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17 episodes with Tubular bells
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3 episodes with Tubular bells
3 episodes with Tubular bells
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2 episodes with Tubular bells
2 episodes with Tubular bells
Dan didn't do a soundcheck because he's dumb, so his mic sounds like it's episode 1! Dan & Manny welcome back longtime friend & Nostalgia Test Podcast all-star Steve Herrera to put the 1994 Pure Moods CD to the ultimate test—THE NOSTALGIA TEST! “This music is at a very unsuccessful orgy.” -Dan Dissinger Oh. My. God! If anyone can describe the mood of this episode, please email thenostalgiatest@gmail.com, because wow. There's really not a language to understand how Pure Moods from 1994 even begins to make sense as music, as an album, and how it went basically triple platinum. Maybe it's the aura of Kenny G, or the mysteriousness of Enya that creates the “pure” in Pure Moods. It could be the intimate energy of “Lily Was Here” which is on the Saxuality album that creates the mood that Pure Moods was trying to infuse in our 1994 existences. Who really knows, and Dan, Manny, & Steve actually never get to the bottom of this 90s existential portal, and would it even matter it they did? One thing for sure is this album wormed its way into our brains when we fell asleep on the couch and woke up at three o'clock in the morning wondering why the hell Tubular Bells was playing and why were we scared out of our minds. Maybe Steve is right that this album was being played on a loop at some random orgy in the middle of Sedona. Or Manny is right and this is the soundtrack to our mom's housecleaning and is the album for crazy Aunts with crystals. There's a chance Dan's right and this is the suburban psychedelic CD that adults played when they had too many Zimas and Bacardi Breezers, and that one leftover hippie neighbor pulls a crumpled-up joint they confiscated from their kid the other day so they can all relive their naked-Woodstock-summer-of-love glory days before waking up the next day to sell insurance. Either way, Pure Moods from 1994 is a nostalgic phenomenon that baffles our hosts and their longtime friend. So, fire up some incense, stare into the middle distance contemplating the 5th dimension, and light a movie's love scene worth of candles because you're about to get into the mood, Pure Moods with The Nostalgia Test Podcast. *** If you love what we're doing and want to support the podcast so we can keep this show going with better equipment and maybe meet up with each other to do some in-person recording, donate to The Nostalgia Test: buymeacoffee.com/nostalgiatest Lastly, we're looking to be booked for podcast appearances, hosting gigs and parties, maybe you have a block party coming up, a BBQ that you want to be Nostalgia themed and you're looking to make it seriously memorable, a reunion, etc., contact us to book the podcast. We're ready to Get Nostalgic With You: Contact For Booking *** Email us (thenostalgiatest@gmail.com) your thoughts, opinions, and topics for our next Nostalgia Test! Suggest A Test & Be Our Guest! We're always looking for a fun new topic for The Nostalgia Test. Hit the link above, tell us what you'd like to see tested, and be our guest for that episode! *** Approximate Rundown 00:00 Pure Moods Setup 00:37 Infomercial Vibes 01:23 Movie Soundtrack Talk 02:24 Album Origins Explained 02:56 Who Bought This 04:03 Sales Numbers Shock 04:56 Saxuality Discovery 06:24 Yoga or Orgies 07:32 Return to Innocence Credits 10:14 Moms and Crystal Aunts 11:36 The Infomercial Copy 13:16 Pure Moods Festival Idea 14:16 Kenny G and Pure Moods 14:35 Serial Killer Soundtrack Jokes 15:23 Billys Podcast Sacrifice 16:51 Robert Palmer Dare 18:15 Blink Album Comparison 19:21 Wheel of Bad Movies 20:01 Does It Pass Nostalgia 21:01 Best Tracks Debate 22:14 Three AM Infomercial Vibes 24:10 Wrap Up and Plugs Book The Nostalgia Test Podcast Bring The Nostalgia Test Podcast's high energy fun and comedy on your podcast, to host your themed parties & special events! The Nostalgia Test Podcast will create an unforgettable Nostalgic experience for any occasion because we are the party! We bring it 100% of the time! Email us at thenostalgiatest@gmail.com or fill out the form at this link. LET'S GET NOSTALGIC! Keep up with all things The Nostalgia Test Podcast on Instagram | Substack | Discord | TikTok | Bluesky | YouTube | Facebook The intro and outro music ('Neon Attack 80s') is by Emanmusic. The Lithology Brewing ad music ("Red, White, Black, & Blue") is by PEG and the Rejected
Un nouvel album de PHIDEAUX c'est un bel évènement ! Malheureusement "AutoMoto Animus", titre de ce nouvel opus du multi-instrumentiste texan (dont la musique est traversée par des influences allant de Jethro Tull à Pink Floyd, en passant par Genesis, Vand Der Graff ou encore Bowie), ne sortira qu'après cette saison. Mais le bougre nous laisse une jolie carte de visite avec un premier single à découvrir en ouverture de ce numéro ! La fin de saison approche et il ne reste plus grand chose des atours de Cunégonde qui s'est gracieusement dévoilée depuis la rentrée. Le dernier album d'ANGE vous aura été entièrement exposé tout au long de ce cycle 2024/2025, un superbe opus dans lequel la voix de Tristan Décamps est désormais prédominante mais le Père n'a pas dit son dernier mot, celui de la fin de cet effeuillage sonore sera en effet laissé à Christian Décamps dans notre ultime épisode de fin de saison ! Un groupe qui ayant quelques difficultés à se trouver un nom, "oiseau rare" (but in english in the text!), publie son premier album éponyme en 1969 après avoir été repéré par Tony Smith, le manager de Genesis et Van Der Graaf Generator. Belle opération pour le businessman car le titre "Sympathy" va pulvériser les charts, surtout hors de leur Angleterre natale (il seront par exemple numéro un en France). Mais comme ce "tube" est suffisamment diffusé dans toute bonne radio commerciale qui se respecte, je vous propose donc ici un autre extrait de ce coup d'essai réussi, premier d'une série de 5 albums jusqu'à la dissolution des RARE BIRD en 1974. Parlons maintenant d'une naissance, l'arrivée dans la scène régionale d'un groupe jazz fusion baptisé UNSQUARE. Ce quartet nantais se définit comme du jazz progressif. Deux singles ont été publiés en 2025 sur les plateformes de streaming et un premier EP est attendu pour la fin de cette année. En cas d'impatience ou de curiosité, vous pourrez aller les voir en concert dans le cadre du PROG NIGHT qui se déroulera au Floride à Nantes le 26 juin. Ils y partageront l'affiche avec les groupes Elements et Hamasaari. En attendant, l'un de leurs singles est proposé à vos cages à miel dans cette émission. Autre nouvelle formation, cette fois, plutôt le versant métal du prog : DUALISIS. Un métal qui reste mélodique et accessible avec une jolie voix féminine. Leur 1er EP "Us" est de bonne augure pour la suite. Ils seront également visibles sur pas mal de scènes avec un agenda bien rempli jusqu'à la fin de l'année ! Pour la région de votre radio préférée, je peux vous indiquer demain 12 juin le V'n B de Saint-Herblain, sinon plus tard et plus au nord : Hennebont (Morbihan) le 10 juillet. Plein d'autres dates sur leur site ! Direction les Pays-Bas avec le nouvel album de GLORIOUS WOLF : "Elements Of Hope". J'ai découvert ce projet porté par Ruud Dielen il y a maintenant 3 ans et quel plaisir de replonger dans son univers ! Ruud est un passionné et s'inspire du rock progressif "old school". Mais attention il produit toutefois une musique ancrée dans notre époque et superbement produite. Le concept de sa dernière œuvre est le passage d'un enfant à l'âge adulte dans un monde chaotique, se retrouvant confronté à de nouveaux défis, comme l'IA. Mais comme le titre l'indique, il y a des raisons d'espérer ! Depuis que Sony s'est offert le catalogue de PINK FLOYD, les commerciaux de la firme se démènent pour nous amener à dépenser régulièrement nos soussous dans leur popoche en revisitant sous toutes les formes possibles les productions de la poule aux oeufs d'or… Cette fois encore ils font appel à Steven Wilson pour rafraichir un peu le teint de cette institution. Il s'agit cette fois d'une compilation de 7 titres considérés sans doute comme les plus "bankables" pour essayer d'attirer un nouveau public et d'un 8ème pour nous convaincre, nous les anciens, de mettre aussi et encore la main à la poche, ce titre étant proposés dans une version quasi inédite ! 1977, l'album "Animals". Rappelez-vous l'album commence par un très court titre acoustique dédié à la nouvelle femme de Roger Waters, Carolyne Christie. Ce titre, "Pigs On The Wings", est repris en clôture de l'album pour une 2ème partie toute aussi courte. Or à l'origine, cette chanson ne devait en faire qu'une seule, avec sur le pont, un savant l'un de ces solos de guitare comme David Gilmour sait si bien les faire. Par mégarde en tripatouillant la console pendant l'absence de l'ingé-son, nos musiciens effacent le solo de guitare (on est à l'ère de l'analogique, l'opération est irréversible). Entre alors en cabine Snowy White, guitariste de soutien de scène du groupe (qui collaborera ensuite avec le claviériste Richard Wright pour son premier album solo "Wet Dream" en 1978 puis avec Roger Waters après son départ du Floyd). On propose à Snowy de jouer un solo sur le pont de "Pigs On The Wings", la prise est gardée et le titre est prévu de sortir sous cette forme. Mais Waters choisi finalement de couper le titre en deux partie pour "encadrer" l'album, exit le pont et donc la partie de Snowy White. La prise originale est toutefois disponible (mais rare !) sur la version cartouches 8 pistes de l'album, concurrence à l'époque de la cassette audio et qui avait pour avantage de pouvoir tourner en boucle sans avoir à être retournée. Ce format, bien plus encombrant que la cassette, sera utilisé essentiellement en radio pour les jingles et les pubs mais ne sera pas développé pour le grand public en Europe. Il connaîtra une distribution assez confidentielle en Amérique du Nord. En anglais cette cartouche est appelée tout simplement "8-tracks cartridge", ainsi la nouvelle compilation, comportant par ailleurs 8 titres a donc été baptisée du double juste titre "8-Tracks". L'extrait proposé dans ce numéro est cette rare version "non coupée" et avec le solo de White que personnellement je n'avais jamais entendue ! Revenons en France, y compris dans le texte avec une écriture véritable pièce d'orfèvrerie : ALCAZ. Je ne connaissais pas encore ce duo marseillais dont le dernier album intitulé "Le Nid des Anges" est paru l'année dernière. 7ème opus de Jean-Yves Liévaux et Viviane Cayol, mais malheureusement Viviane a été emportée par la maladie peu de temps après sa publication. Reste ce bel héritage que je ne connaissais pas, une musique et des mots que je vous invite à parcourir et une pensée pour Viviane, qui par ailleurs était également peintre. Extrait de ce "Nid des Anges" dans cet épisode d'Amarok. Repartons aux USA, pas pour la coupe du monde (qui à vrai dire m'importe peu), mais pour ce diptyque orwellien "2084" par BUILT FOR THE FUTURE. Il s'agit du 4ème album de ce groupe de San Antonio (Texas). Curieusement le communiqué de presse ne le cite pas mais "2084 La Fin Du Monde" est un livre de Boualem SANSAL. Alors je ne sais pas si le groupe s'en est inspiré ou en a juste repris le titre , n'ayans pas (encore) lu cet ouvrage. Mais côté musique, il s'agit donc après "2084 Heretic" (le précédent album) de "2084 Empire" qui paraît en double CD. Nos texans futuristes sont de musiciens qui écumaient déjà les scènes dans les années 80 mais qui, motivés par les croisement du rock progressif et de la pop qualitative, de Tears For Fears et Rush à Pink Floyd (encore eux !) décidaient donc de construire l'avenir avec ce beau projet et leur style personnel. Bien leur en a pris, un bel univers à découvrir. Si MIKE OLDFIELD et Richard Branson étaient potes à l'époque de Tubular Bells et dans début des 70's, le second, patron entre autres des disques Virgin, est devenu le meilleur ennemi du premier qui rongeait son frein (bizarre ça comme expression d'ailleurs, qui fait ça ?!!!) en attendant d'être libéré de ses obligations contractuelles au sein du célèbre label. En guise d'ultime album, alors que le milliardaire attendait de son poulain une nouvelle version des fameuses cloches tubulaires, le Maëstro publie en 1991 l'album libérateur "Heaven's Open" qu'il signe de son prénom complet "Michael" et dont il s'approprie exceptionnellement le poste de chanteur principal (ce qui n'est pas sa qualité première). Comme s'il voulait savonner la planche de son patron avant de livrer le "Tubular Bells II" tant attendu à sa nouvelle écurie WEA dès l'année suivante. Un album atypique donc, mais où Oldfield se lâche par exemple en flirtant à sa manière avec des rythmes reggae sur le titre diffusé dans cet épisode : Rendez-moi tous mes attributs ! L'une des influences "old school" de Ruud (cité plus haut pour Glorious Wolf) a peut-être été ce groupe de compatriotes des seventies : FOCUS. On retrouve ici les néerlandais sur le 2ème album logiquement intitulé à l'origine "Focus II" et paru en 1971, album devenu par la suite plus connu et réédité sous le nom de "Moving Waves", histoire de finir en douceur cette nouvelle étape au pays des musiques progressives, l'une des dernières avant la fin du voyage dans deux semaines déjà… Thierry Joigny AMAROK, chaque jeudi, à 20h
The one where we discuss the Skinwalker Ranch, the relationship between ufology and the intelligence community, UFO "abductee" Travis Walton's hoax-busting nemesis, and the darker side of the UFO research community, with archivist, podcaster, singer, and ex-ufologist Erical Lukes.Brought to you by the B.L.I.P., your newest space-age, New Age, and grossly underaged illicit cosmic community. TIMESTAMPS00:00:00 Pre-show announcements00:01:20 Introduction 00:10:46 Chapter 3: Interview with Erica Lukes01:55:43 End Credits(NOTE: None of these timestamps has yet been purchased by Brandon Fugal... but we're willing to hear an offer.)Erika Lukes' Website: Expanding Frontiers Research and Archive: https://www.expandingfrontiersresearch.org/Brandon Fugel Interview excerpted from Steven Greenstreet's excellent five part Skinwalker Ranch documentary: (The Basement Office: Skinwalker Ranch, part 4): https://youtu.be/Q9Kwv_p2Cww?si=gxd8_Elo0RfPhOcH Music Credits:1. "Tubular Bells" by Mike Olfield. (Virgin Records, 1973)2. "I Lost My Sugar In Salt Lake City", Performed by Erica Lukes. (Lange & René, 1942)Question Jar (send us a text message)Support the showVisit our website at www.paranoidplanet.ca
Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Acceso anticipado para Fans - Hoy en La Gran Travesía, con motivo del aniversario del debut de Mike Oldfield, recuperamos toda la historia sobre la creación de Tubular Bells. ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Alul, Piri, JBsabe, Juan Antonio Méndez Benítez, Antonio Vicente Álvarez, Aida Borrallo, Eduardo Gutiérrez, Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Raquel, Sergio Rodríguez Rojas, Jose Antonio Moral, Juanito, Octavio Oliva, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Francisco Quintana, Con, Tete García, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.Escucha este episodio completo y accede a todo el contenido exclusivo de La Gran Travesía. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/489260
DexterBot, Darksword, Eviltokens, Tubular Bells, Claude, Drift, Gmail, the back seat of a Buick Electra, Josh Marpet, and More on this episode of the Security Weekly News. Visit https://www.securityweekly.com/swn for all the latest episodes! Show Notes: https://securityweekly.com/swn-569
DexterBot, Darksword, Eviltokens, Tubular Bells, Claude, Drift, Gmail, the back seat of a Buick Electra, Josh Marpet, and More on this episode of the Security Weekly News. Show Notes: https://securityweekly.com/swn-569
DexterBot, Darksword, Eviltokens, Tubular Bells, Claude, Drift, Gmail, the back seat of a Buick Electra, Josh Marpet, and More on this episode of the Security Weekly News. Visit https://www.securityweekly.com/swn for all the latest episodes! Show Notes: https://securityweekly.com/swn-569
DexterBot, Darksword, Eviltokens, Tubular Bells, Claude, Drift, Gmail, the back seat of a Buick Electra, Josh Marpet, and More on this episode of the Security Weekly News. Show Notes: https://securityweekly.com/swn-569
Une émission qui débute et se termine pas des formations britanniques pas clairement catégorisées "rock prog" mais à la croisée de plusieurs courants et flirtant avec notre thème de prédilection. Pour les premiers : la musique électronique, industrielle ou encore trip hop, il s'agit du très attendu nouvel album d'ARCHIVE ! "Glass Minds" est le 13ème album original du collectif (en excluant donc les BOF, versions alternatives, lives et autres compilations). J'ai testé, pour pouvez y aller les yeux fermés ! Même si tous les titres ne sont pas progressifs et dans la couleur d'Amarok, plusieurs s'y adaptent parfaitement, à l'instar du titre éponyme proposé dans ce numéro. La tournée consécutive à la publication de ce nouvel opus passera par Paris en avril, mais c'est complet. En revanche les chanceux habitants de la région de votre radio préférée ou les vacanciers auront l'opportunité d' applaudir Archive au festival LES ESCALES de St Nazaire le 27 juillet ! A l'extrémité du spectre (temporel et de style), un extrait du 2ème LP des franco-britanniques GONG, nous sommes en 1971. "Camembert Électrique" bénéficie d'une belle et justifiée notoriété dans ce courant représentant la scène de Canterbury, à l'aube du rock progressif. Attention, nouvel album studio en vue : British Spirit sort le 13 mars ! Eminent membre de Pendragon et Arena, CLIVE NOLAN vient tout juste de publier son nouveau projet personnel. "The Mortal Light" est pour les gourmand.es : un rock-progressif-opéra de 2 heures 1/2 et ayant nécessité à son créateur pas moins de deux ans de labeur ! On se délecte d'un 1er extrait dans ce numéro, un titre aux belles influences celtiques ! Trois jeunes anglais "métalleux" ont publié fin 2025 leur 2ème album : "As Ink In Water". Un rock progressif qui oscille entre guitares aériennes et chants gutturaux. J'ai opté dans ce numéro pour la première option ! Il s'agit du groupe ASIRA, originaire de Reading, tiens donc comme un certain... ...MIKE OLDFIELD, qui s'en est éloigné depuis déjà longtemps, aujourd'hui confortablement installé dans sa propriété des Caraïbes, en retraité éloigné de l'industrie musicale. Mais dans les 80's, il était encore très actif et inspiré, même s'il se sentait "contractuellement" tenu par Richard Branson, le patron de Virgin (label inauguré par le fameux "Tubular Bells"), de publier des titres "commerciaux" et éloignés de ses aspirations artistiques. En 1987, il collabore avec bon nombre de guests aux chants et aux instruments lorsqu'il publie "Islands" dont le titre éponyme est interprétée par Bonie Tyler, star des charts à ce moment là. Et sur le nouveau format grand public qu'est le CD, ayant plus de place que sur le vinyle, le Maestro en profite pour placer un titre bonus "When The Night' s On Fire", une réécriture du titre phare "Islands" et interprété pas sa nouvelle compagne, la chanteuse norvégienne ANITA HEGERLAND. A la disposition de vos oreilles aguerries dans cet épisode ! Le combo suivant est tout simplement européen. En effet, difficile de leur attribuer une nationalité puisque ses membres vivent en Angleterre, en Suède et en Norvège mais ensemble ils forment GALASPHERE 347. Même si les technologies actuelles permettent de produire des albums en travaillant à distance, ils tiennent à préciser que leur musique est "garantie sans IA", ce qui est tout à leur honneur mais triste que les musiciens doivent aujourd'hui le préciser... "The Syntax Of Things", leur 2ème album est d'ailleurs agrémenté de synthés analogiques, une rafraichissante nouvelle publication particulièrement recommandée !! Une artiste à la personnalité marquante et forte, représentant dans les années 70 le courant "libertaire", sa vie n'a pas été un long fleuve tranquille. CATHERINE RIBEIRO a publié pas mal d'albums en solo ou avec le groupe Alpes avant de se tourner vers le cinéma dans les 80's. Peu médiatisée, sa musique reste pourtant régulièrement et à juste titre citée chez les amateurs de rock progressif que nous sommes. Catherine Ribeiro s'est éteinte à l'âge de 82 ans l'été 2024. Retour sur l'un de ses meilleurs albums "Le Rat Débile Et L'Homme Des Champs" son 5ème opus paru en 1974. En 2020, le groupe Anathema se retrouve en difficulté financière suite à la pandémie du Covid 19. Une pause "d'une durée indéterminée" est décidée mais l'un membres fondateurs et des frères Cavanagh, Daniel, décide de monter un nouveau projet : WEATHER SYSTEMS dont le nom est aussi celui de l'album sans doute le plus "progressif" du groupe. "Ocean Without A Shore" en 2024 est donc le 1er album de Weather Systems. Un extrait dans ce numéro. Et puis à l'instar d' Archive en début d émission, SUPER FURRY ANIMALS est une formation galloise hétérogène en matière d'influences musicales. Le groupe gallois propose une pop sophistiquée et audacieuse, teintée de psychédélisme à l'instar du titre diffusé ici, extrait de l'album "Radiation" paru en 1997. Pour nos chers voisins outre-manche qui suivent cette émission "made by a froggy", le groupe est en tournée durant le printemps et l'été au Royaume Uni et en Irlande, embrassez les pour moi ! Thierry JOIGNY Chaque jeudi à 20h
Send us a message, so we know what you're thinking! When we watch movies & shows at the movies or, increasingly, on TV, the soundtrack is ever-present to set the mood and enhance the story. But we never stop to consider its' role, how it's changed over the years, and how it interacts with other elements, such as the title sequence.This episode we look at how the use of soundtracks has changed over the last 30 or more years and consider some very creative soundtracks! In Rock News, we look at The Hollywood Vampires, Cyndi Lauper, Deep Purple, David Lee Roth and Devo, who are all heading out on the road, while the latest fad out of the US is Lollipop Star, a sweet that plays a tune as you suck it! Our Album You Must Hear before You Die is “The Lexicon of Love” by ABC. Smooth! We know you'll enjoy this one! References: The Hollywood Vampires, Cyndi Lauper, Deep Purple, David Lee Roth, Devo, 1001 Albums You Must Hear before You Die, Robert Dimery, ABC, The Lexicon of Love, Martin Fry, Poison Arrow, early 80s British pop, Star Wars, Sound of Music, I Dream of Jeannie, Mr Ed, The Exorcist, Mike Oldfield, Tubular Bells, Shrek, I'm a Believer, Hallelujah, Led Zeppelin, Immigrant Song, Charmed, How Soon is Now, The Smiths, Morrissey & Marr, Game of Thrones, The Americans, The Old Man, Bad Sisters, Leonard Cohen, Who by Fire, PJ Harvey, The Pogues, Dirty Old Town, Rogue Heroes, Amelia Hartley, “prestige TV”, Down Cemetery Road, John Cale, You know more than I know, Fear, Fallout, scenes of extreme gore, Some Enchanted Evening, The Castells, It Ain't the Meat (It's the Motion), The Swallows, Slow Horses, Mick Jagger, Mick Herron, Queen, Brighton Rock, Bowie, Heroes, Stranger Things, Kate Bush, Running Up That Hill, IF, Ryan Reynolds, Ooh La La, The Faces, Connie Francis, Pretty Little Baby, TikTok Playlist Lollipop Star – The sucker that sings to you A list of bands touring through 2026 (It's read-only. Sorry!)60s TV Shows
Après notre numéro spécial du 1er de l'An et pour reprendre le rythme habituel de cette émission, j'avais envie de mettre à l'honneur pour démarrer ce numéro d'AMAROK....AMAROK ☺️. Il semble que le fondateur polonais de cette formation d'inspiration oldfieldienne, Michal Wojtas, et votre serviteur ayons eu la même influence du musicien anglais Mike Oldfield à qui l'on doit l'album du même nom. Mais Michal a su s'émanciper de l'influence du Maestro et nous offrait en 2024 un superbe 7ème album intitulé "Hope", un titre qui en ce début d'année pour le moins instable nous rappelle qu'on en a tellement besoin... A peine 2026 commencée et une première nouveauté de l'année : PETER GABRIEL et un magnifique single intitulé "Been Undone". L'ex-Genesis renouvelle la formule de son précédent opus ("O/I") jusqu' au nom du nouvel album : "I/O" (vous suivez ?
Considéré comme l'un des albums iconiques du rock progressif des 70's, voire pour beaucoup le meilleur de YES alors à son apogée créative : "Close To The Edge" est effectivement un incontournable et c'est avec un extrait de ce monument que s'est ouvert l'épisode de ce 444ème numéro d'Amarok. Le groupe aujourd'hui emmené par Steve Howe s'apprête encore à nous faire les poches avec deux coffrets à paraître début 2026. En janvier en son et en images avec la réédition deluxe du "Symphonic Lives" de 2002 consécutivement à la tournée de promotion de l'album "Magnification" avec orchestre symphonique (la formation étant alors privée de claviériste) et dernier tour de piste de Jon Anderson en son sein. Puis en février, celle du double album "Tales From Topographic Ocean" de 1973 avec son lot de prises alternatives, inédites, instrumentales, remix de Steven Wilson et tout le toutim ! S'il vous reste quelques pennies après les fêtes....A votre bon cœur !
Crispian Mills knew he'd be onstage as he's from a “family of professional show-offs” but they begged him not to be an actor. He talks here about his extraordinary showbusiness childhood and the band that emerged from it full of psychedelia, echoes of the East and warm invitations to join the First Congregational Church of Eternal Love and Free Hugs. Along with … … his mother Hayley Mills playing him Tubular Bells to get him to sleep - “profoundly scary” … Roman Polanski's ‘special' Marlboro cigarettes when filming Tess in Brittany … grandfather John Mills being “discovered” by Noel Coward in Singapore and memories of him playing Gershwin and Cole Porter on the piano … “you need talent and hard work but nobody makes it without luck” … what the record store hippie told him when he bought Deep Purple In Rock aged 12 … leather jacket, polka dot shirt, Brian Jones bowl haircut, My Bloody Valentine gig – “I'd found my tribe!” … supporting Oasis at Knebworth – “I couldn't see how they were going to cut it” … Adam and the Ants, Rock Me Amadeus and playing Ramones songs in the school band … returning from Rishikesh in 1995 and watching the Beatles' Super-8 clips: “as if we'd been on the same holiday” … nostalgia for the big TV and radio events of the ‘90s … Shirley Manson's speech about the “tragedy” of the 21st C music business … and Kula Shaker's Mad Alchemy Liquid Light Show – “oil slides, pure analogue!” Tickets for their 2026 tour here: https://kulashaker.co.uk/pages/liveHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Crispian Mills knew he'd be onstage as he's from a “family of professional show-offs” but they begged him not to be an actor. He talks here about his extraordinary showbusiness childhood and the band that emerged from it full of psychedelia, echoes of the East and warm invitations to join the First Congregational Church of Eternal Love and Free Hugs. Along with … … his mother Hayley Mills playing him Tubular Bells to get him to sleep - “profoundly scary” … Roman Polanski's ‘special' Marlboro cigarettes when filming Tess in Brittany … grandfather John Mills being “discovered” by Noel Coward in Singapore and memories of him playing Gershwin and Cole Porter on the piano … “you need talent and hard work but nobody makes it without luck” … what the record store hippie told him when he bought Deep Purple In Rock aged 12 … leather jacket, polka dot shirt, Brian Jones bowl haircut, My Bloody Valentine gig – “I'd found my tribe!” … supporting Oasis at Knebworth – “I couldn't see how they were going to cut it” … Adam and the Ants, Rock Me Amadeus and playing Ramones songs in the school band … returning from Rishikesh in 1995 and watching the Beatles' Super-8 clips: “as if we'd been on the same holiday” … nostalgia for the big TV and radio events of the ‘90s … Shirley Manson's speech about the “tragedy” of the 21st C music business … and Kula Shaker's Mad Alchemy Liquid Light Show – “oil slides, pure analogue!” Tickets for their 2026 tour here: https://kulashaker.co.uk/pages/liveHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Crispian Mills knew he'd be onstage as he's from a “family of professional show-offs” but they begged him not to be an actor. He talks here about his extraordinary showbusiness childhood and the band that emerged from it full of psychedelia, echoes of the East and warm invitations to join the First Congregational Church of Eternal Love and Free Hugs. Along with … … his mother Hayley Mills playing him Tubular Bells to get him to sleep - “profoundly scary” … Roman Polanski's ‘special' Marlboro cigarettes when filming Tess in Brittany … grandfather John Mills being “discovered” by Noel Coward in Singapore and memories of him playing Gershwin and Cole Porter on the piano … “you need talent and hard work but nobody makes it without luck” … what the record store hippie told him when he bought Deep Purple In Rock aged 12 … leather jacket, polka dot shirt, Brian Jones bowl haircut, My Bloody Valentine gig – “I'd found my tribe!” … supporting Oasis at Knebworth – “I couldn't see how they were going to cut it” … Adam and the Ants, Rock Me Amadeus and playing Ramones songs in the school band … returning from Rishikesh in 1995 and watching the Beatles' Super-8 clips: “as if we'd been on the same holiday” … nostalgia for the big TV and radio events of the ‘90s … Shirley Manson's speech about the “tragedy” of the 21st C music business … and Kula Shaker's Mad Alchemy Liquid Light Show – “oil slides, pure analogue!” Tickets for their 2026 tour here: https://kulashaker.co.uk/pages/liveHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Ini sedikit nyerempet tentang musik. Sebetulnya saya nonton dokumenter BBC tentang Mike Oldfield dan album Tubular Bells-nya. Ini album yang "aneh". Instrumental yang aneh.Film dokumenter-nya ada di sini: https://www.youtube.com/watch?v=UQLDGpcgNTM#progressiverock #music
Prog plutôt "soft" rock dans ce numéro a écouter dans son plaid...coupable
Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. This week, with Halloween approaching, we're looking to get into the spirit of the season with songs featured in horror movies. On today's episode, Steve Riddle is watching, “Tubular Bells” by Mike Oldfield from 1974. The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=FN6jIvKiYOs
Retour sur ce 1er numéro d'octobre avec pour commencer un groupe majeur de la scène progressive française qui a largement dépassé les frontières de son poitevin natal : j'ai nommé KLONE, près d'un an après la sortie de son dernière album "The Unseen". 10ème album pour couronner près de 20 ans de carrière et j'ai pu entendre dire ça et là qu'il s'agissait sans doute de leur album de la maturité. En tout cas, dans Amarok, présenté par un animateur mur (j'ai pas dit mature
On today's episode of the Music Minute, I share that Mike Oldfield's Tubular Bells is the most unlikely hit album of all time.If you prefer to watch the episode instead of listen to it, you can do so on Youtube at: https://youtu.be/bhikB9s8UVoIf you've enjoyed today's episode, please take a moment to subscribe, like, comment and share.You can find all my social media links to connect with me at: https://joelmartin.ca/Your friend and ally,Joel MartinWe've Got Time by LiQWYD | https://www.instagram.com/liqwydMusic promoted by https://www.free-stock-music.comCreative Commons Attribution 3.0Unported License https://creativecommons.org/licenses/by/3.0/deed.en_US
We've all seen the memes. Ice Cube and various other zoom actors were in a recent take on The War of the Worlds. It's worse than you think, etc... But what about a War of the Worlds that's BETTER than you think?? We decided to crack open one of the greatest telling of this classic tale, complete with disco, spooky sounds, and proggy composition. It's like if Pet Sounds and Tubular Bells had a really funky baby. You'll laugh, you'll cry, you'll hear Jon's perspective on germ theory. OUR DISCORD: https://discord.gg/2stA2P7pTCOUR MERCH: https://flyoverstatepark.creator-spring.com/ OUR YOUTUBE: https://www.youtube.com/flyoverstateparkEVERYTHING ELSE: https://linktr.ee/FlyoverStatePark
(00:00-26:44) What do you wanna communicate to the people today, Doug? Blues Jays took the Rockies behind the dumpster this week. Finally got the Self-Made Stay At Home Ladue Mom's Venmo. Might have been a guy. It's a great day to be good. Just chew on that, Martin. We'll take a look around the sporting world. Doug's got a dog with insanity issues. Could be a ghost. Exorcisms. Best QFTA of all-time yesterday?(26:53-52:34) If we just win every game the rest of the year, we can win this baby. MLB Network audio of Greg Amsinger talking about Shohei's performance yesterday. AJ Pierzynski talks about Chaim Bloom's lack of credit in Boston and thinks the Cardinals got a steal. Eric in the CWE calls in with exorcism tales at SLU. Paul from the wealthy part of West County calls in to rebut Eric's story. WHAT. IS. THE. STOCK?!?!(52:44-1:11:58) Tubular Bells. New idea alert: Mt. Rushmore of Faces of St. Louis Sports. Get creative with it, Doug. Jackson wouldn't make it in Bristol. Andy Reid flies cheeseburgers in from Los Angeles. Jackson is finally fighting back.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Moist Vales. Collad? That's a Typo. Muppet Julia Child. Sometimes a carrot is just a cigar. Orange Squat Goblin. Is It Too Early for an Oscar Nomination Fish Sandwich? Counting and Eating Crow. I Don't Like The Chieeeeeeefs. Thwell. 4 Years, One Moment at a Time. The Dana Carvey Method. Freaming on Paramount Positive. My EV sounds like a TIE Fighter. I can see calling that a wedge. Tubular Bells is a big thing in Trinidad and more on this episode of The Morning Stream. Hosted on Acast. See acast.com/privacy for more information.
Moist Vales. Collad? That's a Typo. Muppet Julia Child. Sometimes a carrot is just a cigar. Orange Squat Goblin. Is It Too Early for an Oscar Nomination Fish Sandwich? Counting and Eating Crow. I Don't Like The Chieeeeeeefs. Thwell. 4 Years, One Moment at a Time. The Dana Carvey Method. Freaming on Paramount Positive. My EV sounds like a TIE Fighter. I can see calling that a wedge. Tubular Bells is a big thing in Trinidad and more on this episode of The Morning Stream. Hosted on Acast. See acast.com/privacy for more information.
I was a teenager when I picked up the guitar, and suddenly, I had the one thing I'd been looking for to craft the songs I'd been waiting to write. -Sarah Blacker This up-close and personal interview was recorded in my living room with a singer/songwriter who grew up down the street. We met when she was a teenager…and a friend of my daughter Colleen's. Years later, Sarah Blacker continues doing what she loves best: bringing comfort and joy to audiences large and small as a dynamic live performer. Heralded by the Huffington Post for her “infectious, well-written songs,” Sarah was named the 2024 Female Performer of the Year by the New England Music Awards. But there's so much more to Sarah's story because she harnesses the healing power of music as a Board-Certified Music Therapist and LMHC or Licensed Mental Health Counselor. Explains Sarah: “Listening to music can open up neuro-pathways. Music is magic. It gets us high. Sometimes, when I'm sitting there with Alzheimer's patients, my mind is blown, and my heart is exposed because I know that music is what unlocked a patient's memory.” A graduate of the Berklee College of Music, Sarah discovered music therapy during a tour of the school and realized that this academic path encompassed everything she had always loved about music. A survivor of life on the road as a musician, Sarah misses the audience but not the grueling schedule of an independent musician. “I lived on Dunkin Donuts for days, all for the love of music and those glorious moments when I got to be on stage, pouring my heart out, trying to connect with an audience.” The daughter of two music lovers, Sarah says that music was always playing at her house. “My dad had the greatest music collection of all time, everything from Paul Simon and Pink Floyd to Tubular Bells, Crosby, Stills, Nash & Young, Seals & Crofts. My mom would make up her own silly songs. It was a creative household.” As a teen, Sarah's musical role models were all- female, including Tori Amos, Joni Mitchell, Fiona Apple and Paula Cole. Learning to play the guitar is what completed Sarah Blacker as an artist. Says Sarah: “It was like opening the gates to everywhere I ever wanted to go.” For an inspiring 24-minute musical journey, just hit that download button. #music #musictherapy #songwriter #singer
The Mike Oldfield Discography Podcast, Episode 11 (Album review, analysis and discussion) Nothing was ever heard of him again, except for the sound of... This podcast series takes you on a journey through the almost 30 full-length albums released by the British multi-instrumentalist and composer. Hosts Markus Reuter and Tobias Fischer have been life-long admirers of Mike's work. Here, they exchange thoughts, ideas and insights through expansive conversations in Markus's Berlin studio. Each episode is a deep dive dedicated to one album, uncovering what makes it unique and what connects it to other entries in his discography. Starting with Opus One, and then the iconic Tubular Bells, the Podcast aims to shed light on the work of a singular artist - whose work has become an important ingredient of our music culture. Links mentioned in the podcast: https://leefletcher.bandcamp.com/track/islands https://iapetus.bandcamp.com/track/cometh
Theo tells the story of the British musician's epic, genre-spanning 1973 opus that went on to become part of horror film history. Hosted on Acast. See acast.com/privacy for more information.
BANG! @southernvangard radio Ep416! THANK YOU DJ CLARK KENT, GOD'S FAVORITE DJ. WE THAAAAANK YOU and WE'RE WAAAAALCOME!!!!! Three WORLD EXCLUSIVES this week from MILKCRATE, ANKHLEJOHN, EL GANT, SHYSTE, ILL BILL, JEFF HEFFERNAN & PATEN LOCKE - not to mention a Halloween themed Twitch Only set this week - if ya missed it you're SOL and YOU WAAAAALCOME! #SmithsonianGrade #WeAreTheGard // southernvangard.com // @southernvangard on all platforms #hiphop #undergroundhiphop #boombap Recorded live October 28, 2024 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on all platforms #SmithsonianGrade #WeAreTheGard twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks Pre-Game Beats - Dirty Art Club Talk Break Inst. - "Children Of The Nomo" - Sol Messiah "Southern Vangard Theme" - Bobby Homack & The Southern Vangard All-Stars "Eyes Closed" - A-F-R-O x Stu Bangas "Money Call" - King Magnetic (prod. Haze Attacks) "Magic" - Philmore Greene ft. RJ Payne (prod. Sir Williams) "Knowledge Born (MiLKCRATE Remix)" - Ankhlejohn ** WORLD EXCLUSIVE ** "Hollah Looyuh" - Spit Gemz (prod. Aye Win) "Let Me Ride" - Kaimbr & DJ Applejac Talk Break Inst. - "Ashoka Movements" - Sol Messiah "Necessity" - El Gant & Shyste ft. Ill Bill (prod. Jim Heffernan)** WORLD EXCLUSIVE ** "Ain't It Great" - DJ Rude One ft. Ynot Dusable "Let The Goblin Out" - Swamp Thing (prod. Savilion) "Widdit" - Paten Locke ** WORLD EXCLUSIVE ** "Three Ronin" - Eff Yoo ft. G.S. Advance & Jus-P (prod. Goldenchild) "I Get's Busy - Mark Ski ft. Homeboy Sandman & Booda French "So Supreme" - Kaimbr & DJ Applejac Talk Break Inst. - "NaZca Pyramid Blaster" - Sol Messiah "The Pepsi Challenge" - Eff Yoo (prod. Wavy Da Gawd) "The Unconquered Sun" - Spit Gemz (prod. Kut One) "Tan Hue" - Bub Styles & Vinyl Villain ft. Lukah "Talking Dirty" - UFO Fev & Spanish Ran ft. Tree Mason & Tek "Don't Need Pants For The Beat It Up Dance" - Chris Crack (prod. HEP) Talk Break Inst. "Vimana Rise" - Sol Messiah ** TWITCH ONLY SET ** "Abracadabra" - Steve Miller Band "She Blinded Me With Science" - Thomas Dolby "Sweet Dreams (Are Made Of This)" - Eurythmics Somebody's Watching Me" - Rockwell "Ghostbusters" - Ray Parker Jr. "Freaks Come Out At Night" - Whodini "Tubular Bells" - Mike Oldfield "Spooky" - Dusty Springfield "Superstition - Stevie Wonder "Bad Moon Rising" - Creedence Clearwater Revival "Mind Playing Tricks on Me" - Scarface, Willie D & Bushwick Bill "Da Graveyard" - Big L "Devil's Son" - Big L
Trump se repite más que Tubular Bells, de Mike Oldfield. ¡Si por lo menos fuera capaz de inventarse de vez en cuando una acusación nueva, como, por ejemplo, conductora kamikaze, atascadora de cloacas, violadora de ornitorrincos...! Vanidoso y narcisista, vanidista y narcisoso, ver a Trump dar un mitin o participar en un debate le revuelve las tripas al más templado.
When it comes to films that have left a lasting mark on the horror genre, few can rival the terrifying power of The Exorcist (1973). Directed by William Friedkin and adapted from William Peter Blatty's 1971 novel, The Exorcist shattered boundaries with its unflinching portrayal of demonic possession and the battle between good and evil. Released in December 1973, the film captivated audiences and sparked controversy for its graphic content and shocking themes. This review will explore why The Exorcist (1973) remains a pinnacle of horror cinema, from its groundbreaking storytelling to its cultural and cinematic significance.A Simple Story Elevated by Complex ThemesAt its core, The Exorcist (1973) tells a simple yet profoundly disturbing story. It revolves around the possession of a young girl, Regan MacNeil (played by Linda Blair), and the desperate efforts of her mother, Chris (Ellen Burstyn), to save her. The family's only hope rests with two priests, Father Karras (Jason Miller) and the seasoned exorcist, Father Merrin (Max von Sydow). While the premise seems straightforward—a child in peril, religious figures battling a supernatural force—the film digs deeper into themes of faith, guilt, and the fragility of human existence.One of the key elements that makes The Exorcist so unsettling is its exploration of faith, or rather, the loss of it. Father Karras is a man wracked by doubt. He's a priest who has lost his mother, a psychiatrist struggling to reconcile his beliefs with the suffering he sees in the world. His personal crisis mirrors the larger question the film asks: what do we do when confronted with something truly evil? This is the tension at the heart of The Exorcist, elevating the film from mere shock value to something far more existential and terrifying.Unforgettable PerformancesThe performances in The Exorcist (1973) are nothing short of iconic, particularly that of Linda Blair as the possessed Regan. Blair's transformation from a sweet, innocent child to a terrifying vessel for a demon is astonishing. It's a performance that pushes the limits of what was previously expected from child actors, and it's still regarded as one of the most chilling portrayals in horror history. Her physical and emotional range—enhanced by the groundbreaking makeup effects of Dick Smith—leaves a lasting impact. Every contorted expression every guttural sound that emerges from her during the possession sequences is haunting.Ellen Burstyn's portrayal of a desperate mother is equally powerful. Chris MacNeil's descent from a successful actress to a mother on the verge of breakdown is heart-wrenching. The film builds up her growing terror and helplessness as Regan worsens, creating a harrowing portrait of maternal despair.Jason Miller's conflicted Father Karras is a revelation. His nuanced performance of a man wrestling with his faith adds emotional depth to the film's supernatural elements. Meanwhile, Max von Sydow's Father Merrin is the stoic, wise counterpoint to Karras' inner turmoil. Although Merrin's character is more of a traditional hero, von Sydow brings gravitas and world-weariness to the role, making the final confrontation all the more gripping.Pushing the Boundaries of Special EffectsIn 1973, audiences had never seen anything quite like The Exorcist. The special effects, many of which were practical, broke new ground in horror filmmaking. From Regan's spider-walk down the stairs to the levitation scenes, the film's visual shocks have become legendary. The makeup that transforms Blair's face into something grotesque, the vomit spewing, the rotating head—these effects still hold up today and remain unsettling even in a world where digital effects dominate.But it's not just the visual effects that make The Exorcist so memorable. The sound design plays a crucial role in heightening the terror. The eerie soundscape, from the unnatural voices Regan speaks to, to the house's creaking, creates a sensory overload that gets under your skin. And who could forget Mike Oldfield's Tubular Bells? While not initially composed for the film, the track has become synonymous with The Exorcist, its hypnotic rhythm forever tied to the creeping sense of dread the movie invokes.Cultural Impact and ControversyThe release of The Exorcist (1973) sparked widespread debate and controversy. Audiences were reportedly fainting, vomiting, and fleeing theatres in panic due to the intensity of the film. In fact, the film was banned in several countries and faced resistance from religious groups who considered it blasphemous. The stark depiction of exorcism and the visceral horrors it presented hit a nerve with the public. It challenged not just what could be shown on screen but how far filmmakers could push the boundaries of audience tolerance.Despite—or perhaps because of—its controversy, The Exorcist was a massive commercial success. It became the first horror film nominated for Best Picture at the Academy Awards, ultimately taking home two Oscars for Best Adapted Screenplay and Best Sound. More importantly, it shifted the landscape of horror cinema. The film proved that horror could be more than just campy monster flicks or psychological thrillers; it could be raw, visceral, and deeply disturbing. It opened the door for a more sophisticated brand of horror, one that wasn't afraid to tackle profound themes alongside graphic imagery.Enduring LegacyWhat makes The Exorcist (1973) endure over fifty years later is not just its capacity to shock but its ability to ask timeless questions. The film doesn't merely present a battle between good and evil; it challenges viewers to confront their own beliefs about the nature of evil, faith, and redemption. This is why The Exorcist still resonates with audiences today—it forces us to consider the fragility of the human condition and the possibility that something incomprehensible, something truly terrifying, may lurk in the shadows.Moreover, The Exorcist set the bar for future horror films, influencing a generation of filmmakers. Its blend of psychological depth, religious horror, and disturbing imagery can be seen in countless horror classics that followed, from The Omen to Hereditary. The film also left its mark on pop culture, referencing Regan's possession and the infamous exorcism scenes becoming staples in parody, tribute, and analysis.Final ThoughtsThe Exorcist (1973) remains one of the most important and influential films in horror history. Its stellar performances, groundbreaking special effects, and thought-provoking themes make it more than just a scary movie—it's a cinematic experience that forces audiences to confront their deepest fears. Whether you've seen it once or a dozen times, The Exorcist never loses its power to horrify, disturb, and provoke. As a film that redefined the genre and pushed cinematic and cultural boundaries, it stands as a testament to what horror can achieve when it's done right.Please follow the Podcast and join our community at https://linktr.ee/borntowatchpodcasthttps://www.borntowatch.com.au/
The Sound Chaser Progressive Rock Podcast is on the air. On the show this time we take a tour of prog styles with some of the better known acts that have existed through the years. There are some more obscure pieces as well. You get The Symphonic Zone, and of course news of tours and releases. It's all here, on Sound Chaser. Playlist1. Tiles - The Learning Curve, from Presents of Mind2. Jean-Luc Ponty - Overture, from Enigmatic Ocean3. Jean-Luc Ponty - Trans-Love Express, from Enigmatic Ocean4. Pat Metheny Group - Yolanda, You Learn, from First Circle5. Weather Report - Havona, from Heavy Weather6. Magma - Lïnhs, from Hhaï7. Gong - Tropical Fish, from Live 2 Infinitea8. Gong - Invisible Temple, from Live 2 Infinitea9. Gong - Selene, from Live 2 Infinitea10. King Crimson - Slaughter of the Innocents, from THRaKaTTaK11. Jane Siberry - Calling All Angels, from When I Was a Boy12. Yes - Real Love, from Talk13. Ozric Tentacles - Pteranodon, from Jurassic ShiftTHE SYMPHONIC ZONE14. Banco del Mutuo Soccorso - Chorale (from Traccia's Theme), from Banco15. The Moody Blues - Hole in the World, from The Present16. The Moody Blues - Under My Feet, from The Present17. Gerard - Freedom, from Pandora's Box18. The Flower Kings - Calling Home, from Flower Power19. The Flower Kings - Afterlife, from Flower Power20. IZZ - Like a Straight Line, from Everlasting Instant21. Mike Oldfield - Harmonics, from Tubular Bells 200322. Mike Oldfield - Peace, from Tubular Bells 200323. Mike Oldfield - Bagpipe Guitars, from Tubular Bells 200324. Mike Oldfield - Caveman, from Tubular Bells 200325. Mike Oldfield - Ambient Guitars, from Tubular Bells 200326. Mike Oldfield - The Sailor's Hornpipe, from Tubular Bells 2003LEAVING THE SYMPHONIC ZONE27. Camel - Cloak and Dagger Man, from Stationary Traveller28. The Alan Parsons Project - The Voice, from I, Robot29. The Alan Parsons Project - Nucleus, from I, Robot30. The Alan Parsons Project - Day after Day (The Show Must Go On), from I, Robot31. The Alan Parsons Project - Total Eclipse, from I, Robot32. The Alan Parsons Project - Genesis Ch. 1 V. 32, from I, Robot33. Djam Karet - Reflections from the Firepool, from Live at Orion34. The Who - How Many Friends, from The Who by Numbers35. Renaissance - Spare Some Love, from Prologue36. Steve Hackett - Hope I Don't Wake, from Live Archive37. California Guitar Trio - Walk Don't Run, from Yamanashi Blues38. Rocket Scientists - Dark Water, Part One, from Brutal Architecture39. Rocket Scientists - Wake Me Up, from Brutal Architecture40. Asia - One Step Closer, from Fantasia Live in Tokyo41. Brand X - Isis Mourning, from Livestock
Tuning into this week's rock and roll soundwave to filter signal from noise, we cranked up the volume on the following ...... 'Zuma Nester Rock' and the eternal curse of rock stars' kids' names. ... Bowie's spat with Robbie Williams at Netaid. ... celebrating awkward sods like Kevin Rowland.... why Paul Carrack has seen it all.... 'Lewis' Armstrong, 'Hoosker Doo' and others we've been pronouncing wrong. ... AI does David Hepworth and Mark Ellen!... the Underground/Overground albums/singles divide of 1974: the Wombles and Paper Lace v Tubular Bells and Journey To The Centre of The Earth.... Guy Chambers - a string quartet aged 11! - and other early achievers.... the Stones' and Bowie's race to have a Guy Peeleart record cover and the 50th anniversary of Diamond Dogs. ... how the Dead & Co turned a stage show into a movie experience and bands - Radiohead, Kraftwerk, Pet Shop Boys? - who should play the Las Vegas Sphere. ... and "the wally with the brolly" and other fresh political PR catastrophes.Find out how you can support Word In Your Ear and help us keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Tuning into this week's rock and roll soundwave to filter signal from noise, we cranked up the volume on the following ...... 'Zuma Nester Rock' and the eternal curse of rock stars' kids' names. ... Bowie's spat with Robbie Williams at Netaid. ... celebrating awkward sods like Kevin Rowland.... why Paul Carrack has seen it all.... 'Lewis' Armstrong, 'Hoosker Doo' and others we've been pronouncing wrong. ... AI does David Hepworth and Mark Ellen!... the Underground/Overground albums/singles divide of 1974: the Wombles and Paper Lace v Tubular Bells and Journey To The Centre of The Earth.... Guy Chambers - a string quartet aged 11! - and other early achievers.... the Stones' and Bowie's race to have a Guy Peeleart record cover and the 50th anniversary of Diamond Dogs. ... how the Dead & Co turned a stage show into a movie experience and bands - Radiohead, Kraftwerk, Pet Shop Boys? - who should play the Las Vegas Sphere. ... and "the wally with the brolly" and other fresh political PR catastrophes.Find out how you can support Word In Your Ear and help us keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Tuning into this week's rock and roll soundwave to filter signal from noise, we cranked up the volume on the following ...... 'Zuma Nester Rock' and the eternal curse of rock stars' kids' names. ... Bowie's spat with Robbie Williams at Netaid. ... celebrating awkward sods like Kevin Rowland.... why Paul Carrack has seen it all.... 'Lewis' Armstrong, 'Hoosker Doo' and others we've been pronouncing wrong. ... AI does David Hepworth and Mark Ellen!... the Underground/Overground albums/singles divide of 1974: the Wombles and Paper Lace v Tubular Bells and Journey To The Centre of The Earth.... Guy Chambers - a string quartet aged 11! - and other early achievers.... the Stones' and Bowie's race to have a Guy Peeleart record cover and the 50th anniversary of Diamond Dogs. ... how the Dead & Co turned a stage show into a movie experience and bands - Radiohead, Kraftwerk, Pet Shop Boys? - who should play the Las Vegas Sphere. ... and "the wally with the brolly" and other fresh political PR catastrophes.Find out how you can support Word In Your Ear and help us keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
In this episode, the lads become possessed by the unnerving creepiness of Mike Oldfield's unlikely hit "Tubular Bells", the theme music from the 1973 horror classic The Exorcist. Thankfully, special guest Joseph Trivers performs a successful exorcism on the dreadful scene, through his exploration of minimalist music and the mechanics of how it confounds, delights, and offers unforeseen avenues of expression. Join the trio for a totally tubular episode of TnT.Songs:Reverb Syndicate - Better Dancing Through TechnologyBrian Eno - 1/1Mike Oldfield - Tubular Bells (Pt.1)John Carpenter, Cody Carpenter And Daniel Davies - Main Theme from "Halloween"Michael Jackson - ThrillerHoward Shore - The Uruk-haiPhilip Glass - KoyaanisqatsiThe Shining - He Saw it on the TelevisionAl Bowlly & Ray noble and His OrchestraMike Oldfield - Tubular Bells (1971 Demo)Johannes Brahms - Brahms' LullabySilence of the Lambs - Fava Beans and a nice ChiantiLa Monte Young - Composition 1960 No.7Terry Reilly - Poppy Nogood and the Phantom BandSteve Reich - Come OutEighth Blackbird - Two PagesJohn Cale & Terry Reilly - Church of AnthraxSteve Reich - It's Gonna Rain, Part 1Steve Reich - Piano PhaseTerry Reilly - A Rainbow in Curved Air The Who - Baba O'ReillyAnn Southam - Rivers Set 1: No. 1Julius Eastman - Evil N***** (Live)Pauline Oliveros, Stuart Dempster & Panaiotis - NikeConnect with us:Instagram
E68 The Fifth CourtWinner Dublin Solicitors' Bar Association Legal Podcast of the YearHosts Peter Leonard BL and Mark Tottenham BL discuss some of the biggest and best known Irish corporate law cases with one of the Big Beasts in corporate law in Ireland, solicitor and Senior Counsel Paul Egan, who has the most fascinating background in theatre, music and music composition. There's even mention of Mike Oldfield, of Tubular Bells fame. We doubt if you knew that about this seriously eminent lawyer?Paul's choice of books for listeners are 'Barbarians at the Gate' and 'Servants of the Damned'. He also recommends the movie 'Wall St.'.Peter and Mark also tackle three recent high profile cases from the Decisis casebook.A case involving the signing of a bond in reference to a suspended sentence. But the case got a bit more complicated than that when the accused left court without having signed the bond.A second case involving a family law issue and an overseas bankruptcy that could have a direct bearing on the family law hearing.Finally, a planning case involving the granting of a planning permission for a Strategic Planning Development and An Bord Pleanála Hosted on Acast. See acast.com/privacy for more information.
The Mike Oldfield Discography Podcast, Episode 10 (Album review, analysis and discussion) Nothing was ever heard of him again, except for the sound of... This podcast series takes you on a journey through the almost 30 full-length albums released by the British multi-instrumentalist and composer. Hosts Markus Reuter and Tobias Fischer have been life-long admirers of Mike's work. Here, they exchange thoughts, ideas and insights through expansive conversations in Markus's Berlin studio. Each episode is a deep dive dedicated to one album, uncovering what makes it unique and what connects it to other entries in his discography. Starting with Opus One, and then the iconic Tubular Bells, the Podcast aims to shed light on the work of a singular artist - whose work has become an important ingredient of our music culture.
Maserati Bye M'Friend, Goodbye – Remastered 6:27 Pyramid of the Sun – Anniversary Edition 2024 Mike Oldfield Tubular Bells {Part One} (Original 1973 Stereo Mix) 25:20:00 Tubular Bells (2009 Remaster) 1973 Tangerine Dream Phaedra 17:36 Phaedra 1974 Jeffrey Alexander + The Heavy Lidders Dark Star 35:51:00 Spacious Minds 2023 Goose Apollo 14:21 Ted Tapes 2024 […]
The Mike Oldfield Discography Podcast, Episode 9 (Album review, analysis and discussion) Nothing was ever heard of him again, except for the sound of... This podcast series takes you on a journey through the almost 30 full-length albums released by the British multi-instrumentalist and composer. Hosts Markus Reuter and Tobias Fischer have been life-long admirers of Mike's work. Here, they exchange thoughts, ideas and insights through expansive conversations in Markus's Berlin studio. Each episode is a deep dive dedicated to one album, uncovering what makes it unique and what connects it to other entries in his discography. Starting with Opus One, and then the iconic Tubular Bells, the Podcast aims to shed light on the work of a singular artist - whose work has become an important ingredient of our music culture.
The Mike Oldfield Discography Podcast, Episode 8 (Album review, analysis and discussion) Nothing was ever heard of him again, except for the sound of... This podcast series takes you on a journey through the almost 30 full-length albums released by the British multi-instrumentalist and composer. Hosts Markus Reuter and Tobias Fischer have been life-long admirers of Mike's work. Here, they exchange thoughts, ideas and insights through expansive conversations in Markus's Berlin studio. Each episode is a deep dive dedicated to one album, uncovering what makes it unique and what connects it to other entries in his discography. Starting with Opus One, and then the iconic Tubular Bells, the Podcast aims to shed light on the work of a singular artist - whose work has become an important ingredient of our music culture.
Ding ding! Andrew & Polly explore a world of bell sounds and sensations guided by blind author Andrew Leland and percussionist Abby Savell. Kora, Nora, Hazel, Max, Fortney and Berlin think about the use of bells in mindfulness and meditation, around the necks of cats and cows, and the language of fairies. Topics include the physics of sound, the spectrum of blindness, the British punk band Wire, and a vast array of bells including: Almglocken, Bell Trees, Bicycle Bells, Camel Bells, Cat Bells, Chimes, Church Bells, Cow Bells, Door Bells, Elephant Bells, Hand Bells, Microtonal Bells, Orchestral Bells, Sleigh Bells, Ship Bells, Telephone Bells, Tubular Bells and more! Many thanks to North American mammal and author Andrew Leland whose book helped us share about visual impairment, parenting with a disability, the spectrum of blindness and disabilities, and the importance of language regarding inclusion. The Country of the Blind is available wherever you get your books. Thanks to Abby Savell of L.A. Percussion Rentals for generously touring us around her cornucopia of over 1300+ percussion instruments available to rent for live and studio music productions in Southern California. This episode features "The Finest Drops" from A Bell is a Cup by Wire and original underscore by GRAMMY-nominated musicians, Andrew & Polly. Thanks to EVERYPLATE for sponsoring Ear Sncaks. Go to everyplate.com/podcast and enter code 49earsnacks for $1.49 per meal + $1 steaks for life. Subscription must be active to qualify and redeem $1 steak.
The Mike Oldfield Discography Podcast, Episode 7 (Album review, analysis and discussion) Nothing was ever heard of him again, except for the sound of... This podcast series takes you on a journey through the almost 30 full-length albums released by the British multi-instrumentalist and composer. Hosts Markus Reuter and Tobias Fischer have been life-long admirers of Mike's work. Here, they exchange thoughts, ideas and insights through expansive conversations in Markus's Berlin studio. Each episode is a deep dive dedicated to one album, uncovering what makes it unique and what connects it to other entries in his discography. Starting with Opus One, and then the iconic Tubular Bells, the Podcast aims to shed light on the work of a singular artist - whose work has become an important ingredient of our music culture.
It's time for another chilling episode of Beer Before Fear, where we plunge into the depths of horror cinema while indulging in a cold Triple IPA from Equilibrium Brewing Company. Today, we're delving into the haunting world of "The Exorcist" from 1973, an iconic film that has stood the test of time and sent shivers down the spines of audiences worldwide.Prepare to be transported to a realm where terror reigns supreme as we revisit this chilling masterpiece that continues to linger in the darkest corners of our minds. To set the mood, we'll be uncorking some fresh Triple IPAs from Equilibrium Brewing Company, ensuring our senses are heightened for the horrors that await.But that's just the beginning! As we relish our brews, we'll peel back the layers of fear that make "The Exorcist" a true horror classic. From the hair-raising suspense that grips us from start to finish to the demonic presence that permeates every frame, we'll dissect what sets this film apart as a revered cornerstone in the horror genre.Get ready for a rollercoaster of emotions as we explore the unforgettable sequences, unravel the bone-chilling atmosphere, and discuss the indelible mark "The Exorcist" has left on horror culture. Whether you're a devoted horror aficionado or just seeking a good scare, this episode promises to keep you on the edge of your seat, allowing you to savor the film alongside the bold flavors of a refreshing Triple IPA from Equilibrium Brewing Company.Follow us on Instagram, and say hi!
The Mike Oldfield Discography Podcast, Episode 6 (Album review, analysis and discussion) Nothing was ever heard of him again, except for the sound of... This podcast series takes you on a journey through the almost 30 full-length albums released by the British multi-instrumentalist and composer. Hosts Markus Reuter and Tobias Fischer have been life-long admirers of Mike's work. Here, they exchange thoughts, ideas and insights through expansive conversations in Markus's Berlin studio. Each episode is a deep dive dedicated to one album, uncovering what makes it unique and what connects it to other entries in his discography. Starting with Opus One, and then the iconic Tubular Bells, the Podcast aims to shed light on the work of a singular artist - whose work has become an important ingredient of our music culture.
Comment dresser le portrait de l'écrivain pédophile Gabriel Matzneff, incarné par Jean-Paul Rouve ? Qu'est-ce que les Who ont à proposer dans la réédition volumineuse de leur album « Who's next » ? Et en attendant (toujours) un hypothétique nouvel album, quelle rareté de 1978 de Peter Gabriel est désormais disponible ? Quel anniversaire fêtera Mike Oldfield avec son inusable « Tubular Bells » sur la scène du Cirque Royal ? Et comme tout se tient, comment cet album revient-il au cinéma dans l'énième suite de « L'exorciste » ? Quelle star américaine nonagénaire fait une apparition dans le film ? Et comment Roger Waters, a-t-il encore réussi à faire des siennes ? Ca fait beaucoup de questions… Et autant de réponses dans « La semaine des 5 heures » de ce mardi 10 octobre
In this episode, we gear up for Halloween season with our second annual Screamin' Stan's Spooky Sing-Alongs! Thank you so much for listening! Here's our Petrifying Playlist for this Screamin' Season: "Werewolves of London" - Warren Zevon "Cry Little Sister" - Gerard McMann (The Lost Boys) "Somebody's Watching Me" - Rockwell "Intro" and "Chariots of Pumpkins" - John Carpenter (Halloween III) "Freddy's Coming" - A Nightmare on Elm Street (NES) "Darkest Side of the Night" - Metropolis (Friday the 13th - Part VIII: Jason Takes Manhattan) "Abandoned Pit" - CastleVania: Symphony of the Night (PS1) "Tubular Bells" - Mike Oldfield (The Exorcist) "This is Halloween" (The Nightmare Before Christmas) "Pet Sematary" - Ramones Bonus Links from Episode: "I Can't Hold On" - Quiet Riot The Last Exorcism Trailer (2010) Halloween III - Silver Shamrock Commercial Links: Instagram: @The_Retro_Junkies Twitter: @RJ_SuperShow Facebook: The Retro Junkies Email: trjsupershow@gmail.com Hoser Hotline: 865-312-7260 "The Moon: Ducktales" and all other closing songs by Daniel Tidwell Be sure to support our friends who produce AMAZING retro content on a daily basis! Ludicrous Dave - The Bounty and The Bounty V2 on Steam! Genesis Gems Podcast 2 Dudes and a NES Bit Bros Network XS Gaming Podcast and Channel Regular Time: Just a Regular Show (About the Regular Show) Turtles Forever Podcast The Retro Gaming Times The No Swear Gamer
In this episode, we gear up for Halloween season with our second annual Screamin' Stan's Spooky Sing-Alongs! Thank you so much for listening! Here's our Petrifying Playlist for this Screamin' Season: "Werewolves of London" - Warren Zevon "Cry Little Sister" - Gerard McMann (The Lost Boys) "Somebody's Watching Me" - Rockwell "Intro" and "Chariots of Pumpkins" - John Carpenter (Halloween III) "Freddy's Coming" - A Nightmare on Elm Street (NES) "Darkest Side of the Night" - Metropolis (Friday the 13th - Part VIII: Jason Takes Manhattan) "Abandoned Pit" - CastleVania: Symphony of the Night (PS1) "Tubular Bells" - Mike Oldfield (The Exorcist) "This is Halloween" (The Nightmare Before Christmas) "Pet Sematary" - Ramones Bonus Links from Episode: "I Can't Hold On" - Quiet Riot The Last Exorcism Trailer (2010) Halloween III - Silver Shamrock Commercial Links: Instagram: @The_Retro_Junkies Twitter: @RJ_SuperShow Facebook: The Retro Junkies Email: trjsupershow@gmail.com Hoser Hotline: 865-312-7260 "The Moon: Ducktales" and all other closing songs by Daniel Tidwell Be sure to support our friends who produce AMAZING retro content on a daily basis! Ludicrous Dave - The Bounty and The Bounty V2 on Steam! Genesis Gems Podcast 2 Dudes and a NES Bit Bros Network XS Gaming Podcast and Channel Regular Time: Just a Regular Show (About the Regular Show) Turtles Forever Podcast The Retro Gaming Times The No Swear Gamer
“If it's Exorcist: The Beginning… let's get some background on Pazuzu! What's he up to? What was his deal?” - Steve On this episode, the 2023 Halloween Spooktacular continues with a convo about the stunningly terrible prequel Exorcist: The Beginning! How bad are all these CGI landscapes? Why did they think an Exorcist film needed so many extreme gore-hound moments? Was that side-boob necessary? And really, Morgan Creek should have let Schrader finish his film with an appropriate budget and called it a day! PLUS: Your ears are not ready for the “Tubular Bells” knock-off at the end… Exorcist: The Beginning stars Stellan Skarsgård, Izabella Scorpio, James D'Arcy, Remy Sweeney, Julian Wadham, Andrew French, Ralph Brown, Ben Cross, Alan Ford, Eddie Osei, and David Bradley as Father Gionetti; directed by Renny Harlin. Want more WHM? Join our Patreon fam today and instantly unlock hours and hours of exclusive bonus content, including Ad-Free WHM Prime at the $8 level and up! Be sure to get in early and get your tickets for the WHM Holiday Extravaganza where we're talking The Santa Clause! Check out the WHM Merch Store featuring new Polish Decoy, ‘Jack Kirby', and Forrest the Universal Soldier designs! Today's episode is brought to you in part by Nutrisense! To start decoding your body's messages and pave the way for a healthier life, visit NUTRISENSE DOT COM SLASH WHM and get $30 off your first month and one month of board certified nutritionist support as well. When they ask how you learned about Nutrisense make sure to tell them it was the We Hate Movies podcast!
If a picture is worth a thousand words, an instrumental album is like the dictionary in every language, including slang. In episode 34 of the Disk Dungeon, we dabble with two of the most influential bodies of work ever created. #JDilla Donuts and #MikeOldfield #TubularBells
It's that time of year again…spooky season! Hosts Jim DeRogatis and Greg Kot revisit their conversation with horror writer, director and composer John Carpenter. Then, they share their favorite spooky movie music. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:John Carpenter, "Halloween Theme - Main Title," Halloween (Original 1978 Motion Picture Soundtrack), Columbia, 1979John Carpenter, "The Shape Stalks," Halloween (Original 1978 Motion Picture Soundtrack), Columbia, 1979Bebe Barron and Louis Barron, "Forbidden Planet Soundtrack - a) Main Titles - Overture - b) Giant Footprints In The Sand," Forbidden Planet, Planet, 1976Bernard Herrmann, Joel McNeely & Royal Scottish Orchestra, "Scotty Trails Madeline (Including: Madeline's First Appearance, Madeline's Car, The Flower Shop, The Alleyway, The Mission, Graveyard, and Tombstone)," Vertigo: Original Motion Picture Score, Varèse Sarabande, 1995John Carpenter, "Dark Star," Anthology: Movie Themes 1974-1998, Rodeo Suplex, 2017John Carpenter, "Skeleton," Lost Themes III: Life After Death, Sacred Bones, 2021Dimitri Tiomkin, "High Noon - Theme," Movie Memories: Music from the Greatest Films, Colosseum, 1995John Carpenter, "Dead Eyes," Lost Themes III: Life After Death, Sacred Bones, 2021Frankie Valli, "The Sun Ain't Gonna Shine (Anymore)," The 4 Seasons Present Frankie Valli Solo, Philips, 1967Goblin, "Suspiria," Suspiria: The Complete Original Motion Picture Soundtrack, Cinevox, 1977Childish Gambino, "Redbone," "Awaken, My Love!", Glassnote, 2016Tobe Hooper and Wayne Bell, "The Texas Chainsaw Massacre," The Texas Chainsaw Massacre, N/A, 1974Magnet, "Willow's Song," The Wicker Man, Trunk, 1998David Lynch and Peter Ivers, "In Heaven (Lady in the Radiator Song)," Eraserhead: Original Soundtrack, I.R.S., 1982Luniz, "I Got 5 On It (feat. Michael Marshall)," Operation Stackola, C Note, 1995Mike Oldfield, "Tubular Bells, Part One," Tubular Bells, Virgin, 1973Tangerine Dream, "Rain In the Third House," Near Dark (Original Motion Picture Soundtrack), Varèse Sarabande, 1987Colin Newman, "Alone," A-Z, Beggars Banquet, 1980Krzysztof Komeda, "Main Title," Rosemary's Baby (Music from the Original Motion Picture Score), Dot, 1968Bauhaus, "Bela Lugosi's Dead," Press the Eject and Give Me the Tape, Beggars Banquet, 1982Philip Glass, "Helen's Theme," Candyman (Original 1992 Motion Picture Soundtrack), One Way Static, 2014Pearl Jam, "Yellow Ledbetter," Lost Dogs, Epic, 2003
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