Podcasts about Masaaki Suzuki

Oudemuziekkenner Kees Koudstaal presenteert de mooiste en recentste CD’s met oude en klassieke muziek. Dit keer is het de beurt aan de nieuwe uitgaven van bas Dominik Wörner en Kirchheimer Dübenconsort o.l.v. Jörg-Andreas Bötticher, Selene o.l.v. Daniel Gilchrist, het violistenduo Bartłomiej Fraś en Martyna Pastuszka, en Bach Collegium Japan o.l.v. Masaaki Suzuki. 1a. Julius Johann […]

Das Bach Collegium Japan unter Masaaki Suzuki haben eine überzeugende Neueinspielung von "Ein Deutsches Requiem" vorgelegt.

durée : 01:58:38 - Le Bach du dimanche du dimanche 20 avril 2025 - par : Corinne Schneider - Au programme de cette 337e émission : la 2de partie de la Passion selon saint-Matthieu par Hans-Christoph Rademann et la Gaechinger Cantorei de Stuttgart (Accentus, 2021) ; et on fête Pâques avec Masaaki Suzuki, Raphaël Pichon, Benjamin Alard et Nathalie Dessay pour l'anniversaire de ses 60 ans ! - réalisé par : Anne-Lise Assada

durée : 01:28:04 - En pistes ! du mardi 18 mars 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Compositeur phare de l'année, Maurice Ravel ouvre notre émission du jour. Après l'intégrale de l'œuvre pour piano seul, Seong Jin Cho enregistre les concertos. A retrouver aussi : les œuvres pour orgue de Bach par Masaaki Suzuki, un album de musique espagnole par le guitariste Krzysztof Meisinger.

durée : 01:28:04 - En pistes ! du mardi 18 mars 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Compositeur phare de l'année, Maurice Ravel ouvre notre émission du jour. Après l'intégrale de l'œuvre pour piano seul, Seong Jin Cho enregistre les concertos. A retrouver aussi : les œuvres pour orgue de Bach par Masaaki Suzuki, un album de musique espagnole par le guitariste Krzysztof Meisinger.

durée : 00:11:58 - Choral « Komm, heiliger Geist » BWV 652 - Dans cette rubrique consacrée à la musique d'orgue de Bach nous suivons de très près les intégrales de ce répertoire en cours d'enregistrement au disque. Aujourd'hui, nous nous intéressons à celle du maestro japonais Masaaki Suzuki dont le volume 6 est sorti en décembre dernier.

In this episode, we discuss recordings of “A Monk's Life” (Hyperion) by The Brabant Ensemble / Stephen Rice, “Masaaki Suzuki Plays Bach Organ Works, Vol. 6” (BIS) by Masaaki Suzuki, “Yves Castagnet: Magnificat” (Warner Classics) by Yves Castagnet & Maîtrise Notre-Dame de Paris / Henri Chalet, “C'Mon!” (IRMA Records) by Giulio Campagnolo & The Jazz Funkers, “For Heaven's Sake” (Stunt Records) by The Jim Mullen Quartet, and “You Don't Know Jack!” (Cellar Music) by Brian Charette.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 193 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “A Monk's Life” (Hyperion) The Brabant Ensemble / Stephen Rice https://open.spotify.com/album/5CZZLXPMBYvoTL3hcPTVnm https://music.apple.com/us/album/a-monks-life/1766355722 https://music.amazon.com/albums/B0DFZVBC2P   “Masaaki Suzuki Plays Bach Organ Works, Vol. 6 (on the Arp Schnitger Organ of Martinikerk, Groningen)” (BIS) Masaaki Suzuki https://open.spotify.com/album/1kyw2duM5fgVbk5Tk4x0UJ https://music.apple.com/us/album/j-s-bach-organ-works-vol-6/1779919916 https://music.amazon.com/albums/B0DN2Z6Z98   “Yves Castagnet: Magnificat” (Warner Classics) Yves Castagnet, Maîtrise Notre-Dame de Paris / Henri Chalet https://open.spotify.com/album/3kIL7O207pEreK6pyC1bMj https://music.apple.com/us/album/castagnet-magnificat/1775800431 https://music.amazon.com/albums/B0DKNX63KH   “C'Mon!” (IRMA Records) Giulio Campagnolo & The Jazz Funkers https://open.spotify.com/album/6WltqOZOqKG9eLceD7vcAf https://music.apple.com/us/album/cmon/1780644039 https://music.amazon.com/albums/B0DNK699BV   “For Heaven's Sake” (Stunt Records) Jim Mullen Quartet https://open.spotify.com/album/7ulULHTr6o5IoCFMt9slWC https://music.apple.com/us/album/for-heavens-sake/1773322405 https://music.amazon.com/albums/B0DJTS3KV6   “You Don't Know Jack!” (Cellar Music)  Brian Charette https://open.spotify.com/album/3GmxywBFHsanE8ohyaPsEx https://music.apple.com/us/album/you-dont-know-jack/1767892875 https://music.amazon.com/albums/B0DGRWHTQ6  

durée : 00:03:55 - Le Bach du matin du mardi 03 décembre 2024 - Notre Bach du matin est un Bach nippon ! Il y a 35 ans, Masaaki Suzuki fondait le Bach Collegium Japan, avec lequel il s'est lancé dans une intégrale des Cantates de Bach achevée voilà 10 ans. Il interprète ici le chœur d'ouverture de la Cantate 40 écrite en 1723 à Leipzig

durée : 00:03:55 - Le Bach du matin du mardi 03 décembre 2024 - Notre Bach du matin est un Bach nippon ! Il y a 35 ans, Masaaki Suzuki fondait le Bach Collegium Japan, avec lequel il s'est lancé dans une intégrale des Cantates de Bach achevée voilà 10 ans. Il interprète ici le chœur d'ouverture de la Cantate 40 écrite en 1723 à Leipzig

Musik? War für Masaaki Suzuki schon immer da. Schon als Kind spielt der japanische Protestant aus Kobe Kirchenlieder, früh begegnet er dem Werk von Johann Sebastian Bach – es wird sein Lebensthema. Masaaki Suzuki studiert in Amsterdam bei Ton Koopman und Piet Kee, gründet 1990 das Bach-Collegium Japan und trägt Bachs Musik fortan in die Welt hinaus. Längst zählt er selbst zu den großen Interpreten – auch jüngerer Musik.

durée : 01:58:41 - Le Bach du dimanche du dimanche 30 juin 2024 - par : Corinne Schneider - Au programme de cette 303e émission : le « Bach à sable été 2024 », une playlist estivale à l'écoute de Masaaki Suzuki, Philippe Herreweghe, Dorothee Mields, Guy Cutting, Zachary Wilder, Kei Koito, Paul Lay, Mathieu Dupouy, Jean Rondeau, Marc Hantaï, Barthold Kuijken, David Linx, Stuff Smith… - réalisé par : Emmanuel Benito

durée : 01:58:44 - Le Bach du dimanche du dimanche 28 avril 2024 - par : Corinne Schneider - Au programme de cette 294e émission : on fête les 70 ans de Masaaki Suzuki (né à Kobe le 29 avril 1954) ; les 60 ans de l'orgue de l'Eglise Saint-Séverin (Paris, 5e) ; et le premier CD de Thomas Jarry avec ses transcriptions des Suites pour violoncelle seul au piano (label Aparté, 3 mai) - réalisé par : Fanny Constans

A conductor, harpsichordist, and organist, Masaaki Suzuki stands as a towering figure in Baroque music, renowned for his comprehensive and top-tier recordings of Bach's works, including all of Bach's sacred and secular cantatas. Suzuki's unparalleled dedication extends beyond Bach, with significant contributions to the works of Mozart, Handel, and other 18th-century composers. He is the founder of the Bach Collegium Japan, an artist in residence at Yale, and conducts orchestras and choruses around the world.  Tyler sat down with Suzuki to discuss the innovation and novelty in Bach's St. John's Passion, whether Suzuki's Calvinist background influences his musical interpretation, his initial encounter with Bach through Karl Richter, whether older recording of Bach have held up, why he trained in the Netherlands, what he looks for in young musicians, how Japanese players appreciate Bach differently, whether Christianity could have ever succeeded in Japan, why Bach's larger vocal works were neglected for so long, how often Bach heard his masterworks performed, why Suzuki's  favorite organ is in Groningen, what he thinks of Glenn Gould's interpretations of Bach, what contemporary music he enjoys, what he'll do next, and more. Read a full transcript enhanced with helpful links, or watch the full video.  Recorded November 1st, 2023. Other ways to connect Follow us on X and Instagram Follow Tyler on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here.    

In the latest episode, we bring you a Christmas treat of not just one but two Cuttings in a sibling special with Guy Cutting (tenor) and Hugh Cutting (countertenor). They touch base in Netty's lair (hotel room) during the Christmas Oratorio tour with Masaaki Suzuki. There are talks of chaotic travelling, funny audience encounters, an unusual request for a Sony Ericsson charger and many more amusing stories.Captivating brothers Guy and Hugh Cutting, who grew up together and are now touring together share their learnings of the voice, family inspirations and the transition from choral to solo singing. They discuss the significance of training to sing at a young age and there are humorous childhood tales of recreating movies at home, such as their two-person version of Harry Potter and moments of sibling mix-ups that many may find relatable. --Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear. Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa

Weihnachten ohne Weihnachtsoratorium ist für viele Musikliebende undenkbar. In der Kölner Philharmonie steht es gleich zweimal auf dem Programm: einmal »das Original« mit dem Orchestra of the Age of Enlightenment unter der Leitung von Masaaki Suzuki am 1. Dezember und einmal als »urbane Hausmusik« am 8. Dezember. Das Hamburger Ensemble Resonanz hat dreißig Arien, Rezitative, Chöre und Choräle aus Bachs Meisterwerk ohne großen Chor und in kleiner Besetzung mit E-Gitarre, Hammond-Orgel und nur einer Trompete bearbeitet. Christoph Vratz erläutert in der aktuellen Podcast-Folge, was ein Oratorium als Gattung überhaupt ist, warum Johann Sebastian Bach sich mit dieser musikalischen Form nur zwei Jahre (1734/35) beschäftigt hat und in dieser Zeit drei Oratorien vorlegen konnte (Stichwort Recycling) und woher die Musik und die Texte des sechstteiligen Weihnachtsoratoriums kommen. https://www.koelner-philharmonie.de/de/programm/bach-weihnachtsoratorium/3534 https://www.koelner-philharmonie.de/de/programm/ensemble-resonanz-weihnachtsoratorium/3113 Bild: Johann Sebastian Bach, Porträt von 1746 von Elias Gottlob Haußmann

In this episode, OAE Principal Oboe Katharina Spreckelsen joins Netty for tea and chats. She recalls her first encounters with the oboe at a Christmas Eve Midnight Mass, where she discovered the joy of Bach's chorales in the Christmas Oratorio and the energetic oboe parts. You can catch her performing and experience the same musical delights in our upcoming concerts with Masaaki Suzuki. Also, find out how to fit three cellos, violas, flutes, and a family in one car.Katharina traces her roots back to Germany to studying and launching her career as a baroque oboist in the UK. She reminisces on her involvement in various programming projects such as The Rime of the Ancient Mariner from our previous Songs of Travel season in 2022/23, and the delights of rehearsing with actor and friend, Rory Kinnear. Katharina shares her love for learning and teaching throughout the years which continues to grow.--Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear. Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa

durée : 01:58:45 - Le Bach du dimanche du dimanche 02 juillet 2023 : Le Bach à sable 2023 - par : Corinne Schneider - La 259e et dernière émission de la 6e saison : une Playlist Bach à réécouter tout au long de l'été avec Masaaki Suzuki, John Butt, René Jacobs, Francesco Corti, du clavecin, de l'orgue, du piano, mais aussi du oud et de la flûte à bec, du jazz avec Dimitri Naïditch et du flamenco avec Miriam Mendez. - réalisé par : Anne-Lise Assada

Gdy jeden z pierwszych krytyków muzycznych, Johann Adolph Scheibe wyliczał największych kompozytorów swojej epoki, obok Telemanna, Händla, Keisera wymienił nazwisko Johanna Kuhnaua. Gdy w zeszłym roku, dokładnie 5 czerwca minęło 300 lat od jego śmierci, nikogo ta rocznica specjalnie nie obeszła. Czy to sprawiedliwe, że pamiętany jest dzisiaj głównie jako poprzednik Bacha? Czy to słuszny wyrok historii, że skryty jest w cieniu swojego monumentalnego następcy? Dlaczego twórczość Kuhnaua popadła w zapomnienie, skoro – wbrew temu, co twierdzili jego uczniowie – wcale nie był wstecznikiem. Co więcej, to właśnie on był jednym z prekursorów muzyki programowej, wiele lat przed Berliozem! Na te pytania staram się odpowiedzieć w nowym odcinku, do którego słuchania serdecznie zapraszam. Zrealizowano w ramach stypendium Ministerstwa Kultury i Dziedzictwa Narodowego. W odcinku zabrzmiały następujące utwory: J. Kuhnau, Tristis est anima mea, Camerata Lipsiensis & Opella Musica, Gregor Meyer (dyr.), Kuhnau: Complete Sacred Works, Vol. 1, CPO (777868-2), 2015 J. Kuhnau, Ach Gott, wie läßt du mich verstarren (fragment), Camerata Lipsiensis & Opella Musica, Gregor Meyer (dyr.), Kuhnau: Complete Sacred Works, Vol. 4, CPO (555190-2), 2019 J. Kuhnau, I Sonata z cyklu Sonat biblijnych, cz. IV, Colin Tilney (klawesyn), oryg. Philharmonic Records PRL 0201, 1960. J. Kuhnau, Magnificat, cz. X-XII, Bach Collegium Japan, Masaaki Suzuki (dyr.), BIS (BISCD1011), 1999. J.S. Bach, Magnificat, cz. XI-XII, Bach Collegium Japan, Masaaki Suzuki (dyr.), BIS (BISCD1011), 1999.

Masaaki Suzuki is internationally renowned as an expert in choral music and an accomplished organist, harpsichordist and conductor. The founder and artistic director of Bach Collegium Japan, he has recorded the entirety of Bach's choral works, plus his concertos, orchestral suites, and solo works for harpsichord. His expertise extends well beyond Bach, having conducted repertoire as diverse as Britten, Beethoven, Mahler and Mendelssohn, but it's Mozart that brings him to Australia as he conducts the Sydney Symphony Orchestra, joined by the Sydney Philharmonia Choirs, for Mozart's Great Mass in C Minor, June 7-10, at the Sydney Opera House. In this conversation, Masaaki talks with great passion about the importance of Bach as a foundation stone to the composers who follow, shares some memorable tales from his earlier years, and introduces some of the vast number of recordings of Bach Collegium Japan.

Episode 8 - LamentoJeg heter Astrid Kirschner, jeg er barokkfiolinist, og dette er en ny episode av min podkast BAROKKPODDEN! I dag snakker jeg med Norges mezzosopran-stjerne, Marianne Beate Kielland. Hun er i dag etablert som en av Europas fremste sangere, særlig innen barokkfeltet, og hun opptrer jevnlig på konsertscenene i Europa, Østen og Amerika under dirigenter som Phillippe Herreweghe, Fabio Biondi, Jordi Savall, Rinaldo Alessandrini, Christophe Rousset, Marc Minkowski, Masaaki Suzuki, Thomas Dausgaard, Jos van Immerseel, Robert King og Andrew Manze. Kielland ble i 2012 nominert til Grammy innen kategorien «Best Vocal Classical Album» for sin CD-utgivelse «Veslemøy Synsk» av Olav Anton Thommessen, og har med denne og opp mot 50 andre innspillinger, samt utstrakt konsertvirksomhet befestet seg som en bemerkelsesverdig interpret av repertoar fra barokken helt fram til vår tids musikk. Marianne Beate Kielland er også førsteamanuensis for sang ved Norges Musikkhøyskole.Midt i pandemien, våren 2020 har Marianne Beate og min barokkgruppe Oslo Circles spilt inn en CD sammen - LAMENTO (LAWO) med Mariaklager og annen vakker italiensk musikk fra 1600-tallet. I dagens podkast snakker jeg med Marianne Beate Kielland om dette Lamento-programmet, vi går gjennom de tre Lamenti på CDen, og vi snakker også om utdannelse til sanger på 1600-tallet og i dag, om ulike lamento-basser og mer.***Jeg har igjen laget en fin spilleliste for episode nr. 8 for dere med hele Lamento-programmet vårt; den ligger allerede ute på Spotify. Søk den opp og kos deg med musikken! Hør platen gjerne i strekk og i riktig rekkefølge!Dette er linken til spillelisten til denne episoden om LAMENTO:https://open.spotify.com/playlist/1DCQAeT4sfLJErtrfS0uKp?si=b4d49de7f4a3473d Søk den opp og kos deg med musikken!(Denne linken virker kun innenfor Spotify! Hvis du lytter på Barokkpodden fra andre platformer enn Spotify, må du søke opp spillelisten separat!)*** Musikkeksemplene brukt i 8.episode av Barokkpodden, om Lamento:Giovanni Felice Sances: Stabat Mater (Pianto della madonna), Oslo Circles og Marianne Beate Kielland, mezzosopranTarquinio Merula: Canzonetta spirituale (Hor ch'è tempo di dormire), Oslo Circles og Marianne Beate Kielland, mezzosopranBenedetto Ferrari: Cantata spiriuale: Queste pungenti spine, Oslo Circles og Marianne Beate Kielland, mezzosopranGiovanni Felice Sances: Stabat Mater (Pianto della madonna), Oslo Circles og Marianne Beate Kielland, mezzosopran***Takk til Fond for Lyd og Bilde som støtter prosjektet Barokkpodden!Photo cred: Lars Bryngelsson

Uppläsning: Peter Andersson DIKTSAMLING: Avd 11 D: Universum (Ordfront 2022)MUSIK Igor Stravinsky: Arioso ur Konsert D-dur för stråkorkesterEXEKUTÖR Tapiolas sinfonietta, Masaaki Suzuki, dirigent

durée : 01:57:25 - Le Bach du dimanche du dimanche 06 novembre 2022 - par : Corinne Schneider - Au programme de cette 225e émission : une heure à l'écoute de Masaaki Suzuki à l'occasion de son premier concert à la Philharmonie de Paris (7 nov.) ; les Suites françaises au clavecin par Pierre Gallon (nouveauté L'Encelade, 21 oct.) ; et les 40 ans des Musiciens du Louvre, Marc Minkowski (dir.) - réalisé par : Anne-Lise Assada

durée : 01:57:25 - Le Bach du dimanche du dimanche 06 novembre 2022 - par : Corinne Schneider - Au programme de cette 225e émission : une heure à l'écoute de Masaaki Suzuki à l'occasion de son premier concert à la Philharmonie de Paris (7 nov.) ; les Suites françaises au clavecin par Pierre Gallon (nouveauté L'Encelade, 21 oct.) ; et les 40 ans des Musiciens du Louvre, Marc Minkowski (dir.) - réalisé par : Anne-Lise Assada

N comme naturel, non pas la beauté au naturel, mais la trompette naturelle et le cor naturel : vous saurez pourquoi un couac est toujours possible et pourquoi les cornistes se promènent avec leur boîte de tons. N comme numérique : quels liens entre musique baroque et outils numériques ? Réponse dans cet épisode. N comme Naples, “la capitale du monde musicien” au XVIIIe siècle, et N comme nuances, si importantes en musique. Alors fermez les yeux, ouvrez grand les oreilles et laissez-vous conduire sur les routes de Baroque en stock par Pauline Lambert et Christophe Rousset.  Références musicales :  Di Capua, “O sole mio”, Enrico Caruso  Broschi, Artaserse, “Son qual nave ch'agitat”, Ann Hallenberg, Les Talens Lyriques, Christophe Rousset (dir.)  Leo, Concerto pour violoncelle en ré mineur, 3e mouvement, Werner Matzke, Concerto Köln  Porpora, Germanico, “Veder vicino il suo contento”, Julia Lezhneva, Capella Cracoviensis, Jan Tomasz Adamus (dir.) Traetta, Antigona, acte I, María Bayo, Anna Maria Panzarella, Carlo Vincenzo Allemano, Les Talens Lyriques, Christophe Rousset (dir.)  Bach, Oratorio de Noël, cantate n°6, English Baroque Soloists, Sir John Eliot Gardiner (dir.)  Bach, Oratorio de Noël, cantate n°6, Orchestre du Gewandhaus de Leipzig, Riccardo Chailly (dir.)  Mozart, Concerto pour cor n°3, finale, Ulrich Hübner, Anima Eterna, Jos van Immerseel  Bach, Messe en si mineur, “Quoniam tu solus sanctus”, Bach Collegium Japan, Masaaki Suzuki (dir.)  Bach, Suite pour flûte et orchestre, Rondeau, son tiré de la première application t@lenschool pour tablettes numériques, “Jouer ensemble”, une appli créée par Les Talens Lyriques  Les Folies d'Espagne, différentes variations, son tiré de la deuxième application t@lenschool pour tablettes numériques, “Composer”, une appli créée par Les Talens Lyriques Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The music played at mass can often become a lightning rod for disagreements. What instruments are most appropriate? Are hymns necessary? How do we navigate conflict? Archbishop Richard Smith is joined again by Roderick Bryce in tackling these practical questions on Sacred Music!Roderick Bryce is the Music Director at St. Joseph Basilica. Hailing from Edinburgh, Scotland, Roderick relocated to Stettler, Alberta with his family in July 2013. In Scotland he was in great demand as a baritone, teacher, vocal coach and choral director. As a singer, he is broadcast often on BBC Radio 4 and regularly sang with Cappella Nova, recording music by James Macmillan on Linn Records. Also on Linn Records, he has recorded Bach's Matthäus-Passion and sung across Scotland, Northern Ireland and France with the Dunedin Consort. He has appeared with Masaaki Suzuki's Bach Collegium Japan at the Edinburgh International Festival. Roderick was director of the Scottish Chamber Choir; founder and director of Sospiro Baroque and former choirmaster of St Mary's Metropolitan Cathedral, Edinburgh. In addition to a busy private teaching practice, he also taught singing for City of Edinburgh Council, Loretto School and Fettes College.The Graduale Simplex:https://media.musicasacra.com/books/graduale_simplex.pdfSubmit your question for the Archbishop at the link below using the SpeakPipe widget:www.caedm.ca/upfrontUpfront with the Archbishop is a weekly podcast seeking to bridge the gap between the hierarchy and the faithful by discussing the beauty, truth, and challenges of our Catholic faith. The podcast features our host Jenny Connelly, as well as Archbishop Richard Smith, of the Catholic Archdiocese of Edmonton Alberta.Produced by Matthew Bodnarek

What music is appropriate for mass? Is there a right and a wrong to what songs and styles get played? Roderick Bryce joins us so that we can dive deep into what the Church teaches us about sacred music, and what makes it so sacred any way. In this part 1 of our discussion we get into the official teaching and principals, and it part 2 (to be released in a couple weeks) we go in to the practical questions.Roderick Bryce is the Music Director at St. Joseph Basilica. Hailing from Edinburgh, Scotland, Roderick relocated to Stettler, Alberta with his family in July 2013. In Scotland he was in great demand as a baritone, teacher, vocal coach and choral director. As a singer, he is broadcast often on BBC Radio 4 and regularly sang with Cappella Nova, recording music by James Macmillan on Linn Records. Also on Linn Records, he has recorded Bach's Matthäus-Passion and sung across Scotland, Northern Ireland and France with the Dunedin Consort. He has appeared with Masaaki Suzuki's Bach Collegium Japan at the Edinburgh International Festival. Roderick was director of the Scottish Chamber Choir; founder and director of Sospiro Baroque and former choirmaster of St Mary's Metropolitan Cathedral, Edinburgh. In addition to a busy private teaching practice, he also taught singing for City of Edinburgh Council, Loretto School and Fettes College.Submit your question for the Archbishop at the link below using the SpeakPipe widget:www.caedm.ca/upfrontUpfront with the Archbishop is a weekly podcast seeking to bridge the gap between the hierarchy and the faithful by discussing the beauty, truth, and challenges of our Catholic faith. The podcast features our host Jenny Connelly, as well as Archbishop Richard Smith, of the Catholic Archdiocese of Edmonton Alberta.Produced by Matthew Bodnarek

durée : 01:58:16 - Le Bach du dimanche du dimanche 03 juillet 2022 - par : Corinne Schneider - La 215e et dernière émission de la saison : une Playlist Bach à réécouter tout au long de l'été avec Paul Agnew, Kenny Barron, Mario Brunello, Giuliano Carmignola, Viviane Chassot, Francesco Corti, John Eliot Gardiner, Claire Huangci, Maria-João Pires, les Slixs, Masaaki Suzuki, Alberto Tarin… - réalisé par : Olivier Guérin

Saksa organisti, viiuldaja ja helilooja Nicolaus Bruhnsi (1665-1697) kantaate ja orelimuusikat eistab ansambel Yale Institute Of Sacred Music, kunstiline juht on Masaaki Suzuki.

Der Norddeutsche Nicolaus Bruhns war der Lieblingsschüler Buxtehudes. Auch Bach hat ihn studiert. Das schmale, aber geniale Werk des frühverstorbenen Husumer Organisten hat Masaaki Suzuki in Yale eingespielt.

Oudemuziekkenner Kees Koudstaal schotelt u de mooiste en recentste CD’s met oude en klassieke muziek voor. Vandaag de nieuwe albums van La Rubina, James Taylor & Masaaki Suzuki, The Counterpoints, Théotime Langlois de Swarte en Phantasm.   1. Dario Castello (1602-1631) – Sonata seconda Uitvoerenden: La Rubina (cd: ‘Rorate coeli', RaumKlang 4102, 2021)   2. […]

durée : 01:58:24 - Le Bach du dimanche du 26 décembre 2021 - par : Corinne Schneider - Au programme de cette 188e émission : les derniers coups de cœur discographiques de l'année 2021 avec Romina Lischka, Marnix De Cat, Alessandra Artifoni, Xenia Löffler, Joao Barradas, Stepan Simonian, Emmanuel Despax et la musique d'apparat et des jours de fête avec Masaaki Suzuki. - réalisé par : Céline Parfenoff

durée : 01:57:47 - Le Bach du dimanche du dimanche 31 octobre 2021 - par : Corinne Schneider - Au programme de cette 180e émission : une première heure au piano en compagnie de Gabriela Montero et la découverte des Suites Anglaises de Vladimir Ashkenazy (nouveauté du label Decca) ; une deuxième heure en compagnie de Masaaki Suzuki pour la fête de la Réformation avec les Cantates BWV 79-80-192 - réalisé par : Céline Parfenoff

Du drame au divertissement, il n'y a bien souvent qu'un pas (de danse) que Christophe Rousset et Pauline Lambert explorent avec bonne humeur dans ce nouvel épisode de Baroque en stock. Ils vous dévoilent aussi leurs disques de chevet, avec un hommage de Christophe Rousset à la soprano Edita Gruberova, qui vient de nous quitter. Références musicales : Lully, 1ère entrée, menuet, ballet royal de Vénus, Les Talens Lyriques, Christophe Rousset (dir.)  Ballet royal de la nuit, Ouverture, Correspondances, Sébastien Daucé (dir.)  Lully, Le Divertissement royal, Le Concert des Nations, Jordi Savall (dir.)  Lully, Le Bourgeois gentilhomme, chaconne, Les Talens Lyriques, Christophe Rousset (dir.)  Rameau, Pygmalion, contredanse finale, Les Talens Lyriques, Christophe Rousset (dir.)  Bach, “Jesu, der du meine Seele” cantate BWV 78, Bach Collegium Japan, Masaaki Suzuki (dir.) Mozart, Così fan tutte, “Al fato dan legge”, Rainer Trost (Ferrando), Rodney Gilfry (Guglielmo), English Baroque Soloists, Sir John Eliot Gardiner (dir.)  Lully, Isis, Les forges puis le chœur des trembleurs, Chœur de chambre de Namur, Les Talens Lyriques, Christophe Rousset (dir.) Salieri, La Grotta di Trofonio, Raffaela Milanesi, Marie Arnet, Nikolaï Schukoff, Mario Cassi, Les Talens Lyriques, Christophe Rousset (dir.)  Mozart, Les Noces de Figaro,” L'ho perduta”, Sandrine Piau, orchestre Mozarteum, Ivor Bolton (dir.)  Rameau, Pièce de clavecin “Les tendres plaintes”, Christophe Rousset  Lully, Bellérophon, Les Talens Lyriques, Christophe Rousset (dir.)  Mozart, Air de concert “Vorrei spiegarvi, oh Dio”, Edita Gruberova, orchestre de chambre d'Europe, Nikolaus Harnoncourt (dir.)  Forqueray, Chaconne “La Morangis ou la Plissay”, Atsushi Sakaï, Marion Martineau, Christophe Rousset  Bach, motet “Jesu meine Freude”, Pygmalion, Raphaël Pichon (dir.) Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

It seems that every minute of every day, a musician is playing Bach's music somewhere on our planet. Clemency Burton-Hill charts the playing of Bach across a day and around the globe with stories from musicians who each have a daily ritual of playing some of this music. Ilay Kenes is an 11-year-old Belgian boy who plays some Bach on his guitar every morning when he gets out of bed. Other musicians around the world who play Bach every morning include Masaaki Suzuki on the harpsichord or organ in Tokyo, Hungarian-born organist Xaver Varnus in his own church in Nova Scotia, pianist Grant McLachlan looking out at Table Mountain from his house in Cape Town and cellist Nicola Yamazaki in Austria. Some musicians play Bach every day but not at a set time. Iranian-born pianist Ramin Bahrami plays Bach whenever he needs him throughout the day. In one of Kenya's largest slums, David Joroge shares the cello he plays with other students at the Art of Music Foundation and so he plays Bach Cello Suites every day, at a time when there's a cello free. Finally, British viola player, Robin Ireland plays last thing at night before bed in his house in Brittany. Where did this daily ritual of playing Bach every day begin? Maybe with Beethoven or perhaps Mendelssohn. But it was the Catalan cellist Pablo Casals who wrote, "For the past 80 years I have started each day in the same manner. It is not a mechanical routine but something essential to my daily life. I go to the piano, and I play two preludes and fugues of Bach. I cannot think of doing otherwise. It is a sort of benediction on the house. Each day is something new, fantastic, unbelievable. That is Bach, like nature, a miracle!" Clemency herself either listened to or played Bach every day for as long as she can remember. But in January 2020 she experienced a brain haemorrhage, and everything changed. After emergency surgery, she was unconscious for 17 days and then slowly emerged. She's still working her way back to her own daily encounter with Bach's music. Producer: Rosie Boulton A Must Try Softer production for BBV Radio 4 Bach music played: Violinist Hilary Hahn: Adagio from Sonata No.3 in C major, BWV 1005 Guitarist Ilay Kenes: Prelude in E Major, BWV 1006a Organist Xaver Varnus: Double Fugue in C minor, BWV 582B Cellist Pablo Casals: Allemande from 1st Cello Suite in G major, BWV 1007 Pianist Grant McLachlan: Allemande from French Suite in G Major, BWV 816 Pianist Glenn Gould: Sarabande from Partita in C minor, BWV 826 Cellist David Joroge: Minuet from 1st Cello Suite in G major, BWV 1007 Violist Robin Ireland: Fugue from Violin Sonata in G minor (transcribed for viola) BWV 1001 Violinist Hilary Hahn: Adagio from Sonata No.3 in C major, BWV 1005

durée : 01:59:05 - Tricentenaire des Concertos Brandebourgeois - par : Corinne Schneider - Une programmation toute nouvelle avec de la guitare et de l'orgue, Carolyn Sampson, Peter Kooij et Masaaki Suzuki, le Psaume « Laudate pueri Dominum » d'Antonio Vivaldi et le Tricentenaire des Six Concertos Brandebourgeois (émission n° 157 première diffusion le 21 mars 2021). - réalisé par : Céline Parfenoff

durée : 01:58:34 - Le Bach du dimanche du dimanche 23 mai 2021 - par : Corinne Schneider - Au programme de cette 166e émission : David Fray fête ses 40 ans ! En avant-première le nouveau disque (La Dolce Volta) « Liszt : Inspirations » d’Olivier Latry sur l’orgue Rieger de la Philharmonie de Paris et la 2e heure entièrement en compagnie de Masaaki Suzuki pour la fête de la Pentecôte. - réalisé par : Céline Parfenoff

TITLE: Burning Libraries TRACK: Bach “Alles mitt Gott” ARTIST: Carolyn Sampson (soprano) Masaaki Suzuki and the Bach Collegium of Japan PUBLISHER: 2006 BIS

TITLE: Burning Libraries TRACK: Bach “Alles mitt Gott” ARTIST: Carolyn Sampson (soprano) Masaaki Suzuki and the Bach Collegium of Japan PUBLISHER: 2006 BIS

This week's podcast is devoted to exploring the music, life and legacy of the greatest genius of Baroque music – and arguably of all music – JS Bach. Editor Martin Cullingford invited Bach specialist and Gramophone reviewer, the Royal Academy of Music's Principal Jonathan Freeman-Attwood, to talk about the composer of some of the most profound masterpieces ever written. Gramophone Podcasts are presented in association with Wigmore Hall. Musical excerpts are taken from: the Cello Suites by David Watkin on Resonus; the Sonatas and Partitas for Solo Violin by Rachel Podger on Channel Classics; the Goldberg Variations by Beatrice Rana on Warner Classics; and the St Matthew Passion conducted by Masaaki Suzuki on BIS. 

durée : 01:58:31 - Le Bach du dimanche du dimanche 06 décembre 2020 - par : Corinne Schneider - Au programme de cette 142e émission : le clavecin de Vincent Bernhardt et de Masaaki Suzuki ; Thomas Dunford et son archiluth en concert au Palau de la Musica de Barcelone (20 janvier 2020) et la « Passion Arabe d’après Bach » de l’Ensemble Sarband avec la chanteuse Fadia El-Hage (WDR Cologne 2009) - réalisé par : Céline Parfenoff

durée : 01:58:53 - Le Bach du dimanche du dimanche 08 novembre 2020 - par : Corinne Schneider - Au programme de cette 138e émission : les 30 ans du Bach Collegium Japan avec une programmation 100% Masaaki Suzuki autour de leur 2e version de la Passion selon Saint-Matthieu et de leur interprétation de la Passion selon Saint-Jean enregistrée à Cologne pendant le confinement de mars 2020. - réalisé par : Céline Parfenoff

Acclaimed for her ‘sterling tone’ in the New York Times, Kris Kwapis appears regularly as soloist and principal trumpet with period-instrument ensembles across North America, including Portland Baroque Orchestra, Early Music Vancouver, Pacific MusicWorks, Bach Collegium San Diego, Staunton Music Festival, Indianapolis Baroque Orchestra, Chicago’s Haymarket Opera Company, Tafelmusik, Bach Society of Minnesota, Oregon Bach Festival, Callipygian Players, Bourbon Baroque, and Lyra Baroque, making music with directors such as Andrew Parrott, Monica Huggett, Alexander Weimann, Barthold Kuijken, Matthew Halls, Jacques Ogg, and Masaaki Suzuki. Her playing is heard on Kleos, Naxos, ReZound, Lyrichord, Musica Omnia and Dorian labels, including the 2013 GRAMMY nominated recording of Handel’s Israel in Egypt, and broadcast on CBC, WNYC, WQED (Pittsburgh), Portland All-Classical (KQAC), Sunday Baroque and Wisconsin Public Radio. A student of Armando Ghitalla on modern trumpet, with a BM and MM in trumpet performance from the University of Michigan, Dr. Kwapis holds a DMA in historical performance from Long Island’s Stony Brook University. She often lectures on historical brass performance practice with appearances at the Metropolitan Museum of Art, University of Wyoming, University of Minnesota-Duluth, University of Louisville, Madison Early Music Festival, Pacific Lutheran University, Seattle Recorder Society, and Rutgers University, in addition to writing program notes and delivering pre-concert lectures. On modern trumpet, Kris was adjunct professor of trumpet at Hofstra University in Hempstead, NY from 2000-2010 and taught as a sabbatical replacement at Pacific Lutheran University in Tacoma, WA for the fall semester of 2019. Dr. Kwapis enjoys sharing her passion with the next generation of performers as a faculty member at Indiana University’s Jacobs School of Music Historical Performance Institute (baroque trumpet and cornetto) since 2010 in addition to teaching at her home in Seattle and online. When not making music, Kris explores the visual art medium of encaustic painting, cooking and gardening.

Zoiets doe je niet, althans… Terwijl Bach behoorlijk ziek is, is er al gepraat en zelfs besloten over zijn opvolging. Op 25 augustus 1749, terwijl de kerk vol zit met hoogwaardigheidsbekleders, speelt Bach zelf het orgel in de opening van deze cantate. Een klinkend bewijs: ik ben er! Johann Sebastian Bach Cantate BWV.29, “Wir danken dir, Gott, wir danken dir”; Sinfonia Bach Collegium Japan Masaaki Suzuki, orgel BIS1981 3’39’’

Familiebijeenkomsten van de Bach’s werden steevast opgeluisterd met schuine grappen, woordspelletjes en natuurlijk muziek… ‘Deels komisch, deels ongepast’, aldus Bach’s eerste biograaf. In een bewaard fragment worden Texel en Brabant genoemd. Tijd voor een klein onderzoek. Johann Sebastian Bach Quodlibet BWV.524, “Wass seind das vor grosse Schlösser” (fragment) Bach Collegium Japan olv Masaaki Suzuki BIS 2041 10’49’’

Een Boerencantate, van Bach? Jawel, in 1742, met hoorbaar plezier gemaakt. De man voor wie hij het schreef was niet echt een boer, wel de directeur van de belastingen in Leipzig, en daarmee de werkgever van Picander, tekstschrijver van oa de Mattheus Passie. Johann Sebastian Bach Cantate BWV.212, “Mehr Hahn en neue Oberkeet” (Bauerncantate): Sinfonia + aria ‘Klein-Zschocher müsse’ Mojca Erdmann, sopraan Bach Collegium Japan olv Masaaki Suzuki BIS2191 9’22’’

durée : 01:59:07 - Le Bach du dimanche du dimanche 21 juin 2020 - par : Corinne Schneider - Au programme de cette 126e émission : on fête tous les papas en première heure avec Paul Agnew, Gerd Türk, Peter Harvey et Peter Kooij ; puis une deuxième heure en compagnie du Bach Collegium du Japon de Masaaki Suzuki à l’occasion de la fête de la Saint Jean-Baptiste (24 juin). - réalisé par : Céline Parfenoff

Georg Böhm was een van die grote organisten die een diepe indruk achterlieten bij de jonge Bach. Sterker nog; Böhm is waarschijnlijk de leraar geweest van J.S. Georg Böhm Partita voor orgel, “Vater unser im Himmelreich”, nr.12 Stef Tuinstra, orgel Document DOC 1102 6’56’’ Johann Sebastian Bach Partita voor orgel, BWV.770, “Ach was soll ich Sünder Machen” Masaaki Suzuki, orgel BIS 2421 12’21’’

Theologian Miroslav Volf and philosopher John Hare (Noah Porter Professor of Philosophical Theology at Yale Divinity School) discuss Gov. Andrew Cuomo's fundamental question behind reopening the economy from COVID-19 lockdown, “How much is a human life worth?” Why we should go to such great lengths, sacrificing so much, to save a single human life? What about humans gives us dignity? How should we approach the dilemmas posed by incommensurable values, where there's no agreed upon standard for comparison? How can we better frame the question of the value of human life by observing the life of Jesus?“My conviction is that human life doesn't have a price. And I take this from the philosophy of Immanual Kant, who distinguishes between the dignity human life has, and price. And dignity is, he says, incommensurable worth.""Jesus came to be with us: Emmanuel. And that's what we have lost. We can't be with each other. … I think what we've learned through this is: A good human life is one that has physical contiguity with other humans.""I was for some years working on the staff of Congress, and public policy decisions often came down to this question of comparing goods. I think a Christian has has something to say about this, and it is, Miroslav, part of your work, that you've been thinking about what a good human life is like. One of the ways to look at that is to look at what the life of Jesus was like. And that gives us a sense of what's important, what matters. It doesn't answer all the questions, but it does give us a map as it were, of how we should think about what is more important and what is less."Gov. Andrew Cuomo (NY) May 5 Press Briefing “What is the Worth of a Human Life?”https://abc7ny.com/politics/cuomo-on-reopening-how-much-is-a-human-life-worth/6153317/"Dona Nobis Pacem” (“Grant Us Peace”) a movement from Johan Sebastian Bach's Mass in B Minor, performed by the Bach Collegium Japan, conducted by Masaaki Suzuki. https://www.youtube.com/watch?v=ffrsc3wdBt4

Muziek voor een ‘Brautmesse’, een kerkelijke huwelijksdienst, waar Bach het bruidspaar toezingt: ‘Laat alle verdriet en zorgen inslapen in de sluimering van het kinderlijke vertrouwen’. In deze prachtige aria hoor ik hoe diep gegrond dat ‘kinderlijke’ vertrouwen is. Johann Sebastian Bach Cantate BWV.197 “Gott ist unsre Zuversicht”: aria “Schläfert allen Sorgenkummer” Damien Guillon, countertenor Bach Collegium Japan olv Masaaki Suzuki BIS 2021 7’08’’

Chaque jour, Camille De Rijck reçoit un invité qui fait l'actualité musicale ou culturelle. Production et présentation : Camille De Rijck (drc@rtbf.be)

Det har gått 20 år sedan Bach collegium Japan och Masaaki Suzuki spelade in Matteuspassionen för första gången. Så hur bra är den nya versionen? Och så lyssnar vi på Valkyrian och Elgars cellokonsert. Vilken höjdarvecka! Veckans skivor: Matteuspassionen Bach collegium Japan och Masaaki Suzuki BIS (BIS-2500) Betyg: 4 Elgars cellokonsert Sheku Kanneh-Mason, Londons symfoniorkester och Sir Simon Rattle  Decca (4850241) Betyg: 4 Wagners Valkyria Sir Simon Rattle och Bayerska radions symfoniorkester BR Klassik (900177) Betyg: 4 I panelen sitter musikprofessorn Mattias Lundberg, musikbibliotekarien Evabritt Selén och Yehya Alazem, chefredaktör på nättidskriften Capriccio. Dessutom har Sofia Nyblom träffat dirigenten Alan Gilbert, som snart blir musikchef på Kungliga operan i Stockholm. På hans CV står sedan tidigare chefdirigent för Elbphilharmonie i Hamburg, musikchef för New York-filharmonikerna och chefsdirigent för Kungliga Filharmonikerna.

Dit jaar geen Matthäus en Johannes… Collega Carel maakte vorige jaar een dijk van een podcast over Bach’s Matthäus (www.nporadio4.nl/matthaus). Ik vroeg hem naar zijn favoriete deel uit de Matthäus, en vervolgens begon Carel te praten, wat een liefhebber! Johann Sebastian Bach Matthäus-Passion BWV.244; Deel II – nr.60. aria met koor, “Sehet, Jesus hat die Hand” Damien Guilmond, countertenor Bach Collegium Japan olv Masaaki Suzuki

durée : 00:14:26 - Le Disque classique du jour du mardi 10 mars 2020 - 20 ans après son premier enregistrement, Masaaki Suzuki évoque la joie profonde qu’il a eu à retrouver et enregistrer à nouveau la Passion selon Saint Matthieu. Entre temps, le maestro a gravé pratiquement toute l’œuvre du cantor, avec dévouement.

Een luisteraar gaf aan, dat specifiek deze aria hem zoveel troost had geboden in tijden van een ernstige ziekte. Dat vind ik een prachtig gegeven – troost in muziek. Toevallig las ik vorig jaar het boek ‘Troost in muziek, een polyfone blik op de Mattheuspassie’. Kan muziek troosten? Johann Sebastian Bach Cantate BWV.29, "Wir danken dir, Gott, wir danken dir" ; aria, "Gedenk an uns mit deiner Liebe" Hana Blazikova, sopraan Bach Collegium Japan olv Masaaki Suzuki BIS 1981 5’49’’

Oudemuziekkenner Kees Koudstaal schotelt u de mooiste en recentste CD’s met oude en klassieke muziek voor. Vandaag de nieuwe cd’s van violiste Maria Krestinskaya en violist Gunar Letzbor, en de nieuwe uitgaven van de Matthäus en Johannes Passion door Masaaki Suzuki en Philippe Herreweghe.    1. Luigi Ludovico Madonis (1695-1777) – Sonate nr. 7 in […]

Twenty five years after his first recording for BIS of JS Bach's St Matthew Passion, Masaaki Suzuki and his Bach Collegium Japan have taken the work into the studio for a second time, and a magnificent achievement it proves. James Jolly met up with Suzuki when he was in London recently, working with students at the Royal Academy of Music.

This podcast features an interview with tenor James Gilchrist, in which we discuss a variety of topics relating to being a singer: - psychology of performance, particularly, in somewhere like the Wigmore Hall where he was singing that evening. - the way audiences might perceive song recitals, and what performers can do to engage them regarding such perceptions. - the balance between what artists do on stage to communicate with their audience, e.g., how much is moving around or maintaining eye contact? - interpretation of narrative in lieder repertoire. - the challenges and privileges of being a medical doctor (which James initially started as), and making the transition to becoming a full-time professional performer. - comparing the experience of music college versus university. Many thanks to James for coming especially to London in the morning to record, as well as Tamsin Raitt and the staff at Wigmore Hall for arrangements for the interview! Podcast published on 13th February 2020; recorded on 8th February 2020 in the Gerald Moore Room, Wigmore Hall, London. James Gilchrist began his working life as a doctor, turning to a full-time career in music in 1996. His musical interest was fired at a young age, singing first as a chorister in the choir of New College, Oxford, and later as a choral scholar at King’s College, Cambridge. James’ extensive concert repertoire has seen him perform in major concert halls throughout the world. Bach’s Christmas Oratorio and the St John and Matthew Passions feature prominently in his schedule, and he is celebrated as perhaps the finest Evangelist of his generation. Recent engagements include Elijah in Goteborgs Symfoniker and Masaaki Suzuki, Handel’s Messiah with the Handel & Haydn Society in Boston, with Bernard Labadie, and Beethoven’s Missa Solemnis with Singapore Symphony Orchestra. In the 2019-20 season appearances include the role of Rev. Horace Adams Peter Grimes with Bergen Philharmonic Orchestra conducted by Edward Gardner in London and Norway, St Matthew Passion with City of Birmingham Symphony Orchestra conducted by Richard Egarr, and a tour of Europe with Bach Collegium Japan and Masaaki Suzuki. Listen and subscribe to the Talking Classical Podcast on SoundCloud, iTunes and Spotify. SoundCloud – @talkingclassicalpodcast Facebook – @talkingclassicalpodcast Twitter – @tc_podcasts YouTube - https://bit.ly/2WF4duy Blog – talkingclassicalpodcast.wordpress.com

Wandelen door de muziek van Bach is soms als wandelen in een spiegelpaleis. Dezelfde muziek duikt soms in geheel andere gedaanten op. Zo zijn van het Clavecimbelconcert, BWV.1059, maar 9 maten bekend, maar is het werk herkenbaar in de opening van een cantate, en in een Hoboconcert en… Johann Sebastian Bach, Concert voor klavecimbel en strijkorkest BWV.1059 (fragment), Alena Cherny (piano), Orchester Le Phenix Johann Sebastian Bach, Cantate BWV.35 ‘Geist und Seele wird verwirret’; Sinfonia, Bach Collegium Japan olv Masaaki Suzuki, Masaaki Suzuki (orgel) Johann Sebastian Bach, Concert voor hobo en strijkorkest BWV.1059R, Heinz Holliger (hobo), Camerata Bern olv Erich Hobarth

Met een innerlijke extase zingt de sopraan zich hier met eindeloze versieringen naar ‘de Messias is in aantocht!’. Ik vind het een blijmakende aria, zeker in deze uitvoering… Bach op z’n feestelijkst. Johann Sebastian Bach, Cantate nr.132 ‘Bereitet die Wege, bereitet Bahn’, BWV.132: Aria ‘Bereitet die Wege’, Ingrid Schmithusen (sopraan), Bach Collegium Japan olv Masaaki Suzuki

durée : 01:57:49 - Le Bach du dimanche du dimanche 10 novembre 2019 - par : Corinne Schneider - Au programme de cette 98e émission : les 10 ans du Bach Collegium de Paris (Patrizia Metzler, dir.), le nouveau disque de la hautboïste française Céline Moinet (label Berlin Classics) en première heure et la deuxième heure en compagnie de Masaaki Suzuki, à la direction, à l’orgue et au clavecin. - réalisé par : Céline Parfenoff

Dave Beck speaks with guest conductor Masaaki Suzuki. Together with his son, Masato Suzuki, Masaaki has created a performing version of Mozart’s very last composition, the famously unfinished Requiem Mass. The piece was written by Mozart on his deathbed and it was left to his students and others to complete the work. Masaaki Suzuki leads the SSO, Seattle Symphony Chorale and vocal soloists in Benaroya Hall this week in an edition of the Requiem that the Suzukis put together from fragments of the music Mozart left behind. All three of the works on the program this week explore topics of mourning and loss. There are also works by Toru Takemitsu and Karl Amadeus Hartmann on the program.

Het zal je gebeuren; je snuffelt in een doos met oude papieren en plots herken je het handschrift van Bach. Het gebeurde in 2005, een Bach-aria was ontdekt. Een bijzonder stuk dat ik beluister als minimal music. Johann Sebastian Bach, Alles Mit Gott Und Nichts Ohn’ Ihn, BWV.1127, Carolyn Sampson (sopraan), Bach Collegium Japan olv Masaaki Suzuki

Arturo y Patricio comentan la influencia de la música clásica en Japón. Con música de Mitsuko Uchida, Masaaki Suzuki, Bach Collegium Japan, Seiji Ozawa y Tōru Takemitsu.

Bach & humor? Niet meteen de eerste combinatie waaraan ik denk. Valt er te lachen met Bach? Zelden! Laat ik eerlijk zijn. En het hoeft ook niet, maar soms… Er is een aria in de cantate 'Jesu, der du meine Seele' die bij mij een glimlach tevoorschijn tovert. En het heeft iets te maken met Tirol… Johann Sebastian Bach, Cantate BWV.78 ‘Jesu, der du meine Seele’; duet ‘Wir eilen mit schwachen, doch ernsigen Schritten’; Yukari Nonoshita (sopraan), Daniel Taylor (alt), Bach Collegium Japan olv Masaaki Suzuki

Jaapani Bachi Collegium on oma kunstilise juhi Masaaki Suzuki juhatusel saanud Johann Sebastian Bachi muusika väljapaistvaimaks ja teõpäraseimaks tõlgendajaks.

Jaapani Bachi Collegium on oma kunstilise juhi Masaaki Suzuki juhatusel saanud Johann Sebastian Bachi muusika väljapaistvaimaks ja teõpäraseimaks tõlgendajaks.

This week, we talk to internationally acclaimed Japanese conductor and Calvinist Christian, Masaaki Suzuki. And, we hear from the director of the Central Australian Aboriginal Women’s Choir, who sing ancient German hymns in traditional language.

This week, we talk to internationally acclaimed Japanese conductor and Calvinist Christian, Masaaki Suzuki. And, we hear from the director of the Central Australian Aboriginal Women’s Choir, who sing ancient German hymns in traditional language.

Pianist and composer Jean-Frédéric Neuburger talks with WCRB's Brian McCreath about Schumann's Piano Concerto with the Boston Symphony Orchestra and the balance between composing and performing, and conductor Masaaki Suzuki describes the process of working with the young musicians of the Juilliard School and Royal Academy of Music at the Boston Early Music Festival and his 2015 Celebrity Series of Boston program with Bach Collegium Japan.

Nov. 4, 2015. A conversation with Bach guru Masaaki Suzuki after his critically-acclaimed Bach Collegium Japan performed at the Library of Congress. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=7232

Conductor and Bach expert Masaaki Suzuki talks to Sean Rafferty about his work with the Bach Collegium Japan. His son and fellow musician Masato Suzuki joins them.

Masaaki Suzuki is director of Bach Collegium Japan, one of the foremost early music ensembles in the world. He talks to Sara about his life in music and introduces her to some of his favourite choral recordings.

Conductor Masaaki Suzuki talks to Sean Rafferty, ahead of a concert in St John's Smith Square with the Bach Collegium Japan. When Suzuki first suggested recording a complete cycle of Bach's cantatas to the director of the BIS record label, his proposal was met with "uncontrollable laughter". However, hearing Suzuki and his Bach Collegium Japan won the record executive over, and the rest is history. Suzuki tells Sean Rafferty how he was drawn to Bach, why vocal training in Japan makes Japanese singers ideal for his music, and, now that the Bach cycle is complete, and what the future holds beyond the music of the great master.

Masaaki Suzuki is a leading expert on baroque music and Johann Sebastian Bach, and he directs performances all over the world of baroque masterpieces by Bach and his contemporaries. In April 2014 he led top students from Yale and Juilliard in NYC and New Haven concerts of Bach's St. John Passion. Professor Suzuki made time to stop by the Sunday Baroque studio between those performances to talk about his approach to Bach and music in general.

Japanischer Dirigent, Organist und Cembalist

1 - "Dança húngara/Hungarian Dance N.5" (Brahms). Roby Lakatos, violino/violin. László Bóni, violino/violin. Ernest Bangó, címbalo e violão/cymbalon & guitar. Kálmán Cséki, piano. Oszkár Németh, contrabaixo/double bass 2 - "Feira de mangaio" (Sivuca/Glória Gadelha). Clara Nunes, voz/voice. Sivuca, sanfona/concertina. 3 - Hedwig´s theme (John Williams) 4 - "Sinfonia prima: Arezzo para flauta doce e cravo/for recorder and harpsichord (Bartolomeo Montalbano). Dan Laurin, flauta doce/recorder. Masaaki Suzuki, cravo/harpsicord. 5 - Canto Yanomami/Yanomami indian chant 6 - "Beautiful mechanical" (Ryan Lott). Ensemble yMusic.

Masaaki Suzuki, founder and music director of the Bach Collegium Japan, will spend the next two academic years teaching at Yale University.