Podcasts about Tartuffe

durée : 00:10:03 - L'invité de 7h50 du week-end - par : Amélie Perrier - L'artiste de 69 ans a été Barbara Petrovna dans Les Démons de l'écrivain russe Fiodor Dostoïevski, Agrippine dans le Britannicus de Racine ou encore Dorine dans le Tartuffe de Molière. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

 Listen to the Show Right Click to Save GuestsVORTEX Rep & Circus Chicken Dog The Mutt-Cracker (SWEET)Teatro Vivo La Pastorela What We Talked About  

"Tartuffe" is the classic Molière comedy and satire first performed in the 1660s. Matthew Broderick is currently starring in the lead role of a new off-Broadway production of the play at New York Theatre Workshop. Broderick discusses his process for taking on the role, along with Lisa Kron, who plays Dorine, and director Sarah Benson. "Tartuffe" is running through January 24.

C'est l'histoire des “disjonctés”, une troupe de théâtre amateur de Dijon créée par Arnaud, directeur commercial le jour et Tartuffe la nuit… Avec sa troupe ils préparent “Tartruffe” une adaptation ambitieuse d'un chef-d'œuvre de Molière ! Entrez dans les coulisses de cette fabuleuse troupe d'artistes !Les vendredi et samedi à 20h sur France 5, Mohammed Bouhafsi et toute son équipe accueillent les personnalités qui font l'actualité.

Seth takes a closer look at Congress reopening the government after Democrats caved and the House forcing a vote to release the Epstein files.Then, Matthew Broderick talks about rehearsing for the play Tartuffe, his embarrassing mishaps that happened while on stage for Plaza Suite and reuniting with his Ferris Bueller's Day Off co-star Alan Ruck for the film The Best Is Yet to Come.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Join us on the latests Whisper in the Wings from Stage Whisper, we welcomed on the actor Tyler Hardwick to talk about his latest production, Tartuffe. This brilliant new interpretation of the classic Moliere work, was not only amazing to get to see, but was equally wonderful to chat about. So be sure that you hit play and get your tickets while you still can!TartuffeNow- November 23rd@ House of the RedeemerTickets and more information are available at tartuffenyc.com And be sure to follow Tyler to stay up to date on all their upcoming projects and productions: @tartuffenyctartuffenyc.com@tylerhar

durée : 01:59:01 - Les Nuits de France Culture - par : Philippe Garbit - - réalisation : Virginie Mourthé

Host: Coach Guests: Emma Gregory, Isabelle Basham Air date: Sep 24, 2025

durée : 01:43:27 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - De Molière - Par Michel Polac - Lectures Fernand Ledoux - Réalisation Guy Maxence - réalisation : Virginie Mourthé

RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next of his regular audio described theatre reviews for 2025 A retelling on stage this week of Arnold Bennett's 1908 novel ‘The Old Wives' Tale' set among the Punjabi Sikh community of Wolverhampton in ‘Marriage Material' at the Birmingham Repertory Theatre with description by Professional Audio Describer Carolyn Smith. About ‘Marriage Material': Marriage Material By Gurpreet Kaur Bhatti, based on the novel by Sathnam Sanghera. Three Generations. Two Love Stories. One Family Secret. “In our shops we will be Kings of England. And we will make this place our place. The Bains' corner shop in Wolverhampton has been at the centre of the family for three generations. Against the backdrop of a changing 20th century, Mrs Bains is balancing running the business, caring for her ailing husband and the demands of her two headstrong daughters, who each have their eye on a different kind of future. Fast forward to the present day, a family tragedy pulls Arjan Bains back from a life in London. The shop represents everything he was trying to escape, but with his mother insisting it remain open, how long can he stay away? Gurpreet Kaur Bhatti (A Kind of People) adapts the critically acclaimed novel from Sathnam Sanghera (Empireland). Directed by Rep Associate Director and 2022 Commonwealth Games Opening Ceremony Director, Iqbal Khan (East Is East, Of Mice and Men, Tartuffe, SILENCE). For more about access at the Birmingham Repertory Theatre do visit - https://www.birmingham-rep.co.uk/your-visit/accessibility/ (Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underline with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font)

durée : 00:12:39 - L'invité franceinfo soir - Les autorités françaises ont dressé un rideau noir devant cinq stands israéliens au Salon international du Bourget, qui a ouvert lundi 16 juin.

 Listen to the Show Right Click to Save GuestsPenfold Theatre Anton Chekhov is a Tasty SnackCity Theatre Tartuffe What We Talked About   

Melvyn Bragg and guests discuss one of the great figures in world literature. The French playwright Molière (1622-1673) began as an actor, aiming to be a tragedian, but he was stronger in comedy, touring with a troupe for 13 years until Louis XIV summoned him to audition at the Louvre and gave him his break. It was in Paris and at Versailles that Molière wrote and performed his best known plays, among them Tartuffe, Le Misanthrope and Le Malade Imaginaire, and in time he was so celebrated that French became known as The Language of Molière.With Noel Peacock Emeritus Marshall Professor in French Language and Literature at the University of GlasgowJan Clarke Professor of French at Durham UniversityAnd Joe Harris Professor of Early Modern French and Comparative Literature at Royal Holloway, University of LondonProducer: Simon TillotsonReading list:David Bradby and Andrew Calder (eds.), The Cambridge Companion to Molière (Cambridge University Press, 2006)Jan Clarke (ed.), Molière in Context (Cambridge University Press, 2022)Georges Forestier, Molière (Gallimard, 2018)Michael Hawcroft, Molière: Reasoning with Fools (Oxford University Press, 2007)John D. Lyons, Women and Irony in Molière's Comedies of Mariage (Oxford University Press, 2023)Robert McBride and Noel Peacock (eds.), Le Nouveau Moliériste (11 vols., University of Glasgow Presw, 1994- )Larry F. Norman, The Public Mirror: Molière and the Social Commerce of Depiction (University of Chicago Press, 1999)Noel Peacock, Molière sous les feux de la rampe (Hermann, 2012)Julia Prest, Controversy in French Drama: Molière's Tartuffe and the Struggle for Influence (Palgrave Macmillan, 2014)Virginia Scott, Molière: A Theatrical Life (Cambridge University Press, 2020)In Our Time is a BBC Studios Audio Production

„Mademoiselle Molière“ ist eine Komödie über das Leben des großen Schauspielers und Dramatikers Molière. Allerdings ist das Stück nicht biografisch korrekt, sondern vielmehr eine lustvolle Träumerei. Im Mittelpunkt stehen Molière und Armanda, eine junge Frau, die sich von einer bigotten Klosterschülerin zu einer durchtriebenen Intrigantin entwickelt. Dass „Mademoiselle Molière“ ursprünglich als Filmstoff angedacht war, lässt sich hören: Schnitte und Zeitsprünge formen ein Mosaik aus pointierten Einzelszenen, das zu einem geistreichen Vergnügen verschmilzt. Mit: Dieter Brammer, Hans Caninenberg, Peter Fricke, Lola Müthel u.v. a. Regie: Mathias Neumann Komposition: Jean-Baptiste Lully hr 1961 | 93 Min. (Audio verfügbar bis 18.04.2026)

durée : 00:50:56 - Autant en emporte l'Histoire - par : Stéphanie Duncan - "Le Tartuffe ou l'Imposteur" est la pièce de Molière qui excita les plus vives controverses lors de sa création. Une fiction de Christine Spianti, commentée par Georges Forestier, auteur d'une biographie de Molière et éditeur de son œuvre dans La Pléiade. - invités : Georges FORESTIER - Georges Forestier : Professeur de littérature à l'université Paris-Sorbonne (Paris IV)

Molièren näytelmä Tartuffe käsittelee tekopyhyyttä. Näytelmän on suomentanut Otto Manninen. Otteen näytelmästä on poiminut mietelauseeksi Jakke Holvas. Lukijana on Joni Timonen.

Vincent Trémolet de Villers analyse les propos controversés de la députée européenne Rima Hassan, qui a défendu l'action du Hamas, un groupe considéré comme terroriste. Il décrypte la rhétorique de Mme Hassan, qu'il qualifie de mélange entre la pensée décoloniale et les réflexes du politiquement correct, le tout sur fond d'une profonde inculture. L'invité souligne que cette nouvelle forme d'antisémitisme s'habille en antifascisme, et que de nombreux responsables politiques de gauche restent silencieux face à ces dérives.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.

Dans cet épisode pétillant de Pop Culture, Mathieu Alterman nous entraîne dans les coulisses de la réalisation, là où certaines des plus grandes stars du cinéma français ont tenté leur chance avec des résultats plus ou moins probants. Dès le début, Mathieu nous plonge dans l'univers des acteurs de génie qui se sont essayés à la mise en scène, avec des résultats souvent décevants. Il évoque ainsi le cas de Christian Clavier, l'irrésistible comédien des Visiteurs, qui a connu un échec cuisant lors de la réalisation de la suite de la saga en 2011. Malgré l'engouement initial du public, le résultat n'a pas été à la hauteur des attentes, laissant les spectateurs quelque peu consternés.Mathieu poursuit son tour d'horizon des stars malheureuses en passant par le cas de Gérard Depardieu, considéré comme un immense acteur mais un piètre réalisateur, que ce soit avec son adaptation du Tartuffe de Molière ou encore Un pont entre deux rives. L'animateur n'épargne pas non plus Coluche et sa parodie historique Vous n'aurez pas l'Alsace et la Lorraine, un film catastrophique que le comique a lui-même réalisé, ou encore Louis de Funès et son adaptation ratée de L'Avare de Molière.Mais ce n'est pas tout, Mathieu nous fait également découvrir les échecs de stars comme Robert De Niro avec Il était une fois le Bronx ou Sidney Poitier et ses comédies désastreuses des années 80. Heureusement, il souligne aussi quelques belles réussites, comme le dernier film réalisé par Daniel Auteuil, pour rappeler que le succès ou l'échec dans le domaine artistique n'obéit pas à des règles précises.Tout au long de cet épisode, Mathieu Alterman nous entraîne dans une exploration passionnante et souvent hilarante des mésaventures de ces acteurs de légende derrière la caméra. Un voyage palpitant à travers les hauts et les bas de la création cinématographique, à ne pas manquer pour tous les amateurs de pop culture et de cinéma français.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.

Dans cet épisode pétillant de Pop Culture, Mathieu Alterman nous entraîne dans les coulisses de la réalisation, là où certaines des plus grandes stars du cinéma français ont tenté leur chance avec des résultats plus ou moins probants. Dès le début, Mathieu nous plonge dans l'univers des acteurs de génie qui se sont essayés à la mise en scène, avec des résultats souvent décevants. Il évoque ainsi le cas de Christian Clavier, l'irrésistible comédien des Visiteurs, qui a connu un échec cuisant lors de la réalisation de la suite de la saga en 2011. Malgré l'engouement initial du public, le résultat n'a pas été à la hauteur des attentes, laissant les spectateurs quelque peu consternés.Mathieu poursuit son tour d'horizon des stars malheureuses en passant par le cas de Gérard Depardieu, considéré comme un immense acteur mais un piètre réalisateur, que ce soit avec son adaptation du Tartuffe de Molière ou encore Un pont entre deux rives. L'animateur n'épargne pas non plus Coluche et sa parodie historique Vous n'aurez pas l'Alsace et la Lorraine, un film catastrophique que le comique a lui-même réalisé, ou encore Louis de Funès et son adaptation ratée de L'Avare de Molière.Mais ce n'est pas tout, Mathieu nous fait également découvrir les échecs de stars comme Robert De Niro avec Il était une fois le Bronx ou Sidney Poitier et ses comédies désastreuses des années 80. Heureusement, il souligne aussi quelques belles réussites, comme le dernier film réalisé par Daniel Auteuil, pour rappeler que le succès ou l'échec dans le domaine artistique n'obéit pas à des règles précises.Tout au long de cet épisode, Mathieu Alterman nous entraîne dans une exploration passionnante et souvent hilarante des mésaventures de ces acteurs de légende derrière la caméra. Un voyage palpitant à travers les hauts et les bas de la création cinématographique, à ne pas manquer pour tous les amateurs de pop culture et de cinéma français.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.

Kaindlstorfer, Günter www.deutschlandfunk.de, Kultur heute

Laages, Michael www.deutschlandfunkkultur.de, Fazit

Entrez dans les coulisses du théâtre du XVIIe siècle et découvrez l'étonnante relation entre Molière, le célèbre dramaturge et comédien, et Louis XIV, le jeune roi absolu.Dans cet épisode, le journaliste et écrivain Laurent Dandrieu nous plonge au cœur de la complicité artistique et personnelle qui a lié ces deux figures emblématiques de l'époque. Bien que la monarchie absolue de Louis XIV semblait peu compatible avec la satire sociale de Molière, le roi a pourtant soutenu et protégé l'auteur du Tartuffe, allant jusqu'à danser à ses côtés sur scène.Loin de l'image solennelle du monarque, on découvre un Louis XIV passionné de théâtre, riant aux éclats devant les pièces de Molière. Une relation complexe, faite de mécénat, de commandes royales et de jeux de pouvoir, qui a marqué profondément l'essor du théâtre français.Laurent Dandrieu nous entraîne dans les coulisses de cette époque fascinante, révélant les enjeux politiques, culturels et sociaux qui se cachaient derrière les représentations théâtrales. Des querelles religieuses aux intrigues de cour, en passant par les défis d'un directeur de troupe, cet épisode brosse un portrait passionnant du théâtre sous le règne de Louis XIV.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.

Our interview with representatives from Gonzaga University's "Tartuffe," playing November 7-10, 2024 at the Myrtle Woldson Performing Arts Center.

Jennifer spills the beans on what it takes to be an actress in Hollywood. We talk "Beverly Hills Housewives", how your gal pal will cover your problem spots in lesbian love scenes, poker, glamour, getting hit on by producers, and the indignity of promoting yourself by going on to podcasts like this one.Bio: Jennifer Tilly received an Academy Award nomination for her role in Woody Allen's “Bullets Over Broadway” for her memorable portrayal of the terribly untalented Olive, actress wannabe, and gangster's moll. Her performance in “Liar Liar” as Jim Carrey's gold-digging client earned her an American Comedy Award nomination, as well as a Blockbuster award nomination as Favorite Supporting Actress.Tilly is perhaps best known from the indie noir film “Bound”, which has earned her a cult following. “Bound,” directed by the Wachowski's follows two lesbian con artists trying to rip off the mob. The film garnered many accolades including a GLAAD media award, and a Saturn award nomination (Best Actress) for Tilly. Other film credits include “The Getaway,” “The Fabulous Baker Boys,” “Let It Ride,” “The Cat's Meow,” “Intervention,”(Winner-Best Actress-San Diego Film Festival) “Dancing at the Blue Iguana,” “Made in America,” “Bride of Chucky,” (Saturn Award nominee-Best Actress) “Seed of Chucky,” “Curse of Chucky,” “Cult of Chucky,” “The Crew,” “The Wrong Guy,” “Inconceivable,” (Winner-Best Actress-WIFT) “An American Girl,” “Edie and Penn,” “Hide and Seek,” “Saint Ralph,” “The Doors,” ”Relative Evil” (Winner-Best Actress-DVD Exclusive Awards) “Second Best,” “Tidelands,” and many more. Other notable TV appearances include “Modern Family,” “Drop Dead Diva,” “Moonlighting,” “Cheers,” and “Frasier.” She had recurring roles on “Hill Street Blues,” “It's Garry Shandling's show (Ace award nomination-Best Actress) and “Out of Practice” (CBS). She was a series regular on “Key West” (Fox) and “Shaping Up.” (NBC) Tilly is in great demand as a voice over actor. For the last twenty-two years she has delighted audiences as Bonnie on “Family Guy.” She played the snaky haired Celia in Pixar's classic movie “Monster's Inc.,” as well as the Disney+ series “Monsters at Work,” Grace, the new age cow in Disney's “Home on the Range,” a con mouse in “Stuart Little,” and Madame Leota in “The Haunted Mansion.”Theatre credits include "Tartuffe," (LA Public Theatre) "Boy's Life" (LAAT) and "Baby With The Bathwater," (LAPT) and “Vanities,” (Dramalogue Award-Best Actress) She received a “TheatreWorld Award” (Best Newcomer) for her performance in Second Stage's "One Shoe Off" at the Joseph Papp Theatre.  Tilly is also a regular performer in the smash hit comedy revue, “Celebrity Autobiography” and Illeana Douglas' “Living Room Show.” These days Jennifer is dividing her career between acting and poker. In 2005 she astounded the Poker world when she bested a field of over 600 women to win the coveted gold bracelet at The World Series of Poker. She followed that up by capturing a WPT title, winning Ladies Night 3.

Let me introduce my acting coach Christopher Chwee to you, my friends. This conversation is jam-packed with ideas on how developing acting skills can help public speakers.  Tune in and learn: Why public speakers are creators and artists How to take your audience on a journey using stories Why acting classes are so helpful for developing presentation skills How to get out of your head and be present when speaking How to deal with nervousness when going to auditions or before speaking How to connect to your emotions and sit with your feeling Why preparation and practice are essential for success How memorization works in acting and public speaking How acting classes help you get to know new sides of yourself As an Actor in New York, Christopher has worked for numerous theatre companies including ESPA @ Primary Stages, 59 E59 Street, NYC Fringe, and The Workshop Theatre. Some Favorite Off Broadway Credits include Four Dogs & A Bone, Titus Andronicus, & Tartuffe. When he is not acting or coaching he can be seen hosting & performing at comedy clubs such as Carolines (RIP), Gotham, Greenwich Village, & Broadway Comedy. Film/TV credits include Men in Black III, Vish Merrick on Amazon Prime, and Rare Birds of Fashion. Commercially he has shot print work for Zara, Ugg Boots, Target, and BMW/Mini Cooper and his voice can also be heard on Diet Coke, Colgate Education, and numerous US Mall commercials. In 2017 Christopher was nominated at the Indie Series Awards for Best Supporting Actor in a Comedy Series for his work in the series Rare Birds of Fashion. As an acting coach his students can be seen on Broadway, National Tours as well as the Disney Channel, Nickelodeon, Law & Order, Will & Grace, Marvel, HBO, CBS, ABC, Hulu and Netflix. Connect with Christopher: https://www.actfirststudios.com/ https://www.instagram.com/actfirststudios https://www.instagram.com/christopherchwee

If you're enjoying the Hardcore Literature Show, there are two ways you can show your support and ensure it continues: 1. Please leave a quick review on iTunes. 2. Join in the fun over at the Hardcore Literature Book Club: patreon.com/hardcoreliterature Thank you so much. Happy listening and reading! - Benjamin

Apply for the Terry Knickerbocker Studio's Summer Intensive by June 7th and receive a special discount when you mention the podcast. Apply HERE About Terry Knickerbocker: Terry is a graduate of The Experimental Theatre Wing in the Drama Dept. at New York University. After graduating from NYU, Terry trained as an actor and a teacher with William Esper.  He taught at The William Esper Studio for 25 years, and continues as part of the core faculty at the Experimental Theatre Wing at NYU's Tisch School of the Arts. He has also taught directing at Playwrights Horizons Theatre School and Yale University.  Other essential teacher/mentors include Maggie Flanigan, Rina Yerushalmi, Steve Wangh, Terry Hayden, Nikos Psacharopoulos, Jackie Brookes, Mary Overlie, Ryszard Cieslak, Jerzy Grotowski, Pierre Lefèvre, Moshe Feldenkrais, Dr. Louis Ormont, and Dr. Harry Fogarty. He has coached actors on over 300 films, television and theater projects, both on and off-Broadway and regionally. He also consulted with playwrights and screenwriters on their scripts.  Some of the actors he has worked with and trained include Sam Rockwell, Chris Messina, Boyd Holbrook, Natasha Lyonne, Leslie Bibb, Emmy Rossum, Yul Vasquez, Jordana Spiro, Gillian Alexy, Gretchen Mol and many others. A past recipient of the Drama League of New York's directing award/fellowship for emerging directors, Terry is also a former member of Circle Rep's LAB. His directing credits include many new works as well as contemporary and classical plays such as Measure for Measure, Tartuffe, The Normal Heart, Candida, All My Sons, and David Rabe's In the Boom Boom Room.

durée : 00:01:06 - Samedi fiction - par : Blandine Masson - Élevé de force dans la religion catholique par sa mère, Rimbaud règle ses comptes avec les pratiques hypocrites de la religion en faisant un portrait au vitriol d'un personnage de Molière, "Tartuffe" le faux-dévôt, créé en 1669.

This week's episode is a re-airing of a Poog classic: The hags are bubbling over with excitement. Jacqueline wants help with her navicular accessory foot injury, but they discuss: Werner Herzog's Grizzly Man and Cave of Forgotten Dreams, red light therapy, Bonus rooms, Buster Keaton, Tartuffe, and Best Week Ever.See omnystudio.com/listener for privacy information.

On today's episode of The Literary Life Podcast, Angelina and Thomas wrap up their series on the satirical comedy Tartuffe by Jean-Baptiste Moliere. If you want to listen in to the read along of this play, you can view replays on the readings on the House of Humane Letters YouTube channel. Angelina and Thomas start off the conversation on the play reviewing the idea of enchantment and the classical structural elements of this play as suggested by Aristotle. We finally meet Tartuffe himself, and Angelina and Thomas both cringe and laugh at his over-the-top antics. Check out the schedule for the podcast's summer episodes on our Upcoming Events page. In June Mr. Banks will be teaching a 5-day class on St. Augustine, and in July Dr. Jason Baxter will be teaching a class on Dostoevsky. Angelina will also be teaching a class on Harry Potter in August! Also, don't miss the launch the HHL publishing wing, Cassiodorus Press! Sign up for the newsletter at HouseofHumaneLetters.comto stay in the know about all the exciting new things we have coming up! Commonplace Quotes: Moliere…reached perfection through a strange apprenticeship of vagabondage following an excellent middle-class birth among the tradesmen of Paris, imprisoned for debt, tramping the roads with the strolling players, starting his own small theater and failing, meeting men of every kind…In that knowledge he became a master. Hilaire Belloc, from Monarchy: A Study of Louis XIV A man is angry at a libel because it is false but at a satire because it is true. G. K. Chesterton Fools are my theme. Let satire be my song. Lord Byron The Burial of Moliere By Andrew Lang “Dark and amusing he is, this handsome gallant, Of chamois-polished charm, Athlete and dancer of uncommon talent— Is there cause for alarm In his smooth demeanor, the proud tilt of his chin, This cavaliere servente, this Harlequin? “Gentle and kindly this other, ardent but shy, With an intelligence Who would not glory to be guided by— And would it not make sense To trust in someone so devoted, so Worshipful as this tender, pale Pierrot? “Since both of them delight, if I must choose I win a matchless mate, But by that very winning choice I lose— I pause, I hesitate, Putting decision off,” says Columbine, “And while I hesitate, they both are mine.” Book List: An Ideal Husband by Oscar Wilde Don Juan by Moliere Don Juan by Lord Byron Enthusiasm by Ronald Knox Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/ Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

A year ago Dean & Alex went to see a performance of Tartuffe, read the play, and gave a joint review of both on patreon. Here it is now for free. Check out booksboys.com for links to our social media, merchandise, music, etc, as well as patreon.com/booksboys for the latest episodes of Playboys Extra, Darkplace Dreamers, Film Fellows, Animation Adventurers and more! Hosted on Acast. See acast.com/privacy for more information.

This week on The Literary Life Podcast, Angelina Stanford and Thomas Banks delve into a new literary series as we read the comedic play Tartuffe by Jean-Baptiste Moliere. If you want to listen in to the read along of this play, you can view replays on the readings on the House of Humane Letters YouTube channel. Thomas begins the conversation on this play by setting up the cultural and literary context in which Moliere was working, as well as some more biographical background on the author and actor himself. Angelina points out some differences between satire and didacticism. She and Thomas also talk about the influence of Roman comedy in Moliere's playwriting. Angelina introduces Act 1 with a question of how Moliere shows the audience what to think of Tartuffe before the character himself ever comes on stage. Thomas talks a little about the characters we first meet, and Angelina highlights the references to enchantments as they read through key portions of these opening scenes. Join us again next week when we will finish up this entertaining play! If you weren't able to join us for the sixth annual Literary Life Online Conference, “Dispelling the Myth of Modernity: A Recovery of the Medieval Imagination“, you can still purchase the recordings and find out what you missed! Also, don't miss the launch the HHL publishing wing, Cassiodorus Press! Sign up for the newsletter at HouseofHumaneLetters.com to stay in the know about all the exciting new things we have coming up! Commonplace Quotes: He had the comic vision of himself as well as of the rest of humanity. He might mock the vices of the world, but he could also mock himself for hating the world, in the spirit of a superior person, on account of its vices. Robert Lynn, from his essay “Moliere” in Books and Authors We think old books are strange; but we are the aliens. Dr. Jason Baxter The Burial of Moliere By Andrew Lang Dead–he is dead!  The rouge has left a trace   On that thin cheek where shone, perchance, a tear,   Even while the people laughed that held him dear But yesterday.  He died,–and not in grace, And many a black-robed caitiff starts apace   To slander him whose Tartuffe made them fear,   And gold must win a passage for his bier, And bribe the crowd that guards his resting-place. Ah, Moliere, for that last time of all,   Man's hatred broke upon thee, and went by, And did but make more fair thy funeral.   Though in the dark they hid thee stealthily, Thy coffin had the cope of night for pall,   For torch, the stars along the windy sky! Book List: Menaechmi, or The Twin-Brothers by Plautus Code of the Woosters by P. G. Wodehouse   Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/ Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

Er ist Gründungsmitglied der legendären Comedy-Sendung RTL Samstag Nacht, "Tatort"- und "SOKO"-Kommissar, Theaterschauspieler und Musiker: Stefan Jürgens! Aktuell können wir ihn als "TARTUFFE" von Molière auf der Bühne des Renaissance Theaters erleben und Sonntagnachmittag ist er zu Gast bei Marion Hanel in 100 % Promi.

Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

DENIS O'HARE has been nominated 3 times for Emmy Awards for his work in THIS IS US and AMERICAN HORROR STORY. Other television appearances include THE NEVERS, TRYING, TRUE BLOOD, AMERICAN GODS, THE GOOD WIFE, and BIG LITTLE LIES. He won the Tony Award for Richard Greenberg's TAKE ME OUT (Obie Award, Drama Desk Award) and an OBIE for his performance in AN ILIAD of which he is also the co-writer. Other stage credits include ASSASSINS (Tony nomination), SWEET CHARITY (Drama Desk Award), CABARET, INHERIT THE WIND, MAJOR BARBARA, ELLING, RACING DEMON, HAUPTMANN, INTO THE WOODS, TEN UNKNOWNS, and TARTUFFE at London's National Theatre. Film credits include INFINITE STORM, SWALLOW, LATE NIGHT, THE GOLDFINCH, NOVITIATE, THE NORMAL HEART, DALLAS BUYERS CLUB, THE PROPOSAL, DUPLICITY, MILK , CHANGELING, CHARLIE WILSON'S WAR, MICHAEL CLAYTON, A MIGHTY HEART, HALF NELSON, GARDEN STATE, 21 GRAMS, THE ANNIVERSARY PARTY, PRIVATE LIFE, and THE PARTING GLASS of which he is the screenwriter. Learn more about your ad choices. Visit podcastchoices.com/adchoices

durée : 00:54:48 - Autant en emporte l'Histoire - par : Stéphanie DUNCAN - "Le Tartuffe ou l'Imposteur" est la pièce de Molière qui excita les plus vives controverses lors de sa création. Une fiction de Christine Spianti, commentée par Georges Forestier, auteur d'une biographie de Molière et éditeur de son œuvre dans La Pléiade. - invités : Georges FORESTIER - Georges FORESTIER

What starts with Tartuffe and ends with a Curious Incident? If you guessed it was this season of The Colonial Players, you'd be correct! But it is a special season--it is the 75th season and every production will be a never-before-seen production at the community theater company. Today, we sit down with Steve Tobin who is the President of The Colonial Players to talk about the theater itself, and what is in store for the 75th season including their signatiure A Christmas Carol (along with a pro tip on how to get a coveted ticket)! The Colonial Players is a 100% volunteer organization bringing world-class theatre in the round (well rectangle) to Annapolis and Anne Arundel County. And it is an organization we all need to support with ticket sales (individual or season), memberships, or time. Why you ask? Have a listen! LINKS: The Colonial Players (Website) The Colonial Players (Facebook) The Colonial Players (X-Formerly Twitter) The Colonial Players (YouTube) The Colonial Players (Instagram)

N°309 / 6 août 2023 Connaissez-vous notre site ? www.lenouvelespritpublic.fr Une émission de Philippe Meyer, originellement diffusée le 29 mai 2022. Avec cette semaine : Georges Forestier, homme de lettres, spécialiste du XVIIème siècle et biographe de Molière. Béatrice Giblin, directrice de la revue Hérodote et fondatrice de l'Institut Français de Géopolitique. Nicole Gnesotto, vice-présidente de l'Institut Jacques Delors. Marc-Olivier Padis, directeur des études de la fondation Terra Nova. MOLIÈRE Georges Forestier, vous êtes agrégé de lettres classiques et docteur d'état, vous avez enseigné au Portugal à Rouen à Reims, à la Sorbonne nouvelle puis à Sorbonne université et vous avez dirigé le centre d'étude de la langue et des littératures françaises. Vous êtes l'inventeur de la génétique théâtrale, sur laquelle vous vous êtes appuyé pour étudier Pierre Corneille puis Jean racine puis Molière. Votre livre sur Molière paru chez Gallimard a reçu un excellent accueil, il a été précédé d'un Molière à Paris, il y a une trentaine d'années et, il y a une dizaine d'années, c'est sous votre direction associée à Claude Bourqui que La Pléiade a publié les œuvres complètes de l'auteur du Tartuffe. De ce Tartuffe, vous avez établi ce que vos recherches vous ont amené à considérer comme la version interdite, une version en trois actes, qui se termine par la victoire de Tartuffe et qui a été représentée cet hiver et ce printemps par la Comédie française dans une mise en scène d'Ivo van Hove donnée pour la première fois le 15 janvier dernier, date anniversaire de la naissance de Molière. Nous en parlerons assurément. Dans le très précieux journal de la littérature en ligne « En attendant Nadeau », Dominique Guy-Blanquet introduit son élogieuse analyse par ce chapô : « Si vous pensez tout savoir de Molière, l'auteur le plus joué en France avant d'être devancé depuis quelques décennies par Shakespeare, détrompez-vous. Georges Forestier rectifie des faits qu'on croyait établis, déplace les projecteurs, tel un éclairagiste judicieux et nous fait découvrir un nouveau Molière au sein du paysage théâtral qu'il a animé : les gazetiers se bousculent pour exploiter son succès, le grand Corneille s'en inquiète, les princes le font jouer à domicile, Boileau l'encourage contre les esprits chagrins, le jeune Racine le salut au lever du roi. » Sans aucun doute, la lecture de votre Molière fait voler en éclats quantité de représentations répandues dans le public depuis sa mort. Sa mort qui n'est pas le sujet de la moindre de ces légendes d'autant plus tenaces qu'elles se nourrissent de clichés sur les artistes maudits, ou en tout cas réprouvés et qu'elles s'en nourrissent en retour. Mais votre livre est aussi un portrait de Paris et de ceux, petits et grands dont Molière reproduira les travers et les qualités, les ridicules et les délicatesses. À une époque où il est fréquent que des comédiens écrivent eux-mêmes les pièces qu'ils jouent, Donneau de Visée remarque que Molière se distingue en faisant « des farces qui réussirent un peu plus que des farces et qui furent un peu plus estimées dans toutes les villes que celles que les autres comédiens jouaient ». Molière fut aussi parmi les premiers à ne pas se contenter d'écrire des farces, de petites pièces comiques en un acte dont les scènes sont à peine ébauchées. Georges Forestier, vous avez, en quelque sorte, dépouillé Molière des différentes couches d'oripeaux dont on l'avait revêtu au fil des 349 ans qui nous séparent de sa mort. Pour introduire notre conversation, j'aimerais savoir ce qui vous a le plus surpris dans vos découvertes.Chaque semaine, Philippe Meyer anime une conversation d'analyse politique, argumentée et courtoise, sur des thèmes nationaux et internationaux liés à l'actualité. Pour en savoir plus : www.lenouvelespritpublic.fr

If you're looking for a farcical skewering of the aristocracy that evokes an Arrested Development for the 18th century… consider this contemporary roast of old-money values. The notable Von Ahnensoltz family deigns to allow a bourgeois gentleman to marry their noble daughter… and pay off all their debts, of course. However, their daughter isn't sold, instead creating delicious chaos with her formerly affianced… and delicately, sort of, sticking it to the man. Dusty heraldry, fashionable hypochondria, and, of course, debt abound in this frothy class commentary that would elevate the Tartuffe or Imaginary Invalid slot of any season.Hosted by Emily Lyon and Skye Pagon.ExpandTheCanon.combit.ly/HedgepigMembershipsSupport this podcast at — https://redcircle.com/this-is-a-classic-the-expand-the-canon-theatre-podcast/donations

durée : 01:45:00 - Les Nuits de France Culture - par : Albane Penaranda - De Molière - Par Michel Polac - Lecture Fernand Ledoux - Réalisation Guy Maxence

Listen in as Molière in the Park founding artistic director Lucie Tiberghien, director of the company's World English-language Premiere of Molière's original three-act version of TARTUFFE or The Hypocrite, along with performers Michelle Veintimilla and Matthew Rauch, discuss inviting in … Continue reading →

In this episode, Adam and Budi discuss their second choice for The Theatre of Others Book Club, Backwards and Forwards by David Ball.David Ball, an award-winning playwright, director, novelist, and drama theoretician, wrote Backwards and Forwards, the standard script analysis textbook for the past quarter century. He was a dramaturg and playwright at Minneapolis's Guthrie Theater in the 1970s; Professor of acting, directing, playwriting, and dramaturgy at Carnegie Mellon University in the early 1980s; Artistic Director of Pittsburgh's Metro Theater; and Director of Duke Drama through 1991. His plays and adaptations have been staged at major regional theatres and Off-Broadway, including The Miser and Tartuffe for Tony Award-winning Theatre de la Jeune Lune. His Swamp Outlaw, a Civil War-era novel of Lumbee Indian Henry Berry Lowery and his outlaw raiders, is a Kindle favorite. He has had the privilege of working with director Dominique Serrand for 25 years. In a baffling (even to himself) career change, for 15 years David has been America's most influential jury consultant. Mentioned in this episode:Sham El-NessimAndrew BorbaCOP28Declan DonnellanBrian KulickNoor Effendy IbrahimMichael Chekhov's To the ActorSupport the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Support the Theatre of Others - Check out our Merch!Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

ABOUT WILL McFADDEN AND #STORYTIME Welcome to the award winning #Storytime Podcast! The Internet is a dumpster full of stories, and our host Will McFadden is the most fearless and skilled dumpster diver in the game. #Storytime features the top podcasters, YouTube creators, TikTok stars, Reddit masters, and everyday folks who all share a love of great storytelling. Subscribe now and follow on Instagram, TikTok, Twitter, and Facebook to become an official Fable Baby today! This season guests include Rider Strong, Adam Pally, McCall Mirabella, SeanDoesMagic, and many more. Episodes here: https://www.iheart.com/podcast/1119-the-storytime-podcast-77077583/ ABOUT WILL McFADDEN Will McFadden is Chief Creative Officer at Collab and Company Member at The Actors' Gang. The Actors' Gang ensemble has included accomplished actors such as Jack Black, Lee Arenberg, John Cusack, John C. Reilly, Brent Hinkley, Helen Hunt, Kate Walsh, Kyle Gass, Fisher Stevens, Ned Bellamy, Jeremy Piven, Ebbe Roe Smith, Kate Mulligan, and Tim Robbins. The theater company has presented the work of innovative theater artists including Georges Bigot, Simon Abkarian, Charles Mee, Culture Clash, Bill Rauch and The Cornerstone Theatre Company, Tracy Young, Namaste Theater Company, Roger Guenver Smith, Eric Bogosian, Oskar Eustis, Danny Hoch, Beth Milles, David Schweitzer, Brian Kulick, Stefan Haves, Jason Reed, Michael Schlitt and Tenacious D. Guest artists that have appeared on The Actors' Gang stage include: Jackson Browne, Sarah Silverman, Ben Gibbard, John Doe, Tom Morello, Jenny Lewis, Wayne Kramer, Paul Provenza, Zooey Deschanel, Serj Tankian, David Crosby, Pink, Felicity Huffman, Jill Sobule, William H. Macy, Phillip Baker Hall, Jeanne Tripplehorn, T.C. Boyle. and the late, beloved, Gore Vidal.Touring productions include The New Colossus, Harlequino: On to Freedom, A Midsummer Night's Dream, George Orwell's 1984, The Exonerated, Tartuffe, Embedded, The Trial of the Catonsville Nine and The Guys. Over the last thirty years The Actors' Gang has toured the U.S. in forty-five states and on five continents, performing across the world from London to Milan, Bucharest, Athens, Madrid, Barcelona, Bogota, Beijing, Shanghai, Hong Kong, Melbourne, Buenos Aires and recently, to Santiago and Concepcion, in Chile.

Directing major Jacqueline Thornell meets with Cathy Thomas-Grant, a cherished theatre professor at Pepperdine who served as the director of the summer Edinburgh program from 2000-2022. Jacqueline and Cathy talk about Pepperdine's upcoming performance of Americana: A Murder Ballad, its relevance and importance to today's time, and why the arts are important.   After earning her Bachelor's degree at California State University Northridge in 1984 and her Master of Fine Arts degree in acting from The American Conservatory Theatre of San Francisco in 1992, Cathy went on to lead an impressive career in the theatre, with acting credits, including but not limited to Steel Magnolias, Macbeth, and Tartuffe, and directing credits attributed to Much Ado About Nothing, The Importance of Being Earnest, and Death of a Salesman.    More info about the Center for the Arts can be found at https://arts.pepperdine.edu/   Music by Nolan Harvel  

Tartuffe, Boethius, Dante. The purges continue to free up psychic weight. Jacqueline records from her office-turned-Tracy Cave. Kate's drawers have been dry-lubed and an Ikea dresser is about to hit the street. The longterm effects of laser hair removal are considered. How would K and J survive in the woods? The hags clarify their restaurant recommendations. Sloppy dress-up dinner at Musso's in the next eight days? A hound for salsa.   Edited & mixed by Allie Graham.See omnystudio.com/listener for privacy information.

Tartuffe - Music Network Trio - Transatlantic Commissions - Irish language IFI Irish Film Archive

durée : 00:59:13 - Le Cours de l'histoire - par : Xavier Mauduit - Au temps de Molière, les jansénistes étaient-ils des religieux rigoristes, des pessimistes du Grand Siècle ou des dévots frondeurs ? Pour Louis XIV, ils sont avant tout une menace pour le royaume dont il faut se débarrasser, quitte à interdire la pièce "Tartuffe", pourtant fortement appréciée... - invités : Monique Cottret Historienne, professeure émérite à Paris Nanterre, spécialiste d'histoire moderne; Anne Régent-Susini Professeure de littérature française du XVIIe siècle à l'Université Sorbonne-nouvelle

In 2022 we are celebrating 400 years of Molière's birth. This playwright had such a strong impact on French literature that it is common to say "la langue de Molière" as a synonym for the French language. But Molière's influence is felt on more than just the language. He opened our eyes to all sorts of injustices that French people are still prickly about. Have you ever watched a Molière play? How do you think he compares with Shakespeare? Annie went to the Comédie Française recently to watch Le Malade Imaginaire, and what it treat that was! Annie's new VoiceMap tour of the Latin Quarter is now available, at long last. In this episode you'll also learn how to get the newest version of her Île de la Cité tour if you've bought it already (51 minutes into the episode). Click play and let's celebrate Molière together! #joinusinfrance #travel #podcast #moliere Table of Contents for this Episode [00:00:38] Attending a Molière play at La Comédie Française [00:03:31] Annie's new Latin Quarter VoiceMap tour [00:04:48] Annie and Elyse talk about Molière [00:05:15] French is often referred to as “la langue de Molière” [00:05:42] About the life of Molière [00:06:25] Molière was born Jean-Baptiste Poquelin [00:07:28] A supportive family [00:08:15] Molière makes his start as an actor [00:09:57] Working in Paris and Normandy [00:11:10] The troup leaves Paris [00:11:42] Looking for a Mécène or Patron [00:12:07] Working outside of Paris for 12 years [00:14:17] Molière starts to write farces [00:14:59] Molière heads back to Paris [00:15:43] Molière wins Louis XIV over [00:17:24] Molière performing his duties as the King's valet [00:19:07] Molière gets his own theater, now called La Comédie Française [00:20:02] Molière had a genius for putting on biting satire [00:21:03] Molière was a secular man [00:21:19] Molière wrote 35 plays [00:21:40] Falling ill while performing The Imaginary Invalid [00:22:36] Molière and the religious burial [00:23:52] Molière's legacy [00:24:46] Molière plays Annie read in French school [00:25:22] Sacrilege! Annie doesn't think Shakespeare is funny whereas Molière is! [00:26:48] Molière's French is still easily understandable today [00:27:49] Molière was a great performer and so was his wife [00:28:46] Did Molière wrote all his plays or did he get help from Corneille? [00:30:45] Molière's comedy-ballet [00:31:01] Molière working with Lully and Charpentier [00:32:26] Molière wrote several plays about hypocritical doctors and priests [00:33:39] Molière wrote wonderful roles for women [00:34:34] The Tartuffe complications [00:38:45] French people don't trust anyone who wears their religion on their sleeve [00:41:36] Cachez ce sein que je ne saurais voir ! [00:42:53] The delicate dance French people do with religion [00:44:19] Molière plays are much easier to understand than Shakespeare's plays [00:45:09] Molière: father of modern theater [00:48:58] Thank you patrons and donors! [00:50:38] How to get an itinerary consultation with Annie [00:51:22] How to get the new version of my Île de la Cité tour [00:52:56] Covid News [00:53:48] Check your airline checkin document carefully for rules [00:55:54] Covid numbers are falling rapidly in France [00:56:20] About Russia invading Ukraine [00:58:51] Emmanuel Macron is officially running for relection [00:59:44] Annie's personal update [01:00:01] The new VoiceMap tour of the Latin Quarter is live [01:00:31] Next week on the podcast: changes in visa procedures More episodes about French culture FOLLOW US ON: Email | Facebook | Instagram | Pinterest | Twitter Subscribe to the Podcast Apple Google Spotify RSS Support the Show Tip Your Guide Extras Patreon Audio Tours Merchandise Read more about this episode Transcript  Category: French Culture