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El programa volverá a la sana costumbre de buscar y encontrar algunos de los directos más famosos en la historia de la discografía. El primero de los tres que hoy recuperaremos lo grabó LEONARD COHEN en Londres en el año 2009, dentro de sus últimas giras mundiales. El segundo recoge el directo más sonado en la historia del compositor y cantante dominicano JUAN LUIS GUERRA, al concierto asistieron 50.000 personas y tuvo lugar en el Estadio Olímpico de Santo Domingo. El tercero lo dio la pianista y cantante canadiense DIANA KRALL en aquel local parisino reservado a los grandes de la canción, el Olympia de Paris en el año 2002.
¿Quién no desea tener amigos? Hay algunos que tenemos de paso por el colegio o la secundaria, el trabajo o la universidad, pero hay otros que permanecen toda la vida. Hay muchos valores hoy en crisis, pero si hay uno que renace con cada generación es el de la amistad, para muchos, tan importante o más que la familia. ¿Qué sería tener como amigo al Señor del universo, el Dios encarnado? De eso habla Jesús en este capítulo de la Buena Noticia según Juan (15:14). Meditamos hoy sobre ello. La cabecera está esta vez a cargo de la canadiense Diana Krall y la hija del cantante que popularizó el tema que da título al programa, "Ruta 66", Natalie Cole. Lo interpretan juntas en un concierto que escuchamos de 2002. Tras ella oímos una sorprendente balada de los Rolling Stones en 1981, "Esperando a un amigo" (Waiting On A Friend), a la que sigue el clásico de Carole King y James Taylor en 1971, "Tienes un amigo" (You´ve Got A Friend), que escuchamos esta vez cantado por ella en vivo en Los Ángeles en 1994. Hasta Taylor Swift reconoce en 2019 que "Es agradable tener un amigo" (It´s Nice To Have A Friend). La película con la que hablamos de la amistad humana y divina, es para muchos la mejor historia de redención del cine contemporáneo. La producción de 1994 que se conoce en España como "Cadena perpetua", "Sueño de fuga" en Hispanoamérica", o "Sueños" o "Escape a la libertad" en Argentina, se llama en realidad como la novela de Stephen King en que se basa esta historia, "La redención de Shawshank" (1982). Dirigida por Frank Darabont, está protagonizada por TIm Robbins y Morgan Freeman. Su lectura cristiana ha dado lugar a todo un libro del más importante crítico británico, Mark Kermode. Consideramos su interpretación con algunos diálogos de la versión doblada y la banda sonora original de Thomas Newman. "Viejos amigos" (Old Friends) es una pequeña joya del dúo judío de Nueva York que formaron Simon y Garfunkel. Apareció en 1968 en el reverso del disco sencillo que llevaba la canción de la película "El Graduado" (Mrs. Robinson). Como los discípulos de Jesús, cuando más apreciamos el valor de una amistad es ante la perspectiva de su partida. El cantautor argentino afincado en España, Alberto Cortez, escribió una de sus más emocionantes composiciones a la muerte de su padre en 1966, "Cuando un amigo se va". El problema es que en este mundo, hasta los mejores amigos nos fallan, como descubrió el músico cristiano Randy Stonehill, cuando se sintió traicionado por su amigo Larry Norman, que le sacó de la droga y le introdujo, tanto en la música como en la fe, pero se acabó quedando con su esposa, tras su divorcio y nuevo matrimonio. En la canción que apareció en su álbum de 1983, "Hasta el mejor de los amigos" (Even The Best Of Friends), descubre que sólo hay un Amigo que nunca nos falla, Cristo Jesús.
Eine katholische Nonne bei «Musik für einen Gast» am Ostersonntag: Das mag wenig überraschen. Dass sie sich selbst als «Freelance Schwester Veronika» bezeichnet, Melodien, Rhythmen und Instrumente in Farben wahrnimmt und auch im Gym Musik hört, vielleicht schon eher. Als Veronika Ebnöther 20 Jahre alt war, veränderte ein Besuch in einer Zürcher Kirche ihr Leben. Sie spürte die Berufung, dass sie sich ihrem Glauben und ihrer Beziehung zu Gott hingeben sollte – voll und ganz. Heute ist Schwester Veronika eine von rund 80 sogenannten «geweihten Jungfrauen» in der Schweiz. «Das klingt aber so verstaubt», sagt sie selbst und verwendet deshalb lieber den Begriff «Freelance Schwester». Im Gegensatz zu den meisten katholischen Nonnen lebt Schwester Veronika nicht in einem Kloster und ist selbst für ihr Einkommen verantwortlich. So hat sie mehr als zehn Jahre Erfahrung in der Gefängnisseelsorge und leitet ein Gesprächsatelier, in dem sie Menschen begleitet, die Rat suchen oder sich mehr Tiefe oder spirituelle Verbundenheit in ihrem Leben wünschen. Bei ihren Beratungen kommen manchmal auch Farben und Pigmente zum Einsatz. Denn Schwester Veronika hat diesbezüglich eine ganz besondere Wahrnehmung: Sie ist Synästhetikerin. «Einfach erklärt sind die Sinne in meinem Kopf nicht getrennt. Wenn ein Reiz reinkommt, werden alle gleichzeitig aktiviert.» Wie sich das anfühlt und warum die Forschung die Synästhesie mit einem LSD-Trip vergleicht, erklärt Schwester Veronika eindrücklich in dieser Ausgabe von «Musik für einen Gast», moderiert von Melanie Pfändler. Die Musiktitel: 1. Eros Ramazzotti – Per me per sempre 2. Eros Ramazzotti - Se bastasse una canzone 3. Sting / Robert Downey Jr. – Every Breath You Take aus der Serie Ally McBeal 4. Beckah Shae - Heartbeat 5. Diana Krall feat. Bryan Adams – Feels Like Home
Send us a textYou can't steal a gift a book review You Can't Steal a Gift. Frederick Eugene John Lees (February 8, 1928 – April 22, 2010) was a Canadian music critic, biographer, lyricist, and journalist. Lees worked as a newspaper journalist in his native Canada before moving to the United States, where he was a music critic and lyricist. His lyrics for Antonio Carlos Jobim's "Corcovado" (released as "Quiet Nights of Quiet Stars"), have been recorded by such singers as Frank Sinatra, Peggy Lee, Queen Latifah, and Diana Krall.Listen to arranging the score Series 1 episode 44 hereErratum Simon Apologises for getting his American Geography wrong Louisville is in in Kentucky!This is our website This is our InstagramThis is our Facebook group
durée : 00:59:08 - Romero Lubambo, un nouveau son dans la guitare jazz brésilienne - par : Sébastien Llinares - "La guitare de Lubambo rythmique et vive peut réagir, interagir, sans jamais perdre ni le Groove, ni l'harmonie. Il est appelé à dialoguer avec le chant d'Astrud Gilberto, Dianne Reeves, Diana Krall, Luciana Souza ... La pop star Billie Eillish pour sa chanson Billie Bossa Nova !" Sébastien Llinarès - réalisé par : Patrick Lérisset
Thomas Dutronc,Iggy Pop,Diana Krall, Dédé Minvielle, Guillaume Gallienne, Michel Korb Christian Escoudé et Fréric Sylvestre
Cuti Vericad continúa repasando a grandes pianistas de la historia de la música y hoy se lo dedica a ellas. Suenan Nina Simone, Martha Davis o Diana Krall y Roberta Flack.
Steve Jordan es un baterista con una larga trayectoria que incluye cientos de sesiones de grabación, muchas de ellas junto a algunos de nuestros artistas favoritos. Hemos recopilado para este especial sus colaboraciones junto a Donald Fagen, Spyro Gyra, The Brecker Brothers, George Benson, Boz Scaggs, David Sanborn, Herbie Hancock, Patti Austin, Jon Batiste, Alicia Keys, Rupert Holmes, David Garfield, Lyle Mays y Diana Krall.
Galen and Robyn Bolton, founder of Mile Zero, dive deeper into the courage required for leadership, the role of curiosity in innovation, and the power of mindset. They explore how leaders unknowingly stifle innovation, why possibility is always in the room, and how asking better questions leads to better decisions. Robyn shares wisdom from her Invisible Board of Directors, lessons from Dizzy Gillespie and Diana Krall, and practical strategies for embracing risk. Pour a glass, take notes, and get ready to rethink leadership and innovation. Subscribe, leave a review, and join the VIP community for exclusive content! Cheers!
O convidado do programa Pânico desta sexta-feira (14) é Amaury Jr.Amaury Jr. levou as entrevistas de celebridades sociais a um novo patamar. Reconhecido como um dos jornalistas mais influentes do Brasil, Amaury Jr. entrevistou todas as celebridades do entretenimento, sociais e políticas do país, incluindo presidentes, empresários, ícones do esporte, além de estrelas da TV, teatro e cinema.Com cerca de 60 mil entrevistas no currículo, o apresentador do programa está sempre presente nos principais eventos sociais, além de ter levado seu público para o mundo todo, mostrando lugares exóticos e luxuosos e conversando com personalidades internacionais como Michael Bublé, Diana Krall, Liza Minelli, Luciano Pavarotti, Julio Iglesias, Tonny Bennet, Grace Jones, Celine Dion, James Brown, Shakira, The Beach Boys, Sarah Bryghtman, Joss Stone, Paul Anka, Donatella Versace, Philippe Starck, o presidente Bill Clinton e a rainha Silvia da Suécia, Paris Hilton, entre outros.Quanto às celebridades nacionais e de países vizinhos, pouquíssimas ainda não foram entrevistadas por Amaury Jr. O apresentador conseguiu até mesmo uma entrevista exclusiva com o músico brasileiro João Gilberto, que até então não falava com a imprensa há mais de 14 anos.Com seu estilo inovador que lhe garantiu sucesso contínuo ao longo dessas últimas três décadas, Amaury Jr. está sempre presente quando eventos inesquecíveis acontecem, no Brasil e no exterior, e também entrevista pessoas de destaque nos cenários sociais e culturais. Com elegância e talento, Amaury Jr. extrai (há quase 50 anos) o melhor de suas entrevistas, especialmente com as celebridades cuja vida privada resulta em forte curiosidade pública.O estilo descontraído de entrevistar de Amaury é sua marca registrada. E o programa de TV aborda temas que incluem guias de viagem nacionais e internacionais, entrevistas em primeira mão e exclusivas e cobertura de festas, shows e principais notícias.Redes Sociais:Instagram: https://www.instagram.com/oficialamauryjr/YouTube: https://www.youtube.com/@ProgramaAmauryJrOficial/videosBlog no UOL – Splash: www.amauryjr.blog.bol.uol.com.br
durée : 00:59:08 - Romero Lubambo, un nouveau son dans la guitare jazz brésilienne - par : Sébastien Llinares - "La guitare de Lubambo rythmique et vive peut réagir, interagir, sans jamais perdre ni le Groove, ni l'harmonie. Il est appelé à dialoguer avec le chant d'Astrud Gilberto, Dianne Reeves, Diana Krall, Luciana Souza ... La pop star Billie Eillish pour sa chanson Billie Bossa Nova !" Sébastien Llinarès - réalisé par : Patrick Lérisset
This interview was recorded in person with the great Chris Botti. On a whim I checked out Chris' website and saw he was going to be performing in my neck of the woods, which at the time (September 2023) was in Virginia Beach, VA.I had interviewed Chris before, so it didn't take long for he and I to reacquaint and put an interview on the books.I solicited questions to ask Chris from one of the popular Facebook groups dedicated to trumpeters, so all in all it was a nice time, and probably a bit of a break for Chris from the usual "pop star" interviews he endures constantly!Episode highlights:00:08 A Memorable Encounter01:48 Diving into the Interview02:50 Chris' Musical Journey04:22 The Evolution of the Music Industry06:08 Challenges and Changes in the Music Scene10:50 The Impact of Streaming and Social Media16:50 Reflections on Jazz and Inspirations26:43 The Audience's Listening Preferences27:04 The Impact of Al Schmidt on Diana Krall's Career28:28 Live vs. Studio Recording Techniques28:42 Favorite Equipment for Live Performances29:25 The Role of Compression in Music31:05 Microphones and Their Historical Significance32:01 Recording and Releasing Albums33:05 Deborah's Theme and Jeremy Lubbock's Influence34:27 Daily Routine and Maintaining Skills35:33 The Unique Sound of Vintage Trumpets39:34 The Trumpet Dynamics Podcast43:30 Chris' Fearless Performances45:34 The Changing Music Industry50:53 Final Thoughts and ReflectionsGuest contact:WebsiteInstagram @chrisbottimusicFacebook
The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark. Join hosts Noah and John as they interview Ira Nepus, jazz and commercial trombonist from Los Angeles. About Ira: Ira Nepus was born in Los Angeles, California and was raised on the jazz heritage of his father, one of the key founders of the Hot Club of France in Paris during the late Thirties and was featured in his first jazz concert at the age of 15. Ira gives equal importance to all styles of jazz, from traditional on up through contemporary. Ira currently performs with the Clayton-Hamilton Jazz Orchestra, which he has been an original member of for over thirty-eight years, privately teaches, and performs in all major recording studios throughout the Los Angeles area. He also plays and tours periodically with his own quartet and continues to record in that format. He currently is artistic director for the Gardens of the World's Summer Jazz Series in Thousand Oaks, sponsored by the Hogan Family Foundation celebrating over 10 years of concerts in the Park. He has performed/recorded with Paul McCartney, Elton John, Leon Russell, Big Bad Voodoo Daddy, Elvis Costello, BB King, (Grammy Winner) and/or also recorded with some of the following greats: Benny Carter, Woody Herman, Del Courtney, Quincy Jones, Gerald Wilson, Nelson Riddle, Lionel Hampton, Ray Charles, Sammy Davis Jr, Ella Fitzgerald, Peggy Lee, Aretha Franklin, Diana Krall, and Cab Calloway to name a few.
Diana Krall – Have Yourself A Merry Little Christmas – 4:18 Gregory Porter – Christmas Wish – 3:54 Marcus Miller – Candy Cane Lane – 3:53 David Finck – The Christmas Waltz – 4:05 Dave Brubeck – To Us Is Given – 3:32 Ramsey Lewis Trio – Here Comes Santa Claus – 2:38 Joe Pass […]
Avec le retour de la période des fêtes, on ressort les crooners partout. De Bing Crosby à Nat King Cole, on entend toutes les voix suaves d'une Amérique d'une autre époque chanter Noël et nous souhaiter, déjà, une bonne année. Qui aurait cru ça dans les années 70 et 80 où ce genre de chanson était considéré comme totalement ringard. Ah ben oui, il suffit de se référer au tube de Guy Marchand qui, en 1977, en pleine époque disco et punk, rendait hommage aux chanteurs de charme, mais un hommage pas naïf : Hey CroonerTu t'sens pas ridicule la main sur le cœur Tu fais marrer tous les rock'n rollers Quand tu roules tes épaules de mait'nageur Qu'est-ce qu'on a entendu cette chanson à la radio et à la télé, mes enfants. Mais autant ce succès allait être sans lendemain, autant il n'était pas aussi improbable que ça car, on l'a oublié, allez savoir pourquoi, il y avait eu un revival années 40 et 50 aux Etats-Unis au milieu de la décennie. Oui, à une époque où un chanteur âgé de 40 ans était bon pour la retraite, nombre d'entre eux étaient revenus, un temps, à la mode. Est-ce le succès d'Elvis qui n'en finissait pas à Vegas, allez savoir, en tout cas, les crooners avaient connu un bref effet de mode, comme le montre alors l'excellent et hilarant film de Woody Allen, Broadway Danny Rose. Enorme succès, d'ailleurs. Et donc oui, ça peut paraître fou aujourd'hui mais il y a 50 ans, cela faisait un paquet d'années que Sinatra n'avait plus fait de tubes, Hollywood avait remisé les comédies musicales au placard. On n'en a plus vu fonctionner une seule jusqu'à Grease, en 1978, et encore, c'est une exception et il fallait bien se garder d'utiliser le terme de Comédie Musicale. Cette année-là, David Bowie enregistrait un improbable duo avec Bing Crosby, le pionnier du genre, dans une émission de Noël qui serait sa dernière apparition publique. Bowie jouait alors le rôle de l'improbable fan, présent uniquement sur le plateau parce que Bing était le chanteur favori de sa mère. Oui, c'était sa madeleine à lui, le rocker avant-gardiste.Alors, un demi-siècle plus tard, on se demande ce qui s'est passé. Pourquoi les enfants et petits-enfants de ces jeunes des années 60, 70, 80 trouvent ce répertoire variétés - jazzy hyper cool voire classe et certainement pas ringard. Et je ne dis pas ça uniquement à cause des incursions de Lady Gaga dans le genre, non, je rappelle juste que depuis les années 50, on n'avait plus vu autant de nouvelles stars crooners comme Michael Bublé, Diana Krall ou Amy Winehouse. Et donc, en cet hiver 2024, Frank Sinatra revient avec veston, cravate, chapeau, et voix d'or dont il disait qu'elle se rapprochait plus du bel canto que du crooning mais n'empêche, elle touche toujours plus de monde, défi au temps qui passe et au grand livre des époques oubliées.
Songwriter, blues guitarist and singer Chris Smither joins me on the show today. I had the pleasure of meeting Chris and playing with him this past summer at a festival, and he really was a force of nature. He had an incredible groove between his guitar lines and his powerful foot, all brought together with a voice that has developed so much character over the years it just oozes out of him. Chris grew up in New Orleans, but as you'll hear, doesn't totally identify musically with his hometown. He's spent most of his career based out of the Massachusetts area, and developed his style and sound in the folk clubs of Boston and Cambridge. His songwriting style owes as much to others from that era and scene as it does to blues songwriters like Lightnin' Hopkins, Mississippi John Hurt and Skip James. He manages to pull something off which I think is difficult and very unique - he's developed a style of songwriting that seems to be right out of that era of the classic folk/blues tradition, but without being even the slightest bit derivative of those artists that came before him. He wrote the songs “Love Me Like A Man” and “I Feel The Same” that became staples in Bonnie Raitt's career and repertoire, not to mention Diana Krall also cutting “Love Me Like A Man”. His recording career began in 1971 with the album “I'm a Stranger, Too!” at which time he was label-mates with Townes Van Zandt. He's been a prolific artist ever sonce then, with a few personal low times where he shied away from making new records. But since the 90's he's been extremely consistent with a new record every year or two. His latest is called “All About The Bones” and is one of his best. Chris is one of those rare artists that just seems to keep getting better, even into his 80's. I had a great conversation with him from his home on a rare break from the road, and we had a chance to dig into all of his history and record-making process. You can keep up with Chris and all his latest news and extensive touring over at smither.com - please enjoy my conversation with Chris Smither!This season is brought to you by our sponsors Larivée Guitars and Fishman AmplificationYou can join our Patreon here to get all episodes ad-free, as well as access to all early episodesThe show's website can be found at www.makersandshakerspodcast.com Get ad-free episodes and access to all early episodes by subscribing to Patreon. Hosted on Acast. See acast.com/privacy for more information.
Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Shake Up Christmas by Train (2009)Song 1: White Christmas by Diana Krall (2005)Song 2: Mary, Did You Know? by Dolly Parton (2020)Song 3: Looks Like a Cold, Cold Winter by Ingrid Michaelson (2018)Song 4: All I Want For Christmas is You by Mariah Carey (1994)Song 5: Hey Skinny Santa! by JD McPherson (2018)Song 6: I'll Be Home for Christmas by Pentatonix (2016)Song 7: Here Comes Christmas by Alvin & the Chipmunks (1994)Song 8: Christmas in Hollis by Run-D.M.C. (1987)Song 9: The Christmas Song by Dave Barnes (2010)Song 10: Blue Christmas by Elvis Presley (1957)
Tom Reads Your Story returns after a long break to wish you and yours a Merry Christmas with holiday songs from Diana Krall, John Legend, and Chicago. Hosted on Acast. See acast.com/privacy for more information.
National fast food day. Entertainment from 1962. Oklahoma became 46th state, Havana Cuba moved to a better spot, Al Capone released from Alcatraz. Todays birthdays - Burgess Meredith, Dawes Butler, Marg Helgenberger, Harry Lennix, Diana Krall, Lisa Bonet, Maggie Gyllenhall. Clark Gable died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Fast Food Song - Fast Food RockersHe's a rebel - The CrystalsMama sang a song - Bill AndersonHappy Birthday - The BeatlesBirthdays - In da club - 50 Cent http://50cent.com/Rocky IIFly me to the moon - Diana KrallExit - In my dreams - Dokken https://www.dokken.net/Follow Jeff Stampka on facebook, linkedin and cooolmedia.com
Radio Clásica presenta su más amplia de Jazz, piezas inéditas, grabaciones íntimas de Europa.
(Note HB 129 is in production but has not been posted yet so will follow 130) In this special episode of The Hot Box, we pay tribute to the remarkable Russell Malone, a virtuoso guitarist known for his versatility, impeccable swing, and soulful sound. Throughout his distinguished career, Malone collaborated with legends like Diana Krall and Ron Carter, while also shining as a solo artist. Join us as we journey through a selection of tracks that highlight his incredible artistry. From his unforgettable performances on classics like “Sweet Georgia Peach” to his original compositions like “Malone Blues,” this episode is a celebration of Russell Malone's enduring legacy in jazz. Enjoy the music, and let's remember the brilliance of Russell Malone together! Diana Krall: I'm an Errand Boy for Rhythm: Impulse IMP 11642 Ron Carter: Soft Winds: In and Out records LC07588 Diana Krall: Frim Fram Sauce: Impulse IMP 11642 Russell Malone: Sweet Georgia Peach Impulse IMP12822 Diane Reeves: I'm in Love Again Blue Note 0946 3 89658 2 4 Russell Malone: St Louis Blues Columbia CK52825 Russell Malone: You've Got a Friend. MaxJazz MXJ601 Russell Malone: Sugar buzz. MaxJazz MXJ601 Russell Malone: He said What? MaxJazz MXJ602 Russell Malone: Malone Blues MaxJazz MXJ602 Tune In: Live Broadcast: Every two weeks on Jazz Radio Eire. Listen Live Listen Back: Catch past episodes on The Hot Box Jazz and Jazz Ireland. Subscribe to The Hot Box: Via Android: Subscribe on Android By Email: Subscribe by Email Spread the Word: Help us grow our jazz community by sharing The Hot Box with your friends and on social media. Your support keeps us going!
Episode 590 also includes an E.W. Poetic Piece called "Mt. View." Our music this go round is provided by these wonderful artists: Thelonious Monk, Diana Krall, Death Cab for Cutie, Nina Simone, Branford Marsalis and Terence Blanchard. Photo by Almighty Todd. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors.
James Earl Jones was the voice of Darth Vader in Star Wars and Mafusa in The Lion King, and once the voice of CNN. But there was a time when he didn't want to be heard. We revisit his 1993 interview with Terry Gross about how he overcame his stutter. Jones died this week at 93. Also we remember late guitarist Russell Malone. He played with Diana Krall and Harry Connick Jr.Film critic Justin Chang reviews His Three Daughters.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
James Earl Jones was the voice of Darth Vader in Star Wars and Mafusa in The Lion King, and once the voice of CNN. But there was a time when he didn't want to be heard. We revisit his 1993 interview with Terry Gross about how he overcame his stutter. Jones died this week at 93. Also we remember late guitarist Russell Malone. He played with Diana Krall and Harry Connick Jr.Film critic Justin Chang reviews His Three Daughters.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Ola Onabule – Swinging Wide – 5:41 Zootcase – Running out of You – 4:53 Diana Krall – I Wished On The Moon – 2:38 Ben Williams – If You Hear Me – 6:31 Teddy Adhitya – In Your Wonderland – 3:59 Earl Klugh – I’ll Be Waiting – 4:47 Michael Paulo – My Heart […]
El fantástico guitarrista de Jazz Russell Malone acaba de fallecer a los 60 años de edad. Este episodio de nuestro podcast quiere ser un pequeño homenaje y recuerdo a este artista, repasando sus trabajos junto a Harry Connick Jr., Dave Grusin, Diana Krall, Kenny Rankin, Christian McBride, New York Voices, David Sanborn, Will Downing, Dianne Reeves, Regina Carter y Jeff Lorber.
Episode 292: When singer Madeleine Peyroux released her breakout album Careless Love in 2004, her voice and phrasing, with echoes of Billie Holiday and Joni Mitchell, had more verve than the newly famous Norah Jones and more blues than Diana Krall. Her story was more remarkable than either. She'd basically run away from school as an American teenager living in Paris and joined a touring/busking ensemble the Lost and Wandering Jazz and Blues Band. After 2004 she became a vital, critically acclaimed artist with a unique fusion of jazz, blues, country and folk. Now she's released her first entirely self-written songs, guided by the legendary producer Elliot Scheiner, called Let's Walk.
Many artists have those sliding door moments - being at the right place at the right time with just the right amount of talent, style and looks to make it out of having to work a “real job." Growing up in New York and then Paris where a young Madeleine began singing on the street, harnessing her deeply warm and eerily timeless voice (close your eyes and you might hear Billie Holiday) she went from being let go selling newspapers and toiling as a Applebees hostess in Nashville to creating beloved major-label jazz pop albums like Dreamland and Careless Love (one of my all time favorite albums) where she expertly sang out-of-box covers in English from singing poets and kindred spirits like Leonard Cohen and also jazzy French favorites that got her in front of millions of listeners around the world. Slowly Peyroux began inserting personal and often politically powerful originals as her profile grew - leading to her new protest-forward all-original LP Let's Walk. While she was a staple of the early 2000s jazz pop best-sellers alongside Nora Jones and Diana Krall, the new record finally unleashes Peyroux's full creative potential: there's playful bluesy bops like “Showman Dan” which feels like a cheeky Jim Croce hit - and darkly prophetic songs like “Nothing Personal” which takes a clear-eyed view of sexual assault as a weapon of war. She's not holding back and her intuitive band, always a highlight, matches her intensity at every point. Much like her genre-defying albums, a conversation with Madeleine goes in many directions - she's got a lot on her mind, she has a lot of ideas and having lived much of her creative life in both America and France, she has a unique double perspective about what music and culture can do for our well-being and how governments and its citizens can support music more.
The style of the undeniably talented bassist and composer, Ben Wolfe, is truly unique. His approach to music and performance has led to a path of development and success that can be attributed to collaborations with the likes of Harry Connick JR, Diana Krall and Wynton Marsalis. Ben also distinguished himself through a significant catalogue of original music, including well over a hundred songs across ten albums as a leader. With his 11th release titled “The Understated”, Ben presents a collection of new original compositions paired with the re-imaginings of some of his classic material. This album, with a particular emphasis on the ballad song-form, is a reflection of his philosophy that music is all about the sound of the band as ensemble players. In this episode, our conversation explores Ben's musical journey, from a serendipitous experience of becoming a member of his school band playing tuba and trombone, to being a current faculty member at The Juilliard School of Music, an award-winning composer and critically acclaimed musician.
Anexos al abecé de la música popular de Brasil en forma de compilaciones. Intervienen: Banda Beijo, Zeca Baleiro, Elis Regina, Cat Stevens, Barry White, Johnny Hallyday, Hanson, Diana Krall, Bebel Gilberto, Cogumelo Plutâo, Cássia Eller, Laura Fygi y Samantha Mumba.Escuchar audio
DIANA KRALL – WHEN I LOOK IN YOUR EYES New York, 1998Do it again (1), I've got you under my skin (2,3,4), Let's face the music and dance (jm arr,1)Larry Bunker (vib-3) Diana Krall (p,vcl,small ensemble arr) Russell Malone (g) John Clayton (b-1) Ben Wolfe (b-2) Jeff Hamilton (d-1) or Lewis Nash (d-4) + orchestra and strings, Johnny Mandel (arr) ANAT COHEN TENTET TRIPLE HELIX New York, January, 2019Milonga del angel, Footsteps & smiles, La lloronaNadje Noordhuis (tp,flhrn) Nick Finzer (tb) Anat Cohen (cl) Owen Broder (bar) James Shipp (vib,perc) Vitor Goncalves (p,accor) Sheryl Bailey (g) Christopher Hoffman (cello) Tal Mashlach (b) Anthony Pinciotti (d) Oded Lev-Ari (dir) ERIC ALEXANDER CHICAGO FIRE Englewood Cliffs, NJ, November 26, 2013Save your love for me (1), Just one of those things, Blueski for VonskiJeremy Pelt (tp-1) Eric Alexander (ts) Harold Mabern (p) John Webber (b) Joe Farnsworth (d) Continue reading Puro Jazz 08 de Julio 2024 at PuroJazz.
Paula is a Music Studio Executive with 30+ years of experience.She has been an anchor of excellence in the L. A. Recording World, from Kendun to Sound CIty to Capitol Studios, and is held in the highest esteem amongst her colleagues, artists, producers and record labels. As Vice President of Capitol Studios, she has worked with top line artists including Paul McCartney, James Taylor, Barbra Streisand, DIana Krall, Frank Sinatra, amongst others. She was instrumental in securing a "Star" on the Hollywood Walk of Famefor the beloved and legendary engineer, Al Schmitt, who was both her dear friend and loyal client for years at Capitol Studios. She continues to leverage her expertise and experience, to ensure client satisfaction and secure long lasting relationships in all her endeavors.She is a recipient of a She Rock" Legend Award and is a member of NARAS, SCL,Guild of Music Supervisors, Board Member of Pacific Jazz Orchestra, and is featured in Dave Grohl's documentary, "Sound CIty".
This week Joe is featuring Vocalist and Pianist Diana Krall from her 1997 Impulse Records recording, titled “Love Scenes.”
In this episode, The Mentors Radio host Dan Hesse talks with David Foster, one of the most illustrious composers of our time. With 16 Grammy Awards, including three for Producer of the Year, an Emmy Award, a Golden Globe and Three Oscar nominations for “Best Original Songs,” Foster has earned a reputation as a keen spotter of new talent, playing a key role in the discovery and career launches of Celine Dion, Josh Groban, Michael Bublé and more. Few other individuals can claim to have their fingerprints on more major moments in all of popular music than David Foster. He has created hit songs for a diverse array of artists including Barbra Streisand, Celine Dion, Whitney Houston, Michael Jackson, Madonna, Andrea Bocelli, Michael Bublé, Josh Groban, Rod Stewart, Stevie Wonder, Earth, Wind & Fire, Diana Krall, Natalie Cole, Michael Bolton, Seal, Chaka Khan, Kenny Rogers, Dolly Parton, Chicago, Hall & Oates, Brandy, 'N Sync, Boz Scaggs and Gloria Estefan, to name a few. Currently, Foster is gearing up to take on Broadway with several projects, including writing the music for a new musical about iconic animated character “Betty Boop.” He is also writing music for a musical based on the Amy Bloom novel and New York Times bestseller Lucky Us. Listen to the show live on Salem Radio in San Francisco or via live-streaming on iHeart Radio worldwide… You can also listen on ANY podcast platform, including Apple podcast, iTunes, Spotify, TuneIN, Stitcher, Google Play and all the others. Sign up for the podcast here. SHOW NOTES: DAVID FOSTER: BIO: https://davidfoster.com/story/ WEBSITE: https://davidfoster.com/ BOOK: Hitman: Forty Years Making Music, Topping the Charts, and Winning Grammys, by David Foster (“EXCELLENT book, can't put it down, includes valuable lessons he's learned along the way, with riveting behind-the-scenes stories, vignettes and experiences. I read the sample in Amazon and bought the Kindle version on the spot to finish reading!” — K.W., producer of The Mentors Radio) NETFLIX DOCUMENTARY: David Foster: Off The Record
My guest today is Producer, Engineer & Mixer William Garrett. William has worked with a LARGE amount of people! That's includes Esperanza Spalding, Grouplove, John Legend, The Head and the Heart, Migos, Zara Larsson, The Shins, Max Richter, Sting, Ed Sheeran, Zac Brown Band, Rascal Flatts, TLC, Arcade Fire, Miley Cyrus, Norah Jones, Kelly Clarkson, Jennifer Lopez, The National, Greta Van Fleet, St. Vincent, Iron & Wine, Luke Combs, Jack White, The Raconteurs, Cyndi Lauper, John Cale, Conor Oberst, New Kids On The Block, Michael Monroe, Jennifer Lopez, John Waite, Slayer, Brandi Carlile, Def Leppard, Tony Bennett, Diana Krall, Shawn Mendes, Mac Miller, Elton John, Yo-Yo Ma, Michael Bublé, Jon Batiste, Vampire Weekend, Carly Rae Jepsen, Alicia Keys, The Lumineers, Alanis Morissette, Black Pumas, James Blake, Finneas, Arlo Parks, Shania Twain, Avril Lavigne, Samara Joy, Molly Tuttle, and Margot Price........to name a few! In this episode, we discuss Winston Salem, North Carolina Tobacco Leaves A Great Childhood Stereo Under the Stairs Early Musical Influences Wipeout! Playing Coffee Houses Tossing X-Rays Sound on Sound Recording Boarding School in Maine The World of Jingles Nashville Sessions Political Science and Economics Berklee College of Music Networking Working as a Janitor Driving Cabs on the Side Burt Bacharach's Jacket Tape Copy Guy Alpha Media Records After Hours Recording House Sound Guy Recording band Demos The Norah Jones Story Changing Technology Presence and Perseverance Jolly Automatic Slayer The Black Crowes Rick Ruben Ed Stasium George Drakoulius Hugging Smokey Robinson Producing Artists for Spotify Getting Laid Off Going back to Freelance Being Grateful Matt's Rant: Going the Extra Mile Links and Show Notes William on Linkedin William on Instagram William's Linktree Credits Guest: William Garrett Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau WCA Theme Music: Cliff Truesdell Announcer: Chuck Smith
Joe Lovano is a Superstar Grammy Award winning saxophonist who Downbeat Magazine has called “The Titan among us”. He's played with a Who's Who of the Jazz world including Woody Herman, Tony Bennett, McCoy Tyner, Herbie Hancock, Esperanza Spalding, Hank Jones and Diana Krall.My featured song is “Out Of Tahini” from the album Play by my band, Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“LOU'S BLUES” is Robert's new single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Intro/Outro Voiceovers courtesy of:Jodi Krangle - Professional Voiceover Artisthttps://voiceoversandvocals.com Audio production:Jimmy RavenscroftKymera Films Connect with Joe at:www.joelovano.com Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
In Epi 9, world class jazz musician John Clayton and podcast host E.B. Moss reminisce about a friendship launched with a prank, before seriously discussing the Grammy-winning arranger/composer/bassist's techniques, and experiences across a life in the music industry. From his serendipitous introduction to the bass, mentorship under Ray Brown, journey with musicians from Dee Dee Bridgewater to Diana Krall, Oscar Peterson to Monty Alexander. it's quite a living. Learn how John approaches composing and performing... his passion for blending flavors in music arrangements, to how drummer Jeff Hamilton, with whom he co-founded the Clayton-Hamilton Jazz Orchestra, introduced him to the blends of fine wine! It's like fly-on-the-wall eavesdropping on a close friendship -- filled with laughter...and a master class in both music and living quite the life.Clayton's early fascination with the bass, initiated at age 13 and cemented by a Ray Brown solo he heard, led him to a fruitful career, from playing in the Count Basie Orchestra, to collaborating with or composing for icons such as Paul McCartney, Nancy Wilson, Queen Latifah. Regina Carter, and even a recent release with 89-year-old sax legend, Houston Person, and scores more. (John even composed the theme song for "Insider Interviews with E.B. Moss!) Clayton shares anecdotes from his life his philosophies on jazz, and the role of an artist in presenting their work to an audience. He stresses the importance of expression over performing for audience expectations, citing experiences and insights from his expansive career in the music industry. The episode is rich with stories of Clayton's collaborations, his approach to composition and arranging, and a lot of laughter between friends. Through this spontaneous and engaging chat, Clayton's passion for jazz and his respect for its power to connect and communicate shine brightly, offering listeners a unique glimpse into the life of a truly remarkable musician.If you catch this on YouTube, watch for archival images, and don't miss the little reaction at the end from a gobsmacked studio engineer capturing a solo from John's session with Houston.... Find/Follow "It's Quite a Living" everywhere including YouTube Twitter @QuiteALiving Instagram: @QuiteALivingPodcast Find Moss Appeal on LinkedIn: https://linkedin.com/in/MossAppeal And if you want to support the arts and keep this free podcast — and Insider Interviews Podcast — going, please consider “buying me a coffee” of ANY size!: https://buymeacoffee.com/mossappeal
De 'Embraceable', primer disco en años de la cantante canadiense Susie Arioli, 'Pendulum' de su autoría y los 'standards' 'It´s allright with me', de Cole Porter, 'Embraceable you', de los Gershwin', y 'On the street where you live'. Del pianista Keith Jarrett, 'Don´t ever leave me', 'I loves you Porgy', 'Be my love' o 'My wild Irish rose' de su disco de 1999 ''The melody at night with you'. Y de la también canadiense Diana Krall, cantante y pianista, 'Where or when', 'Quiet nights' -que da título al disco- y 'The boy from Ipanema'.Escuchar audio
59 minutes pour le meilleur de la musique
Make mine a phantom center! Steve talked about the birth of mixing in Atmos, recording strings for the last Beatles song, Now And Then, how to record immersively, building a home mixing studio, mics for strings, object bed mixing, and the LFE sub. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Steve Genewick a Grammy-nominated recording engineer with 30 years of experience, both as a studio and live recording and mix engineer. Steve has had the pleasure of working at iconic recording studios around the world such as United Recording, East West Studios, Sunset Sound and Village Recorders in Los Angeles, Abbey Road and Angel studios in London and La Fabrique Studios in France. For 20 years, Steve had the great honor of working alongside the legendary 23-time Grammy award-winning producer and engineer, Al Schmitt. They worked with artists such as Diana Krall, Chris Botti, Gladys Knight, Neil Young, George Benson, Quincy Jones, Burt Bacharach and Paul McCartney. Steve also joined Al for “Mix With The Masters” seminars for nine years in the south of France, in addition to collaborating on their instructional film “The Art of Recording a Big Band”. Steve worked primarily out of the famed Capitol Studios in Hollywood as a staff engineer from 1994 to 2022. At Capitol, he worked with countless renowned artists such as Elton John, Bastille and Trisha Yearwood. Steve was among the first studio mixers to begin mixing music in Dolby Atmos, working on projects with Beck, Gregory Porter, LL Cool J, Sam Smith and Niall Horan, and on the popular video game Apex Legends. In 2017, Steve received the Pensado Award for Best Recording Engineer. He was also a part of the Universal Audio and Capitol Studios team that won a 2020 TEC Award for their Capitol Chambers plugin. Check out Steve's earlier episode on RSR231. Thanks to Matt BOUDREAU at the Working Class Audio podcast for making our introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://gracedesign.com/ https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://iZotope.com use code ROCK10 to get 10% off! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Listen to this guest's discography on Apple Music: https://music.apple.com/us/playlist/steve-genewick-atmos-mixes/pl.u-76oNkrMF1JKbp If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/447
HOTEL BOHEMIA IS DESIGNED TO LEAD YOU TO A DESTINATION CONSTRUCTED WITH THE HOPE OF EXAMINING THE HOLY PAST, THE PUZZLING PRESENT AND THE POSSIBILITIES OF OUR IMPENDING FORTUNES.THIS PROGRAM IS DEDICATED WITH LOVE TO THOSE WHO INSPIRED THE ARCHITECTURE OF THIS HOTEL BOHEMIA PREVIEW:MEL BLANC, PHIL OCHS, ANDY DEVINE, SAM LAY, EUGENE O'NEILL, ROBERT RYAN, NICK GRAVENITES, BEN WEBSTER, DAVID MAMET, AL PACINO, LEON FUCHS, CHUBBY CHECKER, BUDD SCHULBERG , ROD STEIGER, MARLON BRANDO, ELIA KAZAN, AL JOLSON, MURRAY 'THE K" KAUFMAN, TRACEY DEY, THE ROCK, JOHN BELUSHI, DON RICKLES, FRANK SINATRA, JOHNNY CARSON, JEFF LYNNE, RODNEY DANGERFIELD, DIANA KRALL, EDWARD R. MURROW, ROBERT THOM, ED BEGLEY, SYLVESTER STALLONE AND BILL MESNIK.
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Bing Crosby Podcast 1943-09-23 Guest George Murphy and Gordon MacRae's Railroad Hour 1953-09-21 Ep260 Minstrel Boy (Tony Bennett and Diana Krall 2018)
My guest is Paula Salvatore, VP of Client Relations & Studio Marketing, Universal Music Group. Paula has worked with Al Schmitt, Paul McCartney, John Mayer, Frank Sinatra, Quincy Jones, Diana Krall, Phil Ramone & David Foster. She has worked 33 1/3 years in Capitol Studios/UMG Studios. Paula is featured in Dave Grohl's documentary "Sound City" as the Studio Manager in the 80s. She was instrumental in getting Al Schmitt a Star on the Hollywood Walk of Fame in front of the Capitol Records building. In this episode, we discuss The Rolling Stones Sewing Clothes The Fashion Path Kendun Studios First Job at a Recording Studio Rose Mann-Cherney Candace Stewart Sound City Capitol Studios Rental Furniture The Front Office Al Schmitt Women in Studios Basic Human Skills Supporting Clients Matt's Rant: Revisiting Saying No to Work Links and Show Notes Paula on Instagram Paula on Linkedin Capitol Studios Candace Stewart on WCA Al Schmitt & Steve Genewick on WCA Credits Guest: Paula Salvatore Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau WCA Theme Music: Cliff Truesdell Announcer: Chuck Smith
Paul Wells is a Professor of Jazz Drums at The Juilliard School in New York City and possesses an encyclopedic knowledge of Neil Peart's kits. He joins us this week to talk about Rush--obviously--and his efforts to restore Neil's original Rush kit, the famous Chromey! Paul has played with the likes of Curtis Stigers, Vince Giordano's Nighthawks, Deborah Harry, Joe Williams, Wynton Marsalis, Elvis Costello, and Diana Krall, among others. Learn more about him at https://www.paulwellsdrums.com.
Welcome to Episode #112 of "The Other Side of the Bell", a podcast brought to you by Bob Reeves Brass. In this episode, John talks with Wayne Bergeron and Jeff Bunnell about their recently released album called "Homage" by the Los Angeles Trumpet Ensemble. We hope you'll enjoy their conversation as well as the album. Join us at Dillon Music, November 9-11 for valve alignments and mouthpiece consultations. Email sales@dillonmusic to schedule an appointment! About the Los Angeles Trumpet Ensemble Album "Homage" The recording scene in Los Angeles has a long history of great and highly versatile trumpet playing. For the most part, though, these trumpet players rarely get a chance to be featured. In 1957, Tutti Camarata arranged and produced a record called Tutti's Trumpets that featured some of the top session trumpet players in Los Angeles at that time. That was over 60 years ago. Wayne Bergeron and Jeff Bunnell started talking about doing another recording that would feature some of the current session trumpet players here in Los Angeles. Wayne suggested recording a trumpet ensemble CD to Jeff and they loved the idea and thought a choir of trumpets would work well. With that, the Los Angeles Trumpet Ensemble came into being. In choosing the music Jeff arranged for this CD, he wanted to pay tribute to some of the film composers who are part of the Los Angeles recording scene (and who write so well for the trumpet), and also pay tribute to some of the great trumpet players of the past and present. Jerry Hey graciously wrote the arrangment for the last track, the iconic Al Jarreau tune "Roof Garden". Los Angeles Trumpet Ensemble Members Jeff Bunnell Wayne Bergeron Jon Lewis Dan Fornero Marissa Benedict Dan Rosenboom Rob Schaer Larry Hall Dan Savant About Wayne Bergeron Wayne Bergeron is enjoying a career as one of the most sought-after musicians in the world. Studio sessions, film dates, international touring, jazz concerts, guest appearances, and clinics keep him busy not only in his hometown of Los Angeles but worldwide. Born in Hartford, Connecticut in 1958, Bergeron came to California at age one. He originally started on French horn but switched to trumpet in seventh grade where he found a natural upper register ability. Bergeron credits his junior high and high school teachers, Ron Savitt and Bob Smith, for molding his talent into practical working skills. Bergeron first caught the ear of many when he landed the lead trumpet chair with Maynard Ferguson's band in 1986. Bergeron can be heard on Maynard's recordings of Body and Soul, Big Bop Nouveau, Brass Attitude, and The One and Only Maynard Ferguson. Bergeron demonstrates daily why Maynard remarked, “Wayne is the most musical lead trumpet player I've had on my band.” As a sideman, Bergeron's list of recording credits reads like a “who's who” in contemporary jazz and pop, running the stylistic gamut from Ray Charles to Green Day. Other names include Katy Perry, Beyoncé, Barbra Streisand, Michael Buble, Indina Menzel, Leslie Oden Jr., Herb Alpert, The Jonas Brothers, Burt Bacharach, The Dirty Loops, Seth MacFarlane, Natalie Cole, Celine Dion, Seal, Diana Krall, Tito Puente, Christina Aguilera, Dianne Reeves, Michael Bolton, Earth Wind & Fire, The Pussy Cat Dolls, My Chemical Romance, The Mars Volta, Chicago, Rosemary Cloony, Diane Schuur, Barry Manilow, Lee Ann Womack, Lou Rawls, Eric Marienthal, Kenny G., and David Benoit. Bergeron has worked on over 500 TV & motion picture soundtracks. A partial list of film credits includes Red Notice, Turning Red, Soul, Bob's Burgers, Ford vs. Ferrari, Toy Story 4, Frozen 1 & 2, The Lion King (2019), The Secret Life of Pets, Wreck it Ralph 2, Crazy Rich Asians, Sing 1&2, Moana, Frozen 1 & 2, Get On Up, Toy Story 3, Monsters University, High School Musical 3, Get Smart, Superman Returns, The Simpson's Movie, Dreamgirls, Hairspray, Mission Impossible 3, Ice Age 2, Spiderman 1 & 2, Team America and South Park. Bergeron's featured trumpet solos can be heard on the motion pictures West Side Story (2021 Steven Spielberg), La La Land, Sing, The Incredibles 1 & 2, Rocky Balboa, The Secret Life of Pets 2, Rough Night, Jazzman's Blues, Vacation Friends, Ted 2, Minions, Minions 2:The Rise of Gru, Spies in Disguise, Jersey Boys, The Green Hornet, The Interview, Despicable Me 1, 2 & 3, Duplicity, Princess & the Frog, The Perfect Game,, Hey Arnold (the movie), The Rat Pack, Child Star, Aladdin King of Thieves and High Crimes and many others. Numerous TV credits include Academy Awards, Golden Globe Awards, SAG Awards, NBC, ESPN & TNT sports themes, American Idol (2001-02), Emmy Awards, Grammy Awards, Animaniacs Reboot, Family Guy, American Dad, Simpson's, Wonderful World of Mickey Mouse, The Cleveland Show, Green Eggs and Ham, Jeopardy, America's Funniest Home Videos, Will and Grace, Phineas & Ferb, Emperor's New School, Mouse Works, Have a Laugh, House of Mouse, King of the Hill, Futurama, Buzz Lightyear, Hercules, and Hey Arnold. Bergeron's greatest love is playing lead in big bands. He has recorded and played with some of Los Angeles' most respected bands including Gordon Goodwin, Arturo Sandoval, Pat Williams, Sammy Nestico, Jack Sheldon, Chris Walden, Tom Kubis, John La Barbara, Bob Florence, Joey Sellers, Ray Anthony, Bill Watrous, Bob Curnow, and Quincy Jones. After being behind the scene for so many years, Bergeron stepped out on his own with his first solo effort, You Call This a Living? This debut project earned him a Grammy nomination in 2004 for Best Large Jazz Ensemble, as well as rave reviews from fans and press worldwide. Bergeron's second CD, Plays Well With Others, released on the Concord Jazz label in 2007, was met with the same acclaim. Bergeron's most current (and personal favorite) CD, Full Circle, was released in January of 2016. Bergeron performs various events for the Hollywood Bowl summer season. He has done guest appearances with the L.A. Philharmonic, The New York Philharmonic, Cleveland Orchestra, Dallas Symphony, Taiwan Symphony, and Tokyo Philharmonic. Bergeron is a National Artist for the Yamaha Corporation of America and is co-designer of the YTR-8335LA trumpet and YFH-8315G Flugelhorn. Bergeron also designed a series of trumpet mouthpieces with Gary Radtke of GR Technologies that are available through Bergeron's website. Bergeron was mentored by legends Uan Rasey, Bobby Shew, Warren Luening, Gary Grant, Rick Baptist, and George Graham. Bergeron hopes to inspire a new generation of young players and enjoys his work as a clinician and educator. “Nothing makes me feel more accomplished than hearing a young musician say that I inspired them or had a positive influence on their life. For me, that's the real payday.” Bergeron is currently on faculty at California State University Northridge. Perhaps Grammy winning composer and bandleader, Gordon Goodwin said it best, “Wayne is a once in a lifetime lead trumpet player.” About Jeff Bunnell Trumpeter Jeff Bunnell has enjoyed a successful career in many musically diverse settings. He is an active member of the Los Angeles freelance performing and recording community, and has been for over four decades. The many artists Jeff has worked and recorded with include Mel Torme, Ray Charles, Bob Dylan, Natalie Cole, Michel Legrand, Johnny Mathis, Tony Bennett, Robbie Williams, Paul McCartney, Seth MacFarlane, Rosemary Clooney, Paul Anka, Lou Rawls, Barry Manilow, Dianna Krall, Frank Sinatra Jr., David Sanborn, Diane Schuur, Brian Wilson, Tom Harrell, Steve Lawrence, Maroon 5, Michael Feinstein, Debby Boone, Andy Williams, Patti Austin, Brian Setzer, Jack Sheldon, Steve Allen, Marilyn McCoo, Engelbert Humperdink and Shirley Bassey. Jeff has toured with Ray Charles, Horace Silver and Poncho Sanchez. He has performed with many of the top big bands in Los Angeles including Tom Kubis, Bill Watrous, Alf Clausen, Johnny Mandel, Bill Holman, Arturo Sandoval, Gordon Goodwin's Phat Band, Les Hooper, Pete Christlieb, Pat Williams, Wayne Bergeron, Steve Spiegl, Carl Saunders and Bernie Dresel. He has recorded with many of these big bands including Ray Charles, Tom Kubis, Bill Watrous, Les Hooper, Pete Christlieb, Jack Sheldon, Brian Setzer, Wayne Bergeron, Steve Spiegl and Bernie Dresel. Jeff played the lead trumpet chair with the Carl Saunders Big Band, the Pete Christlieb Tall and Smail Band, and the Steve Spiegl Big Band. Currently Jeff plays one of the solo chairs with both The Tom Kubis Big Band and Bernie Dresel's BBB. Jeff has worked with many of the orchestras in Southern California including The Hollywood Symphony Orchestra, The Hollywood Bowl Orchestra, The Long Beach Symphony, The New West Symphony, The Pacific Symphony and The Pasadena Pops Orchestra. As a session player Jeff has played on hundreds of feature film and television soundtracks. His film credits of note include “Star Trek Beyond”, “Jurassic World”, “The Incredibles”, UP (Oscar winner for Best Soundtrack), and “O.J. Simpson: Made in America” – where Jeff is a featured soloist throughout the film (Oscar winner for Best Documentary Feature). His television credits include “Pennyworth”, “The Simpsons”, “Family Guy”, “Why Women Kill”, “American Dad”, “Parks and Recreation”, “Alias”, and “The Clone Wars” animated series. He has also played on hundreds of television and radio commercials, as well as the Academy Awards and the SAG Awards. As a musical theater pit musician, Jeff has played on more than 60 Broadway shows including “West Side Story”, “Phantom Of The Opera”, “Dream Girls”, “Into the Woods”, “Sophisticated Ladies”, “Jesus Christ Superstar” and “Titanic”. He has studied trumpet privately with Joe Alessi Sr., Boyde Hood, Bobby Shew, Claude Gordon and Uan Rasey. Jeff is currently a faculty trumpet and jazz instructor at The Master's University. Jeff is also a Bach Artist & Clinician. In addition to playing the trumpet, Jeff also works as an arranger, orchestrator, and conductor. He has orchestrated for film and television, as well as other areas of music such as Broadway Shows, cruise ship music and theme park music. His original big band charts can be found in the books of Arturo Sandoval, Bill Watrous, Jack Sheldon, Ron Jones, Emil Richards, Steve Spiegl and Bernie Dresel. He has published three transcribed jazz trumpet solo books through Aebersold Jazz. Links Listen to this episode online: https://bobreeves.com/blog/la-trumpet-ensemble/ Watch the video of this episode on YouTube: https://youtu.be/H2-vc5QQLpk