American jazz singer
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7 episodes with Dee Dee Bridgewater
10 episodes with Dee Dee Bridgewater
6 episodes with Dee Dee Bridgewater
9 episodes with Dee Dee Bridgewater
5 episodes with Dee Dee Bridgewater
4 episodes with Dee Dee Bridgewater
4 episodes with Dee Dee Bridgewater
3 episodes with Dee Dee Bridgewater
2 episodes with Dee Dee Bridgewater
Le saviez-vous ? Adolescent, le DJ et clubber que je suis n'écoutait quasiment que du jazz... en raison, sans doute, d'un tropisme familial sur plusieurs générations, aussi probablement pour ne pas faire comme les autres. En bon petit Drômois, impossible de ne pas aller poser mes fesses dans le magnifique théâtre antique de Vienne pour le festival Jazz à Vienne. J'y ai vu Miles Davis, Dee Dee Bridgewater, Earth Wind & Fire, Louis Sclavis... Devenu, depuis et notamment ici à Tsugi Radio, un professionnel des festivals, Jazz à Vienne est le premier festival que j'ai fréquenté. Alors je suis particulièrement ému et très excité cette année puisque mercredi 9 juillet, Tsugi Radio sera en direct pour la première fois de Vienne, nous serons sur la scène du Théâtre Antique de 19h30 jusqu'à 20h30 à l'heure où Goldlink puis Rejjie Snow fouleront cette scène mythique. Créé en 1981, Jazz à Vienne à l'image d'autres grands événements comme le Nice Jazz Festival, ou Nancy Jazz Pulsations, que jazz rime avec curiosité et ouverture d'esprit. C'est l'esprit encore une fois de cette 44ème édition, qui s'élancera à partir du 26 juin pour 15 jours de toutes les musiques au bord du Rhône. Focus Jazz à Vienne aujourd'hui avec le set d'un confrère, Alpha Diallo, fondateur de LGTDZ, le gros taz de zik, media et webradio lyonnaise, qui organise une carte blanche pour jazz à vienne, ainsi que Guillaume Anger, programmateur du festival.
Cantora americana Dee Dee Bridgewater: Leão XIV é um Papa "sem medo"18e1a2a7-9c38-f011-a5
Duas grandes mulheres estão no Ensaio Geral desta semana: a escritora Isabel Allende, com quem falamos sobre o novo livro, e a cantora de jazz norte-americana Dee Dee Bridgewater, que este domingo atua em Lisboa. Destaque também para o Festival Imaginarius, que saiu à rua em Santa Maria da Feira, uma peça que reinterpreta o “Lago dos Cisnes” e as sugestões de leitura de Guilherme d'Oliveira Martins, do Centro Nacional de Cultura (CNC).
The legendary Indianapolis jazz club The Jazz Kitchen recently celebrated its 30th anniversary. Through the years, The Jazz Kitchen has hosted performances from some of the biggest names including J.J. Johnson, Billy Cobham, Dee Dee Bridgewater, Bob James, Ray Brown, Lakecia Benjamin, Kamasi Washington, and many others. In 2009, The Jazz Kitchen was recognized by DownBeat magazine, as one of the 100 best jazz clubs in the world. Listen to an interview with the club's founder David Allee, as he shares an oral history of The Jazz Kitchen. Allee is also a trumpet player and has performed with groups including the Jimmy Coe Big Band and Pavel & Direct Contact.
There's a not so polite saying about teaching music and music teachers that goes like this: If you can, play. If you can't, teach. That is what jazz legend Ellis Marsalis once said to a Detroit drummer who was considering becoming a music teacher. I'm talking about drummer, educator, producer and band leader Clarence Penn. Fortunately, Clarence did not take it to heart, eventually acquiring a master's in music education from Rutgers University. It was also to the benefit of future musicians who became Clarence's students. In this episode, Clarence Penn and I engage in deep reflection on jazz and jazz music instruction. He started playing music with the drum set influenced by his drummer neighbor Ricky Hudson around eight years old. In 1986, while still in high school, he attended the Interlochen Arts Academy where Clarence focused on classical percussion aiming to be a timpanist, but later eventually committed to jazz in high school after meeting NEA Jazz Master, trumpeter, and Jazz at Lincoln Center Orchestra Music Director, Wynton Marsalis. He started studying at the University of Miami in Florida in 1986 but transferred to Virginia Commonwealth University which is when he began working with the great Ellis Marsalis. The conversation navigates his brief stint with trumpet, his preference for jazz over classical due to its broader voice and creativity and reflects on the evolving definition of jazz. The discussion also delves into his teaching philosophy, emphasizing individualized attention, deliberate practice, and the importance of being a well-rounded person. What Ellis Marsalis said about teaching, he later retracted when Clarence told him he was pursuing a master's at Rutgers in music education. He said, according to Clarence, “…that those who can play, teach,” thus giving Clarence his blessing. Clarence Penn also talks about various influences and collaborations, his views on the business of being a musician, and his expressive performance style. He mentions his project with the 2025 Grammy nominated American Patchwork Quartet, its diverse cultural influences, and explains his latest album 'Behind the Voice', which pays homage to drummers who have significantly impacted music. His resume more so lays out his career as a jazz musician than a teacher of percussion instruments, performing with Ellis and Wynton Marsalis, Maria Schneider, Stanley Clark, Betty Carter, Christian Sands, Lakecia Benjamin, Dee Dee Bridgewater, and Kurt Elling, among many other highly accomplished musicians. He concludes by discussing the importance of teaching as therapy and the rewarding relationships with students. In this episode, we'll listen to three tracks of music, thanks to Origin Records. Two will come from Clarence Penn's latest project, Behind the Voice, released in 2024, more so a R&B/soul sound that has enormously brilliant drumming and keyboards by Clarence. The third track comes from his 2014 recording, Monk: The Lost Files, a highly acclaimed release that revisits some of the most memorable compositions by jazz legend Thelonious Monk. You will hear the first song just prior to the conversation opening. 1. “Send One Your Love” (Steve Wonder)-Behind the Voice-3:15; Clarence Penn-drums, percussion, keyboards, vocoder; Aaron Marcellus-vocals; The second track will play at about 31 minutes into the program. 2. “Hackensack”: Monk: The Lost Files; Chad Lefkowitz-Brown - Saxes; Donald Vega-Piano; Yasushi Nakamura - Acoustic & Electric Bass; Clarence Penn - Drums, producer-arranger. The third song will close the conversation. 3. “You Are” (Clarence Penn, Tyrone Corbett), Behind the Voice -3:52; Clarence Penn—drums, percussion, keyboards, vocoder; Chelsea Jackson-vocals; Yasushi Nakamura-bass Thank you for listening. I know there are many podcasts for you to enjoy so it means a great deal to me that you are spending time with this conversation.
En esta edición de nuestro podcast estrenamos ‘Soft Focus', el nuevo trabajo discográfico del músico, compositor y cantante Joel Sarakula. En el repaso a recientes lanzamientos en la música Smooth Jazz reseñamos los álbumes de Marion Meadows, Jason Jackson, Tom Schuman, BPM y Skinny Hightower. En el bloque central descubrimos como sonaba la música de Dee Dee Bridgewater en sus inicios. En las últimas décadas se ha convertido en una de las cantantes de Jazz más destacadas de la escena internacional.
Presentamos el 30º Festival Jazz al Margen y algunas grabaciones recientes de jazz vocal para empezar a comentar también el 41º Festival de Jazz de Zaragoza. Escuchamos a Bratia, Romain Pilon, Alvaro Ocón, Susana Sheiman, Patricia Kraus, Dee Dee Bridgewater, Samara Joy, Gonzalo del Val & Valentina Marentes, Momi Maiga, Gregori Hollis & Rita Payés y la Barcelona Art Orchestra. Temas que suenan en el programa: 01 2023 Bratia - Balkan Pompe Ignition 09 Vatra - Pere Nolasc Turu Victor Paradis Biel Ballester Ivan Kovačević Stelios Togias (3' 15'') 02 2022 Romain Pilon - Finding Light 05 Wishing Well - Jeff Denson Brian Blade (4' 33'') 03 2021 Alvaro Ocón - The Ritual 02 Si los días tuviesen 37 horas - Dylan Chandler Julio Marín Josep Pou Jon Carranza David Gimeno (3' 00'') 04 2016 Duccio Bertini Big Band - A Day in Barcelona 01 It Could Happen to You - Susana Sheiman David Pastor Toni Solà (4' 02'') 05 2023 Patricia Kraus - Alquimia 09 Horizonte - Gherardo Catanzaro Yrvis Méndez Antonio Pax (3' 01'') 06 2024 Dee Dee Bridgewater - Live Tournai Jazz Festival - Mississipi Goddam (5' 08'') 07 2024 Samara Joy - Autumn Nocturne (3' 43'') 08 2024 Gonzalo del Val & Valentina Marentes - Lamentos Mestizos 03 Veracruz - Luis Giménez Paquito Cruz Benjamín García (4' 02'') 09 2024 Momi Maiga Kairo 02 Mbolo - Carlos Montfort Marçal Ayats Aleix Tobias (3' 17'') 10 2024 Gregori Hollis - Futur - Rita Payés Kevin Díaz Ferran Rico Christian Delgado (5' 57'') 11 2024 Barcelona Art Orchestra - Live Auditori - Serratologia - M'en vaig a peu (6' 58'') Y os recomiendo, como siempre, la web jazzaragon para estar al día del jazz en Aragón.
durée : 00:59:27 - Banzzaï du mardi 03 septembre 2024 - par : Nathalie Piolé -
A show influenced by all the artists, DJs and tunes Robert heard at We Out Here festival recently. An important track from aja monet. Deep downtempo tunes from Andre 3000 & Tara Lily. Soul from Dee Dee Bridgewater, Asha Puthli, Steven Bamidele, Loose Ends and Allysha Joy. A classic from Omar & Zed Bias. Broken Beat from Matica on Dance Regular. Reggae from Mr Vegas and Yaya Bey. An uplifting dancefloor groove from Gayance featuring Judith Little D. Plus plenty more music treats.
In this episode: Listen to a conversation between your host Vivienne Aerts and Brooklyn based, Italian violinist Ludovica Burtone as they talk about her story how she moved from the tiny city of Udine, Italy to Boston to New York, about the making of her album Sparks About Ludovica Burtone Originally from Barcelona, Spain, Mar Fayos is a jazz vocalist whose music carries influences from Latin, pop, Mediterranean, and soul music. She has performed with accomplished artists such as Brazilian composer Toninho Horta, four-time Grammy-winning bassist Oscar Stagnaro, Mexican composer Armando Manzanero, and jazz vocalist Dee Dee Bridgewater, as well as singing at the Newport Folk Festival, performing at Teatro de la Zarzuela de Madrid with the Spanish producer Javier Limón, and working with Sony Latin U.S., among others. A multi-award-winning vocalist, composer, producer of live music events, educator, and music activist, Fayos graduated with honors from Berklee College of Music in 2018 and from the Berklee Global Jazz Institute graduate program in 2021, where she studied with renowned jazz musicians such as Danilo Pérez, John Patitucci, Joe Lovano, Kenny Werner, Tia Fuller, and Kris Davis, among others. Last December, she released her debut album of original compositions, Mi Propia Religión, receiving acclaim from the international press. Mar Fayos currently works as a faculty member at Berklee College of Music, Bunker Hill Community College, and Escola Taller de Músics. She performs actively in Spain, around Europe, and in the U.S. Instagram / Facebook / YouTube About ViviTalks - Interviews with the Women Behind Typuhthâng. Introducing ViviTalks, a podcast hosted by Dutch New York-based musician Vivienne Aerts. Join us as we celebrate 100 talented female musicians from Vivienne's latest album "Typuhthâng," with a mission to empower female cacao farmers in the Virunga State Park of Congo and contribute to rainforest restoration. We delve into the musical journeys, creative processes, and unique perspectives of these talented women, seeking to bring greater balance to the music industry. It's a safe space for honest and authentic conversations with artists and trailblazers. Let's amplify the voices of remarkable women in music and stay tuned for inspiring stories and meaningful dialogues on ViviTalks. Stream the Album or Buy it on Bandcamp and get the chocolate! More about Vivienne here.
durée : 00:59:09 - Le jazz sur France Musique - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé.
Norman Connors scored several US hits with songs featuring guest vocalists such as Michael Henderson, Jean Carn, and Phyllis Hyman.The most successful of these was “You Are My Starship” featuring Henderson in 1976, while “Valentine Love”, his first chart success, made 10 R&B in 1975 with vocals from Henderson and Jean Carne. Dee Dee Bridgewater … Continue reading Soul Discovery Show – An Exclusive Interview with Norman Conners from 2009 →
Alvester Garnett Interview Alvester Garnett is a top-tier jazz drummer, celebrated for his swing, passion, and professionalism. His career began in Richmond, Virginia, where early influences included Ellis Marsalis and the jazz program at Virginia Commonwealth University. After moving to New York, Garnett quickly made a name for himself, working with legends like Betty Carter and Abbey Lincoln. He was the only drummer from the Thelonious Monk competition invited to Betty's Jazz Ahead program, which launched his career. Garnett has since collaborated with notable artists such as Pharoah Sanders, Dee Dee Bridgewater, and Benny Golson. He also became the regular drummer for violinist Regina Carter, who later became his wife. In September, Garnett will lead his band, The Artworks Ensemble, at the Central Jersey Jazz Festival in Somerville, NJ. The performance will feature original compositions and include special guest trombonist Papo Vázquez, alongside Bruce Williams, Charlie Sigler, Brandon McCune, and Santi Debriano. This performance highlights Garnett's ongoing commitment to jazz and his ability to blend leadership with collaboration. Alvester Garnett will lead his band, The Artworks Ensemble, at the Central Jersey Jazz Festival on September 15th in Somerville, NJ. The performance will feature original compositions and include special guest trombonist Papo Vázquez, alongside Bruce Williams, Charlie Sigler, Brandon McCune, and Santi Debriano. https://centraljerseyjazzfestival.com/
In this episode: Listen to a conversation between your host Vivienne Aerts and Mar Fayos, Spanish vocalist and composer, as they talk about Cirque du Soleil, and her new album About Mar Fayos Originally from Barcelona, Spain, Mar Fayos is a jazz vocalist whose music carries influences from Latin, pop, Mediterranean, and soul music. She has performed with accomplished artists such as Brazilian composer Toninho Horta, four-time Grammy-winning bassist Oscar Stagnaro, Mexican composer Armando Manzanero, and jazz vocalist Dee Dee Bridgewater, as well as singing at the Newport Folk Festival, performing at Teatro de la Zarzuela de Madrid with the Spanish producer Javier Limón, and working with Sony Latin U.S., among others.A multi-award-winning vocalist, composer, producer of live music events, educator, and music activist, Fayos graduated with honors from Berklee College of Music in 2018 and from the Berklee Global Jazz Institute graduate program in 2021, where she studied with renowned jazz musicians such as Danilo Pérez, John Patitucci, Joe Lovano, Kenny Werner, Tia Fuller, and Kris Davis, among others. Last December, she released her debut album of original compositions, Mi Propia Religión, receiving acclaim from the international press.Mar Fayos currently works as a faculty member at Berklee College of Music, Bunker Hill Community College, and Escola Taller de Músics. She performs actively in Spain, around Europe, and in the U.S. Instagram / Facebook / YouTube About ViviTalks - Interviews with the Women Behind Typuhthâng. Introducing ViviTalks, a podcast hosted by Dutch New York-based musician Vivienne Aerts. Join us as we celebrate 100 talented female musicians from Vivienne's latest album "Typuhthâng," with a mission to empower female cacao farmers in the Virunga State Park of Congo and contribute to rainforest restoration. We delve into the musical journeys, creative processes, and unique perspectives of these talented women, seeking to bring greater balance to the music industry. It's a safe space for honest and authentic conversations with artists and trailblazers. Let's amplify the voices of remarkable women in music and stay tuned for inspiring stories and meaningful dialogues on ViviTalks. Stream the Album or Buy it on Bandcamp and get the chocolate! More about Vivienne here.
1. Dee Dee Bridgewater – Four Women (5:24) 2. Ramsey Lewis Trio – You Been Talkin’ ‘Bout Me, Baby (3:01) 3. Christian Scott – Katrina’s Eyes (6:38) 4. Miles Davis – All Blues (11:34) 5. Tom Braxton – Detour Ahead (4:06) 6. Branford Marsalis – The Road You Choose (6:23) 7. Roger Smith – Catz […]
Co-host Jeremy selects American jazz singer Dee Dee Bridgewater as the focus for this episode. Dee Dee's long and varied career—musician, NPR host, United Nations Goodwill Ambassador—is covered in our discussion. If you like us, please support us at patreon.com/idbuythatpodcast to get exclusive content, or tell a friend about us. Broke and have no friends? Leave us a review, it helps more people find us. Thanks!
Join me for an inspiring episode featuring China Moses, a multifaceted singer, songwriter, producer, tv and radio hostess and performer, as she shares her artistic journey and the challenges she has faced along the way. Despite the weight of being the daughter of jazz legend Dee Dee Bridgewater, China has carved out her own path, performing with icons at international jazz festivals and venues battling through identity crises and self-doubt. The conversation delves into crafting new music, the joy of creation, and the significance of art in sustaining community and hope during turbulent times. With reflections on her experiences and lessons from legendary figures like Angelique Kidjo and Diane Reeves, China offers invaluable advice for aspiring artists on resilience, authenticity, and the power of art. Don't miss this heartfelt dialogue about overcoming doubts, finding joy, and staying true to oneself.Resources :You can learn more about China Moses here :SpotifyInstagramFacebookYoutubeIf you are enjoying the podcast, I think you'll enjoy my Mic Masters Newsletter. Get weekly insights, mindset changes, useable information and so much more for professional and aspiring singers. Join today.Musically,Monique
Avec, entre autres, les chansons de Smarty du Burkina Faso, Goulam des Comores, Sidiki Diabaté du Mali, Jocelyne Labylle et Christiane Valejo des Antilles, Befa Centro de la Centrafrique. En fin d'émission, la séquence gold mettra à l'honneur Maxi Priest, Soul II Soul, Ray Charles, Dee Dee Bridgewater et Youssou Ndour avec son tube de l'an 2000 Birima. Pour visionner les clips, cliquez sur les titres des chansons :Smarty feat Korka Dieng - Ne parle pasTeedje - Vivre ensembleBlacko - Soul jahJocelyne Labyllle et Christiane Valejo - Sa ou fèTaïja - ViensZagazay - Tigui tiguiMara Music - LeçonGoulam X Sidiki Diabaté - Faut pas douterBefa Centro - KissoroPetit pays - Diba la bobéJessy Matador - KumanikoMaxi Priest - Close to youSoul II Soul - Keep on mouinRay Charles/ Dee Dee Bridgewater - Precious ThingYoussou Ndour - BirimaRetrouvez notre playlist sur Deezer.
Avec, entre autres, les chansons de Smarty du Burkina Faso, Goulam des Comores, Sidiki Diabaté du Mali, Jocelyne Labylle et Christiane Valejo des Antilles, Befa Centro de la Centrafrique. En fin d'émission, la séquence gold mettra à l'honneur Maxi Priest, Soul II Soul, Ray Charles, Dee Dee Bridgewater et Youssou Ndour avec son tube de l'an 2000 Birima. Pour visionner les clips, cliquez sur les titres des chansons :Smarty feat Korka Dieng - Ne parle pasTeedje - Vivre ensembleBlacko - Soul jahJocelyne Labyllle et Christiane Valejo - Sa ou fèTaïja - ViensZagazay - Tigui tiguiMara Music - LeçonGoulam X Sidiki Diabaté - Faut pas douterBefa Centro - KissoroPetit pays - Diba la bobéJessy Matador - KumanikoMaxi Priest - Close to youSoul II Soul - Keep on mouinRay Charles/ Dee Dee Bridgewater - Precious ThingYoussou Ndour - BirimaRetrouvez notre playlist sur Deezer.
JAZZ CORNER, lundi et jeudi à 13h et 18h. Chronique animée par Serge Mariani, Louise Hodé ou Géraldine Elbaz : concerts à ne pas manquer, albums à écouter au plus vite et des artistes à découvrir. Cette semaine, Géraldine nous parle du pianiste Jacky Terrasson. Le célèbre pianiste Jacky Terrasson, salué par le New York Times comme “l'un des artistes susceptibles de façonner la culture américaine”, dévoile “Moving On”. De retour en France après trois décennies passées à New York, il organise un jeu de piste à double nationalité, mêlant Chopin et le jazz, avec des artistes invités tels que Kareen Guiock-Thuram, Camille Bertault et Grégoire Maret. Avec une joie de vivre retrouvée, chaque morceau raconte une aventure, une histoire, une délicate célébration du bonheur. Présenté dans le New York Times en 1994 comme “l'un des trente artistes susceptibles de changer la culture américaine dans les trente prochaines années”, le pianiste Jacky Terrasson honore cette promesse en étant le musicien de jazz français le plus écouté sur les plateformes digitales. Né à Berlin en 1965, d'une mère américaine et d'un père français, il intègre (après des études en France de piano classique) le Berklee College of Music et remporte en 1993 le prestigieux Prix du Thelonious Monk Institute of Jazz International Piano Competition. C'est au côté de BETTY CARTER, DEE DEE BRIDGEWATER, CASSANDRA WILSON, ou encore CHARLES AZNAVOUR, GUY LAFITTE, BARNEY WILEN et RAY BROWN qu'il débute sa carrière. Il signe avec le légendaire label Blue Note et son emblématique président Bruce Lundvall, pour une longue et impressionnante aventure de 25 ans de succès. © Alexandre LacombeHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
JAZZ CORNER, lundi et jeudi à 13h et 18h. Chronique animée par Serge Mariani, Louise Hodé ou Géraldine Elbaz : concerts à ne pas manquer, albums à écouter au plus vite et des artistes à découvrir. Cette semaine, Géraldine nous parle du pianiste Jacky Terrasson. Le célèbre pianiste Jacky Terrasson, salué par le New York Times comme “l'un des artistes susceptibles de façonner la culture américaine”, dévoile “Moving On”. De retour en France après trois décennies passées à New York, il organise un jeu de piste à double nationalité, mêlant Chopin et le jazz, avec des artistes invités tels que Kareen Guiock-Thuram, Camille Bertault et Grégoire Maret. Avec une joie de vivre retrouvée, chaque morceau raconte une aventure, une histoire, une délicate célébration du bonheur. Présenté dans le New York Times en 1994 comme “l'un des trente artistes susceptibles de changer la culture américaine dans les trente prochaines années”, le pianiste Jacky Terrasson honore cette promesse en étant le musicien de jazz français le plus écouté sur les plateformes digitales. Né à Berlin en 1965, d'une mère américaine et d'un père français, il intègre (après des études en France de piano classique) le Berklee College of Music et remporte en 1993 le prestigieux Prix du Thelonious Monk Institute of Jazz International Piano Competition. C'est au côté de BETTY CARTER, DEE DEE BRIDGEWATER, CASSANDRA WILSON, ou encore CHARLES AZNAVOUR, GUY LAFITTE, BARNEY WILEN et RAY BROWN qu'il débute sa carrière. Il signe avec le légendaire label Blue Note et son emblématique président Bruce Lundvall, pour une longue et impressionnante aventure de 25 ans de succès. © Alexandre LacombeHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
Growing up in a musically inclined family, Amina Scott was exposed to a diverse range of musical genres from an early age. Her grandmother's piano lessons sparked her love for music, leading her to pick up the bass at twelve and perform with local bands in Oakland. During her college years at Loyola University New Orleans, Amina continued to hone her craft, eventually earning a Master's degree from Florida State University under Rodney Jordan's mentorship. She was also part of the prestigious 2017 Ravinia Jazz Program cohort. Currently based in New Orleans, Amina has performed with renowned artists such as Dee Dee Bridgewater, Jazzmeia Horn, Chief Xian Atunde Adjuah, and many others. Her album, "Where The Wild Seed Grows," captures her journey into Black womanhood and the trials and tribulations of her career. Beyond performing, Amina serves on the faculty at Loyola University New Orleans and the University of New Orleans, and has been a faculty member for the Lafayette Summer Music Workshop since 2022. Join us as we dive deep into Amina's journey through music, her experiences as a female musician in a predominantly male industry, and how she finds balance and inspiration in her craft. Listen in as the power of music in social movements and the importance of mentorship is discussed. Amina's also provides advice for aspiring musicians. Listener Engagement: Discover the songs picked by Amina and other guests on our #walktalklisten here. Connect with Amina: Instagram and Facebook Share your thoughts on this episode at innovationhub@cwsglobal.org. Your feedback is invaluable to us. Follow Us: Support the Walk Talk Listen podcast by liking and following us on Twitter and Instagram. Visit our website at 100mile.org for more episodes and information about our initiatives. Check out the special WTL series "Enough for All" featuring CWS, and as well as the work of the Joint Learning Initiative (JLI).
Embarquement immédiat pour les Caraïbes, avec la #SessionLive de Mario Canonge Trio et l'auteure Caroline Bourgine pour son livre le « Dictionnaire des Caraïbes ». Mario Canonge, Michel Alibo et Arnaud Dolmen jouent 2 titres de l'album éponyme. (Rediffusion) Et c'est le Mario Canonge qui ouvre le bal dans la #SessionLive 3 mois après la sortie du deuxième volume de son Quint'Up avec Michel Zenino, le pianiste hyper productif Mario Canonge revient en trio en compagnie de Michel Alibo et Arnaud Dolmen, dans un nouvel album à la sauce caribéenne enregistré en live pour préserver la magie de l'improvisation et de la complicité qui lie les musiciens. Très inspiré par les deux grands noms antillais du piano, Marius Cultier et Alain Jean-Marie, Mario Canonge est sans aucun doute l'un des plus grands pianistes de jazz français actuels, en témoigne une carrière parsemée de rencontres toutes plus prestigieuses les unes que les autres. À l'aube des années 80, il arrive à Paris pour étudier la musique et joue beaucoup de musique latine, notamment dans le groupe La Manigua avant d'être, avec Nguyen Lê, le cofondateur du groupe de jazz-rock fusion Ultramarine. Il devient vite très demandé et enchaîne les collaborations avec des artistes comme Lavelle, Dee Dee Bridgewater, Nicole Croisille, mais aussi Carter Jefferson ou encore Chico Freeman. Dans cet album sobrement intitulé Mario Canonge Trio, il revisite ses compositions passées et actuelles avec une paire rythmique de feu. À la contrebasse, il retrouve Michel Alibo, vieux compagnon de route avec lequel il était notamment au départ du groupe Sakiyo, éclair fulgurant dans la musique Caribéenne de la fin des années 80. Derrière les fûts, tout simplement le batteur le plus en vue et le plus demandé de la scène française, Arnaud Dolmen, dont le dernier album Adjusting (2022) lui a valu de recevoir le prix « Révélation » aux dernières Victoires du Jazz, ainsi que le titre de « Musicien de l'année » décerné par les rédactions de Jazz Magazine et Jazz News. Capté en public au Comptoir de Fontenay-sous-Bois en janvier 2023 pour le compte du label Aztec Musique, ce disque dévoile la complicité d'un trio où même les silences sont éloquents. Il est aussi le fruit de nombreuses performances qui ont permis aux trois musiciens d'hisser l'œuvre de Canonge à des sommets de musicalité, jusqu'à cet enregistrement, véritable acte de renaissance qui s'inscrit dans la continuité d'une année 2023 déjà bien prolifique pour le pianiste martiniquais.La journaliste, auteure et réalisatrice Caroline Bourgine présente son livre « Dictionnaire des Caraïbes, un itinéraire poétique » chez Caraïbéditions.Un dictionnaire des Caraïbes insulaires et continentales pour un itinéraire amoureux qui, en toute subjectivité, invite à circuler à travers les mots, les lieux, les auteurs, les langues et les territoires. L'auteure se plaît à rencontrer le singulier proche et lointain, tout un creuset de mondes brassés par l'histoire, la géographie, l'archéologie, la cuisine, la littérature, la botanique et les musiques. Autant de balises pour entrer dans ce Tout-monde, intime de la relation aux êtres et aux choses, pour entendre une composition poétique sans ordonnance tissée de définitions fragiles et mouvantes.Caroline est également l'auteure du documentaire MAGMAS76 sur les évènements de la Soufrière.Titres interprétés au Grand studio- Fleur de terre Live RFI en trio- Toto Bissainthe Rasanbleman, choix Caroline- Entre la Pelée et l'Ararat, extrait de l'album Mario Canonge Trio- Ibrahim Ferrer Ay Candela, choix Caroline- Karnaval blues Live RFI en trio voir le clip - Harry Belafonte Mesi bondie, choix Caroline. Line Up : Mario Canonge, piano, Michel Alibo, contrebasse, Arnaud Dolmen, batterie.Son : Mathias Taylor, Benoît Letirant.► Album Mario Canonge Trio (Aztec Musique 2023).- Bob Marley Stir it Up, album Catch a Fire.► À lire sur RFI Musique Catch A Fire, de Bob Marley a 50 ans : ce qu'en disent les artistes ?- Calypso Rose Abatino, album Far From Home voir le clip.
Embarquement immédiat pour les Caraïbes, avec la #SessionLive de Mario Canonge Trio et l'auteure Caroline Bourgine pour son livre le « Dictionnaire des Caraïbes ». Mario Canonge, Michel Alibo et Arnaud Dolmen jouent 2 titres de l'album éponyme. (Rediffusion) Et c'est le Mario Canonge qui ouvre le bal dans la #SessionLive 3 mois après la sortie du deuxième volume de son Quint'Up avec Michel Zenino, le pianiste hyper productif Mario Canonge revient en trio en compagnie de Michel Alibo et Arnaud Dolmen, dans un nouvel album à la sauce caribéenne enregistré en live pour préserver la magie de l'improvisation et de la complicité qui lie les musiciens. Très inspiré par les deux grands noms antillais du piano, Marius Cultier et Alain Jean-Marie, Mario Canonge est sans aucun doute l'un des plus grands pianistes de jazz français actuels, en témoigne une carrière parsemée de rencontres toutes plus prestigieuses les unes que les autres. À l'aube des années 80, il arrive à Paris pour étudier la musique et joue beaucoup de musique latine, notamment dans le groupe La Manigua avant d'être, avec Nguyen Lê, le cofondateur du groupe de jazz-rock fusion Ultramarine. Il devient vite très demandé et enchaîne les collaborations avec des artistes comme Lavelle, Dee Dee Bridgewater, Nicole Croisille, mais aussi Carter Jefferson ou encore Chico Freeman. Dans cet album sobrement intitulé Mario Canonge Trio, il revisite ses compositions passées et actuelles avec une paire rythmique de feu. À la contrebasse, il retrouve Michel Alibo, vieux compagnon de route avec lequel il était notamment au départ du groupe Sakiyo, éclair fulgurant dans la musique Caribéenne de la fin des années 80. Derrière les fûts, tout simplement le batteur le plus en vue et le plus demandé de la scène française, Arnaud Dolmen, dont le dernier album Adjusting (2022) lui a valu de recevoir le prix « Révélation » aux dernières Victoires du Jazz, ainsi que le titre de « Musicien de l'année » décerné par les rédactions de Jazz Magazine et Jazz News. Capté en public au Comptoir de Fontenay-sous-Bois en janvier 2023 pour le compte du label Aztec Musique, ce disque dévoile la complicité d'un trio où même les silences sont éloquents. Il est aussi le fruit de nombreuses performances qui ont permis aux trois musiciens d'hisser l'œuvre de Canonge à des sommets de musicalité, jusqu'à cet enregistrement, véritable acte de renaissance qui s'inscrit dans la continuité d'une année 2023 déjà bien prolifique pour le pianiste martiniquais.La journaliste, auteure et réalisatrice Caroline Bourgine présente son livre « Dictionnaire des Caraïbes, un itinéraire poétique » chez Caraïbéditions.Un dictionnaire des Caraïbes insulaires et continentales pour un itinéraire amoureux qui, en toute subjectivité, invite à circuler à travers les mots, les lieux, les auteurs, les langues et les territoires. L'auteure se plaît à rencontrer le singulier proche et lointain, tout un creuset de mondes brassés par l'histoire, la géographie, l'archéologie, la cuisine, la littérature, la botanique et les musiques. Autant de balises pour entrer dans ce Tout-monde, intime de la relation aux êtres et aux choses, pour entendre une composition poétique sans ordonnance tissée de définitions fragiles et mouvantes.Caroline est également l'auteure du documentaire MAGMAS76 sur les évènements de la Soufrière.Titres interprétés au Grand studio- Fleur de terre Live RFI en trio- Toto Bissainthe Rasanbleman, choix Caroline- Entre la Pelée et l'Ararat, extrait de l'album Mario Canonge Trio- Ibrahim Ferrer Ay Candela, choix Caroline- Karnaval blues Live RFI en trio voir le clip - Harry Belafonte Mesi bondie, choix Caroline. Line Up : Mario Canonge, piano, Michel Alibo, contrebasse, Arnaud Dolmen, batterie.Son : Mathias Taylor, Benoît Letirant.► Album Mario Canonge Trio (Aztec Musique 2023).- Bob Marley Stir it Up, album Catch a Fire.► À lire sur RFI Musique Catch A Fire, de Bob Marley a 50 ans : ce qu'en disent les artistes ?- Calypso Rose Abatino, album Far From Home voir le clip.
Tara and EmKay welcome legend Dee Dee Bridgewater to the pod, who originated the role of Glinda in the 1975 Broadway production of "The Wiz." Dee Dee shares about bringing the original production to Broadway from the road, her illustrious career in the jazz world, what it means to be a Good Witch, and so much more!Show Notes:Dee Dee BridgewaterIsadoraMarina V ArtOctopeauxInstagram: @downtheyellowbrickpod#DownTheYBPTara: @taratagticklesEmKay: www.emilykayshrader.netPatreon: https://www.patreon.com/downtheyellowbrickpodEtsy: https://www.etsy.com/market/down_the_yellow_brick_podMusic by: Shane ChapmanEdited by: Emily Kay Shrader
Part 2 – Neville James speaks with Ms. Nicole Parsons Executive Director of The Forum also Mr. Dion Parsons co-founder of the United Jazz Foundation also multiple grammy award winning jazz vocalist Ms. Dee Dee Bridgewater as well as grammy award winner jazz trumpeter and musical director Mr. Melvin Jones and Ms. Keva Muller VI Lottery Marketing Director about "An Evening With The Caribbean Music Institute Orchestra" happening on May 25 at the Prior-Jolek Hall at the Antilles School Campus on Saint John.
This week, Joe is featuring Vocalist Dee Dee Bridgewater from her 2000 Verve Records recording titled “Live At Yoshi's.”
The iconic musical “The Wiz” has returned to Broadway. The Black take on “The Wizard of Oz” debuted in 1974, featuring theater stars such as Stephanie Mills, André De Shields and Dee Dee Bridgewater. It was later adapted as a film starring Diana Ross, Lena Horne and Michael Jackson. After decades of countless local stage productions and bootleg VHS tapes passed around among friends and neighbors, “The Wiz” is a beloved cultural touchstone for many generations of Black people.Host Kai Wright is joined by Jason King, dean of the University of Southern California's Thornton School of Music, to discuss behind the scenes details of the many iterations of “The Wiz,” and break down how it went from “mid” reviews to a Black cultural artifact. Plus, they take calls from listeners across the country about their connections to the show — including a special one from Schele Williams, director of the revival of “The Wiz” now on Broadway.Companion listening for this episode:Amber Ruffin Talks ‘The Wiz' Revival, Writing for ‘Late Night,' and Representation in Comedy (4/15/2024)The comedian breaks down how her long career writing and performing as a Black woman prepared her for her new venture: bringing the Black cult-classic "The Wiz" back to Broadway. Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at notes@wnyc.org. Send us a voice message by recording yourself on your phone and emailing us, or record one here. Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.
In Epi 9, world class jazz musician John Clayton and podcast host E.B. Moss reminisce about a friendship launched with a prank, before seriously discussing the Grammy-winning arranger/composer/bassist's techniques, and experiences across a life in the music industry. From his serendipitous introduction to the bass, mentorship under Ray Brown, journey with musicians from Dee Dee Bridgewater to Diana Krall, Oscar Peterson to Monty Alexander. it's quite a living. Learn how John approaches composing and performing... his passion for blending flavors in music arrangements, to how drummer Jeff Hamilton, with whom he co-founded the Clayton-Hamilton Jazz Orchestra, introduced him to the blends of fine wine! It's like fly-on-the-wall eavesdropping on a close friendship -- filled with laughter...and a master class in both music and living quite the life.Clayton's early fascination with the bass, initiated at age 13 and cemented by a Ray Brown solo he heard, led him to a fruitful career, from playing in the Count Basie Orchestra, to collaborating with or composing for icons such as Paul McCartney, Nancy Wilson, Queen Latifah. Regina Carter, and even a recent release with 89-year-old sax legend, Houston Person, and scores more. (John even composed the theme song for "Insider Interviews with E.B. Moss!) Clayton shares anecdotes from his life his philosophies on jazz, and the role of an artist in presenting their work to an audience. He stresses the importance of expression over performing for audience expectations, citing experiences and insights from his expansive career in the music industry. The episode is rich with stories of Clayton's collaborations, his approach to composition and arranging, and a lot of laughter between friends. Through this spontaneous and engaging chat, Clayton's passion for jazz and his respect for its power to connect and communicate shine brightly, offering listeners a unique glimpse into the life of a truly remarkable musician.If you catch this on YouTube, watch for archival images, and don't miss the little reaction at the end from a gobsmacked studio engineer capturing a solo from John's session with Houston.... Find/Follow "It's Quite a Living" everywhere including YouTube Twitter @QuiteALiving Instagram: @QuiteALivingPodcast Find Moss Appeal on LinkedIn: https://linkedin.com/in/MossAppeal And if you want to support the arts and keep this free podcast — and Insider Interviews Podcast — going, please consider “buying me a coffee” of ANY size!: https://buymeacoffee.com/mossappeal
Yasushi Nakamura loves his music. And he truly loves laying down the groove lines behind a hot band like he does for almost a dozen bands. However, being one of today's first-call bassists means frequent and long show tours that can take him away from his family of two-children and spouse for weeks, even months at a time. It has resulted in an impressive list and number of recordings made on both electric and acoustic or double bass. Pianist and longtime friend, Emmet Cohen, says that Yasushi “…is known in the music community for playing in over a dozen bands and is hardly ever seen reading music.” The reason, says Yasushi, is he has a photographic memory for the music. He takes one look at it and the rest he recalls. This allows him to internalize the music, a practice he highly recommends to young bassists today. Yasushi is a pretty shy guy on and off the bandstand. Watch a video of him and you'll notice he kicks it like the good bassist he is but rarely engages in any dialogue. He says he likes to lay back, be the guy behind the sound. You wouldn't know it, though, when it's time for him to step out. Sometimes a big grin will shine, but Yasushi is mostly focused on delivering a ballad or driving his bass through the high pace sounds left behind by the pianist or the horns. His discography is already enormous. Yasushi has performed in and out of the studio with many noted jazz musicians including Cecile McLorin Salvant, Emmet Cohen, Christian Sands, Amina Figarova, Shamie Royston, Jon Irabagon, Rudy Royston, Vincent Herring, and Ulysses Owners Jr. I saw Yasushi at the 2023 Monterey Jazz Festival touring concert at Denison University near Columbus, Ohio. In that show he was part of an all-star billing with Dee Dee Bridgewater, Kurt Elling, Lakecia Benjamin, and good friends and long-time collaborators, Christian Sands and Clarence Penn. Yasushi Nakamura is sharing two compositions with the podcast so thanks to him for that. They are:“Yasugaloo”-A Lifetime Treasure, Yasushi Nakamura-bass, Lawrence Fields-piano, Clarence Penn-drums; 9/29/2016 (Atelier Sawano)-7:03“Awesome Beef”-Hometown, Yasushi Nakamura-bass, Lawrence Fields-piano, Clarence Penn-drums, Bigyuki-Synths; 11/10/2017 (Atelier Sawano)-3:56 This episode is being released during Jazz Appreciation Month. What better person and humbler guy than Yasushi Nakamura to kick off this year's celebration of jazz. And thank you for listening to Strictly Jazz Sounds. Spread the word about this podcast and share it with others when you can. Finally, support live jazz wherever you are. Photo by Stephen Braunginn
THE WIZ Book by William F. Brown | Music & Lyrics by Charlie Smalls | From the story The Wonderful Wizard of Oz by L. Frank BaumWorks Consulted & Reference :The Wiz (Original Libretto)Oz and the Musical by Ryan BunchBlack Broadway by Stewart F. Lane"Easin' on Down the Yellow Brick Road: A Black Man's Journey to Oz" by Andre De Shields Music Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Home" from The Wiz (Original Cast Recording (1987)) | Music & Lyrics by Charlie Smalls | Performed by Stephanie Mills"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
In this episode, we are thrilled to have Shirazette Tinnin, a drummer whose accolades include being a Fulbright Scholar, educator, clinician, author, and health coach. Raised in North Carolina with gospel, R&B, and soul music as her early influences, Shirazette's musical journey is a testament to her diverse talents and deep-rooted passion for jazz and beyond. We discuss her recent performance at the Birdland Jazz Club with icons like Dee Dee Bridgewater, Amina Scott, and Carmen Staaf, and delve into her perspectives on music, collaboration, and the quintet of musicians she admires most. Shirazette also shares her response to a question from bass player Endea Owens and opens up about the profound impact of losing our parents. Shirazette Tinnin's story is one of inspiration, dedication, and the continuous pursuit of musical excellence. From her early days in North Carolina to performing and touring with some of the most respected names in jazz, she remains a vibrant force in the music world. Listeners will gain insight into Shirazette's contributions to music and wellness, her role as a mentor and educator, and her ongoing projects that keep the spirit of jazz alive and kicking. Listener Engagement: Discover the songs picked by Shirazette and other guests on our #walktalklisten here. Connect with Shirazette via Twitter, YouTube, Facebook and Instagram. Share your thoughts on this episode at innovationhub@cwsglobal.org. Your feedback is invaluable to us. Follow Us: Support the Walk Talk Listen podcast by liking and following us on Twitter and Instagram (@mauricebloem). Visit our website at 100mile.org for more episodes and information about our initiatives. Check out the special WTL series "Enough for All" featuring CWS, and as well as the work of the Joint Learning Initiative (JLI).
durée : 00:59:34 - Banzzaï du mercredi 21 février 2024 - par : Nathalie Piolé -
Born in Washington, D.C., and raised in Greenville, NC, contemporary jazz vocalist Christie N. Dashiell honed her skills at Howard University and later at the Manhattan School of Music. Ms. Dashiell's trajectory includes performances with Howard's premiere vocal jazz ensemble, Afro Blue. She has also performed at the Kennedy Center as a participant in the 2010 Betty Carter's Jazz Ahead program; at the Lincoln Theater in Washington, D.C.; and, as a part of Jazz at Lincoln Center's Jazz for Young People program. She is the recipient of DownBeat magazine's Best College Graduate Jazz Vocalist and Outstanding Soloist awards in the jazz vocal category. Most recently, Ms. Dashiell appeared on season three of NBC's The Sing-Off, as a member of Afro Blue. She can be heard on several nationally released recordings including John Blake's Motherless Child, The Jolley Brothers' memoirs Between Brothers, and as a Kennedy Center Discovery Artist on NPR's JazzSet hosted by Dee Dee Bridgewater. She has since performed in concert with Esperanza Spalding, Fred Hammond, Smokey Robinson, Geri Allen, and Allan Harris. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com
D'AMBROSE BOYD: has performed in #musicaltheatre, nationally and internationally, such as Ain't Misbehavin' and A Christmas Carol @MadisonSquareGarden His #photography has grown in leaps and bounds, taking #photos of Mickey Rooney, Dee Dee Bridgewater and others, and he has created great #apparel designs which sold @macys Henri Bendel, @Saks to name a few. He is also an #industrial interior designer and was an open mic #host and #producer - D'Ambrose got COVID in March of #2020 it was a light version with only a temperature and some chills. By the time he got tested the symptoms had passed. The #blessing is, his 87 year old mom with whom he lives and takes care of, never got it. He wonders if his belief in #god and copious amounts of #garlic didn't let COVID have its way. His job backstage #bookofmormon on #broadway was still in place after the COVID dust settled. After going back into the #theater he realized he had been working backstage for 10+ years and his love IS being an #artist - He's making strides to get his artistry back on the primary track of his life. During this pandemic he was able to book #voiceover work and sign with a VO #agent. His mom tested positive a week ago but only had slight symptoms and is doing better. . . . Again, GOD & GARLIC!!! His photography #studio is getting clients back in front of his lens …..He lost 65lbs and counting since 5/31/21……… Contact him on his IG or FB for photography: @dambroseboydphotography Check the chat on SINCE THEN page at: onthecallpodcast.com THANK YOU D'AMBROSE
Embarquement immédiat pour les Caraïbes, avec la #SessionLive de Mario Canonge Trio et l'auteure Caroline Bourgine pour son livre le « Dictionnaire des Caraïbes ». Mario Canonge, Michel Alibo et Arnaud Dolmen jouent 2 titres de l'album éponyme. (Rediffusion) Et c'est le Mario Canonge qui ouvre le bal dans la #SessionLive 3 mois après la sortie du deuxième volume de son Quint'Up avec Michel Zenino, le pianiste hyper productif Mario Canonge revient en trio en compagnie de Michel Alibo et Arnaud Dolmen, dans un nouvel album à la sauce caribéenne enregistré en live pour préserver la magie de l'improvisation et de la complicité qui lie les musiciens. Très inspiré par les deux grands noms antillais du piano, Marius Cultier et Alain Jean-Marie, Mario Canonge est sans aucun doute l'un des plus grands pianistes de jazz français actuels, en témoigne une carrière parsemée de rencontres toutes plus prestigieuses les unes que les autres. À l'aube des années 80, il arrive à Paris pour étudier la musique et joue beaucoup de musique latine, notamment dans le groupe La Manigua avant d'être, avec Nguyen Lê, le cofondateur du groupe de jazz-rock fusion Ultramarine. Il devient vite très demandé et enchaîne les collaborations avec des artistes comme Lavelle, Dee Dee Bridgewater, Nicole Croisille, mais aussi Carter Jefferson ou encore Chico Freeman. Dans cet album sobrement intitulé Mario Canonge Trio, il revisite ses compositions passées et actuelles avec une paire rythmique de feu. À la contrebasse, il retrouve Michel Alibo, vieux compagnon de route avec lequel il était notamment au départ du groupe Sakiyo, éclair fulgurant dans la musique Caribéenne de la fin des années 80. Derrière les fûts, tout simplement le batteur le plus en vue et le plus demandé de la scène française, Arnaud Dolmen, dont le dernier album Adjusting (2022) lui a valu de recevoir le prix « Révélation » aux dernières Victoires du Jazz, ainsi que le titre de « Musicien de l'année » décerné par les rédactions de Jazz Magazine et Jazz News. Capté en public au Comptoir de Fontenay-sous-Bois en janvier 2023 pour le compte du label Aztec Musique, ce disque dévoile la complicité d'un trio où même les silences sont éloquents. Il est aussi le fruit de nombreuses performances qui ont permis aux trois musiciens d'hisser l'œuvre de Canonge à des sommets de musicalité, jusqu'à cet enregistrement, véritable acte de renaissance qui s'inscrit dans la continuité d'une année 2023 déjà bien prolifique pour le pianiste martiniquais.La journaliste, auteure et réalisatrice Caroline Bourgine présente son livre « Dictionnaire des Caraïbes, un itinéraire poétique » chez Caraïbéditions.Un dictionnaire des Caraïbes insulaires et continentales pour un itinéraire amoureux qui, en toute subjectivité, invite à circuler à travers les mots, les lieux, les auteurs, les langues et les territoires. L'auteure se plaît à rencontrer le singulier proche et lointain, tout un creuset de mondes brassés par l'histoire, la géographie, l'archéologie, la cuisine, la littérature, la botanique et les musiques. Autant de balises pour entrer dans ce Tout-monde, intime de la relation aux êtres et aux choses, pour entendre une composition poétique sans ordonnance tissée de définitions fragiles et mouvantes.Caroline est également l'auteure du documentaire MAGMAS76 sur les évènements de la Soufrière.Titres interprétés au Grand studio- Fleur de terre Live RFI en trio- Toto Bissainthe Rasanbleman, choix Caroline- Entre la Pelée et l'Ararat, extrait de l'album Mario Canonge Trio- Ibrahim Ferrer Ay Candela, choix Caroline- Karnaval blues Live RFI en trio voir le clip - Harry Belafonte Mesi bondie, choix Caroline. Line Up : Mario Canonge, piano, Michel Alibo, contrebasse, Arnaud Dolmen, batterie.Son : Mathias Taylor, Benoît Letirant.► Album Mario Canonge Trio (Aztec Musique 2023).- Bob Marley Stir it Up, album Catch a Fire.► À lire sur RFI Musique Catch A Fire, de Bob Marley a 50 ans : ce qu'en disent les artistes ?- Calypso Rose Abatino, album Far From Home voir le clip.
Embarquement immédiat pour les Caraïbes, avec la #SessionLive de Mario Canonge Trio et l'auteure Caroline Bourgine pour son livre le « Dictionnaire des Caraïbes ». Mario Canonge, Michel Alibo et Arnaud Dolmen jouent 2 titres de l'album éponyme. (Rediffusion) Et c'est le Mario Canonge qui ouvre le bal dans la #SessionLive 3 mois après la sortie du deuxième volume de son Quint'Up avec Michel Zenino, le pianiste hyper productif Mario Canonge revient en trio en compagnie de Michel Alibo et Arnaud Dolmen, dans un nouvel album à la sauce caribéenne enregistré en live pour préserver la magie de l'improvisation et de la complicité qui lie les musiciens. Très inspiré par les deux grands noms antillais du piano, Marius Cultier et Alain Jean-Marie, Mario Canonge est sans aucun doute l'un des plus grands pianistes de jazz français actuels, en témoigne une carrière parsemée de rencontres toutes plus prestigieuses les unes que les autres. À l'aube des années 80, il arrive à Paris pour étudier la musique et joue beaucoup de musique latine, notamment dans le groupe La Manigua avant d'être, avec Nguyen Lê, le cofondateur du groupe de jazz-rock fusion Ultramarine. Il devient vite très demandé et enchaîne les collaborations avec des artistes comme Lavelle, Dee Dee Bridgewater, Nicole Croisille, mais aussi Carter Jefferson ou encore Chico Freeman. Dans cet album sobrement intitulé Mario Canonge Trio, il revisite ses compositions passées et actuelles avec une paire rythmique de feu. À la contrebasse, il retrouve Michel Alibo, vieux compagnon de route avec lequel il était notamment au départ du groupe Sakiyo, éclair fulgurant dans la musique Caribéenne de la fin des années 80. Derrière les fûts, tout simplement le batteur le plus en vue et le plus demandé de la scène française, Arnaud Dolmen, dont le dernier album Adjusting (2022) lui a valu de recevoir le prix « Révélation » aux dernières Victoires du Jazz, ainsi que le titre de « Musicien de l'année » décerné par les rédactions de Jazz Magazine et Jazz News. Capté en public au Comptoir de Fontenay-sous-Bois en janvier 2023 pour le compte du label Aztec Musique, ce disque dévoile la complicité d'un trio où même les silences sont éloquents. Il est aussi le fruit de nombreuses performances qui ont permis aux trois musiciens d'hisser l'œuvre de Canonge à des sommets de musicalité, jusqu'à cet enregistrement, véritable acte de renaissance qui s'inscrit dans la continuité d'une année 2023 déjà bien prolifique pour le pianiste martiniquais.La journaliste, auteure et réalisatrice Caroline Bourgine présente son livre « Dictionnaire des Caraïbes, un itinéraire poétique » chez Caraïbéditions.Un dictionnaire des Caraïbes insulaires et continentales pour un itinéraire amoureux qui, en toute subjectivité, invite à circuler à travers les mots, les lieux, les auteurs, les langues et les territoires. L'auteure se plaît à rencontrer le singulier proche et lointain, tout un creuset de mondes brassés par l'histoire, la géographie, l'archéologie, la cuisine, la littérature, la botanique et les musiques. Autant de balises pour entrer dans ce Tout-monde, intime de la relation aux êtres et aux choses, pour entendre une composition poétique sans ordonnance tissée de définitions fragiles et mouvantes.Caroline est également l'auteure du documentaire MAGMAS76 sur les évènements de la Soufrière.Titres interprétés au Grand studio- Fleur de terre Live RFI en trio- Toto Bissainthe Rasanbleman, choix Caroline- Entre la Pelée et l'Ararat, extrait de l'album Mario Canonge Trio- Ibrahim Ferrer Ay Candela, choix Caroline- Karnaval blues Live RFI en trio voir le clip - Harry Belafonte Mesi bondie, choix Caroline. Line Up : Mario Canonge, piano, Michel Alibo, contrebasse, Arnaud Dolmen, batterie.Son : Mathias Taylor, Benoît Letirant.► Album Mario Canonge Trio (Aztec Musique 2023).- Bob Marley Stir it Up, album Catch a Fire.► À lire sur RFI Musique Catch A Fire, de Bob Marley a 50 ans : ce qu'en disent les artistes ?- Calypso Rose Abatino, album Far From Home voir le clip.
Badass pianist talks about working with Henry Grimes, Dee Dee Bridgewater and being part of this great American musical lineage.
Our guest is artist Allison Semmes. One of Allison's latest achievements is that she is part of the Barry Manilow/Bruce Sussman musical Harmony. She portrays the artist and activist icon Josephine Baker. Allison Semmes is a multi-genre singer/songwriter and Broadway actress. She studied vocal performance as a coloratura soprano at the University of Illinois Champaign Urbana, then musical theater at New York University where she received her Master's in Music. Broadway & National Tour credits include Motown the Musical (Diana Ross U/S), Book of Mormon (Swing, Nabulungi U/S) & Motown the Musical (Diana Ross), and The Color Purple (Squeak). Other Theatre credits include Little Shop of Horrors (Kennedy Center), A Wonderful World (Miami New Drama), Shout Sister Shout (Seattle Rep), OoBlaDee: Bebop Musical. She has recorded and written with Stevie Wonder (2020), performed with Erykah Badu & BK Philharmonic in Ted Hearne's "You're Causing Quite the Disturbance" at BAM, and Kurt Elling's "The Big Blind", a noir jazz musical with Dee Dee Bridgewater at Jazz at the Lincoln Center Learn more about your ad choices. Visit megaphone.fm/adchoices
Swing and more tonight: Benny Goodman & His Orchestra, Count Basie, Chick Webb (featuring Ella Fitzgerald), Frank Sinatra with Harry James and his Orchestra, Artie Shaw & His Orchestra, The Mills Brothers, Mel Tormé, Rosemary Clooney and Duke Ellington and His Orchestra, Johnny Hodges, Anita O'Day, Annie Ross & Gerry Mulligan, Dee Dee Bridgewater, and Cassandra Wilson.
INTRO-- Monday Night Football Theme opening 1970sIsaac Hayes | Theme From Shaft Shaft Movie TrailerHuey & The Baby Sitters | Hard Times Aaron Neville | Hercules The Meters | Cissy StrutBlack Joe Lewis,The Honeybears | Get Yo Shit Dusty Springfield | Spooky Funkadelic | Can You Get to That Bobby Womack | Across 110th Street Marvin Gaye | Inner City Blues (Make Me Wanna Holler) Curtis Mayfield | Pusherman Melvin Van Peebles | Hoppin John | Sweet Sweetback's Baadasssss Song Edwin Starr | Easin' In | Hell up in Harlem Rose Royce | Mid Day DJ ThemeWar | Low Rider Aretha Franklin | Rock SteadyMarvin Gaye | "T" Plays It Cool Tower of Power | On the Soul Side of Town Roy Ayers,Dee Dee Bridgewater,Wayne Garfield | Coffy Is The Color Isaac Hayes | Main Title "Truck Turner" Isaac Hayes | Walk From Regio's | Shaft Melvin Van Peebles | Sweetback's Theme James Brown,The J.B.'s | King Slaughter | Slaughter's Big Rip-OffWillie Hutch | Slick | The Mack - Original Motion Picture SoundtrackRoy Ayers | King George | Coffy James Brown | Down And Out In New York City Joe Simon | Theme From Cleopatra Jones John Coltrane | My Favorite ThingsJames Brown | Say It Loud - I'm Black And I'm Proud (Pt. 1) War | Youngblood (Livin' In The Streets) Isaac Hayes | Soulsville | Shaft | UMG - StaxIsaac Hayes | Early Sunday Morning | Shaft Isaac Hayes | Shaft's Cab Ride | Shaft Isaac Hayes | Bumpy's Blues | Shaft Isaac Hayes | Shaft Strikes Again Isaac Hayes | Theme From Shaft Isaac Hayes | The End Theme | Shaft Isaac Hayes | Ellie's Love Theme Patti LaBelle | Look to the Rainbow
This episode of The Jazz Session is sponsored by the TD James Moody Jazz Festival at the New Jersey Performing Arts Center. The festival runs from November 3 through 19 and features a who's who of talent from the jazz world and beyond. Performers include Dee Dee Bridgewater with Bill Charlap; Take 6; Abdullah Ibrahim; Gladys Knight; Dave Grusin; Cyrus Chestnut; Steve Turre; Christian McBride with Savion Glover; and many more. Tickets and a full schedule of performances are available at https://njpac.org. This episode features interviews with Abdullah Ibrahim, Bill Charlap, Claude McKnight from Take 6, and Dave Grusin. PATREON Become a Patreon supporter for $5 a month to get a bonus show called This I Dig Of You, on which the guest from the main episode talks about something non-musical that's bringing them joy. Please note that there is no bonus show for this sponsored episode. You'll also get early access to every episode, a thank you on an episode, and behind-the-scenes news. Join at https://patreon.com/thejazzsession. CREDITS Theme Music: The Respect Sextet (respectsextet.com) Logo: Sarah Walter Intro Voice: Chuck Ingersoll (hearchucknow.com)
Saxophonist, Multi-Reedist, Composer, Recording Artist, Bandleader, and Educator Sharel Cassity (pron. "Sha-Relle") is a musician well-established on the New York and Chicago jazz scenes. Listed as "Rising Star Alto Saxophone" in Downbeat Magazine for the past decade, Sharel has appeared on the Today Show, won the 2007 ASCAP Young Jazz Composers Award & has been inducted into the Oklahoma Jazz Hall of Fame. Her four albums released as a leader have received top-rated reviews in publications like JazzTimes, Jazziz, Downbeat & American Indian News & earned her a cover story in Saxophone Journal. Cassity's latest album, "Evolve," was recorded and distributed on her record label, Relsha Music. Selected to attend The Juilliard School Jazz program under full scholarship for a Masters in Music, Sharel earned her BFA from The New School for Jazz & Contemporary Music in 2005. A skilled and versatile sideman, Sharel is a regular member of the Dizzy Gillespie Latin Experience, Nicholas Payton TSO, Cyrus Chestnut Brubeck Quartet, and the Jimmy Heath Big Band. She has also performed regularly alongside renowned Grammy-winning artists Roy Hargrove, Lewis Nash, Joe Chambers & Darcy James Argue. Sharel has toured 24 countries and performed at leading venues like the Newport Jazz Festival, Monterey Jazz Festival & the North Sea Jazz Festival. Additionally, she has shared the stage with Herbie Hancock, Wynton Marsalis, Dee Dee Bridgewater, Christian McBride, Jeremy Pelt and Natalie Cole. Sharel was lead alto in the Diva Jazz Orchestra from 2007-2014 and performed in Wynton Marsalis' Broadway musical After Midnight. In mainstream genres, Sharel joined Top 40 hit singer-songwriter Natalie Merchant on her recording "Paradise is Here." She has also performed with Aretha Franklin, Vanessa Williams, K.D. Lang, Fantasia, Trisha Yearwood, Seth MacFarland (Family Guy), Ruben Blades, and DJ Logic. Sharel appears in publications "I Walked with Giants" by Jimmy Heath, "AM Jazz: Three Generations Under the Lens" by Adrianna Mateo and "Freedom of Expression: Interviews with Women in Jazz" by Chris Becker. An alumnus of IAJE Sisters in Jazz, Betty Carter's Jazz Ahead, and the Ravinia Summer Residency, Sharel has received Downbeat Student Music Awards for Best Jazz Soloist, Composition, and Ensemble. As a classical pianist, Sharel placed third in the Disney International Piano Concerto Competition at the age of 10, among many other collegiate and state piano competitions. An accomplished classical saxophonist, Sharel was offered a full scholarship to North Texas State University for classical saxophone. Currently, Cassity has accepted a temporary full-time position at the University of Wisconsin-Madison as Professor of Saxophone for the Fall 2019 semester. Additionally, she has three adjunct positions in the Chicago area at Elgin Community College, Columbia College, and DePaul University. Between 2016-17 Sharel taught internationally as the Woodwind Professor at Qatar Music Academy in Doha, Qatar. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com
In the first hour, host Charles The Athlete™️ covers a few themes. One is about taking control of one's life, namely his own, it's "his life" and songs by Talk Talk and Billy Joel do the talking.Another theme expresses Charles' love frequenting dance clubs and disco dance floors in a solo, lonesome manner, and songs by Yes, Roy Ford, Dee Dee Bridgewater, Soulnnaturals, and Patti Labelle tell this urban tale.Extended Balearic cosmic cuts carry the second hour into a seaside vibe with sunny jams by Chris Coco & George Solar, Mildlife x Prins Thomas, Nicola Conte x Fred P, Nightdubbing and Mr OFFBeat. The third hour burners - fresh new music this week that closes out the show - include crisp releases by Duran Duran, Tteo, A Man Called Adam, Disco Sparks, Tatie Dee x Black Loops and more.Tune into new broadcasts of FSQ, Thursday from 3 - 6 PM EST / 8 - 11 PM GMT.For more info visit: https://thefaceradio.com/fsq///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.
The newest directions in 21st Century trumpet performance are being explored and defined by Courtney Jones, an award-winning Bach performing and recording artist who has also emerged as a leading figure in contemporary performance and pedagogy, conducting, and service to inner-city youth through music outreach programs. An artist who transcends stylistic boundaries and in high demand as a clinician and adjudicator, Courtney has performed with classical ensembles and orchestras throughout the United States, internationally, and has won multiple solo awards and accolades through regional and national trumpet competitions. This journey began in Jones' hometown of Columbus, Georgia. While earning his Bachelor of Music degree at Columbus State University, Courtney performed with various Columbus State University ensembles and recorded with artists such as Jens Lindemann, Joseph Alessi, John Bruce Yeh, and the Columbus State University Wind Ensemble under the Naxos Music label. While completing his Master of Music degree in Trumpet Performance at Shenandoah Conservatory in Winchester, Virginia, Courtney studied under the instruction of J. Carlton Rowe, former Principal Trumpet of the “President's Own” United States Marine Band, Craig Fraedrich of The U.S. Army Blues, and performed as Substitute Principal with the Loudon Symphony Orchestra of Leesburg, Virginia. He also had additional studies with Steve Hendrickson of the National Symphony Orchestra Courtney conducted his doctoral studies at UCLA under the instruction of international soloist and former lead trumpet of the Canadian Brass, Jens Lindemann. During his time at UCLA, Courtney worked as a Teaching Associate for lecture courses and provided weekly lessons for university trumpet students under the direction of Lindemann. Winner of a Gluck Fellowship, Jones was then selected as the conductor of the UCLA Brass Ensemble during the latter part of his residency. His musicological research during this period explored 21st Century ideological and transcendental concepts of performance practice focusing on a lesser-known contemporary work of composer Frank Ticheli, The First Voice for Solo Bb Trumpet. The intention of this dissertation was to broaden the technical capabilities of 21st century performers and shed light on the ideological and philosophical foundations of Ticheli's composition. While the study is largely analytic and interpretive, the main purpose and goal is to help modern trumpet players develop more confidence in performing Ticheli's music and other contemporary compositions in related genres. Before completing his doctorate, Courtney was appointed as the Visiting Assistant Professor of Trumpet at the Voxman School of Music at the University of Iowa. During his two-year residency Jones served as the Principal Trumpet for the Iowa Faculty Brass Quintet, taught Graduate Brass Pedagogy and Literature, and served on recital and graduate committees. He was asked to lead the University's top performing Jazz Ensemble (director on leave) and produced an engaging performance concert by the University's Brass Ensemble (which had previously been inactive for a number of years) to showcase the importance of Brass Bands as an engaging training ground for solidifying technical and pedagogical facility for brass players. In addition to his applied obligations, Courtney performed with Orchestra Iowa, the Dubuque Symphony, and gave solo performances with both the Cedar Rapids Municipal Band and New Horizons Band. One of which was the Midwest Premiere of Kim Scharnberg's Travelogue for Eb Trumpet. Besides performing with well-known jazz and popular artists, he has shared the stage with famous artists or groups such as Kenny Burrell, B.B. King, Dee Dee Bridgewater, Rihanna, Lalo Schifrin, Vanessa Williams, Boy George and The Culture Club, Jennifer Cox, and Stevie Wonder. In addition to his solo performance career, Courtney has performed with the Golden States Pop Orchestra, the Southeast Symphony Orchestra, the Macao Orchestra (China), the Pasadena Orchestra, the Debut Orchestra, the Inspiravi Chamber Orchestra, the Gateways Festival Orchestra, the Orchid City Brass Band, the Oslo Philharmonic (Norway), the Long Beach Opera, the Chamber Singers of Iowa City, the Salt-River Brass Band, the Gateways Brass Collective, and most recently had his Carnegie Hall and Metropolitan Art Museum performance debut this past May in New York. His feature film and television credits include music performed for “Glee,” “Notes from Dad,” “Cougar Town,” and “Criminal Minds” among other productions listed under the media tab of his website. Prior to his appointment at Florida Atlantic University as the Assistant Professor of Trumpet & Artistic Director of Jazz and Chamber Ensembles, Jones was a Lecturer of Music at Columbus State University while recording his Solo CD project, “Between 2 Worlds,” at the Joyce and Henry Schwob School of Music. Between teaching and solo performing engagements, Dr. Jones has and continues to promote music education and instrumental performance in inner-city schools through the Music Outreach Program at UCLA, The Harmony Project of Los Angeles, Trumpets 4 Kids in Dallas, Texas, and the Nat King Cole Generation Hope, Inc. Each of these programs offers schoolchildren art-in-education opportunities. These programs are essential because they provide underserved, inner-city students, and communities with musical training and mentorship that would otherwise be inaccessible.
We had the pleasure of interviewing Freda Payne over Zoom video!Stardom for Payne began when she signed with Invictus Records, ran by her old Detroit friends, Brian Holland, Edward Holland, Jr. and Lamont Dozier (formerly of Motown) in1969. Payne's smash single "Band of Gold" in 1970 was ranked #1 in the U.K. and #3 in the U.S.A., her first gold record. Other hits included "Deeper and Deeper", "You Brought Me Joy" and the anti-war, "Bring the Boys Home". As her star kept rising, Payne appeared in television specials and toured Europe and Japan.Although she left Invictus in1973, to date she has recorded 21 albums including several remakes of "Band of Gold". In1974, she made the cover of Jet magazine after she was dubbed a Dame of Malta, by the Knights of Malta and the Sovereign Military and Hospital Order of St. John of Jerusalem by the Prince of Rumania. Payne hosted Todays Black Woman, a talk show, in 1980 - 81 before joining the cast of Duke Ellington's Sophisticated Ladies in 1982. She also starred in productions of Ain't Misbehavin' with Della Reese, The Blues in the Night, Jellies Last Jam with Gregory Hines and Savion Glover into the 1990's. Payne film appearances include: Private Obsession, Sprung , Ragdoll , The Nutty Professor II: The Klumps and Fire and Ice.On April 22, 2009 Freda appeared on American Idol and sang "Band Of Gold". In February 2010, Freda joined Kanye West, Jordan Sparks, Jennifer Hudson, Barbra Streisand and many more on We Are The World for Haiti Relief.In 2011 Freda sang a duet with Cliff Richard called ‘Saving A Life' from his ‘Soulicious' album. She also toured England with Cliff in the fall of 2011.Freda recorded a new Jazz based album for the Mack Ave label titled ‘Come Back To Me Love' produced by Bill Cunliffe.In April 2018 Freda returned to the stage with glowing reviews in ‘Ella: First Lady of Song' at the Delaware Theatre Company in Wilmington, Delaware.More recently, Freda released an EP of duets titled ‘Let There Be Love' featuring Freda singing with Johnny Mathis, Dee Dee Bridgewater, Kenny Lattimore and Kurt Elling. She has also been busy writing her memoir ‘Band of Gold A Memoir' Yorkshire Publishing (November 2, 2021) with Mark Bego. In May 2022 Freda released a new single titled ‘Just To Be With You'. Freda Payne's prolific career will continue to flourish and prosper for as long as her creative juices keep flowing. Her indelible mark on the music industry is far from over.We want to hear from you! Please email Hello@BringinitBackwards.com. www.BringinitBackwards.com#podcast #interview #bringinbackpod #FredaPayne #BandOfGold #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4972373/advertisement
On the heels of a fantastic NOLA Jazz Fest 2023, please welcome New Orleans-based guitarist/vocalist ARI TEITEL (The Rumble) to Episode 067. I've been keepin' ears and eyes on Ari for the past few years as he continually makes waves in this country's greatest musical city. With numerous irons in the fire, as well as a laundry list of colossal collaborators, it was high time that I catch up with the young axe-slinger and hear all about his musical journey thus far. 2:30 - The Upful Update: Irmzie injury, NOLA Jazz Fest 2023 14:00 - introducing ARI TEITEL 18:25 - INTERVIEW w/ Ari Teitel (73 mins) 1:32:40 - aftermath/reflections 1:36:20 - Vibe Junkie JAM 1:44:30 - BONUS- Summer Concert Tours Preview w/ J.A. (50 mins). Please consider $upporting the Upful Life Podcast Ari Teitel - Bio GRAMMY nominated Ari Teitel began his career at 11 years old on stage sitting in with Robert Randolph at the Michigan Theater in his hometown of Detroit. Leading a band in the Motor City by age 12, Ari immersed himself in the musical heritage of the city. Studying and adhering to the traditions with the deepest respect. After graduating from Michigan State in 2016, he made the pilgrimage to American-music mecca New Orleans, Louisiana. He earned a GRAMMY nomination as musical director of Mardi Gras Indian Funk band Cha Wa, and worked alongside contemporary groove gurus Eric “Benny” Bloom & Nigel Hall of Lettuce. In 2022, Teitel co-founded The Rumble, a new and improved take on the funk band steeped in NOLA's sacred masking traditions. Also last year, Ari dropped a phenomenal solo LP, I Got My Thing. Now a staple on the Crescent City scene, Teitel has recorded or performed with PJ Morton, Iggy Pop, Mononeon, Cyril Neville, Ivan Neville, the New Orleans Jazz Orchestra, George Porter Jr, Dee Dee Bridgewater, Nicholas Payton, Big Chief Monk Boudreaux, Davell Crawford, Herlin Riley, Papa Mali, Quiana Lynell, Roosevelt Collier, Bill Summers (Herbie Hancock), Erica Falls, Russ Liquid, Adam Deitch, Alvin Ford Jr (Pretty Lights), and Jamison Ross (Snarky Puppy). Ari Teitel - Instagram Ari Teitel - website Ari Teitel - Link Tree Vibe Junkie JAM “Burn Rubber” The Nth Power & Friends (feat. members of Dumpstaphunk & more!) Tribute to The GAP Band. April 28th, 2023 late night. Toulouse Theater. NOLA Check out B.Getz's annual NOLA Jazz Fest wrap up on L4LM BONUS: 2023 Summer Concert Tours Preview with very special guest, the return of J.A. from The Rock n' Wrestling Podcast, one of my hometown homies and oldest friends. His first Upful LIFE podcast appearance in about 2 years! Since this episode came in a couple weeks late due to life stuff, I wanted to throw in some bonus content for the people! So great to reconnect with Jason and talk about some of our favorite topics du jour including - but not limited to - The Phish from VT, the geopolitical lens b/o pro wrasslin', Erykah Badu, Metallica, Billy K. leaving Dead & Co. just days before their "Final Tour", plus riffing on Taylor Swift-mania, Blink-182/Turnstile, The Cure, Motley Crue/Mick Mars drama, & some hearty laughs too. EMAIL the SHOW PLEASE LEAVE A REVIEW on Apple Podcasts Listen on Spotify Theme Song: "Mazel Tov"- CALVIN VALENTINE
If you're like me (and I hope that, at least in this way, you are!) you have adored Tina Turner since you first became aware of her. In my case, it was circa 1971, seeing her perform “Proud Mary” on television. At the time I was a pretty snooty (and snotty) kid much more prone to Mahler and Britten than I was to pop music. But something about Tina got to me. And when, against all odds, her star rose again in the 1980s, I was once again drawn into her orbit. So when she died last week in Switzerland, aged 83, I was really thrown for a loop. For a week I racked my brains about how I could pay proper tribute to a figure who, as one of the biggest pop stars in the world, not only changed the face of music, but also of our culture in general. Normally I prefer to stay focused on an artist's work, but in Tina's case, her compelling personal story also commanded attention, and in a way the two are inseparable. As much as we rightly revile Ike Turner for his inexcusable abuse and torture of his wife and everyone else around him, he was also a musical innovator in the rock ‘n' roll scene and one who, one hopes at least, recognized the genius of Anna Mae Bullock, whom he plucked from obscurity to assume the persona of his wife and co-creator. Even if his contributions are now irreparably tainted, it was Tina who was the lifeblood of that duo, and who became known as the Queen of Rock ‘n' Roll. In my podcast I often focus on US artists, predominantly those of color, who chose to relocate to Europe and forge careers there. I have devoted a lot of time, space, and research to the Black opera singers who came here, but there is an equally fascinating story to be told about the pop singers of many eras and genres, who also chose to make Europe their home. Though this episode focuses primarily on Tina and some of the less-explored material throughout her career, I seek to contextualize her by also discussing the many African American singers, from Adelaide Hall to Joséphine Baker, from Donna Summer to Dee Dee Bridgewater, who either spent formative time in Europe or settled there permanently. Along with the aforementioned favorites, I also focus on lesser-known artists such as Beauty Milton, Vickie Henderson, Betty Dorsey, Salena Jones, and Bertice Reading (my latest mega-discovery). It has been cathartic and inspirational for me to create this episode; I hope it provides a similar experience for you. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.
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