Podcast appearances and mentions of Alison Balsom

Interpreten: Alison Balsom, Pinnock's Players, Trevor Pinnock Label: Warner Classics EAN: 5021732273291 Es muss nicht immer zwingend Originalklang sein – das dachte sich Trevor Pinnock, als er gemeinsam mit Alison Balsom das Konzept für die aktuelle CD Baroque Concertos entwickelt hat. Herausgekommen ist ein hervorragender Klangkompromiss, von dem sich Michael Gmasz begeistert zeigt. Der Originalklangspezialist Trevor Pinnock und Trompeterin Alison Balsom arbeiten schon seit vielen Jahren gemeinsam und haben auch schon die eine oder andere CD aufgenommen. Bisher hat die Trompetenvirtuosin Balsom dafür ebenso zu historischen Instrumenten gegriffen, um dem Original so nahe wie möglich zu kommen. Für die neue CD allerdings wollte Balsom auf einer modernen Piccolo Trompete spielen, die weit mehr Möglichkeiten bietet, Trevor Pinnock ist sofort auf den Zug aufgesprungen und hat mit den Pinnock's Players auch gleich ein neues Ensemble gegründet. Mit dem Dirigenten und Organisten Simon Wright wurde ein ausgezeichneter Arrangeur gefunden, und so stand dem neuen Projekt nichts mehr im Wege. „Die Möglichkeit, chromatische und virtuosere Musik aufzuführen, wie sie ursprünglich für Solovioline oder Oboe geschrieben wurde, hat mich und meine Trompetenkollegen seit den Tagen des großen Maurice André in ihren Bann gezogen“, sagt Alison Balsom im Beiheft der neuen CD. So sind es hier also keine barocken Trompetenkonzerte sondern Bearbeitungen von Oboen- und Violinkonzerten von Telemann, Händel, Vivaldi, Albinoni und Marcello, denen Balsom neuen Glanz verleiht. Von gestochen scharf bis samtig weich ist dabei ihr Ton, scheinbar unendlich ihr Luftstrom in den langsamen Sätzen, hoch virtuos und rasant schnell im Tempo ihr Spiel in den flotten. Doppel- oder gar Tripelzunge? Ach wo … Manche der Werke klingen in diesen Bearbeitungen so, als ob sie nie für andere Instrumente geschrieben wurden. So denke ich, hätte Antonio Vivaldi sicher seine Freude gehabt, wenn er das 9. Violinkonzert aus der Sammlung L‘estro armonico einmal in dieser feierlichen Version gehört hätte. Da er das nicht mehr kann, bleibt die Freude ganz uns überlassen! (mg)

Celé epizody pouze na herohero.cz/notyvole nebo forendors.cz/notyvole POZOR TOTO JE POSLEDNÍ DÍL REVUE NOTY VOLE V KANÁLU HEADLINER CZ. DEJTE FOLLOW V SAMOSTATNÉM KANÁLU! Další plnotučná epizoda podcastové revue Noty Vole nemohla začít jinak. Festival Rock for People odhalil své trumfy pro příští rok. A my jsme dopodrobna rozebrali, co na současné festivalové mapě znamená příjezd Linkin Park. A také se všichni (tedy krom pana Sága) dozvíte, kdo bude skutečný headliner!  Prolistujeme listopadový Headliner a doporučíme vám z něj super články. Vrátíme se ke konferenci a hudebnímu setkání Prague Music Week. A pak už tozačne nabírat grády. Neušlo nám totiž první „živé“ vystoupení kapely Lucie s novým frontmanem Viktorem Dykem.   Co všechno se na něm nepovedlo. A v čem by se Lucie mohla poučit od Dymytry? I na to během povídání naší nesourodé trojice dojde.   No a pak taky na koncerty. Viděli jsme jich spoustu. Franka Turnera, Billyho Woodse a Moor Mother, Miles Kanea i Mylese Kennedyho. Poslední koncert skvělých Met. I závěr největšího českého turné roku. A na Kabátech to bylo opravdu velké!  Pak už přijde řada na pravidelné rubriky. V trendech jsme si vzali na paškál nového Bruna Marse se zpěvačkou Rosé. Pan Šroubek nás naučil alkoholickou hru APT. Probrali jsme nový cajdák od Dymytry i album Viktora Sheena, které už zase boří hitparády.   V tipech vás čeká houbař Ventolin, návrat skajazzmanů Green Smatroll. A pan Šéfík nachystal výlet do klasických vod s Alison Balsom, námi nehezky přezdívanou „paní s trumpetou.“  Vítejte ve světě hudby, tak jak ji vidíme a slyšíme my.

durée : 01:28:44 - Relax ! du lundi 11 novembre 2024 - par : Lionel Esparza - Six découvertes discographiques qui vont des compositions du Quatuor Arnold à Norma par Marina Rebeka, en passant par les concertos de Vivaldi par Alison Balsom, Rachmaninov par Edgar Moreau, Caccini par le Scherzi Musicali et les Sonates de Schubert par les soeurs Milstein.

durée : 00:06:53 - Relax ! du lundi 11 novembre 2024 - par : Lionel Esparza - Six découvertes discographiques qui vont des compositions du Quatuor Arnold à Norma par Marina Rebeka, en passant par les concertos de Vivaldi par Alison Balsom, Rachmaninov par Edgar Moreau, Caccini par le Scherzi Musicali et les Sonates de Schubert par les soeurs Milstein.

durée : 01:28:44 - Relax ! du lundi 11 novembre 2024 - par : Lionel Esparza - Six découvertes discographiques qui vont des compositions du Quatuor Arnold à Norma par Marina Rebeka, en passant par les concertos de Vivaldi par Alison Balsom, Rachmaninov par Edgar Moreau, Caccini par le Scherzi Musicali et les Sonates de Schubert par les soeurs Milstein.

durée : 00:06:53 - Relax ! du lundi 11 novembre 2024 - par : Lionel Esparza - Six découvertes discographiques qui vont des compositions du Quatuor Arnold à Norma par Marina Rebeka, en passant par les concertos de Vivaldi par Alison Balsom, Rachmaninov par Edgar Moreau, Caccini par le Scherzi Musicali et les Sonates de Schubert par les soeurs Milstein.

What does it take to perform at your best in critical moments?It's what differentiates the great from the good. Being at the top of your game requires years of courage, skill, and discipline. This is why some falter whilst others shine.In this episode I am joined by the multi-award-winning trumpet soloist, Alison Balsom. She shares what it takes to get to, and sustain, the highest levels of performance. These are concepts and practises that leaders in all fields would do well to apply.Alison talks about how she chooses the right repertoires to play and people to work with. She also discusses the importance of finding your own interpretation of a piece and what it's like to perform with the conductors and musicians.Music plays a huge role in all our lives, whether we know it or not.This conversation is for anyone looking to perform at the highest of levels and pushing the frontiers of their craft.“It's certainly a high wire act” – Alison BalsomYou'll hear about:●      Alison's process for finding the right work●      How to know when the project is right for you ●      Building relationships in orchestras●      What helps Alison to excel?●      How do you know you've impacted people?●      Alison's mindset minutes before taking the stage●      You are not better in rehearsal●      Has Alison had moments of self-doubt?●      How Alison nurtures and looks after herself●      The impact Alison wants to have on the worldAbout Alison Balsom:Alison has performed as a solo trumpeter worldwide with many of the greatest conductors and orchestras of our time, including Pierre Boulez, Lorin Maazel, Claudio Abbado, the New York Philharmonic Orchestra, Philadelphia Orchestra and London Philharmonic Orchestras, as well as The Balsom Ensemble, a handpicked group of leading Baroque soloists.Balsom has commissioned much music, and had hundreds of works written for her, including by composers such as Betsy Jolas, Dobrinka Tabakova, James MacMillan, and Thea Musgrave.She has been awarded an OBE for Services to Music, and has dedicated her career to broadening the artistic horizons of the trumpet.Resources:Profile: https://bit.ly/3LTvGV0Discography: https://bit.ly/3AbVE3DConcerts: https://bit.ly/3LXD026My resources:Take my new Becoming a Strategic Leader course (https://bit.ly/3KJYDTj)Sign up to my Every Day is a Strategy Day newsletter (http://bit.ly/36WRpri) for modern mindsets and practices to help you get ahead. Subscribe to my YouTube channel (http://bit.ly/3cFGk1k) where you can watch the conversation.For more details about me:●      Services (https://rb.gy/ahlcuy) to CEOs, entrepreneurs and professionals.●      About me (https://rb.gy/dvmg9n) - my background, experience and philosophy.●      Examples of my writing https://rb.gy/jlbdds)●      Follow me and engage with me on LinkedIn (https://bit.ly/2Z2PexP)●      Follow me and engage with me on Twitter (https://bit.ly/36XavNI)

Humankind's relationship with music can be traced back millions of years and across continents. In Sound Tracks the archaeologist Graeme Lawson unearths some of the oldest instruments, from water-filled pots in Peru from AD700 that chirp like a bird, to bells from a tomb in 5th century China. He argues that music is part of what makes us human.An ancient horn, played from a watchtower on Hadrian's Wall, is a far cry from the modern version the award-winning trumpeter Alison Balsom plays. She is giving the UK premiere of Wynton Marsalis' Trumpet Concerto with the London Symphony Orchestra (Barbican on the 11th April; Bristol Beacon on the 12th). This is a contemporary piece that showcases the huge versatility of the trumpet, from the opening pre-historic-sounding wild elephant call to ceremonial fanfare and New Orleans jazz.The celebrated poet John Burnside's new collection, Ruin, Blossom explores what it is to be human as we contemplate our mortality. But even amidst the ruin and death and decay, his words reveal the beauty and hope in the everyday natural world: ‘first sun streaming through the trees … a skylark in the near field, flush with song'.(Extract from Wynton Marsalis' Trumpet Concerto, played by Alison Balsom with the Swedish Radio Orchestra in a concert from 17th February 2024, with permission from the Swedish Radio Orchestra )Producer: Katy Hickman

In the second half of their live chat, Alison Balsom and Sam Mendes discuss what it's like for him to have been everyone's Dad professionally since he was 24 (just don't take his sausage roll); being a woman in a predominantly male art form, changing the paradigm of the trumpet and the spirituality of playing music in church; Sam's transformative memory of Jackson Pollock in Venice and the joy of throwing paint; where emotion lives in their work; the trumpet piece that reflects who you are at any stage of your life; being uningratiating onstage; why Sam was in a kind of dream-state directing Hills of California and what auditioning new-born babies taught him about performers. Hosted on Acast. See acast.com/privacy for more information.

This week Jonny sees you “the coolest power couple in British theatre” (Jez Butterworth and Laura Donnelly, S3, E8) and raises you one “coolest power couple in British culture”, theatre and film powerhouse Sam Mendes and one of the world's greatest classical and jazz trumpeters, Alison Balsom. In the first interview they've ever given as a couple, they treat SDJ Live at Jermyn Street Theatre to a voyage round their remarkable life and times: what is was for them both to be prodigies and whether they miss their younger selves; Alison's calling to play the trumpet and not feeling like a soloist until she'd played the Last Night of the Proms; not feeling like a real film director until Sam directed his first Bond; where doubt exists differently in theatre and in classical music; the search for the perfect chord in art; Alison's recording of her greatest mistake, never being able to duck the hardest challenge and why Simon Russell Beale as Uncle Vanya suddenly couldn't stand up. Hosted on Acast. See acast.com/privacy for more information.

Welkom terug bij een nieuwe aflevering van Kalm met Klassiek, dé podcastserie voor je dagelijkse momentje rust. Vandaag pakken we het weekthema weer op: 'Trompet'. Ab vond een mooie versie voor trompet van Someone to Watch Over Me, met pianobegeleiding. George Gershwin schreef dit lied op de tekst van zijn oudere broer Ira Gershwin. Het was één van de hits uit de musical Oh, Kay! uit 1926. Toen was het een snel en jazzy uptempo lied. Later werd het een jazzstandard in een veel langzamer tempo. Dat hoor je ook zeker terug in deze uitvoering van Alison Balsom. Van alle toeters en bellen uit de musical, naar een intieme setting. Luister maar mee...

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In this episode, we discuss recordings of “Mozart y Mambo: Cuban Dances” by Sarah Willis & The Havana Lyceum Orchestra / José Antonio Méndez Padrón,“Tomasi, Jolivet & Others: French Trumpet Concertos” by Håkan Hardenberger, Roland Pöntinen & The Royal Stockholm Philharmonic Orchestra / Fabien Gabel, “Quiet City” by Alison Balsom, Tom Poster, Nicholas Daniel & Britten Sinfonia / Scott Stroman, “I Always Thought My Thoughts Were Me” by Dave Sear, “The Way of the Groove” by Ben Patterson, and “Generations” by Steve Turre.   The Adult Music Podcast is featured in: Feedspot's Best 60 Jazz Podcasts   Episode 82 Deezer Playlist   “Mozart y Mambo: Cuban Dances” (Alpha) Sarah Willis, Havana Lyceum Orchestra /José Antonio Méndez Padrón https://open.spotify.com/album/5TZaPWOSUIALLBflkJs9sE https://music.apple.com/us/album/mozart-y-mambo-cuban-dances/1633146859   “Tomasi, Jolivet & Others: French Trumpet Concertos” (BIS) Håkan Hardenberger, Roland Pöntinen, Royal Stockholm Philharmonic Orchestra / Fabien Gabel https://open.spotify.com/album/4iNTRs5QTtOt6IuTQOhgs2 https://music.apple.com/us/album/tomasi-jolivet-others-french-trumpet-concertos/1623463102   “Quiet City” (Warner Classics) Alison Balsom, Tom Poster, Nicholas Daniel, Britten Sinfonia / Scott Stroman https://open.spotify.com/album/0UnUW6QptVM4LGg241PlcX https://music.apple.com/us/album/quiet-city/1630765066   “I Always Thought My Thoughts Were Me” (Ubuntu) Dave Sear          https://open.spotify.com/album/4E6sPJVPt1x92IwzRY3Rpv https://music.apple.com/us/album/i-always-thought-my-thoughts-were-me-feat-percy-pursglove/1636363060   “The Way of the Groove” (Origin Records) Ben Patterson https://open.spotify.com/album/2SG7aKbuUy9DuXYjkr9NpD https://music.apple.com/us/album/the-way-of-the-groove/1635023615   “Generations” (Smoke Sessions Records) Steve Turre https://open.spotify.com/album/4SpdeJD5lcATDheZhpxBKN https://music.apple.com/us/album/generations/1636041345

The trumpeter and musician Alison Balsom has performed with some of the world's greatest orchestras. She talks about her latest album, Quiet City. Jack Hilton was a plasterer from Rochdale whose groundbreaking writing was praised by both WH Auden and George Orwell. His work fell out of print after the Second World War and he has been largely forgotten. Jack Chadwick, who is running a campaign to revive his works, explains why his works need to be revived. Cabaret performer Rhys Hollis, also known as Rhys's Pieces, and opera singer Andrea Baker discuss their video piece OMOS showcasing Black Queer Scottish performance at Edinburgh's Royal Scottish Academy. Presenter: Tom Sutcliffe Producer: Eliane Glaser

Today's special guest in this bonus episode is trumpet virtuoso Alison Balsom! She and Susannah discuss school, yoga and sweating...You can find Alison's brand new album, 'Quiet City', and all her social links here or on her website at alisonbalsom.com.As ever, thanks to our house band duo for providing our music - you can find them at duoguitarmusic.com and @duoguitarmusic on their socials.And, of course, huge thanks to you for listening! If you like this episode, please subscribe, check out the others and give us a five-star rating and review.Finally, we always love hearing from you - please email us at help@mywardmal.com. You can also find us on Instagram, Twitter, Facebook, YouTube and TikTok all @mywardmal, and on our website at mywardmal.com. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Eine CD von Alison Balsom und Britten Sinfonia - vorgestellt auf NDR Kultur.

Brandenburg Concerto No. 5 by Bach and Con Alma by Dizzy Gillespie (Photo: Simon Fowler)

Caprice. A record from Alison Balsom. 2006. We play it, and talk about on LTNF Live.

Jess Gillam and trumpeter Alison Balsom are joined by a live audience at The Hay Festival to have a listening party of some of the music they love the most. Alison brings along one of their most beautiful tunes and outs herself as a Queen superfan, then shares the Miles Davis tune that brings her most joy. Meanwhile Jess shares an absolute banger by Piazzolla, an epic sax solo by Rachmaninov and a breathtaking performance by Nina Simone. Playlist: BACH: Brandenburg Concerto no.4 - 1st mvt (English Concert, Trevor Pinnock) DAVID BOWIE: Dollar Days (from Blackstar) MILES DAVIS: If I Were a Bell (Miles Davis Quintet) RACHMANINOV: Symphonic Dances, op. 45 - No.1 {Philadelphia Orchestra, Yannick Nezet-Seguin) PIAZZOLLA: Histoire du Tango: Night Club 1960 (Astoria) QUEEN: Love of my Life (from A Night at the Opera) NINA SIMONE: Stars (Live at the Montreux Jazz festival) STRAVINSKY: The Firebird - finale (City of Birmingham Symphony Orchestra, Simon Rattle)

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Comment naît l'émotion en musique ? Qu'est-ce qui permet à l'énergie de circuler ? Quelles sont les écoles d'interprétation de la musique baroque et qu'est-ce qui différence Harnoncourt de Gardiner ou de Jacobs ? Nous soufflons aussi ensemble les bougies d'anniversaire des Talens Lyriques : 30 ans à jouer de la musique avec Christophe Rousset !   Références musicales  :   Haendel, Royal fireworksmusic, réjouissance, Alison Balsom, Balsom ensemble  Lully, Amadis, chaconne fin acte V, Les Talens Lyriques, Christophe Rousset (dir.)  Du Mont, « Echo in lectulo meo », Sandrine Piau, Les Talens Lyriques, Christophe Rousset (dir.)  Haendel, Scipione, “Scoglio d'immota fronte”, Sandrine Piau, Les Talens Lyriques, Christophe Rousset (dir.)  Salieri, Les Danaïdes, ouverture, Les Talens Lyriques, Christophe Rousset (dir.)  Verdi, Don Carlos, Les Talens Lyriques, Christophe Rousset (dir.)  Rameau, Les Fêtes d'Hébé, ouverture, Les Talens Lyriques, Christophe Rousset (dir.)  Mozart, La Flûte enchantée, « Ach ich fühl's », Rosa Mannion, Les Arts florissants, William Christie (dir.)  Lully, Alceste, Pompe funèbre, “La mort barbare”, Lucía Martín Carton, Les Talens Lyriques, Christophe Rousset (dir.)  Rameau, Pygmalion, « Règne amour ! », Cyrille Dubois, Les Talens Lyriques, Christophe Rousset (dir.) Bach, Oratorio de Noël, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner (dir.)  Bach Wilhelm Friedemann, cantate, “Es ist Stimme eines Predigers in der Wüste”, die Rheinische Kantorei, das Kleine Konzert, Hermann Max  Couperin, Concert royal n°1, « Air tendre », Les Talens Lyriques, Christophe Rousset (dir.)  Purcell, Didon et Enée, « When I am laid in earth », Anna Prohaska, Il Giardino Armonico, Giovanni Antonini (dir.)  Bach, Passion selon Saint Jean, choeur d'entrée par : Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner (dir.)  Collegium vocale Gent, Philippe Herreweghe (dir.)  Akademie für alte Musik Berlin, René Jacobs (dir.)  Chœur et Orchestre du Concentus Musicus de Vienne, Nikolaus Harnoncourt (dir.) Rameau, Zaïs, ouverture, Les Talens Lyriques, Christophe Rousset (dir.)  Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

At some level we all want to be the lone wolf, to prove ourselves as individuals. That's not all bad. But it's not all good either.This week we will discuss the relationship between musical groups and their members who go solo, and what that has to do with the church; the ethos of Jack Reacher (who does not resemble Tom Cruise in the slightest); how an Englishwoman is changing the way I think about trumpeters; and why I continue to let a terrific solo game languish on the shelf. Hal Hammons is the preacher for the Lakewoods Drive church of Christ in Georgetown, Texas. He is the host of the Citizen of Heaven podcast. You are encouraged to seek him and the Lakewoods Drive church through Facebook and other social media. Lakewoods Drive is an autonomous group of Christians dedicated to praising God, teaching the gospel to all who will hear, training Christians in righteousness, and serving our God and one another faithfully. We believe the Bible is God's word, that Jesus died on the cross for our sins, that heaven is our home, and that we have work to do here while we wait. Regular topics of discussion and conversation include: Christians, Jesus, obedience, faith, grace, baptism, New Testament, Old Testament, authority, gospel, fellowship, justice, mercy, faithfulness, forgiveness, Twenty Pages a Week, Bible reading, heaven, hell, virtues, character, denominations, submission, service, character, COVID-19, assembly, Lord's Supper, online, social media, YouTube, Facebook.  key words, solo, artists, musicians, soloists, groups, music, Jack Reacher, Lee Child, 61 Hours, novel, authority, Alison Balsom, trumpet, blowhard, blend, Maricaibo, initiative, Shammah, 2 Samuel 23:11-12, 1 Thessalonians 4:10, 

Was jij erbij, bij één van de blijde intredes van koning Filip en koningin Mathilde in 2013? De kans is klein, want de opkomst was bijzonder mager. Dat was in de 18e eeuw wel even anders! Toen was de inhuldiging van een nieuwe vorst een belevenis die je je leven lang bijbleef. Een stad als Gent was tot vier dagen lang compleet in de ban van pronkerige optochten doorheen versierde straten, van klokkengelui en trompetgeschal en van grootse plechtigheden. Maar voor het gewone volk was een inhuldiging ook een welkome gelegenheid om eens goed uit de bol te gaan: de wijn vloeide rijkelijk en de hele stad verkeerde in een feestroes. Knaldrang in de 18e eeuw! Maar zo'n inhuldiging was natuurlijk veel meer dan een goed feestje. Dr. Klaas Van Gelder legt uit wat de diepere betekenis was van zulke ceremonies en rituelen in een tijd toen macht nog heel ongrijpbaar was. Afbeelding: Archief Gent, Oud archief, Atlas Goetghebuer, (Lade 125 nr. 117). Waterverf-schilderij, vermoedelijk door P.J. Goetghebuer zelf, gebaseerd op een schilderij van Ingelbert Lievens van Sieliers. Muziek: G.F. Händel: Amadigi di Gaula, HWV 11, Act III: Aria. "Sento la gioia, ch'in sen mi brilla" (Arr. Pinnock) Alison Balsom, The English Concert, Trevor Pinnock. “Sound the Trumpet”, Warner Classics. G.F. Händel: Atalanta, HWV 35 Ouverture. Largo – Allegro. Alison Balsom, The English Concert, Trevor Pinnock. “Sound the Trumpet”, Warner Classics. G.F. Händel: Music for the Royal Fireworks, HWV 351 I. Ouverture (Adagio), II. Allegro – Lentement – Allegro, III. Bourrée – Lentement – Allegro, IV. La Paix (Largo alla siciliana), V. La Réjouissance, VII. Menuet 2. Alison Balsom, Balsom Ensemble, Simon Wright. “Royal Fireworks” Warner Classics. G.F. Händel: Semele, HWV 58, Ouverture to Act 1. John Eliot Gardiner, English Baroque Soloists. Warner Classics. J.J. Fux: Te Deum, K.271, Te Deum. Collegium 1704 Václav Lux H. Purcell: The Faerie Queen, Z629. Act 5: No 41, Prelude. Alison Balsom, The English Concert, Trevor Pinnock. EMI/Warner Classics. A. Vivaldi: Vioolconcerto nr 4 in f, op. 8, RV 297. “Le quattro stagioni”. L'invierno: Allegro non molto. Stuttgart Chamber Orchestra, Martin Sieghart, Rainer Kussmaul. Night Light by Blue Dot Sessions https://app.sessions.blue/browse/track/61475 Basketliner by Blue Dot Sessions https://app.sessions.blue/browse/track/61478

Jess Gillam joins up with American pianist Tom Weaver to share some of their favourite music, including Dvorak's Eighth Symphony, a virtuosic Vivaldi violin concerto played on the trumpet, an energetic tango by Piazzolla, plus tracks from Aerosmith and Electric Light Orchestra. Playlist: Dvorak – Symphony No.8, 3rd movement (Nikolaus Harnoncourt, Royal Concertgebouw Orchestra) Aerosmith – Sweet Emotion (from Toys in the Attic) Piazzolla – Night Club 1960 (from Histoire du Tango) (Astoria) Vivaldi – Violin Concerto in A minor (arr. trumpet) (Alison Balsom, Scottish Ensemble) Mahler – Das Lied von der Erde, 1st movement; Das Trinklied vom jammer der Erde (Jonas Kaufmann, Jonathan Nott, Vienna Philharmonic) George Walker – Hoopla (A Touch of Glee) (Sinfonia Varsova, Ian Hobson) Electric Light Orchestra – The Whale (from Out of the Blue) JS Bach – Fugue in D# minor, BWV 853 (from Well Tempered Clavier Book 1) (Edward Aldwell, piano)

En este episodio hemos reunido a unos cuantos interpretes de música clásica interpretando piezas del repertorio jazzistico. Sonoridades y estilos interpretativos habitualmente distantes que convergen y sorprenden. Como el contraste de lo dulce y lo salado. Música para paladares curiosos. Nuestros invitados e invitadas: Katia Labèque & Gonzalo Rubalcaba; Kathleen Battle; Alison Balsom; Anne Sofie von Otter; Romain Leleu; Kiri Te Kanawa & Andre Previn; Die 12 Cellisten der Berliner Philharmoniker; Jessye Norman; Quatuor Ébène; Thomas Quasthoff; Yo-Yo Ma & Cesar Camargo Mariano; Hille Perl, Martha Perl & Lee Santana.

Ok, ok......this is not the new guest we promised in this week’s episode BUT it is a whole extra bonus edition with internationally renowned countertenor and star of episode 43, Iestyn Davies. Total bonus right?!As you will hear in Seb and Verity’s opening waffle, the past few weeks have been tricky to say the least. However, there are exciting episodes and events afoot which they share with you as well as an insight into the wonderful, wide ranging benefits of becoming a Three In A Bar Patreon (link below).The main feature of this edition is the previously ‘Patreon only’ Iestyn Davies extras. Iestyn chats about the fateful end to his oboe playing days, they share less than impressive piano lesson stories and Seb tells Iestyn about first hearing the countertenor voice.Seb and Verity are back next week with a new guest, that’s a promise! For the time being we hope you enjoy this extra slice of Iestyn Davies!Excerpt at the end from "Eternal Source of Light Devine", performed by Iestyn Davis, Alison Balsom, Trevor Pinnock and The English Concert. Listen in full here: https://open.spotify.com/track/5GuVpZJpX4C0nQzF63qnsi?si=3xoOy3uVR1Cj3DMH9sr8xQSUPPORT THREE IN A BAR ON PATREONThis show is purely funded by our patrons. Join our Members’ Club for a bonus podcast feed plus many more rewards.Click here: https://www.patreon.com/threeinabarMEZZO PIANO PATRONSLeonie HirstAnita Philpott Click here to join the Members' Club on Patreon! See acast.com/privacy for privacy and opt-out information.

Virtuoosse trompetisti Alison Balsomi albumil kõlab trompeti kuldajast pärinev muusika Händeli, Purcelli, Bachi ja Telemanni sulest.

This week Seb and Verity chat to multi award-winning, internationally renowned countertenor Iestyn Davies. It just so happens that Iestyn and Verity were at school together so this podcast acts as a catch up after 23 years, gulp. Iestyn was due to be singing the lead in Giulio Cesare at the Met on the evening they recorded, a run which was obviously scuppered by Covid. He chats about his frustrations and despondency this lockdown but also glimmers of hope with exciting projects on the horizon.Iestyn talks about his low-key professional debut at Zurich Opera conducted by Nicholas Harncourt and singing alongside Jonas Kaufman....no big deal right? They also discuss his stint in Farinelli and the King on Broadway, at the Globe theatre and in the West End, including tales of corpsing and Kris Akabusi.At at the end of their conversation, Seb gets a short lesson from Iestyn on improving his falsetto.....it’s fairly harrowing and should possibly come with a health warning. SUPPORT THREE IN A BAR ON PATREONThis Show is purely funded by our patrons. Join our Members’ Club for a bonus podcast feed plus many more rewards.Click here: https://www.patreon.com/threeinabarMEZZO PIANO PATRONSLeonie Hirst Anita PhilpottLinkshttp://www.iestyndavies.com/Twitter: https://www.twitter.com/iestyn_davies/Iestyn’s YouTube channel: https://m.youtube.com/channel/UCV4ajzjU8aQwCdEdWUcP-gAIestyn Davies and Alison Balsom Eternal Source of Light Devine, by Handel https://open.spotify.com/track/4FUwHeCqZZCVPmXA1i9tvi?si=urBQl615TwmBOUD06wzc_AIf: Michael Nyman, Henry Purcell. By Michael Nyman, Iestyn Davies, Fretwork. https://open.spotify.com/album/64HLCY8YcaTaXb6jdNDSjf?si=Jx6UfYiKSVKMjUQF11CswA Click here to join the Members' Club on Patreon! See acast.com/privacy for privacy and opt-out information.

Show Notes:Buzzing scientifically makes soundsPhil Smith... not so good?We bully Alison Balsom and Arturo Sandoval (not really)Trumpet Traditions, holding us backCertain Sounds for Certain StylesArturo: "Trumpet Evolution"Cigars are bad vocal rangePractice accounts? Bad??Patreon:https://www.patreon.com/makingsenseoftrumpet?fan_landing=truejacobboseleytrumpet.com(for hate-mail:)boseleyjacobtrumpet@gmail.com

Today’s episode is about a new coalition recently formed to help support agencies during the pandemic. The coalition is called PAMAC, which stands for the Performing Arts Managers and Agents Coalition. This is a group of more than 150 artist managers, booking agents and independent producers in the performing arts industry, with support from 16 arts service organizations, including Americans for the Arts and the League of American Orchestras. In their own words: “PAMAC has united our sector with a mission of working together in collective action to advocate for arts support relief amidst the COVID-19 pandemic. We are bringing our message to Congressional leaders to urge them to legislate for extensions and recapitalization of funding for the entire arts sector." Joining me to talk about PAMAC is Laura Dunaway and Cindy Liu, both from Park Avenue Artists. Laura Dunaway joined Park Avenue Artists in 2016. Prior to joining PAA, Laura was an agent with United Talent Agency (formerly The Agency Group) where she booked a very diverse roster of artists such as Alison Balsom, Jake Shimabukuro, Jane Krakowski, Kishi Bashi, Snarky Puppy, and many more with orchestras and music venues/series all across North America. Cindy Liu joined Park Avenue Artists in 2018, as artist manager on the teams of Joshua Bell, Daniela Liebman, Ryan Silverman, and Larisa Martínez. As of this recording, the Coalition has received over 10,000 signatures and you can visit https://change.org/artsrelief to learn more about how to support their mission. Full disclosure, I immediately signed up when I heard about it and I encourage our listeners to do so as well. Please enjoy my conversation with Cindy and Laura. Link to APAP's guide to reopening https://www.apap365.org/Portals/1/PDFs/Advocacy/PACC%20Reopening%20Advisory%20%20Draft%20%20%20%20%20%20%20Ver%204.0.pdf

In Episode no.13, Head of Music Mark Aitchison tells Patrick how he's managed to turn round two struggling music departments, and explains his different approach to Key Stage 3 learning; plus Austen Smart from Future DJs gives some insider information as to the services they provide to schools.Plus, Patrick finds out about a charity that transforms lives through music, Brass for Africa, talking to superstar trumpeter Alison Balsom, charity founder Jim Trott and Director of Music Education Lizzie Burrowes about their work in Uganda, and the life-changing opportunities they can provide for students in UK schools.Presented and produced by Patrick Johns

Virtuoosse trompetisti Alison Balsomi albumil aastast 2016 "Jubilo" (Warner Classics) kõlab rõõmsas vaimus barokiajastu trompetimuusikat.

Virtuoosse trompetisti Alison Balsomi albumil aastast 2016 "Jubilo" (Warner Classics) kõlab rõõmsas vaimus barokiajastu trompetimuusikat.

Alison Balsom's new album, Royal Fireworks, is a collection of virtuoso baroque works performed on natural trumpet. For the latest Gramophone podcast she joins Editor Martin Cullingford to talk about the natural trumpet and about the repertoire on the album. Royal Fireworks is available from Warner Classics.

Tim and Sam ask questions of Charles Ives, get to grips with hiphopera and discuss ‘leaning in' to those uncomfortable elements of the operatic canon with director and librettist Laura Attridge. PLUS they review Alison Balsom's new disc Royal Fireworks and the City of London Sinfonia at Southwark Cathedral.Antonio Banderas conducts students from ESAEM at the Plaza de la Constitución, Malaga: https://www.youtube.com/watch?v=uxyQKuPNcB8 Josephine and the Artisans' new video for ‘If You Want Peace': https://www.youtube.com/watch?v=D_dOo3pTZ_A&feature=youtu.be Laura Attridge on ‘Leaning into the Discomfort': https://www.schmopera.com/leaning-into-the-discomfort/ And ‘In Search of a “Concept”': https://www.schmopera.com/don-giovanni-in-2018-in-search-of-a-concept/ Music Credits: ‘Tim and Sam's Podcast' written and performed by Harry Sever ‘In questa reggia' from Puccini's Turandot, performed by Dame Eva Turner with unknown orchestra under Stanford Robinson in 1928 'The Unanswered Question' by Charles Ives, Performed by players from the University of Michigan School of Music orchestra under David Biedenbender ‘If You Want Peace' by Josephine and the Artizans The Adagio from Purcell's Trumpet Sonata, performed by the Balsom Ensemble under Simon Wright for Warner Classics Jean Sibelius's Fifth Symphony, Mov. 3, performed by Timmy Fisher Follow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/

durée : 01:57:05 - En pistes ! du mercredi 20 novembre 2019 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme : un florilège de trésors baroques par la trompettiste anglaise Alison Balsom et son ensemble créé sur-mesure, la violoniste norvégienne Vilde Frang dévoile son nouvel enregistrement consacré à Schubert et Paganini, les Vêpres de Monteverdi comme vous ne les avez jamais entendues... - réalisé par : Lionel Quantin

Alison Balsom, Britain's leading trumpet soloist, talks about her new album Royal Fireworks, a collection of Baroque pieces by Bach, Telemann, Handel and Purcell, played on the "natural" trumpet, a baroque instrument without any valves, which means that each note is made by the shape of the lips. The inaugural Drake YolanDa British Producer and Songwriter Prize has been won by the jazz musician Fez, who had to compete against other producers to write and record a new song in front of the judges in 45 minutes! Writer Robert Macfarlane and artist Stanley Donwood talk about their new work Ness, which is part novella, part prose poem and part mystery play, about the land reclaiming a place which once threatened its very existence, an atomic weapons test centre. Presenter: Kirsty Lang Producer: Timothy Prosser

The playwright David Hare is adapting Ibsen’s Peer Gynt, an epic story of vanity and egotism. He tells Tom Sutcliffe his radical new working keeps the mountain of trolls but becomes a contemporary reflection of toxic masculinity in the age of the selfie. The writer Lucy Hughes-Hallett reincarnates ancient myths and folklore in her collection of short stories, Fabulous. Old tales from Orpheus to Mary Magdalen and Psyche, find new homes in the lives of a people-trafficking gangmaster and a well-behaved librarian. The great story-teller Stephen Fry breathes fresh life into the Greek myths as he prepares to embark on his first UK tour for forty years. From the creation of the Cosmos and the feuding of the Gods, to the extraordinary battles and epic journeys of the heroes, these tales still echo for audiences today. Alison Balsom is a world-renowned trumpeter who moves seamlessly through different periods of music in her curation of this year’s Cheltenham Music Festival. She explains her deep passion for the world of baroque music and the excitement of playing a new piece for the very first time, as she prepares for the premiere of Thea Musgrave’s Trumpet Concerto. Producer: Katy Hickman

Cheltenham Music Festival Artistic Director Alison Balsom sat down with the brilliant Nicola Benedetti, Jess Gillam and Lucy Crowe to preview this year's festival.  Tickets are on sale for the 2019 Cheltenham Music Festival, browse this year's programme: http://bit.ly/2ZvKnng  Follow us on Twitter, Facebook and Instagram - - - Music by Nick Brown, follow Nick on Instagram:  https://www.instagram.com/njbrownmusic 

We know it's important, but physical health often gets shunted to the bottom of the list come concert time. So this week we're talking health, fitness, and why cucumber sushi is the ultimate pre-gig snack. Our guest is the kickass trumpeter Alison Balsom.

As two new productions prepare to take on Shakespeare in fresh and unexpected ways, the women behind them - Jeanie O'Hare, creator of new play Queen Margaret, and Jude Christian creator of OthelloMacbeth - discuss developing new dramas from Shakespeare's canon.Anton Chekhov's play The Seagull is a theatre classic that has been produced in many different ways for stage and screen since its premiere in 1896. Now it's been turned into a film with a stellar cast led by Annette Benning. Critic, broadcaster, and playwright Nick Ahad reviews.Artist Leo Fitzmaurice specialises in creating work that aims to get us to look afresh at everyday objects. He's now curating a portrait exhibition at the Walker Art Gallery with a simple but surprising element. He joins Kirsty to discuss the new show, Leo Fitzmaurice: Between You and Me and Everything Else.The multi-award winning classical musician, Alison Balsom, reveals the inspiration behind her career and her love of the trumpet, as part of Front Row's Inspire season..Presenter: Kirsty Lang Producer: Ekene Akalawu.

With Aasmah Mir and guest presenter Konnie Huq are trumpeter Alison Balsom OBE, cycling blogger Jools Walker, self taught Fungi expert Geoff Dann and Joanne Barton who went from teenage alcoholism to becoming a doctor in A&E. Alison Balsom is having a break from travelling the world playing virtuoso trumpet in a new role as Artistic Director of the Cheltenham Music Festival; Jools Walker is a cycling blogger whose passion for two wheels has proved so infectious she has been able to blog full time; Geoff Dann's childhood in the North Downs inspired a life long interest in foraging, particularly for fungi. Self taught, he's survived to pass on some of his knowledge to us; Joanne Barton started drinking as a teenager after she experienced problems at home. Drug use followed, and she dropped out of school. In her late teens she managed to change her path and got a job which led to working in the care sector and inspired her to return to education and now she is an A&E doctor. JP meets listener Roger Wilson-Hinds who sings the praises of his Dad this Father's day weekend. We have the inheritance tracks of Quadrophenia actor Phil Daniels who chose Nature's Way by Spirit and I'm One by the Who. Producer: Corinna Jones Editor: Eleanor Garland.

Esta quincena El Jazzensor rinde homenaje a la música contemporánea de Buenos Aires, a las composiciones del genial Astor Piazzolla. Tango, sí, pero también jazz con el acervo de los clásicos. Composiciones deliciosas e inspiradas ejecuciones. Escucharemos a: Koop; Grace Jones; Richard Galiano & Michel Portal; Richard Galiano; Alison Balsom; Antonio Serrano; Gary Burton; Gary Burton & Mokoto Ozone; Antonio Serrano & José Reinoso.

Picks from across the week on In Tune including piano legend John Lill; trumpet virtuoso Alison Balsom; folk trio Leveret; and violinist Patricia Kopatchinskaja; plus the unmistakable voice of the actor, writer and director Simon Callow.

On her latest album Jubilo, Alison Balsom plays two incarnations of the trumpet: the natural trumpet - ascendant during the Baroque period of the 17th and 18th centuries - and the 19th century creation that is the modern trumpet. She discusses the appeal of both instruments and what they've brought to the album. Screenwriter Sally Wainwright made her name with award-winning contemporary dramas such as Happy Valley and Last Tango in Halifax. She's now written and directed her first period TV drama, To Walk Invisible, an exploration of the lives of the Brontës during the tumultuous years when the four siblings - Charlotte, Branwell, Emily, and Anne - were at home with their father Patrick. Critic and historian Kathryn Hughes reviews.The big show for Christmas at the National Theatre this year is Peter Pan which features a lot of aerial action. Front Row goes behind-the-scenes to find out how the flying is done.Still looking for a last-minute Christmas gift? Danuta Kean makes her selection this year's 'beautiful books'.Presenter John Wilson Producer Jerome Weatherald.

Von wegen stille Zeit: Es werden die Töne durchs Studio fetzen, wenn das Verworner-Krause-Kammerorchester mit Streichern, Bläsern, Schlagwerk und Elektronik anrückt. Und es werden die Fetzen fliegen, wenn Alison Balsom zum CD-Battle bläst.

The English Chamber Orchestra, under its Charitable Trust’s new artistic director Lawrence Power, launches an exciting new season at Kings Place this autumn, featuring Christian Zacharias, Nicolas Altstaedt, Vilde Frang, Mark Padmore and Alison Balsom. kingsplace.co.uk/ECO

Kirsty Young's castaway this week is the musician, Alison Balsom. Widely considered the finest classical trumpet player of her generation, she's performed in all the great concert halls of the world, winning a huge amount of fans and a string of awards for her ability to exquisitely convey the many voices of her chosen instrument. As a child she had dreams of being a part-time trumpet player, astronaut and jockey - she's only 36 so there's time yet for the other two; but whilst she is solely devoting her energies to her instrument her belief in the power of music seems endless. In between gigs, rehearsals, recordings and motherhood, she's found time to travel to Uganda and Liberia as patron of Brass for Africa, with the heartfelt conviction that she can transform the lives of street children by teaching them to play. Producer: Sarah Taylor.

Our latest podcast is a special extended edition of Backstage Pass, recorded live at Henley Festival. On the 10 July 2015 the Philharmonia Orchestra performed with Gregory Porter, Alison Balsom, Laura Mvula, Shona McGarty, Ballet Black and Ji Liu in a celebration of George Gershwin's music, led by Troy Miller and Fabio D'Andrea. Follow the musicians backstage in this episode for a glimpse of this spectacular event. The podcast features interviews with Alison Balsom, Gregory Porter, Laura Mvula and dancers from Ballet Black as well as a host of other special guests. 

Star trumpeter Alison Balsom on touring Bramwell Tovey's piece 'Songs of the Paradise Saloon' with London Philharmonic Orchestra and the need to practice the natural trumpet

Trumpeter and BBC Ten Pieces ambassador Alison Balsom reveals her favourite Christmas piece

Libby Purves meets trumpeter Alison Balsom; Louise Cordingly, daugther of a POW chaplain in Singapore; comedian Paul Merton and cartogragher Jethro Lennox. Alison Balsom is a solo trumpeter. Three-time Classical Brit award winner and Gramophone Artist of the Year, her big break came when she was a concerto finalist in the BBC Young Musician competition in 1998. Last year she appeared at the Globe Theatre, in Gabriel, showcasing the valveless trumpet and featuring the works of Purcell. She is embarking on a UK tour - The Trumpet Sings Tour - and releases a new album, Paris, on Warner Classics. Louise Cordingly is the daughter of Eric Cordingly MBE who as a young chaplain was held as a prisoner of war in the Far East during World War Two. During his years of captivity he wrote a diary which he kept hidden from his captors. When he returned from the Far East in 1945 he worked as rector of Stevenage and chaplain to the Queen. In 1963 he was consecrated Bishop of Thetford. He died in 1976 but it was not until his wife's death 35 years later that his children discovered his papers and published the book, Down to Bedrock, which features his writings and drawings by fellow prisoners. Down to Bedrock is published by Art Angels. Paul Merton is a comedian, actor and presenter. After making his stand-up debut at London's Comedy Store in 1982, he became a regular with the Comedy Store Players, an improvised comedy group, team captain on Have I Got News For You and a regular on BBC Radio 4's Just A Minute. He has also made several documentaries about early cinema, including Paul Merton's Birth of Hollywood. His autobiography, Only When I Laugh, is published by Ebury Press. Jethro Lennox is a cartographer and editor of the new edition of The Times Comprehensive Atlas of the World. The atlas contains 320 pages of maps and illustrations and depicts how the world has changed since the previous 2011 edition with 5000 place name changes. The Times Comprehensive Atlas of the World is published by HarperCollins. Producer: Paula McGinley.

Steve Coogan on Alan Partridge laying siege to the big-screen, writer Denise Mina discusses problems with plotting and Kevin McNally reflects on his high employment rate as an actor. Boris Johnson erects a sculpture with a possibly problematic name; Sir Peter Bazalgette on cutting Arts Council grants and John Wilson explores the art of Ian Dury and meets novelist Philipp Meyer and trumpeter Alison Balsom.

With John Wilson. Wadjda is the first film from Saudi Arabia to be directed by a woman, Haifaa Al Mansour. It's the story of an 11-year-old girl who enters a Koran recitation competition in order to buy a bike with the winnings, even though women are discouraged from cycling and are banned from driving cars. Critic Shahidha Bari delivers her verdict. American writer Philipp Meyer's ambitious new novel, The Son, maps the legacy of violence in the western United States. When a young man is taken captive by the Comanches, he learns to adapt to their way of life before their tribe is destroyed by disease, starvation and an overwhelming number of armed, white settlers. Philipp Meyer discusses the breadth of scope - and the five years it took to research and write - of his epic 560-page novel. Starring trumpet soloist Alison Balsom, Gabriel opens at Shakespeare's Globe this evening. The play, set during the Glorious Revolution, showcases the music of Purcell through a combination of drama, instrumentals and songs. John talks to Balsom, as well as the play's director Dominic Dromgoole, about the project. Producer Karla Sweet.

With John Wilson Mike Oldfield's album Tubular Bells was released 40 years ago this month - the first disc on Richard Branson's Virgin Records label. Since then, the album has sold millions of copies, featured in the London 2012 opening ceremony, and is now being performed by a duo in the show Tubular Bells For Two on a UK tour. Richard Branson reflects on the genesis of the album, his relationship with Mike Oldfield, and the concert that cost him a car. This year's Cannes Film Festival opened on Wednesday: critic Jason Solomons reports on the hits and misses so far. Trumpeter Alison Balsom reveals her choice for Cultural Exchange: a recording of Bach's St Matthew Passion. She first heard it in her 20s, and feels the work sums up every possible human emotion. The music doesn't feature any trumpets - but she says adding one would spoil its perfection. The film Fast And Furious 6 has just been released - the fifth sequel to 2001's original, The Fast And The Furious. Film critic Adam Smith considers the art of naming sequels. Producer Rebecca Nicholson.

Alison Balsom chooses the St Matthew Passion by J.S. Bach. She tells John Wilson why the recording by Philippe Herreweghe and Collegium Vocale Gent (Harmonia Mundi) is particularly special to her. The interview is followed by selected highlights from the BBC archives: John Eliot Gardiner on a life spent with JS Bach; the story of the man whose life was saved by the St Matthew Passion; Vaughan Williams on performing baroque music; Alison Balsom on the physical challenges of playing the trumpet and James Naughtie on the score of the St Matthew Passion

With John Wilson. Author Eoin Colfer reveals the reason that he decided to put an end to the saga of his best-selling hero Artemis Fowl, despite his publisher's wishes. Tonight is the start of the BBC Proms 2012 - but what's it like being a world-class classical soloist? Mezzo-soprano Alice Coote, violinist Maxim Vengerov and trumpeter Alison Balsom reveal some of the pressures they face, and Colin Lawson, director of the Royal College of Music, discusses whether students can be prepared for life on the international stage. To mark the 250th anniversary of the coup d'état which placed Catherine the Great on the Russian throne, the National Museum of Scotland is holding an exhibition exploring how she used artworks to express her power. Dr Mikhail Piotrovsky, Director of the State Hermitage Museum, explains what the collection tells us about Catherine herself. John revisits Afghan war veterans Rifleman Daniel Shaw and Sapper Lyndon Chatting-Walters, as they prepare to go on tour with Owen Sheers' play The Two Worlds of Charlie F. John first met them in rehearsal, and they now reflect on their stage nerves and their readiness to take to the road. Producer Ellie Bury.

With John Wilson Screenwriter Heidi Thomas, whose credits include Cranford, discusses her forthcoming TV adaptation of Jennifer Worth's best-selling memoir Call The Midwife, set in the East End of London in the 1950s. John talks to the trumpeter Alison Balsom, twice-winner of the Female Artist Of The Year award at the Classic Brits, whose latest CD showcases 20th century works for trumpet, including a piece written for Alison by the composer James MacMillan Publisher Jamie Byng tells the story behind The Last Holiday, the posthumous memoir of singer-songwriter Gil Scott-Heron In a year where arts organisations around the UK are calling for volunteers for a range of projects, Turner Prize-winning artist Jeremy Deller explains why he's advertising for people to help with his own installations, which include a fully-functional cafe. Producer Rebecca Nicholson.