Podcasts about bach's st matthew passion

J. S. Bach masterfully portrays the satisfaction of God's wrath in the death of his Son through how he musically sets the passion narrative from St. Matthew, including other poetry and key chorales. Listen as Scott Aniol explains along with musical examples. You can (and should!) listen to the whole of Bach's St. Matthew Passion here: https://www.youtube.com/watch?v=3k4Ph-H5ZO4

We'll look at part 2 of the St. Matthew Passion.

Twenty five years after his first recording for BIS of JS Bach's St Matthew Passion, Masaaki Suzuki and his Bach Collegium Japan have taken the work into the studio for a second time, and a magnificent achievement it proves. James Jolly met up with Suzuki when he was in London recently, working with students at the Royal Academy of Music.

Please note that due to copyright, musical pieces played at this reflective day have been edited out of this podcast. Recordings referred to are Ton Koopman conducting the Amsterdam Baroque Orchestra with artists including Peter Kooy (Bass/Jesus) and Kai Wessel (Alto Vocals), and Nikolaus Harnoncourt conducting the Concentus Musicus Wien with artists including Matthias Görne (Bass/Jesus), Oliver Widmer (Bass/Judas) Bernarda Fink (Alto) and Christine Schäfer (Soprano). (Some inaudible audience questions and comments have also been edited out.) Part 4: “In my beginning is my end” Aus Liebe (Harnoncourt edited out at 00.02.35.793 (with Christine Schäfer) Excerpt 9 – Final (Koopman edited out at 00.16.14.899) J.S. Bach is our greatest musical theologian. He wrote brilliant, innovative music, loved and performed as much today as ever, and also had a unique capacity to illuminate great spiritual and theological truths. His setting of St Matthew’s account of the Passion is not only an absolutely faithful telling of the whole narrative from Jesus’ anointing at the house of Simon the leper to the moment he is laid in the tomb, but also an extraordinary and expansive musical meditation on its meaning. Andrew Carwood is the Director of Music at St Paul’s Cathedral, an internationally regarded singer and conductor, and the Founder-Director of the award-winning early music ensemble The Cardinall’s Musick. Recorded on 17 March 2018.

Please note that due to copyright, musical pieces played at this reflective day have been edited out of this podcast. Recordings referred to are Ton Koopman conducting the Amsterdam Baroque Orchestra with artists including Peter Kooy (Bass/Jesus) and Kai Wessel (Alto Vocals), and Nikolaus Harnoncourt conducting the Concentus Musicus Wien with artists including Matthias Görne (Bass/Jesus), Oliver Widmer (Bass/Judas) Bernarda Fink (Alto) and Christine Schäfer (Soprano). (Some inaudible audience questions and comments have also been edited out.) Part 3: Telling the Story Excerpt 5 – Jesus’ ‘halo’ (Harnoncourt edited out at 00.03.56.400 (with Matthias Görne as Jesus)) Excerpt 6 – Jesus Forsaken (Koopman edited out at 00.06.32.816 (with Peter Kooy as Jesus)) Excerpt 7 – Peter (Koopman edited out at 00.15.06.356 (with Kai Wessel as Peter)) and Harnoncourt edited out at 00.16.54.141 (with Bernarda Fink) Excerpt 8 – Judas (Harnoncourt edited out at 00.22.46.937 (with Oliver Widmer as Judas) J.S. Bach is our greatest musical theologian. He wrote brilliant, innovative music, loved and performed as much today as ever, and also had a unique capacity to illuminate great spiritual and theological truths. His setting of St Matthew’s account of the Passion is not only an absolutely faithful telling of the whole narrative from Jesus’ anointing at the house of Simon the leper to the moment he is laid in the tomb, but also an extraordinary and expansive musical meditation on its meaning. Andrew Carwood is the Director of Music at St Paul’s Cathedral, an internationally regarded singer and conductor, and the Founder-Director of the award-winning early music ensemble The Cardinall’s Musick. Recorded on 17 March 2018.

Please note that due to copyright, musical pieces played at this reflective day have been edited out of this podcast. Recordings referred to are Ton Koopman conducting the Amsterdam Baroque Orchestra with artists including Peter Kooy (Bass/Jesus) and Kai Wessel (Alto Vocals), and Nikolaus Harnoncourt conducting the Concentus Musicus Wien with artists including Matthias Görne (Bass/Jesus), Oliver Widmer (Bass/Judas) Bernarda Fink (Alto) and Christine Schäfer (Soprano). (Some inaudible audience questions and comments have also been edited out.) Part 2: A New Song Excerpt 2 – Herr bin ichs? (Harnoncourt edited out at 00.10.32.732) Excerpt 3 – Sind Blitze, sind Donner (Koopman edited out at 00.16.05.150) Excerpt 4 – Pilate’s wife and the angry chorus (Harnoncourt edited out at 00.24.13.860) J.S. Bach is our greatest musical theologian. He wrote brilliant, innovative music, loved and performed as much today as ever, and also had a unique capacity to illuminate great spiritual and theological truths. His setting of St Matthew’s account of the Passion is not only an absolutely faithful telling of the whole narrative from Jesus’ anointing at the house of Simon the leper to the moment he is laid in the tomb, but also an extraordinary and expansive musical meditation on its meaning. Andrew Carwood is the Director of Music at St Paul’s Cathedral, an internationally regarded singer and conductor, and the Founder-Director of the award-winning early music ensemble The Cardinall’s Musick. Recorded on 17 March 2018.

Please note that due to copyright, musical pieces played at this reflective day have been edited out of this podcast. Recordings referred to are Ton Koopman conducting the Amsterdam Baroque Orchestra with artists including Peter Kooy (Bass/Jesus) and Kai Wessel (Alto Vocals), and Nikolaus Harnoncourt conducting the Concentus Musicus Wien with artists including Matthias Görne (Bass/Jesus), Oliver Widmer (Bass/Judas) Bernarda Fink (Alto) and Christine Schäfer (Soprano). (Some inaudible audience questions and comments have also been edited out.) Part 1: Singing the Passion Excerpt 1 – Opening Chorus (Koopman edited out at 00.31.32.971 and Harnoncourt edited out at 00.33.56.341) J.S. Bach is our greatest musical theologian. He wrote brilliant, innovative music, loved and performed as much today as ever, and also had a unique capacity to illuminate great spiritual and theological truths. His setting of St Matthew’s account of the Passion is not only an absolutely faithful telling of the whole narrative from Jesus’ anointing at the house of Simon the leper to the moment he is laid in the tomb, but also an extraordinary and expansive musical meditation on its meaning. Andrew Carwood is the Director of Music at St Paul’s Cathedral, an internationally regarded singer and conductor, and the Founder-Director of the award-winning early music ensemble The Cardinall’s Musick. Recorded on 17 March 2018.

A conversation in which Andrew Carwood, Director of Music, and Canon Mark Oakley, Chancellor, discuss Bach’s St Matthew Passion. The conversation refers to two upcoming events - a reflective day about Bach’s St Matthew Passion taking place on 17 March and a performance of Bach’s St Matthew Passion taking place at the Cathedral on 21 March. Bach's intense masterpiece narrates the events leading to the crucifixion of Christ and will be sung by St Paul's Cathedral Choir and Chorus, with the City of London Sinfonia. Further details on how to book tickets can be found at https://www.stpauls.co.uk/easter (Conversation recorded on Wednesday 28 February 2018).

As part of Radio 3's coverage of the London Jazz Festival, Michael Berkeley talks to the saxophonist and bass clarinettist John Surman, who over a career of dizzying versatility that spans more than fifty years, has shown us just how many different ways jazz can be made. Surman's hundreds of recordings include solos with synthesizers, saxophone trios, trios with voice and drums, with brass bands and big bands. He has made albums with church choirs, duos with church organs and with drums, as well as composing music for saxophone and string quartet. He has worked with most of the jazz greats of the last half century, including Ronnie Scott, Alexis Korner and Gil Evans, and more unusually for a jazz musician he's worked at the Paris Opera, with the Trans4mation Quartet, and on modern reinterpretations of the songs of John Dowland. He's been the recipient of numerous awards including the 2017 Ivor Novello Jazz Award. In Private Passions, John Surman tells Michael how his love for music began in his childhood in Devon, when he was a talented boy treble. He chooses Bach's St Matthew Passion, which he first heard in a Plymouth church, and Beethoven's "Pathétique" sonata (No 8, in C minor), which his father would play on the piano. Surman's love of jazz is entwined with his love of classical music, and among his musical passions Duke Ellington and Miles Davis go hand-in-hand with Bartok's Concerto for Orchestra and the voice of Kathleen Ferrier. Happily based in Norway for the last decade, Surman has chosen a music list to help him through the long dark Scandinavian winters. A Loftus production for BBC Radio 3 Produced by Jane Greenwood.

Philippe Sands is a human rights lawyer who recently won the biggest non-fiction prize in the UK, the £30,000 Baillie Gifford Prize, for his book "East West Street: On the Origins of Genocide and Crimes Against Humanity". It's the story of two leading lawyers fighting for justice after the Second World War in the Nuremberg trials - and a third man, Hitler's lawyer, who was personally responsible for the murder of millions. It's a detective story too, in which Sands tries to discover the identity of the mysterious "Miss Tilney" who rescued his mother Ruth as a baby, and managed to smuggle her out of Vienna to safety in London in 1939. In Private Passions, Philippe Sands talks to Michael Berkeley about the strange gaps in his family history, the secrets which impelled him to begin a seven year quest. He reveals the music that kept him going, songs he listened to daily, and how Bach's St Matthew Passion, which he's always loved, became intensely troubling for him to listen to when he discovered that Hitler's lawyer also adored it. Music choices include Mahler's 9th Symphony; Keith Jarrett; Bach's St Matthew Passion; Rachmaninoff; kora music from Senegal; and the Leonard Cohen song with Sands' favourite line: "There is a crack in everything - that's how the light gets in.".

Michael Berkeley's guest this week is Alan Bennett. We know him as the much-loved playwright and diarist who's been entertaining and moving us as a writer and performer since Beyond the Fringe in 1960. But there's one aspect of Alan Bennett that's less well-known: the central importance of music in his life, including the extraordinary fact that he once wrote a libretto for William Walton. (Sadly, Lady Walton was not impressed, and shoved it firmly to the bottom of her handbag.) In a moving and funny programme, Alan Bennett remembers the music that filled his childhood: his father was a gifted violinist, and his aunts played the piano for silent movies. As a teenager, new worlds were opened up by concerts in Leeds Town Hall, where Bennett sat in the cheapest seats behind the musicians, 'like sitting behind the elephants at the circus'. And then came fame, and Hollywood: 'Elizabeth Taylor actually sat on my knee at one point. It was not a pleasant experience'. In a touching conclusion to the programme, Alan Bennett listens to Elgar's Dream of Gerontius and is stirred to think about the boy he used to be, and what that boy might say to him now. Music choices include a 1939 recording of 'I can give you the starlight' by Ivor Novello; a waltz by Franz Lehar; Brahms's Second Piano Concerto; Bach's St Matthew Passion; Walton's First Symphony; Elgar's Dream of Gerontius; and Ella Fitzgerald singing 'Bewitched, Bothered and Bewildered'. This last song inspired The History Boys when Alan Bennett heard it on Private Passions in 2001. This special programme includes three bonus tracks available online: Alan Bennett chooses two further pieces of music, and talks about the music he hates and never wants to hear again. Produced by the Loftus Media Private Passions team (Elizabeth Burke, Jane Greenwood, Oliver Soden and Jon Calver).

Henry Marsh is one of the country's leading neurosurgeons: as a senior consultant at St George's University Hospital in South London, he has pioneered brain surgery for more than 30 years. These are delicate, microscopic operations to deal with tumours and aneurisms where the least slip can be catastrophic: comparable, he says, to bomb disposal work. Henry Marsh's account of his career, 'Do No Harm: Stories of Life, Death and Brain Surgery', has become a best-seller. In Private Passions, he talks about how his work has given him a heightened awareness of the unpredictability of life, and about the role of music in dealing with stress. He discusses the use of music during operations themselves; he used to listen to music, but after one operation went badly wrong, now feels it is inappropriate. And he gives a neuroscientist's perspective on falling in love. Music choices include Bach's St Matthew Passion, Mozart's Magic Flute, Scarlatti, Bartok, Prokofiev, Beethoven, and African music which reminds him of time spent teaching in Ghana. Produced by Elizabeth Burke. A Loftus Production for BBC Radio 3.

Timothy Gowers is the son of a composer, the brother of a violinist, and a keen jazz pianist. But that's not how he makes a living. In fact, Sir Timothy Gowers is one the country's most distinguished mathematicians. He's a Fellow of the Royal Society, was awarded the prestigious Fields medal, and was knighted two years ago for services to mathematics. In Private Passions, he talks to Michael Berkeley about his musical upbringing, and early dreams of becoming a composer. He confesses that it's hard to spend your life doing something which so few people round you understand - which is even difficult to talk about to your wife at home. He reveals how he used mathematical calculations of risk when faced with a life-or-death decision of his own: whether to go ahead with a risky heart operation. And he talks about how he's brought mathematicians together, so that they've been able collectively to solve problems which have defeated them for decades - using a blog which he created: http://gowers.wordpress.com. Music includes Bach's St Matthew Passion, a Tudor anthem by Robert Parsons, Michael Tippett's 3rd Piano Sonata, Ravel, Oscar Peterson, and an organ toccata composed by his father, Patrick Gowers, and played by his son Richard, who is 19.

With John Wilson Mike Oldfield's album Tubular Bells was released 40 years ago this month - the first disc on Richard Branson's Virgin Records label. Since then, the album has sold millions of copies, featured in the London 2012 opening ceremony, and is now being performed by a duo in the show Tubular Bells For Two on a UK tour. Richard Branson reflects on the genesis of the album, his relationship with Mike Oldfield, and the concert that cost him a car. This year's Cannes Film Festival opened on Wednesday: critic Jason Solomons reports on the hits and misses so far. Trumpeter Alison Balsom reveals her choice for Cultural Exchange: a recording of Bach's St Matthew Passion. She first heard it in her 20s, and feels the work sums up every possible human emotion. The music doesn't feature any trumpets - but she says adding one would spoil its perfection. The film Fast And Furious 6 has just been released - the fifth sequel to 2001's original, The Fast And The Furious. Film critic Adam Smith considers the art of naming sequels. Producer Rebecca Nicholson.

Bach's St Matthew Passion was written in 1727 and was probably first performed as part of the Good Friday Service at Thomaskirche in Leipzig. This programme explores ways in which Bach's St Mattew Passion touches and changes people's lives. Guitarist Andrew Schulman describes what happened when he was played this music whilst he was in a coma. James Jacobs talks about the St Matthew Passion providing solace in difficult times during childhood. And singer Emma Kirkby, conductor Paul Spicer and musical historian Simon Heighes explore how the music works and what it's like to perform. Producer: Rosie Boulton.

This week Libby Purves is joined by Warwick Davis, Sheena Byrom, Sir Willard White and Sierra James. Warwick Davis is the actor who made his movie debut aged eleven as Wicket the Ewok in Star Wars: Return of the Jedi and played Professor Flitwick in the Harry Potter films. He is currently starring in the new BBC observational comedy 'Life's Too Short ', written by Ricky Gervais and Stephen Merchant, which follows Warwick's day-to-day frustrations of being short. Sheena Byrom has spent the last thirty-five years as a midwife. In her book, 'Catching Babies' she recounts her long career in the NHS, from training in the 1970s to overseeing the first home water birth in her area of Lancashire. 'Catching Babies' is published by Headline. Bass-baritone Sir Willard White is performing "Christus" in three productions of Bach's St Matthew Passion at Ambika P3, a disused concrete factory under London's Marylebone Road. This is the first major project of 'Vocal Futures', a charitable foundation launched to inspire a new generation of classical music followers. Sierra James is the American founder of Ba Futuru, a grassroots charity in Timor Leste which works with thousands of children, as well as local police and teachers, helping them with conflict resolution through art and other creative therapies in this strife-torn country. She is in London to receive an award from the STARS Foundation. Producer: Lucinda Montefiore.