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On today's show, host Esty Dinur speaks with Sasha Abramsky about his recent article for the Nation Magazine, “Trumpworld's Global War on Multiracial Democracy.” Sasha Abramsky is the Nation Magazine’s Authoritarian Watch columnist and a frequent feature writer for the magazine. His work has also been published in the Atlantic, New Republic, New York Review of Books, the Guardian, Rolling Stone and many other venues. He is the author of 11 books, including, most recently, American Carnage: how Trump, Musk, and DOGE Butchered the US Government. Abramsky teaches writing at UC Davis. Featured image of Sasha Abramsky from 2023 via Wikimedia Commons (CC BY-SA 4.0). Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post Trump's Propaganda Masquerades as Policy appeared first on WORT-FM 89.9.

Andrew Martin is the author of the novel Early Work, a New York Times Notable book of 2018, and the story collection Cool for America, longlisted for the 2020 Story Prize. His essays and stories have appeared frequently in The Paris Review, The New York Review of Books, and Harper's, as well as in The Yale Review, The Atlantic, McSweeney's, The Times Book Review and elsewhere. He lives in New York City with his family. Recommended Books: William Demby, Love Story Black Morgan Meis, The Drunken Silenus Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Andrew Martin is the author of the novel Early Work, a New York Times Notable book of 2018, and the story collection Cool for America, longlisted for the 2020 Story Prize. His essays and stories have appeared frequently in The Paris Review, The New York Review of Books, and Harper's, as well as in The Yale Review, The Atlantic, McSweeney's, The Times Book Review and elsewhere. He lives in New York City with his family. Recommended Books: William Demby, Love Story Black Morgan Meis, The Drunken Silenus Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Molly Crabapple joins Michael Stauch to discuss the history of the Jewish Labor Bund, the subject of her new book, Here Where We Live Is Our Country: The Story of the Jewish Bund (Random House, 2026). Once the most influential Jewish political force in Eastern Europe, the Bund was secular, socialist, and uncompromisingly anti-Zionist. The Bundists fought for dignity and equality, not in an imagined homeland in Palestine but “here where we live.” In the first popular history of the Bund, Crabapple re-creates their extraordinary world through dramatic portraits of insurgent poets and antireligious rebels, clandestine revolutionaries and lovers on the barricades. The Bundists live deeply within this violent, volatile, and somehow hopeful period, as their stories interweave with the Russian Revolution and the Holocaust. The Bund's rise and fall raises the vital question: What can we learn from a movement that, for all its toughness, imagination, and moral clarity, was largely destroyed? Highlights include: Crabapple's personal connection to the Bund through her great-grandfather, Sam Rothbort; How the Bund built a vibrant youth counterculture amid harsh anti-Semitism in Eastern Europe; The significance of “Hereness” to the Bund's politics and how it distinguished the group from Zionist groups advocating the colonization of Palestine; A discussion of “theory-pilled nerds” and how Crabapple's activism and journalism since Occupy Wall Street shaped her insights into the inner life of the Bund; The future of anti-Zionism in the context of Israel's ongoing destruction of Palestine. Molly Crabapple is an artist and writer based in New York. She is the author of two books, Drawing Blood and Brothers of the Gun (with Marwan Hisham), which was longlisted for a National Book Award. She was a 2020 New America Fellow and her reportage is the winner of the Bernhard Labor Journalism Award, and has been published in The New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker, and elsewhere. Her animations have won two Emmys and an Edward R. Murrow Award. Her art is in the permanent collections of the Museum of Modern Art. Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Molly Crabapple joins Michael Stauch to discuss the history of the Jewish Labor Bund, the subject of her new book, Here Where We Live Is Our Country: The Story of the Jewish Bund (Random House, 2026). Once the most influential Jewish political force in Eastern Europe, the Bund was secular, socialist, and uncompromisingly anti-Zionist. The Bundists fought for dignity and equality, not in an imagined homeland in Palestine but “here where we live.” In the first popular history of the Bund, Crabapple re-creates their extraordinary world through dramatic portraits of insurgent poets and antireligious rebels, clandestine revolutionaries and lovers on the barricades. The Bundists live deeply within this violent, volatile, and somehow hopeful period, as their stories interweave with the Russian Revolution and the Holocaust. The Bund's rise and fall raises the vital question: What can we learn from a movement that, for all its toughness, imagination, and moral clarity, was largely destroyed? Highlights include: Crabapple's personal connection to the Bund through her great-grandfather, Sam Rothbort; How the Bund built a vibrant youth counterculture amid harsh anti-Semitism in Eastern Europe; The significance of “Hereness” to the Bund's politics and how it distinguished the group from Zionist groups advocating the colonization of Palestine; A discussion of “theory-pilled nerds” and how Crabapple's activism and journalism since Occupy Wall Street shaped her insights into the inner life of the Bund; The future of anti-Zionism in the context of Israel's ongoing destruction of Palestine. Molly Crabapple is an artist and writer based in New York. She is the author of two books, Drawing Blood and Brothers of the Gun (with Marwan Hisham), which was longlisted for a National Book Award. She was a 2020 New America Fellow and her reportage is the winner of the Bernhard Labor Journalism Award, and has been published in The New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker, and elsewhere. Her animations have won two Emmys and an Edward R. Murrow Award. Her art is in the permanent collections of the Museum of Modern Art. Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Molly Crabapple joins Michael Stauch to discuss the history of the Jewish Labor Bund, the subject of her new book, Here Where We Live Is Our Country: The Story of the Jewish Bund (Random House, 2026). Once the most influential Jewish political force in Eastern Europe, the Bund was secular, socialist, and uncompromisingly anti-Zionist. The Bundists fought for dignity and equality, not in an imagined homeland in Palestine but “here where we live.” In the first popular history of the Bund, Crabapple re-creates their extraordinary world through dramatic portraits of insurgent poets and antireligious rebels, clandestine revolutionaries and lovers on the barricades. The Bundists live deeply within this violent, volatile, and somehow hopeful period, as their stories interweave with the Russian Revolution and the Holocaust. The Bund's rise and fall raises the vital question: What can we learn from a movement that, for all its toughness, imagination, and moral clarity, was largely destroyed? Highlights include: Crabapple's personal connection to the Bund through her great-grandfather, Sam Rothbort; How the Bund built a vibrant youth counterculture amid harsh anti-Semitism in Eastern Europe; The significance of “Hereness” to the Bund's politics and how it distinguished the group from Zionist groups advocating the colonization of Palestine; A discussion of “theory-pilled nerds” and how Crabapple's activism and journalism since Occupy Wall Street shaped her insights into the inner life of the Bund; The future of anti-Zionism in the context of Israel's ongoing destruction of Palestine. Molly Crabapple is an artist and writer based in New York. She is the author of two books, Drawing Blood and Brothers of the Gun (with Marwan Hisham), which was longlisted for a National Book Award. She was a 2020 New America Fellow and her reportage is the winner of the Bernhard Labor Journalism Award, and has been published in The New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker, and elsewhere. Her animations have won two Emmys and an Edward R. Murrow Award. Her art is in the permanent collections of the Museum of Modern Art. Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Molly Crabapple joins Michael Stauch to discuss the history of the Jewish Labor Bund, the subject of her new book, Here Where We Live Is Our Country: The Story of the Jewish Bund (Random House, 2026). Once the most influential Jewish political force in Eastern Europe, the Bund was secular, socialist, and uncompromisingly anti-Zionist. The Bundists fought for dignity and equality, not in an imagined homeland in Palestine but “here where we live.” In the first popular history of the Bund, Crabapple re-creates their extraordinary world through dramatic portraits of insurgent poets and antireligious rebels, clandestine revolutionaries and lovers on the barricades. The Bundists live deeply within this violent, volatile, and somehow hopeful period, as their stories interweave with the Russian Revolution and the Holocaust. The Bund's rise and fall raises the vital question: What can we learn from a movement that, for all its toughness, imagination, and moral clarity, was largely destroyed? Highlights include: Crabapple's personal connection to the Bund through her great-grandfather, Sam Rothbort; How the Bund built a vibrant youth counterculture amid harsh anti-Semitism in Eastern Europe; The significance of “Hereness” to the Bund's politics and how it distinguished the group from Zionist groups advocating the colonization of Palestine; A discussion of “theory-pilled nerds” and how Crabapple's activism and journalism since Occupy Wall Street shaped her insights into the inner life of the Bund; The future of anti-Zionism in the context of Israel's ongoing destruction of Palestine. Molly Crabapple is an artist and writer based in New York. She is the author of two books, Drawing Blood and Brothers of the Gun (with Marwan Hisham), which was longlisted for a National Book Award. She was a 2020 New America Fellow and her reportage is the winner of the Bernhard Labor Journalism Award, and has been published in The New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker, and elsewhere. Her animations have won two Emmys and an Edward R. Murrow Award. Her art is in the permanent collections of the Museum of Modern Art. Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Molly Crabapple joins Michael Stauch to discuss the history of the Jewish Labor Bund, the subject of her new book, Here Where We Live Is Our Country: The Story of the Jewish Bund (Random House, 2026). Once the most influential Jewish political force in Eastern Europe, the Bund was secular, socialist, and uncompromisingly anti-Zionist. The Bundists fought for dignity and equality, not in an imagined homeland in Palestine but “here where we live.” In the first popular history of the Bund, Crabapple re-creates their extraordinary world through dramatic portraits of insurgent poets and antireligious rebels, clandestine revolutionaries and lovers on the barricades. The Bundists live deeply within this violent, volatile, and somehow hopeful period, as their stories interweave with the Russian Revolution and the Holocaust. The Bund's rise and fall raises the vital question: What can we learn from a movement that, for all its toughness, imagination, and moral clarity, was largely destroyed? Highlights include: Crabapple's personal connection to the Bund through her great-grandfather, Sam Rothbort; How the Bund built a vibrant youth counterculture amid harsh anti-Semitism in Eastern Europe; The significance of “Hereness” to the Bund's politics and how it distinguished the group from Zionist groups advocating the colonization of Palestine; A discussion of “theory-pilled nerds” and how Crabapple's activism and journalism since Occupy Wall Street shaped her insights into the inner life of the Bund; The future of anti-Zionism in the context of Israel's ongoing destruction of Palestine. Molly Crabapple is an artist and writer based in New York. She is the author of two books, Drawing Blood and Brothers of the Gun (with Marwan Hisham), which was longlisted for a National Book Award. She was a 2020 New America Fellow and her reportage is the winner of the Bernhard Labor Journalism Award, and has been published in The New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker, and elsewhere. Her animations have won two Emmys and an Edward R. Murrow Award. Her art is in the permanent collections of the Museum of Modern Art. Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Molly Crabapple joins Michael Stauch to discuss the history of the Jewish Labor Bund, the subject of her new book, Here Where We Live Is Our Country: The Story of the Jewish Bund (Random House, 2026). Once the most influential Jewish political force in Eastern Europe, the Bund was secular, socialist, and uncompromisingly anti-Zionist. The Bundists fought for dignity and equality, not in an imagined homeland in Palestine but “here where we live.” In the first popular history of the Bund, Crabapple re-creates their extraordinary world through dramatic portraits of insurgent poets and antireligious rebels, clandestine revolutionaries and lovers on the barricades. The Bundists live deeply within this violent, volatile, and somehow hopeful period, as their stories interweave with the Russian Revolution and the Holocaust. The Bund's rise and fall raises the vital question: What can we learn from a movement that, for all its toughness, imagination, and moral clarity, was largely destroyed? Highlights include: Crabapple's personal connection to the Bund through her great-grandfather, Sam Rothbort; How the Bund built a vibrant youth counterculture amid harsh anti-Semitism in Eastern Europe; The significance of “Hereness” to the Bund's politics and how it distinguished the group from Zionist groups advocating the colonization of Palestine; A discussion of “theory-pilled nerds” and how Crabapple's activism and journalism since Occupy Wall Street shaped her insights into the inner life of the Bund; The future of anti-Zionism in the context of Israel's ongoing destruction of Palestine. Molly Crabapple is an artist and writer based in New York. She is the author of two books, Drawing Blood and Brothers of the Gun (with Marwan Hisham), which was longlisted for a National Book Award. She was a 2020 New America Fellow and her reportage is the winner of the Bernhard Labor Journalism Award, and has been published in The New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker, and elsewhere. Her animations have won two Emmys and an Edward R. Murrow Award. Her art is in the permanent collections of the Museum of Modern Art. Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Molly Crabapple joins Michael Stauch to discuss the history of the Jewish Labor Bund, the subject of her new book, Here Where We Live Is Our Country: The Story of the Jewish Bund (Random House, 2026). Once the most influential Jewish political force in Eastern Europe, the Bund was secular, socialist, and uncompromisingly anti-Zionist. The Bundists fought for dignity and equality, not in an imagined homeland in Palestine but “here where we live.” In the first popular history of the Bund, Crabapple re-creates their extraordinary world through dramatic portraits of insurgent poets and antireligious rebels, clandestine revolutionaries and lovers on the barricades. The Bundists live deeply within this violent, volatile, and somehow hopeful period, as their stories interweave with the Russian Revolution and the Holocaust. The Bund's rise and fall raises the vital question: What can we learn from a movement that, for all its toughness, imagination, and moral clarity, was largely destroyed? Highlights include: Crabapple's personal connection to the Bund through her great-grandfather, Sam Rothbort; How the Bund built a vibrant youth counterculture amid harsh anti-Semitism in Eastern Europe; The significance of “Hereness” to the Bund's politics and how it distinguished the group from Zionist groups advocating the colonization of Palestine; A discussion of “theory-pilled nerds” and how Crabapple's activism and journalism since Occupy Wall Street shaped her insights into the inner life of the Bund; The future of anti-Zionism in the context of Israel's ongoing destruction of Palestine. Molly Crabapple is an artist and writer based in New York. She is the author of two books, Drawing Blood and Brothers of the Gun (with Marwan Hisham), which was longlisted for a National Book Award. She was a 2020 New America Fellow and her reportage is the winner of the Bernhard Labor Journalism Award, and has been published in The New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker, and elsewhere. Her animations have won two Emmys and an Edward R. Murrow Award. Her art is in the permanent collections of the Museum of Modern Art. Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

“What is happening today in America is part of a global political turn — and what's odd is how little the American people seem to realize it.” — Madeleine Schwartz So we've finally arrived. America is 250 today. But where, exactly, have we come? How should we think about the United States of America on July 4, 2026? Rather than peering inwards, Madeleine Schwartz — the Paris-based founder and editor-in-chief of The Dial — reverses the lens. Her anthology, How We See It: The World Looks at America in the Age of Trump (The New Press), gathers twelve essays from writers in India, Canada, South Africa, Ukraine, Palestine, Taiwan, Turkey, Cuba, Egypt, Argentina, Italy, and Ireland. The result might be the most honest birthday message that America will receive today. What these writers all observe is the same extraordinary ambivalence about the United States. They describe a country that defines itself as the democratic purveyor of justice, while operating as a vast imperial and economic power that shapes the lives of the rest of the world. What's odd — and Schwartz uses that word carefully — is how few Americans seem to realise this is how the world sees them. “The question of America is vast. It is unrelenting and unanswerable and will not be silenced,” the Gaza poet Muhammad al-Zaqzouq notes in his essay. Happy birthday, odd America. You might not know it, but the rest of the world is watching. And they won't forget what they've seen. Five Takeaways •       The World's Ambivalence: Purveyor of Hope, Imperial Power: Schwartz's central finding from twelve countries of essays: the world does not simply hate or love America. It holds a profound ambivalence — between the country that presents itself as the beacon of hope and democracy, and the country that is a vast imperial and economic power that shapes the lives of billions who have no vote in its elections. This ambivalence is, she argues, almost impossible to fully understand from inside the United States, where the assumption of benign intent is so deep. The essays collectively diagnose what the US's retreat from that self-image means for the world's ability to find alternative frameworks. •       Turkey and America: Erdoğan and Trump Have Learned From Each Other: Kaya Genç's essay from Turkey is one of the collection's most original: the Turkish right has long admired the vast powers of the American presidency as a model to follow, even as that same right has been characterised by American commentators as anti-American or Islamist. The admiration was never for American values — for free speech or civil liberties — but for the structural power of the presidency. Trump, meanwhile, has learned from Erdoğan's playbook of media control, legal intimidation, and institutional capture. The learning has gone in both directions. What is happening in America, Genç argues, is not exceptional — it is part of a global turn. •       Taiwan: Self-Defence Classes and Going It Alone: Michelle Kuo's essay from Taiwan describes a country that has fundamentally revised its relationship with the United States. For decades, many Taiwanese believed that by adhering to certain principles — upholding liberal values, supporting LGBTQ rights, maintaining civil liberties — they would gain American favour and the protection that came with it. That thinking is now gone. People in Taiwan are taking self-defence classes, preparing for a possible Chinese invasion without the expectation of outside help. And the values they uphold — civil liberties, LGBTQ rights — are upheld now because they actually want them, not to please Washington. •       The Dial: 90 Countries, One Third in Translation, Based in Paris: Schwartz founded The Dial four years ago in response to a sense that American media was turning catastrophically inward, unable to understand its own moment without comparison to what was happening elsewhere. The magazine publishes work from some 90 countries, about a third of it in translation, and aims to bring voices from outside the Anglophone foreign correspondent establishment. Several pieces from the book were reprinted in The Guardian. The anthology grew from a special issue published during the 2024 election, asking writers from around the world to look at the United States — a reversal of the magazine's usual direction. Schwartz will be talking about the book in Paris on July 4, not eating hot dogs. •       The Question of America: The Gaza Poet's Unanswerable Verdict: Muhammad al-Zaqzouq is a Gazan poet and father of three who has spent years trying to reach the United States, only to find that under Trump's America, asylum is no longer a possibility. His essay traces a lifetime of ambivalence — America as site of exclusion and segregation, America as specter of another possible life, America as the dream that institutions offer and that the firm hand of diplomacy snatches away. Schwartz reads the closing lines in the interview: “The question of America is vast. It is unrelenting and unanswerable and will not be silenced.” Of all the voices in the anthology, it is the one that stays. About the Guest Madeleine Schwartz is the founder and editor-in-chief of The Dial, an online magazine of culture, politics, and ideas with a focus on local writing from around the world. She is the editor of How We See It: The World Looks at America in the Age of Trump (The New Press, June 9, 2026). Her writing appears in The London Review of Books, The New Yorker, and The New York Review of Books. She teaches journalism at Sciences Po in Paris, where she is based. References: •       How We See It: The World Looks at America in the Age of Trump edited by Madeleine Schwartz / The Dial (The New Press, June 9, 2026). Essays from India, Canada, South Africa, Ukraine, Palestine, Taiwan, Turkey, Cuba, Egypt, Argentina, Italy, and Ireland. •       The Dial — Schwartz's magazine of international writing, based in Paris. •       Kaya Genç (Turkey), Michelle Kuo (Taiwan), Muhammad al-Zaqzouq (Gaza), Eve Fairbanks (South Africa) — among the essayists referenced in this conversation. •       Adam Shatz, blurb: “To read this rich, subtle, and moving anthology is to be reminded that it is often foreigners who understand us best.” About Keen On America Nobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 3,000 episodes since the show launched on TechCrunch in 2010, Keen On America is t...

Last week, the Supreme Court ruled on several issues related to immigration policy. While the court narrowly preserved birthright citizenship, it issued other rulings that will put an untold number of people in danger. One ruling, Mullin v Al Otro Lado, upheld the federal government's policy of turning back asylum seekers before they can reach the US-Mexico border—a policy also known as “metering”—hollowing out the right to asylum enshrined in both domestic and international law. In her dissent, Justice Sonia Sotomayor referenced the St. Louis, the ship of Jewish refugees from Nazi Germany turned away from the US, whose passengers were mostly killed in the Holocaust: “Congress passed the Refugee Act in 1980 because it did not want this country to repeat the mistakes of its past. Yet if the refugees on the M. S. St. Louis were to walk up to a port of entry on our southern border today, the majority's interpretation would allow immigration officers to refuse even to consider their asylum applications by physically blocking them from stepping foot onto US soil,” she said.In another ruling, Mullin v Doe, the Supreme Court granted the president the power to end the Temporary Protected Status program, or TPS, which has allowed vetted and eligible immigrants to live and work legally in the US if they cannot return safely to their countries. Justice Samuel Alito, in his majority opinion, said courts do not have a say in what the president and the Department of Homeland Security decide; the president can end TPS for Haitians and Syrians without judicial review. He also rejected a separate claim brought by Haitians that the move to deport them was based in racial prejudice. TPS has been in effect since 1990. There are 350,000 Haitians who have been in the US legally under TPS, and whose lives have now been thrown into chaos.In our spring issue, we published a prescient piece by immigration reporter Tanvi Misra about the death of asylum, and the ways that its decline is a dire portent for democracy itself. Asylum, Misra reminds us, is a “place-based right” designed to prioritize human life over national borders: As soon as an endangered person steps foot onto a country's soil, they “are entitled to that body's protection,” regardless of whether they crossed with permission. This is exactly the principle that has been undermined with this recent ruling, which prevents people from arriving and making an application. As this ruling suggests, for as long as asylum has existed in the US, so have efforts to weaken it. It has been issued selectively and on racial grounds—much more easily been granted to German-speaking Protestants than to Jews escaping the Holocaust; readily offered to Cubans fleeing Castro but not to Haitians fleeing the US-supported Duvalier dictatorship.Misra's essay tells us that this tactic of denying landfall to migrants as a way of denying them asylum has gone into overdrive in the past decades as border agents try to intercept asylum seekers earlier and earlier in their journeys. In the process, the US border has, Misra says, “not just hardened, but expanded”—into Mexico, Guatemala, Panama, and beyond. Under Trump 2.0, the border has also spilled inward, into LA, Chicago, Minneapolis, and all the other places where border agents are chasing down asylum seekers and, increasingly, all migrants.In this episode of On the Nose, recorded in mid-June before the Supreme Court rulings, Misra speaks about these grievous attacks on asylum with John Washington, a staff reporter at Lookout and the author of the forthcoming book, How to Close a Camp: Dispatches from the Fight Against Immigrant Detention, as well as The Case for Open Borders and The Dispossessed: A Story of Asylum at the US-Mexico Border.This conversation was originally a live membership event. Become a member so you don't miss the next one!Thanks to Jesse Brenneman for editing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”Media Mentioned and Further Reading“The Death of Asylum,” Tanvi Misra, Jewish CurrentsHow to Close a Camp: Dispatches from the Fight Against Immigrant Detention by John WashingtonThe Case for Open Borders by John WashingtonThe Dispossessed: A Story of Asylum at the US-Mexico Border by John WashingtonThe Suppliants by AeschylusOedipus at Colonus by Sophocles“The principle of non-refoulement,” European Union Agency for Asylum1951 UN Refugee Convention and its 1967 Protocol “A History of Haitian Discrimination by United States Immigration Policy,” US Committee for Refugees and Immigrants“‘Metering' of Asylum Seekers Is Bad Policy, Bad Law, and Bad for the Border,” Aaron Reichlin-Melnick, American Immigration Council“US flight carrying deported migrants lands in Central African Republic,” France24“What Are Third-Country Removals? Understanding Their Use In U.S. Immigration Policy,” American Immigration Council“Broader Crises,” Tanvi Misra, The Baffler“The Unraveling of Afghan Asylum,” Tanvi Misra, New York Review of BooksTranscript forthcoming.

Why do billionaires often pay lower tax rates than working Americans? In this episode of the Sunlight Tax Podcast, I sit down with tax policy expert and professor, Ray Madoff, to explore how income, wealth, and inheritance are taxed in the United States, and why the current system often favors the ultra-wealthy.We discuss wealth inequality, estate taxes, billionaire tax strategies, and the most promising proposals for tax reform. If you've ever wondered how the tax code shapes who builds wealth in America, this conversation offers a clear and accessible look at what a fairer tax system could look like.Also mentioned in today's episode:02:30 Background on Professor Ray Madoff and her work05:40 How the tax system favors the wealthy07:19 The impact of growth in stock value and tax treatment09:02 Living off wealth, not income10:04 Inheritance, gifts, and the lack of taxation12:15 The estate tax and loopholes16:20 Public perception and fairness in the tax system17:21 How the wealthy avoid taxes: borrowing against assets23:02 Political feasibility of tax reforms25:46 Wealth taxes and their challenges29:56 Legal and constitutional issues with wealth taxes31:46 Potential benefits of well-designed tax policiesIf you enjoyed this episode, please rate, review and share it! Every review makes a difference by telling Apple or Spotify to show the Sunlight Tax podcast to new audiences.About Professor Ray D. Madoff:Ray D. Madoff is a professor at Boston College Law School and the cofounder and director of the Boston College Forum on Philanthropy and the Public Good. She is the author of Immortality and the Law: The Rising Power of the American Dead and lead author of The Practical Guide to Estate Planning. Her writing has appeared in The New York Times, The Wall Street Journal, The Washington Post, and The New York Review of Books, among other outlets.Episode Links:Professor Ray Madoff's Book: The Second Estate: How the Tax Code Made an American AristocracyMy FAQ page on how to Tax the RichGet my Tax Help on SubstackGet your FREE visual guide to tax deductionsOrder my book: Taxes for Humans: Simplify Your Taxes and Change the World When You're Self-Employed Get full access to Taxes For Humans at sunlighttax.substack.com/subscribe

The Gabfest's end is nigh but we've still got a few bits of culture to gab upon. This week, Steve and Dana are joined by longtime Gabfest star pinch hitter Dan Kois. First up for consideration: Pixar's Toy Story 5. In this fifth installment of the computer animation studio's flagship franchise, the threat to the vital bond between toy and child are computers themselves. Will Pixar, of all entities, save us from the threat of screentime? Maybe not. Is it nice to be back with Woody, Buzz, Jesse and the gang of plushies, dolls, and various transitional objects? Maybe so.Next, the panel drops into the indie comedy ecosystem of the streaming service Dropout TV and talks about its chaotic cult hit game show Game Changer, now in its eighth season. Does the goofy hijinks therein offer a framework for the future of TV? They discuss. Finally, supreme, very special friend of the program (SVSFOP) Wesley Morris joins to talk about the New York Times' package on the six sentences that define America and his essay in it about Nina Simone's “Mississippi Goddam.”In our bonus episode, Wesley sticks around to theorize with Steve, Dana, and Julia about the point of even having podcasts about culture.EndorsementsDana: "What Steven Spielberg Taught Me About Fear, Catharsis, and Being Human" by Wesley Morris in The New York Times as well as, maybe for the first time ever for Dana in Gabfest history, a piece of technology: the MacBook Neo.Julia: The ongoing career—after composing the Gabfest theme—of the composer Nicholas Britell including his work for the NBA and particularly the composition "Agape" on the film score of If Beale Street Could Talk. Wesley: The potato salad recipe in Pearl Bailey's cookbook Pearl's Kitchen: An Extraordinary Cookbook.Dan: Writing fan mail to authors whose work you love. Also, the music of the recently departed South African jazz pianist Abdullah Ibrahim, particularly the album Mindif.Steve: The semi-fictionalized documentary about David Hockney A Bigger Splash and Philip French's review of it for BFI. Also, David Denby's 1990 New York Review of Books essay "The Real Thing" about the documentarian Frederick Wiseman. --Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

The Gabfest's end is nigh but we've still got a few bits of culture to gab upon. This week, Steve and Dana are joined by longtime Gabfest star pinch hitter Dan Kois. First up for consideration: Pixar's Toy Story 5. In this fifth installment of the computer animation studio's flagship franchise, the threat to the vital bond between toy and child are computers themselves. Will Pixar, of all entities, save us from the threat of screentime? Maybe not. Is it nice to be back with Woody, Buzz, Jesse and the gang of plushies, dolls, and various transitional objects? Maybe so.Next, the panel drops into the indie comedy ecosystem of the streaming service Dropout TV and talks about its chaotic cult hit game show Game Changer, now in its eighth season. Does the goofy hijinks therein offer a framework for the future of TV? They discuss. Finally, supreme, very special friend of the program (SVSFOP) Wesley Morris joins to talk about the New York Times' package on the six sentences that define America and his essay in it about Nina Simone's “Mississippi Goddam.”In our bonus episode, Wesley sticks around to theorize with Steve, Dana, and Julia about the point of even having podcasts about culture.EndorsementsDana: "What Steven Spielberg Taught Me About Fear, Catharsis, and Being Human" by Wesley Morris in The New York Times as well as, maybe for the first time ever for Dana in Gabfest history, a piece of technology: the MacBook Neo.Julia: The ongoing career—after composing the Gabfest theme—of the composer Nicholas Britell including his work for the NBA and particularly the composition "Agape" on the film score of If Beale Street Could Talk. Wesley: The potato salad recipe in Pearl Bailey's cookbook Pearl's Kitchen: An Extraordinary Cookbook.Dan: Writing fan mail to authors whose work you love. Also, the music of the recently departed South African jazz pianist Abdullah Ibrahim, particularly the album Mindif.Steve: The semi-fictionalized documentary about David Hockney A Bigger Splash and Philip French's review of it for BFI. Also, David Denby's 1990 New York Review of Books essay "The Real Thing" about the documentarian Frederick Wiseman. --Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

For the 47th episode of Reading the Art World, host Megan Fox Kelly speaks with Ruth Bernard Yeazell, Sterling Professor of English at Yale University, about "Vermeer's Afterlives," published by Princeton University Press.Vermeer's Afterlives traces how Vermeer, who died in 1675 and was largely forgotten within decades, was reconstructed by the critics, forgers, poets, and novelists who encountered his work over the following two centuries. Yeazell argues that the quiet, enigmatic Vermeer we revere was shaped as much by the process of recovery as by the paintings themselves: by the order in which his canvases were reattributed, by the near-absence of biographical record, and by the frameworks critics brought to an artist they were meeting for the first time.The conversation moves through those afterlives in full: Théophile Thoré, the French journalist who encountered Vermeer in The Hague in 1842 and assembled a catalogue—more than three-quarters of which no longer holds—but whose act of naming shaped what Vermeer would become; Han Van Meegeren, whose forged Supper at Emmaus was declared the greatest Vermeer ever painted because it supplied a scholarly gap critics had convinced themselves was waiting to be filled; and the writers who have tried to narrate the stories his paintings leave untold. The conversation closes on Proust, who Yeazell argues grasped what most literary respondents missed: Vermeer's paintings stage acts of looking, not storytelling.For anyone interested in Dutch Golden Age painting, the history of artistic reception, or how a body of work accumulates meaning across time and discipline, this episode is essential listening.ABOUT THE AUTHORRuth Bernard Yeazell is Sterling Professor of English and Director of Graduate Studies at Yale University. Her books include "Picture Titles: How and Why Western Paintings Acquired Their Names" and "Art of the Everyday: Dutch Painting and the Realist Novel," both published by Princeton University Press. Her writing has appeared in the New York Review of Books and the London Review of Books.PURCHASE THE BOOKhttps://press.princeton.edu/books/hardcover/9780691277820/vermeers-afterlivesSUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a podcast featuring live interviews with leading authors and writers on important new art books. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

Noam Dworman, Dan Naturman and Periel Aschenbrand are joined by Ankush Khardori. They discuss the Epstein files, Kathy Ruemmler, civil liberties, public shaming and whether the release of Epstein-related documents has generated more heat than facts. They also discuss cancel culture, online mobs, Anthony Weiner, anti-Semitism, and the broader consequences of judging people through leaked communications. Ankush Khardori is a legal analyst and former federal prosecutor. He has been the legal affairs columnist for Politico and New York Magazine and has contributed to The New York Times, The Washington Post, The Wall Street Journal, The Financial Times, The New York Review of Books, The Atlantic, TIME and many more. Khardori regularly provides legal commentary and analysis on television, radio, and podcasts -- including CNN, MS NOW, the BBC, and NPR. CHAPTERS 04:40 How Ankush Got the Kathy Ruemmler Story08:00 The Epstein Files and Civil Liberties Debate12:00 What the Document Releases Actually Revealed22:30 Kathy Ruemmler, Bill Gates, and Jeffrey Epstein29:00 The Human Cost of Public Accusations42:40 The Cornell Student Anti-Semitism Controversy48:40 Internet Mobs, Cancellation, and Public Shaming

Noam Dworman, Dan Naturman and Periel Aschenbrand are joined by Ankush Khardori. They discuss the Epstein files, Kathy Ruemmler, civil liberties, public shaming and whether the release of Epstein-related documents has generated more heat than facts. They also discuss cancel culture, online mobs, Anthony Weiner, anti-Semitism, and the broader consequences of judging people through leaked communications. Ankush Khardori is a legal analyst and former federal prosecutor. He has been the legal affairs columnist for Politico and New York Magazine and has contributed to The New York Times, The Washington Post, The Wall Street Journal, The Financial Times, The New York Review of Books, The Atlantic, TIME and many more. Khardori regularly provides legal commentary and analysis on television, radio, and podcasts -- including CNN, MS NOW, the BBC, and NPR. CHAPTERS 04:40 How Ankush Got the Kathy Ruemmler Story08:00 The Epstein Files and Civil Liberties Debate12:00 What the Document Releases Actually Revealed22:30 Kathy Ruemmler, Bill Gates, and Jeffrey Epstein29:00 The Human Cost of Public Accusations42:40 The Cornell Student Anti-Semitism Controversy48:40 Internet Mobs, Cancellation, and Public Shaming

Artist and writer Molly Crabapple joins This Is Hell! to talk about her new book, “Here Where We Live Is Our Country: The Story of the Jewish Bund." Molly is the author of two books, her 2015 memoir, "Drawing Blood," and "Brothers of the Gun: A Memoir of the Syrian War," which is written and Illustrated by Molly and Marwan Hisham. "Brothers of the Gun" was long-listed for a National Book Award. She was a 2020 New America Fellow and her reportage was the winner of the Bernhard Labor Journalism Award, and has been published in The New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, Rolling Stone, The New Yorker and elsewhere. Her animations have won two Emmys and an Edward R. Murrow Award. Her art is in the permanent collections of the Museum of Modern Art. We will have new installments of Rotten History and Hangover Cure. We will also be sharing your answers to this week's Question from Hell! from Patreon. Help keep This Is Hell! completely listener supported and access bonus episodes by subscribing to our Patreon: www.patreon.com/thisishell

This week Steve, Dana, and Julia convene once again—this time with some big news. Also, they make a classic Gabfest episode. First up, it's the alienating fluorescent buzz, infinite carpeted sprawl, and liminal horror of Backrooms. The new release from A24 is directed by 20-year-old Kane Parsons based on his YouTube series which itself was inspired by deep internet lore and a viral piece of creepypasta. Does the uncanny maze of Backrooms go anywhere? They step into the labyrinth to find out. Next, they're joined by Gabfest fave Leon Neyfakh to get into another parallel dimension: the world of OnlyFans. They discuss Leon's new podcast about the ubiquitous platform OnlyFantasy—produced with comedian and OF creator Gracie Canaan.Finally, it's a conversation that's as lively as… well, that's the question. They take up a recent piece of data journalism in The Pudding analyzing the most common similes.In a bonus episode, Carl Wilson joins the call (as well as a special endorsement segment) to talk taste. Specifically, they get into how discussions of taste have changed since Carl wrote authoritatively on it 18 years ago in his book Let's Talk About Love: Why Other People Have Bad Taste.EndorsementsDana: The recent Zadie Smith essay in The New York Review of Books "Art for Our Sakes." Carl: The live album Happy Today by Jeff Parker and ETA IVtet as well as the anthology of poetry On Occasion: Poems for the People, with a special Canadian shoutout to the poem "Oh Americans" by Gary Barwin.Julia: The tranquil, koi fish-rich, and very SoCal Self-Realization Fellowship Lake Shrine. Also, L.A. listeners should join the folks of L.A Material, Punch List, and New York Review of Architecture on June 7 for the event LACMA Therapy Session to process all their complicated feelings about the new David Geffen Galleries.Steve: The band The Durutti Column as sampled in the Blood Orange song "The Field." Plus, Steve would love to know what listeners make of the author J.M. Coetzee, particularly his novel Disgrace.(Also, make sure to subscribe to Carl's fantastic newsletter Crritic!)--Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

This week Steve, Dana, and Julia convene once again—this time with some big news. Also, they make a classic Gabfest episode. First up, it's the alienating fluorescent buzz, infinite carpeted sprawl, and liminal horror of Backrooms. The new release from A24 is directed by 20-year-old Kane Parsons based on his YouTube series which itself was inspired by deep internet lore and a viral piece of creepypasta. Does the uncanny maze of Backrooms go anywhere? They step into the labyrinth to find out. Next, they're joined by Gabfest fave Leon Neyfakh to get into another parallel dimension: the world of OnlyFans. They discuss Leon's new podcast about the ubiquitous platform OnlyFantasy—produced with comedian and OF creator Gracie Canaan.Finally, it's a conversation that's as lively as… well, that's the question. They take up a recent piece of data journalism in The Pudding analyzing the most common similes.In a bonus episode, Carl Wilson joins the call (as well as a special endorsement segment) to talk taste. Specifically, they get into how discussions of taste have changed since Carl wrote authoritatively on it 18 years ago in his book Let's Talk About Love: Why Other People Have Bad Taste.EndorsementsDana: The recent Zadie Smith essay in The New York Review of Books "Art for Our Sakes." Carl: The live album Happy Today by Jeff Parker and ETA IVtet as well as the anthology of poetry On Occasion: Poems for the People, with a special Canadian shoutout to the poem "Oh Americans" by Gary Barwin.Julia: The tranquil, koi fish-rich, and very SoCal Self-Realization Fellowship Lake Shrine. Also, L.A. listeners should join the folks of L.A Material, Punch List, and New York Review of Architecture on June 7 for the event LACMA Therapy Session to process all their complicated feelings about the new David Geffen Galleries.Steve: The band The Durutti Column as sampled in the Blood Orange song "The Field." Plus, Steve would love to know what listeners make of the author J.M. Coetzee, particularly his novel Disgrace.(Also, make sure to subscribe to Carl's fantastic newsletter Crritic!)--Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

Melisa Febos joins Let's Talk Memoir for a conversation about romantic obsessions, celibacy as a portal to freedom, living her way into a corner and having to fight her way out, leading with scene and story and plot, taking back the sovereignty of her own mind and body, approaching oneself as a protagonist, leaving out what isn't central to the story, remembering memoir is not a transcription of a time lived, radical feminists, exercising agency and self-reclamation, living an examined life, integrating memories that were indigestible to us in the moment, the project of looking at ourselves honestly, and her most recent book, now in paperback The Dry Season: A Memoir of Pleasure in a Year Without Sex. Ronit's upcoming workshop: Writing Dynamic Memoir: From Lived Experience to Gripping Story https://www.lmcmurtrylitcenter.org/workshops/writing-dynamic-memoir-from-lived-experience-to-gripping-story   Also in this episode: -deepending friendships  -memoir-plus digressions -writing about our obsessions   Books mentioned in this episode: Will and Attention by Meghan O'Gieblyn  Canon by Paige Lewis Fat Swim by Emma Copley Eisenberg   Melissa Febos is the national bestselling author of five books, including Abandon Me, Girlhood—which won the National Book Critics Circle Award in Criticism, Body Work: The Radical Power of Personal Narrative, and, most recently, The Dry Season. Her awards and fellowships include those from the Guggenheim Foundation, LAMBDA Literary, the National Endowment for the Arts, The British Library, The Black Mountain Institute, MacDowell, the Bogliasco Foundation, The American Library in Paris, and others. Her work has appeared in The Paris Review, The New Yorker, The Sun, The New York Times Magazine, The Best American Essays, Vogue, The Best American Travel and Food Writing, and New York Review of Books. Febos is a Roy J. Carver Professor at the University of Iowa, where she teaches in the Nonfiction Writing Program. She lives in Iowa City with her wife, the poet Donika Kelly.   Connect with Melissa: Website: https://www.melissafebos.com/ Instagram: https://www.instagram.com/melissafebos Purchase book via bookshop: This is for the pre-order paperback for The Dry Season https://bookshop.org/p/books/the-dry-season-a-memoir-of-pleasure-in-a-year-without-sex-melissa-febos/f1c8367d8e351d91?ean=9780593685150&next=t - Ronit Plank bio and links:  Ronit Plank is a writer, teacher, and editor whose work has appeared in The Atlantic, Poets & Writers, River Teeth's Beautiful Things, The Rumpus, Salon, Hippocampus, The New York Times, and elsewhere, earning Best of the Net, Best Microfiction, and multiple Pushcart Prize nominations. Her memoir When She Comes Back was a Book Riot Best True Crime Book and Kirkus Reviews calls it, “An intimate, intuitive, emotionally vivid family account that finds hope in reconciliation". Ronit is also the author of the award-winning short story collection Home is a Made-Up Place, and her work has been anthologized in Selected Memories, Vol. 2: 15 Years of Hippocampus Magazine and Manna Songs: Stories of Jewish Culture and Heritage. Ronit is the Creative Nonfiction Editor at The Citron Review, teaches memoir at a host of venues including the University of Washington's Continuum Program, Antioch University, and 92NY's Roundtable, and is host of the podcast Let's Talk Memoir and the Substack Let's Talk Memoir. Find her on social media @ronitplank   Website: www.ronitplank.com Substack: https://substack.com/@ronitplank Instagram: https://www.instagram.com/ronitplank/ When She Comes Back: https://ronitplank.com/when-she-comes-back/

Greg Grandin, author of a recent article for the New York Review of Books, looks at how Pope Leo was shaped by his time in Peru. A.J.A. Woods, author of The Cultural Marxism Conspiracy, explains why the right sees the Frankfurt School as the root of modern decay. Behind the News, hosted by Doug Henwood, covers the worlds of economics and politics and their complex interactions, from the local to the global.

Send us Fan MailTrue healing happens when we open ourselves to the beauty around us—the beauty in the silence, in the trees, in the animals, in poetry, and through the beauty of learning to be present with ourselves again.In this conversation, you'll learn tools for addiction recovery and for a creativity boost. You'll also hear how profoundly natural beauty can be to restore the human spirit.My guest, Aaron Poochigian, is a poet, classics scholar, translator, and author whose life and work beautifully bridge literature, philosophy, and the healing power of nature.Aaron has translated some of the world's most timeless voices, including Sappho and Marcus Aurelius, and his writing has appeared in publications such as *The Financial Times*, *The New York Review of Books*, and *Poetry Magazine*.But beyond his academic and literary accomplishments, Aaron's personal journey is one of transformation.A former cocaine addict, Aaron found himself, like many during the pandemic, craving peace, inspiration, and reconnection after a season of isolation. And unexpectedly, he found it in Central Park.What began as a simple contemplation of this iconic urban sanctuary became a way to reconnect with life itself. This experience inspired his beautiful new book, *Four Walks in Central Park*, a unique guidebook written entirely in verse.This episode is a reminder that creativity is sparked by activating our senses during idle time.CONNECT TO AARON: His new book: Four Walks in Central Park: A Poetic Guide to the Park. Stung with Love: Sappho's Poems and FragmentsWebsite: aaronpoochigian.com.Download my FREE eBook: A Weekend of Feeling GreatSchedule a FREE Discovery call Sign up for my free weekly newsletter: HEREBuy my book Living Your Best Life in CollegeTake the 2-minute Wellness QuizIf you enjoyed this episode, please FOLLOW, RATE, REVIEW & SHARE!! Rates and reviews help the message get to more people! Thanks!Good is What Makes You Feel Well is Mamma Terra's PodcastCONNECT WITH MAMMA TERRA HEALTH COACHING:Instagram: @mammaterrahcFacebook: MammaTerra.HCLinkedIn: Anna ResendeIntro Music "Levitar" credits to Ricardo Ulpiano, Thiago Peixoto, Marcelo Luciano Menino, and Anderson Rodrigo de Oliveira.Podcast art credits to Caroline Kohls Thanks for tuning in!

Justine, who wrote and hosted the Believe Her podcast, returns to the show to discuss her latest work. Justine is an award-winning independent journalist and author. Her latest book, Unreasonable Women, will be published in June 2026 by Ecco. Justine's prior books include We Are Not Such Things, and her features have been published in the New York Review of Books, New York Magazine, Harper's, the Guardian, VQR, and TheNew Republic, among others. Justine is also the host and co-producer of the investigative podcast Believe Her.She has been honored with the James Aronson Award, the Sigma Delta Chi Award, the Gracie Award, the iHeart Radio Award, the Mike Berger Award, and the Ambie Award. Justine has received grants from the Pulitzer Center, Type Investigations, the International Women's Media Foundation, and the Robert B. Silvers Foundation, and fellowships from New America, the Emerson Collective, the Sustainable Arts Foundation, the Logan Nonfiction Program, Type Media, and PEN America.Unreasonable Women releases on June 2nd. Please consider pre-ordering the book HEREThe majority of the funding of our work comes directly from listeners, through our Patreon community.  To join Patreon, click THIS LINK.  At the $5/month level you'll get access to lots of Patreon Only BONUS EPISODES, Ad Free versions of all episodes, an hour of Patreon Exclusive video content every week, and our new weekly podcast “Pre-Game”, which drops every Wednesday.  Not to mention early access to some episodes and the ability to watch and participate in interviews live.Today's Sponsors:Rula – Head to Rula.com/justice to get startedQuince – Head to Quince.com/Ruff for free shipping and 365 day returns.Factor Meals - Head to Factormeals.com/truth50off and use code "truth50off" to get 50% off and FREE BREAKFAST for one year.Draft Kings – Download the app and sign up with code “Truth” to claim 1500 Flex Spins!

Declan Ryan is an Irish poet based in London. His first poetry collection, published in 2023, is called “Crisis Actor”. One reviewer said that the poems are preoccupied with, and driven by, the weight and difficulty of expectation — of ourselves and of others. His poems, reviews and essays have appeared in numerous journals including the New York Review of Books, The New Yorker, The Paris Review, The Guardian, The Observer, The Irish Times and New Statesman. My featured song is “Like Never Before”, my recent single. Spotify. link —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Testimonials Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH DECLAN:www.declanryan.uk —---------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —---------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

In this episode of the Vault, we revisit the Italian writer Italo Calvino's James Lecture, presented at the New York Institute for the Humanities on March 30, 1983. Italo Calvino was one of the most inventive and widely read Italian authors of the twentieth century. Born in Cuba in 1923 and raised in San Remo, Italy, he began his literary career as a journalist and fiction writer after World War II, publishing his debut novel, The Path to the Nest of Spiders, in 1947. He went on to write some of the most formally original works in postwar literature, including Our Ancestors, Cosmicomics, Invisible Cities, and If on a winter's night a traveler. His work moved fluidly between realism, fantasy, and structural experimentation, earning him a reputation as one of the foremost practitioners of what would come to be called postmodern fiction. He died in 1985, in Siena, Italy. In this lecture, later published as “The Written and the Unwritten Word” in the New York Review of Books, Calvino reflects on writing, reading and what it means to live between the written world and the material world. He is introduced by NYIH fellow Susan Sontag. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of the Vault, we revisit the Italian writer Italo Calvino's James Lecture, presented at the New York Institute for the Humanities on March 30, 1983. Italo Calvino was one of the most inventive and widely read Italian authors of the twentieth century. Born in Cuba in 1923 and raised in San Remo, Italy, he began his literary career as a journalist and fiction writer after World War II, publishing his debut novel, The Path to the Nest of Spiders, in 1947. He went on to write some of the most formally original works in postwar literature, including Our Ancestors, Cosmicomics, Invisible Cities, and If on a winter's night a traveler. His work moved fluidly between realism, fantasy, and structural experimentation, earning him a reputation as one of the foremost practitioners of what would come to be called postmodern fiction. He died in 1985, in Siena, Italy. In this lecture, later published as “The Written and the Unwritten Word” in the New York Review of Books, Calvino reflects on writing, reading and what it means to live between the written world and the material world. He is introduced by NYIH fellow Susan Sontag. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

Jeremías 9:5"No hay nadie que no engañe a su amigo. No hay nadie que diga la verdad. Entrenaron su lengua para la mentira, y sólo saben perpetrar la maldad".Es común que los evolucionistas descarten mucho del gran trabajo de los creacionistas, diciendo que esos documentos no aparecen en sus revistas revisadas por pares. Sin embargo, en la actualidad, los editores de las dos revistas médicas más prestigiosas han dejado constancia de que el proceso de revisión por pares de sus revistas, ya no tiene el mismo peso y ya no significa mucho.Hace varios años, la Dra. Marcia Angell, médico y editora de una de las revistas médicas de más confianza en el mundo, escribió lo siguiente: "Ya no es posible creer mucho de la investigación clínica que se publica, o confiar en el juicio de médicos de confianza o de las directrices médicas autorizadas. No me gusta esta conclusión, a la cual he llegado lentamente y a regañadientes durante mis dos décadas como editor de la revista The New England Journal of Medicine” (revista médica con sistema de revisión por pares).Más recientemente, el Dr. Richard Horton, editor de la revista The Lancet, escribió lo siguiente en su propia revista: "El caso contra la ciencia es una tarea sencilla. Gran parte de la literatura científica, quizá más de la mitad, puede simplemente ser falsa." Añadió que "la ciencia ha dado un giro hacia la oscuridad" y dijo que esto es causado por "flagrantes conflictos de intereses." También dijo algo que hemos estado diciendo por años: "En su búsqueda por contar una historia convincente, los científicos a menudo esculpen datos que encajen con su teoría preferida del mundo".Así que nunca deje que un evolucionista le lance el proceso de revisión por pares en la cara como una marca de la superioridad de la evolución sobre la creación bíblica. A diferencia de las publicaciones revisadas por pares, la Biblia nunca se equivoca.Oración: Padre Celestial, en lugar de poner mi confianza en la palabra falible del hombre, pongo mi confianza en Tu Palabra escrita y viva - el Señor Jesucristo! Amén.Ref: Marcia Angell, "Las compañías farmacéuticas y los médicos: una historia de corrupción." 15 de enero de 2009. The New York Review of Books 56. To support this ministry financially, visit: https://www.oneplace.com/donate/1235/29?v=20251111

Listen to the rest of this premium episode by subscribing at patreon.com/knowyourenemy. REMINDER: COME SEE KYE x MIKE DUNCAN LIVE IN NYC Given the string of recent episodes that, in various ways, grappled with religion we wanted to take a step back and offer a rather personal conversation about believing in God, or not, and what difference it might makes. The discussion begins by revisiting when we first met over a decade ago and talked a lot about faith, then ranges widely, including: atheism vs agnosticism, W.H. Auden, why we're not experiencing a religious revival in the United States (but could be soon), and more. Sources: Christopher Beha, Why I Am Not an Atheist (2026) Edward Mendelson, "The Secret Auden," New York Review of Books, March 20, 2014 David Martin, w/ a reply from Edward Mendelson, "Why Auden Married," New York Review of Books, April 24, 2014 Matthew Sitman, "Saving Calvin from Clichés: An Interview with Marilynne Robinson," Commonweal, Oct 5, 2017 Ryan Burge, "Religion Has Become A Luxury Good For The Middle Class, Married College Graduate With Children," Religion Unplugged, July 12, 2023 Daniel Cox, "The Illusion of America's Religious Revival," American Storylines, Nov 13, 2025 Walker Percy, Lost in the Cosmos: The Last Self-Help Book (1983) — The Message in the Bottle: How Queer Man Is, How Queer Language Is, and What One Has to Do with the Other (1975) The Living Thoughts of Kierkegaard, edited & with an introduction by W.H. Auden (1999) W.H. Auden, "In Praise of Limestone," in Nones (1951) "Jill Lepore on Nationalism, Populism, and the State of America," EconTalk, April 15, 2019

Dickens in Brooklyn is a virtuoso collection of unusual, compelling essays in which critically acclaimed and award-winning author Jay Neugeboren explores experiences that have been central to his life: caring long-term for a brother with mental illness; finding and connecting with long-lost family members; a posthumous lunch with Oliver Sacks; his years as single parent to his three children; his decision as a General Motors executive trainee to violate company policy and hang out with "hourlies;" a thwarted kiss at a teenage summer camp where he was a young Jewish man in exile among Jews.Neugeboren is the author most recently of Whatever Happened to Frankie King and twenty-three other prize-winning works of fiction and nonfiction. His essays have been recently published in The New York Review of Books, The New York Times, The American Scholar, Los Angeles Review of Books, Tablet, and Commonweal, and are here collected for the first time.

On this week's show, Dana, Steve, and Dan Kois get into cultural topics of various scales. First, they examine The Christophers, the latest film from Steven Soderbergh. The small scale two-hander starring Ian McKellen and Michaela Coel about an aging artist and an upstart forger is intentionally intimate, but is it too slight? They discuss.Next, they pick up their cultural magnifying glasses to peep at The Miniature Wife, the new marital comedy series starring Matthew Macfadyen and Elizabeth Banks about a scientist who accidentally aims his shrink ray on his wife. Is this diminutive premise too small for its multiple episode execution? They discuss. Finally, they take up the small but mighty objects apparently floating at the bottom of many an it girl's purse: cigarettes. They respond to a recent piece in the Ankler “Cigarettes Get a Sequel: Hollywood's ‘Cool' Bad Habit Is Back.”In an exclusive bonus episode for Slate Plus subscribers, the panel gazes at the vast expanse of space and talks about Artemis II's mission to the far side of the moon. EndorsementsDan: The novel Possession by A.S. Byatt.Steve: The essay in New York Review of Books “From the Rooftops of Tehran,” an anonymous first person account of life under fire from American and Israeli bombs.Dana: The radio show Shocking Blue on New York's WFUV from the DJ Delphine Blue— if you miss it on Saturday nights 8pm-11pm when it airs, check out at WFUV's archives to listen to episodes after broadcast.--Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

Catching up with Molly Crabapple about Here Where We Live Is Our Country: The Story of the Jewish Bund, available TODAY!! See also Molly's "My Great Grandfather was a Bundist" in New York Review of Books Support the show / get bonus content at http://patreon.com/thiswreckageSong: New Yiddish Chorale/Workers Circle Chorus feat. Adrienne Cooper - Barikadn (Barricades)

On this week's show, Dana, Steve, and Dan Kois get into cultural topics of various scales. First, they examine The Christophers, the latest film from Steven Soderbergh. The small scale two-hander starring Ian McKellen and Michaela Coel about an aging artist and an upstart forger is intentionally intimate, but is it too slight? They discuss.Next, they pick up their cultural magnifying glasses to peep at The Miniature Wife, the new marital comedy series starring Matthew Macfadyen and Elizabeth Banks about a scientist who accidentally aims his shrink ray on his wife. Is this diminutive premise too small for its multiple episode execution? They discuss. Finally, they take up the small but mighty objects apparently floating at the bottom of many an it girl's purse: cigarettes. They respond to a recent piece in the Ankler “Cigarettes Get a Sequel: Hollywood's ‘Cool' Bad Habit Is Back.”In an exclusive bonus episode for Slate Plus subscribers, the panel gazes at the vast expanse of space and talks about Artemis II's mission to the far side of the moon. EndorsementsDan: The novel Possession by A.S. Byatt.Steve: The essay in New York Review of Books “From the Rooftops of Tehran,” an anonymous first person account of life under fire from American and Israeli bombs.Dana: The radio show Shocking Blue on New York's WFUV from the DJ Delphine Blue— if you miss it on Saturday nights 8pm-11pm when it airs, check out at WFUV's archives to listen to episodes after broadcast.--Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

Bestselling, Booker Prize-winning author, Anne Enright, spoke to me about eagles and moles, the interior engineering of a novel, her love of Irish poetry, and her latest THE WREN, THE WREN. Anne Enright won the Man Booker Prize and the Irish Fiction Award for her novel The Gathering. She has also been awarded the Andrew Carnegie Medal for Excellence, a Lifetime Achievement Award from the Irish Book Awards, and was the first Laureate for Irish Fiction (2015-2018). Her latest novel The Wren, the Wren, was named a Most Anticipated Book of the Year by TIME, The Millions, Literary Hub, and others, and is described as the story of “... three generations of … women who must contend with inheritances―of poetic wonder and of abandonment by a man who is lauded in public and carelessly selfish at home.” The New York Times called it, "... a powerful, thoughtful book by one of the great living writers on the subject of family," and Pulitzer Prize-winning author Jennifer Egan said of the book, “The Wren, the Wren is an electrifying romp through language itself―its dizzying possibilities and satisfactions―led by one the most gifted writers working in English today." Anne Enright has also published two books of short stories, her essays on literary themes have appeared in the London Review of Books and The New York Review of Books, and she writes for the books pages of The Irish Times and The Guardian. [Discover ⁠The Writer Files Extra⁠: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at ⁠writerfiles.fm⁠] [If you're a fan of The Writer Files, please ⁠click FOLLOW to automatically see new interviews⁠. And drop us a rating or a review wherever you listen] In this file Anne Enright and I discussed:  The moment of burnout that changed her career How she used to be a night owl scribe Why you shouldn't over-panic, or over-plan The fallacies of impostor syndrome and inspiration How to create a fictional poet out of thin air Taking a long look at James Joyce across the table And a lot more! Show Notes: ⁠Anne Enright - Wikipedia⁠ ⁠The Wren, the Wren: A Novel⁠ by Anne Enright (Amazon) ⁠Anne Enright Amazon Author Page⁠ ⁠Book Review: ‘The Wren, the Wren,' by Anne Enright⁠ - The New York Times Milena Gonzalez | Writer | Reader | Book Reviewer ⁠diary_of_a_book_babe on Instagram⁠ ⁠Kelton Reid Instagram⁠ ⁠Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

“You don't have enough money to pay all the bills? Well, cut the budget for parks and rec, cut the budget for libraries, cut the budget for fixing potholes — but don't touch the police budget.” — Stuart Schrader Fifty years ago, America's local police still served at the pleasure of democratically elected politicians. Not anymore. Stuart Schrader has spent years in the archives tracing how it happened. In Blue Power: How Police Organized to Protect and Serve Themselves, Schrader begins the story in Sixties Detroit, where a young, progressive Democratic mayor found his career derailed by a police union fighting for recognition. It was the opening move of a decades-long campaign in which rank-and-file officers took advantage of the tools of American democracy — unions, lobbying, litigation, public relations — to lift policing above the law. Schrader's most counterintuitive finding is that the greatest federal champions of Blue Power were Democrats like Joe Biden. With Trump 2.0, the story gets even stranger. ICE — anonymous, paramilitary, seemingly answerable to no one — has paradoxically made local police look credible by comparison. Some police unions have tried to exploit the contrast at contract renewal time. Others have quietly welcomed the federal incursions as a way to challenge progressive city councils in Los Angeles, Chicago, and DC. It's almost as if today's democratically elected politicians serve at the pleasure of the local police. Five Takeaways •       The Detroit Opening Move: The book begins in 1960s Detroit, where a young, charismatic, progressive Democratic mayor found his political career effectively destroyed by a police union fighting for recognition. That wasn't an accident. Police were simultaneously being called on to put down urban rebellions and gaining new workplace power through public sector unionization laws. They married those two things together: law and order rhetoric plus well-compensated, long-leashed officers. The Supreme Court's rights revolution — criminal defendants' rights, civil rights — felt to police like an existential threat. Blue Power was their answer. •       Biden and the Bipartisan Consensus: Schrader's most counterintuitive finding: the greatest federal champions of Blue Power were Democrats. Joe Biden, as a senator, was one of the most important figures in unifying police organizations — rural versus urban, command rank versus rank and file — and ensuring legislation met their demands. The law-and-order consensus wasn't just Republican. It was built by Democrats who were terrified of the crime hysteria, and police who were expert at stoking it. Even once crime began its dramatic decline in the 1990s, police kept using the fear. We stopped the crime wave. Now pay up. •       Crime Hysteria as a Political Weapon: Police learned early that crime statistics were a cudgel. Sign a good contract or crime will go up. And the tactic worked — not because the connection between police compensation and crime rates is real (Schrader says it isn't), but because the fear was real. Social scientists still can't fully explain why crime rose dramatically through the 1960s-80s and then declined just as dramatically from the mid-1990s. Police can't explain it either. But no other public sector union operates this way. Sanitation workers don't demand raises because they plowed the streets well in a heavy winter. Teachers don't point to test scores. Police do. •       ICE, Blue Power, and the Trump Paradox: ICE — anonymous, paramilitary, answerable to no one, reluctant even to wear identifying insignia — has paradoxically made local police look credible by contrast. Some unions have tried to exploit this at contract renewal time: we're not ICE, so pay us accordingly. Others have quietly welcomed the federal incursions as a way to override progressive city councils in Chicago, LA, DC, and elsewhere. The Border Patrol union was one of the first to endorse Trump in 2016 and has been rewarded handsomely. Blue Power is nothing if not adaptable. •       Why Defunding Failed — and What Actually Matters: Blue Power, Schrader argues, is the primary reason defunding didn't happen. Police used the same political tactics the book describes to thwart those demands from movements — the same lobbying, litigation, public relations, and contract leverage they've been deploying since the 1960s. The real question isn't defund or not defund. It's how cities allocate their resources. Over and over again in his research, Schrader found police saying explicitly: cut parks and rec, cut libraries, cut pothole repair — but don't touch our budget. That argument, made in fiscal crisis after fiscal crisis, has never really stopped. About the Guest Stuart Schrader is associate professor of history at Johns Hopkins University and director of the Chloe Center for the Critical Study of Racism, Immigration, and Colonialism. He is the author of Blue Power: How Police Organized to Protect and Serve Themselves (Basic Books, 2026) and Badges Without Borders: How Global Counterinsurgency Transformed American Policing (University of California Press, 2019). References: •       Blue Power: How Police Organized to Protect and Serve Themselves by Stuart Schrader (Basic Books, 2026). •       “Authoritarianism from Below,” New York Review of Books, 2026. By Stuart Schrader. •       Episode 2021 [March 2021]: Rosa Brooks on Tangled Up in Blue: Policing the American City — the sympathetic counterpoint to Schrader's critique. About Keen On America Nobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 2,800 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting. WebsiteSubstackYouTubeApple PodcastsSpotify Chapters: (00:31) - Rosa Brooks, Tangled Up in Blue, and the sympathetic take on policing (03:44) - Authoritarianism from below: how police seized political power (05:09) - Conscious strategy or structural drift? The origins of Blue Power (08:37) - What drives Blue Power: ideology, bureaucracy, or money? (09:19...

Why Translate Homer Again? Daniel Mendelsohn on his new OdysseyThis conversation explore's Daniel Mendelsohn's new translation of The Odyssey. Mendelsohn reflects on why this endlessly retranslated text still invites fresh interpretation, describing Odysseus as a “proto-author” whose storytelling shapes reality itself.The discussion delves into the craft of translation; balancing precision with poetic vitality, preserving the strangeness of Homeric Greek while remaining readable, and making deliberate choices about line length, diction, and even spelling. Mendelsohn also highlights the influence of teaching and lifelong engagement with the text, emphasising close reading and the role of students in deepening understanding.Beyond technique, the conversation explores why The Odyssey endures. its themes of homecoming, identity, storytelling, and time continue to resonate across generations, making it both an ancient epic and a strikingly modern work.Buy The Odyssey: https://www.shakespeareandcompany.com/books/the-odyssey-51Memoirist, critic, translator, and frequent contributor of essays to The New Yorker and The New York Review of Books, where he is Editor-at-Large, Daniel Mendelsohn is the author of ten books, including the international bestsellers The Lost: A Search for Six of Six Million, winner of the National Jewish Book Award and the National Book Critics Circle Award, and An Odyssey: A Father, a Son, and an Epic, an NPR and Kirkus Best Book of the Year. His other honors include the Prix Médicis in France and the Premio Malaparte, Italy's highest honor for foreign writers. In 2022 he was made a Chevalier de l'Ordre des Arts et des Lettres by the Republic of France. He is currently the Charles Ranlett Flint Professor of Humanities at Bard College.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.

On Tuesday, March 31, Congressman and Ranking Member of the House Intelligence Committee Rep. Jim Himes (CT-4) and national security expert Miles Taylor‬ of DEFIANCE.News unpacked the Iran conflict, explaining how geopolitical tensions, media narratives, and domestic politics are intersecting in ways that could increase the risk of escalation. Moderated by Charlie Sykes, speakers emphasized that the human, economic, and global consequences of conflict are often treated too abstractly, underscoring the importance of staying informed and engaged.The discussion also focused on practical ways individuals can take action: diversifying news sources, contacting elected officials about military engagement, backing candidates committed to democratic norms in competitive races, and engaging in informed conversations within their communities.The takeaway was straightforward: understanding the stakes is important, but meaningful change depends on sustained engagement and informed action.Check out BigTentUSA's ACT NOW page: https://bigtentusa.org/act-now/ Learn more about Rep. Himes: https://www.himesforcongress.com/Check out Miles' organization and podcast:https://www.defiance.orghttps://www.iheart.com/podcast/1119-the-whistleblowers-inside-118528279/Visit Charlie's newsletter and podcast “To the Contrary”:https://charliesykes.substack.com/ABOUT THE SPEAKERS:Jim Himes was elected to Congress in 2008 and has since built a record delivering results for Connecticut families. He has served in key roles including Ranking Member of the House Intelligence Committee and as a senior member of the Financial Services Committee, focusing on economic growth, national security, and bipartisan solutions. He previously chaired the Select Committee on Economic Disparity and Fairness in Growth and has a long history of local service, including with the Greenwich Housing Authority and other community organizations.Miles Taylor is a national security expert who works in Washington, DC as Founder of DEFIANCE.org. Taylor previously served as chief of staff at the US Department of Homeland Security, where he published a bombshell “Anonymous” essay in The New York Times, blowing the whistle on presidential misconduct. He later published the #1 national bestseller “A Warning”, revealed himself to be the author, and launched a campaign of ex-officials to oppose Donald Trump's reelection. Taylor is also the author of The New York Times best-selling book Blowback and the host of the iHeartRadio podcast “The Whistleblowers.”Charlie Sykes is the author of the Substack newsletter, “To the Contrary,” and contributes to The Atlantic and MSNBC. His most recent book, “How the Right Lost Its Mind”, published by St. Martin's Press, was released in October 2017.Sykes has written for The New York Times, The Atlantic, The Weekly Standard, The Washington Post, Commentary, The Wall Street Journal, Politico, The Los Angeles Times, Newsweek, Time.com, USA Today, National Review, The New York Review of Books, the New York Daily News, and other national publications. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit bigtentnews.substack.com

With the Old Breed: At Peleliu and Okinawa Disk 10. https://youtu.be/wNWsSVTGQZc?si=rZ0Gwu6Z966_de7r Chicago Piano 1.17K subscribers 30,425 views Jan 15, 2024 Listen to the entire book for free on YouTube- https://www.youtube.com/playlist?list=PLrTXeh1hjuLd91Tw495Si3K8qPWoZuftL   With the Old Breed: At Peleliu and Okinawa Disk 10. by E.B. Sledge (Author) See all formats and editions NEW YORK TIMES BESTSELLER • “Of all the books about the ground war in the Pacific, [this] is the closest to a masterpiece.”—The New York Review of Books “Eugene Sledge became more than a legend with his memoir, With the Old Breed. He became a chronicler, a historian, a storyteller who turns the extremes of the war in the Pacific—the terror, the camaraderie, the banal and the extraordinary—into terms we mortals can grasp.”—Tom Hanks In The Wall Street Journal, Victor Davis Hanson named With the Old Breed one of the top five books on epic twentieth-century battles after its original publication in 1981. Studs Terkel interviewed the author for his definitive oral history, The Good War. Now E. B. Sledge's acclaimed first-person account of fighting at Peleliu and Okinawa returns to thrill, edify, and inspire a new generation. An Alabama boy steeped in American history and enamored of such heroes as George Washington and Daniel Boone, Eugene B. Sledge became part of the war's famous 1st Marine Division—3rd Battalion, 5th Marines. Even after intense training, he was shocked to be thrown into the battle of Peleliu, where “the world was a nightmare of flashes, explosions, and snapping bullets.” By the time Sledge hit the hell of Okinawa, he was a combat vet, still filled with fear but no longer with panic. Based on notes Sledge secretly kept in a copy of the New Testament, With the Old Breed captures with utter simplicity and searing honesty the experience of a soldier in the fierce Pacific Theater. Here is what saved, threatened, and changed his life. Here, too, is the story of how he learned to hate and kill—and came to love—his fellow man. “In all the literature on the Second World War, there is not a more honest, realistic or moving memoir than Eugene Sledge's. This is the real deal, the real war: unvarnished, brutal, without a shred of sentimentality or false patriotism, a profound primer on what it actually was like to be in that war. It is a classic that will outlive all the armchair generals' safe accounts of—not the ‘good war'—but the worst war ever.”—Ken Burns   Listen to the entire book for free on YouTube- https://www.youtube.com/playlist?list=PLrTXeh1hjuLd91Tw495Si3K8qPWoZuftL

Part 2 of 2. With the Old Breed: At Peleliu and Okinawa Disk 11. https://youtu.be/wNWsSVTGQZc?si=rZ0Gwu6Z966_de7r Chicago Piano 1.17K subscribers 30,425 views Jan 15, 2024 Listen to the entire book for free on YouTube- https://www.youtube.com/playlist?list=PLrTXeh1hjuLd91Tw495Si3K8qPWoZuftL   With the Old Breed: At Peleliu and Okinawa Disk 11. by E.B. Sledge (Author) See all formats and editions NEW YORK TIMES BESTSELLER • “Of all the books about the ground war in the Pacific, [this] is the closest to a masterpiece.”—The New York Review of Books “Eugene Sledge became more than a legend with his memoir, With the Old Breed. He became a chronicler, a historian, a storyteller who turns the extremes of the war in the Pacific—the terror, the camaraderie, the banal and the extraordinary—into terms we mortals can grasp.”—Tom Hanks In The Wall Street Journal, Victor Davis Hanson named With the Old Breed one of the top five books on epic twentieth-century battles after its original publication in 1981. Studs Terkel interviewed the author for his definitive oral history, The Good War. Now E. B. Sledge's acclaimed first-person account of fighting at Peleliu and Okinawa returns to thrill, edify, and inspire a new generation. An Alabama boy steeped in American history and enamored of such heroes as George Washington and Daniel Boone, Eugene B. Sledge became part of the war's famous 1st Marine Division—3rd Battalion, 5th Marines. Even after intense training, he was shocked to be thrown into the battle of Peleliu, where “the world was a nightmare of flashes, explosions, and snapping bullets.” By the time Sledge hit the hell of Okinawa, he was a combat vet, still filled with fear but no longer with panic. Based on notes Sledge secretly kept in a copy of the New Testament, With the Old Breed captures with utter simplicity and searing honesty the experience of a soldier in the fierce Pacific Theater. Here is what saved, threatened, and changed his life. Here, too, is the story of how he learned to hate and kill—and came to love—his fellow man. “In all the literature on the Second World War, there is not a more honest, realistic or moving memoir than Eugene Sledge's. This is the real deal, the real war: unvarnished, brutal, without a shred of sentimentality or false patriotism, a profound primer on what it actually was like to be in that war. It is a classic that will outlive all the armchair generals' safe accounts of—not the ‘good war'—but the worst war ever.”—Ken Burns   Listen to the entire book for free on Youtube- https://www.youtube.com/playlist?list=PLrTXeh1hjuLd91Tw495Si3K8qPWoZuftL

"Lamarkism" is a term often attached to a seemingly discredited idea in evolutionary biology: that one organism could acquire characteristics (e.g., becoming stronger through exercise) that would then be inherited by its descendants. This is a different story than the one ultimately told by the modern synthesis of evolutionary biology, according to which inheritance passes through our genome (which doesn't know that we've been working out). In her book The Power of Life: The Invention of Biology and the Revolutionary Science of Jean-Baptiste Lamarck, historian of science Jessica Riskin argues that this picture is too simple, and that Lamarck made contributions we should still pay attention to: most significantly, the idea that organisms have a creative agency of their own, in addition to the influences of the outside world. Take your personal data back with Incogni! Use code MINDSCAPE at this link and get 60% off an annual plan: https://incogni.com/mindscape #sponsored   Blog post with transcript: https://www.preposterousuniverse.com/podcast/2026/03/23/348-jessica-riskin-on-jean-baptiste-lamarck-and-life-as-creative-agency/ Support Mindscape on Patreon. Jessica Riskin received her Ph.D. in history from the University of California, Berkeley. She is currently the Frances and Charles Field Professor of History at Stanford University. Among her awards are the Patrick Suppes Prize in the History of Science and the J. Russell Major Award for French history. Her books include The Restless Clock and Genesis Redux, and she is a frequent contributor to the New York Review of Books. Web page New York Review of Books contributor page Amazon author page Wikipedia

When Madame Bovary was written in the 1850s, it fell under the accusing eye of the French government for its perceived immorality. Flaubert recognized that the trial would only stoke interest, and that it would set the tone for his career. Research: Barzun, Jacques. “Gustave Flaubert.” Encylopedia Brittanica. https://www.britannica.com/biography/Gustave-Flaubert Blakemore, Erin. “What Madame Bovary Revealed About the Freedom of the Press.” JSTOR Daily. Dec. 16, 2016. https://daily.jstor.org/what-madame-bovary-revealed-about-the-freedom-of-the-press/ Brown, Frederick. “Flaubert: A Biography.” Harvard University Press. 2007. CREASY, MATTHEW. “INVERTED VOLUMES AND FANTASTIC LIBRARIES: ‘ULYSSES’ AND ‘BOUVARD ET PÉCUCHET.’” European Joyce Studies, vol. 19, 2011, pp. 112–27. JSTOR, http://www.jstor.org/stable/44871308 Flaubert, Gustave, and Christopher Moncrieff, tr. “Madame Bovary: Newly Translated and Annotated.” Alma Classics. 2010. Haynes, Christine. “The Politics of Publishing During The Second Empire: The Trial of Madame Bovary Revisited.” French Politics, Culture & Society. Oxford Journals. June 1, 2005. https://doi.org/10.3167/153763705780980083 LaCapra, Dominick. “Madame Bovary on Trial.” Cornell University Press. 1982. “The Public vs. M. Gustave Flaubert.” Project Gutenberg. https://www.gutenberg.org/cache/epub/10666/pg10666.txt Steegmuller, Francis. “Flaubert and Madame Bovary: A Double Portrait.” New York Review of Books. 1966. Steegmuller, Francis. “The Letters of Gustave Flaubert.” New York Review of Books. 1980. Thurman, Judith. “A Unsimple Heart.” The New Yorker. April 29, 2002. https://www.newyorker.com/magazine/2002/05/06/an-unsimple-heart?_sp=0c026da2-f3c5-4709-9ac8-8214e0cc3278.1772403467294 See omnystudio.com/listener for privacy information.

On this week's show, Steve is joined by June Thomas, author of A Place of Our Own, and Michael Schulman, author of Her Again and Oscar Wars, for some rollicking Gabfest discourse. First up, they get all shook up by EPiC: Elvis Presley in Concert, the concert documentary directed by Baz Luhrmann from archival Elvis performance footage. Does the master of cinematic spectacle bring the King back to life?Next, they turn to The Fall and Rise of Reggie Dinkins, the new sitcom from 30 Rock co-creator Robert Carlock starring Tracy Morgan. Finally, they examine the uncanny and profound phenomena of posthumously-published celebrity interviews—including Eric Dane and Jane Goodall—of Netflix's Famous Last Words specials. Existential bravery or exploitative trash? They discuss.In an exclusive bonus episode for Slate Plus subscribers, the panel weighs in on the best casting Oscar race.EndorsementsMichael: The audiobook of the memoir I Regret Almost Everything by Keith McNally as narrated by the incomparable Richard E. Grant.June: Two niche podcasts featuring conversations with authors of biography including Bio, the official podcast of the Biographers International Organization, and Biographers in Conversation. Also, jumping on the Richard E. Grant train, the BBC parody cooking series Posh Nosh starring Grant and Arabella Weir.Steve: The recent essay “The Stony Dark Within” by Joy Williams about Rainer Maria Rilke in the New York Review of Books.--Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

On this week's show, Steve is joined by June Thomas, author of A Place of Our Own, and Michael Schulman, author of Her Again and Oscar Wars, for some rollicking Gabfest discourse. First up, they get all shook up by EPiC: Elvis Presley in Concert, the concert documentary directed by Baz Luhrmann from archival Elvis performance footage. Does the master of cinematic spectacle bring the King back to life?Next, they turn to The Fall and Rise of Reggie Dinkins, the new sitcom from 30 Rock co-creator Robert Carlock starring Tracy Morgan. Finally, they examine the uncanny and profound phenomena of posthumously-published celebrity interviews—including Eric Dane and Jane Goodall—of Netflix's Famous Last Words specials. Existential bravery or exploitative trash? They discuss.In an exclusive bonus episode for Slate Plus subscribers, the panel weighs in on the best casting Oscar race.EndorsementsMichael: The audiobook of the memoir I Regret Almost Everything by Keith McNally as narrated by the incomparable Richard E. Grant.June: Two niche podcasts featuring conversations with authors of biography including Bio, the official podcast of the Biographers International Organization, and Biographers in Conversation. Also, jumping on the Richard E. Grant train, the BBC parody cooking series Posh Nosh starring Grant and Arabella Weir.Steve: The recent essay “The Stony Dark Within” by Joy Williams about Rainer Maria Rilke in the New York Review of Books.--Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

Today we're looking at the book Abundance, by Ezra Klein, co-authored with Derek Thompson, published in 2025. Ezra Klein is a writer and editor. He has a columnist and editor at The Washington Post, a policy analyst at MSNBC, and a contributor to Bloomberg. He's written for The New Yorker and The New York Review of Books, and appeared on Face the Nation, The Daily Show, PBS NewsHour, and many more. He has earned a reputation of being somewhat left wing in his views. There is a danger in type casting people. As you will see, much of what he talks about in his book could be considered part of the libertarian and Republican core beliefs. In real estate, we live and die by the gap between what people need and what the market can deliver. When housing is scarce, rents rise, household formation slows, employers struggle to hire, and communities get brittle. Abundance is a book that argues the United States has not merely stumbled into scarcity, it has, in many ways, designed it. The authors' central claim is that we've built layers of well-intentioned rules and processes that make it painfully hard to build housing, infrastructure, and clean energy at the scale we say we want. -------------**Real Estate Espresso Podcast:** Spotify: [The Real Estate Espresso Podcast](https://open.spotify.com/show/3GvtwRmTq4r3es8cbw8jW0?si=c75ea506a6694ef1)   iTunes: [The Real Estate Espresso Podcast](https://podcasts.apple.com/ca/podcast/the-real-estate-espresso-podcast/id1340482613)   Website: [www.victorjm.com](http://www.victorjm.com)   LinkedIn: [Victor Menasce](http://www.linkedin.com/in/vmenasce)   YouTube: [The Real Estate Espresso Podcast](http://www.youtube.com/@victorjmenasce6734)   Facebook: [www.facebook.com/realestateespresso](http://www.facebook.com/realestateespresso)   Email: [podcast@victorjm.com](mailto:podcast@victorjm.com)  **Y Street Capital:** Website: [www.ystreetcapital.com](http://www.ystreetcapital.com)   Facebook: [www.facebook.com/YStreetCapital](https://www.facebook.com/YStreetCapital)   Instagram: [@ystreetcapital](http://www.instagram.com/ystreetcapital)  

Last October, the war in Sudan took a new turn with the capture of El Fasher by the Rapid Support Forces. The city in western Sudan had been under siege by the RSF for more than two years before the Sudanese armed forces suddenly withdrew. After taking control of El Fasher, the RSF began to carry out a massacre of civilians. A UN fact-finding mission recently found that the crimes in El Fasher bore “hallmarks of genocide.” The Sudanese catastrophe is all the more depressing because it comes after a brief moment of greater political openness and optimism after the ousting of a dictator in 2019. Joshua Craze joins Long Reads to discuss the evolution of the conflict in Sudan and its likely future. Joshua has written many articles about the politics of Sudan and South Sudan for publications such as the New Statesman, the New York Review of Books, and Jacobin. Read Joshua's 2023 essay for Jacobin, “Only You Can Save Darfur”: https://jacobin.com/2023/07/only-you-can-save-darfur And find other work on his personal website: https://www.joshuacraze.com/essays Long Reads is a Jacobin podcast looking in-depth at political topics and thinkers, both contemporary and historical, with the magazine's longform writers. Hosted by features editor Daniel Finn. Produced by Conor Gillies with music by Knxwledge.

The original trio Steve, Dana, and Julia convene for a right cracker of a Gabfest as they discuss How to Get to Heaven from Belfast, the new comedic mystery from Derry Girls creator Lisa McGee. In the Netflix series, three longtime Belfast friends must revisit their childhood trauma to unravel the mystery of a fourth friend's disappearance— raucous Northern Irish hijinks ensue.Next, they step into the unhinged dystopian Los Angeles of Gore Verbinski's new film Good Luck, Have Fun, Don't Die. In it a beleaguered time traveler played by Sam Rockwell must visit the same Norm's diner 117 times to save the world from the menace of A.I..Finally, they welcome Slate senior writer Christina Cauterucci to unpack her recent piece “My Gun and Me” about her unlikely journey towards gun ownership during Trump 2.0—and how she's not alone in doing so in her left-leaning, queer community.In an exclusive bonus episode for Slate Plus subscribers, they determine if there are indeed no comfortable reading positions, as a recent Slate essay by Luke Winkie attests. EndorsementsDana: The latest Today in Tabs entry from Rusty Foster "A.I. Isn't People."Julia: In lieu of an endorsement, a gripe: the much-hyped New York Times two-player word game Crossplay is just Scrabble! (If only there were a German word for this specific form of disappointment...)Steve: Rereading J.D. Salinger with some distance from one's own adolescence— particularly Franny and Zooey and the short story "For Esmé—with Love and Squalor." And for a good critical reassessment, read Janet Malcolm's New York Review of Books essay "Justice to J.D. Salinger." --Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

The original trio Steve, Dana, and Julia convene for a right cracker of a Gabfest as they discuss How to Get to Heaven from Belfast, the new comedic mystery from Derry Girls creator Lisa McGee. In the Netflix series, three longtime Belfast friends must revisit their childhood trauma to unravel the mystery of a fourth friend's disappearance— raucous Northern Irish hijinks ensue.Next, they step into the unhinged dystopian Los Angeles of Gore Verbinski's new film Good Luck, Have Fun, Don't Die. In it a beleaguered time traveler played by Sam Rockwell must visit the same Norm's diner 117 times to save the world from the menace of A.I..Finally, they welcome Slate senior writer Christina Cauterucci to unpack her recent piece “My Gun and Me” about her unlikely journey towards gun ownership during Trump 2.0—and how she's not alone in doing so in her left-leaning, queer community.In an exclusive bonus episode for Slate Plus subscribers, they determine if there are indeed no comfortable reading positions, as a recent Slate essay by Luke Winkie attests. EndorsementsDana: The latest Today in Tabs entry from Rusty Foster "A.I. Isn't People."Julia: In lieu of an endorsement, a gripe: the much-hyped New York Times two-player word game Crossplay is just Scrabble! (If only there were a German word for this specific form of disappointment...)Steve: Rereading J.D. Salinger with some distance from one's own adolescence— particularly Franny and Zooey and the short story "For Esmé—with Love and Squalor." And for a good critical reassessment, read Janet Malcolm's New York Review of Books essay "Justice to J.D. Salinger." --Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

Today I have your headlines + Clips and my conversation with Waj begins at 38mins.  Subscribe and Watch Interviews LIVE : On YOUTUBE.com/StandUpWithPete ON SubstackStandUpWithPete Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. This show is Ad free and fully supported by listeners like you! Please subscribe now for as little as 5$ and gain access to a community of over 750 awesome, curious, kind, funny, brilliant, generous souls Subscribe to Waj Substack Channel "The Left Hook" Check out his new show on youtube 'America Unhinged,' with Francesca Fiorentini and Wajahat Ali - Zeteo's new weekly show following Trump's first 100 days in office. Wajahat Ali is a Daily Beast columnist, public speaker, recovering attorney, and tired dad of three cute kids. Get his book Go Back To Where You Came From: And, Other Helpful Recommendations on Becoming American which will be published in January 2022 by Norton. He believes in sharing stories that are by us, for everyone: universal narratives told through a culturally specific lens to entertain, educate and bridge the global divides. Listen to Waj and DAnielle Moodie on Democracy-ish  He frequently appears on television and podcasts for his brilliant, incisive, and witty political commentary. Born in the Bay Area, California to Pakistani immigrant parents, Ali went to school wearing Husky pants and knowing only three words of English. He graduated from UC Berkeley with an English major and became a licensed attorney. He knows what it feels like to be the token minority in the classroom and the darkest person in a boardroom. Like Spiderman, he's often had the power and responsibility of being the cultural ambassador of an entire group of people, those who are often marginalized, silenced, or reduced to stereotypes. His essays, interviews, and reporting have appeared in The New York Times, The Atlantic, The Washington Post, The Guardian, and New York Review of Books. Ali has spoken at many organizations, from Google to Walmart-Jet to Princeton University to the United Nations to the Chandni Indian-Pakistani Restaurant in Newark, California, and his living room in front of his three kids. On YOUTUBE.com/StandUpWithPete ON SubstackStandUpWithPete Pete on Blue Sky Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page   Gift a Subscription https://www.patreon.com/PeteDominick/gift Send Pete $ Directly on Venmo

John welcomes Harvard legal eminence Laurence Tribe back to the show to discuss the constitutional dimensions of the chaos in Minneapolis, the fragile state of the rule of law in the Trump 2.0 era, and whether the Supreme Court will salvage or sacrifice what remains of its public legitimacy with its rulings on a handful of key cases in the months ahead. Tribe also discusses his new essay in the New York Review of Books critiquing his colleague Jill Lepore's recently published history of the U.S. Constitution. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices