Podcasts about repertory

Are you a book lover? Reading books is one of the best ways to learn new things and expand your horizons. That is why I am obsessed with books! Join me and my guest today, Linlee Jordan, as we discuss the incredible books she has for sale as well as the best homeopathic books she can recommend that are worth reading. All about Linlee Jordan Linlee Jordan is the Director of The Aurum Project for Homeopathy Research. She has been a homeopathic practitioner for 32 years and an educator with a Masters in Health Science Education and a background as a Registered Nurse. Linlee's interest in research has propelled the Aurum Project now for 15 years and one of the main ways that the research group is funded is by running an online book barn selling new and secondhand books. Episode Highlights: 01:48 - How Linlee was introduced to Homeopathy 03:59 - Homeopathic Drug Pictures by Margaret Tyler 05:47 - Treat Your Child Yourself by Jon Gamble & Nyema Hermiston 08:18 - A Homeopathic Guide To Partnership and Compatibility by Liz Lalor 11:11 - The Levels of Health by George Vithoulkas 15:39 - Homeopathic Guide for Travelers by Carola Roy and Ravi Roy 16:46 - The Natural Medicine Guide For Travel  Home by Richard Pitt 19:39 - Homeopathy for Farm and Garden by Vaikunthanath Das Kaviraj 20:50 - Homeopathy for Plants by Christiane Maute 21:45 - Homeopathic Physicians Guide To Lactation by Patricia Hatherly 22:32 - Homeopathic Materia Medica & Repertory by William Boericke 23:50 - Mastering Chronic Diseases Toxicity, Deficiency & Infection by Jon Gamble 25:56 - Homeopathy Systematic Materia Medica by K. N. Mathur 27:42 - The Lady's Manual of Homeopathic Treatment by Dr. Ruddock 30:54 - About Linlee's homeopathy book shop Find out more about Linlee and connect with her on https://aurumproject.org.au/ https://www.linkedin.com/in/linlee-jordan-49145823 Access Linlee's online book barn here https://aurumproject.org.au/store/ If you would like to support the Homeopathy Hangout Podcast, please consider making a donation by visiting www.EugenieKruger.com and click the DONATE button at the top of the site. Every donation about $10 will receive a shout-out on a future episode. Join my Homeopathy Hangout Podcast Facebook community here: https://www.facebook.com/groups/HelloHomies Here is the link for my free 30-minute Homeopathy@Home online course: https://www.youtube.com/watch?v=vqBUpxO4pZQ&t=438s Upon completion of the course - and if you live in Australia - you can join my Facebook group for free acute advice (you'll need to answer a couple of questions about the course upon request to join): www.facebook.com/groups/eughom

The biggest possible movie. We have a great time talking about the endless sky, the dirtiest men, and the fastest guns of the west. Check out our letterboxd list if you'd like to see all the movies covered that way! Send us any email questions and comments about the movies we cover or movies in general to abnormalmappingpodcast@gmail.com! Also, we're a patreon supported show, please go to patreon.com/abnormalmapping to see our many shows and support us.Next Time on Repertory Screenings: Evil Dead II

Join us in this episode with the legendary Colin Griffith, who shares his groundbreaking work, insights on meditative provings, and the fascinating remedies he has developed over the years. Colin discusses his experiences with the Berlin Wall remedy and the profound impact it has had on his practice, as well as the importance of understanding chakras in relation to homeopathy. He also reflects on his journey of teaching and learning through the Master Practitioner course and the incredible community he has built with his proving group. Whether you're a seasoned homeopath or just starting your journey, this episode is packed with valuable insights, stories, and practical advice that will inspire you to deepen your understanding of homeopathy. Don't forget to check out Colin's books, including the New Materia Medica series and the Repertory, which are essential resources for any homeopath.   Episode Highlights: 04:23 - How Colin's proving group was formed and Janice Micallef's role in it 05:43 - Janice's Unique Approach 10:10 - Ayahuasca: From ‘Really?' to ‘Must-Have 11:47 - The Power of Berlin Wall 18:23 - No Need to Store Remedies Apart 20:41 - The Concept of Meditative Provings 26:26 - Repertory's Hidden Gems 31:45 - Homeopathy Beyond the Books 34:10 - Don't Overload, Listen to the Patient 37:10 - The Case That Changed My Perspective 39:13 - Janice's Surprising Remedy Experience 42:57 - Skeptical About Chakras? Keep Going 45:23 - Challenges Make the Job Worth It 50:55 - The Process Behind Crystal-Infused Essences 54:25 - The Importance of Supporting Remedy Creators 01:03:02 - A Family of Healing Paths 01:09:30 - Sensing the Energy Beyond Words 01:10:54 - The Fig Remedy: Fighting False Info   About my Guest: Colin Griffith is a highly respected homeopath and potter with over 30 years of experience. After studying Homeopathy in London in 1989, he began practicing in East Sussex and Kent in 1991, where he built a thriving practice while also teaching and lecturing on the subject. Colin's expertise has led him to lecture internationally in the USA, Japan, and Europe, and he has authored best-selling books on homeopathy. In 2001, he founded the Griffith Practice, where he collaborates with osteopaths and other homeopaths. Prior to his career in homeopathy, Colin was a classical music composer, but his passion for creativity led him to pottery in 2010. He now designs and throws his own ceramic pieces, showcasing his work in local exhibitions.   Find out more about Colin Website: https://www.griffithpractice.co.uk/   If you would like to support the Homeopathy Hangout Podcast, please consider making a donation by visiting www.EugenieKruger.com and click the DONATE button at the top of the site. Every donation about $10 will receive a shout-out on a future episode.   Join my Homeopathy Hangout Podcast Facebook community here: https://www.facebook.com/groups/HelloHomies   Follow me on Instagram https://www.instagram.com/eugeniekrugerhomeopathy/   Here is the link to my free 30-minute Homeopathy@Home online course: https://www.youtube.com/watch?v=vqBUpxO4pZQ&t=438s   Upon completion of the course - and if you live in Australia - you can join my Facebook group for free acute advice (you'll need to answer a couple of questions about the course upon request to join): www.facebook.com/groups/eughom

｜PresenterドクターD イングリッシュ発音ディレクター Dr. D・ドクターDイングリッシュ創立者・元プロミュージシャン・初海外は中１でアデレード短期留学｜Introduction　 初海外で通じなかった言葉とその理由通じなかった理由はそれぞれ何でしょう？Category 1:Musician, Aquarium, RepertoryCategory 2:Talent, Style, Naive｜ストレスは大事　 ストレスの位置が違うと本当に通じないMusician /myu ‘zi shun/ホストファミリーに、What's your favorite thing?と聞かれ、I'm a musician って言って、“mu”にストレス置いたら通じなかったストレスの母音は結構違うAquarium /uh ‘kwei rium/ドライブ中にかっこいい建物を見つけて、“Is that an aquarium?”って言って、“rium”にストレス置いたら通じなかったそこ強調する？って単語がたまにあるRepertory /'re per to ri/結婚式でギターを演奏したときに言った言葉“Play something on your repertory.”perにストレス置いたら通じなかった音楽ではrepertoireの方が一般的Play something from your repertoire.｜和製英語タレントはすごい技能をさすその辺で出会った同い年くらいの子供に、What's your favorite talent?って聞いたら、“I wanna shoot Hadouken!”って返ってきたちなみにTVタレントという職業は海外には無いActor, Modelなど具体的に言うのが一般的有名人の総称はceleb (celebrity)使い方: You are talented（才能あるね）スタイルはファッションについてその辺で出会った男の子と喋っていたとき、水着で歩いてる女の人がいたので“Wow, she's got good style”と言ったら、“I don't know”とか言われた英語で体型を表すのは、Figureが正解だけど、本当に言いたかったのは、“Wow, she's hot!”ナイーブは青臭い事を言う結婚式の演奏前に緊張して、“I'm getting naive”と言ったら、“No you are not”とか言われた緊張したら、“I'm getting nervous”を使おう！｜まとめ英訳して話すと色々おかしくなる結局、英語はリアルに使われている表現を学び、発音と共に体に叩き込むのが必要「こういう表現があったなぁ」って感じで引き出して話せるとベスト！動画のコピーイングを頑張りましょう！

Movie time! We talk about a weird classic that goes in a lot of different directions in 2025. Check out our letterboxd list if you'd like to see all the movies covered that way! Send us any email questions and comments about the movies we cover or movies in general to abnormalmappingpodcast@gmail.com! Also, we're a patreon supported show, please go to patreon.com/abnormalmapping to see our many shows and support us.Next Time on Repertory Screenings: Once Upon A Time in the West

KCBX reporter Amanda Wernik talks about why it's important for her to report on the Refugio pipeline. Fr. Ian Delinger visits schools in San Luis Obispo County to learn more about California Wheat Commission's Wheat2School project. KCBX reporter Alyssa Toledo's story about the musical Million Dollar Quartet playing at the San Luis Obispo Repertory Theater until March 9th and what sets it apart from other productions. And my interview with community members from SLO county who want to celebrate Palestinian culture through a poetry reading honoring Palestinian poet and activist Refaat Alareer.

We return to talk about William Friedkin's inexplicably homoerotic and trashy exploration of the Secret Service and Willem Dafoe's vibe. We have a great time. Tons of great questions this week. Love when the podcast cooks. Hope you enjoy!Check out our letterboxd list if you'd like to see all the movies covered that way! Send us any email questions and comments about the movies we cover or movies in general to abnormalmappingpodcast@gmail.com! Also, we're a patreon supported show, please go to patreon.com/abnormalmapping to see our many shows and support us.Next Time on Repertory Screenings: Brazil (Director's Cut)

We're back from a few weeks off to talk about this absolute classic, and a bunch of other movies besides! Jackson went early film moded! Em found the new worst Star Trek movie ever made! We all become Judas fujos (not Destiny, Destiny is pure). Check out our letterboxd list if you'd like to see all the movies covered that way! Send us any email questions and comments about the movies we cover or movies in general to abnormalmappingpodcast@gmail.com! Also, we're a patreon supported show, please go to patreon.com/abnormalmapping to see our many shows and support us.Next Time on Repertory Screenings: To Live and Die in L.A.

EPISODE 70 - “COLIN CLIVE” - 1/13/2024 The moment he uttered the iconic line, “It's Alive! It's Alive,” in the 1931classic horror film “Frankenstein, actor COLIN CLIVE secured his place in film history. The handsome, talented British actor went on to appear in several other films, but his life and career were cut short due to his acute alcoholism and other personal demons. This week, we remember and celebrate this beloved horror legend.  SHOW NOTES:  Sources: One Man Crazy . . .! The Life and Death of Colin Clive (2018), by Gregory W. Mank; James Whale: A New World of Gods and Monsters (1998), by James Curtis; The Wisdom of Colette (1980), by Bennitt Gardiner; Colette O'Niel: A Season in Repertory (1976), by Bennitt Gardiner; “R.C. Sherriff: Soldier, Writer and Oarsman,” November 30, 2020, HearTheBoatSing.com; “Mae Clarke Remembers James Whale,” May 1985, Films in Review; “Jeanne De Casalis, 69, Is Dead,” August 20, 1966, New York Times;  “Colin Clive, Actor, Dies In Hollywood,” June 27, 1937, New York Times; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned:  Frankenstein (1931), starring Boris Karloff, Colin Clive, & Mae Clake; Journey's End (1930), starring Colin Clive, Ian Maclaren, & David Manners; The Public Enemy (1931), starring James Cagney, Jean Harlow, Joan Blondell, Mae Clarke, & Edward Woods; Christopher Strong (1933), starring Katharine Hepburn, Colin Clive, & Billie Burke; Looking Forward (1933), string Lionel Barrymore, Lewis Stone, Elizabeth Allen & Benita Hume; Jane Eyre (1934), starring Virginia Bruce, Edith Fellows, & Colin Clive; The Girl From 10th Avenue (1935), starring Bette Davis, Colin Clive, & Ian Hunter; The Man Who Broke The Bank At Monte Carlo (1935), starring Ronald Colman, Joan Bennett, Colin Clive, & Nigel Bruce; Clive of India (1935), starring Ronald Colman, Loretta Young, Colin Clive, Cesar Romero, Leo G. Carroll, & C. Aubrey Smith; Mad Love (1935), starring Peter Lorre, Colin Clive, & Frances Drake; Bride of Frankenstein (1935), Boris Karloff, Elsa Lancaster, Colin Clive, Una O'Connor, & Valerie Hobson; History is Made At Night (1937), starring Jean Arthur, Charles Boyer, & Colin Clive; The Woman I Love (1937), starring Miriam Hopkins, Paul Muni, Louis Hayward, & Colin Clive; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

City Ballet The Podcast returns with a new Hear the Dance episode exploring George Balanchine's Concerto Barocco. Host Silas Farley is joined by three former NYCB dancers whose engagement with this foundational ballet continues today: SAB Senior Faculty Chair Suki Schorer, Balanchine Repetiteur Victoria Simon, and SAB Faculty Member Meagan Mann. Together they trace the highlights and unique demands of Barocco's four distinct movements, describing how the apparent simplicity of the ballet demands plenty of hard work and helps build community amongst the dancers. (1:00:28) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto in D minor for Two Violins, B.W.V. 1043 by Johann Sebastian Bach Performed by the New York City Ballet Orchestra Kurt Nikkanen and Arturo Delmoni, Violin Soloists Aria with Variations in G, BWV 988 (1742), "The Goldberg Variations" by Johann Sebastian Bach Performed by Susan Walters, Pianist Reading List:  1. Repertory in Review: 40 Years of the New York City Ballet by Nancy Reynolds, with an Introduction by Lincoln Kirstein 2. Thirty Years: Lincoln Kirstein's The New York City Ballet by Lincoln Kirstein 3. Balanchine and Kirstein's American Enterprise by James Steichen 4. Suki Schorer on Balanchine Technique by Suki Schorer and Russell Lee 5. Balanchine Pointework by Suki Schorer 6. Balanchine Then and Now Edited by Ann Hogan 7. Balanchine's Ballerinas: Conversations with the Muses by Robert Tracy with Sharon DeLano 8. Balanchine the Teacher: Fundamentals That Shaped the First Generation of New York City Ballet Dancers by Barbara Walczak and Una Kai 9. Balanchine Variations by Nancy Goldner 10. Bach: Music in the Castle of Heaven by John Eliot Gardiner

Dr Robin Murphy, ND was a naturopathic and homeopathic physician who taught and practised Homeopathy, Natural Medicine, and Medical Qigong for 50 years.  Dr Murphy is one of the most well-known homeopathy teachers in the world. His extensive teaching and clinical experience, including his years as chairman of the Homeopathic Department at the National College of Naturopathic Medicine in Portland. He lectured on homeopathy in England, India, the Czech Republic, Japan, Egypt, Trinidad and Germany.  This webinar will look at: Homeopathic case management Repertory and Materia Medica study Common mistakes in homeopathic case management Potency selection and repeating the dose Evaluating the acute and chronic methods of prescribing Using the Repertory as a tool for learning Materia Medica and therapeutics Differentiations between related rubrics. Sample case histories Visit our website https://chehomeopathy.com/

We close out the year with this cute little musical comedy about gender, romance, and the stage! We had a great time, and everyone saw some movies, so we're really back in rare form after Jackson finished climbing Mount Dragonball for the last eight months or so. We also finish up the episode with our Top 10 New To Us Movies of 2024! The lists are linked below, but please check out the episode first, because the fun is in the telling! Hold off on getting spoiled!Destiny's Top 10 of 2024Jackson's Top 10 of 2024Em's Top 10 of 2024Em's Have Their Cake and Eat It Too “Short”list of Nominees (in reverse chronological order)Check out our letterboxd list if you'd like to see all the movies covered that way! Send us any email questions and comments about the movies we cover or movies in general to abnormalmappingpodcast@gmail.com! Also, we're a patreon supported show, please go to patreon.com/abnormalmapping to see our many shows and support us.Next Time on Repertory Screenings: The Last Temptation of Christ

Back after one short week we talk about the strange dissolution of the family in Teorema, a bunch of casting what-ifs, and the letterboxd stats for every Repertory Screenings film to date! Please enjoy the episode!Check out our letterboxd list if you'd like to see all the movies covered that way! Send us any email questions and comments about the movies we cover or movies in general to abnormalmappingpodcast@gmail.com! Also, we're a patreon supported show, please go to patreon.com/abnormalmapping to see our many shows and support us.Next Time on Repertory Screenings: Victor and Victoria (1933)

Over the past century, thousands of musicals have opened on Broadway. Why do we remember some and not others? My guest this week is Doug Reside, the author of a very interesting new book: Fixing The Musical — How Technologies Shaped the Broadway Repertory.  In this conversation, Doug shares with us how the printed versions of the scripts, cast recordings, movie versions, and even illegal bootlegs on YouTube have shaped the American musical as an art form and defined the Broadway repertory as we know it. This book is filled with fascinating research, which might be expected since, in his day job, Doug Reside is the Curator of the Billy Rose Theatre Division at the NYPL for the Performing Arts. Reside joined NYPL in 2011 first as the digital curator for the performing arts before assuming his current position in 2014. Prior to joining NYPL, Reside served on the directorial staff of the Maryland Institute for Technology in the Humanities at the University of Maryland. He has published and spoken on topics related to theater history, literature, and digital humanities, and has managed several large grant-funded projects on these topics. He holds a PhD in English from the University of Kentucky. How to become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including long-time patron Kelly Allen. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth discussions with my frequent co-host, Albert Evans, that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Saptarshi Banerjea is the fifth generation of a distinguished and widely respected homoeopathic family. His insights into prescribing with his magnificent grasp of the nuances of Materia Medica make his lectures wonderfully rewarding and gives him the confidence in prescribing especially in cases with pathology. He acts as Clinical Consultant in various rural and slum clinics. In India, he often sees around 50 patients a day in his medical centres in Calcutta. Such volume requires the use of extensive ready knowledge of Clinical and Comparative Materia Medica coupled with profound intuition and application of ancestral wisdom. Saptarshi inherits his clinical acumen and wisdom from his illustrious father, Dr. Subrata K. Banerjea. Web Site Address & Link: https://saptarshibanerjea.com/ YouTube Channel Link: https://www.youtube.com/channel/UCbXVM0VFIFxpWktnSL1cVDg Postal Address: Bengal Allen Medical Institute,                                         "Similimum"; 46 Creek Row,                                         Calcutta 700 014,                                         West Bengal, India. 2 WEEKS CLINICAL HOMOEOPATHY PROGRAMME IN KOLKATA (the Mecca of Materia Medica teaching): (Approximately 160+ live cases, many of them with heavy pathology will be seen and discussed during this intensive programme) The programme has been running for 36+ years and has a consistent reputation for its professionalism and unique practical experience, where simple, traditional & non-confusing clear approach to prescribing including miasms, totality & essence with sound knowledge in Materia Medica is used (Repertory is rarely consulted).  The practical method which gives your patient confidence in homoeopathy that its working within a short time. See action of homoeopathy in advanced pathologies. Observe how simple, century old, time-tested, classical homoeopathy works and develop your confidence. 2023 Dates: 25th January (Wednesday) to 9th February (Wednesday) 2023. Course Fees: British Pounds 880.00 for the entire programme (2 weeks; approximately 11 days of classes) which also includes Lunch and tea etc during the working days. Details:  http://www.homoeopathy-course.com/index.php/training-courses/india-homoeopathy-training https://allencollege.co.uk/calcutta-clinical-training/ Video of 10 Good Reasons to go to Calcutta: https://www.homoeopathy-course.com/resources/video-gallery

We're a week late but we're rolling along with our schedule so expect the next episode next week! This week we sat down to dinner and talked about our varied reactions to My Dinner with Andre, and decided who among us were Wallaces and who among us were Andres. Check out our letterboxd list if you'd like to see all the movies covered that way! Send us any email questions and comments about the movies we cover or movies in general to abnormalmappingpodcast@gmail.com! Also, we're a patreon supported show, please go to patreon.com/abnormalmapping to see our many shows and support us.Next Time on Repertory Screenings: Teorema (1968)

Our second movie about the sacred and the human in a row as we follow some angels around Berlin, feel the sadness and desires of time, and talk a lot about color vs black and white film! This movie is a straight up banger, please enjoy!Check out our letterboxd list if you'd like to see all the movies covered that way! Send us any email questions and comments about the movies we cover or movies in general to abnormalmappingpodcast@gmail.com! Also, we're a patreon supported show, please go to patreon.com/abnormalmapping to see our many shows and support us.Next Time on Repertory Screenings: My Dinner with Andre

This time, we are back with a look at Downtown Repertory's "Masq!," as well as a little programming update.   Listen in and enjoy!   If new to the podcast, we recommend checking out episode 879.  This 10th anniversary retrospective gives a lot of context to the Parks and Cons universe. THANK YOU to all who support us on Patreon!  In particular, we want to thank our Omega Level Powerhouse, Super Soldier Powerhouse, Otherworldly Powerhouse, and Mutant Powerhouse Patreon Tier Supporters: Renee A., Brett A., Johanna A., Angela B., Jennifer B., Michael B., Steve C., Drew D., Kerry D., Rochelle D., Ted D., Mike E., Tim F., Tina F., Tori F., Yvette G., Jonathan G., Clarisa H., Hailey K., Jason M., Susan O., Tom P., Amanda R., Joshua R., Albert R., Manuel S., Hendel T., Alyssa W., Adam W., Jamie W., Mark W., John W., and our anonymous donor Please, consider joining The Parks and Cons Crew, https://www.patreon.com/ParksAndCons! Prefer to make a one-time contribution? Click here for details on how you can donate!

We watch one of the most humbling films a person can sit through and then we have to actually talk about it! We do our best, but this is a hard one to cover. I hope people enjoy the episode anyway, and please go watch Blue, it's just up on youtube and it really is that good.Check out our letterboxd list if you'd like to see all the movies covered that way! Send us any email questions and comments about the movies we cover or movies in general to abnormalmappingpodcast@gmail.com! Also, we're a patreon supported show, please go to patreon.com/abnormalmapping to see our many shows and support us.Next Time on Repertory Screenings: Wings of Desire

We're back with this famous story of a bad lawyer made good that kind of splits the Repertory Screenings cast. Though not really. Because we all kind of agree, but it's mostly a matter of degree. But I would call this the rare bad(ish) Repertory Screenings movie, and it gives us plenty to talk about.Check out our letterboxd list if you'd like to see all the movies covered that way! Send us any email questions and comments about the movies we cover or movies in general to abnormalmappingpodcast@gmail.com! Also, we're a patreon supported show, please go to patreon.com/abnormalmapping to see our many shows and support us.Next Time on Repertory Screenings: Blue (the Derek Jarman movie, not Three Colors: Blue, we already did that one)

Well, we certainly didn't mean to take that much time off between episodes! We're finally back with our promised Kurosawa classic, and a bunch of other movies besides as we get back to the cinema (metaphorically) to watch some damn films!Check out our letterboxd list if you'd like to see all the movies covered that way! Send us any email questions and comments about the movies we cover or movies in general to abnormalmappingpodcast@gmail.com! Also, we're a patreon supported show, please go to patreon.com/abnormalmapping to see our many shows and support us.Next Time on Repertory Screenings: The Verdict

On this episode of Cyrus Says, Cyrus is joined by the multi-talented Danish Hussain, an actor, storyteller, and theatre director who left the corporate world at 30 to pursue the performing arts. Danish shares his journey as how he dealt with his father for his love for theater & acting. They also speak about Danish founding The Hoshruba Repertory in Mumbai, and reviving the ancient art of Dastangoi. They dive into his acclaimed performances in Bombay Begum & OTT hits like Taj Mahal 1989 and Bard of Blood. Danish also talks about his latest production, Habibnama, a tribute to theatre legend Habib Tanvir, and how storytelling continues to shape his career.See omnystudio.com/listener for privacy information.

Prepare for a new act from Kane Repertory Theatre as Kane County Repertory Theatre Board Members - Mary Kruse and Lisa Macaione - share their previous theatre experience, the history of the theatre company, and much more.

 Listen to the Show Right Click to Save GuestsBroad Theatre Hungry Teenage Track StarsColor Arc Productions Stories About Birth Order  What We Talked About

The 170th episode of Tangazo, begins with Ferguson Police spokesperson Patricia Washington, updating us on injured Ferguson Police officer Travis Brown. ----- Officer Brown,remains in critical condition as a result of injuries, sustained during an ill advised protest, at the Ferguson Police Department. The group had assembled in Ferguson to commemorate the 10th anniversary, of the death of Michael Brown, that sparked demonstrations that led to looting and the destruction, of a number businesses in Ferguson and nearby Dellwood.  Michael Browns death, also led to numerous reforms including total integration, of the once all white police department, the election of Ferguson'e first black mayor, Ella M. Jones and the election of Wesley Bell, as St.Louis County's first African American Prosecutor! ------ Tim Person and social justice activist Attorney Jerryl Christmas, joined me studio during the 1st hour, which included Robert Green, promoting his Afro Day in the Park, in celebration of civil rights activist, the legendary Percy Green II. The event is scheduled for October 5th- 7th., at Fairgrounds Park. ------ The second hour of Tangazo, focuses on  The St. Louis Black Repertory Company's 48th season opening play,  the Blues in the night, which opens September 4th and runs through September 22nd. ------- Longtime Black Repertory actor, J Samuel Davis and Musical Director Khalid McGhee,  led an animated conversation describing “Blues In The Night” as a must see, wonderful evening of entertainment! ------- We encourage you to support Ron Himes and our nationally renowned,  St.Louis Black Repertory Company! ------

The Seattle Repertory Jazz Orchestra kicks off their 30th season with a set of originals from a quintet in the KNKX studios.

We watch a 90s indie classic and talk about how much childhood sucks, the weirdness of age when you're in school, the messiness of allegiances when you're young, and much more with this funny, uncomfortable movie. Check out our letterboxd list if you'd like to see all the movies covered that way! Send us any email questions and comments about the movies we cover or movies in general to abnormalmappingpodcast@gmail.com! Also, we're a patreon supported show, please go to patreon.com/abnormalmapping to see our many shows and support us.Next Time on Repertory Screenings: High and Low

We watch a perfectly middle of the road movie and talk about aspiring to be a Michael Clayton, the burden of ripped from the headlines movie making, Mark Ruffalo being extremely fifty years old, and more! Check out our letterboxd list if you'd like to see all the movies covered that way! Send us any email questions and comments about the movies we cover or movies in general to abnormalmappingpodcast@gmail.com! Also, we're a patreon supported show, please go to patreon.com/abnormalmapping to see our many shows and support us.Next Time on Repertory Screenings: Welcome to the Dollhouse

Longtime friend of the show and head Stonecutter John Ungaro chat with Kyle, Matthew, and Laura about going to see movies when they're not new movies. It really is wild how much the way you see something can affect how you think of it. Plus, a lot of general movie talk. Let us know on instagram what are some of the best repertory screenings you've ever seen?   Is it rad? Are director's cuts rad?   Weekly Rads: Kyle- Angeltape – Dralah (album) Matthew - Videos about upcoming computer cases (videos) Laura - Queen of Hearts by Zolita (album) John Ungaro - Bleak Week (film festival)   Check out Burnside playing video games at https://www.twitch.tv/stayindoorsburnside   Get Kyle Clark's I'm a Person: Director's Cut  You can go to www.kyleclarkcomed.bandcamp.com and pay what you want for the full uncut set from “I'm a Person” which includes 20 mins of unheard material, plus an additional 15 minutes of never released bonus live recordings!   Send Us Stuff! We have a PO Box! This Is Rad! / Kyle Clark PO Box #198 2470 Stearns St Simi Valley, CA 93063   Tales from an Analog Future Get it HERE: https://gumroad.com/analogfuturecomic   Get Kyle's album "Absolute Terror" here: https://smarturl.it/absoluteterror    Go to www.Patreon.com/   thisisrad and subscribe to send in questions for our Listener Questions episodes, to get exclusive bonus episodes, extra content, and access to the This Is Rad Discord server!   Check out our merch!       Also! Check out merch for Kyle's record label Radland Records  https://www.teepublic.com/t-shirt/4109261-radland-logo A l   so! Laura started an online store for her art! Go buy all of her stuff!!!  https://www.teepublic.com/stores/lmknight?utm_campaign=8178&utm_medium=affiliate&utm_source=lmknight    Follow us on social media or whatever! Instagram: @thisisradpodcast @kyleclarkisrad @lmknightart @8armedspidey (Frank Gillen TIR's social media!)  @thearcknight (techno lord Adam Cross)    Twitter: @ThisIsRadPod @kyleclarkisrad @MatthewBurnside @LMKnightArt  

We watch a science fiction classic and talk about slow cinema and the weird pissing matches between authors and directors and other directors. Solaris is pretty good! Also, a bunch of other movies get discussed.Check out our letterboxd list if you'd like to see all the movies covered that way! Send us any email questions and comments about the movies we cover or movies in general to abnormalmappingpodcast@gmail.com! Also, we're a patreon supported show, please go to patreon.com/abnormalmapping to see our many shows and support us.Next Time on Repertory Screenings: Dark Waters

Sometimes you watch one of those movies where a bunch of disparate things fall into place and you realize some of your favorite directors definitely watched this movie and lost their minds about it. Don't Look Now is definitely one such movie! We enjoy the foggy streets of Venice, Donald Sutherland's cartoonish frown, psychic abilities and their pitfalls, and the strange dream logic of grief.Check out our letterboxd list if you'd like to see all the movies covered that way!Send us any email questions and comments about the movies we cover or movies in general to abnormalmappingpodcast@gmail.com!Also, we're a patreon supported show, please go to patreon.com/abnormalmapping to see our many shows and support us.Next Time on Repertory Screenings: Solaris (1972)

Thousands of shows have opened on Broadway. Why do we remember some and not others? The musical theatre repertory is not composed of titles popular in the theatre but by those with successful cast recordings, movie versions, or even illegal bootlegs on YouTube. The shows audiences know, and the texts and music they expect to hear when they attend a production, are defined by media consumed at home more than by memories of performances witnessed in the theatre. For example, author Doug Reside shows that it is no accident that the serious book musical with a fixed score developed in the 1940s - when commercially pressed and marketed record albums made it possible to record most of the score of a new musical in a fixed medium. And Hamilton, a musical with dense lyrics and revolutionary musical style, would not have been as easily accessible to world audiences if most hadn't already had the opportunity to learn the score by listening to free digital streams of the original cast recording. The technologies that made these media possible developed concurrently with and shaped the American musical as an art form. Reside uncovers how the affordances and limitations of these technologies established a repertory of titles that are most frequently performed and defined by the texts used in these performances. Fixing the Musical: How Technologies Shaped the Broadway Repertory (Oxford UP, 2023) argues that the musicals we most remember are those which most effectively used their era's best recording and distribution technologies to document and share the work with those who would never see the original production on Broadway. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Thousands of shows have opened on Broadway. Why do we remember some and not others? The musical theatre repertory is not composed of titles popular in the theatre but by those with successful cast recordings, movie versions, or even illegal bootlegs on YouTube. The shows audiences know, and the texts and music they expect to hear when they attend a production, are defined by media consumed at home more than by memories of performances witnessed in the theatre. For example, author Doug Reside shows that it is no accident that the serious book musical with a fixed score developed in the 1940s - when commercially pressed and marketed record albums made it possible to record most of the score of a new musical in a fixed medium. And Hamilton, a musical with dense lyrics and revolutionary musical style, would not have been as easily accessible to world audiences if most hadn't already had the opportunity to learn the score by listening to free digital streams of the original cast recording. The technologies that made these media possible developed concurrently with and shaped the American musical as an art form. Reside uncovers how the affordances and limitations of these technologies established a repertory of titles that are most frequently performed and defined by the texts used in these performances. Fixing the Musical: How Technologies Shaped the Broadway Repertory (Oxford UP, 2023) argues that the musicals we most remember are those which most effectively used their era's best recording and distribution technologies to document and share the work with those who would never see the original production on Broadway. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Thousands of shows have opened on Broadway. Why do we remember some and not others? The musical theatre repertory is not composed of titles popular in the theatre but by those with successful cast recordings, movie versions, or even illegal bootlegs on YouTube. The shows audiences know, and the texts and music they expect to hear when they attend a production, are defined by media consumed at home more than by memories of performances witnessed in the theatre. For example, author Doug Reside shows that it is no accident that the serious book musical with a fixed score developed in the 1940s - when commercially pressed and marketed record albums made it possible to record most of the score of a new musical in a fixed medium. And Hamilton, a musical with dense lyrics and revolutionary musical style, would not have been as easily accessible to world audiences if most hadn't already had the opportunity to learn the score by listening to free digital streams of the original cast recording. The technologies that made these media possible developed concurrently with and shaped the American musical as an art form. Reside uncovers how the affordances and limitations of these technologies established a repertory of titles that are most frequently performed and defined by the texts used in these performances. Fixing the Musical: How Technologies Shaped the Broadway Repertory (Oxford UP, 2023) argues that the musicals we most remember are those which most effectively used their era's best recording and distribution technologies to document and share the work with those who would never see the original production on Broadway. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Thousands of shows have opened on Broadway. Why do we remember some and not others? The musical theatre repertory is not composed of titles popular in the theatre but by those with successful cast recordings, movie versions, or even illegal bootlegs on YouTube. The shows audiences know, and the texts and music they expect to hear when they attend a production, are defined by media consumed at home more than by memories of performances witnessed in the theatre. For example, author Doug Reside shows that it is no accident that the serious book musical with a fixed score developed in the 1940s - when commercially pressed and marketed record albums made it possible to record most of the score of a new musical in a fixed medium. And Hamilton, a musical with dense lyrics and revolutionary musical style, would not have been as easily accessible to world audiences if most hadn't already had the opportunity to learn the score by listening to free digital streams of the original cast recording. The technologies that made these media possible developed concurrently with and shaped the American musical as an art form. Reside uncovers how the affordances and limitations of these technologies established a repertory of titles that are most frequently performed and defined by the texts used in these performances. Fixing the Musical: How Technologies Shaped the Broadway Repertory (Oxford UP, 2023) argues that the musicals we most remember are those which most effectively used their era's best recording and distribution technologies to document and share the work with those who would never see the original production on Broadway. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Thousands of shows have opened on Broadway. Why do we remember some and not others? The musical theatre repertory is not composed of titles popular in the theatre but by those with successful cast recordings, movie versions, or even illegal bootlegs on YouTube. The shows audiences know, and the texts and music they expect to hear when they attend a production, are defined by media consumed at home more than by memories of performances witnessed in the theatre. For example, author Doug Reside shows that it is no accident that the serious book musical with a fixed score developed in the 1940s - when commercially pressed and marketed record albums made it possible to record most of the score of a new musical in a fixed medium. And Hamilton, a musical with dense lyrics and revolutionary musical style, would not have been as easily accessible to world audiences if most hadn't already had the opportunity to learn the score by listening to free digital streams of the original cast recording. The technologies that made these media possible developed concurrently with and shaped the American musical as an art form. Reside uncovers how the affordances and limitations of these technologies established a repertory of titles that are most frequently performed and defined by the texts used in these performances. Fixing the Musical: How Technologies Shaped the Broadway Repertory (Oxford UP, 2023) argues that the musicals we most remember are those which most effectively used their era's best recording and distribution technologies to document and share the work with those who would never see the original production on Broadway. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Thousands of shows have opened on Broadway. Why do we remember some and not others? The musical theatre repertory is not composed of titles popular in the theatre but by those with successful cast recordings, movie versions, or even illegal bootlegs on YouTube. The shows audiences know, and the texts and music they expect to hear when they attend a production, are defined by media consumed at home more than by memories of performances witnessed in the theatre. For example, author Doug Reside shows that it is no accident that the serious book musical with a fixed score developed in the 1940s - when commercially pressed and marketed record albums made it possible to record most of the score of a new musical in a fixed medium. And Hamilton, a musical with dense lyrics and revolutionary musical style, would not have been as easily accessible to world audiences if most hadn't already had the opportunity to learn the score by listening to free digital streams of the original cast recording. The technologies that made these media possible developed concurrently with and shaped the American musical as an art form. Reside uncovers how the affordances and limitations of these technologies established a repertory of titles that are most frequently performed and defined by the texts used in these performances. Fixing the Musical: How Technologies Shaped the Broadway Repertory (Oxford UP, 2023) argues that the musicals we most remember are those which most effectively used their era's best recording and distribution technologies to document and share the work with those who would never see the original production on Broadway. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

We head to the world of mood lighting, stupid cops, and the poetry of a life of crime as we all enjoy the rhythms and aesthetics of Deep Cover! This one's a pretty silly movie, but I mean that in the kindest way possible. Truly the early 90s could just get away with a corny earnestness in genre work that is sorely missed.Check out our letterboxd list if you'd like to see all the movies covered that way! Send us any email questions and comments about the movies we cover or movies in general to abnormalmappingpodcast@gmail.com! Also, we're a patreon supported show, please go to patreon.com/abnormalmapping to see our many shows and support us.Next Time on Repertory Screenings: Don't Look Now

One of the stone cold classics of cinema this week as we all watch our first Rossellini movie together and come away deeply impressed. Sometimes a movie is just a classic for a reason! Check out our letterboxd list if you'd like to see all the movies covered that way! Send us any email questions and comments about the movies we cover or movies in general to abnormalmappingpodcast@gmail.com! Also, we're a patreon supported show, please go to patreon.com/abnormalmapping to see our many shows and support us.Next Time on Repertory Screenings: Deep Cover

Original Air Date: February 24, 1939Host: Andrew RhynesShow: The Lone RangerPhone: (707) 98 OTRDW (6-8739) Stars:• Earle Graser (Lone Ranger)• John Todd (Tonto) Writer:• Fran Striker Producer:• George W. Trendle Music:• Ben Bonnell Exit music from: Roundup on the Prairie by Aaron Kenny https://bit.ly/3kTj0kK

Original Air Date: February 24, 1939Host: Andrew RhynesShow: The Lone RangerPhone: (707) 98 OTRDW (6-8739) Stars:• Earle Graser (Lone Ranger)• John Todd (Tonto) Writer:• Fran Striker Producer:• George W. Trendle Music:• Ben Bonnell Exit music from: Roundup on the Prairie by Aaron Kenny https://bit.ly/3kTj0kK

This episode might be two weeks late, but that's just because we were exploring the Real America to learn how the 99% lives. But we're back with a bunch of movies and one of the classic comedies of the 1940s!Check out our letterboxd list if you'd like to see all the movies covered that way! Send us any email questions and comments about the movies we cover or movies in general to abnormalmappingpodcast@gmail.com! Also, we're a patreon supported show, please go to patreon.com/abnormalmapping to see our many shows and support us.Next Time on Repertory Screenings: Rome, Open City

The Guthrie Theater in Minneapolis is in production of an ambitious project. It's producing three Shakespeare plays that tell a larger story, and it will be performed entirely by a core group of actors. Rehearsals began at the end of January, and the shows officially open in mid-April. MPR News Arts Reporter Jacob Aloi has been in the rehearsal room. He joined MPR News Host Cathy Wurzer to share a behind-the-scenes look.

It's the big 100! We've watched 100 (+2) movies on this second edition of our movie show, somehow, and we picked a banger to celebrate the milestone.Check out our letterboxd list if you'd like to see all the movies covered that way! Send us any email questions and comments about the movies we cover or movies in general to abnormalmappingpodcast@gmail.com! Also, we're a patreon supported show, please go to patreon.com/abnormalmapping to see our many shows and support us.Next Time on Repertory Screenings: Sullivan's Travels

"I didn't want to do any middle level teaching because of behavior, but I ended up teaching eight years at Patrick Henry Junior High. I loved every moment of it. I learned that if the kids loved and trusted you, they would do anything for you. It was just so much fun to take what they were willing to give and do some good work with them. It all translated into how they behaved in choir."Cathleen Britton has been making music her entire life. She grew up in Aberdeen, South Dakota, and then studied music at The University of South Dakota, where she earned a Bachelor of Fine Arts and a Master's Degree in Music Education. Britton has spent her career largely in Sioux Falls directing middle and high school vocal music programs. Her concert choirs have been selected repeatedly to perform at regional conventions, college music festivals and even at Carnegie Hall. Show choirs directed by Britton have received top awards at competitions in a multi‐state area. Outside school, Britton directed the Asbury Methodist Adult Choir for 15 years and was vocal conductor at the Augustana Summer Music Camp. She has served as Clinician and Festival Conductor at numerous conventions and competitions throughout the state and region. She traveled to Muscat, Oman as a festival conductor for the TAISM Festival of Choirs.Britton has fostered the growth of vocal music programs through her work in the American Choral Directors' Association where she has served as Repertory and Standards Chairperson for Vocal Jazz and Show Choir, Publicity Chair, and Convention Clinician for the North Central Division of the ACDA. She also held the office of State President of the South Dakota Chapter of ACDA. In 1996, Britton received the Encore Award for excellence and achievement in choral music and in 2008 was presented with the Lifetime Achievement Award by her peers in the American Choral Directors' Association‐South Dakota Chapter. Britton was honored as the South Dakota recipient of the National Federation of High Schools 2011 Outstanding Music Educator Award. She was their North Central regional recipient for the same award in 2017, and in 2020, she received a national citation from NFHS.To get in touch with Cathy, you can find her on Facebook (@cathy.clark.britton) or Instagram (@catbritton).Choir Fam wants to hear from you! Check out the Minisode Intro Part 3 episode from February 16, 2024, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

We watch a sci-fi classic and talk about robots, corridors, and the aesthetics of gymnasiums!Check out our letterboxd list if you'd like to see all the movies covered that way! Send us any email questions and comments about the movies we cover or movies in general to abnormalmappingpodcast@gmail.com! Also, we're a patreon supported show, please go to patreon.com/abnormalmapping to see our many shows and support us.Next Time on Repertory Screenings: Malcolm X

One of the greatest films ever made this week on Repertory Screenings, and also we have some other movies to talk about on top of that. Also, note, we do talk about Close-Up Long Shot, the 1996 documentary which follows up with Sabzian after the movie. Highly recommended you seek that out before you listen!Check out our letterboxd list if you'd like to see all the movies covered that way! Send us any email questions and comments about the movies we cover or movies in general to abnormalmappingpodcast@gmail.com! Also, we're a patreon supported show, please go to patreon.com/abnormalmapping to see our many shows and support us.Next Time on Repertory Screenings: Ikarie XB-1

This week we're lighter on movies but plenty to talk about with George Clooney's breezy educational film about a moment in time and the collision of history and ideology it represents. Check out our letterboxd list if you'd like to see all the movies covered that way! Send us any email questions and comments about the movies we cover or movies in general to abnormalmappingpodcast@gmail.com! Also, we're a patreon supported show, please go to patreon.com/abnormalmapping to see our many shows and support us.Next Time on Repertory Screenings: Close-Up

Thank you to Mathias and Doris Berner from the Network to Heal Summit, for allowing us to use their content for the Homeopathy Hangout Podcast. You can learn more about their work at www.mathiasberner.com  Jeremy talks about the traumatization of people on both sides in Gaza. He explains the treatment of acute trauma caused by violence and was as well as a way out of the permanent re-traumatization of the Jewish population in the world. We learn how we as humans can get out of the duality of good and evil and how hate and emotions make us susceptible to manipulation. Jeremy explains the most important acute remedies and the most important means for the "chronic" reappraisal that is sorely needed to break the cycle of violence and finally create peace and harmony. Jeremy has taught at most UK homeopathic schools and founded the Dynamis School for Advanced Homeopathic Studies in 1986, which is now the longest running postgraduate homeopathic course in the world. He has taught the three-year Dynamis curriculum in England, Ireland, Holland, Switzerland, Norway, Finland, Denmark, Israel, Canada, Japan and the United States. Jeremy has also given seminars in Spain, France, Italy, Germany, Bulgaria, Hungary, Morocco, China, Russia, India, South Africa, Mexico, New Zealand, Argentina and Australia. He maintains numerous practices in London, Tel Aviv, New York and Africa. He received a scholarship from the Society of Homeopaths in 1991 and received his doctorate from Medicina Alternativea and Pioneer University. He is a member of the North American Society of Homoeopaths and the Israeli Society for Classical Homoeopathy. Jeremy is Honorary Professor at Yunan Medical College, Kunming, China, and Associate Professor at Candegabe University of Homeopathy, Argentina. Jeremy is the author of ten homeopathic books and many published articles and research papers and has proven (a process of shamanic and academic research) and published 38 new homeopathic remedies. His books The Dynamics and Methodology of Homoeopathic Provings and Dynamic Materia Medica: Syphilis are homeopathic bestsellers and are used as textbooks in many schools. He is currently working on a series of books on the noble gases, of which "Helium", "Neon" and "Argon" have already been published, followed by "Krypton". He is the author of the Repertory of Mental Qualities and "Homeopathy for Africa", a free teaching course for African homeopaths. He has published three extensive (40+ hours) self-published online video courses, including "The Homeopathic Treatment of Epidemics and AIDS in Africa." He has worked as a consultant for several homeopathic software companies. For the past 11 years, Jeremy has lived in Tanzania with his wife Camilla, also a homeopath, working on their volunteer project "Homeopathy for Health in Africa", where they treated AIDS patients and researched remedies for AIDS free of charge. They have set up 19 clinics and a homeopathic center and work, among other things, in two hospitals and with Maasai tribes in the countryside. They have trained many local homeopaths and together have treated over 20,000 patients.  

This time, we are back with another big Halloween Haunt Hop episode, including Force of Nature's "Figments," Holiday Fantasies Come to Life - Classic Monsters, The Graveyard, Rotten Apple 907: Let's go to the Movies, Circus of Nightmares, Burbank Clown House, Bel Aire Manor, The Nightmare on Orchard, The Buena Vista Haunt, Chains of Wakefield, Downtown Repertory Theater Company's "fangs!" and more!   Listen in and enjoy!   Please, consider joining The Parks and Cons Crew, https://www.patreon.com/ParksAndCons!