Russian composer (1891-1953)
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Ruth Ozeki won the Women's Prize for Fiction in 2022 with her novel The Book of Form and Emptiness. The judges called it a 'complete joy to read.' She's also a film-maker and a Zen Buddhist priest, and her books draw on her Japanese-American heritage. They also convey her deep concern for our environment, taking on topics such as industrial agriculture, ocean pollution and mass consumerism. Her most recent book, The Typing Lady and Other Fictions, is her first collection of short stories – and the Typing Lady of the title has more than a little in common with Ruth herself. Ruth Ozeki's music includes Albeniz, Praetorius, Prokofiev and Benny Goodman.
This episode is a delightful glance into the world of classical music as we sit down with the charismatic pianist Brian Woods. We celebrate the genius of Sergei Prokofiev, particularly focusing on his lesser-known works. Brian's upcoming album, 'Radical Miniatures,' serves as the backdrop for our lively discussion.Brian reveals how he's taken these short pieces, which clock in at under three minutes each, and turned them into a collection that's as engaging as it is innovative. Brian shares his excitement about the creative process behind the album, detailing how Prokofiev's ability to convey complex emotions in such brief compositions resonates with today's fast-paced world. He highlights how these pieces can capture audiences' attention in a way that longer works sometimes struggle to do.We also discuss the significance of stage presence, with Brian emphasizing the importance of storytelling in music and how he aims to make classical performances feel less intimidating and more accessible to everyone. Listeners are treated to a rich tapestry of insights about both the music and the musician. Brian's infectious enthusiasm shines through as he discusses his artistic journey, from his early days to his current role as a music director at the World Chess Hall of Fame. His passion for connecting with audiences is palpable, and it's clear that he sees music as a living, breathing entity that thrives on interaction and engagement. This episode is a refreshing reminder of how classical music can be both profound and approachable, making it a delightful listen for music lovers and casual listeners alike.[00:00] Prokofiev Teaser[00:38] Coffee Order Chaos[01:33] Piano Quote[02:29] Meet Pianist Brian Woods[04:02] Dazzling Stage Presence[08:24] Why Prokofiev Miniatures[11:10] Short Pieces For Short Attention[12:57] Album Success And Creating[15:07] Prokofiev, The Rebel[16:27] Visions Fugitives Preview[20:42] Break And Sponsor Messages[22:51] Album Release Details[23:27] CDs Vinyl And Improvising[24:35] Recovering Onstage Mistakes[25:51] Recording Without Fear[27:20] Tales Of Grandmother[32:17] Sarcasms Explained[38:01] Politics Behind The Music[39:49] Chess Hall Concert Series[49:04] Tickets And FarewellTakeaways:Prokofiev's talent for short pieces showcases his genius in brevity and emotional impact.The podcast dives deep into Brian Woods' journey, revealing how personal connections shaped his career trajectory.Listeners learn about the importance of stage presence and how it enhances the overall concert experience for the audience.Brian Woods' new album, featuring Prokofiev's radical miniatures, is set to challenge traditional classical music norms and attract younger audiences.The conversation highlights the unique blend of classical music and storytelling that keeps audiences engaged and entertained.Exploring how Prokofiev pushed musical boundaries reflects the ongoing evolution of classical music in contemporary society.Home Page - Brian Woods PianistYouTube - Brian WoodsInstagram - Brian WoodsFacebook - Brian WoodsThis is Season 9! For more episodes, go to stlintune.com#brianwoods #brianwoodspianist #prokofiev #pianomusic #classicalmusic #worldchesshalloffame #chess
durée : 01:28:41 - par : Clément Rochefort - Stéphane Kerecki, contrebasse, Airelle Besson, trompette, & leurs amis : "Liberation Songs" ; Théotime Gillot, piano, pour Prokofiev & Haydn ; Enguerrand de Hys, ténor, & Paul Beynet, piano : "Ainsi soit-il" ; Fabrice Ferez, hautbois & cor anglais, & Marc Pantillon, piano : "Hindamars" - réalisation : Xavier Carrère, Claire Lagarde - invités : Stéphane Kerecki Contrebassiste, compositeur jazz (1970, Paris), Airelle Besson Trompettiste, compositrice, chef d'orchestre jazz (1978), Adrien Soleiman Saxophoniste, chanteur et producteur français, Enguerrand de Hys Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
Antes del concierto, a las 19:15 horas, habrá una charla en la que se profundizará en las obras del programa, sus compositores y curiosidades relacionadas con el concierto.El Auditorio Víctor Villegas de Murcia ofrece esta tarde a las ocho un concierto de la Orquesta Sinfónica de la Región de Murcia que resulta ciertamente singular porque implica la ruptura de los techos de cristal que perduran en el campo de la música clásica. Dos mujeres lideran el programa de este viernes, la directora alemana Johanna Malangré y la violinista estadounidense Esther Yoo, ambas excepcionales cada una en su campo.Rompen los tópicos con una interpretación magistral y extraordinaria de los compositores rusos, en este caso Prokofiev: con la ‘Sinfonía nº1', conocida como ‘Clásica', de Sergei Prokofiev, una de las obras más célebres del compositor ruso, y continuará con Yoo interpretando el ‘Concierto para violín nº1' del mismo compositor.La Orquesta Sinfónica, con Malangré a la batuta, interpretará también las ‘Danzas folclóricas rumanas' de Béla Bartók, y concluirá con las variaciones de ‘El vuelo del pavo real', de Zoltán Kodály, una obra orquestal construida sobre una canción popular húngara
durée : 02:28:58 - par : Gabrielle Oliveira Guyon - Au programme ce samedi : Beethoven, le Trio Laflamme, Roberta Flack, l'organiste Marie-Claire Alain, ou encore le 2ème mouvement de la symphonie n°5 de Prokofiev - réalisation : Emmanuel Benito, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
durée : 01:28:23 - par : Aurélie Moreau - Fondateur en 1918 de l'Orchestre de la Suisse Romande qu'il a dirigé jusqu'en 1967, Ernest Ansermet a créé ou interprété de nombreuses œuvres nouvelles, notamment de son ami Igor Stravinsky, de son cher Debussy, de Ravel, Falla, Prokofiev, Britten… - réalisation : Cécile Bonnet des Claustres, Etienne Rouch - invités : Aurélie Moreau Productrice Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
Guest conductor José Luis Gómez leads the Phoenix Symphony May 15-17 at Symphony Hall. KBACH's Greg Kostraba recently chatted with Maestro Gómez about his career as a conductor, and this season finale concert, which includes Tchaikovsky's Fourth Symphony, "American Promise" by Karen LeFrak, and the Violin Concerto No. 2 by Prokofiev with Francesca Dego as soloist. Tickets for these concerts are available at the Phoenix Symphony website.
durée : 00:13:13 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Illia Ovcharenko présente un album consacré aux concertos pour la main gauche de Bortkiewicz, Prokofiev et Ravel. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
durée : 00:13:13 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Illia Ovcharenko présente un album consacré aux concertos pour la main gauche de Bortkiewicz, Prokofiev et Ravel. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
durée : 00:04:52 - par : Max Dozolme - « Dans chaque vision fugitive je vois des mondes pleins de jeux changeants et irisés ». Ces deux vers de Constantin Balmont inspirent à Sergeï Prokofiev la composition d'un cycle de vingt pièces pour piano diversifiées et qui sonnent parfois comme des chansons sans paroles. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
durée : 01:28:37 - par : Aurélie Moreau - Des personnages de Prokofiev pour son ballet Le Pas d'acier, à l'Apprenti sorcier de Dukas, en passant par la Fanfare pour L'Homme ordinaire de Copland, ou encore par un berger musicien de Wagner, voici un florilège d'œuvres évoquant le travail. - réalisation : Cécile Bonnet des Claustres, Etienne Rouch - invités : Aurélie Moreau Productrice Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
durée : 01:28:34 - par : Aurélie Moreau - Le pianiste Andrei Gavrilov sur l'apport de la musique populaire au répertoire classique : « Tous les grands créateurs ont puisé leurs sources dans le peuple, de Bach à Chostakovitch » (Le Quotidien de Paris). Aujourd'hui : Grieg, Chopin, Prokofiev… - réalisation : Cécile Bonnet des Claustres, Yuthou-Diego Hak-Lopes - invités : Aurélie Moreau Productrice Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
In Episode 56, Ella chats to pianist Isata Kanneh-Mason about her latest album 'Prokofiev': a project that not only represents her reaching a long-held goal, but is the product of taking time to figure out who she is as an artist, how she functions best and what she needs in order to facilitate that. Isata also reflects on the role her heritage has played in shaping her as a musician, representation in the industry, and how the stillness of the pandemic set her on the path to rediscovering her artistic voice.-------------------Isata Kanneh-Mason: Prokofiev-------------------Follow The Classical Circuit on InstagramDid you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*No offence taken if not.--------------------Music: François Couperin - Le Tic-Toc-Choc ou Les MaillotinsPerformed by Daniel Lebhardt--------------------The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart). Hosted on Acast. See acast.com/privacy for more information.
Today's guest is a prolific producer behind Sicko Mode, Broccoli, Bad at Love, Kiss Me More, Laugh Now Cry Later, First Class, and APT. — but whose real story isn't the catalog. It's how most of those songs happened by accident.A classically trained concert pianist who spent his teens grinding through Liszt and Prokofiev knuckle-busters, Rogét quietly became one of the most important producers in modern pop and hip-hop — and almost none of it happened the way he planned.This is one of the more honest conversations about what mastery is actually for — what happens when a decade of preparation collides with a 9pm pull-up, a stock preset, and a flute sound turned on by accident. When the world keeps rewarding your simplest moves, who do you become?And The Writer Is... Rogét Chahayed!In this episode of And The Writer Is, we go deep on:Years of grinding Liszt and Prokofiev — and a first big check from four major triads on a fluteThe three-week run in 2016 that produced Broccoli, Skywalker, Bad at Love, and the seed of Sicko ModeThe Mr. Miyagi era under Doctor Dre's right-hand man — and a pajama meeting at Dre's hidden studioSicko Mode — made on a stock preset in a closet-sized vocal booth — and the moment he heard it open AstroworldKiss Me More — a 2-5-1 with a walk-down — and what jazz school actually trained him to doCo-executive producing Jack Harlow's album from 4pm to 4am for a year — and how First Class came togetherAPT. — the song he forgot about until Bruno Mars mentioned it at a friend's barbecueAnd much more...Hit subscribe and turn on notifications. Every week, we go deep with the most interesting creatives in music.Follow us on socials: @andthewriterisA special thank you to our sponsors for making these conversations possible.Our lead sponsor, NMPA — the National Music Publishers' Association. Your support means the world to us.Chapters0:00 Intro2:12 "How does a classical pianist come up with the chords for Broccoli? By turning the keyboard on."4:24 The 9pm Yachty pull-up and the original Korg stock piano6:35 Hearing his flute everywhere — Macklemore, Drake's Portland7:50 The early break that taught him how the music business actually works13:39 "I believe in the good of the business — we can be the generation that watches each other's backs"15:59 Lebanese father, Argentine mother, and a meet-cute at a gas station17:00 Why his dad named him Rogét19:35 Discovering jazz at 15 and the chord that opened the world up24:14 College, hip-hop, and reading liner notes for Scott Storch and Ryan Leslie33:30 Telling Eastern parents he was leaving Juilliard-track for hip-hop37:03 Getting kicked out, teaching 25 piano students a week to survive41:45 The Mr. Miyagi era — Mel-Man, strip-club errands, and getting hazed46:17 The pajama meeting at Doctor Dre's hidden studio50:08 His Lebanese dad hearing Broccoli on the radio52:17 NMPA54:36 Bad at Love — the beat he made and forgot57:50 What is a songwriter? Rogét's answer1:01:28 Skywalker, Hit-Boy, and the arpeggios that became the splish1:04:00 Sicko Mode: a stock preset, a closet-sized vocal booth, and Travis pulling up1:07:08 "Drake comes in and says 'Astro' and I lost it"1:14:23 Laugh Now, Cry Later: a Big Sean intro session to a Drake single in a month1:18:15 Kiss Me More: "the perfect riff" — a 2-5-1 with a walk-down, sped up1:23:15 "Genius comes out of editing" — Miles vs. Dizzy and what jazz actually trains1:24:54 First Class and a year co-EPing Jack Harlow's album from 4pm to 4am1:30:39 APT. — the song he forgot until Bruno mentioned it at a barbecue1:36:04 What he'd tell a 16-year-old version of himself in the Valley right nowHosted by Ross GolanProduced by Joe London and Jad SaadEdit by Jad SaadPost Production VFX by Pratik Karki Hosted on Acast. See acast.com/privacy for more information.
This week, we've gone back into the City Arts & Lectures archives for a 2009 interview with the late conductor, composer, and pianist Michael Tilson Thomas. Tilson Thomas was the music director and conductor of the San Francisco Symphony from 1995 to 2020 - and stayed active as its music director emeritus until the last year of his life. He was known as a champion of contemporary American music - and an innovator in presenting symphonic music - even collaborating with heavy metal band Metallica. He received 12 Grammy Awards for the San Francisco Symphony's recordings of Mahler, Prokofiev, Stravinsky, and John Adams. In June of 2008 - Michael Tilson Thomas presented “The Thomashevskys - Music and Memories of a Life in the Jewish Theater” at Davies Symphony Hall. This multimedia performance celebrated the life and work of his grandparents, Boris and Bessie Thomashevsky. He shares some of those stories in this program. We'll also hear him talk with culture critic Steven Winn about “Keeping Score” the PBS documentary series which he created and hosted...and about his work with the New World Symphony in Miami. In the years since this program was recorded on January 6, 2009 - Michael Tilson Thomas continued to lead the San Francisco Symphony - and guest conduct orchestras all over the world. In 2021, he was diagnosed with an aggressive form of brain cancer - but continued to work and travel - and was able to take the podium at his 80th birthday celebration in 2025. Michael Tilson Thomas died at his home in San Francisco on April 22, 2026.
durée : 00:03:47 - par : Max Dozolme - Il est né il y a 135 ans, l'occasion d'explorer ce matin l'une des oeuvres les plus intimes et mystérieuses de Sergueï Prokofiev... Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
Tolkien famously described world history as a “long defeat,” since human efforts to overcome evil are ultimately doomed to failure. But the gospel still offers hope because of Christ’s ultimate victory. Endo’s novel, Silence, depicts the crushing challenges of bringing the gospel to Japan; Russian composer Sergei Prokofiev buckled under the horrors of Stalin’s Soviet regime and expresses his pain through his 7th Symphony. However, in different ways, both articulate hope against the odds.See omnystudio.com/listener for privacy information.
In this podcast episode, we talk with DMA student Aaron Kurz about winning the concerto competition and preparing to perform Prokofiev's Piano Concerto No. 3 with the University's Symphony Orchestra.
durée : 01:25:33 - par : Lionel Esparza - Entre rêve et fureur, la musique pour violon de Prokofiev compte parmi les plus saisissantes du XXe siècle. Le violoniste franco-serbe Nemanja Radulović vient de l'enregistrer magnifiquement pour Warner Classics — concerto, sonates, transcriptions — et il est notre invité pour en parler ! - réalisation : Flora Sternadel - invités : Nemanja Radulovic Violoniste (né en 1985 en Serbie) Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
A teenage violinist compares the power of persuasion in oral debate and musical performance and a 17-year-old flutist shares the lyrical beauty of Georges Hüe's Fantaisie. Young musicians from the San Diego Youth Symphony and the Sinfónica Juvenil de Tijuana conclude the program with a powerful cross-border collaboration.To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Gaea Star Crystal Radio Hour #660 is another hour of visionary, dynamic improvised acoustic music played by Mariam Massaro and Bob Sherwood of the Gaea Star Band with Mariam on vocals, Native flute, ukulele, shruti box, sitar, acoustic guitar and mandolin and Bob on piano and tablas. Recorded live at Singing Brook Studio in Worthington, Massachusetts in early March of 2026, today's show begins with the powerful spring anthem “Let's Weave A Brand-New Story”, a mysterious and energetic raga driven by Mariam's dancing ukulele and Bob's imaginative piano. “Oh, The Winds Of Change” is an inspired, spacious piece punctuated by Mariam's soaring Native flute through a series of powerful movements and “Keep On Loving Life” is a lovely, gentle acoustic guitar ballad with a gorgeous vocal from Mariam atop rolling piano and chiming guitar chords. Mariam strums her evocatively twanging mandolin for the misty, mystical wind song “Where Are We About To Fly?” as Bob composes a bittersweet, melancholic, Prokofiev-like piano motif to support the powerful vocal. For the next suite of improvisations, Mariam strums her exotic, atmospheric sitar, beginning with the dream-like “Maha Lakshmi”, a sweetly droning raga featuring Mariam's fine vocal and Bob's propulsive tabla work. Delicate, lyrical Native flute excursions and tabla polyrhythms lead languidly to today's closer, the gorgeous, powerful, spacious “Nature At Her Best” a sitar raga that grows into a progressive, dynamic piece of modern music with Bob's insistent, subtly shifting ostinatos and Mariam's beautifully choreographed vocal-and-Native-flute dialogs. Learn more about Mariam here: http://www.mariammassaro.com
durée : 00:13:33 - Le Disque classique du jour du mercredi 18 mars 2026 - Le violoniste Nemanja Radulovic consacre son nouvel album aux oeuvres de Sergei Prokofiev. L'artiste y explore les contrastes saisissants entre ombre et lumière. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 01:27:50 - En pistes ! du mercredi 18 mars 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Nemanja Radulović célèbre Prokofiev dans un disque qui alterne le Concerto pour violon n°2 avec le Philharmonia Orchestra, la Sonate pour violon seul, des transcriptions de Roméo et Juliette ou encore la Symphonie Classique. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 01:27:50 - En pistes ! du mercredi 18 mars 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Nemanja Radulović célèbre Prokofiev dans un disque qui alterne le Concerto pour violon n°2 avec le Philharmonia Orchestra, la Sonate pour violon seul, des transcriptions de Roméo et Juliette ou encore la Symphonie Classique. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:13:33 - Le Disque classique du jour du mercredi 18 mars 2026 - Le violoniste Nemanja Radulovic consacre son nouvel album aux oeuvres de Sergei Prokofiev. L'artiste y explore les contrastes saisissants entre ombre et lumière. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 01:27:45 - En pistes ! du mardi 10 mars 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Une histoire d'amour passionnée, celle de Roméo et Juliette, mise en musique par Prokofiev en 1935, peu après le retour du compositeur en Union soviétique. Le chef Gustavo Dudamel enregistre sa version avec l'Orchestre Philharmonique de Los Angeles. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:14:18 - Prokofiev : Romeo and Juliet - Los Angeles Philharmonic, Gustavo Dudamel - Pour célébrer sa dernière saison à la tête de l'Orchestre philharmonique de Los Angeles, le chef d'orchestre Gustavo Dudamel présente le premier de deux albums consacrés aux œuvres de Prokofiev. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 01:27:45 - En pistes ! du mardi 10 mars 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Une histoire d'amour passionnée, celle de Roméo et Juliette, mise en musique par Prokofiev en 1935, peu après le retour du compositeur en Union soviétique. Le chef Gustavo Dudamel enregistre sa version avec l'Orchestre Philharmonique de Los Angeles. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:14:18 - Prokofiev : Romeo and Juliet - Los Angeles Philharmonic, Gustavo Dudamel - Pour célébrer sa dernière saison à la tête de l'Orchestre philharmonique de Los Angeles, le chef d'orchestre Gustavo Dudamel présente le premier de deux albums consacrés aux œuvres de Prokofiev. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
️ Estimados oyentes y mecenas: En este episodio llegamos a la parte final de nuestro recorrido por el pensamiento de Henri Bergson, donde su filosofía adquiere un horizonte más amplio y profundo. Nos detendremos, en primer lugar, en la intuición como órgano de la metafísica, es decir, en ese modo de conocimiento que permite a la filosofía penetrar en el movimiento interno de la realidad y superar los límites del análisis puramente intelectual. A continuación, abordaremos su célebre distinción entre sociedad cerrada y sociedad abierta: la primera fundada en la conservación, la disciplina y la presión social; la segunda impulsada por la creatividad moral y la apertura universal de grandes almas y figuras espirituales. Finalmente, examinaremos la diferencia entre religión estática y religión dinámica, donde Bergson distingue entre una religión ligada a la función social de cohesión y otra que brota de la experiencia espiritual profunda y del impulso creador del espíritu. Con este episodio cerramos nuestro itinerario por una filosofía que quiso comprender la vida, la libertad y la creatividad como dimensiones fundamentales de la existencia humana. Gracias, como siempre, por acompañarme en este camino de reflexión filosófica. ÍNDICE 1. EL ORIGINAL ESPIRITUALISMO DE BERGSON. 2. TIEMPO ESPACIALIZADO Y COMO DURACIÓN. 3. LA DURACIÓN FUNDAMENTAL LA LIBERTAD. 4. MATERIA Y MEMORIA. 5. ÉLAN VITAL Y EVOLUCIÓN CREADORA 6. INSTINTO, INTELIGENCIA , INTUICIÓN. 7. INTUICIÓN Y METAFÍSICA. 8. SOCIEDAD CERRADA Y ABIERTA. 9. RELIGIÓN ESTÁTICA Y DINÁMICA. Música de la época: Sinfonía "El año 1941" de Prokofiev. Imagen: Henri-Louis Bergson (París, 18 de octubre de 1859-París, 4 de enero de 1941), conocido como Henri Bergson, fue un filósofo y escritor francés, ganador del Premio Nobel de Literatura en 1927. Pulsen un Me Gusta y colaboren a partir de 2,99 €/mes si se lo pueden permitir para asegurar la permanencia del programa ¡Muchas gracias a todos!
️ Estimados oyentes y mecenas: En este episodio abordamos la tercera parte dedicada al pensamiento de Henri Bergson, donde nos adentramos en uno de los núcleos más sugerentes de su filosofía: la vida como impulso creador. Analizaremos el concepto de élan vital, esa fuerza dinámica que atraviesa la evolución y la convierte en un proceso abierto, imprevisible y genuinamente creativo, lejos de cualquier mecanicismo o determinismo rígido. A continuación, estudiaremos la distinción entre instinto, inteligencia e intuición. Veremos cómo la inteligencia, orientada a la acción técnica y al dominio de la materia, caracteriza al ser humano en su dimensión práctica; cómo el instinto expresa una sabiduría inmediata propia de la vida animal; y cómo la intuición, en su sentido filosófico, permite al hombre penetrar en la duración y captar el movimiento interno de lo real. Gracias por acompañarme en esta nueva etapa del recorrido por Bergson y por el apoyo constante que hace posible seguir pensando juntos. ÍNDICE 1. EL ORIGINAL ESPIRITUALISMO DE BERGSON. 2. TIEMPO ESPACIALIZADO Y COMO DURACIÓN. 3. LA DURACIÓN FUNDAMENTAL LA LIBERTAD. 4. MATERIA Y MEMORIA. 5. ÉLAN VITAL Y EVOLUCIÓN CREADORA 6. INSTINTO, INTELIGENCIA , INTUICIÓN. Música de la época: Sinfonía "El año 1941" de Prokofiev. Imagen: Henri-Louis Bergson (París, 18 de octubre de 1859-París, 4 de enero de 1941), conocido como Henri Bergson, fue un filósofo y escritor francés, ganador del Premio Nobel de Literatura en 1927. Pulsen un Me Gusta y colaboren a partir de 2,99 €/mes si se lo pueden permitir para asegurar la permanencia del programa ¡Muchas gracias a todos!
Peter Hamlyn is the founder and president of the Brain and Spine Foundation, after working as a neurosurgeon for 40 years. He is perhaps best-known for saving the life of the boxer Michael Watson, who suffered a severe brain injury during a title fight in 1991 and was in a coma for 40 days. Peter performed seven brain operations and became a pioneer in the field of sports medicine, campaigning for better care for athletes. He is now fascinated by how Artificial Intelligence might transform the diagnosis and care of neurological patients. Peter's music includes Hildegard of Bingen, Berlioz, Handel and Prokofiev.
Violinist Benjamin Baker is the founder and artistic director of the At World's Edge Music (AWE) Festival in New Zealand. He and some of his AWE colleagues will perform music by Prokofiev as well as composers from Australia, New Zealand, England, and Wales at Tempe Center for the Arts on March 22 as part of the Hayden's Ferry Chamber Music Series. KBACH's Greg Kostraba recently chatted with Baker about the festival and their upcoming performance in Tempe. Tickets for the performance are available at the Tempe Center for the Arts website.
Violinist Benjamin Baker is the founder and artistic director of the At World's Edge Music (AWE) Festival in New Zealand. He and some of his AWE colleagues will perform music by Prokofiev as well as composers from Australia, New Zealand, England, and Wales at Tempe Center for the Arts on March 22 as part of the Hayden's Ferry Chamber Music Series. KBACH's Greg Kostraba recently chatted with Baker about the festival and their upcoming performance in Tempe. Tickets for the performance are available at the Tempe Center for the Arts website.
The Sound Chaser Progressive Rock Podcast is on the air. . This time I am exercising my professorial privilege to get just a bit educational. Much of progressive rock, especially in the early days, was based on classical music, including rock and jazz-rock versions of classical pieces. I dedicated show 24 all the way back in 2014 to spotlighting the prog-rock versions of classical music. In this show, I am turning the idea around. I will be playing the actual pieces of classical music that became the inspirations for progressive rock transcriptions. I will be discussing the prog rock versions with the help of excerpts from many favorite prog rock acts. With this audio essay, it is time truly to get in touch with the Classics on Sound Chaser. Featured composers include Holst, Mussorgsky, Smetana, Hermann, Jarre, Glass, Adams, Debussy, Beethoven, Wagner, Hovhannes, Janáček, Prokofiev, Rodrigo, Ligeti, Khatchaturian, Handel, Mozart, Tárrega, Saint-Saëns, Satie, Ravel. PodOmatic limits the number of characters for episode descriptions, and I could not cut enough to make it under the limit. So, I will be posting the fully detailed playlist on the Sound Chaser Progressive Rock Podcast Facebook page https://www.facebook.com/people/The-Sound-Chaser-Progressive-Rock-Podcast/61577332305605/, and in the comments on this page.
🎙️ Estimados oyentes y mecenas: En este episodio continuamos con la segunda parte dedicada al pensamiento de Henri Bergson, profundizando en dos núcleos decisivos de su filosofía. En primer lugar, veremos cómo la duración del tiempo —ese tiempo vivido, continuo y creador— se convierte en el fundamento mismo de la libertad, pues solo en un devenir real, no mecánico ni predeterminado, puede surgir la acción verdaderamente libre. A continuación, nos adentraremos en su obra Materia y memoria, donde Bergson examina la relación entre cuerpo y conciencia para sostener que el espíritu no puede reducirse a la materia: la memoria y la vida interior desbordan cualquier explicación puramente física, mostrando que la conciencia tiene una dimensión irreductible. Gracias por acompañarme una vez más en este recorrido filosófico y por el apoyo constante que hace posible seguir pensando juntos. 📗ÍNDICE 1. EL ORIGINAL ESPIRITUALISMO DE BERGSON. 2. TIEMPO ESPACIALIZADO Y COMO DURACIÓN. 3. LA DURACIÓN FUNDAMENTAL LA LIBERTAD. 4. MATERIA Y MEMORIA. 🎼Música de la época: Sinfonía "El año 1941" de Prokofiev. 🎨Imagen: Henri-Louis Bergson (París, 18 de octubre de 1859-París, 4 de enero de 1941), conocido como Henri Bergson, fue un filósofo y escritor francés, ganador del Premio Nobel de Literatura en 1927. 👍Pulsen un Me Gusta y colaboren a partir de 2,99 €/mes si se lo pueden permitir para asegurar la permanencia del programa ¡Muchas gracias a todos!
Every weekend, the JMN crew looks at some events happening in the Jacksonville area you might enjoy. While America's Race is happening in Daytona, the REAL thunder is with Micro League Wrestling at That Bar at the Arena tonight! If touch is your love language, feel the love when the Jacksonville Icemen take the ice against the Savannah Ghost Pirates. Nothing says love like a hockey fight, right? Need romance? The Jacksonville Symphony Orchestra performs Romeo & Juliet selections from Tchaikovsky, Prokofiev, and Bernstein. Feel that family love vibe with Mrs. Doubtfire performances at the Moran Theatre. And if you need to get out of that whole romance headspace? Check out The Ultimate Doors Tribute at the Thrasher Horne Center, and break on through to the other side! All of these events and more can be found in the WOKV Weekend Spotlight story.
🎙️ Estimados oyentes y mecenas: Con este episodio iniciamos la primera parte dedicada al pensamiento de Henri Bergson, una de las figuras más originales de la filosofía contemporánea. Nos detendremos, en primer lugar, en la originalidad de su propuesta, que rompe con el intelectualismo dominante y con la reducción mecanicista de la realidad, devolviendo a la filosofía la atención a la experiencia viva. A continuación, abordaremos el espiritualismo bergsoniano, entendido no como oposición a la ciencia, sino como una crítica a sus límites cuando pretende agotar el sentido de lo real. Finalmente, analizaremos su célebre distinción entre el tiempo espacializado, propio del pensamiento científico y cuantitativo, y el tiempo como duración, el tiempo vivido, continuo e irreductible, que constituye el núcleo de la conciencia y de la vida. Como curiosidad diremos que su hermana Moina se casó con el célebre ocultista inglés Samuel Liddell MacGregor Mathers. Gracias por acompañarme en este nuevo recorrido filosófico y por el apoyo constante que hace posible seguir profundizando juntos en estos grandes pensadores. 📗ÍNDICE 1. EL ORIGINAL ESPIRITUALISMO DE BERGSON. 2. TIEMPO ESPACIALIZADO Y COMO DURACIÓN. 🎼Música de la época: Sinfonía "El año 1941" de Prokofiev. 🎨Imagen: Henri-Louis Bergson (París, 18 de octubre de 1859-París, 4 de enero de 1941), conocido como Henri Bergson, fue un filósofo y escritor francés, ganador del Premio Nobel de Literatura en 1927. 👍Pulsen un Me Gusta y colaboren a partir de 2,99 €/mes si se lo pueden permitir para asegurar la permanencia del programa ¡Muchas gracias a todos!
Gaea Star Crystal Radio Hour #653 is an hour of improvised visionary acoustic music played by The Gaea Star Band with Mariam Massaro on vocals, Native flute, dulcimer, harmonica, ukulele, Celtic harp, shruti box, acoustic guitar and mandolin, Bob Sherwood on piano and Craig Harris on congas and Native drum. Recorded live at Singing Brook Studio in Worthington, Massachusetts in early January of 2026, today's show begins with the compelling drive of “Drams Made Manifest”, an earthy rocker steered by Mariam's powerful lyric and chiming dulcimer before yielding to the gentle, melancholic “Swirling Eddies”, a pretty acoustic guitar ballad that gathers intensity with Craig's driving congas and Bob's focused, composed piano. “Medicine Of The Forest” is a somber, prayerful raga underpinned by Mariam's droning shruti box to which the ensemble adds more composed, thematic piano in Bob's Prokofiev mode and the deep thrum on Craig's Native drum as well as a soaring, inspiring vocal from Mariam. Mariam picks up her airy ukulele for the skipping, prayerful “Windy, Windy”, a shifting, darkening piece with tight playing from the group and “Peace Begins With Me” is a mystical, evocative song built on Mariam's chiming mandolin and Craig's deep heartbeat with a granitic, intense piano figure from Bob. Mariam wields her Native flute with long, arching phrases for the sparse, minimalist “Great Awakening”, an intense, cathedral-like song that unwinds mysteriously until yielding to the tight, swinging blues “Memories” a fine workout with Mariam carrying on a compelling harmonica and vocal performance, winding around Bob's Ray Charles-inspired 12-bar. Today's last song is the memorable “The Force Within”, a fine, burnished requiem with a soaring, mysterious lyric from Mariam and a strange, beautiful, repeating piano motif from Bob. Learn more about Mariam here: http://www.mariammassaro.com
durée : 00:12:25 - Le Disque classique du jour du jeudi 22 janvier 2026 - Pour son deuxième récital, Giorgi Gigashvili a choisi Prokofiev, un compositeur qu'il côtoie intensément depuis dix ans. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 01:28:11 - En pistes ! du jeudi 22 janvier 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Cyrille Dubois et Anne Le Bozec nous embarquent pour un voyage musical entre introspection et nature, à travers l'univers poétique de Vaughan Williams. Le grand répertoire russe sera aussi de la partie avec les sonates pour piano de Prokofiev et les symphonies de Tchaïkovski. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:12:25 - Le Disque classique du jour du jeudi 22 janvier 2026 - Pour son deuxième récital, Giorgi Gigashvili a choisi Prokofiev, un compositeur qu'il côtoie intensément depuis dix ans. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 01:28:11 - En pistes ! du jeudi 22 janvier 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Cyrille Dubois et Anne Le Bozec nous embarquent pour un voyage musical entre introspection et nature, à travers l'univers poétique de Vaughan Williams. Le grand répertoire russe sera aussi de la partie avec les sonates pour piano de Prokofiev et les symphonies de Tchaïkovski. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
Gaea Star Crystal Radio Hour #650 is an hour of dynamic, inspired, visionary acoustic improvised music played by The Gaea Star Band with Mariam Massaro on vocals, Native flute, Celtic harp, double flute, acoustic guitar, mandolin and 4- and 8-string ukulele, Bob Sherwood on piano and Craig Harris on Native drum and congas. Recorded live at Singing Brook Studio in Worthington, Massachusetts in mid-December of 2025, today's show begins with the meditative, impressionistic “Living In The Bliss”, a tone poem with soaring Native flute and fundamental, earthy accompaniment before we move into the upbeat, joyful, spacious “Rising”, a fine folk air with a gorgeous vocal from Mariam above an effervescent accompaniment of galloping congas, chiming ukulele and rich, burnished piano chords that unhurriedly explores and inspires. “To The Crystalline Temples Of Light” is a deeply emotional, mystical air driven along by Mariam's chiming, eldritch mandolin, overtone-soaked double flute and Bob's romantic, Prokofiev-like circular minor figure that lingers after the music ends. “Gather Together” is a prayer of peace and unity from the “Gaea Star Crystal” album that the ensemble portrays as a staid, formal opera aria with tight acoustic guitar work, imaginative piano and a foundational conga groove. “Jophy” is a character to whom Mariam has turned to during several episodes, a monkey who finds a purple flower in a “Jabarandi” tree and the ensemble illustrate the tale in yet another Prokofiev homage, this time to the narrative, onomatopoetic embodiment of characters through music. Learn more about Mariam here: http://www.mariammassaro.com
durée : 00:15:44 - Shostakovich, Prokofiev : Violin Concertos - Daniel Matej?a (violin), Prague Radio Symphony Orchestra, Tomáš Netopil - Après avoir remporté l'édition 2022 de l'Eurovision des jeunes musiciens, Daniel Matejca, l'un des violonistes les plus talentueux de ces dernières années, enregistre son premier album chez Supraphon, accompagné de l'Orchestre symphonique de la radio de Prague sous la direction de Tomas Netopil. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 01:27:28 - En pistes ! du lundi 22 décembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Radu Lupu à l'honneur cette semaine, à l'occasion de la sortie d'un coffret d'enregistrements inédits du pianiste. Au programme également, Chostakovitch et Prokofiev par l'Orchestre symphonique de la radio de Prague sous la direction de Tomas Netopil. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:15:44 - Shostakovich, Prokofiev : Violin Concertos - Daniel Matej?a (violin), Prague Radio Symphony Orchestra, Tomáš Netopil - Après avoir remporté l'édition 2022 de l'Eurovision des jeunes musiciens, Daniel Matejca, l'un des violonistes les plus talentueux de ces dernières années, enregistre son premier album chez Supraphon, accompagné de l'Orchestre symphonique de la radio de Prague sous la direction de Tomas Netopil. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 01:27:28 - En pistes ! du lundi 22 décembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Radu Lupu à l'honneur cette semaine, à l'occasion de la sortie d'un coffret d'enregistrements inédits du pianiste. Au programme également, Chostakovitch et Prokofiev par l'Orchestre symphonique de la radio de Prague sous la direction de Tomas Netopil. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
This week, Kate Molleson explores the life and music of Sergey Prokofiev – a composer whose imagination shaped some of the most vivid music of the 20th century. From childhood stories in rural Ukraine to bold experiments at the St Petersburg Conservatory, from revolutionary Russia to the bright lights of New York, and finally to his dramatic homecoming, Prokofiev's journey is full of ambition, upheaval and colour. We hear music that tells tales – fairytales, fantasies and fragments of real life – revealing a composer who never stopped dreaming.Troika (from Lieutenant Kijé Suite, Op. 60) Cinderella Suite, Op. 87 The Winter Bonfire, Op. 122: IV–VIII Music for Children, Op. 65: Nos. 1–9 Peter and the Wolf, Op. 67 Four Études, Op. 2 Autumnal Sketch Piano Concerto No. 1 in D flat major, Op. 10 The Ugly Duckling, Op. 18 Cinderella Suite No. 1, Op. 107: IV. Fairy Godmother and Winter Fairy Symphony No. 1 in D major, Op. 25 'Classical' Seven, They Are Seven, Op. 30 Scythian Suite, Op. 20: I–II Old Grandmother's Tales, Op. 31: Nos. 1–4 Overture on Hebrew Themes The Love of Three Oranges: Suite Five Songs Without Words Violin Concerto No. 2 in G minor, Op. 63: II. Andante assai Le Pas d'acier Suite, Op 41a: I, II The Prodigal Son, Op. 46, Scene 1: IV–VIII Romeo and Juliet: Dance of the KnightsPresented by Kate Molleson Produced by Ellie Ajao for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Sergey Prokofiev (1891-1953) https://www.bbc.co.uk/programmes/m002n9nvAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Step into the magical world of Peter and the Wolf! In this episode, we're introducing your little ones to the musical characters of Prokofiev's Peter and the Wolf — each one represented by a different instrument and theme. Kids will love listening, moving their bodies, and pretending right along with Miss Elizabeth and Forte the Lion as they meet Peter, Birdie, Duck, the Cat, Grandpapa, the Wolf, and the Hunters. This episode is the perfect gentle introduction to classical music storytelling for toddlers, preschoolers, and early elementary learners — and a fun way for grownups to join in too!
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