Podcast appearances and mentions of Michael Berkeley

As part of Radio 3's Boulez at 100 day celebrating the centenary of composer and conductor Pierre Boulez, Michael Berkeley's guest is someone who knew Boulez well - composer and musicologist Gerard McBurney. McBurney is most closely associated with the music of Russian composers – particularly Shostakovich – as a result of having lived and studied in Russia in the 1980s. Notable Shostakovich scores he has rescued from oblivion with completions and orchestrations include the music-hall show Hypothetically Murdered and the opera Orango. He talks to Michael about life in Russia in the years immediately before the collapse of the Soviet Union. His many other musical projects have included working on the Chicago Symphony Orchestra's long-running dramatized discovery series Beyond the Score, on many of which he collaborated with Boulez - about whom McBurney has first-hand insightful stories to relate.Producer: Graham RogersTo listen to this programme on most smart speakers, say "Ask BBC Sounds to play Private Passions".

Michael Berkeley shares festive music choices from Private Passions over the years. We'll hear how Handel can evoke memories of roast potatoes in the oven on Christmas day; we'll spend time by the fire in a remote Irish castle, take a seasonal trip to the ballet, and share heart-warming singing from a variety of traditions. His guests include Chris Addison, Nina Stibbe, Brian Moore, David Mitchell, Shirley Collins and Sue Black.

Bryan Ferry has been a very familiar voice for more than 50 years, as the co-founder of Roxy Music and as a solo artist and songwriter. When Roxy Music first appeared on Top of the Pops in 1972, millions of viewers suddenly saw something new: an extravagantly dressed band, featuring an early synthesizer, an oboe, and Bryan leading from an upright piano, wearing a sparkling black and green jacket. 'This one definitely arrived from Planet Mars', according to one critic. It was a performance which helped to propel Bryan to stardom, and a career which has produced two dozen studio albums, and numerous international hits, as well as explorations of jazz and the songs of Bob Dylan: his most recent release, Retrospective, includes a new version of Dylan's 1965 song She Belongs to Me. In conversation with Michael Berkeley, Bryan reflects on his early days in County Durham, the role of his art school education and his approach to song writing. His musical choices include works by Prokofiev, Elgar, Mahler and Charlie Parker. Presenter Michael Berkeley Producer Clare Walker

Thomas Adès is one of the UK's foremost and most successful composers. His first opera, Powder Her Face, was premiered in 1995, when he was just 24. With its racy subject matter, based on the life of the Duchess of Argyll, it put him squarely on the musical map, winning widespread critical acclaim. His catalogue now includes almost 90 works, with commissions from the world's leading orchestras and festivals, two further operas, The Tempest and The Exterminating Angel, and an epic ballet score for Wayne McGregor, Dante, based on the Divine Comedy.To anticipate the UK premiere of his new work, Aquifer, at the 2024 BBC Proms, Thomas Adès talks to Michael Berkeley about his musical inspirations and passions, including works by Schubert, Chopin, Walton, Stravinsky, Berg and Harrison Birtwistle.Producer Graham Rogers

The beloved Irish soprano Heather Harper died at the age of 88 on 22 April 2019 in London. In music ranging from the Baroque through the modern eras, she displayed an easy mastery as did very few others, as well as a radiant voice and demeanor that made her a favorite collaborator of some of the greatest conductors and composers of the Twentieth Century. Perhaps no other singer matched her accomplishment within such a wide range of styles. This episode was originally published as an addendum to an episode I published in the second season of Countermelody. It highlights Heather Harper in two Richard Strauss roles, Ariadne and the Kaiserin; and features two works which she created, Elizabeth Maconchy's setting of Cecil Day-Lewis's dramatic monologue Ariadne, premiered in 1971, and Michael Berkeley and Ian McEwan's searing 1983 oratorio Or Shall We Die? Harper is also featured in rare recordings of repertoire ranging from Monteverdi to Busoni; Offenbach to Dallapiccola. A forgotten 1964 recording of Harper's transcendent reading of “Aus Liebe will mein Heiland sterben” from Bach's St. Matthew Passion rounds off the episode. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Dorothy Byrne has worked in journalism for more than 40 years, including almost 20 years as Head of News and Current Affairs at Channel 4 from 2003 to 2020. She talks to Michael Berkeley about the sexism and harassment she experienced as a young producer, which she detailed in her MacTaggart Lecture at the Edinburgh Television Festival in 2019, in which she added that she would still recommend journalism to young women today - ‘in what other line of work, when... you hear of some absolute disgrace, can you say to yourself “I'm going to make a programme exposing that and I'll put a stop to it!” And sometimes you even do.' She has also argued that challenging journalism which calls politicians to account is a vital part of any healthy democracy. Since 2021 she has been President of Murray Edwards College, a women-only college at the University of Cambridge. Her music choices include pieces by Mozart, Handel, Amy Beach and Nina Simone, as well as a recording of her college choir performing music by Hildegard of Bingen.Producer: Graham Rogers

Michael Berkeley's guest is the film-maker, producer and writer Mark Cousins. His documentary work includes The Story of Film, an epic 900-minute journey through the history of cinema, from the earliest moving images in the late 19th century to the digital innovations of our own times. Mark has interviewed many of the most significant directors and actors of the past half century, and with Tilda Swinton he created the Screen Machine, a large portable cinema which they and their supporters sometimes pulled by hand through the Scottish Highlands. Mark's choices of film music range from Doris Day and Henry Mancini to a score by Alfred Schnittke and a song from Neneh Cherry.

Neil Hannon is a singer, songwriter and the driving force behind the band The Divine Comedy, which he founded in 1989. Along with hit singles such as National Express, and 12 albums with the band, his music appears in an impressively varied range of settings – including original songs for the recent film Wonka, a chamber opera inspired by Tolstoy for Covent Garden, and the theme tune for the sitcom Father Ted. Neil talks to Michael Berkeley about growing up in Enniskillen, Northern Ireland with a bishop for a father, writing his first pop song when he was 14, and how, as a self-described "pathetic twerp", he managed to make it in the pop world. His typically wide-ranging musical passions include works by Puccini, Stravinsky, Chopin and Ravel, alongside tracks by Michael Nyman, Kate Bush and Scott Walker. Producer: Graham Rogers

A special edition for Black History Month celebrating the lives and music of black women. Michael Berkeley revisits some of the many inspiring guests from the last few years who chose music written or performed by black women, and who have made their own important contributions to black history: artists Helen Cammock and Theaster Gates, writers Kit de Waal, Nadifa Mohamed and Isabel Wilkerson, jazz saxophonist YolanDa Brown, broadcaster Johny Pitts, and Kadiatu Kanneh-Mason, mother of seven brilliant young musicians including 2023 BBC Proms stars cellist Sheku and pianist Isata. Their choices range from music by Florence Price to performances by Nina Simone and soprano Jessye Norman. Producer: Graham Rogers

2023 marks the centenary of the composer György Ligeti's birth, and in this programme, first broadcast in 1997, he joined Michael Berkeley to share some of his musical passions. They include piano music by Beethoven, player piano music by Conlon Nancarrow, a thinking song by the Gbaya people of central Africa and gamelan music from Java. A Classic Arts production for BBC Radio 3 (revised repeat)

Author Kit de Waal was brought up in a working class family in the Moseley suburb of Birmingham in the 1960s and 70s. She talks to Michael Berkeley about how reading wasn't part of her childhood; she didn't discover a love of books until much later in life. Her bestselling first novel, My Name is Leon, written in her 40s, draws on her own childhood experiences and her early career as a legal worker in the foster care system, and she devoted some of the proceeds to setting up a scholarship for aspiring authors from working class backgrounds. Her music choices include tracks from classic film scores - her father was an avid film buff - including Rachmaninov, Gershwin and Oscar Hammerstein's Broadway version of Carmen, alongside Bach, Chopin and Miles Davis. Producer: Graham Rogers

Helena Kennedy is one of Britain's most distinguished lawyers. Brought up in a Glasgow tenement flat, she was the first in her family to go to university. But instead of going to Glasgow University to read English and becoming a teacher, as they expected, she startled everyone by travelling to London - to study for the Bar. Some of her friends misunderstood and thought she'd gone south to find bar work. This was the end of the sixties, a time when there were extremely few women barristers. Since then, her ambition, fierce intelligence and considerable charm have taken her right to the top, and she now sits in the House of Lords as Baroness Kennedy of the Shaws. She created a huge stir when she published her first book, Eve was Framed, in 1992 – a shocking examination of how the criminal justice system fails women. Three years ago, she felt so little had changed that she published a sequel – in a book with the title Misjustice. Helen Kennedy campaigns now too on wider human rights issues, such as the persecution and murder of women in Iran and the shocking genocide of the Uighurs in China. In conversation with Michael Berkeley, Helena Kennedy looks back to the childhood which has been so influential on her campaigns for justice, and chooses the music which has sustained her through a series of difficult and high-profile cases. Her playlist includes Handel, Bach, Schubert, George Benjamin, James MacMillan, and her favourite Puccini opera, with Mimi's famous aria from La Boheme. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Back when he was studying English at UEA, Peter J Conradi had a friend who ran the student literary society, organizing writers to come to Norwich and speak. He went along to a meeting and the speaker there changed the whole course of his life. The writer was Iris Murdoch. She became a friend, and he became – in his words – her “disciple”, and eventually her biographer. And then Peter and his partner, Jim O'Neill, spent eight months caring for Iris at the end of her life, as Alzheimer's took hold – they listened to a lot of music together. Peter has spent his career as an English Professor at the University of Kingston and his biography of Iris Murdoch is not his only book: he's also written about Dostoevsky, John Fowles, and Angus Wilson; about grief, about becoming a Buddhist, and about dogs. In conversation with Michael Berkeley, Peter discusses the extraordinary power Iris Murdoch exerted over all her friends and lovers, and her secretiveness, so that each would be kept in a separate compartment. He remembers how she kept singing and dancing right up to the end. And he reveals his own mental health struggles, and how Buddhism has helped him. Music choices include Strauss, Bartok, Bach, Britten's War Requiem, and the Anthem by Leonard Cohen that contains the famous words “There is a crack in everything, that's how the light gets in.” A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Wayne Sleep tells Michael Berkeley about the music that has inspired his career of nearly 60 years. Wayne Sleep is one of the most celebrated dancers of all time. He's performed more than fifty leading roles for the Royal Ballet, and had roles created for him by choreographers including Frederick Ashton, Ninette de Valois and Rudolf Nureyev. Equally at home on the stage of the Royal Opera house, performing musical theatre in the West End, choreographing, directing or teaching, he's known for his versatility, flawless technique, dramatic flair and humour. He made headlines around in the world in 1985 when he danced – to the total surprise of everyone there - with Diana, Princess of Wales, on the stage of the Royal Opera House. He tells Michael about the secrecy surrounding their rehearsals and the friendship between them that followed their performance. Wayne chooses the music that has shaped his long career including pieces by Mahler, Britten and Andrew Lloyd Webber. And, in a highly emotional moment, he hears for the first time since his childhood the voice of his adored mother on a record specially restored for this programme. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

The novelist and journalist Susie Boyt tells Michael Berkeley about her lifelong passions for music, theatre and dancing. Whether she's writing black comedies about dysfunctional families or about her intense love of Judy Garland, Susie Boyt is unafraid to address the big questions in all our lives. Her seven novels explore how we can best take care of people, how we can survive life's inevitable traumas and how we might live alongside the loss of people we love. Susie chooses pieces by Mozart, Beethoven and Britten as well as music from the ballet Giselle that conjures up the fragility and vulnerability of childhood. Susie's father was the painter Lucian Freud and we hear a song by the music hall star Gus Elen which recalls the many hours she sat for him in his studio sharing their love of song lyrics. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

The historian Simon Thurley tells Michael Berkeley about his passion for ancient buildings and the music associated with them. At the age of seven, Simon Thurley dug up what turned out to be Roman remains in his back garden in Cambridgeshire, and a lifelong passion for history - and historic buildings - was ignited. He went on to work as Curator of Historic Royal Palaces and as the Director of the Museum of London. Then, in 2002, at the astonishingly young age of 39, he was appointed Chief Executive of English Heritage, a post he held for 13 years, during which time he was responsible for overseeing over 400 historic sites from Dover Castle to Stonehenge. He is the author of more than a dozen books about history and architecture and since 2021 he has chaired the National Heritage Memorial Fund, the fund of last resort to protect the nation's most vulnerable heritage when other routes have failed. Simon tells Michael about the building mania of Henry VIII, how we can make old buildings sustainable to live in today, and what the future might hold for the Royal Palaces under King Charles III. He chooses music by Holst which reminds him of his religious childhood, an opera by Bellini which conjures up the English Civil War, and music by Purcell which reminds him of up Hampton Court, one of the buildings he loves most and which he helped to restore after a devastating fire. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

Kaffe Fassett's textiles are unmistakable: in bright cerise and crimson and cobalt, his stripes and flowers burst onto the scene back in the seventies, and he's been designing ever since. Brought up in a log cabin on the Californian coast, he's lived for fifty years in Kilburn, north-west London, a house where every surface is painted or mosaicked or embroidered – and stuffed full of antique textiles and pots. In fact, it's so full of stuff that his partner, Brandon, had to retreat to a white room of his own. But Kaffe would like us all to get sewing, or embroidering or knitting. He's the author of numerous books which share his designs, and currently has an exhibition of his quilts at the Fashion and Textile Museum that will soon travel around Scotland. In conversation with Michael Berkeley, Kaffe reveals that he first left California for Britain as a young man after a chance meeting with Christopher Isherwood, who so beguiled him that he was determined to see Europe for himself. He talks about growing up gay at a time when it was still illegal, and how he never felt he fitted in – he was the boy at school wearing bright orange corduroy. He reveals that he bought some wool and then begged a woman opposite him on the train home to teach him to knit. Since then, he's never looked back, and however busy he is, he makes time to knit and embroider, finding it a chance to meditate and recover. His music choices include Arvo Pärt, The Beatles and Schumann's “Scenes from Childhood”.

The author Diana Melly tells Michael Berkeley about her life lived on a rollercoaster: she has experienced passion, great friendships and celebrity but also depression, illness, heartbreak and the deaths of two of her children. Running through her life for 46 years was her enduring - but extremely complicated - marriage to the jazz musician and bon viveur George Melly, who died in 2007. She has written two novels, a searingly honest memoir, and has co-edited the letters of her friend Jean Rhys as well as campaigning for charities concerned with dementia and drug abuse. Diana Melly talks movingly about the deaths of her children and the happiness she and George found at the end of his life. And she describes her passion for trying new things late in life including ballroom dancing, philosophy and riding a tandem. But her greatest new passion, developed in her eighties, is for opera and she chooses her favourite arias by Puccini, Massenet, Mozart, Gluck and Verdi. And she reveals why, having been married to a jazzman for 46 years, there is no jazz on her music list. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

Todd Field began his career as a jazz musician and as an actor; he has appeared in over forty films, including Kubrick's “Eyes Wide Shut” and Woody Allen's “Radio Days”. He then went on to direct two full-length award-winning films, “In the Bedroom” - about grief and revenge in a close-knit family - and “Little Children”, starring Kate Winslet. Both were nominated for multiple Oscars. This week his third feature film “Tar” opens in Britain. Cate Blanchett stars as Lydia Tar, the conductor of a major German orchestra; the film is an exploration of the darker side of the classical music world, the power of the conductor, and of abusive power more generally – it's also a celebration of some really wonderful music. In conversation with Michael Berkeley, Todd Field talks about how he started writing “Tar” by interviewing classical musicians, and particularly women working in the industry. He looks back on his “free-range” childhood in Oregon, and tells how his wife financed his ambition to become a film director by buying a truck, going round flea-markets, and starting an interior-design shop. He reveals the struggle to release his award-winning film “In the Bedroom” after Harvey Weinstein bought it and demanded more and more cuts. Field won the fight and retained the film he believed in, but it took six months and a fiendishly clever strategy invented by his friend Tom Cruise. Todd Field started out as a jazz musician in a big band, and his choices include two tracks by Sarah Vaughan, whom he met backstage at a concert in Oregon. Other choices include Mahler's Symphony No 5; Elgar's Cello Concerto; and Gorecki's second string quartet, which played constantly in his head while making “Tar”. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Rabbi, writer and broadcaster Jonathan Romain is minister of Maidenhead Synagogue and one of Britain's leading rabbis in Reform Judaism. He's the author of twenty books – some scholarly and learned, and others which are very funny – revealing the ups and downs of his day-to-day work, in a way that will resonate with vicars, priests and religious leaders of any description. He's become a kind of agony uncle, dispensing advice on love affairs, marriage, parenthood, and he's written about all this in “Confessions of a Rabbi” and in his latest book, “The Naked Rabbi”. On the more serious side, he's a prominent figure in the campaign for Assisted Dying, he was awarded an MBE for his work on inter-faith marriage, and he's spent much of the last year working with Ukrainian refugees. In conversation with Michael Berkeley, Jonathan Romain talks about what he's learned over the years as a rabbi about love and marriage, and why some of his views put him very much out on a limb. His playlist takes in Max Bruch, Leonard Cohen, Rimsky-Korsakov, and a tribute to his love of football. And he tells us his favourite Jewish joke. Produced by Elizabeth Burke A Loftus Media production for BBC Radio 3

The structural engineer and author Roma Agrawal tells Michael Berkeley about her passions for tall buildings, bridges, concrete and Indian classical dance. Roma Agrawal is a highly successful woman operating in what is still very much a man's world. Her job is, essentially, to make sure that the buildings, bridges, roads and tunnels we use every day don't collapse. She spent six years working out the incredibly complex structure of the spire and foundations of the Shard in London, the tallest building in western Europe. As well as engineering, Roma has another passion: she tells Michael about her lifelong love of the ancient Bharata Natyam form of Indian Classical Dance, and we hear the first piece of music she danced to as a child in Mumbai. She chooses songs by Abida Parveen, Anoushka Shankar and Nitin Sawhney as well as pieces by Tchaikovsky and by Carl Davis which drew her to Western music. Roma tells Michael about her campaign to encourage more women to become engineers, why she decided to speak out about the emotional and physical strain of IVF and how working on the Shard helped her overcome her fear of heights. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

The geneticist and broadcaster Adam Rutherford tells Michael Berkeley how his passion for music allows him to escape the rigours of science and enjoy the emotional side of life. Adam Rutherford's career in science has taken him from a PhD on the role of genetics in eye development to becoming a well-known broadcaster who campaigns against pseudoscience and racism. Presenter of Radio 4's Start the Week and The Curious Cases of Rutherford and Fry, he's also the author of six bestselling books; a lecturer at University College London; and the recipient of the Royal Society David Attenborough Award for outstanding public engagement with science. Adam shares some astonishing facts about our genes and our common ancestry: everyone of European descent is definitely directly descended from the eighth-century Emperor Charlemagne – and from the person who cleaned his boots. Adam was a music scholar at school and his passion for the violin started with lessons at the age of four and culminated in playing with his teacher in Berlioz's Symphonie Fantastique. We also hear his favourite piece of violin music, Beethoven's Violin Concerto. Adam is the President of Humanists UK but asks for music from his two musical gods, Bach and Radiohead. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

Simon Warrack travels the world restoring the most sacred and beautiful buildings. As a stonemason he's worked on the Rose Window of Canterbury Cathedral, the Trevi fountain in Rome, and the Temple of Angkor Watt in Cambodia. Coming from a professionally musical family - his father is the music writer John Warrack, his grandfather was the composer and conductor Guy Warrack – it's no surprise that classical music is very important to him. But after taking a degree in Renaissance History at Warwick, Simon discovered his own personal vocation, and he's now pre-eminent as a stone carver and advisor on the restoration of temples and religious statues. He lives in Rome but is currently in Britain with a delegation from Cambodia who are examining the treasures of British museums to see how many of them were looted illegally and should go back. In conversation with Michael Berkeley, Simon Warrack talks about the joy and difficulty of cutting stone, and about how finding a pair of stone feet in the Cambodian jungle led him on a detective trail to discover how many religious artworks had been looted during the 1970s. Music choices include Mozart, Verdi, Elgar, Britten, Tippett and Vivaldi. Produced by Elizabeth Burke A Loftus Media production for BBC Radio 3

The writer Julia Blackburn talks to Michael Berkeley about how music helped her through her traumatic childhood and about the joy of late-flowering love. Julia Blackburn is the author of novels, poetry, plays and books about historical figures including Napoleon, Billie Holiday, Goya, and the Norfolk artist John Craske, as well as books about grief, her love of animals, and the natural world. She's also published memoirs, including an astonishing book about her childhood, The Three of Us. Julia shares her love of Beethoven, Pergolesi, English folk song, music from central Africa, and the songs of Billie Holiday, which helped her through her a childhood marked by chaos and neglect. And she tells Michael Berkeley about the happiness she has found in bringing up her own children, and the delight she has found in love later in life. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

Stuart MacBride was born in Dumbarton and raised in Aberdeen; abandoning his studies to become an architect, he went to work on the oil rigs, scrubbing toilets. He then tried out careers as an actor, a web designer, and a computer programmer, all the while writing away after work – he wrote four novels before his first, Cold Granite, was published in 2005. Since then, he's become one of our most successful and prolific crime writers, with twenty-four titles in all, sometimes labelled as “tartan noir”. His latest, about the hunt for a serial killer, is called No Less the Devil. Reviewers say things like “this isn't a novel to read over dinner”, or “slick, gruesome and brutally intelligent.” Gruesome crime-writing apart, Stuart MacBride's other notable achievements include winning Celebrity Mastermind (his subject was A.A. Milne) and coming first in the World Stovies Championship. In conversation with Michael Berkeley, Stuart MacBride reveals how his “very dull” childhood developed his imagination as a writer, and how he first discovered crime fiction in the Aberdeen public library. He went to the library every day, read under the covers at night, and borrowed new books the following morning, moving on from the Hardy Boys to Dashiell Hammett. For Stuart MacBride, music is essential; he listens continually when he works, and his latest novel was written entirely to the soundtrack of Wagner's Ring. Alongside Wagner, choices include Beethoven, Purcell, Bruch and Holst. He also introduces music by the Australian composer Sean O'Boyle, a concerto for didgeridoo, which he loves because it's so dark. Produced by Elizabeth Burke A Loftus Media production for BBC Radio 3

It's hard to think of an artist with a more striking and ambitious range than William Kentridge; his work spans etching, drawing, collage, huge tapestries - as well as film, theatre, dance and opera. He was born in Johannesburg and brought up during the apartheid regime; his art is highly politically charged. His parents, both lawyers, were notable figures in the anti-apartheid movement – his father being Sir Sydney Kentridge, who represented Nelson Mandela. For forty years now William Kentridge has used his art to explore the legacy of colonialism, and the barbarity of war. He's probably best known for his charcoal sketches, which become stop-go animations, preserving almost every change and rubbing-out. But he has a keen eye for the absurdity of life too, so we watch typewriters turn into trees, birds flying off the pages of dictionaries, or a film titled “Portrait of the artist as a coffee pot”. In conversation with Michael Berkeley, William Kentridge talks about the importance of music in his work, and brings a playlist that reflects a lifetime of listening. We hear a famous 1937 recording of a Monteverdi madrigal; Janet Baker singing one of the songs from “Les Nuits d'ete” by Berlioz; a duet from The Magic Flute; a rare recording of the American guitarist Elizabeth Cotten; and a collaboration between the Kronos Quartet and a trio of musicians from Mali. He looks back to his childhood in South Africa, and what it was like to grow up under the cruel system of apartheid; and he reveals how important early failures were in enabling him to see the way forward. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Arifa Akbar tells Michael Berkeley about her nocturnal life as a theatre critic and her desire to tell the story of her sister's death from tuberculosis. Arifa Akbar almost never has a quiet night in; as chief theatre critic of the Guardian she is out reviewing a production almost every evening. She also sits on the boards of the Orwell Foundation and of English PEN, and judges prizes including the UK Theatre Awards and the Women's Prize for Fiction. In conversation with Michael Berkeley, she discusses the book she wrote about the death of her older sister, Fauzia, from tuberculosis, in which she explores Fauzia's troubled life and why the medical profession failed to diagnose her illness until it was too late. Arifa chooses music from Bollywood films which remind her of her childhood, which was split between a prosperous and lively extended family in Lahore and poverty and social isolation in London. And she reveals how, after the death of her sister, she began to explore the tubercular heroines of nineteenth-century opera. Initially repelled by the glamorization of these women dying awful deaths, she has now come to love the music of Verdi and Puccini. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

Ronnie Archer-Morgan, from The Antiques Roadshow, tells Michael Berkeley about his tumultuous life and the music that has accompanied it. Ronnie had a terrible start in life. His English father died in a car crash before he was born and his Sierra Leonean mother had severe mental health problems that made her violent and abusive. His childhood was spent in and out of the care system. He tells Michael Berkeley how a school trip to the Victoria & Albert Museum in London ignited his life-long fascination with antiques, and how he learned the tricks of the trade exploring junk shops and markets while doing a rich variety of other jobs – model-maker, DJ at Ronnie Scott's, boutique manager and celebrity hairdresser. Eventually antiques took over from everything else: he became a consultant to Sotheby's, opened a Knightsbridge gallery, and he delights in presiding over the ‘miscellaneous' table on The Antiques Roadshow. For Ronnie, the importance of objects is in the stories they tell and their emotional significance – and music is the same. He chooses pieces to remind him of different times in his life: a Handel aria that takes him back to rare moments of peace in his childhood; jazz from Donald Byrd which he played at Ronnie Scott's; pieces by Mozart and by Dvorak that sparked his passion for classical music; and a song by Marvin Gaye, who wandered one day into Ronnie's hair salon and shared a beer with him. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

Jules Montague trained as a doctor in Dublin before moving to London and becoming a consultant neurologist, specialising in treating people with dementia. This led to her first book, "Lost and Found: Why losing our memories doesn't mean losing ourselves". After fifteen years as a doctor, she has now left clinical practice to become an investigative journalist, focusing on some of the deeper questions raised by her medical work. Her second book is called The Imaginary Patient: How Diagnosis gets us Wrong. In conversation with Michael Berkeley, she explains that although most of us are relieved when our symptoms are explained by a medical label, diagnosis is not always a good thing. Her experience working as a doctor in Mozambique and in India has revealed how differently diseases may be diagnosed across different cultures. In some ways, she claims, a diagnosis of “spirit possession” may actually be more helpful to the patient than the label “PTSD”. She talks too about her work as a neurologist treating patients with brain damage and dementia, and how it's led her to ask questions about how much of the “real” person remains when memory is lost. Jules's parents are from the Assam region of India and took her back as a child to spend time there; her music choices include a New Year dance from Assam, as well as piano music by Beethoven, a heart-breaking scene from Puccini's Madame Butterfly; and music by Stravinsky, which he finished soon after suffering a stroke. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

The Broadmoor psychiatrist and psychotherapist Dr Gwen Adshead shares her passion for choral music with Michael Berkeley. When people ask Gwen Adshead what she does for a living she sometimes tells them she is a florist, because she is unable to face another conversation about why she has devoted her life to working with ‘monsters'. Gwen has spent thirty years as a psychiatrist and as a pioneering forensic psychotherapist working at Broadmoor Hospital in Berkshire with some of society's most violent, and vilified, offenders. The author of more than 100 academic books and papers, Gwen recently co-wrote a best-selling book, with her friend Eileen Horne, for a more general audience: The Devil You Know takes the reader into the therapy room at Broadmoor to try to understand people often labelled as ‘monstrous', including serial killers, stalkers and child sex offenders. Gwen tells Michael about her work at Broadmoor, encouraging offenders to understand what drove them to violence, to face up to what they have done, and to try to find a future free of violence. She finds parallels in her work with music: the leader of a group therapy session has much in common with a conductor; and as a psychotherapist Gwen has to listen to her patients with the same concentration as when she is listening to fellow choir members. Gwen's passion for choral music runs through the programme with pieces by Tallis, Gibbons, Lauridsen and Verdi, and a Maori song that conjures up her early childhood in New Zealand. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

Sometimes a musical work of art is so perfect, so magnificent, that it's almost impossible to remember the work that's gone on, behind the scenes, from the early drafts to the anxiety and relief of the first performance. That's certainly true of a masterpiece such as Bach's St Matthew Passion. But writer James Runcie wants us to think about what went on in Bach's mind while he was creating that magnificent Passion, and he's written both a play and a novel about it. The novel, his twelfth, is called The Great Passion and it was published earlier this year; it was also broadcast on Radio 4 just before Easter. James is an award-wining film-maker, playwright and artistic director who has worked at the BBC, the Bath Literary Festival and Southbank Centre. He's also the author of the Grantchester detective novels, now filming their eighth series for television. The hero's a young priest, who solves crimes while wrestling with problems of religious faith - and religion is something James Runcie knows all about, as his father was Archbishop of Canterbury. In conversation with Michael Berkeley, James Runcie talks about the influence of his father, and of his unconventional mother, who was a pianist and piano teacher; in their household, he says, religion was optional, but music was compulsory. He shares his passion for the works of Bach in three of his choices, including the Matthew Passion. And he talks movingly about the death of his wife, the drama director Marilyn Imrie, from Motor Neurone Disease. When she was no longer able to speak, he played her music. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Katherine Rundell started writing for children at the age of only 21; in little more than a decade she's become one of our leading children's writers, with six books so far, including the award-winning Rooftoppers, the story of a girl who travels across the rooftops of Paris looking for her mother. Katherine herself is a roof climber and a tightrope walker. Born in 1987, she grew up in Zimbabwe and Brussels; after taking her undergraduate degree at Oxford, she was elected a Fellow of All Souls College where she wrote her PhD thesis on John Donne. Her book on that great metaphysical poet, Super-infinite: The Transformations of John Donne, was published earlier this year, to celebrate the 450th anniversary of the poet's birth. Katherine Rundell tells Michael Berkeley that her books set out to explain to children that life does contain loss, and pain, and darkness, but that it is always possible to discover joy. Her own childhood was marked by the loss of her sister and she says it is no accident that she lost her sister when she herself was ten and that she writes for ten-year-olds now. She talks too about her love of tightrope-walking and roof-climbing, and about her passion for John Donne, choosing two musical settings of his work. Other music choices include Mozart, Bach, Strauss, Fauré and Miles Davis. Produced by Elizabeth Burke A Loftus Media production for BBC Radio 3

Anyone who's spent any time with children in the last thirty years will know Horrid Henry and his brother, Perfect Peter. They're the creations of Francesca Simon, and they've appeared in 25 books, been translated into 31 languages and sold 25 million copies. They seem to embody archetypes: the chaotic, naughty brother who's always in trouble, and the neat well-behaved sibling who's always anxious to please the parents. In Private Passions, Francesca Simon tells Michael Berkeley that her own emotional memories of childhood are extraordinarily vivid. She was brought up living on the beach in Malibu, where her father Mayo Simon was a screenwriter, but then moved around to Paris and New York and London. It all sounds glamorous, but actually, she says, it was hard. They moved so often that she always felt like an outsider. Francesca chooses music that reflects the very diverse influences of her early life: Yiddish and Breton folk songs, and Jascha Haifetz playing the Bach Double Violin Concerto. She also chooses music by the young British composer Gavin Higgins, for whom she's written a libretto for his new work The Faerie Bride, and by E. J. Moeran, a composer she thinks should be much better known. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

In this special programme for the Queen's platinum jubilee, Michael Berkeley's guest is the author and former lady-in-waiting to Princess Margaret, Anne Glenconner, who tells Michael about her long life as a friend of the royal family, her marriage to the outrageous Colin Tennant, and how she survived unimaginable family tragedy. At 11.15am on June 2nd 1953, Lady Anne Coke stood at the door of Westminster Abbey, dressed in a gorgeous embroidered white satin gown. She was 20, one of six maids of honour about to pick up the Queen's 21-foot-long velvet train and follow her up the aisle at the start of the Coronation. What followed that momentous day for Lady Anne Coke, who became Lady Glenconner, was a life of continued service to the royal family, as well as running enormous houses, having five children, hosting glamorous parties, and travelling the world. Then at the age of 87 she published her bestselling memoir Lady in Waiting, followed by two novels. Her new book Whatever Next? will be published in the autumn. Anne Glenconner tells Michael about the exciting days leading up to the coronation and her emotions as Elgar's Nimrod was played at the very start of the service. She reminisces about playing on Holkham beach as a child with the Queen and Princess Margaret, and plays music that helped her through the terrible events that engulfed her three sons in the 1980s. And she also talks frankly, and with great humour, about life with Colin Tennant, later Lord Glenconner: the temper tantrums which got him banned from airlines, the ruined trips to the opera, the excruciating first evening of their honeymoon, and the final, awful twist in the tale of their marriage. Producer: Jane Greenwood A Loftus Media Production for BBC Radio 3

In a wide-ranging and engaging interview, musician Jarvis Cocker tells Michael Berkeley about the role classical music plays in his life and relationships. Fortunately for the world of music Jarvis Cocker abandoned his early ambition to be an astronaut and instead, at the age of 14, had the idea of forming a band called Pulp during an Economics lesson at school in Sheffield. Some 15 years later, Pulp was one of the most successful bands in the world, with a string of witty, emotionally raw, and musically inventive hits rooted in the details of real life. Since then, he has become a much-loved radio presenter with the long-running "Jarvis Cocker's Sunday Service" on BBC Six Music, and "Wireless Nights" on Radio 4. Amongst numerous other projects he has formed a new band, JARV IS…, and he has just published a memoir of his childhood and the early years of Pulp called Good Pop, Bad Pop. Jarvis describes how, during a long period of convalescence after an accident, he transformed the way he wrote songs, realizing that the details of everyday life around him in Sheffield provided a goldmine of material. He tells Michael how he coped with fame when it eventually arrived in his thirties, and how he has never conquered his stage fright. Jarvis chooses music by Schubert, Max Richter, Rachmaninoff, Eric Satie and Delius, all guaranteed to give him the ‘tingle' factor. He talks about the power of particular vinyl records to bring back memories of his teenage years in Sheffield and of his son as he was growing up in Paris. And he talks movingly about the role Richter's music played in his relationship with his dying father who had been absent for most of Jarvis's life. Producer: Jane Greenwood

The science writer and broadcaster Dr Kat Arney shares with Michael Berkeley her passion for the harp and her revelatory new research into the causes of cancer. Gone are the days when cancer could not be mentioned but was “the Big C”. It is just as well, since about half of us will develop cancer during our lifetime. And as the treatments and drugs improve all the time, so does our knowledge of what causes it. Kat Arney's latest, award-winning, book, Rebel Cell: "Cancer, Evolution and the Science of Life", explains the revelatory new breakthroughs happening in labs around the world. After a PhD in Genetics at Cambridge University, Kat Arney worked for ten years as Science Communications Manager at Cancer Research UK. And then she left that job to go freelance - writing books and newspaper articles about science, broadcasting and podcasting including a recent Radio 4 series, Ingenious, about how individual genes shape our lives. But as well as science Kat Arney has another passion, for music, and particularly the harp, which she has played since she was a teenager both as a classical instrument and in bands. She chooses music by the harpist Ruth Wall; Arnold Bax's Harp Quintet; and we hear Kat herself playing with the Ethiopian musician Mulatu Astatke and the Heliocentrics. And she lets Michael into the secret of how to fit a harp into the back of an Austin Metro. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

As we've watched the war in Ukraine unfold, we've seen huge crowds of people queuing at the border, dragging small suitcases, carrying babies and children, leaving their homeland behind. Dr Waheed Arian knows what it's like to be forced to leave your home, suddenly, and under fire; he's a refugee from an earlier war, the Soviet-Afghan War, which lasted for almost ten years and claimed the lives of as many as two million Afghan civilians. Five million people are estimated to have left the country as refugees, and Waheed Arian was one of them. In 1988, at the age of five, he escaped on horseback from Afghanistan to Pakistan, arriving at a refugee camp on the North-West frontier. In the camp he almost died from malnutrition, malaria and TB. But – just in time - he managed to get medical treatment, and the doctor who treated him inspired an ambition to be a doctor himself. Dr Waheed Arian is now an A and E doctor in the NHS and he has founded a pioneering medical charity, Arian Teleheal. He has received many awards for his work, and has written about his life in a vivid memoir, “In the Wars”. In a moving conversation with Michael Berkeley, Waheed describes the dangerous journey that brought him to Britain, where he was at first imprisoned in Feltham Young Offenders Institution. He reveals how he fulfilled his early ambition to become a doctor, despite having had almost no schooling. And he chooses music which takes him back to childhood, watching Bollywood films with his family, and to his early years in Britain, when he was befriended by an old woman who played Schubert to him. Other choices include music by Charlie Chaplin, and a song by Ahmad Wali, who like Waheed fled Afghanistan. Produced by Elizabeth Burke A Loftus Media Production for BBC Radio 3.

The fashion designer and artist Osman Yousefzada tells Michael Berkeley about his childhood in a strictly religious Pashtun community in Birmingham. Osman Yousefzada shot to fame when Beyoncé wore one of his designs to the 2013 Grammy Awards. Lady Gaga, Thandiwe Newton and Taylor Swift are among his many other celebrity clients. He is also an acclaimed artist, curator and film-maker, and the creator of one of the world's largest ever pieces of public art: the ‘wrapping' of the Selfridges building in Birmingham in geometric patterns inspired by Islamic art. Educated at the School of Oriental and African Studies, Central St Martins and Cambridge University, Osman grew up in a community described by the Daily Mail as ‘the Jihadi capital of Britain'. His newly published memoir, The Go Between, is a fascinating account of his childhood and his first steps into the outside world while navigating both racism and family expectations. He tells Michael Berkeley about his beloved mother, a talented seamstress who inspired him as a designer: she was married at 14, had her first child at 15 and lived most of her life in Birmingham, but remained illiterate and never learned to speak English. She hardly ever left the house. Osman's sisters were taken out of school at the age of 11 and also shut away inside the family home. Osman chooses music inspired by the Sufi tradition of Islamic mysticism by Abida Parveen and Nusrat Fateh Ali Khan, and a song by the Grammy-winning Pakistani-American Arooj Aftab, as well as pieces by Philip Glass and by the Canadian composer and cellist Zoe Keating. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

In 2014 Dame Clare Marx became the first woman President of the Royal College of Surgeons of England, and, five years later, she was the first woman to become the Chair of the General Medical Council. When she started practising as an orthopaedic surgeon, in 1993, there were very few women surgeons and, shockingly, that's still the case: men outnumber women eight to one as surgical consultants. So Clare Marx has overcome significant prejudice to reach the top of her field; in 2007 she received a CBE and in 2018 a DBE for services to medicine. But last summer she announced her resignation from the General Medical Council after she was diagnosed with incurable pancreatic cancer. She's sixty-eight. In a public letter she said: “Since receiving this news, I've been reminded once again of the importance and power of kindness in everything we do as doctors.” In a moving and uplifting interview, Clare Marx talks to Michael Berkeley about her pioneering medical career, the shock of her diagnosis, and the music that's sustained her. Choices include Britten's “Sea Interludes” from Peter Grimes, to remind her of her home in Suffolk; Tchaikovsky's first piano concerto; Beethoven's Ode to Joy; Verdi's Requiem; and Mozart's Cosi fan tutte. Pancreatic Cancer UK www.pancreaticcancer.org.uk Information and support: Cancer https://www.bbc.co.uk/programmes/articles/1KkkxvD0G1w4l294QCrQZbh/information-and-support-cancer Produced by Elizabeth Burke A Loftus Media production for BBC Radio 3

Michael Berkeley's guest is the architect, author and broadcaster Francesco da Mosto. With his shock of white hair, boundless energy and unmistakable accent, Francesco da Mosto is for many of us the quintessential Venetian. His distant ancestors were some of the first settlers to colonise the swampy islands that were to become Venice, fleeing Attila the Hun in the 5th century, and since then the da Mosto family has been at the forefront of Venetian public life. One of the team of architects who restored the opera house in Venice after a devastating fire in 1996, Francesco shot to fame with his BBC television series exploring Venice, Italy and the Mediterranean. And with his English wife Jane, he's at the heart of the campaign to find a sustainable future for this most beautiful and vulnerable city. Francesco tells Michael about the joys and travails of living in Venice, and about his life in a crumbling palazzo just off the Grand Canal, shared by his parents, his children and more than twenty other Venetian families. And he tells Michael how to cook his favourite Sunday lunch dish. His music choices are a celebration of Italy, with arias from operas by Puccini and by Verdi; a much loved song by Mina Mazzini; music by Ennio Morricone, Alessandro Marcello, and the most famous Venetian composer of them all: Vivaldi. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3.

Richard Holloway, former Bishop of Edinburgh, talks to Michael Berkeley about faith, doubt, compassion and the powerful emotions stirred up by his favourite music. In 1948, at the age of just 14, Richard Holloway left his home in a small town near Glasgow to train for the priesthood at an Anglican monastery in Nottinghamshire. Nearly four decades later, after working in some of Scotland's most deprived inner-city parishes, he was appointed Bishop of Edinburgh and Primus of the Church of Scotland. But in 2000 he resigned, unable any longer to reconcile his religious doubts, and his views, especially on gay rights, with church orthodoxy. As he's navigated his unusual spiritual journey he's remained an honest, compassionate voice, cutting through dogma and unafraid to engage with uncertainty and celebrate our humanity. Richard Holloway has presented many radio series and has written 33 books, the latest being Stories We Tell Ourselves: Making Meaning in a Meaningless Universe, an exploration of how we can try to make sense of our fleeting lives in a post-religious world. For Richard Holloway, listening to music is a deeply emotional experience; he chooses pieces by Rachmaninov, Elgar and Brahms, and a psalm and a hymn that bring back powerful memories of life in the seminary as a teenager. And Robert Burns' Ca' the Yowes reminds him of the joy of singing with his family around the kitchen table. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

Misan Harriman didn't become a photographer till five years ago, when his wife gave him a camera for his fortieth birthday. Since then he's become world-famous, photographing celebrities such as Tom Cruise, Cate Blanchett, and Meghan Markle – his was the romantic black-and-white photograph of Harry and Meghan announcing her pregnancy last year. Alongside these high-profile celebrity commissions, he's also become a photographer known for documenting Extinction Rebellion, anti-Trump protests, and the Black Lives Matter movement. In 2020 he became the first black person in the 104-year history of British Vogue to shoot the cover of its prestigious September issue; last year he became the Chair of the Southbank Centre, the renowned arts complex in London. In conversation with Michael Berkeley, Misan talks about his journey to become a photographer, from early childhood in Nigeria to his time at an English boarding school. He reveals his “superpower” of dyslexia, and how he's found a new way of shooting portraits in lockdown: “remote photography”. Misan Harriman is a passionate film buff, and all his music choices come from movies that have made a profound impression on him, from the soundtrack to “Ghost” which he saw as a boy, to William Walton's score for “Henry V” and the moving Dunkirk scene in “Atonement”. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Katy Brand talks to Michael Berkeley about obsession, opera, brass bands and juggling her career as a comedian, actor, novelist and screenwriter. On television, Katy Brand's Big Ass Comedy Show ran for three series and won her a British Comedy Award, and she has appeared in everything from Peep Show to Midsomer Murders. Her stand-up shows at the Edinburgh Festival have been highly acclaimed, and she is a regular on BBC Radio comedy and drama. Katy has starred in musicals such as West Side Story and Everyone's Talking About Jamie; and she has written plays and screenplays – her feature film Good Luck to You, Leo Grande, starring Emma Thompson, premiered at the recent Sundance Festival and will be on our cinema screens this autumn. Katy tells Michael about her childhood experience as an extra at the Royal Opera House; her grandfather, the trumpet player and brass band conductor Geoffrey Brand; and her passion for the madrigals of the 17th-century Italian composer Carlo Gesualdo. And she describes the obsessions that dominated her early life, which have provided rich material for her books and comedy shows: her conversion to born-again Christianity as a teenager and her ongoing passion for the films Dirty Dancing and Mary Poppins. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

Theaster Gates is a potter, a sculptor, a film-maker, a curator of black history, a real estate developer and a professor of fine art in Chicago, where he lives - and where he's also transformed a whole run-down area near the university. When he was made a professor in 2007, he bought a derelict bank for a dollar, tore out the urinals, cut them up and sold them off at five thousand dollars each as artworks – thereby raising enough money to create a large new art centre. That was just the beginning, as he explains. Gates's art and installation work is shown all over the world, and current projects include a library for Obama and this year's Serpentine Pavilion building. As his recent show at the Whitechapel revealed, his work is ambitious and provocative - he takes pots and deconstructs them so that they're exploding, back to the original clay. He films his work in dream-like spaces - a huge abandoned factory, for instance, full of broken bricks and haunting music, including his own singing. Theaster Gates is also a musician, the founder of a group called The Black Monks of Mississippi, which aims to rescue old songs from the black South. He brings Michael Berkeley a playlist that includes Scott Joplin, Joseph Boulogne, Rachmaninoff and gospel music sung by Leontyne Price. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

On 8 December 2020, a 90-year-old grandmother became the first person in the world to be given the Covid jab as part of a mass vaccination programme. Within six months more than 30 million people in the UK had received at least one dose. Many people say that extraordinary achievement would not have been possible without Dame Kate Bingham. A venture capitalist with a first-class degree in biochemistry, in May 2020 she was asked by the Prime Minister to head a new Vaccine Taskforce, leading British efforts to find and manufacture a Covid-19 vaccine for the UK and abroad. Her appointment was not without controversy. But, in the words of Professor Dame Sarah Gilbert, who invented the AstraZeneca vaccine, “her calm decisions in the uncertain early days of the pandemic saved countless lives”. Kate Bingham was appointed Dame Commander of the British Empire in the Queen's 2021 Birthday Honours List. In conversation with Michael Berkeley, Kate Bingham reveals what it was like to create the Taskforce, working remotely from home in Wales. It was her first encounter with the inner workings of government, a culture she describes as paralysed by “groupthink”, and “a massive aversion to risk”. She reveals the music that sustained her, and which she listened to at night when she ran. Kate is an oboist, and she begins her music selection with Alessandro Marcello's Oboe Concerto; other choices include Gustav Holst, Robert Schumann, Arturo Marquez, Guys and Dolls, and a song with lyrics by her son Sam. Produced by Elizabeth Burke A Loftus Media production for BBC Radio 3

The geologist Sanjeev Gupta tells Michael Berkeley about his search for evidence of ancient life in rocks on Mars with the help of NASA's Mars Rovers, and he plays unique recordings of sounds from the surface of Mars. Professor Sanjeev Gupta is a scientist who takes the long view, the very long view, into Deep Time. As the Royal Society Leverhulme Trust Senior Research Fellow at Imperial College London, he investigates how landscapes have evolved over vast spans of time. His work as a geologist has meant camping out alone for months at a time in some of the world's most remote places. And Sanjeev Gupta is part of a team of hundreds of scientists working on one of humanity's most ambitious expeditions ever - NASA's three billion dollar Perseverance Mars Rover which is helping us to understand what that planet was like an astonishing three-and-a-half billion years ago. The team is searching for evidence of ancient life in rocks on the Red Planet, rocks that will hopefully be returned to earth for analysis in 2031. Music is vital to Sanjeev Gupta's life. He brings Michael Berkeley music by Bach, Messiaen and Handel and by contemporary composers Peteris Vasks, John Luther Adams and Anna Meredith, music which conjures ‘visions of the beyond' – starlight, canyons, oceans and heaven. Sanjeev describes the surreal experience of helping to operate the Perseverance Rover as it landed on Mars in February 2021 from a flat above a hairdresser in Lewisham when restrictions prevented him from travelling to NASA Mission Control in California. And he recalls the transcendent experience of listening to music alone on long field trips in the vast deserts of Utah. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

Barbara Taylor Bradford's life story is every bit as extraordinary as one of her novels. As she tells Michael Berkeley in a warm and frank interview, she was born in the back streets of Leeds in 1933, left school at 15 to work as a typist at the Yorkshire Evening Post, and at 18 was the first editor of the paper's 'Woman's Page'. By 20 she was an established Fleet Street journalist. And then came the novels - her first book, A Woman of Substance, was published in 1979 and has sold over 32 million copies: it is the story of Emma Harte, an impoverished maidservant who through sheer grit rises to become a phenomenally successful businesswoman. Barbara Taylor Bradford has gone on to write another 34 books, with sales approaching 100 million; many were turned into films and television series by her late husband, the producer Robert Bradford. Barbara takes Michael back to her childhood in Leeds, where her mother, Freda, introduced her to the composers she still loves today: Beethoven, Rachmaninov, Bizet and, especially, Puccini. She talks movingly about her long and happy marriage and how her determination to keep writing has sustained her since her husband's death; she describes the ambition and determination, which drove her in the male dominated world of journalism in the 1950s; and her pride in the success of her novels. And, at 88, Barbara Taylor Bradford shows no sign of slowing down. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

Jamila Gavin was born in the foothills of the Himalayas; her Indian father and English mother met as teachers in Iran and married in Mumbai. By the age of 12, she'd lived in an Indian palace in the Punjab, a bungalow in Poona - and a terraced house in Ealing, west London. Ealing was where the family settled in 1953; Jamila went on to study at London's Trinity College of Music, and to become a sound engineer and then a director in television. She didn't start to write until her late thirties, beginning a career distinguished by many awards for her novels, plays and short stories – around 50 books in all. It's a rich world of myths and fairy-tales, orphans and adventures, ranging from 15th-century Venice to the mountains of India. She's best known for Coram Boy, her prize-winning novel, later staged at the National Theatre, about the Foundling Hospital – to which Handel gave the royalties from his Messiah. In conversation with Michael Berkeley, Jamila Gavin reveals the shocking story, which inspired her to write her first book for children. Her books deal with serious themes: particularly slavery, both historic slavery and people-trafficking now. Reading them, you can forget that these are children's books; but, she says, any experiences which children suffer should also be experiences they can read about. Jamila Gavin's playlist includes Handel's Messiah, Tippett's A Child of Our Time, Schubert, Brahms, Stockhausen - and her favourite Night Raga. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Actress, comedian and playwright Katherine Parkinson shares her favourite music with Michael Berkeley. Two years out of drama school and heavily in debt, Katherine Parkinson was offered a part in a new television comedy series The IT Crowd. As all fans of the cult series know, she played Jen, the hopeless boss of two computer geeks – she was the so-called “normal” one. The series ran from 2006 to 2013, with audiences of two million. For Katherine Parkinson, it made her career, winning her a British Comedy Award and a Bafta. Since then Katherine Parkinson has appeared in everything from stage productions of Sophocles and Chekhov to television sci-fi drama Humans as well as Doc Martin and the sitcom The Kennedys. She has also moved into writing: her play about three people sitting for a painter premiered on television during lockdown. Katherine chooses music by John Tavener, George Gershwin and Thomas Tallis, and polyphonic singing she discovered while filming in Georgia. She tells Michael how she tried to channel her inner Cecilia Bartoli during singing lessons at drama school, and how she had to pretend to be good at housework for her Olivier-nominated role in Home, I'm Darling at the National Theatre. And she talks movingly about her affection for her late father-in-law, the actor Trevor Peacock. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

Dame Stephanie Shirley arrived in Britain from Vienna as a five-year-old, without her parents. It was 1939, and she was one of 10,000 Jewish children brought by train on the Kindertransport to escape the Nazis. She went on to become one of the most successful businesswomen of the 20th century; in 1962, working from home, she founded one of the first tech-start-ups: an all-woman software company, Freelance Programmers, which was ultimately valued at almost $3 billion, making seventy of her staff millionaires. Since ‘retiring', her work has been in philanthropy, with a particular focus on IT and autism – in memory of her son, who had autism, and who died at the age of only 35. She estimates that The Shirley Foundation has given away £67 million, not least for the establishment of three autism charities. She is the author of two books and is frequently asked to give motivational speeches about women in business and her own life story. She says, “I decided to make my life one worth saving”. In conversation with Michael Berkeley, Dame Stephanie Shirley looks back on an extraordinarily dramatic life. She describes the Kindertransport train, with children sleeping on the luggage racks, weeping for their lost families. She tells the story of her early days in business, and how she took on the name “Steve” to be taken more seriously. She also had a tape recording of frantic typing that she used to play during work phone calls, to disguise the fact that she was at home. And she talks movingly about her son's death and how that changed the direction of her life. Her music choices include Bach, Britten's ‘Ceremony of Carols', Dido's Lament and the ‘Cat Duet' attributed to Rossini. Produced by Elizabeth Burke A Loftus Media production for BBC Radio 3