization. Yet this classification ignores the fact that northern North America had no earthworms at all for thousands of years after the glaciers retreated. There were scraped away with the topsoil. What native species may exist in North America are confined to the unglaciated South.What's disturbing isn't just the worms' historical presence but the simplistic persistent narrative that ecosystems were somehow stable until 1492. How is it possible that so many people still insist it was colonial contact that supposedly flipped some ecological switch? In truth, landscapes have always been in motion. They've been shaped and reshaped by earth's systems — especially human systems — long before borders were drawn. Defining nativity by a colonial decree doesn't just flatten ecological complexity, it overwrites a deep history of entangled alteration.MIGRATION, MOVEMENT, AND MEANINGIf a monarch butterfly flutters across the U.S. border from Mexico, no one demands its papers. There are no butterfly checkpoints in Laredo or Yuma. It rides the wind northward, tracing ancient pathways across Texas, the Midwest, all the way to southern Canada. The return trip happens generations later — back to the oyamel forests in the state of Michoacán. This movement is a marvel. It's so essential we feel compelled to watch it, map it, and even plant milkweed to help it along. But when human beings try to make a similar journey on the ground — fleeing drought, violence, or economic collapse — we call it a crisis, build walls, and question their right to belong.This double standard starts to unravel when you look closely at the natural world. Species are constantly on the move. Some of the most astonishing feats of endurance on Earth are migratory: the Arctic tern flies from pole to pole each year; caribou migrate thousands of miles across melting tundra and newly paved roads. GPS data compiled in Where the Animals Go shows lions slipping through suburban gardens and wolves threading through farmland, using hedgerows and railways like interstates. Animal movement isn't the exception; it's the ecological norm.And it's not just animals. Plants, too, are masters of mobility. A single seed can cross oceans, whether on the back of a bird, in a gust of wind, or tucked into a canoe by a human hand. In one famous case, researchers once proposed that a tree found on a remote Pacific Island must have arrived via floating debris. But later genetic and archaeological evidence suggested a different story: it may have arrived with early Polynesian voyagers — people whose seafaring knowledge shaped entire ecosystems across the Pacific.DNA evidence and phylogeographic studies (how historical processes shape the geographic distribution of genetic lineages within species) now support the idea that Polynesians carried plants such as paper mulberry, sweet potato, taro, and even some trees across vast ocean distances well before the Europeans showed up. What was once considered improbable — human-mediated dispersal to incredibly beautiful and remote islands — is now understood as a core part of Pacific ecological and cultural history.Either way, that plant didn't ask to be there. It simply was. And with no obvious harm done, it was allowed to stay. We humans can also often conflate our inability to perceive harm with the idea that a species “belongs.” We tend to assume that if we can't see, measure, or immediately notice any negative impact a species is having, then it must not be causing harm — and therefore it “belongs” in the ecosystem. But belonging is contextual. It can be slow to reveal and is rarely absolute. British ecologist and writer Ken Thompson has spent much of his career challenging our tidy categories of “native” and “invasive.” In his book Where Do Camels Belong?, he reminds us that the “belonging” question is less about biology than bureaucracy. Camels originated in North America and left via the Bering land bridge around 3–5 million years ago. They eventually domesticated in the Middle East about ~3,000–4,000 years ago to be used for transportation, milk, and meat. Then, in the 19th century, British colonists brought camels to Australia to help explore and settle the arid interior. Australia is now home to the largest population of feral camels in the world. So where, exactly, do they “belong”? Our ecological borders, like our political ones, often make more sense on a map than they do in the field.Even the language we use is steeped in militaristic and xenophobic overtones. Scottish geographer Charles Warren has written extensively on how conservation debates are shaped by the words we choose. In a 2007 paper, he argues that terms like invasive, alien, and non-native don't just describe, but pass judgment. They carrying moral and political weight into what should be an ecological conversation. They conjure feelings of threat, disorder, and contamination. When applied to plants, they frame restoration as a battle. With people, they prepare the ground for exclusion.Which is why I now hesitate when I yank ivy or judge a blackberry bramble. I still do it because I believe in fostering ecological resilience and am sensitive to slowing or stopping overly aggressive and harmful plants (and animals). But now I do it more humbly, more questioningly. What makes something a threat, and who gets to decide? What if the real harm lies not in movement of species, but in the stories we tell about it?MIGRATION, MYTHS, AND MATTERThe impulse to define who belongs and who doesn't isn't limited to the forest floor. It echoes in immigration policy, in the architecture of the border wall, and in the sterile vocabulary of "population control." Historians of science Sebastian Normandin and Sean Valles have examined how science, politics, and social movements intersect. In a 2015 paper, they show that many conservation policies we take for granted today — ostensibly about protecting ecosystems — emerged from the same ideological soil that nourished eugenics programs and early anti-immigration campaigns. What began as a concern for environmental balance often mutated into a desire for demographic purity.We see this convergence in the early 1900s, when the U.S. Dillingham Commission launched an exhaustive effort to classify immigrants by race, culture, and supposed “fitness” for American life. Historian Robert Zeidel, in his 2004 account of U.S. immigration politics, details how the Dillingham Commission's findings hardened the notion that certain groups — like certain species — are inherently better suited to thrive in the nation's “ecological” and cultural landscape. Their conclusions fueled the 1924 Immigration Act, one of the most restrictive in U.S. history, and laid groundwork for a century of racialized immigration policy.These ideas didn't stay in the realm of policy. They seeped into science. Carl Linnaeus, the father of modern taxonomy, built racial categories into the very fabric of biological classification. Historian of science Lisbet Koerner, in her 1999 study of Carl Linnaeus, shows how his taxonomy reflected and reinforced 18th-century European ideals of empire and control. His system sorted not only plants and animals, but people. Nature, under his framework, was not only to be known but to be ordered. As Linneaus often said, "God created, Linnaeus organized." Brad observes that Carl also spoke in the third person.The Linnaeus legacy lingers. Legal scholar and sociologist Dorothy Roberts and anthropologist Robert Sussman both argue that modern science has quietly resurrected racial categories in genetic research, often under the guise of ancestry testing or precision medicine. But race, like “nativity,” is not a biological fact — it's a social construct. Anthropologist Jonathan Marks and geneticist David Reich reach the same conclusion from different directions: the human genome tells a story not of fixed, isolated groups, but of constant migration, mixing, and adaptation.This is why defining species as “native” or “invasive” based on a colonial timestamp like 1492 is more than just a scientific shortcut. It's a worldview that imagines a pristine past disrupted by foreign intrusion. This myth is mirrored in nationalist movements around the globe — including the troubling MAGA blueprint: Project 2025.When we talk about securing borders, protecting bloodlines, or restoring purity, we're often echoing the same flawed logic that labels blackberry and ivy as existential threats, while ignoring the systems that truly destabilize ecosystems — like extractive capitalism, industrial agriculture, and global trade. But even these forces may not be purely ideological. As complexity theorist Yaneer Bar-Yam, founder of the New England Complex Systems Institute, has argued, large-scale societal and ecological patterns often emerge not through top-down intent, but through the bottom-up dynamics of complex systems under stress.These dynamics are shaped by entropy — not in the popular sense of disorder, but as the tendency of energy and influence to disperse across systems in unpredictable ways as complexity increases. In this view, what we experience as exploitation or collapse may also be the inevitable result of a world growing too intricate to govern by simple, centralized rules.Consider those early Polynesians. Perhaps we best think of them as complex, intelligent, tool-bearing animals who crossed vast oceans long before Europe entered the story. They didn't defy nature, they expressed it. They simply scaled up the same dispersal seen in wind-blown seeds or migratory birds. Their movement, like that of camels, fireweed, or monarchs, reminds us that life is always pushing outward, but because it can. This outward motion follows physics.Even in an open system like Earth, the Second Law of Thermodynamics holds sway. Energy flows in and life finds ever more complex ways to move it along. A sunbeam warms a rock, releasing energy into the air above. That warmth lifts air, forming wind. The wind carries seeds across fields and fence lines, scattering the future wherever friction allows. Seeds take root, drawing in sunlight, water, and minerals. They build structure to move energy forward. Muscles twitch as animals rise to consume that energy then follow warmth, water, or instinct. Wings of the bird lift so it may fly. Herds of the plain press so they may migrate. These patterns stretch across microseconds, minutes, and millennia — creeks, crevices, and continents. And eventually, humans launch canoes in the ocean tracing the same thermodynamic pull, riding currents of wind, wave, desire, and need. None of it defies nature. It is nature. It can be seen as different forms of energy dispersing through motion, life, and relationship at different scales.One of the first scientists to recognize this was a Belgian chemist in the 1970s who saw something radical in the chaos of fluctuations and energy flows in nonequilibrium chemical systems: that complexity could arise not despite entropy, but because of it. Ilya Prigogine called these emergent forms dissipative structures — systems that spontaneously self-organize to transform and disperse energy more efficiently. A familiar example is a snowflake, which forms highly ordered crystal structures as water vapor crystallizes under just the right conditions. This beautiful pattern represents order emerging directly from the molecular chaos of a winter storm.Extending this idea, we might begin to see migration, dispersal, and adaptation not as disruptions or disturbances, but as natural expressions of complex systems tirelessly working toward order. These processes are ways in which living systems unfold, expand, and improvise — dynamically responding to the flows of energy they must transform to sustain themselves and their environments.To call such movement unnatural is to forget that we, too, are part of nature's restless patterning. The real challenge isn't to freeze the world in place, but to understand these flows so we might shape them with care, rather than react to them with fear.To be clear: not all movement is benign. Some species — like kudzu or cane toads — have caused undeniable ecological damage. But the danger lies not in movement itself, but in the conditions of arrival and the systems of control. Climate change, habitat destruction, and globalization create the disturbances that opportunistic species exploit. They don't “invade” so much as arrive when the door is already open.And entropy doesn't mean indifferent inevitability, and complexity doesn't mean plodding passivity. Living systems are capable of generating counter-forces like cooperative networks, defensive alliances, and feedback loops. This form of collective actions resists domination and reasserts balance. Forests shade out overzealous colonizers, coral fish guard polyps from overgrazers, microbial webs starve out pathogens. Agency, be it a fungus or a human community, operates within the same flow of energy, shaping it toward persistence, resilience, and sometimes justice.So, when I pull ivy or water a fern, I do it with a different awareness now. I see myself not as a border guard, but as one actor in a much older drama — a participant in the ceaseless give-and-take through which living systems maintain their balance. My hands are not outside the flow, but in it, nudging here, ceding there, trying to tip the scales toward diversity, reciprocity, and resilience. It's not purity I'm after, but possibility: a landscape, human and more-than-human, capable of adapting to what comes next. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit interplace.io
A monumental new study has addressed the likely impacts of climate change on the activity of desert lizards in Africa and Australia. Hotter temperatures will likely ‘squeeze' the activity window of some lizards, especially those active during the day. We chat about the ramifications of this paper, before turning to news of dogs being attacked by anacondas. Become a Patreon: https://www.patreon.com/herphighlights Merch: https://www.redbubble.com/people/herphighlights/shop Full reference list available here: http://www.herphighlights.podbean.com Main Paper References: Wild KH, Huey RB, Pianka ER, Clusella-Trullas S, Gilbert AL, Miles DB, Kearney MR. 2025. Climate change and the cost-of-living squeeze in desert lizards. Science 387:303–309. DOI: 10.1126/science.adq4372. Other Mentioned Papers/Studies: Starace, F., & Ineich, I. (2025). Predation on dogs by Green Anacondas, Eunectes murinus (Linnaeus, 1758): two cases from French Guiana. Herpetology Notes, 18, 415-419. Other Links/Mentions: Rhinella alata call from James LS, O'Mara MT, Touchon JC, Ryan MJ, Bernal XE, Page RA. 2025. The ontogeny of decision-making in an eavesdropping predator. Proceedings of the Royal Society B: Biological Sciences 292:20250450. DOI: 10.1098/rspb.2025.0450. AmphibiaWeb - Rhinella alata. Available at https://amphibiaweb.org/cgi/amphib_query?where-scientific_name=Rhinella+alata&rel-scientific_name=contains&include_synonymies=Yes (accessed June 19, 2025). Editing and Music: Intro/outro – Treehouse by Ed Nelson Species Bi-week theme – Michael Timothy Other Music – The Passion HiFi, https://www.thepassionhifi.com
fWotD Episode 2969: Johann Reinhold Forster Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Saturday, 21 June 2025, is Johann Reinhold Forster.Johann Reinhold Forster (German: [ˈfɔʁstɐ]; 22 October 1729 – 9 December 1798) was a German Reformed pastor and naturalist. Born in Dirschau, Pomeranian Voivodeship, Polish–Lithuanian Commonwealth (now Tczew, Poland), he attended school in Dirschau and Marienwerder before being admitted at the Joachimsthalsches Gymnasium in Berlin in 1745. Skilled in classical and biblical languages, he studied theology at the University of Halle. In 1753, he became a parson at a parish just south of Danzig. He married his cousin Justina Elisabeth Nicolai in 1754, and they had seven children; the oldest child was George Forster, also known as Georg. In 1765, Forster was commissioned by the Russian government to inspect the new colonies on the Volga. Accompanied by George on the journey, he observed the conditions of the colonists and made scientific observations that were later read at the Russian Academy of Sciences. After making a report that was critical of the Russian administration, Forster left for England without payment in 1766. In England, Forster became the successor of Joseph Priestley as tutor in modern languages and natural history at Warrington Academy where he worked for two years. He made contact with many other naturalists, published a textbook on mineralogy and translated works of the apostles of Linnaeus into English. Invited by the geographer Alexander Dalrymple, Forster moved to London in 1770 in preparation for participation in an East India Company expedition, but the plans fell through and Forster continued to publish translations and scientific works including contributions to North American zoology and botany. In February 1772, he was elected a Fellow of the Royal Society. After the withdrawal of Joseph Banks from the second voyage of James Cook, Forster accepted the position of naturalist on Cook's ship, where he was accompanied by his son George as draughtsman and assistant. On their three-year journey, they made the first recorded crossing of the Antarctic Circle and made observations and discoveries in New Zealand and Polynesia. When they returned to England, Forster published the botanical work Characteres generum plantarum. However, there was disagreement with Cook on who should write a narrative of the journey. After a lengthy argument, George wrote A Voyage Round the World, which appeared six weeks before Cook's account. Forster separately published his scientific Observations Made During a Voyage Round the World. Forster's pride and obstinacy caused him to fall out with many powerful men in England; after clearing some of his substantial debt with the aid of German patrons, he returned to Germany where he was a professor at the University of Halle from 1780. He oversaw the university's botanical garden for a few years and published in a wide range of sciences. Forster died in 1798 and is buried in Halle. He is commemorated in the names of various species of plants and animals, including the genera Forstera and Forsterygion.This recording reflects the Wikipedia text as of 01:11 UTC on Saturday, 21 June 2025.For the full current version of the article, see Johann Reinhold Forster on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Justin.
In this RCVS Knowledge Award overview, Sean Cameron from the Linnaeus Oral Health Working Group explains the team project focused on improving clinical quality of dentistry in their first opinion practices across the company by increasing the percentage of tooth extractions receiving nerve blocks and increasing the percentage of dental radiographs being taken. This project was awarded Champion in the 2025 RCVS Knowledge QI to Lead Organisational Change Awards. Read the transcript.
Here at Autocrat, we quite often cover a lot of mythical beasts. Examples would include the Lernaean Hydra which Heracles and Iolaus dealt with, the sphinx tormenting Thebes, and the sea monster Cetus which Perseus rescued Andromeda from.However, how possible would some of these creatures really be? Take, for example, the griffin and the hippogriff. We know what species create these two, so could we see whether the number of chromosomes they have make them feasible?Well, on today's episode, we re-release episode 67 of Biopedia to answer this very question!Sources for this episode:Ewart, J. C. (1910), Are Mules Fertile? Nature 2143(85): 106.Geldenhuys, M. E. (1989), Die kariotipering van di lieu (Panthera leo). Journal of the South African Veterinary Association 60(1): 41-49.Johnson, F. (1976), Mythical Beasts Coloring Book. New York: Dover Publications, Inc.Mead, D., Ogden, R., Meredith, A., Peniche, G., Smith, M., Corton, C., Oliver, K., Skelton, J., Betteridge, E., Doulcan; J., Holmes, N., Wright, V., Loose, M., Quail, M. A., McCarthy, S. A., Howe, K.,Chow, W., Torrance, J., Collins, J., Challis, R., Durbin, R. and Blatter, M. (2021), The genome sequence of the European golden eagle, Aquila chrysaetos chrysaetos Linnaeus 1758 (version 1; peer review: 3 approved). Wellcome Open Research 6: 112.Rodriguez, M., Understanding Genetics, The Tech Interactive (2007), Chimeras, Mosaics, and Other Fun Stuff: Why can't mules breed? I understand that a horse and a donkey make a mule but why can't 2 mules have a baby mule? (online) (Accessed 29/07/2023).Rosen, B. (2009), Mythical Creatures Bible: The Definitive Guide to Legendary Beings. New York: Sterling Publishing Co., Inc.Ryder, O. A. (1993), Przewalski`s Horse: Prospects for Reintroduction into the Wild. Conservation Biology 7(1): 13-15.Author unknown, Wikipedia (date unknown), Golden eagle (online) (Accessed 20/07/2023).
Hello Interactors,This week, the European Space Agency launched a satellite to "weigh" Earth's 1.5 trillion trees. It will give scientists deeper insight into forests and their role in the climate — far beyond surface readings. Pretty cool. And it's coming from Europe.Meanwhile, I learned that the U.S. Secretary of Defense — under Trump — had a makeup room installed in the Pentagon to look better on TV. Also pretty cool, I guess. And very American.The contrast was hard to miss. Even with better data, the U.S. shows little appetite for using geographic insight to actually address climate change. Information is growing. Willpower, not so much.So it was oddly clarifying to read a passage Christopher Hobson posted on Imperfect Notes from a book titled America by a French author — a travelogue of softs. Last week I offered new lenses through which to see the world, I figured I'd try this French pair on — to see America, and the world it effects, as he did.PAPER, POWER, AND PROJECTIONI still have a folded paper map of Seattle in the door of my car. It's a remnant of a time when physical maps reflected the reality before us. You unfolded a map and it innocently offered the physical world on a page. The rest was left to you — including knowing how to fold it up again.But even then, not all maps were neutral or necessarily innocent. Sure, they crowned capitals and trimmed borders, but they could also leave things out or would make certain claims. From empire to colony, from mission to market, maps often arrived not to reflect place, but to declare control of it. Still, we trusted it…even if was an illusion.I learned how to interrogate maps in my undergraduate history of cartography class — taught by the legendary cartographer Waldo Tobler. But even with that knowledge, when I was then taught how to make maps, that interrogation was more absent. I confidently believed I was mediating truth. The lines and symbols I used pointed to substance; they signaled a thing. I traced rivers from existing base maps with a pen on vellum and trusted they existed in the world as sure as the ink on the page. I cut out shading for a choropleth map and believed it told a stable story about population, vegetation, or economics. That trust was embodied in representation — the idea that a sign meant something enduring. That we could believe what maps told us.This is the world of semiotics — the study of how signs create meaning. American philosopher Charles Sanders Peirce offered a sturdy model: a sign (like a map line) refers to an object (the river), and its meaning emerges in interpretation. Meaning, in this view, is relational — but grounded. A stop sign, a national anthem, a border — they meant something because they pointed beyond themselves, to a world we shared.But there are cracks in this seemingly sturdy model.These cracks pose this question: why do we trust signs in the first place? That trust — in maps, in categories, in data — didn't emerge from neutrality. It was built atop agendas.Take the first U.S. census in 1790. It didn't just count — it defined. Categories like “free white persons,” “all other free persons,” and “slaves” weren't neutral. They were political tools, shaping who mattered and by how much. People became variables. Representation became abstraction.Or Carl Linnaeus, the 18th-century Swedish botanist who built the taxonomies we still use: genus, species, kingdom. His system claimed objectivity but was shaped by distance and empire. Linnaeus never left Sweden. He named what he hadn't seen, classified people he'd never met — sorting humans into racial types based on colonial stereotypes. These weren't observations. They were projections based on stereotypes gathered from travelers, missionaries, and imperial officials.Naming replaced knowing. Life was turned into labels. Biology became filing. And once abstracted, it all became governable, measurable, comparable, and, ultimately, manageable.Maps followed suit.What once lived as a symbolic invitation — a drawing of place — became a system of location. I was studying geography at a time (and place) when Geographic Information Systems (GIS) and GIScience was transforming cartography. Maps weren't just about visual representations; they were spatial databases. Rows, columns, attributes, and calculations took the place of lines and shapes on map. Drawing what we saw turned to abstracting what could then be computed so that it could then be visualized, yes, but also managed.Chris Perkins, writing on the philosophy of mapping, argued that digital cartographies didn't just depict the world — they constituted it. The map was no longer a surface to interpret, but a script to execute. As critical geographers Sam Hind and Alex Gekker argue, the modern “mapping impulse” isn't about understanding space — it's about optimizing behavior through it; in a world of GPS and vehicle automation, the map no longer describes the territory, it becomes it. Laura Roberts, writing on film and geography, showed how maps had fused with cinematic logic — where places aren't shown, but performed. Place and navigation became narrative. New York in cinema isn't a place — it's a performance of ambition, alienation, or energy. Geography as mise-en-scène.In other words, the map's loss of innocence wasn't just technical. It was ontological — a shift in the very nature of what maps are and what kind of reality they claim to represent. Geography itself had entered the domain of simulation — not representing space but staging it. You can simulate traveling anywhere in the world, all staged on Google maps. Last summer my son stepped off the train in Edinburgh, Scotland for the first time in his life but knew exactly where he was. He'd learned it driving on simulated streets in a simulated car on XBox. He walked us straight to our lodging.These shifts in reality over centuries weren't necessarily mistakes. They unfolded, emerged, or evolved through the rational tools of modernity — and for a time, they worked. For many, anyway. Especially for those in power, seeking power, or benefitting from it. They enabled trade, governance, development, and especially warfare. But with every shift came this question: at what cost?FROM SIGNS TO SPECTACLEAs early as the early 1900s, Max Weber warned of a world disenchanted by bureaucracy — a society where rationalization would trap the human spirit in what he called an iron cage. By mid-century, thinkers pushed this further.Michel Foucault revealed how systems of knowledge — from medicine to criminal justice — were entangled with systems of power. To classify was to control. To represent was to discipline. Roland Barthes dissected the semiotics of everyday life — showing how ads, recipes, clothing, even professional wrestling were soaked in signs pretending to be natural.Guy Debord, in the 1967 The Society of the Spectacle, argued that late capitalism had fully replaced lived experience with imagery. “The spectacle,” he wrote, “is not a collection of images, but a social relation among people, mediated by images.”Then came Jean Baudrillard — a French sociologist, media theorist, and provocateur — who pushed the critique of representation to its limit. In the 1980s, where others saw distortion, he saw substitution: signs that no longer referred to anything real. Most vividly, in his surreal, gleaming 1986 travelogue America, he described the U.S. not as a place, but as a performance — a projection without depth, still somehow running.Where Foucault showed that knowledge was power, and Debord showed that images replaced life, Baudrillard argued that signs had broken free altogether. A map might once distort or simplify — but it still referred to something real. By the late 20th century, he argued, signs no longer pointed to anything. They pointed only to each other.You didn't just visit Disneyland. You visited the idea of America — manufactured, rehearsed, rendered. You didn't just use money. You used confidence by handing over a credit card — a symbol of wealth that is lighter and moves faster than any gold.In some ways, he was updating a much older insight by another Frenchman. When Alexis de Tocqueville visited America in the 1830s, he wasn't just studying law or government — he was studying performance. He saw how Americans staged democracy, how rituals of voting and speech created the image of a free society even as inequality and exclusion thrived beneath it. Tocqueville wasn't cynical. He simply understood that America believed in its own image — and that belief gave it a kind of sovereign feedback loop.Baudrillard called this condition simulation — when representation becomes self-contained. When the distinction between real and fake no longer matters because everything is performance. Not deception — orchestration.He mapped four stages of this logic:* Faithful representation – A sign reflects a basic reality. A map mirrors the terrain.* Perversion of reality – The sign begins to distort. Think colonial maps as logos or exclusionary zoning.* Pretending to represent – The sign no longer refers to anything but performs as if it does. Disneyland isn't America — it's the fantasy of America. (ironically, a car-free America)* Pure simulation – The sign has no origin or anchor. It floats. Zillow heatmaps, Uber surge zones — maps that don't reflect the world, but determine how you move through it.We don't follow maps as they were once known anymore. We follow interfaces.And not just in apps. Cities themselves are in various stages of simulation. New York still sells itself as a global center. But in a distributed globalized and digitized economy, there is no center — only the perversion of an old reality. Paris subsidizes quaint storefronts not to nourish citizens, but to preserve the perceived image of Paris. Paris pretending to be Paris. Every city has its own marketing campaign. They don't manage infrastructure — they manage perception. The skyline is a product shot. The streetscape is marketing collateral and neighborhoods are optimized for search.Even money plays this game.The U.S. dollar wasn't always king. That title once belonged to the British pound — backed by empire, gold, and industry. After World War II, the dollar took over, pegged to gold under the Bretton Woods convention — a symbol of American postwar power stability…and perversion. It was forged in an opulent, exclusive, hotel in the mountains of New Hampshire. But designed in the style of Spanish Renaissance Revival, it was pretending to be in Spain. Then in 1971, Nixon snapped the dollar's gold tether. The ‘Nixon Shock' allowed the dollar to float — its value now based not on metal, but on trust. It became less a store of value than a vessel of belief. A belief that is being challenged today in ways that recall the instability and fragmentation of the pre-WWII era.And this dollar lives in servers, not Industrial Age iron vaults. It circulates as code, not coin. It underwrites markets, wars, and global finance through momentum alone. And when the pandemic hit, there was no digging into reserves.The Federal Reserve expanded its balance sheet with keystrokes — injecting trillions into the economy through bond purchases, emergency loans, and direct payments. But at the same time, Trump 1.0 showed printing presses rolling, stacks of fresh bills bundled and boxed — a spectacle of liquidity. It was monetary policy as theater. A simulation of control, staged in spreadsheets by the Fed and photo ops by the Executive Branch. Not to reflect value, but to project it. To keep liquidity flowing and to keep the belief intact.This is what Baudrillard meant by simulation. The sign doesn't lie — nor does it tell the truth. It just works — as long as we accept it.MOOD OVER MEANINGReality is getting harder to discern. We believe it to be solid — that it imposes friction. A law has consequences. A price reflects value. A city has limits. These things made sense because they resist us. Because they are real.But maybe that was just the story we told. Maybe it was always more mirage than mirror.Now, the signs don't just point to reality — they also replace it. We live in a world where the image outpaces the institution. Where the copy is smoother than the original. Where AI does the typing. Where meaning doesn't emerge — it arrives prepackaged and pre-viral. It's a kind of seductive deception. It's hyperreality where performance supersedes substance. Presence and posture become authority structured in style.Politics is not immune to this — it's become the main attraction.Trump's first 100 days didn't aim to stabilize or legislate but to signal. Deportation as UFC cage match — staged, brutal, and televised. Tariff wars as a way of branding power — chaos with a catchphrase. Climate retreat cast as perverse theater. Gender redefined and confined by executive memo. Birthright citizenship challenged while sedition pardoned. Even the Gulf of Mexico got renamed. These aren't policies, they're productions.Power isn't passing through law. It's passing through the affect of spectacle and a feed refresh.Baudrillard once wrote that America doesn't govern — it narrates. Trump doesn't manage policy, he manages mood. Like an actor. When America's Secretary of Defense, a former TV personality, has a makeup studio installed inside the Pentagon it's not satire. It's just the simulation, doing what it does best: shining under the lights.But this logic runs deeper than any single figure.Culture no longer unfolds. It reloads. We don't listen to the full album — we lift 10 seconds for TikTok. Music is made for algorithms. Fashion is filtered before it's worn. Selfhood is a brand channel. Identity is something to monetize, signal, or defend — often all at once.The economy floats too. Meme stocks. NFTs. Speculative tokens. These aren't based in value — they're based in velocity. Attention becomes the currency.What matters isn't what's true, but what trends. In hyperreality, reference gives way to rhythm. The point isn't to be accurate. The point is to circulate. We're not being lied to.We're being engaged. And this isn't a bug, it's a feature.Which through a Baudrillard lens is why America — the simulation — persists.He saw it early. Describing strip malls, highways, slogans, themed diners he saw an America that wasn't deep. That was its genius he saw. It was light, fast paced, and projected. Like the movies it so famously exports. It didn't need justification — it just needed repetition.And it's still repeating.Las Vegas is the cathedral of the logic of simulation — a city that no longer bothers pretending. But it's not alone. Every city performs, every nation tries to brand itself. Every policy rollout is scored like a product launch. Reality isn't navigated — it's streamed.And yet since his writing, the mood has shifted. The performance continues, but the music underneath it has changed. The techno-optimism of Baudrillard's ‘80s an ‘90s have curdled. What once felt expansive now feels recursive and worn. It's like a show running long after the audience has gone home. The rager has ended, but Spotify is still loudly streaming through the speakers.“The Kids' Guide to the Internet” (1997), produced by Diamond Entertainment and starring the unnervingly wholesome Jamison family. It captures a moment of pure techno-optimism — when the Internet was new, clean, and family-approved. It's not just a tutorial; it's a time capsule of belief, staged before the dream turned into something else. Before the feed began to feed on us.Trumpism thrives on this terrain. And yet the world is changing around it. Climate shocks, mass displacement, spiraling inequality — the polycrisis has a body count. Countries once anchored to American leadership are squinting hard now, trying to see if there's anything left behind the screen. Adjusting the antenna in hopes of getting a clearer signal. From Latin America to Southeast Asia to Europe, the question grows louder: Can you trust a power that no longer refers to anything outside itself?Maybe Baudrillard and Tocqueville are right — America doesn't point to a deeper truth. It points to itself. Again and again and again. It is the loop. And even now, knowing this, we can't quite stop watching. There's a reason we keep refreshing. Keep scrolling. Keep reacting. The performance persists — not necessarily because we believe in it, but because it's the only script still running.And whether we're horrified or entertained, complicit or exhausted, engaged or ghosted, hired or fired, immigrated or deported, one thing remains strangely true: we keep feeding it. That's the strange power of simulation in an attention economy. It doesn't need conviction. It doesn't need conscience. It just needs attention — enough to keep the momentum alive. The simulation doesn't care if the real breaks down. It just keeps rendering — soft, seamless, and impossible to look away from. Like a dream you didn't choose but can't wake up from.REFERENCESBarthes, R. (1972). Mythologies (A. Lavers, Trans.). Hill and Wang. (Original work published 1957)Baudrillard, J. (1986). America (C. Turner, Trans.). Verso.Debord, G. (1994). The Society of the Spectacle (D. Nicholson-Smith, Trans.). Zone Books. (Original work published 1967)Foucault, M. (1977). Discipline and Punish: The Birth of the Prison (A. Sheridan, Trans.). Vintage Books.Hind, S., & Gekker, A. (2019). On autopilot: Towards a flat ontology of vehicular navigation. In C. Lukinbeal et al. (Eds.), Media's Mapping Impulse. Franz Steiner Verlag.Linnaeus, C. (1735). Systema Naturae (1st ed.). Lugduni Batavorum.Perkins, C. (2009). Philosophy and mapping. In R. Kitchin & N. Thrift (Eds.), International Encyclopedia of Human Geography. Elsevier.Raaphorst, K., Duchhart, I., & van der Knaap, W. (2017). The semiotics of landscape design communication. Landscape Research.Roberts, L. (2008). Cinematic cartography: Movies, maps and the consumption of place. In R. Koeck & L. Roberts (Eds.), Cities in Film: Architecture, Urban Space and the Moving Image. University of Liverpool.Tocqueville, A. de. (2003). Democracy in America (G. Lawrence, Trans., H. Mansfield & D. Winthrop, Eds.). University of Chicago Press. (Original work published 1835)Weber, M. (1958). The Protestant Ethic and the Spirit of Capitalism (T. Parsons, Trans.). Charles Scribner's Sons. (Original work published 1905) This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit interplace.io
Fossielen zijn de vaak versteende resten van mensen, dieren en planten die in gesteentes, modder of zandlagen worden teruggevonden. Die vondsten hebben mensen altijd gefascineerd maar ook voor raadsels gesteld. Waren het grillen van de natuur, vergelijkbaar met mineraalafzettingen of wonderbaarlijk gevormde zwerfsteen? Of waren het resten van ooit echt levende dieren? In het Mycene van 1200 voor de jaartelling bewaarden mensen fossielen van neushoorns, paarden en schelpen als iets bijzonders. In veel culturen in Azië, Europa en Amerika werden fossielen in verbinding gebracht met mythologische wezens. Nog in 1657 publiceerde de vermaarde dierenkenner Joannes een boek over viervoetige dieren met afbeeldingen van draken. Die waren vermoedelijk gebaseerd op fossiele reptielen. Op Cyprus werden fragmenten van een dwergnijlpaard in een kerk vereerd, omdat men dacht dat het een heilige was.Wat nuchterder keek de Griekse filosoof Xenophanes zo'n 500 jaar voor de jaartelling naar fossielen: zeeschelpen moesten toch wel aangeven dat sommige gebieden ooit onder water gestaan hadden. Goede beschrijvingen van fossielen leverde rond het jaar duizend de Perzische wetenschapper Ibn Sīnā (980 – 1037), een aantal eeuwen later gevolgd door bijvoorbeeld Leonardo da Vinci. Maar de positie van het christelijk geloof maakte het steeds moeilijker om fossiele vondsten te interpreteren. In de eerste plaats was er het grondidee dat Gods scheppingen volmaakt zijn, en dus kan van uitsterven geen sprake zijn. Vondsten van fossiele skeletten van grote dieren als mammoeten betekenden dus dat die ergens op aarde nog aanwezig moesten zijn, en dat kon natuurlijk altijd zolang de aarde niet compleet in beeld was. Wat dacht u trouwens van het monster van Loch Ness? En wat kan er wel nog niet in de diepe oceaan leven? De vondst van schelpen en andere resten van zeedieren ook in hoger gelegen steenformaties vormde wel een probleem. Daar bracht de zondvloed uitkomst. Daar waren indertijd waarschijnlijk heel wat zaken misgegaan, zoals ook de zondvloedmens in 1725 gevonden in Öhningen, vlakbij de Duitse kant van de Bodensee. En wel 4032 jaar na de zondvloed. Een jaar later werd deze vondst als de “homo diluvi testis” beschreven door Scheuchzer. In een voor zijn tijd revolutionair betoog beschreef hij dus dat wel degelijk dieren uitgestorven konden zijn, al was het dan alleen in de kerkelijk goedgekeurde variant van de zondvloed. De “verdronken zondaar” werd gekocht in 1802 voor de collectie van Tylers museum in Haarlem. Even later werd het exemplaar door de Franse palentoloog Cuvier in 1807 gedetermineerd als ”reuzen salamander”.In zijn gelijknamige boek heeft Jelle Reumer de geschiedenis van de paleontologie prachtig beschreven. Cuvier geloofde dan wel niet in het zondvloedverhaal, maar dacht toch wel aan catastrofen waarom dieren uitgestorven waren. Het is pas later duidelijk geworden dat Leonardo da Vinci al niets van die zondvloedtheorie moest hebben, dat kon volgens hem nooit verklaren waarom zeedieren hoog in de bergen terecht waren gekomen. Maar om dat in zijn tijd te publiceren was levensgevaarlijk, de brandstapel van de inquisitie dreigde, en dus schreef hij zijn aantekeningen over uitsterven van organismen in het geheim in spiegelschrift op, pas veel later ontdekt. Cuvier was een in veel opzichten een geniale onderzoeker, maar hij had ook zijn eigenzinnige opvattingen. Hij moest niet hebben van het systematische systeem van Linnaeus, en was het ook in het geheel niet eens met Lamaerck die veronderstelde dat soorten in elkaar over konden gaan. Tyler's bevat nog veel meer klassieke schatten van de paleontologie. Zoals die van een reuzenkrokodil die in Maastricht in de Pietersberg in 1764 was gevonden en in 1784 gekocht door de directeur van Tyler's. Uiteindelijk was het Adriaan Camper, een zoon van de in Groningen beroemde Petrus, die samen met Cuvier tot de conclusie kwam dat de Mososaurus geen krokodil maar een op een varaan lijkende reuzenhagedis was. Ook ligt te midden van veel anders prachtigs in Tyler's een mooie Plesiosaurus, een zee-reptiel van drie meter lengte ontdekt door een vroege vrouwelijke fossielen-zoekster aan de Jurassic Coast, Mary Anning.De veranderende inzichten in de geologie, zoals door Charles Lyell in 1830 gepubliceerd, tezamen met de uitwerking van de evolutieleer door Wallace en Darwin veranderde de interpretatie van fossielen uiteindelijk compleet. Die staat geheel in het teken van de ontwikkeling van soorten, waarvan verreweg het allergrootste deel weer is uitgestorven. Soms was dat door een catastrofe, zoals het eind van de dinosauriërs (op de vogels na), na een botsing met een komeet. Maar veel vaker als de uitkomst van de vele oorzaken die in de natuurlijke selectie van het voortbestaan een rol spelen. In de puzzel op zoek naar die oorzaken speelt de paleontologie onverminderd een rol, ook door steeds weer nieuwe vondsten, waaronder in ons land. Al zijn die niet zo spectaculair als recent in Schotland, waar 150 meter pootafdrukken van dinosauriërs werden blootgelegd.Vond je dit leuk? Deel deze nieuwsbrief met vrienden, familie, of wie dan ook van een goed natuurverhaal houdt.Tot de volgende nieuwsbrief!Hartelijke groet,Menno & Erwin
In this episode of The Peripatetics, we turn our attention to names — their meaning, their limits, and the tension they create between essence and identity. With Thoreau as our guide, we wander through the wild landscapes of Walking, reflecting on his assertion that “at present, our only true names are nicknames.” What do names reveal, and what do they obscure? And how do we move beyond the constraints of the names we've inherited to discover the truth of who we are? Such a journey requires vulnerabiltiy, and willingness to remember the things we ultimately need to forget. Modeling this, Trey traverses the topography of himself through the stories of some of the names he's answered to in his life. Along the way, we trace the philosophical threads of Aristotle, Linnaeus, and Monet, weaving their ideas into a rich tapestry of inquiry into clarity, essence, and the human need for connection. Join us as we strip away the labels, rediscover the unbridled nature within, and seek the truest name of all — the one that emerges when we dare to crest the higher hills of our own becoming. Transcripts of all episodes are available here. Find Trey on Instagram. Episode Themes Include: The Essence of Identity: This episode delves into the meaning and limitations of names, reflecting on Thoreau's idea that “our only true names are nicknames.” By examining the tension between essence and identity, we explore how names can reveal, obscure, or constrain our understanding of who we are. Remembering to Forget: In a conversation that spans millenia, this episode explores the paradoxical act of remembering the things we must ultimately forget to see clearly. Drawing on the ideas of Monet, Aristotle, and Linnaeus, the episode challenges us to strip away the assumptions and biases attached to names and labels. The Journey to the Truest Name: This theme explores the idea of becoming — how the names we answer to evolve with us and how discovering our truest name requires vulnerability and self-exploration. The episode reflects on the human need to transcend inherited labels and connect with the unbridled nature within. About The Show Inspired by the ancient tradition of walking philosophers — from Aristotle and his followers to Thoreau and Nietzsche — who walked as a way to engage deeply with their thoughts and ideas, The Peripatetics wanders through th e thoughts of great thinkers in nature, art, literature, and philosophy as they intersect with the simple, transformative act of walking. In season 1, we are discussing Henry David Thoreau's definitive essay on the subject of walking, connecting it with wisdom from a wide swath of philosophic tradtions which share his devotion to achieving clarity and peace through movement. Whether you're a fellow walker, someone looking for a bit of tranquility, or just curious about how a good walk can change your perspective, you're in the right place. May your path be smooth and your pace steady. About The Host Trey Hill is a filmmaker who cut his teeth as a photographer and one-man-band storyteller for non-profits and NGOs, work which carried him around the world as he sought to expose the inner light present in some of the planet's most overlooked people. He also spent 10 seasons in the NHL as team photographer for the Dallas Stars and has, for the better part of the last decade, directed TV commercials for global brands, working with household names, musicians, sports heroes, and politicians. In 2019, his feature-length debut, the documentary LOUD KRAZY LOVE about Korn's Brian “Head” Welch, premiered on Showtime.
Did you know that the forbidden fruit in the Biblical Garden of Paradise, that tempted Adam and Eve, was once thought to be a banana instead of an apple? That's why Carl Linnaeus gave it the scientific name, Musa paradasiaca. Who was this fellow anyway, the Swedish botanist and doctor whose concept of naming living things and grouping them by similarity established a coherent way to talk about and understand the diversity of life? Linnaeus' system of binomial nomenclature using genera and species adjectives is still used today. In this unconventional biography of the ”King of Flowers” we visit a tropical greenhouse at Central Washington University to understand how Linneaus got a banana "tree" in the Netherlands to produce the first banana fruit grown in Europe. We also talk with science historian Dr. Tamara Caulkins about Linnaeus, the time when he was working (1700s), his rival George LeClerc du Bufon, and the book he worked on throughout his life: Systeme Naturae. Finally, we hear two delightful classical guitar pieces played by our Tamara and Neil Caulkins, from their Grand March album.
Stargate SG1 For the First Time - STILL Not a Star Trek Podcast
This is Stargate SG1 For the First Time! From the creators of Babylon 5 For the First Time, Jeff Akin is watching this iconic show for the first time while Brent Allen, who has seen it at least 47 times, is watching for the first time for those sci-fi messages that hold a mirror up to society or show us how to be better human beings.The Tok'ra Parts 1 and 2 - Season 2, Episodes 11 and 12Visit https://www.babylon5first.com/ for more!This show is produced in association with the Akin Collective, Mulberry Entertainment, and Framed Games. Find out how you can support the show and get great bonus content like access to notes, a Discord server, unedited reaction videos, and more: https://www.patreon.com/babylon5firstSpecial Thanks to all who support our show through Patreon, including: Executive Producers:Todd K, Terrafan, Kat, Todd J., Colin B, Jeffrey H., jal'Zha, Andrew, The Space Pope, Trekkie Trey the Trekker, Andrew B, Fabio K, Matt Ion, Snatcher42, DAG, Mr. Krosis, Rob B, ClupPro70, Commodore Trev, Peter S, Ron H, Mattie G, Stuart H, Martin S., Becky S, Timo H, Acesoldia, Starfury 5470, James H, Chris L, Ian M, NJRetiredLEO, Paul H, Suzanne E, Demi-DW, FellKnight, Calinicus, Neil M., Gregory C, Anthony P., Thomas M, James O, Frankie, Linnaeus, Kenny K, Max H, Joel T, Jack Kitchen, fcast17, Katerina K, Joey P, Duane B.Producers:Adam P.David B.Guy K.John K.framedKatFollow us on Twitter: https://www.twitter.com/BabylonFirstVisit https://www.patreon.com/byenerds to join the Patreon for full, unedited videos and an incredible community.Support the Show.
Two veteran Star Trek podcasters watch Babylon 5 for the first time. Brent Allen and Jeff Akin search for Star Trek like messages in this series, deciding if they should have watched it sooner.This is it! The end of the road for Babylon 5. At least for now. Jeff and Brent try to decide if the best way to describe perfection is "Sleeping in Light." This show is produced in association with the Akin Collective, Mulberry Entertainment, and Framed Games. Find out how you can support the show and get great bonus content like access to notes, a Discord server, unedited reaction videos, and more: https://www.patreon.com/babylon5firstSpecial Thanks to all who support our show through Patreon, including:Executive Producers:Todd K, Terrafan, Kat, Todd J., Colin B, Jeffrey H., jal'Zha, Andrew, The Space Pope, Trekkie Trey the Trekker, Andrew B, Fabio K, Matt Ion, Snatcher42, DAG, Mr. Krosis, Rob B, ClupPro70, Commodore Trev, Peter S, Ron H, Mattie G, Stuart H, Martin S., Becky S, Timo H, Acesoldia, Starfury 5470, James H, Chris L, Ian M, NJRetiredLEO, Paul H, Suzanne E, Demi-DW, FellKnight, Calinicus, Neil M., Gregory C, Anthony P., Thomas M, James O, Frankie, Linnaeus, Kenny K, Max H, Joel T, Jack Kitchen, fcast17, Katerina K, Joey P, Duane B.Producers:Adam P.David B.Guy K.John K.framedKatFollow us on Twitter: https://www.twitter.com/BabylonFirstWebsite: https://www.babylon5first.com/All rights belong to the Prime Time Entertainment Network, WBTV, and TNT. No copyright infringement intended.Copyright Disclaimer, Under Section 107 of the Copyright Act 1976, allowance is made for 'fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.Visit https://www.patreon.com/babylon5first to join the Babylon 5 For the First Time Patreon. Support the Show.
This is Stargate SG1 For the First Time! From the creators of Babylon 5 For the First Time, Jeff Akin is watching this iconic show for the first time while Brent Allen, who has seen it at least 47 times, is watching for the first time for those sci-fi messages that hold a mirror up to society or show us how to be better human beings.Bane - Season 2, Episode 10Visit https://www.babylon5first.com/ for more!This show is produced in association with the Akin Collective, Mulberry Entertainment, and Framed Games. Find out how you can support the show and get great bonus content like access to notes, a Discord server, unedited reaction videos, and more: https://www.patreon.com/babylon5firstSpecial Thanks to all who support our show through Patreon, including: Executive Producers:Todd K, Terrafan, Kat, Todd J., Colin B, Jeffrey H., jal'Zha, Andrew, The Space Pope, Trekkie Trey the Trekker, Andrew B, Fabio K, Matt Ion, Snatcher42, DAG, Mr. Krosis, Rob B, ClupPro70, Commodore Trev, Peter S, Ron H, Mattie G, Stuart H, Martin S., Becky S, Timo H, Acesoldia, Starfury 5470, James H, Chris L, Ian M, NJRetiredLEO, Paul H, Suzanne E, Demi-DW, FellKnight, Calinicus, Neil M., Gregory C, Anthony P., Thomas M, James O, Frankie, Linnaeus, Kenny K, Max H, Joel T, Jack Kitchen, fcast17, Katerina K, Joey P, Duane B.Producers:Adam P.David B.Guy K.John K.framedKatFollow us on Twitter: https://www.twitter.com/BabylonFirstVisit https://www.patreon.com/byenerds to join the Patreon for full, unedited videos and an incredible community.Support the Show.
Labo dumar ah ayaa lagu xiray dalka Mareykanka, kuwaas oo looga shakisan yahay in ay ku lug lahaayeen dil. Isbeddelka cimiladu waxay keentaa xilliyada xasaasiyadda oo is beddela, taas oo ku adkeynaysa dadka xasaasiyadda faxalka iyo neefta qaba. Anders Persson, oo bare ka ah cilmiga siyaasadda ee jaamacadda Linnaeus oo diiradda saaraya Israa'iil iyo Falastiin, ayaa xafiiskiisa la burburiyay, sida uu sheegay Expressen.
fWotD Episode 2560: Anna Blackburne Welcome to featured Wiki of the Day where we read the summary of the featured Wikipedia article every day.The featured article for Wednesday, 8 May 2024 is Anna Blackburne.Anna Blackburne (baptised Anne Blackburne; 1726 – 30 December 1793) was an English botanist and collector who assembled an extensive collection of natural history specimens and corresponded with several notable naturalists of her era. Blackburne was born at Orford Hall, Orford, Warrington, Lancashire, into a family of landowners and merchants. After her mother's death, she lived at Orford with her father John Blackburne, who was known for his interest in botany and his hothouses for exotic plants. John Blackburne also had an extensive library where Anne probably studied botany; she later taught herself Latin so she could read the Systema Naturae of Carl Linnaeus. She developed a natural history museum where she collected insects, shells, minerals and birds. She regularly met with the naturalist Johann Reinhold Forster while he was teaching at Warrington Academy. Forster instructed her in entomology and helped with her insect collection.Blackburne corresponded with other naturalists including Linnaeus, to whom she sent a box of birds and insects. Her brother Ashton, who lived in New York, sent her specimens of North American birds. The Welsh naturalist Thomas Pennant studied these bird specimens and included them in his book Arctic Zoology. After her father's death, Blackburne and her museum moved to nearby Fairfield Hall. When she died in 1793, her nephew John Blackburne inherited the collection. Several species are named after Blackburne, including the beetle Geotrupes blackburnii, the Blackburnian warbler and the flowering plant Blackburnia pinnata, now called Zanthoxylum pinnatum.This recording reflects the Wikipedia text as of 00:48 UTC on Wednesday, 8 May 2024.For the full current version of the article, see Anna Blackburne on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Ruth Neural.
In this episode, we're working on our element of Resilience and exploring the third "Root of Resilience" known as aligning with nature. The Roots of Resilience were laid out in one of Dr. Emmons book, "The Chemistry of Calm." This root builds on our last one ("managing energy") by embracing the cycles and rhythms that are part of a much bigger system. This may seem "woo-woo," but.. well, it's not. Like all mammals and really every other living thing, we are influenced by cycles around us. A growing field of study known as chronobiology is bringing more scientific understanding to these cycles (for example: seasonal affective disorder and seasonal mood shifts). We'll talk more about this root and how increasing awareness of your connection with nature and adding some simple skills in response to this connection can support your mood, energy, and resilience in really powerful ways. Key moments: 00:00 Welcome to Joy Lab 00:46 Introducing the Roots of Resilience Series 01:46 Aligning with Nature: The Third Root of Resilience 02:03 Exploring Bio Rhythms: A Key to Mental Health 04:39 Diving Deep into Ultradian Rhythms 10:39 Circadian Rhythms: The Impact of Sleep on Mental Health 22:32 Infradian Rhythms: The Examples of Menstruation and Seasonal Affective Disorder 26:44 Wrapping Up: The Power of Aligning with Nature Joy Lab and Natural Mental Health are community-supported. When you buy through the links below, we may earn a commission. That support helps keeps the Joy Lab podcast free for all! Sources and Notes: Joy Lab Program: Take the next leap in your wellbeing journey with step-by-step practices to help you build and maintain the elements of joy in your life. Your Joy Lab membership also includes our NMH Community! NMH Community: Access lots of extra resilience-boosting resources (like our Sleeping Well Workshop) AND you'll join a group of inspiring folks who play an integral role in keeping this podcast going... which means powerful resources stay accessible to everyone. Free Resilience Quiz and free Mini-Course: Based on decades of clinical experience, we've created a model of resilience that is both helpful and practical. True to our approach at Natural Mental Health, we start with strengths. You'll identify these strengths in your Resilience Type. Your Resilience Type highlights your unique strengths, what fuels your joy, what keeps you in balance, and the lifestyle practices that most nourish you. After you find your Resilience Type, sign up for your free mini-course to receive tailored lifestyle practices (e.g., foods to eat more of, ideal forms of exercise, supplements, and mindfulness activities) that can support your mood, resilience, and overall wellbeing. Joy Lab Podcast #13 (The Roots of Resilience) This episode is a broad overview of what we'll be talking about over the next 9 episodes. It's a really helpful summary! Chemistry of Calm (Dr. Emmons' book referenced in this series) Where to shop: Our partner store at Fullscript: This is where you can find high-quality supplements and wellness products. Except for our CBD Gummies, any product links mentioned in the show notes below will require an account. Sign up for your free Fullscript account here: https://us.fullscript.com/welcome/nmh/store-start Resilient Remedies: This is where you can find our line of trusted, high-quality CBD gummies: https://www.resilientremedies.com/ Supplements Mentioned to support SAD and drops in mood during winter: TruAdapt NeuroMood Pure Pack Vitamin D (we like this October-April) The 20 Minute Break (book) Linnaeus' Flower Clock More on light therapy in our blog here. More on seasonal affective disorder and seasonal mood shifts from our blogs: Natural Approaches for Seasonal Affective Disorder and Supporting Winter Mood Does Winter Get You Down? (video) What Causes Seasonal Affective Disorder? Seasonal Affective Disorder in the Summer A Light on Seasonal Affective Disorder: Definition, Treatment, & Prevention How does the brain deal with cumulative stress? A review with focus on developmental stress, HPA axis function and hippocampal structure in humans Cumulative Stress and Health Subscribe to our Newsletter: Join us over at NaturalMentalHealth.com for exclusive emails, updates, and additional strategies. Check out our favorite resilience-boosting reads: https://bookshop.org/shop/NMHreads Full transcript available at: https://www.naturalmentalhealth.com/podcasts/joy-lab-podcast/episodes/2148589404 Please remember that this content is for informational and educational purposes only. It is not intended to provide medical advice and is not a replacement for advice and treatment from a medical professional. Please consult your doctor or other qualified health professional before beginning any diet change, supplement, or lifestyle program. Please see our terms for more information. If you or someone you know is struggling or in crisis, help is available. Call the NAMI HelpLine: 1-800-950-6264 available Monday through Friday, 10 a.m. – 10 p.m., ET. OR text "HelpLine" to 62640 or email NAMI at helpline@nami.org. Visit NAMI for more. You can also call or text SAMHSA at 988 or chat 988lifeline.org.
The sun is back, what'd you miss in vet med?Banfield Survey on HeartwormLayoffs in the UKExpanding Tech Roles in ColoradoVetCT Founder AwardSubscribe to the Fountain Report weekly newsletter: https://bit.ly/3JTYjRzHelpful links:Decreasing the prevalence of heartworm infection in pets
O pai da taxonomia morreu há 246 anos.
Una de las plantas que tenemos a nuestra disposición si tenemos problemas para dormir, ansiedad o estrés agudo es la passiflora incarnata, esta flor contiene flavonoides, alcaloides, fenoles, ácidos orgánicos, entre otros compuestos, que tienen la propiedad de calmarte de manera natural, asimismo, su efecto sedante que no generan dependencia, por esta razón, permíteme explicarte como es la flor que reemplaza el clonazepam. LA PASSIFLORA INCARNATA, LA FLOR QUE REEMPLAZA EL CLONAZEPAM La pasiflora tiene características en su composición química que ayuda a manejar el estrés y la ansiedad, principalmente por impactar directamente en el sistema nervioso de forma positiva, de igual manera, esta flor ayuda a incrementar los niveles del neurotransmisor GABA, lo que ayuda por mencionar una cosa a controlar los niveles de sueño y a controlar las palpitaciones o taquicardias generadas por la ansiedad. Los diversos beneficios de esta planta han sido muy estudiados de manera exhaustivas hay que añadir que si quieres profundizar en esto, al final de este escrito encontrarás investigaciones muy interesantes sobre este tema, como la llevada a cabo en corea por Lee y colaboradores, en donde administrado 60 miligramos de pasiflora lograron curar a pacientes de insomnio crónico, igualmente, la realizada en Polonia por Janda y colaboradores, donde haciendo un metaanálisis de los estudios acerca de la passiflora incarnata, encontró sus beneficios para combatir la ansiedad y sus efectos. PRECAUCIONES SOBRE EL CONSUMO DE PASIFLORA Es importante señalar que no debes automedicarte con esta flor, ni con ninguna otra que desconozcas los efectos que puede tener en ti, acude a médicos naturistas o médicos generales que puedan evaluar tu condición y te autoricen el consumo de esta flor que reemplaza el clonazepam SOBRE LAS DOSIS Antes de consumir flor que reemplaza el clonazepam, se debe tener en cuenta ciertas variables para medir su dosificación ideal, empezando por el peso, la estatura, la edad, así mismo la más importante, qué tipo de problema que se quiere enfrentar. Tomando como referencia los estudios expuestos, encontramos que si se desea combatir el insomnio la dosis es bastante pequeña, alrededor de 60 miligramos, por otro lado, si lo que se enfrenta es ansiedad o ataques de pánico, la dosis ideal se encuentra entre los 200 y 600 miligramos, y debe consumirse dos veces por día. Existen varias presentaciones como gotas, infusiones o en cápsulas, considera consumir la que mejor se adecue a ti. REFERENCIAS Janda, K., Wojtkowska, K., Jakubczyk, K., Antoniewicz, J., & Skonieczna-Żydecka, K. (2020). Passiflora incarnata in neuropsychiatric disorders—A systematic review. Nutrients, 12(12), 3894. Disponible en: https://www.mdpi.com/2072-6643/12/12/3894/pdf?version=1608530383 Lee, Jeewona; Jung, Han-Younga; Lee, Soyoung Irenea; Choi, Ji Hob; Kim, Shin-Gyeoma. Effects of Passiflora incarnata Linnaeus on polysomnographic sleep parameters in subjects with insomnia disorder: a double-blind randomized placebo-controlled study. International Clinical Psychopharmacology 35(1):p 29-35, January 2020. | DOI: 10.1097/YIC.0000000000000291 Disponible en : https://www.researchgate.net/profile/Shin-Gyeom-Kim/publication/337190383_Effects_of_Passiflora_incarnata_Linnaeus_on_polysomnogra phic_sleep_parameters_in_subjects_with_insomnia_disorder_a_double-blind_randomized_placebo-controlled_study/links/5f0ed953299bf1e548b706b7/Effects-of-Passiflora-incarnata-Linnaeus-on-polysomnographic-sleep-parameters-in-subjects-with-insomnia-disorder-a-double-blind-randomized-placebo-controlled-study.pdf Sarrico, L. D., Angelini, A., Figueiredo, A. S., de Sá Eufrasio, B., Vedolin, E. C., Noqueli, L. V., ... & Cardoso, M. A. P. (2022). Um estudo do uso de chás da hortelã (Mentha x Villosa Huds), folha de Maracujá (Passiflora Edulis), Camomila-vulgar (Matricaria Chamomilla L.) E de Erva-cidreira (Melissa Officinalis) no auxílio ao tratamento e prevenção à ansiedade: uma revisão bibliográ: A study of the use of mint (Mentha x Villosa Huds), passion fruit leaf (Passiflora Edulis), Chamomile (Matricaria Chamomilla L.) and Lemon balm (Melissa Officinalis) teas in the treatment and prevention of anxiety: a bibliographic review. Brazilian Journal of Development, 8(9), 61985-62005. Disponible en: https://www.brazilianjournals.com/ojs/index.php/BRJD/article/download/51941/38904 Zanardi, R., Carminati, M., Fazio, V., Maccario, M., Verri, G., & Colombo, C. (2023). Add-On Treatment with Passiflora incarnata L., herba, during Benzodiazepine Tapering in Patients with Depression and Anxiety: A Real-World Study. Pharmaceuticals, 16(3), 426. Disponible en: https://www.mdpi.com/1424-8247/16/3/426/pdf ENLACES DE INTERES Adiós a la Ansiedad ashwagandha (https://nelsonarturopsicologo.com/adios-a-la-ansiedad-ashwagandha/) TRATAMIENTO ANSIEDAD: EL MEJOR PARA CADA CASO (https://nelsonarturopsicologo.com/tratamiento-ansiedad-el-mejor-para-cada-caso/) LA PLANTA MILENARIA QUE TE AYUDARÁ A SUPERAR LA ANSIEDAD (https://nelsonarturopsicologo.com/la-planta-milenaria-que-te-ayudara-a-superar-la-ansiedad/)
This week we look at a very special giant silkmoth that comes from North America (Luna moths). The species is incredibly iconic, and there are many different meanings for it across various cultures. The best part is you can also raise them relatively easily as a pet! Patreon -> https://www.patreon.com/user?u=46499107 IG: https://www.instagram.com/insects4fun/ FB: https://www.facebook.com/profile.php?id=100085443614825 Email: Insectsfordummies@gmail.com Music provided by Lofi Girl with featured artist: Brillion. Transcription: Welcome back to episode 60 of Insects for fun! I wonder what we should do for episode 100… I've also been thinking of adding other arthropods into the mix. What do y'all think? Let me know in the comments section either on IG, FB or in your podcast player. Also when this episode is released I'll be on a flight back to Japan from the states, so I'm currently writing this weeks in advance. Recently we have had some moon viewing stuff going on in Japan, and I figure what better time than to talk about one of my favorite moths, the Luna moth. Lunas are in the giant silkmoth family Saturniidae and the genus is Actias. There are actually quite a few species of moon moths in this genus, but not all of them are green like the well known luna. Fortunately in Japan the two different species we have are quite similar to the luna, and I'll be trying my hand at raising one of them next summer. Actias luna have large and gorgeous pastel green wings with big fluffy white bodies, and one eye mark per wing. The wingspan can reach 5 inches across and also have long tails which only further adds to their celestial appearance. The name Luna is actually in reference to the roman moon goddess Luna, but this was not always their name! The initial name for these was actually plumata caudata which translates to feather tail, and these moths were the first American giant silk moths to be documented in literature. The name was later changed by Linnaeus in 1758. There are actually quite a few giant silk moths with mythological names like Polyphemus, Prometheus and Atlas for example, but the majority of them are brown or a variation of it. The Luna moth can only be found in North America, and not even the entire continent either. These moths chose a side and thankfully for me it was the east! You can find lunas from Canada down to Florida but they stay east of the great plains, and in Canada they're found from southern Saskatchewan to Nova Scotia. I'll never forget the first time I saw one, and thankfully finding them doesn't seem to be all that difficult if you know where to go. Luna moths are quite partial to forested areas but what kind of plants they eat is dependent on their geographical location. For example the caterpillars we have in Vermont love eating Birch, but I've also been successful at raising them on black walnut as well. Other common hosts include Butternut, Sumac, Sweetgum in the south, Alder, Beech, wild cherry and even persimmon. The time of year to find adult moths also varies heavily by location as well and this is because warmer weather allows them to have multiple breeding seasons unlike the northern populations. In Northern Vermont we have one generation a year and our Lunas start coming out of their cocoons in late May. In the south it's not uncommon to have 2 or three generations in a year depending on the state. Massachusetts for example is right under VT but can have a partial 2nd generation. The caterpillars are also an incredible green, and they can get pretty big. The 5th and last molt reaches a size up to 3inches or 7.5 cm and has red dots sprinkled over its back. What's unique to these compared to other giant silkmoths is that the entire caterpillar actually turns red right before it begins making a cocoon. At least that's been my experience but I've also read that some of them turn brown or orange as well. But it's not the color or the ability to change colors that makes Luna moths interesting or the moths in the genus Actias. It's actually the tails on their wings that have attracted a lot of attention. Some species in the genus actias have tails on their wings that reach 12cm in length, and that's just the tail section! I can't tell you these are the only moths with long tails on their wings but I can definitely say they are one of a handful, and the reason they have these tails is to protect them from bat attacks! Bat's rely on echolocation to find their prey, and it's one of the reasons why they fly in close quarters to people fishing in the evening. The sounds bouncing off the water from lures being whipped draws them in which can be intimidating I gotta say, and the tails on moon moths disrupt the air waves in a way that confuses bats into missing the body of the moths entirely. In fact studies found that Brown bats are near 50% more successful at hunting lunas when their tails are missing. The tails on these moths are never straight either. At the very base of these tails the wing has a slight curve which catches air in a way that changes the source location of their sounds. For example a moth with no tails is essentially a flying target because the sound originates from the body, but a moth with the tails has its sound point from further below the main body. Some people had previously questioned whether the tails were used for attracting a mate but uh ima be real with you. These moths could not care less about what their partner looks like. Some of them are so blind that they try to mate with anything. And that brings me to my second point. The female luna moths like all saturniidae release a pheromone to lure males, and half the time aren't even looking in the direction of where males are flying in from. The males have to initiate everything after the female starts calling, so whether or not she lays fertile eggs is dependent on the health or age of the male as well as how closely related they are. Generally speaking the moths have different times of day when they start flying based on gender which is a form of control against inbreeding. Some males won't even recognize their siblings' pheromones. Now because luna moths are relatively famous as far as insects go, there are cultural and spiritual meanings tied to the moth. One super simple one is transformation and rebirth but that's like a copout meaning given to any insect with relevance that has multiple life stages so we aren't gonna focus on that. The other meanings though have more to do specifically with the luna moth like inner guidance and intuition. I don't know much about chakras but I guess a soft green color is supposed to represent the heart chakra and is connected to our ability to connect to our inner wisdom, and instincts. The other meaning which I really like connected to these moths is divine femininity. Its gentle temperament and grace links to compassion and intuition often associated with a woman's instincts. In some native american folklore the luna moth is associated with rebirth and spiritual guidance. Similarly in celtic mythology the luna moth is associated with the fae, and is seen as a symbol of rebirth and magic. It really does seem that throughout the world and history these moths have held a special place in the eye of those who see it. If you would like to raise luna moths it is totally possible to get eggs or cocoons. Especially if you live in the United States, but people can order eggs and cocoons from the US in other countries as well. You just have to be mindful of the host plants you have around. If you simply google luna moth eggs or cocoons for sale you find many different people willing to sell and ship you these insects. They're also sometimes used in elementary schools as a fun classroom pet to showcase metamorphosis. If you want the cocoons to stay dormant during the winter it's important that you make sure the insects came from natural conditions. The amount of light they received as a caterpillar dictates whether or not they are going to diapause or sleep during the colder months, and it's also important that you leave the cocoons outside. They need to stay synced to the natural temperatures and humidity of their environment. Some people put them in the fridge but if you do this the container needs to be air tight because they will 100% dry out and die otherwise. They don't require much oxygen at all while they are in this state of sleep, but if you're concerned you can open the container and give them a slight misting before putting them back in the fridge. Too much water and they will suffocate or get moldy. Also if you live in a colder climate I definitely recommend finding a vendor who lives in a similar place. You don't want souther cocoons coming out early on you. This concludes today's episode on Luna moths! I may come to this topic again in the future when I have more time on my hands, but for now hopefully this is enough, thank you as always for listening and if you want to support the show you can rate it and leave a review! Or if you need more insects for fun content or want to further support me and the podcast you can head over to Patreon.com/insects for fun to get bonus episodes, ad free episodes, vlogs, and some new things I'll be working on as well.
Crocodiles leave their mouths open for long periods of time, and we don't really know why. We also take a long tangent on the swiftlet nest business and what wee reptiles are cashing in themselves. Become a Patreon: https://www.patreon.com/herphighlights Merch: https://www.redbubble.com/people/herphighlights/shop Full reference list available here: http://www.herphighlights.podbean.com Main Paper References: Price C, Ezat MA, Hanzen C, Downs CT. 2022. Never smile at a crocodile: Gaping behaviour in the Nile crocodile at Ndumo Game Reserve, South Africa. Behavioural Processes 203:104772. DOI: 10.1016/j.beproc.2022.104772. Other Mentioned Papers/Studies: Quah ESH, Chong JL. 2022. Reptile predators of swiftlets (genus Aerodramus) with a focus on their impact on the swiftlet farming industry. Herpetology Notes. Wüster, W., & Tillack, F. 2023. On the importance of types and the perils of “en passant” taxonomy: a brief history of the typification of Coluber naja Linnaeus, 1758 (Serpentes: Elapidae) and its implications, with the designation of a lectotype. Zootaxa, 5346(4), 403-419. Other Links/Mentions: AmphibiaWeb. 2023. University of California, Berkeley, CA, USA. Accessed 28 Sep 2023. https://amphibiaweb.org/cgi/amphib_query?where-scientific_name=Hyperolius+tuberilinguis&rel-scientific_name=contains&include_synonymies=Yes Audio from flamelily via iNaturalist: https://www.inaturalist.org/observations/152630015 Editing and Music: Podcast edited by Emmy – https://www.fiverr.com/emmyk10 Intro/outro – Treehouse by Ed Nelson Species Bi-week theme – Michael Timothy Other Music – The Passion HiFi, https://www.thepassionhifi.com
Record date: 7/12/23 Edited by: Caitlyn Dranks No Coast Grainspotting IndiaPale Lager Announcements and Gravel Knits Events Year Long Fiber Challenge Submission Form - New for 2023! #gkgrowmal 2023 MALs! We will continue to go head to head for the stein Stein if participate in all 4 get an entry Q1 Do something new for you - "New Year New Skills" (Jan-Mar) (april15) Q2 Expand your knowledge on a skill - "Grow Your Skills" (Apr 1-July 15) Q3 Follow a pattern from a designer you haven't tried before (July-Sept) Q4 (Oct-Dec) Toasts (Shout Outs): CamelChops Bags https://www.camelchopsgear.co.uk/ What have you been listening to? gary_knits_gary_rides What's Brewing (Current projects/ cast ons) Kelsi: Syrah https://www.ravelry.com/patterns/library/syrah-7 Tricot Designs MCL Marie-Christine Lévesque Ship Shape Heidi Kirmaier https://www.lovecrafts.com/en-us/p/ship-shape-knitting-pattern-by-heidi-kirrmaier SOCATOAH Socks Sarah Jordan (PA KnitWit) Spinning!!! Radnor from Southern Cross Fibre 4 ply on my e-spinner Caitlyn: Fleet Feet Socks by Fatimah Hinds Yarn: Comma Chameleon Yarn Co. Hardy Sock Colorway: You're turning violet, violet! Needle: US 1½ - 2.5 mm Ravelry Link Sea Glass Tee by Wool & Pine Needles: US 3 - 3.25 mm & US 4 - 3.5 mm MC: Victoria House Fibers Superwash Merino Yak Sock Yarn - ONYX - Superwash Merino/Yak/Nylon 70/20/10 CC: Fibernymph Dyeworks advent yarn: Linnaeus– 70/20/10 SW Merino/Yak/Nylon, Ravelry Link Thanksgiving socks held triple? started working with the yarn I recycled from 2nd hand sweaters seems like the gauge isn't what I'm wanting so I'm going to add purple! Thanksgiving Socks by Summer Lee Garter and Lace Market Bag https://www.ravelry.com/projects/CaitlynNLloyd/garter-and-lace-market-bag Yarn Lily Sugar'n Cream Ombres Colorway 228 Natural ombre Sunflower Prayers Potholder by Donielle Oliver Showvay Yarn Lily Sugar'n Cream Solids & Denim https://www.ravelry.com/projects/CaitlynNLloyd/sunflower-prayers-potholder https://knittingcoachblog.com/ What's on tap (FOs) Caitlyn: Pi Hat Winter Palette Pi Mountain Tweed Merino DK 3.0 mm needle https://www.fibernymphdyeworks.com/ https://www.ravelry.com/projects/CaitlynNLloyd/pi-hat What's Hopping (Stash Enhancements/Yarn collecting) Caitlyn: Three! I visited a yarn store in DC! https://www.loopedyarnworks.com/ Super fun! I got some needle savers and two matching skeins of Punkrock Unicorn yarn Bridesmaid Gift Yarn from Leah Blue Heron Knittery, LLC in Decorah, IA Ella Rae Lace Merino (Fingering) Araucania -Aran superwash merino Maddy Yarn!!! Watts Yarn form her patreon! Topic: Christmas is coming!!! Find us You can find us on facebook at: Gravel Knits Instagram and Untappd as: GravelKnits Our Website is: GravelKnits.com You can email us at: gravelknits@gmail.com Support us on Patreon! www.patreon.com/gravelknits Kelsi Ravelry & Instagram: BikesBrewsEwes Untappd: kelsij Caitlyn Ravelry & Instagram: CaitlynNLloyd instagram: CaitlynKnitsandBikes Please message us to let us know what you would like us to talk about! And we would love to hear what you think about the show. If you like the podcast-please share it with a friend! --- Send in a voice message: https://podcasters.spotify.com/pod/show/gravelknits/message Support this podcast: https://podcasters.spotify.com/pod/show/gravelknits/support
Tay-Sachs, Greek prefixes, Order Anura, Linnaeus versus Hennig.
Author Laura Beatty discusses her book, Looking for Theophrastus, delving into Greece, the interconnectedness of space and time, the concept of wonder, and why we should care about someone who lived 2,400 years ago.
Linnaeus schiep orde in de biologie met zijn ingenieuze systeem van geslachtsnamen en soortnamen. En zelfs nu nog, 245 jaar na zijn dood, is de Zweedse botanicus Linnaeus de meest invloedrijke persoon op Wikipedia. Wie was deze uitgesproken en soms ijdele man?Hebben wij nog geen aflevering gemaakt over jouw favoriete bioloog? Laat het ons weten via Twitter, @nrcwetenschap.Presentatie: Laura WismansGasten: Gemma Venhuizen & Hendrik SpieringRedactie & montage: Jeanne GeerkenZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.
Melvyn Bragg and guests discuss the life, ideas and legacy of the pioneering Swedish botanist Carl Linnaeus (1707 – 1778). The philosopher Jean-Jacques Rousseau once wrote: "Tell him I know no greater man on earth". The son of a parson, Linnaeus grew up in an impoverished part of Sweden but managed to gain a place at university. He went on to transform biology by making two major innovations. He devised a simpler method of naming species and he developed a new system for classifying plants and animals, a system that became known as the Linnaean hierarchy. He was also one of the first people to grow a banana in Europe. With Staffan Muller-Wille University Lecturer in History of Life, Human and Earth Sciences at the University of Cambridge Stella Sandford Professor of Modern European Philosophy at Kingston University, London and Steve Jones Senior Research Fellow in Genetics at University College, London Producer Luke Mulhall
Melvyn Bragg and guests discuss the life, ideas and legacy of the pioneering Swedish botanist Carl Linnaeus (1707 – 1778). The philosopher Jean-Jacques Rousseau once wrote: "Tell him I know no greater man on earth". The son of a parson, Linnaeus grew up in an impoverished part of Sweden but managed to gain a place at university. He went on to transform biology by making two major innovations. He devised a simpler method of naming species and he developed a new system for classifying plants and animals, a system that became known as the Linnaean hierarchy. He was also one of the first people to grow a banana in Europe. With Staffan Muller-Wille University Lecturer in History of Life, Human and Earth Sciences at the University of Cambridge Stella Sandford Professor of Modern European Philosophy at Kingston University, London and Steve Jones Senior Research Fellow in Genetics at University College, London Producer Luke Mulhall
In this episode, we're working on our element of Resilience and exploring the third "Root of Resilience" known as aligning with nature. The Roots of Resilience were laid out in one of Dr. Emmons book, "The Chemistry of Calm." This root builds on our last one ("managing energy") by embracing the cycles and rhythms that are part of a much bigger system. This may seem "woo-woo," but.. well, it's not. Like all mammals and really every other living thing, we are influenced by cycles around us. A growing field of study known as chronobiology is bringing more scientific understanding to these cycles (for example: seasonal affective disorder and seasonal mood shifts). We'll talk more about this root and how increasing awareness of your connection with nature and adding some simple skills in response to this connection can support your mood, energy, and resilience in really powerful ways. Supplements Mentioned to support SAD and drops in mood during winter: TruAdapt NeuroMood Pure Pack Vitamin D (we like this October-April) Note: These product links go to our partner store at Fullscript (with an ongoing 10% discount for you + free shipping on orders over $50). You must have an account to view products and shop. Create your free account at: https://us.fullscript.com/welcome/nmh/signup Links and Sources Mentioned: NMH Resilience Quiz and Mini Course Joy Lab Program (step-by-step practices to help you build and maintain the elements of joy in your life) Joy Lab Podcast #13 (The Roots of Resilience) This episode is a broad overview of what we'll be talking about over the next 9 episodes. It's a really helpful summary! Chemistry of Calm (Dr. Emmons' book referenced in this series) The 20 Minute Break (book) Linnaeus' Flower Clock More on light therapy in our blog here. More on seasonal affective disorder and seasonal mood shifts from our blogs: Natural Approaches for Seasonal Affective Disorder and Supporting Winter Mood Does Winter Get You Down? (video) What Causes Seasonal Affective Disorder? Seasonal Affective Disorder in the Summer A Light on Seasonal Affective Disorder: Definition, Treatment, & Prevention Resilience definitions, theory, and challenges: interdisciplinary perspectives Annual Research Review: Positive adjustment to adversity -Trajectories of minimal-impact resilience and emergent resilience The Coffee Bean: A Simple Lesson to Create Positive Change (book) Effects of a 12-week endurance training program on the physiological response to psychosocial stress in men: a randomized controlled trial No man is an island: social resources, stress and mental health at mid-life How does the brain deal with cumulative stress? A review with focus on developmental stress, HPA axis function and hippocampal structure in humans Just think: The challenges of the disengaged mind (this is the study of people shocking themselves out of boredom) Emotion Suppression and Mortality Risk Over a 12-Year Follow-up Cumulative Stress and Health The Times of Our Lives: Interaction Among Different Biological Periodicities
Teachers in Denmark are using apps to audit their students' moods https://www.technologyreview.com/2023/04/17/1071137/denmark-teachers-apps-student-mood-audit-software/ A Fresh History of Lactose Intolerance https://www.newyorker.com/books/under-review/a-fresh-history-of-lactose-intolerance The A.I. Dilemma – March 9, 2023 https://youtu.be/xoVJKj8lcNQ Accelerating melt of ice sheets now ‘unmistakable' https://www.bbc.com/news/science-environment-65317469 Linnaeus https://www.bbc.co.uk/sounds/play/m001l291 O panóptico das delícias https://www.estadao.com.br/opiniao/eugenio-bucci/o-panoptico-das-delicias/ meu perfil no Post: https://post.news/renedepaula meu canal no Koo https://www.kooapp.com/profile/renedepaula meu mastodon: rené ... Read more
The name "chipmunk" comes from an Ojibwe word which translates literally as "one who descends trees headlong." First described by Mark Catesby in his 1743 The Natural History of Carolina, Florida, and the Bahama Islands, the chipmunk was eventually classified as Sciurus striatus by Linnaeus, meaning "striped squirrel" in Latin. The scientific name was changed to Tamias striatus, meaning "striped steward," by Johann Illiger in 1811.
Dr. Don and Professor Ben talk about the risks of eating crabs after transporting live crabs via checked luggage. Dr. Don - not risky
The HBS hosts argue for the merits of studying the history of philosophy.In a recent essay, Hanno Sauer argued against the importance, for philosophy, of the history of philosophy. In summary, he presented a positivistic, scientistic model of philosophy, namely, that like physics, biology, and chemistry, philosophy has actually “made progress” on many of the issues that philosophy struggled with from Thales until relatively recently. Because of this progress, Sauer's argument goes, we do not need to study the history of philosophy. The model of the sciences shows why this is the case: in biology courses, no one is struggling with Aristotle, Linnaeus, or Mendel. In chemistry, no one pays attention to the history of alchemy, the theory of phlogiston, or the ether. In physics, no student learns Aristotle's theory of why bodies “fall,” or the medieval notion of “impetus.” Is Sauer right that philosophy has similarly progressed? Should philosophy leave its history to the historians? Then, beyond Sauer, we can add that the history of philosophy is a history of both dead white guys and the history of the victors. If the history of philosophy is ethno-centric, and therefore racist, if it is phallo-centric and therefore patriarchal, why should philosophy continue to engage it? Or is there something philosophically relevant about the history of philosophy? Full episode notes available at this link:http://hotelbarpodcast.com/podcast/episode-79-the-history-of-philosophy-------------------If you enjoy Hotel Bar Sessions podcast, please be sure to subscribe and submit a rating/review! Follow us on Twitter @hotelbarpodcast, on Facebook, and subscribe to our YouTube channel!You can also help keep this podcast going by supporting us financially at patreon.com/hotelbarsessions.
Are animals a human invention? What is a lama like? Do plants have sex? Was Amelia Earhart eaten by crabs? These are just some of the questions posed by Shahidha Bari and addressed by her guests Katherine Rundell, Dan Taylor, Helen Cowie and Stella Sandford, as they trace the history of human conceptualisations of animals and the natural world. From the Medieval tendency to draw moral lessons from animals, to Linnaeus' attempts to organise them into taxonomies, via Darwin's abolition of the distinction between humans and animals, to the sense of wonder at the natural world needed to orient us towards tackling ecological crises. Plus, the growing area of plant philosophy and how it overturns the history of western metaphysics. Producer: Luke Mulhall
It's fun to have favorite plants to look for on excursions into the hills. Looking back at photos and my notes, we have been checking on this particular population of Lemmon's milkweed for a few years. I'm guessing that as long as we're in the area, we'll continue to stop by for a visit. And yes, I did grab a couple seed pods (follicles) from a plant. Stay tuned. Botanical names of plants are usually followed by the name of who named it…the author citation. The genus Asclepias is followed by an L. That's Linnaeus. And if one looked through the numerous species names (200 plus), after tuberosa you see the citation L. Someone sent Linnaeus a dry specimen of a North American milkweed and Carl named it. So he is cited for both the genus Asclepias and the species tuberosa. But listen, it was the famous American botanist of the 1800s, Asa Gray that honored the husband wife botanists John and Sara Lemmon with the name lemmonii, for the species jabbered about in this episode, Asclepias lemmonii. Yay! The photos are mine.
There are a dozen species of Melampodium and I wonder which one Linnaeus was looking at when he honored Melampus with the genus name. And I wonder when the genus name started being misinterpreted to mean blackfoot and not honoring the mythological soothsayer. The genus translated as blackfoot sure had (and has) a lot of folks scratching their heads about the meaning. “What or where is the blackfoot on this plant?” But listen, the neat thing I learned about Melampus, besides him being a “legendary soothsayer” was that he was “reputed to understand the speech of all creatures.” My kind of guy. Er…god. This was a fun discovery for me in the old paperback booklet of plant names. If you are a total plant geek and interested in plants named from Greco-Roman mythology (not me, of course), the book Gods and Goddesses in the Garden by Peter Bernhardt is a fun read and though Melampus isn't mentioned, there are plenty other mythological characters and botany through out. Yay! The photos are mine. The little purple flower peeking through is the wonderful Allionia.
This week Erica sits down with researcher Deborah Vicari to discuss her recent publication regarding the discovery of hybridization between belugas and narwhals using geometric morphometrics on museum specimens. Deborah and her colleagues were able to determine Narlugas do exists by studying their skulls. Source: Skull ecomorphological variation of narwhals (Monodon monoceros, Linnaeus 1758) and belugas (Delphinapterus leucas, Pallas 1776) reveals phenotype of their hybrids
Listener Lara wrote into the Naked Scientists to ask "Is there a biological benefit for cats and dogs to bury their faeces? Can it help plants grow similar to horse manure?" Otis Kingsman spoke to the primary medical care director of the veterinary medicine company Linnaeus, Dr Simon Hayes, about this question on the fascinating function of faeces... Like this podcast? Please help us by supporting the Naked Scientists
What if the Roman Empire had experienced an Industrial Revolution? That's the compelling hook of Helen Dale's two-part novel, Kingdom of the Wicked: Rules and Order. Drawing on economics and legal history, Helen's story follows the arrest and trial of charismatic holy man Yeshua Ben Yusuf in the first century — but one with television, flying machines, cars, and genetic modification.In this episode of Faster, Please! — The Podcast, I dive into the fascinating world-building of Kingdom of the Wicked with Helen. Below is an edited transcript of our conversation.James Pethokoukis: Your Kingdom of the Wicked books raise such an interesting question: What would have happened if Jesus had emerged in a Roman Empire that had gone through an industrial revolution? What led you to ask this question and to pursue that answer through these books?Helen Dale: There is an essay in the back of book one, which is basically a set of notes about what I brought to the book when I was thinking. And that has been published elsewhere by the Cato Institute. I go into these questions. But the main one, the one that really occurred to me, was that I thought, what would happen if Jesus emerged in a modern society now, rather than the historic society he emerged in? I didn't think it would turn into something hippy-dippy like Jesus of Montreal. I thought it would turn into Waco or to the Peoples Temple.And that wasn't necessarily a function of the leader of the group being a bad person. Clearly Jim Jones was a very bad person, but the Waco story is actually much more complex and much messier and involves a militarized police force and tanks attacking the buildings and all of this kind of thing. But whatever happened with it, it was going to go badly and it was going to end in violence and there would be a showdown and a confrontation. And it would also take on, I thought — I didn't say this in the essay, but I thought at the time — it would take on a very American cast, because that is the way new religious movements tend to blow up or collapse in the United States.And so I was thinking this idea, through my head, “I would like to do a retelling of the Jesus story, but how do I do it? So it doesn't become naff and doesn't work?” And so what I decided to do was rather than bring Jesus forward and put him now, I would put us back to the time of Jesus — but take our technology and our knowledge, but always mediated by the fact that Roman civilization was different from modern civilization. Not in the sense of, you know, human beings have changed, all that kind of thing. We're all still the same primates that we have been for a couple of hundred thousand years or even longer. But in the sense that their underlying moral values and beliefs about the way the world should work were different, which I thought would have technological effects. The big technological effect in Kingdom of the Wicked is they're much better at the biosciences and the animal sciences. They're much weaker at communications. Our society has put all its effort into [communication]. Their society is much more likely to put it into medicine.To give you an idea: the use of opioids to relieve the pain of childbirth is Roman. And it was rediscovered by James Young Simpson at The University of Edinburgh. And he very famously used the formula of one of the Roman medical writers. So I made a very deliberate decision: This is a society that has not pursued technological advancement in the same way as us. It's also why their motor vehicles look like the Soviet-era ones with rotary engines. It's why their big aircraft are kind of like Antonovs, the big Ukrainian aircraft that we've all been reading about since the war has started in Ukraine. So, in some respects, there are bits of their culture that look more Soviet, or at least Britain in the 1950s. You know, sort of Clement Attlee's quite centralized, postwar settlement: health service, public good, kind of Soviet-style. Soft Soviet; it's not the nasty Stalinist sort, but like late-Soviet, so kind of Brezhnev and the last part of Khrushchev. A few people did say that. They were like, “Your military parades, they look like the Soviet Union.” Yes. That was deliberate. The effort has gone to medicine.It's an amazing bit of world-building. I was sort of astonished by the depth and the scale of it. Is this a genre that you had an interest in previously? Are there other works that you took inspiration from?There's a particular writer of speculative fiction I admire greatly. His name is S.M. Stirling, and he wrote a series of books. I haven't read every book he wrote, but he wrote a series of books called the Draka series. And it's speculative fiction. Once again, based on a point of departure where the colonists who finished up in South Africa finished up using the resources of South Africa, but for a range of reasons he sets out very carefully in his books, they avoid the resource curse, the classic economist's resource curse. And so certainly in terms of a popular writer, he was the one that I read and thought, “If I can do this as well as him, I will be very pleased.”I probably didn't read as much science fiction as most people would in high school, unless it was a literary author like Margaret Atwood or George Orwell. I just find bad writing rebarbative, and a lot of science fiction struggles with bad writing. So this is the problem, of course, that Douglas Adams famously identified. And one of the reasons why he wrote the Hitchhiker's books was to show that you could combine science fiction with good writing.In all good works of speculative fiction of the alt-history variant, there's an interesting jumping-off point. I would imagine you had a real “Eureka!” moment when you figured out what your jumping-off point would be to make this all plausible. Tell me about that.Well, yes. I did. Once I realized that points of departure hugely mattered, I then went and read people like Philip K. Dick's Man in the High Castle. The point of departure for him is the assassination of Roosevelt. I went and read SS-GB [by] Len Deighton, a great British spycraft writer but also a writer of speculative fiction. And in that case, Britain loses the Battle of Britain and Operation Sea Lion, the putative land invasion of the UK, is successful. And I really started to think about this and I'm going, "Okay, how are you going to do this point of departure? And how are you going to deal with certain economic issues?"I'm not an economist, but I used to practice in corporate finance so I've got the sort of numerical appreciation for economics. I can read an economics paper that's very math heavy because that's my skill based on working in corporate finance. And I knew, from corporate finance and from corporate law, that there are certain things that you just can't do, you can't achieve in terms of economic progress, unless you abolish slavery, basically. Very, very basic stuff like human labor power never loses its comparative advantage if you have just a market flooded with slaves. So you can have lots of good science technology, and an excellent legal system like the Romans did. And they reached that point economists talk about of takeoff, and it just never happens. Just, they miss. It doesn't quite happen.And in a number of civilizations, this has happened. It's happened with the Song dynasty in China. Steve Davies has written a lot about the Song dynasty, and they went through the same thing. They just get to that takeoff point and then just … fizzled out. And in China, it was to do with serfdom, basically. These are things that are very destructive to economic progress. So you have to come up with a society that decides that slavery is really shitty. And the only way to do that is for them to get hooked on the idea of using a substitute for human labor power. And that means I have to push technological innovation back to the middle republic.So what I've done for my point of departure is at the Siege of Syracuse [in 213-212 B.C.]. I have Archimedes surviving instead of being killed. He was actually doing mathematical doodles outside his classroom, according to the various records of Roman writers, and he was killed by some rampaging Roman soldier. And basically Marcellus, the general, had been told to capture Archimedes and all his students and all their kids. So you can see Operation Paperclip in the Roman mind. You can see the thinking: “Oh no, we want this fellow to be our DARPA guy.” That's just a brilliant leap. I love that.And that is the beginning of the point of departure. So you have the Romans hauling all these clever Greek scientists and their families off and taking them to Rome and basically doing a Roman version of DARPA. You know, Operation Paperclip, DARPA. You know, “Do all the science, and have complete freedom to do all the…” — because the Romans would've let them do it. I mean, this is the thing. The Romans are your classic “cashed up bogans,” as Australians call it. They had lots of money. They were willing to throw money at things like this and then really run with it.You really needed both. As you write at one point, you needed to create a kind of a “machine culture.” You sort of needed the science and innovation, but also the getting rid of slavery part of it. They really both work hand in hand.Yes. These two have to go together. I got commissioned to write a few articles in the British press, where I didn't get to mention the name of Kingdom of the Wicked or any of my novels or research for this, but where people were trying to argue that the British Empire made an enormous amount of money out of slavery. And then, as a subsidiary argument, trying to argue that that led to industrialization in the UK. … [So] I wrote a number of articles in the press just like going through why this was actually impossible. And I didn't use any fancy economic terminology or anything like that. There's just no point in it. But just explaining that, “No, no, no. This doesn't work like that. You might get individually wealthy people, like Crassus, who made a lot of his money from slavery.” (Although he also made a lot from insurance because he set up private fire brigades. That was one of the things that Crassus did: insurance premiums, because that's a Roman law invention, the concept of insurance.) And you get one of the Islamic leaders in Mali, King Musa. Same thing, slaves. And people try to argue that the entirety of their country's wealth depended on slavery. But what you get is you get individually very wealthy people, but you don't get any propagation of the wealth through the wider society, which is what industrialization produced in Britain and the Netherlands and then in Germany and then in America and elsewhere.So, yes, I had to work in the machine culture with the abolition of slavery. And the machines had to come first. If I did the abolition of slavery first, there was nothing there to feed it. One of the things that helped Britain was Somerset's case (and in Scotland, Knight and Wedderburn) saying, “The air of the air of England is too pure for a slave to breathe.” You know, that kind of thinking. But that was what I realized: It was the slavery issue. I couldn't solve the slavery issue unless I took the technological development back earlier than the period when the Roman Republic was flooded with slaves.The George Mason University economist Mark Koyama said if you had taken Adam Smith and brought him back to Rome, a lot of it would've seemed very recognizable, like a commercial, trading society. So I would assume that element was also pretty important in that world-building. You had something to work with there.Yes. I'd read some Stoic stuff because I did a classics degree, so of course that means you have to be able to read in Latin. But I'd never really taken that much of an interest in it. My interest tended to be in the literature: Virgil and Apuleius and the people who wrote novels. And then the interest in law, I always had an advantage, particularly as a Scots lawyer because Scotland is a mixed system, that I could read all the Roman sources that they were drawing on in the original. It made me a better practitioner. But my first introduction to thinking seriously about stoicism and how it relates to commerce and thinking that commerce can actually be a good and honorable thing to do is actually in Adam Smith. Not in The Wealth of Nations, but in Moral Sentiments, where Adam Smith actually goes through and quotes a lot of the Roman Stoic writers — Musonius Rufus and Epictetus and people like that — where they talk about how it's possible to have something that's quite base, which is being greedy and wanting to have a lot of money, but realizing that in order to get your lot of money or to do really well for yourself, you actually have to be quite a decent person and not a s**t.And there were certain things that the Romans had applied this thinking to, like the samian with that beautiful red ceramic that you see, and it's uniform all through the Roman Empire because they were manufacturing it on a factory basis. And when you come across the factories, they look like these long, narrow buildings with high, well-lit windows. And you're just sort of sitting there going, “My goodness, somebody dumped Manchester in Italy.” This kind of thing. And so my introduction to that kind of Stoic thinking was actually via Adam Smith. And then I went back and read the material in the original and realized where Adam Smith was getting those arguments from. And that's when I thought, “Ah, right. Okay, now I've got my abolitionists.”This is, in large part, a book about law. So you had to create a believable legal system that did not exist, unlike, perhaps, the commercial nature of Rome. So how did you begin to work this from the ground up?All the substantive law used in the book is Roman, written by actual Roman jurists. But to be fair, this is not hard to do. This is a proper legal system. There are only two great law-giving civilizations in human history. The Romans were one of them; the English were the other. And so what I had to do was take substantive Roman law, use my knowledge of practicing in a mixed system that did resemble the ancient Roman system — so I used Scotland, where I'd lived and worked — and then [put] elements back into it that existed in antiquity that still exists in, say, France but are very foreign, particularly to common lawyers.I had lawyer friends who read both novels because obviously it appeals. “You have a courtroom drama?” A courtroom drama appeals to lawyers. These are the kind of books, particularly if it's written by another lawyer. So you do things like get the laws of evidence right and stuff like that. I know there are lawyers who cannot watch The Wire, for example, because it gets the laws of evidence (in the US, in this case) wrong. And they just finish up throwing shoes at the television because they get really annoyed about getting it wrong.What I did was I took great care to get the laws of evidence right, and to make sure that I didn't use common law rules of evidence. For example, the Romans didn't have a rule against hearsay. So you'll notice that there's all this hearsay in the trial. But you'll also notice a mechanism. Pilate's very good at sorting out what's just gossip and what is likely to have substantive truth to it. So that's a classic borrowing from Roman law, because they didn't have the rule against hearsay. That's a common law rule. I also use corroboration a lot. Corroboration is very important in Roman law, and it's also very important in Scots law. And it's basically a two-witness rule.And I did things, once again, to show the sort of cultural differences between the two great legal systems. Cornelius, the Roman equivalent of the principal crown prosecutor. Cornelius is that character, and he's obsessed with getting a confession. Obsessed. And that is deeply Roman. The Roman lawyers going back to antiquity called a confession the “Queen of Proofs.” And of course, if confessions are just the most wonderful thing, then it's just so tempting to beat the snot out of the accused and get your bloody confession. Job done. The topic of the Industrial Revolution has been a frequent one in my writings and podcasts. And one big difference between our Industrial Revolution and the one you posit in the book is that there was a lot of competition in Europe. You had a lot of countries, and there was an incentive to permit disruptive innovation — where in the past, the proponents of the status quo had the advantage. But at some point countries realized, “Oh, both for commerce and military reasons, we need to become more technologically advanced. So we're going to allow inventors and entrepreneurs to come up with new ideas, even if it does alter that status quo.” But that's not the case with Rome. It was a powerful empire that I don't think really had any competitors, both in the real world and in your book.That and the chattel slavery is probably why it didn't finish up having an industrial revolution. And it's one of the reasons why I had to locate the innovation, it had to be in the military first, because the military was so intensely respected in Roman society. If you'd have got the Roman military leadership coming up with, say, gunpowder or explosives or that kind of thing, the response from everybody else would've been, “Good. We win. This is a good thing.” It had to come from the military, which is why you get that slightly Soviet look to it. There is a reason for that. The society is more prosperous because it's a free-market society. The Romans were a free-market society. All their laws were all sort of trade oriented, like English law. So that's one of those things where the two societies were just really similar. But in terms of technological innovation, I had to locate it in the army. It had to be the armed forces first.In your world, are there entrepreneurs? What does the business world look like?Well, I do try to show you people who are very commercially minded and very economically oriented. You've got the character of Pilate, the real historical figure, who is a traditional Tory lawyer, who has come up through all the traditional Toryism and his family's on the land and so on and so forth. So he's a Tory. But Linnaeus, who he went to law school with, who is the defense counsel for the Jesus character, Yeshua Ben Yusuf, is a Whig. And his mother was a freed slave, and his family are in business in commerce. They haven't bought the land.A lot of these books finished up on the cutting room floor, the world-building. And there is a piece that was published in a book called Shapers of Worlds: Volume II, which is a science-fiction anthology edited by a Canadian science-fiction author called Ed Willett. And one of the pieces that finished up on the cutting room floor and went into Shapers of Worlds is a description of Linnaeus's family background, which unfortunately was removed. You get Pilate's, but you don't get Linnaeus's. And Linnaeus's family background, his dad's the factory owner. The factory making cloth. I was annoyed with my publisher when they said, “This piece has to go,” and I did one of those snotty, foot-stamping, awful things. And so I was delighted when this Canadian publisher came to me and said, “Oh, can we have a piece of your writing for a science-fiction anthology?” And I thought, “Oh good. I get to publish the Linnaeus's dad story in Shapers of Worlds.”And I actually based Linnaeus's dad — the angel as he's referred to, Angelus, in the Kingdom of the Wicked books, and his personality is brought out very strongly — I actually based him on John Rylands. Manchester's John Rylands, the man who gave his name to the Rylands Library in Manchester. He was meant to be the portrait of the entrepreneurial, Manchester industrialist. And to this day, authors always have regrets, you don't always get to win the argument with your publisher or your editor, I am sorry that that background, that world-building was taken out of Kingdom of the Wicked and finished up having to be published elsewhere in an anthology. Because it provided that entrepreneurial story that you're talking about: the factory owner who is the self-made man, who endows libraries and technical schools, and trains apprentices, and has that sort of innovative quality that is described so beautifully in Matt Ridley's book, How Innovation Works, which is full of people like that. And this book as well, I've just bought: I've just bought Arts and Minds, which is about the Royal Society of Arts. So this is one of those authorial regrets: that the entrepreneur character wasn't properly fleshed out in the two published books, Kingdom of the Wicked book one and book two. And you have to get Shapers of Worlds if you want to find out about Linnaeus's industrialist dad.Is this a world you'd want to live in?Not for me, no. I mean, I'm a classically trained lawyer. So classics first, then law. And I made it a society that works. You know, I don't write dystopias. I have a great deal of admiration for Margaret Atwood and George Orwell, who are the two greatest writers of dystopias, in my view, in contemporary, and not just contemporary fiction, probably going back over a couple of hundred years. Those two have really got it, when it comes to this vision of horror. You know, the boot stamping on the human face forever. I greatly admire their skill, but those are not the books I write. So the society I wrote about in Kingdom of the Wicked is a society that works.But one of the things I deliberately did with the Yeshua Ben Yusuf character and what were his early Christian followers, and the reason I've taken so much time to flesh them out as real characters and believable people [is] because the values that Christianity has given to the West were often absent in the Roman world. They just didn't think that way. They thought about things differently. Now some of those Christian values were pretty horrible. It's fairly clear that the Romans were right about homosexuality and abortion, and the Christians were wrong. That kind of thing. That's where they were more liberal. But, you will have noticed, I don't turn the book into Gattaca. I try to keep this in the background because obviously someone else has written Gattaca. It's an excellent film. It's very thought provoking. I didn't want to do that again. It's kept in the background, but it is obvious — you don't even really need to read between the lines — that this is a society that engages in eugenics. You notice that all the Roman families have three children or two children, and there's always a mix of sexes. You never have all boys or all girls. You know what they're doing. They're doing sex-selective abortions, like upper-class Indians and Chinese people do now. You've now dealt with the problem of not enough girls among those posh people, but they still want a mixture of the two. You notice that the Romans have got irritatingly perfect teeth and their health is all very good. And people mock Cyler, one of the characters, because his teeth haven't been fixed. He's got what in Britain get called NHS teeth. He hasn't got straightened teeth, because he genuinely comes from a really, really poor background. I have put that in there deliberately to foil those values off each other, to try to show what a world would look like where there are certain values that will just never come to the fore.And as you mentioned, industry: how those values also might influence which areas technology might focus on, which I think is a great point.I did that quite deliberately. There is a scene in the first book in Kingdom of the Wicked where Linnaeus — who's the Whig, the nice Whig, the lovely Whig who believes in civil rights and justice and starts sounding awfully Martin Luther King-ish at various points, and that kind of thing; he's the most likable form of progressive, Stoic Roman ideas — and when he encounters a child that the parents have kept alive, a disabled child, which in his society would just be put down at birth like Peter Singer, they have Peter Singer laws, he's horrified. And he doesn't even know if it's human.I actually wrote a piece about this couple of years ago for Law & Liberty, for Liberty Fund. I did find that people wanted to live in this sort of society. And I just sort of thought, “Hmm, there are a lot more people out there who clearly agree with things like eugenics, Peter Singer laws, a society that has absolutely no welfare state. None.” There are people who clearly find that kind of society attractive. And also the authoritarianism, the Soviet-style veneration of the military. A lot of people clearly quite like that. And clearly like that it's a very orderly society where there are lots of rules and everybody knows where they stand. But even when the state is really, really very powerful.I deliberately put a scene in there, for example, where Pilate's expectorating about compulsory vaccinations — because he's a Roman and he thinks compulsory vaccinations save lives and he doesn't give a s**t about your bodily integrity. I did try to leave lots of Easter eggs, to use a gaming expression, in there to make it clear that this is a society that's a bit Gattaca-ish. I did that for a reason.I don't know if there's a sequel in mind, but do you think that this world eventually sort of Christianizes? And if this is what the world looks like 2000 years ago, what would that world look like today?I haven't thought of the answer to the first one. I must admit. I don't really know the answer to that. But in the second one, I did discuss this in quite a bit of detail with my then partner. And she said, “I honestly think that with that sort of aggressiveness and militarism, they will finish up conquering the planet. And then it'll start looking like a not-nice version of Star Trek. It won't be the Federation. It will be much more likely to be Khan and the Klingons and they'll start looking really, really Klingon basically.” That was her comment at the time.Like a more militaristic version of Star Trek.Yeah. But sort of very militarized and not the Prime Directive or any of that. Obviously Star Trek is very much an American conception of Americans in space. My Romans in space would look much more like the Centauri out of Babylon 5 or the Klingons in Star Trek. They would be much more aggressive and they'd be a lot more ambiguous…I don't know how much of a Star Trek fan you are, but of course there's the mirror universe, which kind of looks like that. We have the evil Kirk and the evil Spock. There's still advance, but there's like a Praetorian Guard for the captain and…All of that. Yes. I hadn't really thought about the first question, but the second question I thought, “Yeah, if this persists into the future, imagining a hypothetical future, then I think you are going to be dealing with people who are really, really quite scary.”Apparently you're not working on a sequel to this book, but what are you working on? Another book?Yes. I'm actually being pursued at the moment by a British publisher, who I won't drop into it because otherwise, if I say the name, then I will never, never be forgiven. And then they will insist on me writing a book. I'm never going to be the world's most super productive novelist. I think that I may finish up in my life writing maybe another two. I look at Stephen King. That man writes a door stopper of a book every time he sits down to have a hot meal. Incredible. How does he do it? I'm not that person.Helen, thank you so much for coming on the podcast.Thank you very much for having me. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit fasterplease.substack.com/subscribe
Mary Mary, Quite Contrary , How does your Garden Grow?Or more importantly what grows in it, is it geometric or naturalistic, and who's doing the spade work?Gardens in 18th century America run the gamut from pure survival to combining pleasure and purpose, to being show pieces entirely - Just like the Dowager Lady Grantham'sMost Important (and very readable) Book for this Episode: Leighton, Anne. _American Gardens in the Eighteenth Century: For Use or Delight_Boston: Houghton Mifflin, 1976 Music Credit: Fingerlympics by Doctor TurtleShow Notes: https://thehistoryofamericanfood.blogspot.com/Email: TheHistoryofAmericanFood@gmail.com Twitter: @THoAFoodInstagram: @THoAFood
The eastern chipmunk (Tamias striatus) is a chipmunk species found in eastern North America. It is the only living member of the chipmunk subgenus Tamias, sometimes recognized as a different genus. The name "chipmunk" comes from an Ojibwe word which translates literally as "one who descends trees headlong." First described by Mark Catesby in his 1743 The Natural History of Carolina, Florida, and the Bahama Islands, the chipmunk was eventually classified as Sciurus striatus by Linnaeus, meaning "striped squirrel" in Latin.
Subscribe Apple | Google | Spotify | Stitcher | iHeart Support The Daily Gardener Buy Me A Coffee Connect for FREE! The Friday Newsletter | Daily Gardener Community Historical Events 1669 Birth of Sébastien Vaillant ("Vy-yaw"), French botanist. Appointed to the King's garden in Paris, Sebastien loved organizing and cataloging plants. Biographical accounts say Sebastian showed a passion for plants from the age of five. His masterpiece, forty years in the making, Botanicon Parisienne, was a book about the flora of Paris. It wasn't published until five years after his death. Sebastian's work on plant sexuality inspired generations of botanists and set the stage for Linneaus to develop his sexual system of plant classification. Linnaeus used the male stamens to determine the class and the female pistils to determine the order. And like Sebastion, Linnaeus often compared plant sexuality to that of humans. Linnaeus wrote, Love even seizes... plants... both [males and females], even the hermaphrodites, hold their nuptials, which is what I now intend to discuss. Sebastian caused a sensation at the Royal Garden in Paris on June 10, 1717. On that day, he presented a lecture titled, Lecture on the Structure of the Flowers: Their Differences and the Use of Their Parts. He began by reinforcing the idea that the flower is the most essential part of a plant - essential to reproduction - and then he began to lead his scientific colleagues into a deep dive on plant sexuality - at six in the morning, no less. Before Sebastian's lecture, the topic of sex in the plant world had only been touched on lightly, allowing flowers and blossoms to maintain their reputation as pure, sweet, and innocent. Today, we can imagine the reaction of his 600-person audience as he began using fairly explicit language and the lens of human sexuality to describe the sex lives of plants. A 2002 translation of Sebastian's speech was presented in the Huntia - a Journal of Botanical History. Sebastian started his lecture with these words, Perhaps the language I am going to use for this purpose will seem a little novel for botany, but since it will be filled with terminology that is perfectly proper for the use of the parts ... I intend to expose, I believe it will be more comprehensible than the old fashioned terminology, which — being crammed with incorrect and ambiguous terms [is] better suited for confusing the subject than for shedding light on it. Sebastian's discussion of the plant embryos was rather poetic: Who can imagine that a prism with four faces becomes a Pansy; a narrow roll, the Borage; a kidney, the Daffodil; that a cross can metamorphose into a maple; two crystal balls intimately glued to each other, [Comfrey], etc.? These are nevertheless the shapes favored in these diverse plants by their lowly little embryos. 1742 On this day, Horace Walpole wrote to Horace Mann, in part describing his visit to Ranelagh ("Ron-ah-lay") Gardens in Chelsea. Ranelagh had opened just two days prior, and it was one of several pleasure gardens opened around this time. Horace wrote, Today calls itself May the 26th, as you perceive by the date; but I am writing to you by the fireside, instead of going to Vauxhall. If we have one warm day in seven, "we bless our stars, and think it luxury." And yet we have as much waterworks and fresco diversions, as if we lay ten degrees nearer warmth. Two nights ago Ranelagh-gardens were opened at Chelsea; the Prince, Princess, Duke, much nobility, and much mob besides, were there. There is a vast amphitheatre, finely gilt, painted, and illuminated, into which everybody that loves eating, drinking, staring, or crowding, is admitted for twelvepence. The building and... gardens cost sixteen thousand pounds. Twice a-week there are to be ridottos... [entertainment] for which you are to have a supper and music. I was there last night, but did not find the joy of it. Vauxhall is a little better; the garden is pleasanter, and [you arrive] by water... Horace must have come to prefer Ranelagh. He later wrote, It has totally beat Vauxhall... You can't set your foot without treading on a Prince, or Duke of Cumberland. Finally, it was Horace Walpole who wrote, When people will not weed their own minds, they are apt to be overrun by nettles. 1811 On this day, Thomas Jefferson wrote to his granddaughter, Anne, who was visiting her in-laws: Nothing new has happened in our neighborhood since you left us. The houses and trees stand where they did. The flowers come forth like the belles of the day, have their short reign of beauty and splendor, and retire like them to the more interesting office of reproducing their like. The hyacinths and tulips are off the stage, the irises are giving place to the belladonnas, as this will to the tuberoses etc. Thomas was not able to garden much during the summer of 1811. His arthritis had flared, and he found himself almost entirely bedridden. 1921 On this day, Kate Lancaster Brewster resigned as editor of the bulletin she funded and started for The Garden Club of America for its first six years. At the time of her resignation, Kate reported, Cost of Publishing the Bulletin (including postage) between July, 1920 and May, 1921 totaled $4038. Number of paid subscribers... 55 Number of lapsed subscribers... 21 2 Paid subscribers have become Members-at-Large. I Paid subscriber has become a member of the GARDEN CLUB OF AMERICA. As for Kate Lancaster Brewster, she had a beautiful Italianate garden in Lake Forest, Illinois. She was friends with most of the prominent gardeners and garden writers of her time, including Mrs. Francis King (Louisa Yeomans King). When Louisa published The Little Garden Series, Kate wrote one of the books called The Little Garden for Little Money. Kate and her husband Walter were ardent art collectors and loved to travel. The couple helped establish the Chicago Art Institute. During WWI, Kate left her service work in Chicago, California, and New York to go to France. There, she assisted her friend, the indefatigable Mabel Boardman of the American Red Cross, with hospital work. Grow That Garden Library™ Book Recommendation The Thoughtful Gardener by Jinny Blom This book came out in 2017, and the subtitle is An Intelligent Approach to Garden Design. Well, Piet Oudolf has high praise for Jinny Blom. He writes, The most romantic, creative person in garden design I know. So that's high praise right there from one of our top modern garden designers. Like Piet Oudolf, Jinny Blom is a force all her own. She's designed well over 200 gardens, and they represent a diverse range of garden styles - proving that Jinny Blom really is The Thoughtful Gardener. Now, one of Jinny's superpowers is to take a look at the current landscape, look at the setting, look at the surrounding ecosystems and communities, and then determine what vision best fits that landscape. And, of course, she has to throw in client desires and other challenges that might come up in the creation of that garden. And whether it's topography challenges or resource constraints, Jinny has indeed seen it all. Through her myriad experiences, she's come up with six different steps to help you become a thoughtful gardener too. Now I think one of the things that Jinny does almost unconsciously at this stage in her career is that she really thinks through what she's trying to accomplish in any given landscape. And I don't care what you're trying to accomplish; you will definitely do a better job of reaching your anticipated goals if you take the time to do your homework and truly think things through. The six different sections in Jinny's book are understanding, structuring, harmonizing, rooting, and liberating. Jinny also has another superpower that I think really helps her when it comes to her garden design skills, and that is that she can see gardens as they will look when they are mature, and that's a particular skill for garden designers. I remember the first time I interviewed the Renegade Gardener, and he said the same thing to me. He said that he was a successful garden designer because he could imagine what a plant would look like at maturity or in any particular setting in the future. And so he knew what to plant where - and how it would look when it was all grown up. And so his goal as a designer was not to make sure that the garden would look good immediately - although that was a temporary concern and a nice to have - he was more concerned with his ultimate goal, which was to be able to drive by these properties that he had designed, especially early in his career and see their mature beauty in the fullness of time. Jinny also has that ability. Now Paula Deitz, Editor of The Hudson Review, wrote the forward to Jinny's book. And here's what she wrote, Rare is the garden book, like this one, that makes the reader feel personally included as a friend in a long conversation with the writer. Like Lancelot 'Capability' Brown, whom she lauds for his estate management in the 18th century, Blom is herself a cultural geographer who scopes out the historical features of paths, gates and antiquated farm buildings on a given property prior to drawing up a plan that proceeds almost instantaneously, a process fascinating to follow. Whether in town or country, with either single or multiple garden areas, Blom establishes architectural enclosures, like Cotswold drystone walls, prior to the overlay of her signature, beautifying horticulture, thus creating what she calls environments for intimate experiences'. And that is the quintessentialJinny Blom landscape. Now, this is how Jinny herself describes this book. She writes, So this book is about how I've developed my way of working over the last twenty years in progression from apprentice to journeyman to master craftsman. It takes a long time and I've learned at the elbow of countless masters, not in a schoolroom. I choose plants with compatibility in mind, appropriate materials arise from their locale, and I consider the people who will live in the garden, the wildlife, the weather. I'd like to share some of what I think about when designing, in the hope that it kindles the fires of excitement in others. I've climbed a big mountain to get to this point and hope there's a view worth sharing. From the reviews of this book, the Amazon ratings, and the commentary by her peers, I can tell you that Jinny Blom definitely has a view worth sharing. She's hit it out of the park - out of the garden - with this beautiful book called The Thoughtful Gardener. You'll get to see images from so many of Jinny's gardens. You'll see her thoughtfulness and creativity in action certainly. But most of all, you'll get to know Jinny. She is funny and intelligent, and she thinks about plants and gardens and landscapes on a level that very few garden designers do. It feels like she's always one step ahead, and I think that's because Jinny does such a thorough job of researching and thinking about her garden designs - so that by the time you see the final product, it just seems so effortless. But I suppose that is Jinny's method behind the madness at the end of the day. This book is 256 pages of learning garden design with one of our modern masters, Jinny Blom. You can get a copy of The Thoughtful Gardener by Jinny Blom and support the show using the Amazon link in today's show notes for around $16. Botanic Spark 1847 Birth of Edgar Fawcett, American poet. Edgar wrote some famous garden verses. He wrote, [A]ll life budding like a rose and sparkling like its dew. And Come rambling awhile through this exquisite weather Of days that are fleet to pass, When the stem of the willow shoots out a green feather, And buttercups burn in the grass! Edgar's poems often remind us of the value of all green living things. We say of the oak "How grand of girth!" Of the willow we say, "How slender!" And yet to the soft grass clothing the earth How slight is the praise we render. My favorite Edgar Fawcett verses feature trees. Here's one about lovers speaking to each other using the language of birds: Hark, love, while...we walk, Beneath melodious trees… You'd speak to me in Redbreast; I would answer you in Wren! Thanks for listening to The Daily Gardener And remember: For a happy, healthy life, garden every day.
Subscribe Apple | Google | Spotify | Stitcher | iHeart Support The Daily Gardener Buy Me A Coffee Connect for FREE! The Friday Newsletter | Daily Gardener Community Historical Events 1707 Birth of Carl Linnaeus (books about this person), Swedish botanist, zoologist, taxonomist, and physician. Carl was a fan of flowers early on in his life. As a young child, his mother gave him flowers to soothe him whenever he was upset. On May 1st, 1753, the publication of his masterpiece Species Plantarum changed plant taxonomy forever. The work gave Linnaeus the moniker Father of Taxonomy; his naming system is called binomial nomenclature. Binomial means "two names," which in the naming game includes the plant's genus (which is capitalized or could be abbreviated by its first letter) and species or specific epithet (which is all lowercase and can be shortened sp.) If you have trouble remembering taxonomy, I like to think of it as a person's given name and surname, but in reverse order. Linnaeus's names live on unchanged and are distinguished by an "L." after their name. And it was Linnaeus himself who said: God created, Linnaeus ordered. There are many stories about Linnaeus, but I thought I'd share a few more-obscure stories about him and his work. First, Linnaeus' friend Anders Celsius created the Centigrade thermometer in 1742, with water boiling at 0 degrees and freezing at 100. Three years later, Linnaeus reversed the scale - sharing it in an article with the Botanical Garden at Uppsala University. Second, there is a memorable story about Linnaeus and the genus Commelina, the genus of the Asiatic Dayflower. Linnaeus named the genus after the three Commelin brothers, two of whom achieved much in botany and one who died young before amounting to anything. Linnaeus wrote: Commelina has three petals, two of which are showy — where the third is not conspicuous. Next time you see the Commelina communis or Asiatic Dayflower (with two large blue petals and one tiny white petal), you can remember the Commelins and Linnaeus' kind commemoration of the three brothers. Another fun story about Linnaeus involved a trip he took to Lapland when Linnaeus was 25 years old. Carl spent nearly six months there, and he came back with stories of an obscure part of Scandinavia few people knew existed. The expedition was trying, and Linneaus suffered from hunger, mosquitoes, freezing temperatures, near death from a rockslide and a gunshot wound. Through it all, Linnaeus fell in love with the Lapland. He even brought home a traditional costume complete with a magical drum as a souvenir from his adventure. Five years later, an obscure German painter named Martin Hoffman painted Linnaeus' portrait. And, guess what did Linnaeus choose to wear for the sitting? His Lapland costume (Of course!). In Hoffman's Linnaeus, a 30-year-old Linnaeus is seen wearing boots made of reindeer skin. He's also wearing an early version of a toolbelt. Suspended from the belt is a magical drum from a shaman, a needle to make nets, a snuffbox, a cartridge box, and a knife. Linnaeus is also wearing traditional Laplander gloves, and in his right hand, he holds his favorite plant: the Twinflower, Linnaea borealis. 1799 Birth of Thomas Hood was an English poet, author, and humorist. Thomas is remembered for his poems "The Bridge of Sighs" and "The Song of the Shirt." Here's an excerpt from his poem Song. 'Tis like the birthday of the world, When earth was born in bloom; The light is made of many dyes, The air is all perfume: There's crimson buds, and white and blue, The very rainbow showers Have turned to blossoms where they fell, And sown the earth with flowers. And here's my all-time favorite Thomas Hood poem, and it's called No. No warmth, no cheerfulness, no healthful ease, No comfortable feel in any member - No shade, no shine, no butterflies, no bees, No fruits, no flowers, no leaves, no birds - November! 1843 Birth of Georgiana Molloy (books about this person), English-Australian pioneer and one of the first botanical collectors in Western Australia. Georgiana's life in the 1830s in Western Australia was one of extreme hardship. Her first child died shortly after it was born, and her only son ended up drowning in a well. After these events, Georgiana naturally struggled to find joy in her life. But in 1836, at the end of the year, Georgiana received a letter from a man named James Mangles. James was an officer in the Royal Navy and a naturalist, horticulturist, and writer. He wrote to ask Georgiana for help, and his request for botanical specimens gave her life new meaning. James had made arrangements for several people to collect for him in Australia. He was very strategic in that regard. But it also meant that James was uniquely qualified to review the work done by collectors in Western Australia before 1850. The result was that James was a huge fan of Georgiana's work. He once wrote. [Georgiana's collections] were full of pressed plants that were mounted and set out with delicacy and precision and carefully numbered showing great evidence of care and cleanliness in the sorting. Georgiana would have been delighted to know that many of the seeds she collected were sent to botanists and horticulturists worldwide, and they were found to be especially viable. Sadly Georgiana's life was cut short at the age of 37. After giving birth to her seventh child, she suffered for four months from December 1842 until her death on April 8th, the following spring. And when the English naturalist George Wailes learned of the death of Georgiana Malloy, he reached out to the man who inspired her love for botany, James Mangles. George wrote. Not one in 10,000 who go out to distant lands has done what she did for the gardens of her native country. 1905 On this day, Louisa Yeomans King (books about this person) recorded an entry in her garden diary, which became her book, The Flower Garden Day By Day. MAY 23. Sow seed now of the beautiful pale yellow oenothera ("ee-nah-THAIR-ah”) (Evening-primrose), Afterglow, at the back of the border near Physostegia ("fy-sah-STEE-jee-ah ver-jin-ee-AYE-nah")(Obedient plant). A group of these two with Artemesia lactiflora (White Mugwort) and the little annual sunflower known as Primrose Stella, will make August well worth waiting for. Grow That Garden Library™ Book Recommendation The Less is More Garden by Susan Morrison This book came out in 2018, and the subtitle is Big Ideas for Designing Your Small Yard. You should definitely check out Susan's book if you have a small garden. Right off the bat, when I saw the cover, I knew that I would love Susan's book, and you know, most people are small-space gardeners. Susan writes. In my practice as a landscape designer, most of the backyards that I design measure less than 2,500 square feet and layouts are rarely more than 40 by 60 feet. I no longer think of that as small, it has become standard. Interestingly while active gardeners are often concerned with fitting in everything, into a space that's generally smaller than the backyards that they grew up in. I am just as likely to hear from homeowners, more interested in creating a space that will be as simple as possible to maintain... no one wants another to-do list item, but most of us want backyard that's a refuge... [and] the shift in how we live, work, and play is what led me to develop the less is more approach to garden design and outdoor living. And here's how Susan defines as her less is more garden approach. She writes: At its heart, this approach to garden design means: Less space, more enjoyment Less effort, more beauty Less maintenance, more relaxation, and finally Less gardening-by-the-numbers, more YOU. This book is 225 pages of small-garden design with the less is more approach. You'll find practical and helpful advice, inspirational photography, and many creative and unexpected tricks to help you get the small space garden of your dreams. You can get a copy of The Less is More Garden by Susan Morrison and support the show using the Amazon link in today's show notes for around $18. Botanic Spark 2021 Death of Eric Carle (books by this person), American illustrator and writer. Eric had a wide-ranging knowledge and love of nature. His early books include Nature Thoughts, Flower Thoughts, The Very Hungry Caterpillar, and The Tiny Seed. Here's a quote from Eric's most memorable work, The Very Hungry Caterpillar: On Saturday, he ate through one piece of chocolate cake, one ice-cream cone, one pickle, one slice of Swiss cheese, one slice of salami, one lollipop, one piece of cherry pie, one sausage, one cupcake, and one slice of watermelon. That night he had a stomach ache. And it was Eric Carle who said, Whatever our eyes touch should be beautiful. In 2007, Eric Carle gave a commencement address at Bates College in 2007. He concluded with these words: Love your partner and tend your garden. Simplify, slow down, be kind. Thanks for listening to The Daily Gardener And remember: For a happy, healthy life, garden every day.
Wonder at the natural world has inspired people and fuelled curiosity for millennia. The ancient Greek Theophrastus had interests that spread far and wide, from biology and physics to ethics and metaphysics. But although he was Aristotle's friend and collaborator, and his notes on botany inspired Linnaeus, his name has mostly been forgotten. The writer Laura Beatty's new book, Looking for Theophrastus, aims to rescue him from obscurity. The scientist, Suzie Sheehy, still feels a childlike wonder at the way physics seems to be able to describe everything – from the smallest subatomic particle to the scale of the Universe. In The Matter of Everything: Twelve Experiments That Changed Our World, she looks back at the people who engineered ground-breaking experiments, and the human ingenuity, creativity and curiosity, as well as luck and serendipity that propelled them forward. While physicists attempt to describe and define the universe, the workings of the human mind still remain a challenge to scientists and philosophers. In The Book of Minds, the science writer Philip Ball looks at what we know about the minds of other creatures, from octopuses to chimpanzees, and of the workings of computers and alien intelligences. By understanding how minds differ, he argues, the better we can understand our own. Producer: Katy Hickman
Subscribe Apple | Google | Spotify | Stitcher | iHeart Podchaser Leave a Review Support The Daily Gardener Buy Me A Coffee Connect for FREE! The Friday Newsletter | Daily Gardener Community Historical Events Floralia April 28th marks the beginning of a six-day festival called Floralia in the Roman calendar. And it's held in honor of the goddess of flowering crops and plants, and she was known as Flora. Now the goal of this weeklong festival was a satisfying appeal to Flora for a great growing season, a bountiful harvest, safety for workers, and probably a solid grape harvest for good wine. 1834 Birth of Harry Bolus, South African botanist, artist, businessman, and philanthropist. If you've ever heard of the Bolus Herbarium in South Africa, it was named in honor of Harry. Harry founded the Herbarium, and he bequeathed his extensive library and part of his fortune to establish the South African College, now known as the University of Cape Town. Harry Bolus was not originally from South Africa. He was actually born in Nottingham, England. And the school that he attended, Castle Gate School, had a headmaster who corresponded with a plant collector named William Kensit. When Kensit required an assistant, Harry Bolus was the student who was selected for the job. Harry moved to South Africa and promptly fell in love with William's sister Sophia. The two were married, and they had three sons and a daughter. In 1864, when their oldest son died at six years old, a friend and fellow botanist named Francis Guthrie suggested that Harry take up botany to help heal his broken heart. Well, the rest, as they say, is history. Harry started his great botanical collection in 1865, and he soon struck up a correspondence with the most famous botanists of his day. And there's one other story about Harry Bolus that I thought you would enjoy. In 1876, Harry and Francis Guthrie traveled together to the world's Mecca for botany - Kew gardens in England - along with a large collection of plants. Even though their ship hit a reef on their return voyage and their collection was lost, Harry always referred to that trip as "Forty happy days." 1852 On this day, Henri Frederic Amiel, Swiss philosopher and poet, wrote in his journal: Once more, I feel the spring languor creeping over me, the spring air about me. This morning the poetry of the scene, the song of the birds, the tranquil sunlight, the breeze blowing over the fresh green fields — all rose into and filled my heart. 1947 Birth of Bonnie Marranca, New York City-based critic, publisher, and writer. In her book, American Garden Writing (1988), Bonnie wrote, I judge a garden by the gardener who cares for it, the one who invests space with daydreams. How well I know the downward gaze into the face of the earth, the feeling of a luxurious body and good, dark soil that slips through the fingers in the rush to return to its dirty delirium. Each gardener creates an ideal world of miniature thoughts that drift languidly into each other like flowers on a dry afternoon. Hear silence has the rhythm of wishes. Grow That Garden Library™ Book Recommendation The Perfect Specimen by Durlynn Anema This book came out in 2019, and the subtitle is The 20th Century Renowned Botanist: Ynes Mexia. This book is a wonderful biography of Ynes Mexia - the Mexican American botanist born in 1870 and who discovered the Sierra Club at age 50. And that led her to her life's calling and her legacy as a botanist. And so I love what Durlynn wrote and the dedication of this book because she wrote, This book is dedicated to those people who gained confidence in their abilities later in life. And that is certainly the case with Ynes Mexia. She loved her experience with the Sierra Club so much that she decided to enroll in botany classes at Berkeley. In fact, over a 16-year period, she just kept taking botany classes on and off; She never had the goal of graduating. She just wanted to keep learning - so that's quite a paradigm shift. And as the mom of four young adults who are either in college or about to go to college, I love that perspective of being a lifelong learner - which is undoubtedly something that Ynes achieved. Now, I don't want to give the impression that Ynes was all about coursework and classrooms because that's really only a very small portion of Ynes's story. She was actually very drawn to fieldwork. She took countless trips through the Southwestern part of the United States into New Mexico and even into South America. She was very drawn to unique plants. She loved sunflowers, and she was a voracious collector. Many scholars argue that Ynes was one of the most accomplished collectors of her time. On her very first collecting trip, she collected over 500 specimens, which is essentially the same amount Darwin collected on his first expedition on The Beagle. Over her lifetime, Ynes collected over 150,000 specimens -500 of which were brand new plant species that had never been identified before. Ynes's story sadly came to an end in 1938 due to lung cancer. She was actually in Mexico on a plant collecting trip when she just could not go on any longer. So she cut her trip short, returned to the United States, and then died at Berkeley that summer on June 12th. And aside from her staggering amount of work, Ynes left a legacy when part of her estate was donated to the Redwood Preserve in California (which I think of as kind of a full-circle moment - harkening back to her work with the Sierra Club.) And so, forty acres of the Mexia estate were donated to the preserve, and one of the very tallest trees was named in honor of Ynes - a woman who is definitely worthy of a biography. I also wanted to share just a bit of what Durlynn wrote in the author's note at the beginning of this book because I think it does a beautiful job of outlining the extraordinary nature of Ynes's story. Durlynn writes, Most successful people, no matter their endeavor or occupation, find inspiration through either a parent, an important or inspirational person or an event. This is not the case with Ynes Mexia. A shy, quiet girl. She seemed to fade into the background with both her parents. She led a lonely life, which ironically aided her in her later endeavors. Mexia's is a story of retreat into self in the early years, and then blossoming to reach her highest potential after 50 years old. It is also the story of a doctor, who during the infancy of psychiatry and psychology, mentored this woman to her potential and became the father figure she never had. Read Marvel. And enjoy. Ynes Mexia's story. It's a good one. This book is 174 pages about the life of the renowned botanist Ynes Mexia. You can get a copy of The Perfect Specimen by Durlynn Anema and support the show using the Amazon link in today's show notes for around $14. Botanic Spark 1701 Birth of Madeleine Françoise Basseporte ("Mad-ah-lin Frahn-swahz Bass-ah-port"), French botanical artist, miniature painter, interior decorator, and teacher. Madeleine was a student of Claude Aubriet, the man honored with the naming of the Aubrieta ("Aubreesha") genus. The only reason Madeleine was able to study with Aubriet was that her talent was undeniable. Despite his lack of credentials, Claude himself had risen through the ranks to become the Royal Painter of France. In 1741, Madeleine succeeded Claude as the Official Painter of the Royal Garden - an unprecedented appointment as Madeleine became the first woman to hold the position. It was a role she would carry out for over four decades. Madeleine was 40 years old when she took on this assignment. She never married or had children. Instead, she dedicated herself to her work. At a minimum, she was required to produce twelve botanical paintings for the King every year. On top of that, King Louis XV also gave her the responsibility of teaching all the princesses how to draw and paint flowers. Madeleine also taught botanical art to many other artists and scientific illustrators throughout her career. She also became the godmother to several children from academic families she knew well. Madeleine also had the honor of working as an artist and designer for the King's official mistress, Madame de Pompadour. Pompadour was a major patron of creatives in architecture, porcelain, and decorative arts. Madeleine had an instant rapport with Pompadour. After Madeleine captured the beauty of the flowers around Madame Pompadour's chateau, Madame Pompadour insisted that the King give Madeleine a pay raise. And he did. Now it's important to know that as the first female Official painter of The Royal Garden, Madeleine did not work in a bubble. She exchanged letters with the French naturalist Georges-Louis Leclerc and the philosopher Jean-Jacques Rousseau who appreciated her work so much that he wrote, “nature gives plants their existence, but Mademoiselle Basseporte preserves them for us forever.” (Translation my own). Madeleine was also a contemporary of Carl Linneaus. On January 30, 1749, Bernard Jussieu wrote a letter to Linnaeus teasing that Madeleine was "very proud of the title you give her, of your second wife.” Despite her work alongside the top scientific minds of her time, her beautiful, botanically accurate art, and her groundbreaking appointment, Madeleine (unlike her predecessor Claude Aubriete) was never honored with the naming of any flower. But that doesn't mean she wasn't deserving of it. Today scholars hold Madeleine's work in esteem as scientific art - designed to show the structure and physiology of her plant subjects. To me, Madeleine's art has a delicate, sensitive quality. Her expression of leaves, in particular, shows her depth of understanding regarding her plant subjects. In 2021, Nina Gelbart wrote a book called Minerva's French Sisters by @yalepress. The book explores the biographies of six forgotten female scientists from 18th century France - including Madeleine Françoise Basseporte. Thanks for listening to The Daily Gardener And remember: For a happy, healthy life, garden every day.
Subscribe Apple | Google | Spotify | Stitcher | iHeart Support The Daily Gardener Buy Me A Coffee Connect for FREE! The Friday Newsletter | Daily Gardener Community Historical Events 1711 Birth of John Mitchell (books about this person), American physician, botanist, and polymath. John was educated in Edinburgh. As a young man, John returned to Virginia and settled in Urbanna - about seventy miles from Richmond. There, he began botanizing throughout Virginia, and he corresponded with most of the colonial botanists of his time. For instance, John sent a list of Virginia plants to Peter Collinson for inclusion in his book on new world plants. John Mitchell and John Clayton both botanized in Virginia. The American writer Henry Theodore Tuckerman once wrote, Mitchell and Clayton together gave to the botany of Virginia a distinguished lustre. John also corresponded with Linnaeus, who named the sweetly trailing Partridgeberry Mitchella repens ("Mi-CHEL-uh REE-pens") in his honor. The word repens means "creeping" and describes its growing habit. Partridgeberry is in the Madder family. The berries are red and sport two bright red spots. By 1746, John and his wife had returned to England. He arrived utterly penniless after losing all of his botanical work on the voyage over from America. He paused his botanical work to create a map to help Britain identify their colonial territories. The Mitchell Map took five years to complete and became the most detailed and largest 18th-century map of eastern North America. The Mitchell Map also is regarded as one of the most significant maps in American history. Published before the Seven Years' War, the Mitchell Map was used in the Treaty of Paris (1783) and (ironically) helped define the boundaries of the newly independent United States. And Lewis and Clark used the Mitchell Map on their expedition. 1743 Birth of Thomas Jefferson (books about this person), American statesman and Founding Father who served as the third president of the United States from 1801 to 1809. Thomas loved plants and gardening. He once wrote, The greatest service which can be rendered any country is to add a useful plant to its culture. He also once wrote, On a hot day in Virginia, I know nothing more comforting than a fine spiced pickle, brought up trout-like from the sparkling depths of the aromatic jar below the stairs of Aunt Sally's cellar. 1851 Birth of Helen Maria Winslow (books by this author) (pen name Aunt Philury), American writer and poet. Helen's nature poems are charming. Here's the beginning verse to her poem, Spring Song. The bluebird from the apple-tree Pours forth a flood of melody ; The sky above as blue as he. Shimmers and shines, an azure sea. And the robin sings, 'What cheer, what cheer ?' Summer is coming, and Spring is here!" 1909 Birth of Eudora Alice Welty (books by this author), American writer and photographer who wrote about the American South. Eudora's novel The Optimist's Daughter won the Pulitzer Prize in 1973. She famously wrote, One place comprehended can make us understand other places better. Today, Eudora's house and garden in Jackson, Mississippi, is a National Historic Landmark and is open to the public. The home was built by Eudora's parents, Christian and Chestina. Eudora lived in her family home for seventy-six years and wrote all her major works there. In the 1930s, Eudora hosted the 'Night Blooming Cereus Club' of Jackson, Mississippi, in her moon garden to watch the annual blossoming of the flower known as the 'Queen of the Night.' Eudora learned to love gardening from her mother, Chestina. Chestina designed the garden at Eudora's home in 1925. The two spent the next two decades working in the garden - planting, digging, weeding, and harvesting. Today, the gardens are beautifully restored based on Eudora's photos and letters and Chestina's garden journals. The garden is not a show garden - it's a gardener's garden - and that's the way Eudora wanted it to be maintained for future generations. Eudora found inspiration in the natural world. Over 150 different plants are mentioned in her various works. In 1931, Eudora and her mother turned to the garden after the sudden death of her father. During that time, she wrote short stories, including a story inspired by the garden called A Curtain of Green. Looking back at the years following the loss of her dad, Eudora wrote, No experience could have taught me more about grief or flowers, about achieving survival by going, your fingers in the ground, the limit of physical exhaustion. In Delta Wedding (1946), Eudora wrote, The evening was hot; it was the fragrance of the lemon lilies that was cool, like the breath from a mountain well. Gardeners often say that gardening is cheaper than therapy. Eudora knew that garden time had benefits that were on a higher level. She once wrote to a friend, I like the work in the yard, never get tired, and can think out there... or maybe it's dreaming. Grow That Garden Library™ Book Recommendation The Garden of Lost and Found by Harriet Evans This book is an oldie, but goodie - it debuted in 2009 - and this is a fiction book that should definitely be part of your garden fiction collection. Now, as with most of the fiction books that I recommend, this book has a beautiful cover and bonus points: it has the word garden in the title. In addition to all of that, Harriet Evans is a wonderful writer. Now the publisher of this book pitched it this way. One house for women And the secret that binds them all. Lose yourself in this unputdownable tale of the enduring power of family love told by three generations of extraordinary women. Now I bought this book back in November of 2020, and I know that because Amazon was kind enough to remind me when I went to find what year this book was published. Anyway, I remember reading it over Christmas break, and I would say it's part mystery and part thriller. So if you're looking for something to read over spring break- or maybe for a beach read over the summer- this would be a fantastic option. And by the way, this is a big book. It is 560 pages. I thought I'd give you just a little bit of a teaser here. It starts with the setting at Nightingale House in 1919: Liddy Horner discovers that her husband, the world-famous artist Sir Edward Horner burned his best-known painting called The Garden of Lost And Found. And he did that just days before his sudden death. And then, of course, we're off to the races. So there you go. You can get a copy of The Garden of Lost and Found by Harriet Evans and support the show using the Amazon link in today's show notes for around $2. Botanic Spark Here's an excerpt from HLV Fletcher's book of garden gossip called Purest Pleasure. This is from his chapter for April, and it includes an exchange with a 70-year-old friend and fellow gardener named Micah. He wrote: I had been working in the garden almost as long as the light lasted, and when dusk fell I went down to see Micah. He had a sore throat and was treating it with boiled Nettles, and we got to talking about them. Everywhere now the young Nettles were growing, their strong new growth making a mat of rich green. To most people, accustomed to think of them only as weeds, the sight is hateful, but I don't know. As weeds I do not find them very hard to destroy; as herbs there are less handsome plants. It certainly makes an excellent green vegetable about this time of year, went the tips are young and tender. The Romans are said to have used it like Spinach. Micah had a riddle to ask me. "What did Adam first plant in the Garden of Eden?" I tried a number of plants and then gave up. "Well, what was it?" He grinned triumphantly. "His foot, of course." Thanks for listening to The Daily Gardener And remember: For a happy, healthy life, garden every day.
Subscribe Apple | Google | Spotify | Stitcher | iHeart Support The Daily Gardener Buy Me A Coffee Connect for FREE! The Friday Newsletter | Daily Gardener Community Historical Events 1727 Birth of Michel Adanson, French botanist and naturalist. He created the first natural classification of flowering plants. Although today we think mainly of Darwin and Linnaeus when it comes to classification, these two men and others stood on the shoulders of Michel Adanson. The great botanist Jussieu ("Juice You") adopted Michel's methodology to create his masterpiece called Genera Plantarum (1789). Michel was the first person to question the stability of species. When he saw breaks or deviations in nature, he came up with a word for it: mutation. Linnaeus honored Michel's contributions with the genus Adansonia, which features the spectacularly unique Baobab ("BOW-bab") trees of Africa, Australia, and Madagascar. The Baobab tree (books about this topic) has a Seussical quality, and it is one of the most massive trees in the world. They are called "The Queens of the Forest" or "The Roots of the Sky in Africa." The last name refers to a legend that tells how long ago, in a fit of anger, the devil pulled the Baobab tree out of the ground, only to shove it back into the earth upside down - leaving its roots shooting up into the air. The story offers the perfect description of how the trees look. The enormous trunks of the Baobab tree can store up to 32,000 gallons of water. The outer bark is about 6 inches thick, but the cavity is spongy and vascular. This is why animals, like elephants, chew the bark during the dry seasons. Carbon dating indicates that Baobabs may live to be 3,000 years old. And here's a fun fact: the cooking ingredient Cream of Tartar was initially made from Baobab seed pulp. Today, it is mainly sourced as a by-product of making wine. 1775 Birth of Francis Cabot Lowell (books about this person), American industrialist and anthropologist. The first planned company town - the city of Lowell, Massachusetts, is named in his honor. One of the fathers of the Industrial Revolution in America, Francis once wrote, One lifetime is never enough to accomplish one's horticultural goals. If a garden is a site for the imagination, how can we be very far from the beginning? 1869 Birth of David Fairchild (books about this person), American botanist. In terms of plant exploration, David was single-handedly responsible for introducing more than 200,000 plants to the United States, including pistachios, kale, mangoes, dates, nectarines, soybeans, and flowering cherries. In 2019, David's incredible adventures and contributions intrigued author Daniel Stone so much that he wrote a magnificent biography of David called The Food Explorer: The True Adventures of the Globe-Trotting Botanist Who Transformed What America Eats. David also brought the Avocado to America. David loved the Avocado and wrote, The avocado is a food without rival among the fruits, the veritable fruit of paradise. In 1905, David married Mary Ann Bell; his father-in-law was none other than Alexander Graham Bell - who, along with his wife, also enjoyed gardening. Today the Fairchild Tropical Botanic Garden in Coral Gables is filled with many of the plants David collected, and of course, the garden is named in David's honor. In The World Was My Garden: Travels Of A Plant Explorer (1938), David wrote, The human mind prefers something which it can recognize to something for which it has no name, and, whereas thousands of persons carry field glasses to bring horses, ships, or steeples close to them, only a few carry even the simplest pocket microscope. Yet a small microscope will reveal wonders a thousand times more thrilling than anything which Alice saw behind the looking-glass. 1940 Birth of Steven Vogel, American biomechanics researcher and the James B. Duke professor in the Department of Biology at Duke University. In The Life of a Leaf (2012), Steven wrote, I'm not even much of a gardener—my contribution to the family garden consists mainly of compost. Grow That Garden Library™ Book Recommendation The Fine Art of Paper Flowers by Tiffanie Turner This book came out in 2017, and the subtitle is A Guide to Making Beautiful and Lifelike Botanicals. When it comes to making permanent arrangements and using elements like paper flowers, there is no better teacher than Tiffany Turner. By the way, this book has the most beautiful cover. Tiffany is a bit of a polymath - she's multitalented. She's licensed as a California architect. She's a fine art instructor and an artist in her own right. Her work has been featured all over the country. Tiffany typically explores nature in her work, and she creates botanical specimens that can be staggeringly large or very, very, very tiny. Now, Tiffany was raised in the woods of New Hampshire. But, for the past twenty years, she's made San Francisco her home, and that's where she and her husband are raising their two children. There's no doubt her children have delighted in their mother's beautiful, beautiful work. There's something about Tiffany's work that reminds me a bit of Mary Delany - the famous crate paper artist from the 1700s. I think Mary would really delight in what Tiffany can do with paper, and I especially love what Publishers Weeklysaid about Tiffany's book. They wrote, Under the mantra 'You must make what you see, not what you think you see,' this book guides artisans to astonishing results. Tiffany walks you through how to make these awe-inspiring creations, but the most crucial element is how to start — how to approach each floral subject — whether you're talking about a poppy or a rose, or a peony. Each flower has a little bit of a different approach. Tiffany's book is a fantastic resource because it's an in-depth instructional guide where Tiffany leaves nothing to chance and lays it all out on the table. So even if you are a complete novice in crafts and working with an element like crate paper, you will quickly be put at ease by all of Tiffany's encouragement and simple, straightforward instructions. Now, one of the ways I love to use this book is whenever my daughter says that she and her friends want to do something - they're bored, but they have no idea what to do. Crate paper flowers are enjoyable to do with a small group of friends. They're not very messy. You can start and stop the project at any time. And generally, by the time the gathering is over, people are leaving with flowers in their hands - and that's what you want. You don't want an overwhelming project that can't be finished in a sitting. So I love this book. This is one of my go-to resources for botanical crafting. This book has been out for five years, and it's still one of the very, very best resources for paper flowers. This book is 264 pages of paper, crafting gift decorating, flower arranging, and more from your trusty guide: Tiffany Turner. You can get a copy of The Fine Art of Paper Flowers by Tiffanie Turner and support the show using the Amazon link in today's show notes for around $15. So fun. Botanic Spark 2020 On this day, Female First shared an article about Dame Helen Mirren (books about this person), English actor. Speaking to Yours magazine, she shared: I love to spend time in my garden. If I have a few free hours I love to dig around in the dirt. It's so calming, worthwhile and a really good way of keeping those dark dragons away which I do have at times. Gardens and green spaces are vital for people and the planet. ...They should teach it in schools. ...Gardening is learning, learning, learning. That's part of the fun of it. You are always learning." It comes after the 74-year-old actress revealed she is a pomegranate farmer and harvests the fruits at her farm in Salento, Italy. She explained: Apart from acting, my other job is that of a pomegranate farmer. My husband I have planted over 400 pomegranate trees and we're producing juice for the market. The juice is delicious. Our little company is still in the early stages but we want to sell our juice in Italy and abroad. ...The first time I saw the full moon rising from the sea and shining on my pomegranates, I burst into tears. Thanks for listening to The Daily Gardener And remember: For a happy, healthy life, garden every day.
Subscribe Apple | Google | Spotify | Stitcher | iHeart Support The Daily Gardener Buy Me A Coffee Connect for FREE! The Friday Newsletter | Daily Gardener Community Historical Events 1528 Today is the anniversary of the death of the German painter, engraver, printmaker, mathematician, and theorist from Nuremberg, Albrecht Dürer (books about this person). Albrecht's work was extraordinary, and by the time he was in his 20s, he was already quite famous. During Albrecht's lifetime, explorers shifted their focus from medicinal plants to ornamental plants. As an artist, Albrecht captured many new exotic plants with incredible attention to detail. If you're looking for bunny art, you should check out Albrecht Dürer's watercolor called Young Hare. It's a beautiful piece, remarkable for its accuracy and realism. One of Albrecht's most famous pieces is The Great Piece of Turf (German: Das große Rasenstück), which he created in 1503. This exceptional watercolor shows a very natural grouping of natural plants together in community and features grass that has gone to seed, plantain, and dandelion. 1732 Birth of José Celestino Mutis (books about this person), Spanish priest, botanist, and mathematician. He's remembered as the architect of the Royal Botanical Expedition of the Kingdom of Granada (what is now Columbia) in 1783. For almost 50 years, José worked to collect and illustrate the plants in Colombian lands. In Columbia, José created an impressive botanical library and a herbarium with over 24,000 species. During his lifetime, only Joseph Banks had a bigger herbarium than José. José's study of the Cinchona tree (Cinchona officinalis) at the Bogota Botanical Garden helped develop a cure for yellow fever or malaria. The Cinchona tree grows in the cloud forests of Venezuela, Colombia, Ecuador, and Peru. The bark of the cinchona tree contains quinine, the chemical used to create medicines. During José's lifetime, Cinchona was believed to have the potential to cure all diseases, and so the Spanish crown encouraged José to continue his work with Cinchona. José sent thousands of specimens back to the Madrid Botanical Garden. He also used local artisans to create over 6,500 pieces of botanical art. The majority of the collection remained in shipping crates until 2010 when they were finally exhibited at Kew. Today, thousands of pieces of the Mutis collection are housed at the Botanical Garden in Madrid, Spain. The pieces are significant - mostly folio size - and since they haven't seen much daylight over the past two centuries, they are in immaculate condition. The old 200 pesos banknote in Colombia bears the portrait of José Mutis, and the Bogota Botanical Garden is named in his honor. 1759 Death of Johann Zinn, German anatomist and botanist. He died young from tuberculosis at 32. Johann accomplished much in his short life, and he focused on two seemingly disconnected areas of science: human anatomy and botany. From an anatomy standpoint, Johann focused on the eye. He wrote an eye anatomy book and became the first person to describe the Iris. Today, several parts of the eye are named in Johann's honor, including the Zinn zonule, the Zinn membrane, and the Zinn artery. As a young man, Johann was appointed the University Botanic Garden director in Göttingen (pronounced "Gert-ing-en"). He initially thought the University wanted him to teach anatomy, but that job was filled, so he took the botany job instead. One day, Johann received an envelope of seeds from the German Ambassador to Mexico. After growing the plants, Johann wrote about them, drew the blossoms, and shared the seed with other botanists throughout Europe. Those seeds were the Zinnia (click here to order Zinnia seeds). When Johann died so young, Linnaeus named the Zinnia in his honor. The Aztecs had a word for Zinnia, which basically translates to "the evil eye" or "eyesore." The original Zinnia was a weedy-looking plant with a dull purple blossom. This is why the Zinnia was initially called the crassina, which means "somewhat corse." Once the French began hybridizing Zinnias, the dazzling colors began turning the heads and hearts of gardeners. This gradual transformation of zinnias from eyesores to beauties is how Zinnias earned the common name Cinderella Flower. Zinnia's are a favorite flower of gardeners, and it is Indiana's state flower. In addition to their striking colors, zinnias can be directly sown into the garden, they attract pollinators like butterflies, and they couldn't be easier to grow. 2021 On this day, The Book of Difficult Fruit: Arguments for the Tart, Tender, and Unruly by Kate Lebo was released. In her book, Kate Lebo - essayist, poet, and pie lady - shares a natural, culinary, medical, and personal history of twenty-six fruits, including: Aronia or chokeberry - a member of the apple family and it is not poisonous. Like raspberries, the Aronia pigment stains clothes. Durian - fruit from the tree of the hibiscus, or mallow, family. The unique rind contains a sweet freet. But the durian is very pungent - the odor subtly shifts between sweet and stringent on a spectrum from peaches to garlic. Medlar - a very squishy and very sweet fruit. It tastes similar to an over-ripe date, toffee apples, or apple butter. Medlar is beloved by gardeners for its flowers. Quince - has a bright fragrance of pear, apple, and citrus. Once cooked, quince softens and the flesh transforms from white to pink. Kate's book includes one essay along with recipes for each fruit. The fruits that Kate profiles are notoriously challenging. They might be difficult to grow or harvest. The window of ripeness might be very brief. The fruit may have a toxic aspect. Or, it may be invasive and not suitable for the garden. But in Kate's book, these fruits make the cut, and she shares all kinds of insights and culinary uses for these fruits. Kate reveals all kinds of tips, including why Willa Cather included the pits in her plum jam. Great book. The Book of Difficult Fruit was named a Best Book of the Year by The Atlantic, New York Magazine, and NPR. Grow That Garden Library™ Book Recommendation Private Gardens of South Florida by Jack Staub By the way, I should mention that Rob Cardillo took the fantastic photographs in this book. This book is a treat, and I am thrilled to share it with you on today's show. It's been out for about six years, which means that this book's used prices have gone down. This was a $50 book when it came out, but you can now get copies for about $12, which is such a deal. In this book, twenty-two private gardens from South Florida are featured. And if you love tropical gardens, you've got to get this book because it's the only way you'll see some of these secret gardens and grounds that are so unbelievably designed. For instance, you'll meet a painter-turned-horticulturist who transformed her garden into a mysterious forestlike escape. There's a couple that created their garden after being inspired by the Near East, so their garden is something that you might see in a Persian Royal Garden. And of course, all the gardens are set in Florida, so you're going to see all kinds of pools, fountains, ocean views, and just incredible vistas - not to mention avenues of palms. (That's something I love because clearly, we will never have that here in Minnesota.) The palms add such a stately majestic aspect to tropical gardens. Now, of course, Jack himself gardens on Hortulus Farm in Pennsylvania. His main concern was finding diverse gardens to feature in his book. Jack really wanted to show the full spectrum of private gardens - everything from a grand estate to tiny, hidden oases. Jack also wanted to find gardens that had owners that were very invested in them, that actually cared about them, and had a significant relationship with their gardens. And I think to me, that makes all the difference in the way these gardens are portrayed because you can tell that these gardens are loved. One other thing I want to mention about Jack Staub and his writing is that he is such a compelling writer. Jack, himself is passionate about gardens, which comes through in how he writes about gardens. For instance. One garden is introduced by Jack this way: There is something very Hansel and Gretel about this garden as it reveals itself so slowly and circuitously. One is nearly sufficiently disoriented to strew a trail of crumbs behind one so that one is guaranteed away out of the forest. People just don't write like that about gardens - and so I appreciate that about Jack and his writing. And while you might be sitting there going, why would I get a book about the gardens of South Florida? Well, I would say stretch yourself. This book may show you gardens that are out of your growing zone - that are a little foreign -but you will learn a ton about composition, design, and how to look at gardens through the wise eyes of Jack. And that, my friends, is very much worth investigating. This book is 256 pages of enchanting properties that will inspire you not only to partner with nature and design in new ways but also to create your little slice of paradise right in your backyard. You can get a copy of Private Gardens of South Florida by Jack Staub and support the show using the Amazon link in today's show notes for around $12. Botanic Spark 1809 Birth of Alfred Lord Tennyson (books by this author), English poet. During most of Queen Victoria's reign, he was England's Poet Laureate. Today, you can take a tour of Tennyson's walled garden on the Isle of Wight. Both his home and the garden have been restored to their former glory, and the property gets top ratings on TripAdvisor. Tennyson loved his "careless-ordered" garden. In 1863, he wrote, I hope no one will pluck my wild Irises which I planted. ...if they want flowers there is the kitchen garden — nor break my new laurels, etc. whose growth I have been watched... I don't like children croquetting on that lawn. I have a personal interest in every leaf about it. And here's Tennyson's most quoted sentiment is a favorite among gardeners: If I had a flower for every time I thought of you… I could walk through my garden forever. Thanks for listening to The Daily Gardener And remember: For a happy, healthy life, garden every day.
(Get Surfshark VPN at https://surfshark.deals/MOXIE - Enter promo code MOXIE for 83% off and 3 extra months free!) T-shirt for Ukraine, all proceeds and matching donation to Ukraine Red Cross at yourbrainonfacts.com/merch Who you gonna believe -- me or your lying eyes? Today we look at court cases where people try to avoid taxes by arguing that things aren't the things that they clearly are. 00:50 Tomato 08:18 Jaffa Cakes 17:48 Hydrox vs Oreo 37:40 X-Men Links to all the research resources are on the website. Hang out with your fellow Brainiacs. Reach out and touch Moxie on Facebook, Twitter, or Instagram. Become a patron of the podcast arts! Patreon or Ko-Fi. Or buy the book and a shirt. Music: Kevin MacLeod, Want to start a podcast or need a better podcast host? Get up to TWO months hosting for free from Libsyn with coupon code "moxie." We like labels, as humans we like labeling things. Taxonomy is the branch of science concerned with classification and there used to be several inconsistent and sometimes conflicting systems of classification in use. Then came Carl Linneaus and his influential “Systema Naturae” in 1735, laying down the system we use to this day. Linnaeus was the first taxonomist to list humans as a primate, though he did classify whales as fish. Years later, a New York court agreed with him. My name's… D&D Stats Explained With Tomatoes Strength is being able to crush a tomato. Dexterity is being able to dodge a tomato. Constitution is being able to eat a bad tomato. Intelligence is knowing a tomato is a fruit. Wisdom is knowing not to put a tomato in a fruit salad. Charisma is being able to sell a tomato based fruit salad. TOMATOES So that's more clear, but it raises a rather mad –and for some, maddening– question: Is the tomato a fruit or a vegetable? Well, yes, it's both, but actually no. Botanically, it's a fruit. But legally, it's not. A fruit is technically the seed-bearing structure of a plant whereas a vegetable can be virtually any part of the plant we eat. Things must have been slow in March of 1893, because this definition was set by the Supreme Court. The issue at hand was tariffs, specifically a 10% tariff on the import of vegetables into the United States. Just veggies. Imported fruits were not. This was of particular interest to John Nix of Manhattan. He ran a produce wholesale business along with his four sons and found himself the proud owner of an enormous tax bill on a shipment of Caribbean tomatoes. John Nix & Co. were one of the largest sellers of produce in New York City at the time, and one of the first companies to bring the Empire state produce from such far-flung places as Florida and Bermuda. Nix disputed the tax on the grounds that tomatoes were scientifically-supportably fruit. Full of seeds, ain't they? That's the part that seems to turn grown adults into fussy toddlers when their burger has a tomato despite their very clear instructions. Worse than the anti-pickle crowd. Anyway, Nix filed a suit against Edward L. Hedden, Collector of the Port of New York, to get back the tax money he'd been forced to pay under protest. The crux of Nix's case was the opening of an uninspired speech - counsel read the definitions of the words "fruit," "vegetables," and tomato from Webster's Dictionary, Worcester's Dictionary, and the Imperial Dictionary. Judgment for the plaintiff, case closed! But wait, there's more. Not to be outdone, defendant's counsel then read into evidence the Webster's definitions of the words pea, eggplant, cucumber, squash, and pepper. Oh, it's on now! Countering this, the plaintiff then read in the definitions of potato, turnip, parsnip, cauliflower, cabbage, carrot and bean. That's when, I assume, all hell broke loose in the courtroom and perhaps a giant musical number broke out. Just trying to jazz it up a bit. Nix's side called two witnesses, not botanists or linguists, but men with a lot of years in the fruit & veg business, to say whether these words had "any special meaning in trade or commerce, different from those read." The supreme court decided to look more practically and less pedantically at the situation and ruled that it's how a tomato is used that makes it a vegetable, not the official scientific definition. If people cook and eat them like vegetables, then vegetables they must be, and so they were subject to the tariff. “Botanically speaking, tomatoes are the fruit of a vine, just as are cucumbers, squashes, beans, and peas,” wrote Justice Horace Gray in his 1893 opinion. “But in the common language of the people, whether sellers or consumers of provisions, all these are vegetables.” What was really important about Nix's case was the timing. We're talking late Victorian, after the age of sail had been obviated by the steam power of the industrial revolution. You might have heard about it, it was in all the papers. Ships could now cross the Atlantic in 1-2 weeks, rather than the 6-12 weeks it took in a century prior. Foods from the tropics could now reach New England in a week or less, making their import a viable option. This was when bananas went from being expensive oddity to must-have trend to staple of every grocery store, though that was the Gros Michelle banana, the one our fake banana flavor is based on, not the Cavendish banana we eat today, but that's a topic for another show. To service the evolving tastes of urban population, a new class of national wholesalers, such as the Nixes, were born. The tomato's identity crisis was far from settled, though. In 1937, the League of Nations, precursor to the UN, sought to classify various goods for the purpose of tariffs and they too labeled tomatoes a veggie, putting them under the heading of “vegetables / edible plants / roots and tubers.” Not to be left out, the U.S. Department of Agriculture agreed, citing 1890s Nix v. Hedden case. But there are always exceptions, hold-outs, outliers, and just plain contrarians. Tennessee and Ohio made the tomato their state fruit. If you think that's silly, you might want to swallow your coffee before I tell you the state vegetable of Oklahoma is the watermelon. I did not care to look into their reasoning. The European Union went a step further with a directive in December 2001 classifying tomatoes as fruit — along with rhubarb, carrots, sweet potatoes, cucumbers, pumpkins and melons. It's bad enough all prepackaged fruit bowls have some form of melon in them (which causes me instantaneous reverse peristalsis), but it you gave me a fruit salad and it had cucumbers in it, I have a parking lot and I'll fight you in it. But I think I'll give the last word to George Ball of the Burpee's seed and plant company: “Are [tomatoes] fruits? Of course,” he said. “Are they vegetables? You bet.” Though Burpee's does put “vegetable” on the seed packet, so maybe it's not settled after all. JAFFA CAKES Maybe things that grow are too ephemeral for man's taxonomy. Things are a lot of simpler when we're talking about man-made goods, things that don't grow on trees, and it is only a tragedy that you can't plant an entire orchard of Jaffa cake trees. For those whose life has not yet contained this job, a Jaffa cake it a little round of dense yellow cake –sponge, as they say in the home counties– with a disc of orange jelly on top enrobed in chocolate. It. Is. So. Good. You can sometimes find them in big grocery stores like Kroger and Publix if they have a large enough “International” aisle stock Branston pickle along with pad thai sauce and Tajin. This issue here it again taxes, but this time VAT. For those that don't speak British, VAT or Value-Added Tax is “A type of consumption tax that is placed on a product whenever value is added at a stage of production and at final sale.” Basically sales tax cranked to 11. VAT is a tax that is paid by everyone involved with the manufacture of a given object or foodstuff, as well as the consumer. As I go to air, the VAT rate in the UK is 20%. If you're a UK-based widget-maker, you pay VAT on the price of the raw materials. When you sell the widgets wholesale to a store, the retailer pays VAT on that sale. Then, when someone comes into the shop to buy one of your cutting-edge widgets, they pay VAT too. As with most areas of life, there are exceptions – a number of things are subjected to a reduced 5% rate and some things are exempt altogether. The exceptions are for the really necessary things, like mobility aids, menstrual hygiene products, stamps, end of life care, and most food, including cake. That's some grade A foreshadowing right there. But some foods are just so wonderful, they absolutely must be taxed and taxed fully. Such luxury items include alcohol, mineral water, confectioneries and, with the specificity that all governments seem to love, chocolate-covered biscuits. Regular biscuits are apparently basic essentials. No, American listeners, not like buttermilk biscuits, because even I'd have to think twice about covering one of those in chocolate. Whereupon I would do it. I could make that work. You're talking to the chick that made a startling good roasted garlic and parmesan ice cream. No, British biscuits are cookies. And British listeners, don't at me on soc meds with the definition of biscuit, because you know you're not consistent with it. The only word that's more confusing is pudding. Is that a dessert course, a sausage made of 80% blood, a flambeed Christmas dessert, or a suet dough stuffed with beef and veggies and steamed for eight hours? While I'm on British language, Cockney rhyming slang has got to be the worst thing… The McVities company had a notion otherwise. They appealed, prompting a Customs and Exchange VAT tribunal. Jaffa cakes, they said, shouldn't be taxed at the “most food” 20% rate, but at the 5% rate of chocolate-covered biscuits. It takes a lot of brass to make that claim when you yourself named the product Jaffa *cakes. [tiktok] origin story] According to the website for Her Majesty's Revenue and Customs, the court first had to establish a legal definition of what made a cake a cake and what makes a biscuit a biscuit, before determining which column Jaffa Cakes belonged in. Jaffa Cakes were assessed using the following criteria: The product name, ingredients, texture, structure of the product, the size, how the product is sold, and how the product is marketed. Towards this end, the main arguments on behalf of the office of Customs and Excise were that Jaffa Cakes are the approximate size and shape of biscuits, are stocked on the shelves with the biscuits, and, owing in no small part to McVities' own marketing, people eat them in the sort of contexts biscuit are eaten. McVities countered by stating that Jaffa Cakes are baked in the manner of cake and of the same base ingredients. Their master stroke was staleness – cakes go hard as they stale and biscuits go soft. When Jaffa cakes go stale, and it's hard to imagine them sitting there long enough, they go hard. McVities actually let a bunch of them out to go stale and brouhght them into court as evidence. And in a legal tactic I'd like to see more often, McVities baked a big ol' 12-inch version of a Jaffa Cake, to show that if you blew it up to the size of a normal cake, it would just be a cake. If I were on the other side of it, I might make a big deal over the name, but the judge presiding over the case, Mr D.C Potter, ruled that to be of “no serious relevance” because a product's name often has little to do with its actual function. In the end, the court decided the Jaffa Cake was, in fact, a cake, and the Irish Revenue Commissioners agreed, though their ruling was based on the Jaffa Cakes' moisture content being greater than 12%. So no VAT on Jaffa cakes, which means we can buy more of them, hooray! HYDROX VS OREO In 1882, the entrepreneur Jacob Loose bought a biscuit and candy company that would eventually be known as Sunshine Biscuits, the company that would eventually give us Cheez-its, which my ex-husband went through at least a box of a week, dipping in port wine cheese spread. About as close as he ever got to a balanced diet. In 1908, launched the cream-filled chocolate sandwich biscuit known as Hydrox. The name, he thought, would be reminiscent of sparkling sunlight and evoked an impression of cleanliness (probably because it sounds like a disinfectant). This was after all only a few years after the Pure Food and Drug Act, before which your canned veggies might be full of borax and your milk be a watered down concoction of chalk dust and cow brains, and you wouldn't know. Some tellings have it that Hydrox is a portmanteau of hydrogen and oxygen, the elements that make up water, the gold standard of purity. Meanings aside, the fact that there actually was a Hydrox Chemical Company in business at the time, one that sold hydrogen peroxide and was caught up in a trademark lawsuit at the time over the use of the word “hydrox,” should have given them a hint to maybe go back to committee. Hydrox chemicals lawsuit, btw, pointed out that the word “hydrox” was already in use for such disparate things as coolers, soda, and ice cream, so maybe Jacob Loose figured the word is out there, might as well use it. For four years, Hydrox cookies with their lovely embossed flower design made cash registers ring for Sunshine Biscuits. Then, 90 years almost to the day of this episode dropping, the National Biscuit Company came along –you probably know them by their shortened name, Nabisco– with the launch of three different cookies, the Mother Goose biscuit, the Veronese biscuit, both now lost to history, and the Oreo. The cookies were very similar, with Oreos even being embossed by the same time of production machine, but Hydrox have a sweeter filling and less-sweet cookie. Like VHS vs beta, which you can learn more about in the book and audiobook, the newcomer soon came to dominate the landscape, and there's no clear reason why. Any chocolate sandwich biscuit is offhandedly called an Oreo, no matter how cheap a replica it may be. It's literally the best-selling cookie in the world now, with $3.28 billion in sales in the U.S. alone. They sell 92 million cookies per day throughout 100-plus countries under the parent brand Mondelez International. That ubiquity has led a lot of people to erroneously assume that Oreo is the original and Hydrox is the Mr. Pibb to their Dr. Pepper. Hydrox did manage to hold onto a cadre of die-hards, especially in areas with significant Jewish populations, because Hydrox were always kosher. Oreo cream used to be made with lard from pigs and Nabisco would later have to invest a lot of resources into replacing the lard with shortening in the 90's. Sunshine Biscuits was purchased by Keebler in 1996, who replaced Hydrox with a reformulated product called "Droxies," which 100% sounds like drug slang for a veterinary tranquilizer. Keebler was acquired by Kellogg's in 2001, and Kellogg's yanked Droxies from the shelves before adding a similar chocolate sandwich cookie to the Famous Amos brand, then discontinued them. In August 2008, on the cookie's 100th anniversary, Kellogg's resumed distribution of Hydrox under the Sunshine label, a limited distribution, one and done. Hydrox-heads besieged Kellogg's with phone calls and an online petition, asking that Hydrox be brought back for good, but all for naught. Less than a year later Kellogg's had removed Hydrox from their website. “This is a dark time in cookie history,” one Hydrox partisan, Gary Nadeau, wrote, according to the Wall Street Journal. “And for those of you who say, ‘Get over it, it's only a cookie,‘ you have not lived until you have tasted a Hydrox.” As of the time of writing, I've never had one myself, but I'll see if I can't lay my hands on some before going to air. Getting my hands on some may be a touch trickier than it should be. They exist; that's not the issue. In 2015, entrepreneur Ellia Kassoff, a lover of Hydrox who knew the trick to getting a trademark someone else had allowed to lapse, was able to pick up Hydrox for his own company, Leaf Brands—itself a dormant brand that Kassoff had revived. Hip to the time, Leaf Brands made Hydrox available on Amazon, so anyone anywhere could get them whenever they wanted (plus two days for delivery). These new Hydrox weren't going to bow gracefully to the dominant Oreo. Their website points out that they use real cane sugar instead of high-fructose corn syrup, and no hydrogenated oils, artificial flavors, and GMOs, and warn consumers, "don't eat a knock-off!" Hydrox are also made in the USA while Mondelez International was laying off U.S. workers. Sales of Hydrox grew by 2,406 percent from 2016 to 2017, amassing more than $492,000 in sales — clearly, still light-years away from Oreo's overwhelming dominance in the market, but impressive progress nonetheless. If you ask Leaf Brands, they'd be doing a lot better if not for Mondelez – not out-competing them, deliberately sabotaging them. This is the hard-to-find bit I alluded to. In August 2018, Leaf Brands filed a lawsuit against Mondelez International, seeking $800 million in damages because of "lost sales and reputation.” The charges claimed that Mondelez was using its massive industry muscle "to place their own products in favorable locations in stores and move competitors in less desirable positions on store shelves." On their Facebook page, you can see pictures of grocery stores where Hydrox cookies are hidden behind other displays, scooted to the back of shelves, and even turned sideways so the short end is facing out. If you've never worked grocery retail, your instinct may be to blame the store staff, but a lot of brands are actually stocked by the manufacturer. Ever pass a guy in a Pepsi polo shirt with hand-truck loaded with soda? That, but with cookies. And it's not just their own products. Mondelez is what's called a “category captain,” meaning they get to determine much of the layout for the whole cookie aisle. Leaf alleges that Mondelez employees and agents are deliberately making Hydrox harder to find while making Oreos pert near impossible to miss. This is far from the first lawsuit over Oreos. A class action lawsuit was filed claiming the cookies misled buyers by stating that the product contains real cocoa. The judge dismissed the case. And they were sued for Fudge Covered Mint Oreos not containing any actual fudge. The plaintiffs claim that these cookies don't contain any milkfat from dairy, a key component of fudge, but rather cheaper palm and palm kernel oil. As so often happens, there are eleventy-hundred articles from the week the case was filed and nothing on the outcome. That's what happened with the main point of this article. I was dead sure I remembered Hydrox and Oreo going to court over the basic infringement question, and Hydrox losing, but I couldn't turn up anything on that because of the sabotage lawsuit sucking up all the search results. X-MEN It's not all foodie fact fun today. I'm going to risk a copyright strike to play 15 seconds of a song that will make everyone near me in age go “aw yeah!” [sfx Xmen theme] For the young or those who had social lives in high school, that's the theme song to the 90's Xmen cartoon, and it slaps, as they kids used to say. For the truly uninitiated, and c'mon even my mom knows who the Xmen are, the story centers on a group of superheroes who get their powers from genetic mutations…and government experiments, time travel, by dint of being aliens – it's a comic book, what do you want. Ever since their introduction to the Marvel Universe in 1963, the X-Men have always had to deal with questions about their humanity. While their enemies will stop at nothing to cast them as monsters, the team continues to fight for a world where they are treated just like humans. That's in-universe. In the broader reality, it's actually in the X-Men's best interest not to be considered humans. Well, Marvel comics financial bottom line, anyway, and they went to court over it. In 1993, international trade lawyers Sherry Singer and Indie Singh found an interesting provision in a book of federal tariff classifications – “dolls” are taxed at 12% on import while “toys” are only taxed 6.8%. The devil is in the details, or in this case, the definition. A “toy” can be any shape, representing any thing, but a "doll" can only be a representation of a human being, like Barbie or GI Joe. [tik tok Joe's thumbnail] Singer and Singh knew this distinction could be a sizable financial benefit for their client, Marvel Entertainment, who had an ownership stake in ToyBiz at the time. For years, Marvel had been importing action figures that were taxed as dolls, despite their wide panoply of brightly colored characters often being anything but human. Taking a direct approach, the two lawyers gathered up a literal bag full of action figures and went to the U.S. Customs and Border Protection headquarters in Washington, D.C. to try and convince them that Marvel wasn't importing humanlike “dolls,” but instead very non-human “toys.” The Customs staff's reaction to the bag of toys is not recorded, but their official response was that the “non-human characteristics” of the X-Men and other action figures “fall far short of transforming [these figures] into something other than the human beings which they represent.” Singer and Singh were locked onto this tactic and pursued it for a decade. A judge considered various figures from Marvel's whole line to decide whether or not individual characters were human or not. Rippling pecs, long claws, blue skin, red eyes, all were scrutinized, as lawyers on both sides expostulated on the philosophical ramifications of what it means to be human. How can these action figures be human if they have "tentacles, claws, wings, or robotic limbs?" I'd loved to have been there to hear people with expensive educations in tailored suits, stand before a learned jurist in a wood-paneled courtroom and say things like, "The figure of 'Kingpin' resembles a man in a suit carrying a staff. Nothing in the storyline indicates that Kingpin possesses superhuman powers. Yet, Kingpin is known to have exceedingly great strength (however 'naturally' achieved) and the figure itself has a large and stout body with a disproportionately small head and disproportionately large hands. Even though 'dolls' can be caricatures of human beings, the court is of the opinion that the freakishness of the figure's appearance coupled with the fabled 'Spider-Man' storyline to which it belongs does not warrant a finding that the figure represents a human being." In 2003, Judge Judith Barzilay ruled that Marvel characters aren't quite human enough to taxed as dolls. “They are more than (or different than) humans. These fabulous characters use their extraordinary and unnatural physical and psychic powers on the side of either good or evil. The figures' shapes and features, as well as their costumes and accessories, are designed to communicate such powers." Yay, a victory for the giant multimillion dollar corporation! But a slap in the face for diehard X-Men fans. Chuck Austen, one of the writers for Uncanny X-Men at the time, said his whole goal in the story was to show the team's humanity. The nerds grew restless and Marvel had to issue a statement that read, "Don't fret, Marvel fans, our heroes are living, breathing human beings—but humans who have extraordinary abilities ... A decision that the X-Men figures indeed do have 'nonhuman' characteristics further proves our characters have special, out-of-this world powers." And that's… To protect the public from contaminated oil, New York State law required that all fish oil be gauged, inspected and branded, with a penalty of $25 per barrel on those who failed to comply. Samuel Judd purchased three barrels of whale oil that had not been inspected, and James Maurice, a fish oil inspector, sought to collect the penalty from him. Judd pleaded that the barrels contained whale oil, not fish oil, and so were not subject to the fish oil legislation. At trial, one side said the term "fish oil" was commonly understood to include whale oil, and the other side plead the obvious science that whales are mammals. The jury deliberated for 15 minutes and returned a verdict in favor of the fish oil inspector. Mr. Judd, dissatisfied with the verdict, moved for a new trial. By then, the Legislature was in session and the Recorder, knowing that a new fish oil bill was pending, delayed his decision on the motion. The new enactment limited the inspection to fish liver oil, and the Recorder took the view that this implicitly confirmed that the earlier legislation covered whale oil. Accordingly, he refused to grant Judd's motion for a new trial. James Maurice resigned his position as fish oil inspector because he considered that the position under the new law had too little value or importance. 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