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This week, Joe is featuring Vocalist Ann Hampton Callaway from her 2006 Telarc Records recording, “Blues In The Night.”
The 170th episode of Tangazo, begins with Ferguson Police spokesperson Patricia Washington, updating us on injured Ferguson Police officer Travis Brown. ----- Officer Brown,remains in critical condition as a result of injuries, sustained during an ill advised protest, at the Ferguson Police Department. The group had assembled in Ferguson to commemorate the 10th anniversary, of the death of Michael Brown, that sparked demonstrations that led to looting and the destruction, of a number businesses in Ferguson and nearby Dellwood. Michael Browns death, also led to numerous reforms including total integration, of the once all white police department, the election of Ferguson'e first black mayor, Ella M. Jones and the election of Wesley Bell, as St.Louis County's first African American Prosecutor! ------ Tim Person and social justice activist Attorney Jerryl Christmas, joined me studio during the 1st hour, which included Robert Green, promoting his Afro Day in the Park, in celebration of civil rights activist, the legendary Percy Green II. The event is scheduled for October 5th- 7th., at Fairgrounds Park. ------ The second hour of Tangazo, focuses on The St. Louis Black Repertory Company's 48th season opening play, the Blues in the night, which opens September 4th and runs through September 22nd. ------- Longtime Black Repertory actor, J Samuel Davis and Musical Director Khalid McGhee, led an animated conversation describing “Blues In The Night” as a must see, wonderful evening of entertainment! ------- We encourage you to support Ron Himes and our nationally renowned, St.Louis Black Repertory Company! ------
Geoff presents the best versions of Ella performing the songs of Harold Arlen. Tracks this segment include That Old Black Magic, Between The Devil And The Deep Blue Sea, This Time The Dream's On Me, Ac-Cent-Tchu-Ate The Positive, It's Only a Paper Moon, The Man That Got Away (Live At Bushnell Memorial Hall/1954), Hooray For Love, Blues In The Night, Let's Fall In Love, Ill Wind (Live At The Shrine Auditorium, 1957), Let's Take A Walk Around The Block, Over The Rainbow. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices
This week: Geoff presents the best versions of Ella performing the songs of Harold Arlen. Tracks this segment include That Old Black Magic, Between The Devil And The Deep Blue Sea, This Time The Dream's On Me, Ac-Cent-Tchu-Ate The Positive, It's Only a Paper Moon, The Man That Got Away (Live At Bushnell Memorial Hall/1954), Hooray For Love, Blues In The Night, Let's Fall In Love, Ill Wind (Live At The Shrine Auditorium, 1957), Let's Take A Walk Around The Block, Over The Rainbow. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices
This week: Geoff presents the best versions of Ella performing the songs of Harold Arlen. Tracks this segment include That Old Black Magic, Between The Devil And The Deep Blue Sea, This Time The Dream's On Me, Ac-Cent-Tchu-Ate The Positive, It's Only a Paper Moon, The Man That Got Away (Live At Bushnell Memorial Hall/1954), Hooray For Love, Blues In The Night, Let's Fall In Love, Ill Wind (Live At The Shrine Auditorium, 1957), Let's Take A Walk Around The Block, Over The Rainbow. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices
This week: Geoff presents the best versions of Ella performing the songs of Harold Arlen. Tracks this segment include That Old Black Magic, Between The Devil And The Deep Blue Sea, This Time The Dream's On Me, Ac-Cent-Tchu-Ate The Positive, It's Only a Paper Moon, The Man That Got Away (Live At Bushnell Memorial Hall/1954), Hooray For Love, Blues In The Night, Let's Fall In Love, Ill Wind (Live At The Shrine Auditorium, 1957), Let's Take A Walk Around The Block, Over The Rainbow. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices
Eine Langspielplatte mit Musik von anonymen Interpreten und einem musikalischen Spektrum vom Vorkriegsblues bis hin zum gepflegten Jump und Doowop - das riecht nach einer harten Nuss für Musikarchäologen. Götz Alsmann nimmt die Herausforderung an. Von Götz Alsmann.
My guest today is Sheldon Epps whose new book is titled, My Own Directions — A Black Man's Journey in the American Theatre. There he shares the story of his long and successful career during which he has often been “the first”, “one of the few”, or even “the only” person of color to reach various levels of achievement in the world of theater. At the center of the book are the two decades Epps served as "Artistic Director" of The Pasadena Playhouse, one of the oldest and most well-known regional theaters in America, and at the time Sheldon took that job, it was also one the whitest! How he met the many challenges of revitalizing that somewhat faded theater company and transforming both its audience and its artistic vision could not be more instructive at a time when theater companies nationwide are struggling with many of these same issues. This is the first of three episode in which you will hear about Sheldon's very prolific freelance directing career Off-Broadway and at theaters across the country, as well as the two hit musicals he created — Blues In the Night and Play On! — that took him to Broadway, London's West End and around the world. Today we will start at the beginning of his story with his childhood in Teaneck, NJ, the inspiration he received from the Broadway musicals of the 1960s and 70s, and the remarkable roles he played in high school. Then we follow his intense acting training at Carnegie Mellon University, his professional debut in multiple productions of Jaques Brel Is Alive And Well And Living In Paris, and the co-founding of his own Off-Broadway theater company, The Production Company, where Blues In The Night had its premiere. This episode is made possible in part by the generous support of "Producer Level” Patrons PAULA and STEVE REYNOLDS If you too would like to support Broadway Nation, I invite you to become a PATRON! For a just $7.00 a month you can receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional patron levels that come with even more benefits. To receive all of these exclusive member benefits – just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you so much for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
Jazz, Big Band, and Swing Sunday - Artie Shaw & His Orchestra 00:00:00 Stardust (1942) 00:03:22 Moonglow (1941) 00:06:32 Nightmare (1937) 00:08:57 Blues (1936) 00:11:27 Scuttlebutt (1946) 00:14:34 Smoke Gets In Your Eyes (1941) 00:17:41 La Paloma (1940) 00:20:46 A Room With A View (1939) 00:24:10 Blues In The Night (1941) 00:27:19 A Foggy Day (1945) 00:30:28 Ziguener (1943) 00:39:52 Rosalie (1938) 00:42:30 Temptation (1940) 00:45:27 The Man I Love (1939) 00:48:32 Cream Puff (1937) 00:51:18 I Can't Get Started (1946) 00:54:35 My Heart Stood Still (1939) 00:57:16 What Is There To Say (1940) 01:00:20 Frenesi (1940) 01:03:24 Oh, Lady Be Good (1939) --- Send in a voice message: https://anchor.fm/waldina/message
On this edition of The Arts Section, host Gary Zidek talks to the Chicago Children's Choir's director of Africana Studies about the organization's upcoming Black History concert. The Dueling Critics, Kerry Reid and Jonathan Abarbanel, stop by to talk about a world premiere play that takes a different perspective on gun violence. Later, Gary checks in with the director and the star of a new Blues-themed musical revival that recently opened in Chicago. And Gary takes you inside the Elmhurst Art Museum's new exhibit, HOUSES OF TOMORROW.
old school blues, soul and zydeco presented with a contemporary view
old school blues, soul , zydeco and a touch of gospel
old school blues, soul and zydeco with a contemporary touch
blues, soul and zydeco from an old school perspective
old school blues, soul and zydeco with a contemporary sensibility
old school blues, soul and zydeco with a contemporary flavor
old school blues, soul and zydeco mixed with a contemporary sensibility
old school blues, soul and zydeco presented with a contemporary sensibility
varieties of old school blues, soul and zydeco mixed with a contemporary touch
old school blues, soul and zydeco mixed with contemporary sensibility
varieties of old school blues, soul and zydeco with a contemporary touch
old school blues, soul and zydeco with a contemporary sensibility
old school blues, soul and zydeco with a contemporary sensibilty
old school blues, soul and zydeco with a contemporary sensibility
old school blues, soul and zydeco mixed with a contemporary sensibility
old school blues, soul and zydeco with a contemporary sensibility
old school blues, soul and zydeco with a contemporary sensibility
old school blues, soul and zydeco with a contemporary sensibility
old school blues, soul and zydeco with a contemporary sensibility
old school blues, soul and zydeco with a contemporary sensibility
old school blues, soul and zydeco with a contemporary sensibility
old school blues, soul and zydeco with a contemporary flavour
old school blues, soul and zydeco with a contemporary sensiblity
For Video Edition, Please Click and Subsribe Here: https://youtu.be/1f1acrRdgIU Vivian Reed Credits include: ‘Tartuffe,’‘Damn Yankees,’ ‘Show Boat,’ ‘Marie Christine,’‘Sophisticated Ladies,’ ‘Blues In The Night,’‘Tintypes,’‘Roar of the Greasepaint, Smell of the Crowd,’ ‘Bubbling Brown Sugar,’ ‘High Rollers,’ ‘Hallelujah Baby,’‘More than a Song,’ ‘One For My Baby,’ ‘Countess of Storyville,’ ‘Blues for an Alabama Sky,’ ‘Crumbs from the Table of Joy,’ ‘Cookin’ at the Cookery,’ ‘The Second Tosca,’ ‘Pork Pie,’and ‘Invisible Life.’ Awards include two TONY Award Nominations, Drama Desk, Mabel Mercer, NAACP, Dance Educators of America and Outer Critics Circle. Also, Vivian has created 4 one-woman shows: An Evening with Vivian Reed, Standards and More, Vivian Reed Sings Lena Horne and Little Bit of Soul, Little Bit of Pop. She has performed in major theaters and clubs in the US as well as Europe. www.vivianreed.com
"An other episode of The Jazz Hole of international scope today: check out music from the Argentine-born, Swiss-based singer and composer Luciana Morelli and her new album “Lo abismal, el agua”, from the Cuban-born, Ottawa-based pianist Miguel de Armas and his new album “Continuous”, from the Québec-based group L'abîme and their new self-titled album and from a great Korean duo consisting of pianist Yoonseung Cho and NY-based guitarist Sungwon Kim that recently released “Blues In The Night”. Luciana Morelli - “Lo abismal, el agua” & “Fotografía de guerra” Album: Lo abismal, el agua Luciana Morelli (voc), Philipp Hillebrand (cl, b-cl), Mauricio Silva Orendain (p), Sebastián de Urquiza (b) and Paulo Almeida (d) Miguel de Armas - Continuous Album: Continuous Miguel de Armas (p, kbds), Marc Decho, Roberto Riverón (b), Michel Medrano Brindis (d), Diomer González, Joel Cuesta (congas), Samuel Formell (d, timbales), José Alberto Alvarez Batista (güiro) and Yasmina Proveyer (voc) Miguel de Armas - Angelique Album: Continuous Miguel de Armas (p, kbds), Marc Decho, Roberto Riverón (b), Michel Medrano Brindis (d), Diomer González (congas) and Elmer Ferrer (g) ------ L’abîme - “Requiem” & “L’abîme” Album: L’abîme Jonathan Turgeon (p, comp), Hugo Blouin (b), Jean-Philippe Godbout (d), Alex Dodire (fl, saxes) and Gabriel Genest (ts, clarinets) Yoonseung Cho & Sungwon Kim . “Blue Zone” & “Blues Major 7th” Album: Blues In The Night Yoonseung Cho (p, composer “Blue Zone”) and Sungwon Kim (g, composer “Blues Major 7th”) 00:00 - The Jazz Hole with Linus 03:27 - Lo abismal, el agua - Luciana Morelli 08:23 - Fotografía de guerra - Luciana Morelli 12:46 - Continuous - Miguel de Armas Quartet 18:56 - The Jazz Hole with Linus 21:43 - Angelique - Miguel de Armas Quartet 26:13 - Requiem - L’abîme 30:41 - L’abîme - L’abîme 38:49 - The Jazz Hole with Linus 40:23 - Blue Zone - Yoonseung Cho, Sungwon Kim 53:08 - The Jazz Hole with Linus 54:16 - Blues Major 7th - Yoonseung Cho, Sungwon Kim 62:19 - Finish "
old school blues, soul and zydeco with a contemporary sensibility
old school blues, soul and zydeco with a contemporary sensibility
Show #894 Blues In The Night 01. Zechariah Lloyd - Down To The River (3:15) (Single, self-release, 2020) 02. Frank Bey - All My Dues Are Paid (4:12) (All My Dues Are Paid, Nola Blue Records, 2020) 03. Clarence Spady - Surrender (4:12) (Surrender, Nola Blue Records, 2021) 04. The Underdogz - Black Eyed Dog (3:23)(Single, Bone Union Records, 2021) 05. Tommy Z - Please Come Back To Me (5:22) (Plug In & Play, South Blossom Records, 2021) 06. Rumour - Sail On (5:23) (The Journey, self-release, 2021) 07. Tomislav Goluban - Used To Be Someone (3:21) (Express Connection, Blue Heart Records, 2021) 08. Bill Toms & Hard Rain - Everybody's Talking (3:52) (Keep Movin' On, Terraplane Records, 2021) 09. Bobby Bland - Blues In The Night (3:21) (Here's The Man, MCA Records, 1962) 10. Tony Bennett - Blues In The Night (2:51) ( Just One Of Those Things, CBS Records, 1969) 11. Paul deLay Band - Blues In The Night (3:25) (Burnin' Criminal Records, 1988) 12. Eddie 9V - Reach Into Your Heart (5:07) (Little Black Flies, Ruf Records, 2021) 13. Fenton Robinson - Nightflight (3:55) (Nightflight, Alligator Records, 1984) 14. Spring Brooks - The Times (3:09) (Single, self-release, 2021) 15. Damon Fowler - Make The Best Of Your Time (5:40) (Alafia Moon, Landslide Records, 2021) 16. Tom Craig - One Way Love Affair (4:31) (Good Man Gone Bad, 8th Train Records, 2021) 17. Eva Cassidy - Blues In The Night (4:08) (Eva By Heart, Blix Street Records, 1997) 18. Jimmy Smith - Blues In The Night (4:46) (The Cat, Verve Records, 1964) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.
old school blues, soul and zydeco with a contemporary flavour
old school blues, soul and zydeco with a contemporary sensiblity
Louis Armstrong og kvartett Oscars Peterson flytja lögin Sweet Lorraine, You Got To My Head, How Long Has This Been Going On?, Just One Of Those Things og Let's Do It og Blues In The Night. Mel Tormé syngur með The Boss Brass lögin I'm Glad There Is You, In The Still Of The Night, I Get A Kick Out Of You, Nobody Else But Me, I'll Be Around og If You Could See Me Now. Sarah Vaughan syngur með hljómsveit Cliffords Brown lögin Lullaby Of Birdland, It's Crazy, You're Not The Kind, Jim, He's My Guy og Embraceable You.
Ella Fitzgerald syngur lögin Stormy Weather, Blues In The Night, Rockin' In Rhythm, Cotton Tail og Sophisticated Lady. Ben Webster og félagar flytja lögin A Walkin' Thing, How Can I Loose You, Blues My Naughty Sweetie Gives To Me, Ain't She Sweet, Old Fashioned Love og I'm Coming Home To Virgina. Að síðustu flytja fjórar söngkonur nokkur lög með Ray Brown og félögum. Nancy King syngur But Beautiful og The Perfect Blues, Marleena Shaw syngur Imagination, Diana Krall syngur I Thought About You og Dee Dee Bridgewater syngur lögin Cherokee og More Than You Know.