Podcasts about prokofiev

In his album liner notes Behzod Abduraimov writes:  "I see this pairing as an opportunity to present two vastly different emotional and philosophical worlds within the same album.  I want to offer listeners a striking contrast: the depth and complexity of Prokofiev's world against Shor's more lyrical and accessible approach. Each piece reflects different facets of the human experience, and I believe there is value in sharing this diversity of sentiment, texture, and mood. I hope this pairing brings something refreshing and thought-provoking to listeners.

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutchThank you for listening - please do get in touch with any comments!

durée : 00:04:13 - Elden Ring à l'ombre du classique : de Stravinsky à Prokofiev - par : Max Dozolme - A l'occasion de la sortie aujourd'hui d'Elden Ring Nightreign, Max Dozolme se plonge dans les musiques symphoniques et cauchemardesques de la saga Elden Ring. Un univers musical qui peut évoquer des airs classiques de Stravinsky, Penderecki ou encore Prokofiev !

In Randall Goosby, the pioneering American composer Florence Price “has her ideal champion,” writes The Guardian, “his playing full of old-school warmth and breadth but never schmaltzy.” Price's beguiling violin concerto shares a program with Prokofiev's enchanting Seventh Symphony, composed for a children's radio broadcast. The suite from Die Meistersinger von Nürnberg gathers stirring moments from Wagner's opera. Learn more: cso.org/performances/24-25/cso-classical/elder-goosby-and-price

Philip Hoare is an award-winning writer whose books often describe the lure of the sea, the strange and beautiful creatures that live in it and the inspiration artists have found in its murky depths. His book Leviathan won the Samuel Johnson Prize: it drew on his lifelong obsession with whales, which began with the gigantic skeletons in the Natural History Museum and continued with his own encounters with them at sea. His most recent book, William Blake and the Sea Monsters of Love, traces Blake's enduring influence on numerous poets, writers, film-makers and musicians. He's also written about Noel Coward, the British socialite Stephen Tennant and the Netley Military Hospital on Spike Island, near Southampton. His musical choices including Prokofiev, Britten and Copland. Producer Clare Walker

en este episodio de Dirección Coral Online te cuento cómo la colaboración entre Eisenstein y Prokofiev en Alexander Nevsky se convirtió en un hito del cine y la música coral, exploramos el montaje como lenguaje musical, los desafíos de la filmación, la creación conjunta de la partitura, su transformación en cantata y cómo los vaivenes políticos de la Segunda Guerra Mundial impactaron en la película y en la vida del propio Eisenstein.anotate en mi newsletter gratuita: https://www.dopplerpages.com/gusespada-D9EA4/Form6-62234

The MusicaNova Orchestra presents its "Laughing with Prokofiev, Stravinsky & Haydn" concert May 18th at the Musical Instrument Museum....

Gaea Star Crystal Radio Hour #617 is an hour of dynamic visionary acoustic improvised music made by The Gaea Star Band with Mariam Massaro on vocals, singing bowl, Native flute, 4- and 8-string ukulele, Bob Sherwood on piano and Craig Harris on congas and Native drum. Recorded live at Singing Brook Studio in Worthington, Massachusetts in April 2025, today's show eases in on the wave of low, heartbeat drum, crystal bowl and soaring Native flute that is “Silver Rays In The Night”, an affectingly fundamental song with a poetic lyric from Mariam punctuated by percussive Native flute. “To The Mystery Of The Starry Night” is a languid, gently propulsive folk number with beautiful 8-string ukulele, triumphant gospel piano and a fine vocal from Mariam and “Mandavina The Moose” is a gorgeous, psychedelic forest story with the ensemble turning in a nuanced and deeply affecting performance that journeys languidly through alternately lush and alien musical landscapes. “Sail On” is a beautiful waltz from the “Release” LP and receives a relaxed, emotional rendition with a fine vocal from Mariam. “Summer Around The Bend” has a beautifully relaxed air with the interaction of Mariam's ukulele, Craig's steady conga work and Bob's circular, repetitive piano motif. A signature Native flute fanfare from Mariam ushers in the emotional “Filling Each Others' Hearts”, a lovely, rich, unhurried ballad that ranges through various moods before settling into the “Romance” theme from Prokofiev's “Lieutenant Kije” suite to close today's session. Learn more about Mariam here: http://www.mariammassaro.com

This episode of The Other Side of the Bell, featuring women's trumpet trailblazer, founder of the International Women's Brass Conference, and 40-year First Trumpet of the St. Louis Symphony Orchestra, Susan Slaughter, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Susan Slaughter trumpet interview"   About Susan Slaughter:   Born in McCordsville, IN, Susan Slaughter started playing trumpet at the age of 10. Graduating from Indiana University with a coveted performer's certificate, Susan auditioned for and won the Principal Trumpet position in 1967 with the Toledo, Ohio Symphony.   Susan then joined the Saint Louis Symphony Orchestra in l969 and four years later became the first woman ever to be named Principal Trumpet of a major symphony orchestra.   In 1992, Susan founded the International Women's Brass Conference, an organization dedicated to provide opportunities and recognition for women brass musicians. As a fund-raising effort to support the International Women's Brass Conference, Ms. Slaughter organized and produced the very popular Holiday Brass Concerts, which are now in their second decade, and are performed each December in the Cathedral Basilica of Saint Louis. Other cities in the United States are holding their own Holiday Brass Concerts to help support the ever-growing International Women's Brass Conference.   In 1996, Ms. Slaughter founded Monarch Brass, an all women's brass ensemble, which has toured in the United States and Europe to critical acclaim.   Susan appears regularly in area recitals and religious programs, and has been a frequent soloist with the Saint Louis Symphony Orchestra, as well as with several other ensembles throughout the country. Her work is represented on a number of Saint Louis Symphony releases, including the highly acclaimed recordings of Mahler's Symphony No. 2, Prokofiev's Symphony No. 5, Gershwin's Piano Concerto in F, Mussorgsky's Pictures at an Exhibition, Barber's Capricorn Concerto, and most recently, John Adams' Doctor Atomic. Many of these and other recordings have been nominated for or won Grammy Awards. Susan has performed with Wynton Marsalis, Kathleen Battle, Christine Brewer, Doc Severinsen, Al Hirt in duets, amongst others.   She has served on the faculty of the Grand Teton Orchestra Seminar and the National Orchestra Institute, and has been lecture/recitalist at the International Trumpet Guild, while also serving on its board of directors.   Since the 1980's, Susan has performed the National Anthem and “God Bless America” on an annual basis for the St. Louis Cardinals Baseball Club and, at the invitation of the Baseball Commissioner Fay Vincent, performed the National Anthem at Game 3 of the 1991 World Series, played in Atlanta between the Braves and Twins (link).   Some of the awards and recognition Susan has received over the years include nomination by Ladies Home Journal for its annual Woman of the Year award, a special Leadership Award in the Arts from the Young Women's Christian Association, the American Federation of Musicians, Local 2-197 Owen Miller Award for loyalty, dedication and fairness in actions and deeds, and the 2007 Arts and Education Council Award for Excellence in the Arts.   Susan has studied over the years with Herbert Mueller, Bernard Adelstein, Arnold Jacobs, Robert Nagel, Claude Gordon and Laurie Frink, and retired as Principal Trumpet from the Saint Louis Symphony on September 1, 2010.   Podcast listeners! Enter code "podcast" at checkout for 15% off any of our Gard bags! Visit trumpetmouthpiece.com for more info.     Episode Links: Holiday Brass Los Angeles Brass Alliance website https://www.instagram.com/losangelesbrassalliance/  International Women's Brass Conference, May 19-24, Hartford, Connecticut. Register: myiwbc.org Sign up sheet for valve alignments: bobreeves.com/iwbc International Trumpet Guild Conference, May 27-31, University of Utah, Salt Lake City. Sign up sheet for valve alignments: bobreeves.com/itg William Adam Trumpet Festival, June 19-22, Clarksville, Tennessee. williamadamtrumpet.com  Sign up sheet for valve alignments: bobreeves.com/williamadam Greg Wing, Reflections on a Grateful Journey, available on Apple Music   Podcast Credits: “A Room with a View“ - composed and performed by Howie Shear Podcast Host - John Snell Cover Art - Susan Slaughter Audio Engineer - Ted Cragg

durée : 00:28:11 - Dominique Fernandez, écrivain - Dans son nouveau roman, l'Académicien retrace la destinée de Serge Prokofiev à travers le regard de son secrétaire personnel et ami d'enfance. Une fiction historique, musicale et intime, qui explore les questionnements profonds du compositeur. Entretien avec un écrivain russophile et mélomane.

durée : 02:04:36 - Musique matin du mercredi 30 avril 2025 - par : Jean-Baptiste Urbain - Dans son nouveau roman, l'Académicien retrace la destinée de Serge Prokofiev à travers le regard de son secrétaire personnel et ami d'enfance. Une fiction historique dense, musicale et intime, qui explore les questionnements profonds du compositeur. Entretien avec un écrivain russophile et mélomane. - réalisé par : Yassine Bouzar

Acclaimed worldwide for his profound musicianship and technical mastery, British cellist Steven Isserlis enjoys a unique and distinguished career as a soloist, chamber musician, educator, author and broadcaster.As a concerto soloist he appears regularly with the world's leading orchestras and conductors, including the Berlin Philharmonic, National Symphony Orchestra Washington, London Philharmonic and Zurich Tonhalle orchestras. He gives recitals every season in major musical centres, and plays with many of the world's foremost chamber orchestras, including the Australian, Mahler, Norwegian, Scottish, Zurich and St Paul Chamber Orchestras, as well as period-instrument ensembles such as the Orchestra of the Age of Enlightenment and Philharmonia Baroque Orchestra. Unusually, he also directs chamber orchestras from the cello in classical programmes.Recent and upcoming highlights include performances with the Gewandhausorchester Leipzig, Vienna Philharmonic Orchestra at the Salzburg Mozartwoche; the US premiere of Thomas Adès's Lieux retrouvés with the Los Angeles Philharmonic, following world and UK premieres in Lucerne and at the BBC Proms, and a further performance of the work in Amsterdam with the Britten Sinfonia, conducted by the composer; Prokofiev's Concerto Op. 58 with the London Philharmonic Orchestra under Vladimir Jurowski, in London and at the Dresden Music Festival; and Haydn's C major Concerto with the Orchestra of the Age of Enlightenment under Adam Fischer.As a chamber musician, he has curated series for many of the world's most famous festivals and venues, including the Wigmore Hall, the 92nd St Y in New York, and the Salzburg Festival. These specially devised programmes have included ‘In the Shadow of War', a major four-part series for the Wigmore Hall to mark the centenary of the First World War and the 75th anniversary of the Second World War; explorations of Czech music; the teacher-pupil line of Saint-Saëns, Fauré and Ravel; the affinity of the cello and the human voice; varied aspects of Robert Schumann's life and music; and the music of Sergei Taneyev (teacher of Steven's grandfather, Julius Isserlis) and his students. For these concerts Steven is joined by a regular group of friends which includes the violinists Joshua Bell, Isabelle Faust, Pamela Frank, and Janine Jansen, violist Tabea Zimmermann, and pianists Jeremy Denk, Stephen Hough, Alexander Melnikov, Olli Mustonen, Connie Shih, and Dénes Várjon.He also takes a strong interest in authentic performance. This season's projects include a recording of the Chopin Cello Sonata and other works with Dénes Várjon for Hyperion, using ones of Chopin's own piano; and a recital of Russian sonatas with Olli Mustonen. In recital, he gives frequent concerts with harpsichord and fortepiano. Recent seasons have featured a special performance with Sir Andras Schiff at the Beethovenhaus in Bonn, using Beethoven's own cello; and performances and recordings (selected for the Deutsche SchallplattenPreis) of Beethoven's complete music for cello and piano with Robert Levin, using original or replica fortepianos from the early nineteenth century. With harpsichordist Richard Egarr, he has performed and recorded the viola da gamba sonatas of J.S. Bach as well as sonatas by Handel and Scarlatti. This season, they tour together in the US.He is also a keen exponent of contemporary music and has premiered many new works including John Tavener's The Protecting Veil (as well as several other pieces by Tavener), Thomas Adès's Lieux retrouvés, Stephen Hough's Sonata for Cello and Piano, Left Hand (Les Adieux), Wolfgang Rihm's Concerto in One Movement, David Matthews' Concerto in Azzurro, and For Steven and Hilary's Jig by György Kurtág. In 2016, he gave the UK premiere of Olli Mustonen's of Frei, aber einsam for solo cello at the Wigmore Hall.

durée : 01:28:29 - Bruno Rigutto - par : Aurélie Moreau - Pour Bruno Rigutto, « appuyer sur les touches, ça n'est pas suffisant pour un pianiste !... Le son, la voix sont le reflet de l'âme, de l'être, de l'individu ». Aujourd'hui, notamment des œuvres de Chopin, et Ravel, Schumann, Liszt et Prokofiev.

The writer Colum McCann isn't afraid to take on big subjects – and his ambition has delivered a shelf full of awards, from both sides of the Atlantic. He grew up in Dublin but moved to the United States in the mid-1980s and now lives in New York. That city is the setting for his international bestseller Let the Great World Spin, in which Philippe Petit's tightrope walk between the Twin Towers in 1974 plays a key role. He's also written a novel about both sides of the conflict between Israel and the Palestinian people, from the perspectives of two fathers.He collaborated with Diane Foley, whose son James was executed by Islamic State militants, to create a memoir, American Mother, which was published last year. Most recently his novel Twist focuses on the vulnerability of the undersea cables carrying the world's internet data. Colum's music includes Gorecki, Prokofiev, Brahms and Haydn.

Anzac Day falls on the 25th of April each year. For this episode, Ms Ohtake picked 'War and Peace' composed by S. Prokofiev. 'War and Peace' was also the work chosen to inaugurate the Sydney Opera House Opera Theatre in 1973. - アンザックデーを控えて選んだ曲。「戦争と平和」は1973年、シドニーオペラハウス・オペラシアターのこけら落としに選ばれた作品でもあります。オーストラリアにもゆかりのあるロシア・オペラのエッセンス、アンドレイ公爵の切ないアリアで味わってください。

In this episode, we discuss recordings of “Concertos For Baroque Lute” (Aparté) by Miguel Rincón & Il Pomo d'Oro, “Prokofiev & Shor” (Alpha) by Behzod Abduraimov & The Royal Philharmonic Orchestra / Vasily Petrenko, “Errollyn Wallen: Orchestral Works” (Resonus Classics) by The BBC Concert Orchestra / John Andrews, “Rhythm Riot” (JazzSick Records) by Christian Pabst, “Refuge” (Cross Towne Records) by Mitch Towne, and “Live at Snug Harbor” (Outside in Music) by Leon Anderson.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 208 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “Concertos For Baroque Lute” (Aparté) Miguel Rincón, Il Pomo d'Oro https://open.spotify.com/album/77DXKrl0VtXMRd78z9xfZH https://music.apple.com/us/album/concertos-for-baroque-lute-fasch-hagen-kohaut-kleinknecht/1793353459 https://music.amazon.com/albums/B0DVCD243N   “Prokofiev & Shor” (Alpha) Behzod Abduraimov, Royal Philharmonic Orchestra / Vasily Petrenko https://open.spotify.com/album/6yTib2Mj4XZNvPoC7ILgqR https://music.apple.com/us/album/prokofiev-shor/1792782208 https://music.amazon.com/albums/B0DV5N35H1   “Errollyn Wallen: Orchestral Works” (Resonus Classics) Idunnu Munch, Ruby Hughes, Miwa Rosso, BBC Concert Orchestra / John Andrews https://open.spotify.com/album/5DOhuvU8hcvzElzTuesAD8 https://music.apple.com/us/album/errollyn-wallen-orchestral-works/1795086404 https://music.amazon.com/albums/B0DWGSLQGX   “Rhythm Riot” (JazzSick Records) Christian Pabst https://open.spotify.com/album/5j22N3gyG4hHL9JwzEjbup https://music.apple.com/us/album/rhythm-riot-feat-andré-nendza-erik-kooger/1778284294 https://music.amazon.com/albums/B0DM6KHRCZ   “Refuge” (Cross Towne Records)  Mitch Towne https://open.spotify.com/album/1nDWUi1Wv6GXlhgT1SgzYS https://music.apple.com/us/album/refuge/1797665376 https://music.amazon.com/albums/B0DXYXWZ29   “Live at Snug Harbor” (Outside in Music) Leon Anderson https://open.spotify.com/album/34XmNuGwm09hMfwDqaiGyf https://music.apple.com/us/album/live-at-snug-harbor/1792288803 https://music.amazon.com/albums/B0DTWHYQSL    

Prokofiev escreveu originalmente a música para o balé Ala i Lolli , cuja história se passa entre os citas .Os citas foram tipo os motoqueiros selvagens do passado — só que com cavalos e arcos em vez de Harleys e jaquetas de couro. Vieram da Ásia Central nos séculos IX-VIII a.C., tomaram conta da Ucrânia e do sul da Rússia, bancaram os donos da estepe por uns bons séculos, e adoravam uma briga (invadiam tudo que dava). Mas a Suíte Cita, deu muitos problemas...Apresentado por Aroldo Glomb com Aarão Barreto na bancada. Seja nosso padrinho: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://apoia.se/conversadecamara⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ RELAÇÃO DE PADRINS Aarão Barreto, Adriano Caldas, Gustavo Klein, Fernanda Itri, Eduardo Barreto, Fernando Ricardo de Miranda, Leonardo Mezzzomo,Thiago Takeshi Venancio Ywata, Gustavo Holtzhausen, João Paulo Belfort , Arthur Muhlenberg e Rafael Hassan.

And now I worry, as old people do, about the kids I see who are growing up in the dreadful clutter of American life, the gizmos and social media bullying, and can they find delight as I did in skating on the frozen Mississippi and discovering Liebling and Jenny found listening to Prokofiev and Brahms. I pray for our kids to be lighthearted. The darkness is out there, and Christmas becomes utterly beautiful, the circle of love and friendship, the lighted candles, the anticipation of the child, the radiant beams, the redeeming grace. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit garrisonkeillor.substack.com/subscribe

durée : 00:29:51 - France Musique est à vous junior du samedi 12 avril 2025 - par : Gabrielle Oliveira-Guyon - Au programme de l'émission d'aujourd'hui : un extrait du premier opéra composé par Prokofiev, le message vocal d'une jeune auditrice de France Musique qui aime Vivaldi et la rubrique de Nicolas Lafitte sur l'origine de l'inspiration !

durée : 01:28:24 - Relax ! du mardi 08 avril 2025 - par : Lionel Esparza - En 1939, alors que le second conflit mondial éclate, Prokofiev donne la cantate Alexandre Nevsky, Bartók son second concerto pour violon, Rodrigo le concerto d'Aranjuez, Chostakovitch sa 6e symphonie...

durée : 01:28:24 - Relax ! du mardi 08 avril 2025 - par : Lionel Esparza - En 1939, alors que le second conflit mondial éclate, Prokofiev donne la cantate Alexandre Nevsky, Bartók son second concerto pour violon, Rodrigo le concerto d'Aranjuez, Chostakovitch sa 6e symphonie...

Nesta edição, o maestro João Maurício Galindo respondeu às perguntas dos ouvintes. Ele explicou por que não existem concertos para instrumentos populares como o cavaquinho, o berimbau e o acordeão, abordou a ideia de escrever óperas para televisão, além de falar sobre o uso do breu por músicos de cordas para produzir som.Além disso, o maestro esclareceu o conceito de música neoclássica, detalhando sua relação com o classicismo e o romantismo, e como compositores como Stravinsky e Prokofiev contribuíram para o movimento. Ainda, comentou sobre a fusão do jazz com a música clássica, destacando a "third stream" de Gunter Schuller, e outros exemplos notáveis como o disco Perceptions de Dizzy Gillespie.Descubra as respostas completas no resumo do Pergunte ao Maestro desta semana.

"The first thing that stood out to me about this field recording is that there is no real melodic information. It's all street noise, most of it not of clearly recognisable origin.  "Even though Dubrovnik is 4,700 miles away from where I live, in another country on another continent across an ocean, the soundscape is very familiar to me. Garbage trucks and ventilation units all speak the same language.  "In her notes on the recording, Ristić describes the noisy Dubrovnik morning with richly evocative phrases like: “textural and multiphonic”; “grinding machinery”; “the town's growling bowels”; and “a constant percussive development.”  "She writes: “I could not help but be fascinated by how a landscape of such beaming beauty can exist in this hideous soundscape.”  "I kicked around a few ideas but eventually decided to have the work be entirely rhythmic. I wanted to capture that unfocused, only-half-listening state when you become aware of rhythms emerging from the background and soon you begin adding your own.  "Early on I was listening to the recording on headphones while walking home from the train and imagining different rhythmic elements over it. I was walking at a good pace and that set the tempo. It's a long walk and I got so used to that beat that thereafter I couldn't imagine it differently.  "I wanted to use the field recording as the sole sound source but at some point found a royalty-free recording of pealing church bells in Old Town Dubrovnik that was too wonderful to not use*. Aside from that, everything is derived from the field recording.  *[Royalty Free Sound Library: “Croatia Church Bells” recorded by Free to Use Sounds and purchased on Bandcamp] "I created and assembled this piece using Koala Sampler, AUM and AudioShare, splitting tasks between my iPhone and my iPad. Ultimately I didn't use any audio effects or digital manipulation.  "I find inspiration everywhere, but this composition was particularly inspired by Dance of the Knights from Prokofiev's Romeo & Juliet, Tom Waits' junkyard jug band sound, and Manja Ristić's previous work with field recordings. When I saw she had contributed a recording for the project, I chose it immediately." Dubrovnik streets reimagined by daddy fall down. IMAGE: LBM1948, CC BY-SA 4.0 , via Wikimedia Commons ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage

durée : 01:28:23 - Juliette Hurel, des baroques aux modernes - par : Aurélie Moreau - Soliste et chambriste d'exception, la flûtiste Juliette Hurel a enregistré un large répertoire : des œuvres de Debussy, Mozart, Bach… Et avec la pianiste Hélène Couvert, des sonates de Poulenc, Martinů, Reinecke, Prokofiev, au programme aujourd'hui.

On n'est pas dans la discothèque, mais c'est tout de même bagarre au Théâtre du Peigné entre André et Jean-Luc en ce mercredi : ils s'affrontent, mais dans la joie et la bonne humeur, aidés chacun par leur partenaire (Madeleine Baudot et Corentin Candi) pour répondre aux questions de Walid et tenter de gagner le grand prix ! On évoque Georges Simenon, Michel Drucker et Toots Thielmans, Prokofiev et une habitude étonnante au Japon, bref on apprend en s'amusant, et on part également à la découverte d'une nouvelle Confrérie wallonne, grâce à une figure locale autant que sympathique : Bernard Van Der Maren, membre de la Confrérie Royale des Zigomars. www.facebook.com/ConfrerieDesZigomars Merci pour votre écoute Salut les copions, c'est également en direct tous les jours de la semaine de 16h à 17h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Salut les copions sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/19688 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Episode 152 Chapter 13, Edgard Varèse and The Listener's Experiment. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Playlist: CLASSICAL MUSIC WITH ELECTRONICS Time Track Time Start Introduction –Thom Holmes 01:28 00:00 1.     Edgard Varèse, “Déserts” (1954). Early combination of live orchestra with magnetic tape. 24:49 01:36 2.     Maurice Blackburn and Norman McClaren, “Blinkity Blank” (1955). Film score for five instrumentalists and sounds created by etching directly onto the soundtrack. 05:07 26:28 3.     Morton Subotnick, “Laminations” (1966). Live orchestra with electronic sounds on tape. 10:29 31:24 4.     Mario Davidovsky, “Synchronisms No. 5” (1969). For percussion quintet and electronic sounds on tape.  08:39 41:50 5.     Wendy Carlos, “A Clockwork Orange” (1971). Early analog synthesis of orchestral and choir sounds. 07:03 50:36 6.     Jacob Druckman, “Animus III” (1971). For clarinet and tape. 15:44 57:34 7.     Isao Tomita, opening four tracks from The Bermuda Triangle (1979) including themes by Prokofiev and Sibelius.  Analog electronic orchestration. 12:52 01:13:18 8.     Wendy Carlos, “Genesis” from Digital Moonscapes (1984). Completely digital orchestration. 07:10 01:25:58 9.     Robert Ashley, “Superior Seven” (1988). Live instruments with MIDI instrument accompaniment. 30:15 01:33:10 10.   William Orbit, “Adagio for Strings” (2000). Electronic realization of Samuel Barber orchestral work. 09:34 02:03:26     Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

durée : 01:28:25 - Relax ! du mardi 25 février 2025 - par : Lionel Esparza - Une heure avec ce genre né au XVIe siècle et illustré par Bach, Rameau et Couperin aussi bien que Saint- Saëns, Prokofiev ou Stravinsky.

The cool of the Arctic meets the warmth of Italy. The brooding, majestic themes of Sibelius' Fifth Symphony evoke the remote landscapes of conductor Santtu-Matias Rouvali's native Finland. Tchaikovsky transports listeners to a Roman carnival in his Capriccio Italien. Seong-Jin Cho, lauded for his “expert music-making … miraculous in its execution” (The New York Times), takes on Prokofiev's incendiary Second Piano Concerto. This program will also be performed at Wheaton College on Friday, February 28. Learn more: cso.org/performances/24-25/cso-classical/seong-jin-cho-plays-prokofiev/

durée : 01:28:40 - Dmitry Masleev, une palette sonore lumineuse et variée - par : Aurélie Moreau - Le pianiste Dmitry Masleev poursuit une brillante carrière internationale, débutée à la suite de sa victoire en 2015 au Concours Tchaïkovski. Aujourd'hui : Liszt, au programme de son disque paru en janvier (Aparté), et Scarlatti, Prokofiev, Glinka…

durée : 01:28:11 - Une heure et plus, un compositeur : Sergueï Prokofiev - par : Aurélie Moreau - Sergueï Prokofiev n'a jamais cherché à faire plaisir. Il l'a d'ailleurs bien dit : « J'ai horreur de l'imitation et j'ai horreur des choses déjà connues. » Son esprit de rébellion, son dégoût des conventions et sa volonté d'innover sont présents à chaque page de ses partitions géniales.

durée : 00:17:55 - Le Disque classique du jour du jeudi 30 janvier 2025 - ICA Classics réédite une anthologie de grands enregistrements de Yevgeny Svetlanov (1928 - 2002) à la tête de différents orchestres de Grande Bretagne : l'occasion de redécouvrir un interprète inspiré de la musique russe et française

durée : 00:17:55 - Le Disque classique du jour du jeudi 30 janvier 2025 - ICA Classics réédite une anthologie de grands enregistrements de Yevgeny Svetlanov (1928 - 2002) à la tête de différents orchestres de Grande Bretagne : l'occasion de redécouvrir un interprète inspiré de la musique russe et française

En el programa de hoy, se abordó el tema del estatismo y las razones históricas, psicológicas y sociales que llevan a muchas personas a depender y venerar al Estado como solución a todos los problemas. Se analizó cómo esta tendencia promueve una igualdad que elimina la competencia y favorece la mediocridad, regresando a una estructura tribal. Además, se criticaron los sistemas estatistas, ejemplificados por el socialismo y sus efectos negativos en la productividad, creatividad y justicia, destacando la contradicción entre la igualdad promovida y los privilegios de las élites estatales. Por último, se mencionaron libros recomendados y reflexiones sobre literatura y política ficción, incluyendo una novela ambientada en un mundo donde los nazis ganaron la Segunda Guerra Mundial. Para acceder al programa sin interrupción de comerciales, suscríbete a Patreon: https://www.patreon.com/elvillegas Temas principales y sus minutos: 00:00:00 - Origen del estatismo y su veneración. Análisis de cómo las sociedades han promovido el rol del Estado como solución a problemas sociales, culturales y económicos. 00:06:02 - Competencia, mediocridad e igualdad. Reflexión sobre cómo el estatismo promueve la mediocridad al evitar la competencia y fomenta una supuesta igualdad que limita el progreso y la justicia real. 00:15:23 - Impacto del estatismo en la productividad. Ejemplos históricos sobre cómo el control estatal afecta la creatividad, la producción cultural y la innovación, con referencias a Prokofiev y la URSS. 00:28:08 - Justicia versus igualdad. Discusión sobre las diferencias entre justicia y igualdad, criticando la idea de justicia social como sinónimo de igualdad impuesta por el Estado. 00:36:12 - Contradicciones de las élites estatistas. Crítica a cómo quienes promueven el estatismo buscan privilegios y posiciones de poder mientras exigen igualdad para los demás. 00:38:58 - Recomendaciones literarias. Presentación de libros, destacando una novela alternativa sobre un mundo donde los nazis ganaron la guerra.

Gaea Star Crystal Radio Hour #604 is an hour of improvised visionary music played on a frozen, still January day in 2025 at Singing Brook Studio in Worthington, Massachusetts. The Gaea Star Band featuring Mariam Massaro on vocals, Native flute, kalimba, dulcimer, 4- and 8-string ukulele, mandolin, Celtic harp, harmonica and acoustic guitar, Bob Sherwood on piano and Craig Harris on congas and Native low drum begin this dynamic, inspired hour with the gentle, acoustic guitar-led minor ballad “I Am Spirit Manifest” before bringing in the varied, evocative “In The Full Moon”, a pulsing, jazzy composition featuring chiming Celtic harp, throbbing low drum and flights of majestic Native flute. “Let's Slow Right Down” is a bittersweet, drifting coda to “In The Full Moon” with graceful, distant, echoing Native flute and gorgeous in-the-moment composition on the piano. “Grateful For The Memories” is a whimsical folk song with a fine vocal and tight, ringing 8-string ukulele from Mariam and hard blues piano from Bob. Mariam creates a wonderful elasticity on her ringing dulcimer that provides a framework for Bob's chordal support on the gorgeous, mystical “Happy I Am” and mournful, unhurried kalimba ushers in the unusual, circular “There's Only One Way”, a wonderfully melancholic, majestic moment of achingly pretty minimalism is held in frame by Bob's Prokofiev-derived piano movements and Mariam's powerful melody. “Oh Mother Earth” is the major-keyed analog to Mariam's powerful song “I Am The Mother Earth” and in this expansive, joyful framework, driven along by Mariam's crisp mandolin, becomes a piece of front-porch Americana. We finish today's varied, inspired show with an upbeat version of Mariam's island song “Lead Me Down”. Learn more about Mariam here: http://www.mariammassaro.com

Sergei Prokofiev's music has captivated audiences for over a century. From the beloved Peter and the Wolf to the dramatic Dance of the Knights, Prokofiev's genius shaped the world of classical music.

durée : 01:27:30 - En pistes ! du jeudi 16 janvier 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Des Concertos pour piano ou pour violon de Mozart par de jeunes musiciens ce matin ! Mais aussi Grisélidis, un opéra peu connu de Massenet, ou des sonates de Prokofiev par le pianiste Sergei Redkin

durée : 01:27:30 - En pistes ! du jeudi 16 janvier 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Des Concertos pour piano ou pour violon de Mozart par de jeunes musiciens ce matin ! Mais aussi Grisélidis, un opéra peu connu de Massenet, ou des sonates de Prokofiev par le pianiste Sergei Redkin

References Guerra, Daniel J. 2024-2025. Biochemistry lectures and unpublished Metaphysics. Front Endocrinol (Lausanne). 2020 Dec.3;11:587189 Int J Mol Sci. 2023 May 16;24(10):8811. Lake, G. 1970."Just Take a Pebble" ELP. https://open.spotify.com/track/3yTk0DOOIqz1MNDW2Bj9P9?si=954782df84764dc8 Hunter-Garcia. 1977.Terrapin station. Grateful Dead. https://open.spotify.com/track/2gdTkM0hL9KQipAx6aUT6L?si=1b3a3d5afa34430d Mozart. WA. 1787. "Eine Kleine Nachtmusik" Serenade 13 in G. Major K.525.and music by Grieg and Prokofiev. https://open.spotify.com/album/5iAlyjqXMlO0JNaZ9jMjHF?si=7c8C_8eQQOe70rD_B69QMw

durée : 01:28:46 - Relax ! du lundi 06 janvier 2025 - par : Lionel Esparza - Quelques millésimes de l'année 1925 : "L'enfant et les sortilèges" de Ravel, la Symphonie n°2 de Prokofiev, le quatuor de Fauré, "Wozzeck" de Berg et le Concerto en fa de Gershwin...

Gaea Star Crystal #600 is an hour of visionary improvised music and songs by Mariam Massaro played by Mariam on vocals, Native flute, acoustic guitar, kalimba, Celtic harp, marimba, ukulele and mandolin and Bob Sherwood on piano. Recorded live at Singing Brook Studio in Worthington, Massachusetts in early December of 2024, today's show begins with a eulogy for Puffy the cat who left us after 17 years today, “Ode To Puffy”. A powerful take of Mariam's “Reborn” continues the eulogy for a truly excellent cat and “Game Of Life” is a bouncing, playful folk song with a fine vocal from Mariam and dancing piano ostinatos from Bob. “May We All Find Our Peace Of Balance” grows like a flower from the ending of the prior piece with a soaring, expressive Native flute solo from Mariam and builds into a beautiful, stately ballad featuring rich piano from Bob and a compelling, extended conversation between Mariam's solemn, soaring vocal and her Native flute. “Release, Revive, Relax” is a minimalist, ambient piece built on a tight framework of marimba and piano and “La Luna” is a fantastical ballad with a gorgeous vocal from Mariam accompanied by kalimba and piano. Mariam's chiming mandolin holds the fort for the whispering, evocative “Walk In Truth With The Maiden Of Peace”, a gorgeous, prayerful, extended ballad with a sweeping, expressive vocal from Mariam and Mariam's “White Buffalo Calf Woman” receives a solemn, reverent treatment with beautiful, unwinding vocals and Native flute interpolations from Mariam and Bob's formalist, Prokofiev-influenced piano from Bob. We conclude today's reverent, deep tribute to a very beloved cat with the sparkling, playful and beautifully rendered “Shamiyaya”. Learn more about Mariam here: http://www.mariammassaro.com

The Royal Ballet and Opera House in London continue their programme of access to their productions for blind and partially sighted people with both live and recorded audio described performances, along with accompanying introductory notes and touch tours. If you have ever wondered what goes in to audio describing ballet and dance then do join RNIB Connect Radio's Toby Davey for an insight into how the Royal Ballet's current production of Cinderella is brought to life for blind and partially sighted people through pre show introductory notes, touch tours and audio described performances. Prior to the general rehearsal of Cinderella On Monday 2 December 2024 Toby caught up with Professional Audio Describers Julia Grundy and Jane Brambley to find out what goes in to the process of describing a ballet production like Cinderella, how they both work on their description scripts, thinking about what props and costumes to include on a touch tour and whether they adapt their live description script at all for the recorded description which is now available at every performance of Cinderella.  After chatting with Julia and Jane Toby also caught up with Ania Kapazat, one of the Administrative Producers at the Royal Ballet, to find out more about how she has helped Julia and Jane with their description as well as listening in to the dry run of their audio description at the general rehearsal of Cinderella. During the first interval of the general rehearsal of Cinderella Toby managed to catch up with Kevin O'Hare, Director of The Royal Ballet, to firstly chat about how things have gone in getting this production of Cinderella to the general rehearsal, how embedded access and audio description is within the company and a snap shot stand out moment from Cinderella that really shows how everything comes together to bring the story of Cinderella to life on stage with audio description too. About Cinderella The Royal Ballet's current production of Cinderella continues on the main stage of the Royal Opera House until 16 January 2025 with recorded audio description now available at every performance.  This enchanting ballet by The Royal Ballet's Founder Choreographer Frederick Ashton is a theatrical experience for all the family over the festive holiday. A co-production between the Royal Ballet and the national Ballet of Canada. In 1939, Frederick Ashton first began to consider creating a full-length work, the Company's first three-act ballet. At the time it seemed like the obvious next step for British ballet. The idea was shelved during the war but in 1946 Ashton returned urgently to it. Inspired by other balletic adaptations of Cinderella coming out of Russia, Ashton chose to create his own version of Charles Perrault's famous rags-to-riches story. Set to Prokofiev's exquisite score the ballet received its premiere in 1948 featuring Moira Shearer and Michael Some's in the lead roles.  A World Where Dreams Blossom  The designs of this production of Cinderella are heavily influenced by nature and flowers. As the Fairy Godmother and the Seasons' fairies come into Cinderella's world, the muted tones of the family living room are taken over by a burst of colour. The creative team behind the exquisite world of Cinderella includes set designer Tom Pye (My Neighbour Totoro, Olivier award for Best Set Design), costume designer Alexandra Byrne (Elizabeth: The Golden Age, Academy Award for Best Costume Design), lighting designer David Finn (Brokeback Mountain), video designer Finn Ross (Les Miserables, Frozen) and illusions by Chris Fisher (Harry Potter and The Cursed Child).   To find out more about The Royal Ballet's current production of Cinderella do visit the following pages of the RBO website - https://www.rbo.org.uk/tickets-and-events/cinderella-details You will also find more information about access at the royal Ballet and Opera House on the following access pages of their website - https://www.rbo.org.uk/visit/access-at-rbo Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underline with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font.

durée : 02:28:56 - France Musique est à vous du samedi 14 décembre 2024 - par : Gabrielle Oliveira-Guyon - La sonorité du saxophone de John Coltrane, l'énergie des transcriptions de Gershwin par the Amazing Keystone big band, les chants patriotiques du Bûcher d'hiver de Prokofiev : autant de suggestions musicales qui contribuent à conjurer le froid hivernal ! - réalisé par : Emmanuel Benito

The actor, comedian and writer Nick Mohammed hasn't followed an obvious career path. His youthful obsessions included performing magic and playing the violin, followed by a first-class degree in geophysics. He even began a PhD in seismology – before his love of comedy took him in a very different direction. He's ended up on the red carpet at the Emmys, thanks to his role as Nate the football coach in the much-acclaimed TV series Ted Lasso. He's starred with David Schwimmer in the sitcom Intelligence, which he wrote and co-produced. For his live shows he created the much-loved Mr Swallow, a peevish and pedantic magician – who has also attracted millions of views on social media. Nick's musical choices include Copland, Beethoven, Dvorak and Prokofiev.

Donate to Conversations with Tyler Give Crypto Other Ways to Give In his landmark multi-volume biography of Stalin, Stephen Kotkin shows how totalitarian power worked not just through terror from above, but through millions of everyday decisions from below. Currently a senior fellow at the Hoover Institution after 33 years at Princeton, Kotkin brings both deep archival work and personal experience to his understanding of Soviet life, having lived in Magnitogorsk during the 1980s and seen firsthand how power operates in closed societies. Tyler sat down with Stephen to discuss the state of Russian Buddhism today, how shamanism persists in modern Siberia, whether Siberia might ever break away from Russia, what happened to the science city Akademgorodok, why Soviet obsession with cybernetics wasn't just a mistake, what life was really like in 1980s Magnitogorsk, how modernist urban planning failed there, why Prokofiev returned to the USSR in 1936, what Stalin actually understood about artistic genius, how Stalin's Georgian background influenced him (or not), what Michel Foucault taught him about power, why he risked his tenure case to study Japanese, how his wife's work as a curator opened his eyes to Korean folk art, how he's progressing on the next Stalin volume, and much more. Read a full transcript enhanced with helpful links, or watch the full video. Recorded November 13th, 2024. Other ways to connect Follow us on X and Instagram Follow Tyler on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here.

durée : 00:16:11 - Le Disque classique du jour du lundi 25 novembre 2024 - Sur le Stradivarius de 1710 baptisé « Vieuxtemps, Hauser », le violoniste Ning Feng joue deux concertos pour violon russes monumentaux avec l'Orchestre symphonique de Bochum sous la direction de Tung-Chieh Chuang.

durée : 00:16:11 - Le Disque classique du jour du lundi 25 novembre 2024 - Sur le Stradivarius de 1710 baptisé « Vieuxtemps, Hauser », le violoniste Ning Feng joue deux concertos pour violon russes monumentaux avec l'Orchestre symphonique de Bochum sous la direction de Tung-Chieh Chuang.

Music from suites, including Tchaikovsky's Nutcracker, Vaughan Williams' English Folk Song Suite, Grieg's Peer Gynt, Respighi's Ancient Airs and Dances and Prokofiev's Love For Three Oranges. 

Today we hear from three string quartets formed at the Music Institute of Chicago Academy in the 2023-2024 school year. They play music by Haydn, Beethoven, Puccini, Grieg, Prokofiev and Ginastera. The post Three Academy String Quartets appeared first on WFMT.

Flute 360 | Episode 302: "Just Drink the Pickle Juice!" In Episode 302, Dr. Heidi Kay Begay shares a personal and powerful lesson about embracing temporary discomfort for long-term benefits. Using her own experience with muscle cramps and the surprising remedy of pickle juice, she draws an analogy to overcoming challenges in flute playing and career development. Whether it's tackling difficult repertoire or advancing your flute business, Dr. Heidi encourages listeners to face short-term discomfort head-on, knowing it will propel them towards long-term success. Main Points: Facing Temporary Discomfort for Long-Term Growth: Dr. Heidi recounts her struggle with muscle cramps and how drinking pickle juice, despite her aversion, was the key to overcoming them. She relates this to how avoiding difficult tasks in flute practice or career-building can hold you back. Pickle Juice as an Analogy: Just like the quick discomfort of drinking pickle juice, stepping outside of your comfort zone, whether in flute playing or business, is temporary but leads to major growth. Avoiding Short-Term Pain Leads to Long-Term Stagnation: Are you avoiding the "pickle juice" in your life? Whether it's practicing double-tonguing exercises or learning new business skills, confronting temporary challenges leads to long-term rewards. Small Efforts Lead to Big Results: Sometimes, the task you're avoiding is much smaller and more manageable than you think. Just as Dr. Heidi learned that only a tablespoon of pickle juice was necessary, the efforts required to make significant progress may not be as overwhelming as they seem. Call to Action: Register Now for the Flute 360 Accelerator Program happening on October 26th, 2024! Special guest Dr. Dennette Derby McDermott will be diving deep into Baroque music. Perfect for anyone working on Telemann Fantasies, Quantz Concerti, Bach Sonatas, ornamentation, and more! Register within the next two weeks to be one of the performers. Don't miss this incredible opportunity to get expert feedback and take your Baroque performance to the next level! The live session is scheduled for 10/26/24 from 11:00 AM to 1:00 PM CT. Links to register are below for all three tiers! The deadline is Friday, 10/19/24! Tier 1 – click here! Tier 2 – click here! Tier 3 – click here! Resources: Michigan Medical Podcast – Read Here about the Benefits of Pickle Juice & Muscle Cramps Dr. Dennette McDermott's Episode 14 Dr. Dennette McDermott's Episode 246 Texas Flute Society National Flute Association The Flutist's Détaché Book by Robert Stallman Practice Book for the Flute, Book 3: Articulation by Trevor Wye Flute Fundamentals by Mary Karen Clardy Follow Heidi: Follow Flute 360 via TikTok! Follow Flute 360 via Instagram! Follow Flute 360 via Twitter! Follow Flute 360 via LinkedIn! Follow Flute 360 via Facebook! Subscribe to the Flute 360's YouTube Channel! Join the Flute 360 Newsletter! Join the Flute 360 Family's Facebook Private Group!

New York Philharmonic President and CEO Deborah Borda joins Peter Dugan as co-host and shares insights into her iconic career at the helm of the country's leading orchestras. She speaks with an inspiring 16-year-old violist who is an emerging leader in her own right. We also meet an articulate young composer who wants her music to bring people joy and healing, a teen clarinetist who has traveled the world with his musical parents, and a pianist with a passion for acting. They give incredible performances of Prokofiev, Enescu, Kovács, and more.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy