Podcasts about Scarlatti

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Best podcasts about Scarlatti

Latest podcast episodes about Scarlatti

The Classical Music Minute
When Titans Duel: Handel vs. Scarlatti in the Baroque Showdown

The Classical Music Minute

Play Episode Listen Later May 12, 2025 1:00


DescriptionWhen Titans Duel: Handel vs. Scarlatti in the Baroque Showdown in 60 Seconds. Take a minute to get the scoop!Fun FactIn early 1700s Rome, Handel and Scarlatti participated in a legendary keyboard duel judged by local nobility. Though equals on the harpsichord, Handel's mastery of the organ gave him the edge. Scarlatti reportedly acknowledged Handel's superiority—an extraordinary moment of respect between two of the Baroque era's greatest composers.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

Le van Beethoven
Une heure et plus avec Alessandro et Domenico Scarlatti, compositeurs

Le van Beethoven

Play Episode Listen Later May 2, 2025 89:52


durée : 01:29:52 - Une heure et plus avec Alessandro et Domenico Scarlatti, compositeurs - par : Aurélie Moreau - L'un a façonné l'opéra napolitain, l'autre a réinventé la sonate pour clavecin. Alessandro et Domenico Scarlatti, père et fils, ont marqué l'histoire de la musique baroque chacun à leur manière.

The God Cast
Steven Isserlis CBE - The God Cast Interview

The God Cast

Play Episode Listen Later Apr 29, 2025 24:36


Acclaimed worldwide for his profound musicianship and technical mastery, British cellist Steven Isserlis enjoys a unique and distinguished career as a soloist, chamber musician, educator, author and broadcaster.As a concerto soloist he appears regularly with the world's leading orchestras and conductors, including the Berlin Philharmonic, National Symphony Orchestra Washington, London Philharmonic and Zurich Tonhalle orchestras. He gives recitals every season in major musical centres, and plays with many of the world's foremost chamber orchestras, including the Australian, Mahler, Norwegian, Scottish, Zurich and St Paul Chamber Orchestras, as well as period-instrument ensembles such as the Orchestra of the Age of Enlightenment and Philharmonia Baroque Orchestra. Unusually, he also directs chamber orchestras from the cello in classical programmes.Recent and upcoming highlights include performances with the Gewandhausorchester Leipzig, Vienna Philharmonic Orchestra at the Salzburg Mozartwoche; the US premiere of Thomas Adès's Lieux retrouvés with the Los Angeles Philharmonic, following world and UK premieres in Lucerne and at the BBC Proms, and a further performance of the work in Amsterdam with the Britten Sinfonia, conducted by the composer; Prokofiev's Concerto Op. 58 with the London Philharmonic Orchestra under Vladimir Jurowski, in London and at the Dresden Music Festival; and Haydn's C major Concerto with the Orchestra of the Age of Enlightenment under Adam Fischer.As a chamber musician, he has curated series for many of the world's most famous festivals and venues, including the Wigmore Hall, the 92nd St Y in New York, and the Salzburg Festival. These specially devised programmes have included ‘In the Shadow of War', a major four-part series for the Wigmore Hall to mark the centenary of the First World War and the 75th anniversary of the Second World War; explorations of Czech music; the teacher-pupil line of Saint-Saëns, Fauré and Ravel; the affinity of the cello and the human voice; varied aspects of Robert Schumann's life and music; and the music of Sergei Taneyev (teacher of Steven's grandfather, Julius Isserlis) and his students. For these concerts Steven is joined by a regular group of friends which includes the violinists Joshua Bell, Isabelle Faust, Pamela Frank, and Janine Jansen, violist Tabea Zimmermann, and pianists Jeremy Denk, Stephen Hough, Alexander Melnikov, Olli Mustonen, Connie Shih, and Dénes Várjon.He also takes a strong interest in authentic performance. This season's projects include a recording of the Chopin Cello Sonata and other works with Dénes Várjon for Hyperion, using ones of Chopin's own piano; and a recital of Russian sonatas with Olli Mustonen. In recital, he gives frequent concerts with harpsichord and fortepiano. Recent seasons have featured a special performance with Sir Andras Schiff at the Beethovenhaus in Bonn, using Beethoven's own cello; and performances and recordings (selected for the Deutsche SchallplattenPreis) of Beethoven's complete music for cello and piano with Robert Levin, using original or replica fortepianos from the early nineteenth century. With harpsichordist Richard Egarr, he has performed and recorded the viola da gamba sonatas of J.S. Bach as well as sonatas by Handel and Scarlatti. This season, they tour together in the US.He is also a keen exponent of contemporary music and has premiered many new works including John Tavener's The Protecting Veil (as well as several other pieces by Tavener), Thomas Adès's Lieux retrouvés, Stephen Hough's Sonata for Cello and Piano, Left Hand (Les Adieux), Wolfgang Rihm's Concerto in One Movement, David Matthews' Concerto in Azzurro, and For Steven and Hilary's Jig by György Kurtág. In 2016, he gave the UK premiere of Olli Mustonen's of Frei, aber einsam for solo cello at the Wigmore Hall.

Unica Radio Podcast
Musikaleidos 2025: il festival che unisce sogno, pace e coralità

Unica Radio Podcast

Play Episode Listen Later Apr 23, 2025 11:56


Un festival musicale che attraversa Cagliari tra luoghi iconici e spazi inusuali, con oltre 10 appuntamenti da aprile a novembre, sotto il segno dell'inclusione e dell'innovazione. Anche quest'anno torna a Cagliari il Festival Musikaleidos, giunto alla sua settima edizione, diretto dal maestro Tobia Simone Tuveri, direttore del coro Hic Et Nunc. Nato nel 2018, il festival prende il nome da una fusione tra musica e kaleidoscopio, un'immagine potente che riflette bene la sua filosofia: esperienze diverse, frammenti artistici ed educativi che si fondono in un disegno sempre nuovo per coinvolgere un pubblico sempre diverso. Sogni, desideri e pace: i temi dell'edizione 2025 Il filo conduttore di quest'anno è chiaro e quanto mai attuale: sogno, desideri e pace. In un periodo storico attraversato da tensioni, il festival lancia un messaggio forte, utilizzando la voce e la musica come veicolo di speranza e riflessione. Oltre a questo, due importanti ricorrenze arricchiscono il programma: il cinquecentesimo anniversario dalla nascita di Giovanni Pierluigi da Palestrina e il centenario dalla nascita del pianista Aldo Ciccolini, scomparso dieci anni fa. A quest'ultimo sarà dedicato uno speciale concerto pianistico a Palazzo Siotto con ospite il suo ultimo allievo, il maestro Genny Basso. Musica ovunque: anche negli spazi non convenzionali Musikaleidos continua a distinguersi per la scelta dei luoghi: concerti e incontri si tengono non solo in teatri e chiese, ma anche in spazi alternativi, come l'Ospedale Businco, a sottolineare la volontà di portare la musica anche dove meno ce lo si aspetta. Il dialogo con il territorio è centrale: il festival collabora con enti, associazioni e realtà non necessariamente legate al mondo musicale, costruendo una rete virtuosa che coinvolge tutta la città. Per la prima volta, il festival ha ottenuto il patrocinio della Fersaco (Federazione Regionale Sarda Cori) e di conseguenza avrà anche quello della Feniarco, la federazione nazionale, un riconoscimento che conferma il valore del lavoro svolto finora. Musikaleidos consolida inoltre alcune collaborazioni ormai stabili, come quella con i Cantori della Resurrezione di Porto Torres e con l'Associazione Corale Rossini di Sassari, rafforzando la rete della coralità sarda e aprendo nuove opportunità per ospitare artisti di rilievo internazionale. Tradizione e innovazione: il futuro della coralità Uno degli obiettivi del festival è rinnovare la musica corale, sperimentando nuovi linguaggi e unendo stili differenti. Spaziando, quindi, da repertori che vanno dal Rinascimento alla musica pop riarrangiata, come nel concerto pianistico realizzato dal maestro Genny Basso che unisce Scarlatti, Liszt e canzoni napoletane. Particolarmente toccante sarà l'esibizione con il Coro delle Mani Bianche Musicalis diretto dalla maestra Stefania Coccoda, formato principalmente da persone sorde, che porterà a una visibilità del canto attraverso la lingua dei segni, offrendo una nuova dimensione visiva e inclusiva del canto. Artisti internazionali e giovani talenti: da Cantoria a Euphonios Il festival ospita ensemble di livello europeo, come il gruppo spagnolo Cantoria, specializzato nella polifonia rinascimentale iberica. La scelta degli artisti nasce da un'attenta riflessione sul tema dell'edizione e da una rete di relazioni costruita nel tempo, puntando su giovani musicisti, già affermati o emergenti, molti dei quali legati alle federazioni Fersaco e Feniarco. Un programma ricchissimo per ogni tipo di pubblico Con oltre 10 appuntamenti distribuiti in sette mesi, il Festival Musikaleidos propone un'offerta musicale ricchissima e variegata. Dal concerto rinascimentale al laboratorio per bambini nei giardini pubblici, ogni evento è pensato per coinvolgere pubblici diversi, rendendo la musica accessibile e viva. “Ogni appuntamento ha la sua bellezza – racconta il maestro Tuveri – e ognuno può trovare qualcosa che lo emozioni, qualunque sia la sua età o il suo gusto musicale”. Per scoprire il programma completo e non perdere nessuno degli eventi, potete visitare il sito ufficiale del Festival Musikaleidos che vi aspetta a Cagliari con le sue mille voci.

Introductions | WFMT
LIVE | Edie Park, 15, piano

Introductions | WFMT

Play Episode Listen Later Apr 12, 2025 40:59


Today we hear from Edie Park, a pianist and supporter of WFMT. She plays Scarlatti, Beethoven and Chopin before finishing her recital with the San Francisco-based composer Jean Ahn. The post LIVE | Edie Park, 15, piano appeared first on WFMT.

Flamenco Chiavi in Mano podcast
#135- Che cos'è il fenomeno del fandango? - Flamenco Chiavi in Mano

Flamenco Chiavi in Mano podcast

Play Episode Listen Later Mar 2, 2025 30:16


Fandango è un termine conosciuto nel mondo, che si riferisce a "qualcosa di spagnolo". Il dizionario di Real Academia Spagnola non ne dà una origine certe. Ci dice che forse viene dal Fado, la musica portoghese, e che forse originariamente si parlasse di "Fadango". Indica sicuramente un tipo di danza Andalusa in particolare ma spagnola in generale, ballata in coppia, forse molto diffusa nel 600, caratterizzata dal solito ritmo ternario di tutta la musica spagnola. Si tratta del genere musicale più diffuso in Spagna. Esiste dappertutto, forse solo in Catalogna non c'è. La musica classica se ne è occupata parecchio: nel 1984 è stato scoperto un brano, "Fandango in re minore" di Domenico Scarlatti, della quale ti faccio ascoltare una parte (è molto bella e la trovi facilmente completa on line). Non si sa di preciso se sia stato davvero Scarlatti a comporla, ma il suo colore è proprio spagnolo, e Scarlatti visse a Madrid alla ricerca della essenza della cultura popolare spagnola. E' molto vivace, focoso, passionale e bellissimo. Antonio Soler, allievo di Scarlatti ne compose uno, anch'esso per clavicembalo, del quale ti faccio ascoltare un assaggio, accompagnato dalle nacchere.Anche Boccherini ne compose uno.Torniamo al fandango come genere popolare spagnolo. E' diffuso ovunque, quiandi potrebbe essere un elemento unificatore, ma in reltà ne esistono tantissime varianti. Questo corrisponde alle grandissime varietà del territorio andaluso: i climi e la geografia tanto eterogenei che troviamo in Andalusia hanno generato molte differenze di stile di vita, di economia, ma anche di ricorrenze religiose, abitudini culturali e di vita. Il fandango, al di là delle sue specificità locali, è un elemento unificatore della cultura!Ricordiamo che la musica in Andalusia non è solo il flamenco, ma anche il flamenco stesso è nato in larga misura dal folklore.La ritmica ternaria del fandango 123 123 12 12 12 è quella della musica popolare, che è entrata nel flamenco molto profondamente. La musica popolare vive nella omologazione, nell'aderire ed appartenere ad una comunità culturale. Non si basa su artisti eccezionali, che hanno creato prodotti artistici speciali: si basa su qualcosa che possono fare tutti! Mentre il flamenco è una musica d'arte, fatta da personalità artistiche eccezionali, e che ha risentito tanto delle difficoltà della vita (ecco che ci ritroviamo alla perfezione l'elemento gitano del flamenco!). Un po' come nel blues, la miseria e le difficoltà di vita possono dare una spinta alla creatività artistica. Trasferirsi nelle città o comunque nei paesi, ha reso possiblie il confronto fra melodie tradizionali di diversa provenienza geografica. E il flamenco di questa varietà si è tanto arricchito. Il flamenco poteva quindi aiutare a far mantenere le tradizioni della propria zona di origine. Il mantenimento quindi della propria individualità ed unicità, che rende la musica sempre con una vena di tristezza o malinconia, anche quando è motlo allegro. Un po' come nel jazz, il flamenco parla di emozioni dell'animo umano e non di un piccolo gruppo, e quiandi diventa assolutamente universale. Questo senso di appartenenza e individualità che si è approfondito nel confronto con altre culture provienienti da latre zone, cosa che è iniziata dal 1492, con l'espulisone dei mori e degli ebrei e il ripopolamento, l'arrivo di cultura proveniente dalle Americhe... In una parola, la musica popolare andalusa è proprio il fandango. Il fandango nasce da un fenomeno arabo, lo zejel, una forma poetica ancora oggi esistente, che prevede la creazione momentanea di strofe rimate, nata per giocare con le parole. Lo zejel arabo prevede un ritornello, che ne definisce la dimensione sociale, e si fa in dialetto arabo (se fosse in arabo classico si chiamerebbe Muashshahat, e farebbe parte della tradizione della musica colta, ma questa è un'altra storia).Nel Sud della Spagna, soprattutto a Murcia e nei paesini dell'Alpujarra, sulla Sierra Nevada, ma anche altrove, Malaga, Almeria, persino delle Canarie esiste un fenomeno musical/poetico che si chiama "Trovo". Si crea una sorta di competizione poetica, una piccola diatriba che prevede ironia cantata o anche solo recitata, per rispondere a ciò che l'altro cantore sta dicendo, giocando con le parole, improvvisando in particolare su una musica che è fandango. A volte i troveros sono due, un poeta che crea i versi poetici e li suggerisce all'orecchio del suo compagno, che magari non è poeta ma ha una bella voce e quindi può cantare i versi, a tono e a ritmo con la musica. Lo schema ritmico è sempre di versi ottosillabi, e le strofe sono composte da 5 o 6 versi (se sono 5, uno viene ripetuto, come si fa nel flamenco).Il trovo è una tradizione agricola, magari dopo una dura giornata nei campi ci si riuniva per far festa, giocando con le parole e l'ironia. Era un genere poetico diffuso nella Andalusia araba. Tutti questi momenti sono legati al mondo del fandango. I fandangos sono talmente diversi ed eterogenei che anche nel flamenco ne ritroviamo tantissimi. La loro struttura poetica ha un crescendo che arriva ad un climax che si esprime, e poi termina con grande emotività. Alcuni, come malaguena, granaina e i fandangos di Levante, non hanno neanche un ritmo. Altri sono invece ritmici, come tutti i fandangos abandolaos della sona campestre e di altopiani fra le province centrali dell'Andalusia, Malaga, Granada e Cordova, e c'è poi la famiglia dei fandangos di Huelva, regione caratterizzata da una grande varietà territoriale e quindi di differenze di modi di vivere, dalla vivace città portuale, Huelva appunto, a zone di maremma, a zone minerarie, a zone agricole e montagnose, a fiumi... In ogni paesino della provincia di Huelva si sono create e sviluppate una grande quantità di melodie. Un'altra parte interessante dei fandangos sono quelli definiti "de coro y danzas". Molti sembrano antichi ma magari non lo sono: la sezione femminile della falange spagnola, aveva il compito di portare avanti delle tradizioni che rappresentassero l'identità tradizionale spagnola. Questo fece nascere competizione e creò rappresentazioni un po' false, imbellettate, non più popolari ma formali , magari suonate da professionisti. E metterlo su un palcoscenico. D'altra parte non è che tutto ciò che è tradizionale potrebbe essere messo su un palcoscenico! Per alcuni versi quindiquesto fenomeno ha deviato il corso della musica e della danza dell'ambito fandango, ma lo scotto da pagare poteva essere la perdita totale di una parte della tradizione. Cosa che è succesa comunque in parecchie culture tradizionali nel mondo!Il fandango è un fenomeno molto ampio che corrisponde all'identità musicale spagnola e la sua caratteristica è che la quasi totalità dei fandangos lavora sulla modalità musicale flamenca (anche se ci sono tante escursioni in modalità minore o maggiore, come nei fandangos di Huelva), che forse rappresenta l'identità musicale spagnola.Sono Sabina Todaro mi occupo di flamenco e danze e musiche del mondo arabo dal 1985. Dal 1990 insegno baile flamenco  a Milano al Mosaico Danza e un lavoro di ricerca usll'espressione delle emozioni attraverso danze e musiche arabe che ho chiamato Lyrical Arab Dance. Sono appassionatissima di flamenco e di tutta la cultura che gli sta intorno, e credo che capire il flamenco non possa prescindere dalla conoscenza di tutti i suoi legami culturali. Suddivideremo i fandangos in varie parti per conoscerli un po' meglio. Trovo molto interessante che tutti i fandangos abbiano elementi in comune e ricercarli ce ne fa capire meglio le ragioni umane, ma anche storiche

I Notturni di Ameria Radio
I Notturni di Ameria Radio del 28 febbraio 2025 - L'ORATORIO / A. Scarlatti / Agar et Ismaele esiliati / Seattle Baroque Orchestra / Ingrid Matthews

I Notturni di Ameria Radio

Play Episode Listen Later Feb 28, 2025 79:33


Alessandro Scarlatti (1660-725) - Agar et Ismaele esiliatiOratorio in due partiPARTE PRIMA         1  |  0:00.00 Sinfonia          2  |  3:56.36 Recit: Udisti Abramo, udisti i miei desiri           3  |  5:45.19 Aria: Chi lo sguardo sublime e constante          4  |  7:48.40 Recit: Sia pur come t'aggrada          5  |  8:43.73 Aria a 2:  Con frode gradita           6  | 10:18.37 Recit: Ascolta, Àbramo, ascolta;           7  | 11:13.22 Aria: Caro I sac, amato figlio,           8  | 13:43.61 Recit: Ferma Sara, deh, ferma, ove tic vai?        9  | 14:36.06 Aria: Non più dm 4, non più querele;         10  | 15:49.64 Recit: Non lungi Agar con l'empia prole io miro.       11  | 16:17.33 Recit: Padre.         12  | 17:16.17 Aria a 3: Àbramo pietà       13  | 21:32.53 Recit: All'alito nocente,         14  | 23:02.12 Aria: Non ha limiti, nè mete       15  | 26:15.65 Recit: In van s'affligge, in vano        16  | 27:01.29 Aria: No no 1‘alnia mia         17  | 30:20.68 Recit: Tacete ormai tacete,        18  | 31:30.21 Aria: Sgombra pure il timore, e le pene        19  | 34:41.11 Recit: Si sì figlio gradito PARTE SECONDA         20  | 36:03.01 Aria: Affetti paterni,         21  | 39:01.13 Recit: È di te degno il tuo pensiero Àbramo.          22  | 40:27.10 Aria: Veggio pure in steril campo       23  | 43:31.21 Recit: Ma qual larva funesta        24  | 46:08.31 Aria a 2: Quando oh Dio quando sarà,        25  | 49:38.34 Aria: Qui del Sol gl'infausti lampi         26  | 51:59.22 Recit: li a qual d'ignoto Mondo arso confine        27  | 53:45.10 Aria a 2: Quando o Dio quando sarà?         28  | 54:37.37 Recit: D'un incendio mortale         29  | 56:25.05 Aria: L'aura mesta d'accesi sospiri,       30  | 59:05.71 Recit: O figlio, del cor mio parte più cara,        31  | 01:01:29 Aria: Speranze ch'il cuore       32  | 01:04:44 Arioso: Pietà, mercé, ristoro!         33  | 01:06:06 Recit: Tu languisci Ismael, tu spiri o figlio,         34  | 01:07:42 Aria: L'innocenza oappressa langue,          35  | 01:12:43 Recit: Ma lo sguardo pietoso        36  | 01:14:05 Rccit: Agar? Agar?       37  | 01:15:21 Arioso: E con gli esempi suoi chi soffre speri.        38  | 01:15:57 Aria: E folle chi paventa Jennifer Lane (Mezzo Soprano)Karina Gauvin (Soprano)Melissa Fogarty (Soprano)Seattle Baroque OrchestraIngrid Matthews, conductor

Le van Beethoven
Dmitry Masleev, une palette sonore lumineuse et variée

Le van Beethoven

Play Episode Listen Later Feb 18, 2025 88:40


durée : 01:28:40 - Dmitry Masleev, une palette sonore lumineuse et variée - par : Aurélie Moreau - Le pianiste Dmitry Masleev poursuit une brillante carrière internationale, débutée à la suite de sa victoire en 2015 au Concours Tchaïkovski. Aujourd'hui : Liszt, au programme de son disque paru en janvier (Aparté), et Scarlatti, Prokofiev, Glinka…

I Notturni di Ameria Radio
I Notturni di Ameria Radio del 10 gennaio 2025 - La Scuola napoletana / A. Scarlatti / N. Porpora / N. Jommelli / G. Paisiello / D. Cimarosa

I Notturni di Ameria Radio

Play Episode Listen Later Jan 10, 2025 63:04


La Scuola napoletanaAlessandro Scarlatti (1660-1725) - Concerto grosso No. 1 in fa minore per due violini, archi, e continuo 1. Grave2. Allegro3. Largo4. Allemande [Allegro]Orchestra Europa GalanteFabio Biondi, direttore---------------------------------------Nicola Porpora (1686-1766) -  Salve ReginaI. Salve regina (Adagio)II. Ad te clamamus (Allegretto)III. Ad te suspiramus (Adagio)IV. Eia ergo (Allegro)V. Illos tuos misericordes (Adagio)VI. O clemens (Affettuoso)Orchestre Nationale de FranceElīna Garanča, mezzosopranoRiccardo Muti, direttore-----------------------------------Niccolò Jommelli (1714-1774) - Sinfonia in Sol MaggioreI. AllegroII. LargoIII. Allegro assaiMünchener KammerorchesterKarl-Heinz Schickhaus, salterioHans Stadlmair, direttore-------------------------------------Giovanni Paisiello (1740-1816) - Concerto in mi bemolle maggiore per mandolino e orchestra 1. Allegro Maestoso 2.  Larghetto 3. AllegrettoI Solisti VenetiUgo Orlandi, mandolino Claudio Scimone, direttore ---------------------------------------Domenico Cimarosa (1749-1801) - Concerto per Oboe in do minore1. Introduzione - Larghetto2. Allegro3. Siciliana4. Allegro giustoGrand Orchestre de Radio-Télé-LuxembourgNorbert Mattern, oboeLouis De Froment, direttore -------------------------------Domenico Cimarosa (1749-1801) - Inno della Repubblica PartenopeaL' "Inno della Repubblica Partenopea" fu composto da Cimarosa nel 1799 per l'amata terra.

I Notturni di Ameria Radio
I Notturni di Ameria Radio del 24 dicembre 2024 - A. Corelli Concerto “Fatto per la Notte di Natale”/ A. Scarlatti "Cantata pastorale per la nascita di Nostro Signore"

I Notturni di Ameria Radio

Play Episode Listen Later Dec 24, 2024 31:22


Arcangelo Corelli (1653-1713) -  Concerto Grosso Op. 6, No. 8 in sol minore “Fatto per la Notte di Natale”1.       Grave - Vivace2.       Allegro3.       Adagio - Allegro - Adagio4.       Vivace5.       Allegro6.       Pastorale. Largo ________________12:38Alessandro Scarlatti (1660-1725) -  Cantata pastorale per la nascita di Nostro Signore1.       Sinfonia2.       Recitativo “O di Betlemme altera povertà”3.       Aria “Dal bel seno d'una stella”4.       Recitative “Presa d'uomo la forma”5.       Aria “L'autor d'ogni mio bene”6.       Recitative “Fortunati, fortunati pastori!”7.       Aria “Toccò la prima sorte” Ilse Eerens, sopranoMusica AmphionPieter-Jan Belder, conductor 

The Mike Hosking Breakfast
Matt Barker: Scarlatti Director and Trial Evaluator on the benefits vs risks to facial recognition tech in supermarkets

The Mike Hosking Breakfast

Play Episode Listen Later Dec 5, 2024 2:00 Transcription Available


There's a view the benefits of facial recognition tech in supermarkets outweighs potential risks. Data analyst firm Scarlatti has found a trial of the new technology at 25 Foodstuffs North Island supermarkets reduced harm by 16%. Security were alerted to offenders early, and could intervene to prevent harm from escalating. Scarlatti Director and Trial Evaluator Adam Barker told Mike Hosking there was a balance to be struck around privacy impacts. He says they found the 16% reduction in harm was more than enough to justify the use of the tech in the views of the public. LISTEN ABOVE See omnystudio.com/listener for privacy information.

Clásica FM Radio - Podcast de Música Clásica

Con Isabel Juarez | La música nos acompaña a la hora de dormir con las nanas o nos hace más livianas las noches de insomnio, incluso es parte indispensable de las fiestas nocturnas. Con música de Mozart, Field, Scarlatti, Beethoven, Lully y Bach. La mejor música antigua, en Clásica FM, con Isabel Juarez.

Le Disque classique du jour
Vox Luminis à l'honneur

Le Disque classique du jour

Play Episode Listen Later Nov 12, 2024 87:26


durée : 01:27:26 - En pistes ! du mardi 12 novembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Lionel Meunier a fondé son ensemble Vox Luminis il y a tout juste 20 ans, un coffret retrace leur vaste discographique. Schütz, Bach ou Scarlatti sont à retrouver ce matin dans En Pistes !

En pistes ! L'actualité du disque classique

durée : 01:27:26 - En pistes ! du mardi 12 novembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Lionel Meunier a fondé son ensemble Vox Luminis il y a tout juste 20 ans, un coffret retrace leur vaste discographique. Schütz, Bach ou Scarlatti sont à retrouver ce matin dans En Pistes !

Le Disque classique du jour
Les premiers enregistrements de Clara Haskil

Le Disque classique du jour

Play Episode Listen Later Oct 29, 2024 88:31


durée : 01:28:31 - En pistes ! du mardi 29 octobre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Clara Haskil et ses quelques sonates de Scarlatti à son répertoire sont à écouter ce matin. A l'approche d'Halloween, découvrez aussi une Sorcière de Camille Erlanger. En Pistes au piano ou dans une citrouille ! - réalisé par : Antoine Courtin

En pistes ! L'actualité du disque classique
Les premiers enregistrements de Clara Haskil

En pistes ! L'actualité du disque classique

Play Episode Listen Later Oct 29, 2024 88:31


durée : 01:28:31 - En pistes ! du mardi 29 octobre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Clara Haskil et ses quelques sonates de Scarlatti à son répertoire sont à écouter ce matin. A l'approche d'Halloween, découvrez aussi une Sorcière de Camille Erlanger. En Pistes au piano ou dans une citrouille ! - réalisé par : Antoine Courtin

Disques de légende
Il Martirio di Santa Teodosia, d'Alessandro Scarlatti, par Thibault Noally

Disques de légende

Play Episode Listen Later Oct 1, 2024 23:44


durée : 00:23:44 - Disques de légende du mardi 01 octobre 2024 - C'était il y a 4 ans seulement, en 2020, que Thibault Noally et les Accents nous découvraient cet oratorio puissant. Loin d'un ensemble banal, ils nous offrent un Scarlatti puissant, d'une finesse et d'un dramatisme singuliers.

Relax !
Il Martirio di Santa Teodosia, d'Alessandro Scarlatti, par Thibault Noally

Relax !

Play Episode Listen Later Oct 1, 2024 23:44


durée : 00:23:44 - Disques de légende du mardi 01 octobre 2024 - C'était il y a 4 ans seulement, en 2020, que Thibault Noally et les Accents nous découvraient cet oratorio puissant. Loin d'un ensemble banal, ils nous offrent un Scarlatti puissant, d'une finesse et d'un dramatisme singuliers.

Musique Emoi
Hubert Haddad, écrivain : " A l'adolescence, j'ai embrassé la poésie et le 5e concerto de Beethoven "

Musique Emoi

Play Episode Listen Later Sep 22, 2024 60:08


durée : 01:00:08 - Hubert Haddad, écrivain - par : Priscille Lafitte - Le violon est un personnage central du dernier roman d'Hubert Haddad, "La symphonie atlantique", tout comme la musique est centrale dans la vie du romancier, de Schumann à Wagner en passant par Elgar et Scarlatti. - réalisé par : Claire Lagarde

France Musique est à vous
Le Bach du matin par Justin Taylor

France Musique est à vous

Play Episode Listen Later Sep 17, 2024 4:48


durée : 00:04:48 - Le Bach du matin du mardi 17 septembre 2024 - Notre Bach du matin est italien. Ou “dans le goût italien”, sous titre exact de ce concerto pour clavier que le compositeur écrit en 1735.Un concerto italien joué ici au clavecin. Justin Taylor joue au mythique château d'Assas à côté de Montpellier où Scott Ross grava son intégrale Scarlatti.

Tell No Tales
S2 E14 - Fixing Things

Tell No Tales

Play Episode Listen Later Jul 22, 2024 21:57


Everything's going wrong all at once (again), but a friendly voice helps with anything, doesn't it?Content Warnings: Extensive Discussion of death, extensive discussion of gradual loss of ability, mention of grief and Loss of a sibling, Aggressive verbal confrontation including shouting and slamming doors.SFX Warnings: Dialogue panning (character pacing quickly for first 2 mins approx.)Transcript: https://tellnotalespod.com/transcripts/transcript-s2-e14-fixing-things/Written and produced by Leanne Egan. In this episode you heard the voices of Asher Amor-Train as Frank Williamson, Leanne Egan as Leo Quinn, Shannon Kelly as Julia Wilde, Phil Thompson as Riley Matkins, and Michaela Hook as Mickey Hart.Twin Strangers Productions is partly sponsored by World Anvil, the leading tool for creatives of all varieties. To support TSP and get 51% OFF of a yearly World Anvil subscription, click here (link: https://worldanvil.com/?c=tnt) or use the promo code tnt at checkout.Twin Strangers Productions is partly sponsored by BroadlyEpi, a rapidly growing repository of information and education about public health and epidemiology. To find more information and support Tell No Tales, go to https://www.broadlyepi.com/tsp/At the start of this episode you heard a showcase for Dark Dice... Do you seek him? If so, find out more at https://darkdice.com/ Intro and outro music by LumehillThe conveniently public domain Leo chose to listen to today was Fauré's Élégie, Op. 24, Händel's Concerto grosso no. 4, HWV 322, and Scarlatti's Concerto grosso in F minor. Performances sourced from musopen.orgAtmospheric music: Radial by Aerian. Music and sound effects sourced from Epidemic Sound and Soundsnap.Art by Ana BalaciFind more info on our website tellnotalespod.com or at @tellnotalespod on Tumblr or TwitterDistributed by Twin Strangers Productions Hosted on Acast. See acast.com/privacy for more information.

The Piano Maven with Jed Distler
Surveying Scarlatti

The Piano Maven with Jed Distler

Play Episode Listen Later Jul 8, 2024 11:56


A survey of Scarlatti recitals. Here's a link to one of my all-Scarlatti Between the Keys episodes: https://www.wwfm.org/show/between-the-keys-with-jed-distler/2023-12-20/snuggle-up-with-scarlatti. Here's a link to the Konstantin Scherbakov Scarlatti volume on Naxos: https://www.youtube.com/watch?v=iztt0sR-F4Q.

Horror 101 Podcast
Episode 147: Horror 101 - Episode 147: Masque of The Red Death (1964)

Horror 101 Podcast

Play Episode Listen Later Jun 30, 2024 76:05


On our 147th show we are once again paying homage to a recently lost treasure.  We lost Roger Corman at the age of 98.  The amount of talent that was realised through his projects is innumerable .  The man was a Hollywood Kingmaker.  Nobody could make a film as quick and as cheap as Roger Corman yet he still produced solid, entertaining films.  We hope you enjoy as we give the Horror 101 Treatment to Corman's classic The Masque of the Red Death from 1964, starring Vincent Price.  Show Highlights:01:00  Prelude to Terror06:40  Corman the Kingmaker...10:40  Choosing Masque to feature...15:40  The Day of Their Deliverance...21:10  Esmeralda and Hop Toad...24:50  Manipulation and Debauchery...28:30  Midnight Terrors...30:45  Scarlatti and his Wife...34:00  Hop Toad and Alfredo...36:45  Failed Escape...39:40  Five Daggers...41:40  The Final Ritual...46:00  Destruction of the Villagers...49:30  The Burning Gorilla...51:25  Someone Wearing Red...53:30  The Dance of Death...57:40  The Convening Deaths...59:00  Scoring the Film...69:15  Farewell Mr. Corman...72:30  Conclusion.  Thanks for Listening!

NDR Kultur - Neue CDs
Das Neue Album: Julius Asal spielt Scarlatti und Skrjabin

NDR Kultur - Neue CDs

Play Episode Listen Later Jun 12, 2024 4:51


Eine neue CD von Julius Asal - vorgestellt auf NDR Kultur.

Relaxing Piano Playlist
Relaxing Piano Playlist Series 5 Episode 3

Relaxing Piano Playlist

Play Episode Listen Later Jun 7, 2024 25:49 Transcription Available


Send us a Text Message.Feeling tired? Need to unwind? Then how about some gentle, soothing piano music? Welcome to the Episode 3 of the Fifth Series in the Relaxing Piano Playlist! In this episode, I perform for you music by Scarlatti, Chopin, Antonio Fragasco, Samuil Maykapar, Bortkiewicz, and Samuel Coleridge-Taylor.

En pistes ! L'actualité du disque classique
Folklore québécois et français

En pistes ! L'actualité du disque classique

Play Episode Listen Later Jun 6, 2024 88:13


durée : 01:28:13 - En pistes ! du jeudi 06 juin 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme ce matin, des chansons folkloriques par la soprano Karina Gauvin, le Trio Zeliha dans Schubert, Debussy incarné par Sylvain Cambreling et l'Orchestre symphonique de la SWR de Baden-Baden, un voyage au cœur des œuvres de Scarlatti et Scriabin avec le pianiste Julius Asal. En pistes !

Nuestro flamenco
Nuestro flamenco - La guitarra flamenca en la música clásica (2) - 28/05/24

Nuestro flamenco

Play Episode Listen Later May 27, 2024 58:32


La presencia de la música clásica en la guitarra flamenca con obras de Joaquín Rodrigo y Scarlatti en las guitarras Paco de Lucía y Juan Manuel Cañizares.Escuchar audio

Historiansplaining: A historian tells you why everything you know is wrong

Unlocked after one year on Patreon for patrons only: What is "culture"? And how did a metaphor from gardening invade social-science discourse in 19th-century Germany and America and then take the world by storm? We consider the myriad, often contradictory, ways that "culture" is deployed in current rhetoric, usually to sneak in hidden value judgments; then we trace how an ancient Latin term for gardening came to refer to the "cultivation" of good charater, then to the shaping of society by high art and refined customs, and then ultimately, under the influence of German and American imperial politics, to a supposed unfied, organic whole encompassing the sum total of all learned behaviors in a given society. However you define it, I make the case that it is the defining myth of our time, and that we should get rid of it. You can also play this episode on Patreon: https://www.patreon.com/posts/myth-of-month-22-82746773 Image: "Old New York" diorama, Museum of Natural History, New York music: "Fandango," by Scarlatti or Soler, early 18th cent.; Midi version by El Gran Mago Paco Quito Suggested further reading: --Michael A. Elliott, "The Culture Concept: Writing and Difference in the Age of Realism" --Hammersley, "The Concept of Culture: A History and Reappraisal."

En pistes ! L'actualité du disque classique
Ryo Terekado et Noriko Amano dans les œuvres de Joseph & Michael Haydn

En pistes ! L'actualité du disque classique

Play Episode Listen Later Apr 25, 2024 87:55


durée : 01:27:55 - En pistes ! du jeudi 25 avril 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme ce matin : La Damnation de Faust de Berlioz, les sonates pour clavier de Scarlatti, l'œuvre pour violoncelle et orchestre de Bruch "Kol Nidre", le Quatuor avec piano op.28 de la compositrice allemande Luise Adolpha Le Beau, et les Pièces de Clavecin de Couperin. En pistes !

Encore Houston
Episode 217: Ars Lyrica Houston

Encore Houston

Play Episode Listen Later Apr 10, 2024 93:39


Ars Lyrica performs works by Scarlatti, Vivaldi, and Purcell.

vivaldi purcell scarlatti baroque music ars lyrica houston ars lyrica
Le Disque classique du jour
Paradisi Gloria (Scarlatti, Rubino, Lotti, Vivaldi) - Le Palais royal dir.Jean-Philippe Sarcos

Le Disque classique du jour

Play Episode Listen Later Apr 9, 2024 13:19


durée : 00:13:19 - Paradisi Gloria (Scarlatti, Rubino, Lotti, Vivaldi) - Le Palais royal dir.Jean-Philippe Sarcos - Place aux réjouissances et à la fête : dans son tout nouvel enregistrement, le Palais royal nous invite en plein cœur de l'Italie baroque avec les œuvres de Rubino, Vivaldi et Scarlatti

Das starke Stück - Musiker erklären Meisterwerke
Das Starke Stück - Scarlatti: Klaviersonaten

Das starke Stück - Musiker erklären Meisterwerke

Play Episode Listen Later Apr 2, 2024 6:20


555 Sonaten für Cembalo komponierte Domenico Scarlatti. Eine magische Bedeutung hat diese Schnapszahl nicht. Auf den Pianisten Ivo Pogorelich üben diese Stücke jedoch eine geradezu magische Wirkung aus. BR-KLASSIK stellt die Starken Stücke mit ihm zusammen vor.

Radio Victoria
Capilla Musical Maestro Iribarren llega a la Cueva del Tesoro

Radio Victoria

Play Episode Listen Later Mar 27, 2024 4:16


Enmarcado en las actividades con motivo del 50 aniversario de la Cueva del Tesoro y dentro del ciclo de música de Cuaresma organizado por la Diputación Provincial de Málaga, el concierto de la música sacra de la Capilla Musical Maestro Iribarren llega a la cavidad rinconera el próximo viernes 19 de abril a las 20.30 horas. “Como cada mes, y tras los conciertos de febrero del Festival de Música y el teatro de este mes de marzo, la cueva acoge una actividad de empaque con el que seguimos celebrando su aniversario. Este concierto del mes de abril es, sin duda, una cita ineludible para los amantes de la música clásica y sacra”, explicó el alcalde de Rincón de la Victoria, Francisco Salado (PP). La Cueva del Tesoro de Rincón de la Victoria será el escenario de un concierto en formato sexteto bajo la dirección del organista Antonio del Pino y con la soprano Alba Chantar, David Guillén (trompeta barroca), Alfonso Guerrero y Caridad Martos (violines) y Mauricio Gómez Yamoto (violoncello). El sexteto interpretará piezas de Händel, Mozart, Vivaldi, Corelli y el propio Juan Francés de Iribarren, entre otros. Será a las 20.30 horas con entrada libre hasta completar aforo. “Tenemos que agradecer a la Diputación de Málaga y a su área de Cultura que haya pensado en Rincón de la Victoria y en este aniversario de la Cueva del Tesoro para este ciclo de música sacra. Será un concierto único en un marco inmejorable”, añadió el concejal de Turismo, Antonio José Martín (PP). La capilla Maestro Iribarren hace referencia a Juan Francés de Iribarren, quien fuera Maestro de Capilla de la Catedral de Málaga desde 1733. Fundada para la difusión de la música sacra y de cámara, con especial atención a la música inédita conservada en el Archivo de la Catedral de Málaga, esta agrupación musical realiza publicaciones y grabaciones y ha ofrecido numerosos conciertos de distintos formatos en la provincia. La Diputación de Málaga ha organizado esta nueva edición de Música en Cuaresma, un ciclo que, de la mano de la Capilla Musical Maestro Iribarren, está llevando la música sacra a tres comarcas de la provincia con conciertos en iglesias y lugares emblemáticos. Así lo dio a conocer el vicepresidente de Cultura de la Diputación, Manuel López Mestanza, que detalló que, este año, los escenarios han sido la Iglesia Colegiata de San Sebastián de Antequera y la Iglesia de San Juan Bautista de Cuevas Bajas (celebrados ya en marzo), así como la Cueva del Tesoro de Rincón de la Victoria (19 de abril). Las entradas para este concierto son gratuitas hasta completar aforo. Y se podrán retirar, dos por persona, a partir de las 12.00 horas de este miércoles 27 de marzo en el siguiente enlace: https://entradas.turismoenrincon.es/comprar-entradas/concierto-capilla-de-musica-maestro-iribarren PROGRAMA: - A. Corelli (1653-1713) - Sonata para trompeta, cuerda y continuo. - G. F. Händel (1685-1759) - Haec est Regina virginum. - G. F. Händel (1685-1759) - Aeternal source of light divine. - D. Buxtehude (1637-1797) - Sonata a tre en Sol Mayor BuxWV 271. - A. Corelli (1653-1713) - Sonata da Chiesa a tre en Re mayor nº 2 opus III. - A. Scarlatti (1660-1725) - Si suoni la tromba. - W. A. Mozart (1759-1791) - Sonata da Chiesa. - A. Scarlatti (1660-1725) - Con voce festiva. - W. Boyce (1711-1779) - Triosonata en Fa mayor nº 2. - A. Vivaldi (1678-1741) - Nulla in mundo pax sincera. - J. B. Pla (1720-1773) - Triosonata en Re menor. - J. Francés de Iribarren (1699-1767) - Cantada 'Camina corazón'. Capilla de música ‘Maestro Iribarren’: Soprano, trompeta, cuerdas y continuo (6 integrantes). Alba Chantar, soprano David Guillén, trompeta barroca Alfonso Guerrero y Caridad Martos, violines Mauricio Gómez Yamamoto, violoncello Antonio del Pino, órgano y dirección

En pistes ! L'actualité du disque classique
Justin Doyle, solaire dans les œuvres sacrées de Haendel

En pistes ! L'actualité du disque classique

Play Episode Listen Later Mar 15, 2024 87:35


durée : 01:27:35 - En pistes ! du vendredi 15 mars 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme de ce vendredi matin, le Dixit Dominus de Haendel, la Symphonie n°9 de Chostakovitch, les Fantasiestücke de Schumann, mais également l'Impromptu n°2 de Schubert, la Symphonie n° 13 de Philip Glass et le Stabat Mater de Scarlatti. En pistes !

Músicas posibles
Músicas posibles - Poliedrias - 24/02/24

Músicas posibles

Play Episode Listen Later Feb 24, 2024 53:09


De Mathias Duplessy a Tchaikovsky o Scarlatti a Gianluigi Trovesi con Stefano Montanari. Vaughan Williams, Elizabeth Maconchy, Arnold Bax o Fernando Buide del Real interpretados por Iria Folgado en Ecos de Breogán. Liszt homenajeando a Chopin en los dedos de Boris Bloch y la canción popular gallega en los de Alberto Vilas. Ballaké Sissoko y Vincent Ségal y el  Adagio assai del Concierto para piano en sol mayor de Ravel, con Anne Queffélec al piano y Alain Lombard al frente de la Filarmónica de Estrasburgo. Nada que añadir.  Sonate pour guitare et violoncelle en quatre rêves: III. Rêve mélancolique Jérémy Jouve           Jérémy Jouve & Friends (Play Mathias Duplessy Chamber Music)Valse sentimentale, Op. 51, No. 6     Heinrich Schiff, Samuel Sanders       Academia: Classical Works - Tchaikovsky, Rachmaninoff etc.Keyboard Sonata in E Minor, K.394/L.275/P.349      Boris Bloch     Piano Works, Vol. 6 - ScarlattiSonata No. 10 Cavaletto zoppo        Gianluigi Trovesi y Stefano Montanari Stravaganze consonantiSix Studies in English Folksong: I. Adagio 'Lovely on the Water'Six Studies in English Folksong: V. Andante 'The Lady and the Dragoon' de Ralph Vaughan WilliamsAdagio para corno inglés de Fernando Buide del RealQuintet for Oboe and Strings: III. Allegro non troppo de Elizabeth MaconchyQuintet for Oboe and Strings: III. Allegro giocoso de Arnold BaxIria Folgado    Ecos de Breogán 6 Polish Songs, S. 480: No. 2, Frühling Boris Bloch   Liszt: Piano Works (Live)Prélude Ballaké Sissoko, Vincent Ségal        Musique de NuitPiano Concerto in G Major, M. 83: II. Adagio assai  Anne Queffélec, Alain Lombard, Orchestre Philharmonique de Strasbourg Ravel : Piano Concertos & Debussy : FantaisieEscuchar audio

Classical Guitar Insider
Episode 167 Eden Stell Guitar Duo

Classical Guitar Insider

Play Episode Listen Later Feb 22, 2024 61:31


Eden Stell Guitar Duo come on to talk about thier prolific past, their recent transcriptions of Scarlatti, and their upcoming releases. 

Clásica FM Radio - Podcast de Música Clásica
Brahms también tiene su asteroide | Cuéntame más música

Clásica FM Radio - Podcast de Música Clásica

Play Episode Listen Later Feb 19, 2024 48:13


Con Mario Mora | En el último episodio de Hoy Toca descubrimos el planeta menor 6280 Scarlatti, y a raíz de ello hemos descubierto que... ¡Brahms también tiene su asteriode! Para celebrarlo, Mario ha preparado un episodio diferente en que nos aproximamos a la Tercera Sinfonía de Brahms desde un punto de vista diferente: diseccionando todos los elementos que forman el primer movimiento y pre-escuchándolos para tener una experiencia diferente. Anímate y dinos qué te ha parecido.

NDR Kultur - Klassik à la carte
"Baroque Colours" mit Pianist Martin Stadtfeld

NDR Kultur - Klassik à la carte

Play Episode Listen Later Jan 5, 2024 52:45


Für sein neues Album "Baroque Colours" hat der Pianist Martin Stadtfeld eine sehr persönliche Auswahl getroffen: Kurze Originalwerke von Bach, Händel, Scarlatti, Couperin und Rameau, aber auch Werke der weniger bekannten Komponisten Kuhnau, Galuppi, Soler und Royer. Außerdem hat er Stücke ausgesucht, die ihm besonders am Herzen liegen, er hat sie für Klavier neu bearbeitet und auch eigene Improvisationen hinzugefügt. Mit Bachs Goldberg-Variationen feierte Martin Stadtfeld im Alter von 22 Jahren seinen Durchbruch. Mit seinem neuen Album möchte er jetzt ein junges Publikum für die Barockmusik begeistern: "Ich habe mir bei der Auswahl der Werke bewusst gemacht, dass junge Menschen heute völlig andere Hörgewohnheiten haben als vor 20 Jahren. Oft entdecken sie Musik als 30 Sekunden Audios in TikTok Videos. Um neben geübten Musikhörern auch diese jungen Leute anzusprechen, habe ich kurze, emotionale barocke Werke ausgewählt, die unmittelbar wirken", so Stadtfeld. In "NDR Kultur à la carte" spricht Martin Stadtfeld über seine neue "Strategie", über Barockmusik, seine Arbeit und seine neue Professur an der Hochschule für Künste (HfK) Bremen.

En pistes ! L'actualité du disque classique
Le Mithras Trio s'attaque à Bridge, Grime, Eröd et Ginastera

En pistes ! L'actualité du disque classique

Play Episode Listen Later Dec 20, 2023 87:33


durée : 01:27:33 - En pistes ! du mercredi 20 décembre 2023 - par : Rodolphe Bruneau Boulmier - Au programme de ce mercredi matin aux côtés d'Emilie et Rodolphe: la Sonate K135 de Scarlatti, le Concerto pour piano n°23 de Mozart, Les Quatre Saisons de Vivaldi, le Trio avec piano d'Ivan Eröd et la Messe en ré majeur de Dvorak. En pistes !

Composers Datebook
Lodovico Giustini

Composers Datebook

Play Episode Listen Later Dec 12, 2023 2:00


Synopsis1685 was a good year for composers: Bach, Scarlatti and Handel were all born in 1685, as was, on today's date, Italian composer Lodovico Giustini.Like Bach, Giustini came from a family of musicians, and he began his career by succeeding his father as church organist, eventually landing the prize organ post at his hometown cathedral, a position he retained for the rest of his life. Giustini also took up a new-fangled keyboard instrument known as the forte-piano, which, unlike the harpsichord, struck the instrument's strings with small hammers rather than plucking them like a harp. This new technology allowed music to be played loud and soft (piano and forte), with a more nuanced range of dynamics and phrasing.Giustini's claim to fame is that in 1732 he published the first collection of sonatas written specifically for the instrument we now call the piano. Although Giustini's sonatas attracted little attention when they were first published, since only a few wealthy royals could afford to own these new and expensive instruments, over the next two centuries thousands of pianos — and piano sonatas — began appearing in even the most modest of musical households.Music Played in Today's ProgramLodovico Giustini (1685-1743) Canzona, from Sonata No. 12; Andrea Coen, fortepiano Brilliant Classics 94021

Disques de légende
Maria Tipo joue Scarlatti

Disques de légende

Play Episode Listen Later Dec 11, 2023 16:11


durée : 00:16:11 - Disques de légende du lundi 11 décembre 2023 - En 1956, Maria Tipo enregistre Scarlatti : on y découvre une technique ahurissante, un toucher léger et aérien, un sens de l'articulation... Ce premier album d'une pianiste de 25 ans est déjà un coup de maître !

radio klassik Stephansdom
CD der Woche: An Invitation at the Schumanns'

radio klassik Stephansdom

Play Episode Listen Later Dec 9, 2023 2:16


Interpreten: Trio Dichter, Samuel Hasselhorn, Jorge González Buajasan Label: harmonia mundi EAN: 3149020947258 Wie war es bei Robert und Clara Schumann daheim? Welche Musik hat sie inspiriert? Wen haben Sie unterstützt und wer gehörte sogar zum engsten Freundeskreis? Diese Fragen versucht nun eine neue CD des Trio Dichter zu beantworten, die Michael Gmasz zur CD der Woche erkoren hat. Wenn ich an den Kreis um Clara und Robert Schumann denke, ist es vor allem ein Name, der mir in den Sinn kommt – Johannes Brahms. Das Trio Dichter, also Geiger Théotime Langlois de Swarte, Cellistin Hanna Salzenstein und Pianistin Fiona Mato, hat noch ein bisschen intensiver nachgedacht und für die neue CD, gleich einer Soirée im Salon, eine Art Besuch im Hause Schumann imaginiert. Da wäre z.B. der beste Freund des Ehepaares Schumann und Pate einer der Töchter, Felix Mendelssohn-Bartholdy, oder die Schützlinge Nils Wilhelm Gade und Theodor Kirchner. Auch Bach und Scarlatti als oftmals studierte und interpretierte Vorbilder und natürlich die Musik der Gastgeber Robert und Clara Schumann selbst. In verschiedenen Besetzungen und mit dem Bariton Samuel Hasselhorn und dem Pianisten Jorge González Buajasan als Gäste ist so ein äußerst abwechslungsreiches und ansprechendes Album entstanden. Um dem ganzen klanglich auch noch die richtige Atmosphäre zu verleihen, haben sich die Musikerinnen und Musiker für ganz besondere Instrumente entschieden. Einen Bösendorfer Flügel aus der zweiten Hälfte des 19. Jahrhunderts und ältere italienische Streichinstrumente, die mit umsponnenen Darmsaiten bespannt wurde, und so perfekt zum Klang des Klaviers passen. Im Zentrum des Programms steht das Klaviertrio in F-Dur von Robert Schumann. Dazu gesellen sich mit der Widmung und Meine Rose von Robert Schumann sowie Schwesterlein und dem Wiegenlied von Johannes Brahms zwei Liedhöhepunkte mit dem Großartigen Samuel Hasselhorn. Wunderschön auch der vierhändig bespielte Bösendorfer mit Mendelssohns Op. 92, bei dem Jorge González Buajasan neben Fiona Mato auf der Klavierbank Platz genommen hat. So fühlt man sich bei den Schumanns sehr willkommen! (mg)

(in)sight-reading enlightenment
Lucas Debargue: Music is here to disturb us

(in)sight-reading enlightenment

Play Episode Listen Later Nov 25, 2023 21:37


In this episode, I visit Lucerne and have a glass of wine with the outstanding French pianist Lucas Debargue. ⁠https://www.lucasdebargue.com⁠ His career took off when he won a special prize at the Tchaykowsky Competition in 2015. Debargue was then invited to perform solo recitals, concerts and chamber music concerts in concert halls such as the Great Hall of the Moscow Conservatory, the Tchaikovsky Concert Hall in Moscow, the Concert Hall of the Mariinsky Theater, the St. Petersburg Philharmonic, the Theatre des Champs Elysées, the Salle Gaveau, Carnegie Hall in New York, etc. We talked about life after fame, problems at the conservatory and why art should be disruptive. You can follow my project for the REMA Early Music Podcast here: https://www.rema-eemn.net/podcasts/ The sound excerpts from Luca's archive and they are taken with his permission from Youtube. He plays Scarlatti, Tchaykowsky, Jazz improvisation and "Nostalgie" by Milosz Magin. Discover more https://insightreadingenlightenment.carrd.co Write to us if you want to support us insightreading.enlightenment@gmail.com Yours, Darina #insightreadingenlightenment #earlymusicpodcastinsightreadingenlightenment #lucasdebargue #fortepiano #piano #tchaykowsky #beethoven #podcast #earlymusicpodcast #darinaablogina #earlymusic #remaawards --- Send in a voice message: https://podcasters.spotify.com/pod/show/insight-reading/message

Clap for Classics!
58. Cats and Hats!: Peter and the Wolf and the Scarlatti Cat Fugue with Classical Sprouts

Clap for Classics!

Play Episode Listen Later Oct 5, 2023 21:58


Grab our brand new free Peter and the Wolf Flashcards to extend the fun and learning of this episode: www.clapforclassics.com/episode58 Today's episode is all about cats! We listen to some of the cat excerpts from Peter and the Wolf, learn about the clarinet, discuss and practice the differences between the dynamic markings of forte and piano. We learn a Kitty Cat Hat Game to the melody of the clarinet/cat theme from Peter and the Wolf. Grab a hat for this activity and have fun! Lyrics written by Kate Lieppman Call me cat, kitty cat I can wear a hat Or take it off and sneak it over to my friend Special Guest Kate Botello from one of our favorite podcasts: Classical Sprouts shares Scarlatti's Cat Fugue We have 3 other podcast episodes that feature Peter and the Wolf. Check them out! Episode 3: What Kind of Bird Are You? A Peter and the Wolf Sneak Peek Episode 19: Peter and the Wolf: Meet the Characters Episode 48: Peter and the Wolf, the String Family and a Meadow Song Here are a few links to some of our favorite recordings of Peter and the Wolf: YouTube: live orchestra version by Vancouver Symphony Spotify: David Bowie narrates Peter and the Wolf, played by Philadelphia Orchestra Amazon Music: Royal Philharmonic Orchestra, narrated by Sir John Gielgud Looking for ways to bring more music into your home? Check out our All Access Membership at www.clapforclassics.com/join use the code “LION” for 50% off your first month. Or try our Four Seasons Music and More Curriculum at www.clapforclassics.com/fourseasons Help more families find out about this podcast by leaving us a review wherever you listen. To leave Forte and I a message or a joke please record it here: http://www.speakpipe.com/clapforclassics. We love to feature our listeners on the podcast! Classical music tracks are licensed for our use by Classical.com

WDR 3 Meisterstücke
Grenzgänger aus Neapel - Scarlattis Sonate K 380

WDR 3 Meisterstücke

Play Episode Listen Later Aug 17, 2023 13:06


Domenico Scarlatti schrieb schon als 17-Jähriger seine erste Oper. Seine eigentliche Leistung aber sind seine Sonaten für Cembalo: Luftige, tänzerische Juwelen des Barock wie die Sonate K 380, in der Scarlatti spanische Volksmusik verarbeitet und mit kühnen Harmonien experimentiert. Von Murat Kayi.

Composers Datebook
Scarlatti (and Persichetti) Sonatas

Composers Datebook

Play Episode Listen Later Jul 23, 2023 2:00


SynopsisOn today's date in 1757, the Italian composer Domenico Scarlatti died in Madrid. He was 71 years old, and for the last 38 years of his life was employed at the court of Princess Maria Barbara, first in her native Portugal, and then, when the Princess married the heir to the Spanish throne, in Madrid.Although Domenico could very well have stayed in Italy and become a famous opera composer like his father, Alessandro Scarlatti, Domenico spent the better part of his life composing over 600 virtuoso sonatas for Maria Barbara. Only a handful of these were published during his lifetime. In the 19th century, Liszt and Brahms took the trouble to hunt down additional Scarlatti sonatas in manuscript, but the bulk of them remained unpublished and unknown until a complete edition was published in the 20th century.While not coming anywhere close to matching Scarlatti's output, one 20th century American composer, the Philadelphia-born Vincent Persichetti, composed ten harpsichord sonatas of his own. The growing number of modern-day harpsichordists has meant that in addition to the wealth of OLD music for the instrument, many contemporary composers have followed Persichetti's example, and are writing NEW works for this old instrument.Music Played in Today's ProgramDomenico Scarlatti (1685 - 1757) Sonata in c, K. 363 Elaine Comparone, harpsichord Laurel 838Vincent Pershichetti (1915 - 1987) Sonata No. 4 Elaine Comparone, harpsichord Laurel 838

Composer of the Week
Domenico Scarlatti (1685-1757)

Composer of the Week

Play Episode Listen Later Jun 2, 2023 66:11


Kate Molleson explores the life and music of Domenico Scarlatti Domenico Scarlatti was well placed to build himself a glittering career in the music business. He was prestigiously talented and born into a family with powerful connections in the music business. His home city of Naples was a major centre for the fashionable new art form of opera. But there were challenges, too. Competition was fierce and musicians often found their fates helplessly tied to the fickle fortunes of their aristocratic patrons. On top of all that, Domenico faced another, distinctly personal, test to his career aspirations; he was working in the shadow of a much more celebrated Scarlatti – his own father! It would take several decades, and more than a few changes of direction, before Domenico finally found his right path, becoming one of the baroque period's most significant composers. Today, he's rightly revered for the extraordinary catalogue of over 550 keyboard sonatas he left to posterity. This week, Kate Molleson traces Scarlatti's story and looks at what else there is to discover in his legacy alongside his celebrated keyboard works. Music Featured: Sonata in D, K 96 Sonata in Dm, K 9 Sonata in E, K 20 Antra, valles, divo plaudeant Sinfonia in C Sinfonia in G Sonata in Am, K 109 Sonata in A, K 279 Sonata in G, K 425 Amor d'un Ombra e Gelosia d'un'aura (excerpts) O qual meco: Sinfonia & Aria, ‘Per che non dirmial meno' Sonata in Dm, K 32 Sonata in C, K 308 Sonata in Gm, K196 Sonata in G, K 284 Messa breve 'La Stella': Kyrie La Dirindina (extract from Scene 1) Sonata in D, K 443 Sonata in F, K 17 Stabat Mater Contesa della stagione: VIII. ‘Giorno felice'…‘Sia dolce e caro e grato' Sonata in A, K 39 Sonata in A, K 208 Sonata in Am, K 175 Laetatus sum Sonata in Eb, K 434 Sonata in Eb, K 475 Missa quatuor vocum, Gloria, Sanctus & Benedictus, Agnus Dei Pur nel sonno almen tal'ora: (extracts) Avison: Concerto grosso after Scarlatti, No. 5 in Dm (extracts) Salve Regina in A Sonata in Cm, K11 Sonata in G, K547 Presented by Kate Molleson Produced by Johannah Smith For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Domenico Scarlatti (1685-1757) https://www.bbc.co.uk/programmes/m001m56g And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Classical Music Discoveries
Episode 233: 19233 Scarlatti - Stabat Mater

Classical Music Discoveries

Play Episode Listen Later May 18, 2023 28:51


The Stabat Mater by Alessandro Scarlatti is a religious musical work composed for two voices, two violins, and basso continuo in 1724. The work was commissioned by the Order of Friars Minor for Lent and meditates on the suffering of Mary, mother of Christ. Scarlatti set the Stabat Mater three times. The work was replaced by Giovanni Battista Pergolesi's Stabat Mater in 1736. Scarlatti's Stabat Mater is considered outdated by those who commissioned it. Scarlatti was one of the first exponents of the Neapolitan School and composed over 600 cantatas, 150 oratories, and 115 operas.Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com

The Primal Happiness Show
Why we need magic now... Secret histories and spiritual revolutions - Daniel Pinchbeck

The Primal Happiness Show

Play Episode Listen Later Apr 28, 2023 49:53


This week's show is with Daniel Pinchbeck. Daniel is the New York Times bestselling author of Breaking Open the Head, 2012: The Return of Quetzalcoatl, How Soon Is Now, and When Plants Dream (with Sophia Roklhin). He hosted the talk show Mind Shift on Gaia TV and was featured in the 2010 documentary, 2012: Time for Change. He has written for many publications including The New York Times Magazine, Rolling Stone, Wired, Dazed & Confused, Purple, and ArtForum. He is the director of Liminal.news, an online course platform, and publishes a regular newsletter, Danielpinchbeck.substack.com . In this conversation, Daniel and I explored the fascinating topic of Secret Histories and Spiritual Revolutions, why we need magic right now, and how our relationship to myth can reawaken our imaginative and intuitive faculties. The quote we mentioned: “What if at the higher levels of meaning consciousness is like a hyperspace in which each point is equidistant from the other and where ‘the center is everywhere and the circumference is nowhere? … The mythologies of the occult seem like baroque music: there is an overall similar quality of sound and movement, but, upon examination, each piece of music is unique; Vivaldi and Scarlatti are similar and different.” - William Irwin Thompson, Passages About Earth I'd love to know what YOU think about this week's show. Let's carry on the conversation… please leave a comment below. What you'll learn from this episode: Even as someone who spends a lot of time contemplating the importance of magic, it impacted me deeply hearing Daniel share about how Western esoteric knowledge in particular is largely missing in today's world We, as a culture, have ridiculed and denied the truth and power of magic and esoteric knowledge, and there's something very healing in reclaiming it I loved what Daniel said about how our relationship to myth can reawaken our imaginative and intuitive faculties. Humans live and think mythologically, that we are scientific and logical just isn't true, the more we can make our mythical nature conscious, the more we can engage with myths in a generative and opening way Resources and stuff that we spoke about: The article that inspired this conversation Daniel's Official Newsletter: Liminal News Daniel's Website: theliminalinstitute   Thank you for listening! There's a fresh episode each week, if you subscribe then you'll get each new episode delivered to your phone every Wild Wednesday (that way you'll never miss a show): Subscribe on Apple Podcasts/iTunes Subscribe on Android Thank you! Lian and Jonathan

Midday
Classical pianist Angela Hewitt, celebrating the music of J.S. Bach

Midday

Play Episode Listen Later Mar 31, 2023 18:28


Now, Tom welcomes Angela Hewitt to the program. The British-Canadian artist is an extraordinary classical pianist who has been praised particularly for her interpretations of the music of Johann Sebastian Bach. Here's Ms. Hewitt performing music from Bach's Well Tempered Clavier. Angela Hewitt joined us Thursday on Zoom from Ottowa. Because our conversation is recorded, we can't take any questions or comments today. Angela Hewitt will be appearing in a concert on the Candlelight Concert Series tomorrow night in the Smith Theatre at Howard Community College. Her program begins at 7:30. It will include music of Scarlatti, Bach and Brahms. For more information and ticketing, click here.See omnystudio.com/listener for privacy information.