Podcasts about Paul Chambers

HERBIE HANCOCK “INVENTIONS AND DIMENSIONS” Englewood Cliffs, NJ, August 30, 1963Succotash (4), A jump aheadHerbie Hancock (p) Paul Chambers (b) Willie Bobo (d,timb1) Osvaldo “Chihuahua” Martinez (cga2,bgo3,finger cymb3,guiro4) OLD AND NEW DREAMS “A TRIBUTE TO BLACKWELL” Atlanta, GA, November 7, 1987Law years, Dewey's tuneDon Cherry (tp) Dewey Redman (ts) Charlie Haden (b) Ed Blackwell (d) PETER EVANS “EXTRA” Lisbon, Portugal, August 57, 2023Freaks, In see, Boom, Nova, Fully bornPeter Evans (pictp,flhrn,p,comp) Petter Eldh (b,synt) Jim Black (d,electronics) Continue reading Puro Jazz 03 de junio, 2025 at PuroJazz.

HERBIE HANCOCK “INVENTIONS AND DIMENSIONS” Englewood Cliffs, NJ, August 30, 1963Succotash (4), A jump aheadHerbie Hancock (p) Paul Chambers (b) Willie Bobo (d,timb1) Osvaldo “Chihuahua” Martinez (cga2,bgo3,finger cymb3,guiro4) OLD AND NEW DREAMS “A TRIBUTE TO BLACKWELL” Atlanta, GA, November 7, 1987Law years, Dewey's tuneDon Cherry (tp) Dewey Redman (ts) Charlie Haden (b) Ed Blackwell (d) PETER EVANS “EXTRA” Lisbon, Portugal, August 57, 2023Freaks, In see, Boom, Nova, Fully bornPeter Evans (pictp,flhrn,p,comp) Petter Eldh (b,synt) Jim Black (d,electronics) Continue reading Puro Jazz 03 de junio, 2025 at PuroJazz.

STANDAR SEMANAL.-georgia on my mind,.VINILOS MITICOS DEL JAZZ.-927.Thelonious Monk - Brilliant Corners.-JAZZACTUALIDAD.SEDAJAZZ KIDS BAND-RAM SESSIONS Brilliant Corners es un álbum de estudio de 1957 del pianista de jazz estadounidense Thelonious Monk . Fue su tercer álbum para Riverside Records y el primero en el sello que incluía composiciones propias. Brilliant Corners se grabó en tres sesiones, entre octubre y diciembre de 1956, con dos quintetos diferentes. «Ba-lue Bolivar Ba-lues-Are» y «Pannonica», esta última con Monk tocando la celesta , se grabaron el 9 de octubre con los saxofonistas Ernie Henry y Sonny Rollins , el bajista Oscar Pettiford y el baterista Max Roach . La primera composición se tituló como una interpretación fonética de la pronunciación exagerada de Monk de «Blue Bolivar Blues»; esto hacía referencia al Hotel Bolívar de Manhattan, donde residía la heredera y mecenas del jazz Pannonica de Koenigswarter . [ 1 ] El 15 de octubre, Monk intentó grabar la canción principal con la misma banda durante una sesión de cuatro horas. La complejidad de la composición se convirtió en un reto para la banda, que intentó veinticinco tomas, y Henry y Pettiford se enfadaron con Monk. Monk intentó facilitarle la grabación a Henry no tocando durante su solo. [ 1 ] Durante una de las tomas, el productor Orrin Keepnews y otros en la sala de control no pudieron oír la interpretación de Pettiford; revisaron el micrófono de su bajo para ver si estaba roto, pero finalmente se dieron cuenta de que estaba haciendo una pantomima. Como no se completó ninguna toma, Keepnews editó la versión del álbum a partir de varias tomas. "Bemsha Swing" se grabó el 7 de diciembre, con Paul Chambers reemplazando a Pettiford en el bajo y el trompetista Clark Terry reemplazando a Henry; Monk grabó una versión para piano solo de " I Surrender Dear " el mismo día. La canción principal tiene una estructura poco convencional que se aleja tanto de la forma estándar de una canción como de las estructuras del blues. Su forma ternaria emplea una sección A de ocho compases, seguida de una sección B de siete compases y una sección A modificada de siete compases, e incluye un tema de doble compás en cada segundo estribillo y acentos rítmicos complejos . [ "Bemsha Swing" fue la única composición del álbum que Monk había grabado previamente. La Sedajazz Kids Band, cuyos integrantes tienen una media de 14 años, presentan un repertorio de funky blues, latin, flamenco jazz y hard bop, trabajado en la asignatura de combo, bajo la dirección de Fco. Angel Banco Latino. Desde el colectivo Sedajazz estamos muy felices de presentar el nuevo trabajo de la Sedajazz Kids Band titulado Ram Session, un concierto en directo grabado en La Rambleta Valencia el 14 de Julio de 2024. El sonido fue realizado por Jorge Perez y el video por Chechu Berlanga. El repertorio es el resultado de un curso trabajando temas de funky blues, latin, flamenco jazz y hard bop, con composiciones de Don Pullen, Art Pepper, Perico Sambeat, Dirty Dozen, Roy Hargrove, Dizzy Gillespie, y arreglos de Latino Blanco, Toni Belenguer y Perico Sambeat. El grupo está formado por jóvenes estudiantes del Taller Sedajazz en la asignatura de combo, bajo la dirección de Fco. Angel Blanco Latino. Este trabajo está inspirado en la música con la que Latino empezó en el Jazz con Los Urones, grupo liderado por Nacho Ros, un pianista valenciano. En ese grupo estaban también Paquito Vidre a la guitarra, Mari Mar en la voz y Julio Valls al bajo. A veces se unían Perico Sambeat, Eladio Reinon y Ramon Cardo. La edad media de los componentes de la Sedajazz Kids Band es de 14 años, y el resultado es muy satisfactorio. Estamos seguros de que os encantará escucharlos. Este es el segundo trabajo con esta formación después de su disco Rumbo a New Orleans, con el que hicieron numerosas presentaciones con gran éxito. Créditos Ximet Reillo: Saxo Soprano y Alto Luis Coronado: Saxo Alto Hugo Coronado: Trompeta David Bonet: Trombón Azul Prada: Guitarra Pau Montalt: Batería Pau Baena: Piano Fco. Angel Blanco Latino: Bajo eléctrico, Contrabajo, Dirección Grabado en directo el 14 de Julio de 2024 en La Rambleta Valencia Jorge Perez: Sonido, mezcla y mastering Josep Asensio: Asistente de sonido Chechu Berlanga: Video Pedro Gallego: Ayudante de producción Temas 1. Poodie Pie (Don Pullen. Arr. Latino Blanco) 07:16 2. Red car (Art Pepper. Arr. Latino Blanco) 08:24 3. Big Alice (Don Pullen. Arr. Latino Blanco) 08:02 4. Tipping (Horace Silver) 05:06 5. Blue March (Benny Golson. Arr. Latino Blanco) 11:32 buy track 6. Barri de la Coma (Perico Sambeat) 07:15 7. Night in Tunisia (Dizzy Gillespie. Arr. Latino Blanco) 05:18 8. Charlie Dozen (Dirty Dozen. Arr. Toni Belenguer) 10:31 9. The New Boogaloo (Marcus Printup. Arr. Toni Belenguer)) 06:30 10. Mercy Mercy Mercy (Joe Zawinul. Arr. Toni Belenguer) 10:07 11. Mr Clean (Freedie Hubbard) 10:06

The jazz standard "All The Things You Are" has been performed countless times by master jazz vocalists, 30s big bands, bebop small groups, hard-bop combos, modern deconstructionists, and even soon-to-be Kings of Pop. On this episode, Kirk takes listeners through the history of the now-famous tune, from its humble Broadway origins all the way to his recording studio in Portland, where he and some friends recorded an all-new arrangement just for Strong Songs.Music/Lyrics: Jerome Kern & Oscar Hammerstein IIVersions Featured:Broadway Original Cast Recording of "Very Warm for May," - 1939Tommy Dorsey and His Orchestra, feat. Jack Leonard, 1939Artie Shaw w/ Hellen Forrest, 1939Dizzy Gillespie w/ Charlie Parker, 1945Johnny Griffin w/ Hank Mobley, John Coltrane, Lee Morgan, Wynton Kelly, Paul Chambers, Art Blakey on A Blowing Session, 1957Ella Fitzgerald from Sings the Jerome Kern Songbook, 1963Michael Jackson, 1973Sonny Rollins w/ Coleman Hawkins from Sonny Meets Hawk!, 1963Bill Evans w/ Chuck Israels, bass, and Larry Bunker, drums at Shelly's Mane-Hole, 1963Keith Jarrett Trio, from Standards, Vol.1, 1983Brad Mehldau Trio, from Art of the Trio 4, 1999Jim Hall & Pat Metheney, 1999Strong Songs Version Featuring:Kirk Hamilton, tenor saxAndrew Oliver, keyboardScott Pemberton, guitarSam Howard, bassTyson Stubelek, drumsThe "All The Things You Are" Playlist:Spotify | Apple | YouTube MusicALSO REFERENCED/DISCUSSED:The Jazz Standards: A Guide To The Repertoire by Ted Gioia, 2012The terrific 99% Invisible episode about The Real Book“Autumn Leaves” by Joseph Kosma as recorded by Cannonball Adderley and Miles Davis on Somethin' Else, 1958“Pennies From Heaven” by Johnston and Burke, recorded by Stan Getz with the Oscar Peterson Trio, 1957“Bye Bye Blackbird” by Henderson/Dixon, recorded by Miles Davis on ‘Round About Midnight, 1957“All Of Me” by Marks and Simons, played by Charlie Parker, Lennie Tristano and Kenny Clarke, 1951“I Got Rhythm” by George Gershwin, recorded by Sonny Stitt on The Hard Swing, 1961Rachmaninoff: Prelude in C-Sharp Minor,  performed by Jason Minnis, 2011“Goodbye Yellow Brick Road” by Elton John, 1973“Bird of Paradise,” recorded by Charlie Parker w/ Howard McGhee, Tpt. on The Complete Dial Recordings, Feb 1947“Prince Albert” recorded by Art Blakey's Jazz Messengers (Mobley, Dorham, Watkins, Silver) live at Cafe Bohemia, 1955“Poinciana” by Simon/Bernier recorded by Amhad Jamal Live At The Pershing, 1958----LINKS-----

STANDARS SEMANAL.-771.Gee,Baby,Ain´t I Good to You.-VINILOS MITICOS DEL JAZZ.-JOHN COLTRANE - Blue Train.-JAZZACTUALIDAD.-.ANA PEREIRA-BAILA LA LLUVIA Blue Train es un álbum de estudio delsaxofonista y compositor de jazz John Coltrane . Fue lanzado a través de Blue Note Records en enero de 1958. [ 1 ] Es la única sesión de Coltrane como líder para Blue Note. [ 8 ] La grabación tuvo lugar en el estudio de Rudy Van Gelder el 15 de septiembre de 1957. Coltrane compuso cuatro de los cinco temas del disco. Su interpretación exhibe elementos tempranos del estilo característico por el que posteriormente se hizo conocido. Blue Train obtuvo la certificación de oro en ventas de la Asociación de la Industria Discográfica de Estados Unidos (RIAA) en 2001.El álbum se grabó durante la residencia de Coltrane en el Five Spot como miembro del cuarteto Thelonious Monk . El equipo incluye a los compañeros de banda de Coltrane en Miles Davis , Paul Chambers al bajo y Philly Joe Jones a la batería, quienes ya habían trabajado con el pianista Kenny Drew . Tanto el trompetista Lee Morgan como el trombonista Curtis Fuller eran músicos de jazz prometedores, y ambos fueron miembros de Jazz Messengers de Art Blakey en su momento. A diferencia de su anterior sello, Blue Note pagó a los músicos para que ensayaran la música durante un par de días antes de la sesión de grabación. La forma de tocar de Coltrane muestra la evolución hacia lo que se convertiría en su estilo característico. Sus solos son más armónicos o verticales y sus líneas son arpegiadas. Su ritmo a menudo se desmarcaba del tiempo o lo superaba, en lugar de tocar sobre él o por detrás. [ 9 ] Durante una entrevista en 1960, Coltrane describió Blue Train como su álbum favorito hasta ese momento. [ 13 ] El siguiente gran álbum de John Coltrane, Giant Steps , grabado en 1959, abriría nuevos caminos melódicos y armónicos en el jazz, mientras que Blue Train se apega al estilo hard bop de la época. El musicólogo Lewis Porter también ha demostrado una relación armónica entre «Lazy Bird» de Coltrane y « Lady Bird » de Tadd Dameron . [ 14 ] [ 15 ] Mientras estaba en el podcast "Traneumentary" de Joe Vella, Michael Cuscuna , el productor de reediciones de Blue Note , comentó: Estamos escuchando "Blue Train", que para mí es una de las piezas más hermosas de uno de los discos más hermosos que Coltrane grabó en los cincuenta. Es su primera declaración de madurez real, y escribió todos los temas de este álbum menos uno, algo muy poco común en los cincuenta, y cada uno es una joya, en particular el tema principal, "Blue Train". Y aunque es bastante fácil tocar blues, este tiene una cualidad suspendida y evocadora. Ana Pereira presenta su primer trabajo discográfico "Baila la lluvia" (Sedajazz Records), una reinterpretación del bolero desde una perspectiva personal y contemporánea. Acompañada por Isaac Martín (bajo y dirección musical), Daniel Orts (piano) y Tico Porcar (batería), fusiona este género con el jazz y otras músicas, aportando una visión fresca y actual de un género que se convierte así en atemporal. Su voz delicada, elegante y expresiva, y los arreglos sofisticados interpretados por el genial trío que la acompaña, consiguen que el directo sea toda una experiencia íntima y envolvente que transporta al público a través del tiempo en una conexión pasado-presente con la música como compañera de viaje.

Was haben die weltberühmten Jazz-Alben «Kind of Blue», «The Blues and the Abstract Truth» und «Porgy & Bess» gemeinsam? Der Bassist ist immer derselbe: Paul Chambers. Er war der herausragende Bassist seiner Generation, spielte im ersten grossen Quintett von Miles Davis und legte auch als Bandleader die Basslatte hoch. Warum er heute noch aktuell ist, warum seine Begleitlinien alle auch als Melodien funktionieren und warum die dienende Funktion wahre Grösse beweist: Das diskutiert die junge Kölner Bassistin Tabea Kind in der Jazz Collection mit Jodok Hess. Die gespielten Titel: Interpret:in: Titel (Album / Label) Paul Chambers: Dear Ann (Whims of Chambers / Blue Note) Miles Davis: 'Round Midnight ('Round Midnight / Columbia) Miles Davis + 19: The Duke (Miles Ahead / CBS Paul Chambers: Yesterdays (Bass on Top / Blue Note) Miles Davis: So What (Kind of Blue / CBS) John Coltrane: Mr. P.C. (Giant Steps / Atlantic) Paul Chambers: Melody (1st Bassman / Suite Beat)

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Paul Chambers is the Co-Founder of SubSummit, the world's largest conference dedicated to subscription, membership, and recurring revenue models in the direct-to-consumer space. With over 20 years of experience in subscription commerce, including launching Gentleman's Box in the early 2000s, Paul brings a rare blend of operator insight and community-building expertise to the challenges of scaling retention-first brands.Driven by the belief that subscriptions are more than a billing model, Paul helped transform SubSummit from a small founder meetup into a global ecosystem, connecting thousands of brands each year. The event fuses tactical content with curated networking and is designed to help ecommerce teams grow beyond one-off purchases and into long-lasting customer relationships.Each year, Paul and his lean team develop a thematic roadmap for the event, guiding DTC operators through the shifting landscape of loyalty, retention, and membership. From Walmart+ to Amazon Prime to True Classic's hybrid models, Paul studies the movements of top brands and distills them into actionable lessons for growing recurring revenue.In This Conversation We Discuss: [00:42] Intro[00:54] Navigating business partner dynamics[02:31] Connecting DTC brands through events[03:08] Starting with a founder-first vision[04:30] Learning big lessons from small niches[06:05] Rebranding to reflect the vision[06:59] Investing upfront in long-term value[10:15] Improving how people connect[12:42] Balancing virtual and in-person events[14:17] Designing curated table conversations[15:48] Making events affordable for foundersResources:Subscribe to Honest Ecommerce on YoutubeLeading subscription commerce conference subsummit.com/Follow Paul Chambers linkedin.com/in/paulcchambersIf you're enjoying the show, we'd love it if you left Honest Ecommerce a review on Apple Podcasts. It makes a huge impact on the success of the podcast, and we love reading every one of your reviews!

ELVIN JONES “DEAR JOHN C” Englewood Cliffs, NJ, February 23, 1965Dear John C, Ballade, Anthropology, That five-four bagCharlie Mariano (as) Hank Jones (p) Richard Davis (b) Elvin Jones (d) TOSHIKO AKIYOSHI TRIO “GEORGE WEIN PRESENTS TOSHIKO” Boston, MA, 1954It could happen to you, Kyo-shu [Nostalgia], Homework, Manhattan addressToshiko Akiyoshi (p) Paul Chambers (b) Ed Thigpen (d) JACKIE MCLEAN “ACTION” Englewood Cliffs, NJ, September 16, 1964Action, PlightCharles Tolliver (tp) Jackie McLean (as) Bobby Hutcherson (vib) Cecil McBee (b) Billy Higgins (d) Continue reading Puro Jazz 09 de abril, 2025 at PuroJazz.

ELVIN JONES “DEAR JOHN C” Englewood Cliffs, NJ, February 23, 1965Dear John C, Ballade, Anthropology, That five-four bagCharlie Mariano (as) Hank Jones (p) Richard Davis (b) Elvin Jones (d) TOSHIKO AKIYOSHI TRIO “GEORGE WEIN PRESENTS TOSHIKO” Boston, MA, 1954It could happen to you, Kyo-shu [Nostalgia], Homework, Manhattan addressToshiko Akiyoshi (p) Paul Chambers (b) Ed Thigpen (d) JACKIE MCLEAN “ACTION” Englewood Cliffs, NJ, September 16, 1964Action, PlightCharles Tolliver (tp) Jackie McLean (as) Bobby Hutcherson (vib) Cecil McBee (b) Billy Higgins (d) Continue reading Puro Jazz 09 de abril, 2025 at PuroJazz.

Tonight's Jazz Feature is a true classic and an essential recording for anyone interested in Jazz music. Tenor and alto saxophonist/composer/arranger Oliver Nelson is the leader and his hand picked sideman include the innovative Eric Dolphy on alto saxophone and flute and a young Freddie Hubbard on trumpet, baritone saxophonist George Barrow anchors the horn section in a non-soloing role. The great Bill Evans is on piano with Paul Chambers on bass and "Mr. Snap Crackle", Roy Haynes on drums. The six compositions are by Oliver Nelson and arranged by him. "The Blues and The Abstract Truth" is a true classic and always worth rehearing anytime!

THELONIOS MONK TRIO “THE COMPLETE BLUE NOTE RECORDINGS OF THELONIOUS MONK”: New York, October 24, 1947Ruby my dear, Well you needn't, April in Paris, Off minorThelonious Monk (p) Gene Ramey (b) Art Blakey (d) New York, November 21, 1947In walked Bud, ‘Round midnight George Tait (tp) Sahib Shihab (as) [aka Edmund Gregory (as) ] Thelonious Monk (p) Bob Paige (b) Art Blakey (d) DUKE ELLINGTON AND HIS ORCHESTRA “MASTERPIECES BY ELLINGTON” New York, December 18, 1950Mood indigo (yl vcl)Nelson Williams, Andrew “Fats” Ford Harold Baker, Ray Nance William Anderson (tp) Mercer Ellington (flugelhorn) Lawrence Brown, Quentin Jackson (tb) Tyree Glenn (tb,vib) Jimmy Hamilton (cl,ts) Johnny Hodges (as) Russell Procope (as,cl) Paul Gonsalves (ts) Duke Ellington Billy Strayhorn (p) Wendell Marshall (b) Sonny Greer (d) Yvonne Lanauze (vcl) MILES DAVIS QUINTET “THE COMPLETE COLUMBIA RECORDINGS: MILES DAVIS & JOHN COLTRANE”: ‘Round About Midnight, New York, October 26, 1955 Ah-leu-chaMiles Davis (tp) John Coltrane (ts) Cannonball Adderley (sa) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Milestones, New York, February 4, 1958 MilestonesMiles Davis (tp) Cannonball Adderley (as) John Coltrane (ts) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Kind of Blue – New York, March 2, 1959 Blue in greenMiles Davis (tp) John Coltrane (ts) Bill Evans (p) Paul Chambers (b) Jimmy Cobb (d) Continue reading Puro Jazz 03 de junio, 2024 (Repetición) at PuroJazz.

THELONIOS MONK TRIO “THE COMPLETE BLUE NOTE RECORDINGS OF THELONIOUS MONK”: New York, October 24, 1947Ruby my dear, Well you needn't, April in Paris, Off minorThelonious Monk (p) Gene Ramey (b) Art Blakey (d) New York, November 21, 1947In walked Bud, ‘Round midnight George Tait (tp) Sahib Shihab (as) [aka Edmund Gregory (as) ] Thelonious Monk (p) Bob Paige (b) Art Blakey (d) DUKE ELLINGTON AND HIS ORCHESTRA “MASTERPIECES BY ELLINGTON” New York, December 18, 1950Mood indigo (yl vcl)Nelson Williams, Andrew “Fats” Ford Harold Baker, Ray Nance William Anderson (tp) Mercer Ellington (flugelhorn) Lawrence Brown, Quentin Jackson (tb) Tyree Glenn (tb,vib) Jimmy Hamilton (cl,ts) Johnny Hodges (as) Russell Procope (as,cl) Paul Gonsalves (ts) Duke Ellington Billy Strayhorn (p) Wendell Marshall (b) Sonny Greer (d) Yvonne Lanauze (vcl) MILES DAVIS QUINTET “THE COMPLETE COLUMBIA RECORDINGS: MILES DAVIS & JOHN COLTRANE”: ‘Round About Midnight, New York, October 26, 1955 Ah-leu-chaMiles Davis (tp) John Coltrane (ts) Cannonball Adderley (sa) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Milestones, New York, February 4, 1958 MilestonesMiles Davis (tp) Cannonball Adderley (as) John Coltrane (ts) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Kind of Blue – New York, March 2, 1959 Blue in greenMiles Davis (tp) John Coltrane (ts) Bill Evans (p) Paul Chambers (b) Jimmy Cobb (d) Continue reading Puro Jazz 03 de junio, 2024 (Repetición) at PuroJazz.

In this episode of The eCommerce Podcast, Matt Edmundson sits down with Paul Chambers, co-founder of SubSummit, to explore the counterintuitive strategies driving successful subscription businesses. Discover why making cancellation easier actually increases customer lifetime value and learn about the membership models creating lasting loyalty beyond basic discounts.About Our Guest:Paul Chambers is the co-founder of SubSummit, the world's largest conference exclusively dedicated to direct-to-consumer subscription businesses. With decades of experience in subscription commerce, Paul has helped countless brands transform their membership models to improve retention and customer loyalty.Key Insights:"The number of times I've heard from brands where it's like, as soon as we change the cancellation process, as soon as we reduce the friction... we saw immediate uptick in our customer lifetime value and long-term retention." - Paul ChambersWhen customers feel trapped, they develop negative associations with your brand. Conversely, making cancellation frictionless creates trust and paradoxically increases loyalty.Paul shared how Bottomless revolutionized replenishment with smart scales: "I have a scale that sits under our dog food container and I will tell you it works flawlessly. As soon as it's starting to get down, the next I see a shipment notification in my email and just a couple days later I have the next bag of dog food that's on my doorstep."5 Membership Models That Actually Work:Frictionless Replenishment: Using technology to deliver products exactly when customers need themTiered Membership Access: Creating aspirational levels that encourage increased spendingCommunity-Based Membership: Building emotional connections through shared experiencesValue-Added Services: Bundling complementary benefits that increase perceived valueGamified Loyalty Programs: Using achievement systems to maintain engagementResources Mentioned:SubSummit ConferenceBottomless Smart ScalesThe eCommerce Podcast Cohort CommunityPaul LinkedInConnect With Us:Website:eCommercePodcast.netLinkedIn:Matt EdmundsonEmail:matt@ecommercepodcast.netJoin Us at SubSummit!Both Matt and Paul will be at SubSummit this year. Check out subsummit.com to learn about their hosted program which offers free tickets and travel reimbursement!Like this episode? Subscribe to The eCommerce Podcast for more insights on growing your online business.

BILL CROW “FROM BIRDLAND TO BROADWAY” Englewood Cliffs, N.J., November 19 & 20, 1995From Birdland to Broadway, Share a key, Okay, bugCarmen Leggio (ts) Joe Cohn (g) Bill Crow (b) David Jones (d) SONNY CLARK “MY CONCEPTION”” “My Conception” – Hackensack, NJ, March 29, 1959Junka, Blues blue, Minor meetingDonald Byrd (tp) Hank Mobley (ts) Sonny Clark (p) Paul Chambers (b) Art Blakey (d) CHARLES LLOYD “THE SKY WILL STILL BE THERE TOMORROW” New York ?, March, 2023Defiant, tender warrior, Monk's dance, The water is risingCharles Lloyd (ts,fl) Jason Moran (p) Larry Grenadier (b) Brian Blade (d) Continue reading Puro Jazz 25 de marzo, 2025 at PuroJazz.

BILL CROW “FROM BIRDLAND TO BROADWAY” Englewood Cliffs, N.J., November 19 & 20, 1995From Birdland to Broadway, Share a key, Okay, bugCarmen Leggio (ts) Joe Cohn (g) Bill Crow (b) David Jones (d) SONNY CLARK “MY CONCEPTION”” “My Conception” – Hackensack, NJ, March 29, 1959Junka, Blues blue, Minor meetingDonald Byrd (tp) Hank Mobley (ts) Sonny Clark (p) Paul Chambers (b) Art Blakey (d) CHARLES LLOYD “THE SKY WILL STILL BE THERE TOMORROW” New York ?, March, 2023Defiant, tender warrior, Monk's dance, The water is risingCharles Lloyd (ts,fl) Jason Moran (p) Larry Grenadier (b) Brian Blade (d) Continue reading Puro Jazz 25 de marzo, 2025 at PuroJazz.

 Producing a historical recording requires enormous patience, investigative powers like an investigative journalist. The journey is long, emotional, and exciting when the recordings are discovered, and the final package completed. This is what Zev Feldman does. He is the producer for and co-president of Resonance Records, a record label that releases archival recordings that are previously unissued. The Resonance catalogue includes John Coltrane, Bill Evans, Wes Montgomery, Freddie Hubbard, among many other legendary musicians. In this episode, Zev Feldman and I discuss his insights into his multifaceted career, how he got started in the music industry and his subsequent journey through various roles in sales, marketing, and ultimately producing rare jazz recordings. Feldman works with numerous other labels including Blue Note, Verve Label Group, Elemental Music as well as own his own labels, Jazz Detective and Deep Digs. Feldman spins many stories about his adventures in discovering music long forgotten. It's music that is not just good; it must be GREAT! Curating legacy music requires a sense of understanding about the elements of a dynamic recording, one that exceeds others in the quality of the performance, the importance of a certain date, and the historical aspect of the show or studio recording. Then there is the emotional involvement with the families of these jazz legends, many of whom become close friends, such as it has with the families of jazz guitar legend Wes Montgomery (Zev produced the first archival recording of Wes Montgomery for Resonance) and piano virtuoso Bill Evans as Feldman is just releasing his 13th archival recordings of Bill Evans. Then there is the importance of Record Store Day on April 12. Feldman highlights the significance of this little-known observed day in bringing these projects to life. This episode is rich with music, thanks to Zev Feldman and Resonance Records. There is more than 36 minutes of full tracks of music along with clips of recordings discussed. The playlist includes: Freddie Hubbard-On Fire, “True Colors-Breaking Point Closer” (13:32); Freddie Hubbard-trumpet, Bennie Maupin-tenor saxophone, Kenny Barron-piano, Herbie Lewis-bass, Freddie Waits-drums. Charles Mingus-Mingus in Argentina-The Buenos Aires Concerts, “Duke Ellington's Sound of Love” (9:32), Charles Mingus-bass, Ricky Ford tenor saxophone, Jack Walrath-trumpet, Robert Neloms -piano, and Dannie Richmond-drums. Kenny Dorham-Blue Bossa in the Bronx: Live from the Blue Morocco, “Blue Bossa”, (13:31), Kenny Dorham-trumpet, Sonny Red-alto sax, Cedar Walton-piano, Paul Chambers-bass and Denis Charles-drums. Short music clips: Charles Mingus-"Pork Pie Hat", Freddie Hubbard-"Crisis", Kenny Dorham-Blue Friday, Bill Evans-"Ro(u)nd Midnight". Thank you for listening to this podcast. I know you have many others to listen to, but you chose Strictly Jazz Sounds. When you subscribe you become one of the first to hear new episodes, read articles, see new photos, and learn of my annual “Best of” list. Soon, I will introduce a Patreon opportunity, your way of saying thanks to me for spending the more than 25 hours per episode to bring it to you. Photo by Zak Shelby-Szyszko

CHARLES MINGUS “THE CLOWN” New York, February 13, March 12, 1957Haitian fight song (1), Reincarnation of a lovebird (1)Jimmy Knepper (tb) Shafi Hadi (as-1,ts-2) [aka Curtis Porter (as,ts) ] Wade Legge (p) Charles Mingus (b) Dannie Richmond (d,tamb) JOHN PATITUCCI “SONGS, STORIES AND SPIRITUALS” New York, April 9 & 10, 2002It never entered my mind (ls vcl), Love eternal (es,sp duo), Wise one (jp,bb duo)Edward Simon (p) Sachi Patitucci (cello) John Patitucci (b,el-b) Brian Blade (d,perc) Luciana Souza (vcl) MILES DAVIS ORCHESTRA, GIL EVANS (DIR.) “MILES AHEAD (MILES + 19)” New York, May 6, 10, 1957Springsville, The maids of Cadiz, The Duke, Miles ahead, The Meaning of the BluesBernie Glow, Ernie Royal, Louis Mucci, Taft Jordan, John Carisi (tp) Miles Davis (flhrn) Frank Rehak, Jimmy Cleveland, Joe Bennett (tb) Tom Mitchell (b-tb) Willie Ruff, Tony Miranda (fhr) Bill Barber (tu) Romeo Penque (cl,cl,oboe) Sid Cooper (cl,fl) Danny Bank (b-cl) Lee Konitz (as) Paul Chambers (b) Art Taylor (d) Gil Evans (arr,cond) Continue reading Puro Jazz 12 de marzo, 2025 at PuroJazz.

durée : 00:59:20 - Voilà les chats - par : Nathalie Piolé -

CHARLES MINGUS “THE CLOWN” New York, February 13, March 12, 1957Haitian fight song (1), Reincarnation of a lovebird (1)Jimmy Knepper (tb) Shafi Hadi (as-1,ts-2) [aka Curtis Porter (as,ts) ] Wade Legge (p) Charles Mingus (b) Dannie Richmond (d,tamb) JOHN PATITUCCI “SONGS, STORIES AND SPIRITUALS” New York, April 9 & 10, 2002It never entered my mind (ls vcl), Love eternal (es,sp duo), Wise one (jp,bb duo)Edward Simon (p) Sachi Patitucci (cello) John Patitucci (b,el-b) Brian Blade (d,perc) Luciana Souza (vcl) MILES DAVIS ORCHESTRA, GIL EVANS (DIR.) “MILES AHEAD (MILES + 19)” New York, May 6, 10, 1957Springsville, The maids of Cadiz, The Duke, Miles ahead, The Meaning of the BluesBernie Glow, Ernie Royal, Louis Mucci, Taft Jordan, John Carisi (tp) Miles Davis (flhrn) Frank Rehak, Jimmy Cleveland, Joe Bennett (tb) Tom Mitchell (b-tb) Willie Ruff, Tony Miranda (fhr) Bill Barber (tu) Romeo Penque (cl,cl,oboe) Sid Cooper (cl,fl) Danny Bank (b-cl) Lee Konitz (as) Paul Chambers (b) Art Taylor (d) Gil Evans (arr,cond) Continue reading Puro Jazz 12 de marzo, 2025 at PuroJazz.

En marzo de 2023, con motivo del centenario del nacimiento de Wes Montgomery, se reeditó en una edición ampliada y remasterizada su disco grabado el 25 de junio de 1962 en el club de jazz Tsubo, de Berkeley, California. Escuchamos  al guitarrista en 'The complete full house recordings' acompañado por Johnny Griffin al saxo tenor, Wynton Kelly al piano, Paul Chambers con el contrabajo y Jimmy Cobb en la batería: 'Full house', 'I´ve grown accostumed to her face', 'Blue n´boogie', 'Cariba', 'Come rain or come shine', 'S.O.S', 'Born to be blue' y 'Full house'.Escuchar audio

Tonight's Jazz Feature is one of the most individual and passionate voices of the alto saxophone William "Sonny" Criss. The album is his second for Prestige Records called "Portrait of Sonny Criss". He recorded for Prestige from 1966 to 1969 and these albums remain his best known. Sonny here is accompanied by the great under rated Walter Davis Jr. on piano, Paul Chambers on bass and Alan Dawson on drums and was done on March 23, 1967 at Rudy Van Gelder's Studio. The album mixes standard tunes and a couple of Jazz favorites but each track demonstrates Sonny's passionate sound and intensity. A musical portrait indeed of an unsung great: Sonny Criss.

Dr. Kanjana Thepboriruk sits down with Dr. Paul Chambers and Dr. Napisa Waitoolkiat to discuss Paul Chambers's new book “Praetorian Kingdom: A History of Military Ascendancy in Thailand.” Together they discuss the history of the military in the Thai government and its continued dominance in Thai politics. Chambers examine the rotating roster of pollical players in regimes past and present, and their relationship with loci of power. Dr. Paul Chambers is a lecturer and researcher. He serves as a lecturer and special advisor at the Centre ASEAN Community Studies at Naresuan University. Dr. Napisa Waitoolkiat serves as the Dean of the Facuilty of social sciences at Naresuan University.

Today, Hunter spoke with Paul Chambers and James McDermott of the Far West Texas Public Defenders Office. This time, they joined to discuss how Paul discovered and James litigated a pattern and practice of discovery violations by the El Paso District Attorney's Office.     Guest James McDermott, Chief Public Defender, Far West Texas Regional Public Defender Paul Chambers, Deputy Chief Public Defender, Far West Texas Regional Public Defender Resources: Far West Texas Public Defender in the News https://elpasomatters.org/2024/12/15/el-paso-district-attorney-prosecutorial-misconduct-ruling/ Read the Transcripts Here https://drive.google.com/drive/folders/12B3vAOl2yedDdFPUEkAzrrovbHnUdayB?usp=sharing                            Contact Hunter Parnell:                                 Publicdefenseless@gmail.com  Instagram @PublicDefenselessPodcast Twitter                                                                 @PDefenselessPod www.publicdefenseless.com  Subscribe to the Patron www.patreon.com/PublicDefenselessPodcast  Donate on PayPal https://www.paypal.com/donate/?hosted_button_id=5KW7WMJWEXTAJ Donate on Stripe https://donate.stripe.com/7sI01tb2v3dwaM8cMN Trying to find a specific part of an episode? Use this link to search transcripts of every episode of the show! https://app.reduct.video/o/eca54fbf9f/p/d543070e6a/share/c34e85194394723d4131/home  

LOUIS HAYES EXACTLY RIGHT ! New York ?, late 2022Hand in glove, Nefertiti, UgetsuAbraham Burton (ts) Steve Nelson (vib) David Hazeltine (p) Dezron Douglas (b) Louis Hayes (d) JEREMY PELT THE ART OF INTIMACY, VOL. 2 Englewood Ciffs, NJ, September 1 & 2, 2022I can't escape from you (2), There'll be other times, Blues in sophisticationJeremy Pelt (tp,vcl) Victor Gould (p) Chico Pinheiro (g-1) Buster Williams (b) Billy Hart (d) + string ensemble-2, Andrew Griffin, Josh Henderson (vln-2) Nicole Neely (viola-2) Susan Mandel (cello-2,3) David O'Rourke (strings arr,cond-2,3) PEPPER ADAMS PLAYS THE COMPOSITIONS OF CHARLIE MINGUS New York, September 9, 1963 Fables of Faubus (1), Song with orange (4), Carolyn (3)Thad Jones (tp,arr1) Pepper Adams (bar,arr2) Hank Jones (p) Paul Chambers (b) Dannie Richmond (d) Charles Mingus (arr3) Teddy Charles (arr4) New York, September 12, 1963Better get it in your soul, PortraitThad Jones (tp) Benny Powell (tb) Charles McPherson (as) Zoot Sims (ts) Pepper Adams (bar) Hank Jones (p) Bob Cranshaw (b) Dannie Richmond (d) Continue reading Puro Jazz 12 de febrero, 2025 at PuroJazz.

LOUIS HAYES EXACTLY RIGHT ! New York ?, late 2022Hand in glove, Nefertiti, UgetsuAbraham Burton (ts) Steve Nelson (vib) David Hazeltine (p) Dezron Douglas (b) Louis Hayes (d) JEREMY PELT THE ART OF INTIMACY, VOL. 2 Englewood Ciffs, NJ, September 1 & 2, 2022I can't escape from you (2), There'll be other times, Blues in sophisticationJeremy Pelt (tp,vcl) Victor Gould (p) Chico Pinheiro (g-1) Buster Williams (b) Billy Hart (d) + string ensemble-2, Andrew Griffin, Josh Henderson (vln-2) Nicole Neely (viola-2) Susan Mandel (cello-2,3) David O'Rourke (strings arr,cond-2,3) PEPPER ADAMS PLAYS THE COMPOSITIONS OF CHARLIE MINGUS New York, September 9, 1963 Fables of Faubus (1), Song with orange (4), Carolyn (3)Thad Jones (tp,arr1) Pepper Adams (bar,arr2) Hank Jones (p) Paul Chambers (b) Dannie Richmond (d) Charles Mingus (arr3) Teddy Charles (arr4) New York, September 12, 1963Better get it in your soul, PortraitThad Jones (tp) Benny Powell (tb) Charles McPherson (as) Zoot Sims (ts) Pepper Adams (bar) Hank Jones (p) Bob Cranshaw (b) Dannie Richmond (d) Continue reading Puro Jazz 12 de febrero, 2025 at PuroJazz.

CAL TJADER GÓZAME ! PERO YA… San Francisco, CA, June, 1980Shoshana, Bye bye blues, Roger's sambaRoger Glenn (fl,perc) Cal Tjader (vib) Mark Levine (p,el-p) Mundell Lowe (g) Robb Fisher (b) Vince Lateano (d,timb) Poncho Sanchez (timb,bgo,cga,perc) SONNY CRISS THIS IS CRISS ! Englewood Cliffs, NJ, October 21, 1966Steve's blues, Skylark, Love for saleSonny Criss (as) Walter Davis, Jr. (p) Paul Chambers (b) Alan Dawson (d) CLIFFORD BROWN / MAX ROACH QUINTET STUDY IN BROWN New York, February 23, 24, 1955Cherokee, Swingin', George's Dilemma, Take The A TrainClifford Brown (tp) Harold Land (ts) Richie Powell (p,arr) George Morrow (b) Max Roach (d) Continue reading Puro Jazz 10 de febrero, 2025 at PuroJazz.

CAL TJADER GÓZAME ! PERO YA… San Francisco, CA, June, 1980Shoshana, Bye bye blues, Roger's sambaRoger Glenn (fl,perc) Cal Tjader (vib) Mark Levine (p,el-p) Mundell Lowe (g) Robb Fisher (b) Vince Lateano (d,timb) Poncho Sanchez (timb,bgo,cga,perc) SONNY CRISS THIS IS CRISS ! Englewood Cliffs, NJ, October 21, 1966Steve's blues, Skylark, Love for saleSonny Criss (as) Walter Davis, Jr. (p) Paul Chambers (b) Alan Dawson (d) CLIFFORD BROWN / MAX ROACH QUINTET STUDY IN BROWN New York, February 23, 24, 1955Cherokee, Swingin', George's Dilemma, Take The A TrainClifford Brown (tp) Harold Land (ts) Richie Powell (p,arr) George Morrow (b) Max Roach (d) Continue reading Puro Jazz 10 de febrero, 2025 at PuroJazz.

CURTIS FULLER / TATE HOUSTON “BONE AND BARI” Hackensack, N.J., August 4, 1957Bone and bari, Heart and soul (th out), Pick upCurtis Fuller (tb) Tate Houston (bar) Sonny Clark (p) Paul Chambers (b) Art Taylor (d) SIR ROLAND HANNA “THE NEW YORK JAZZ QUARTET IN CHICAGO” Chicago, IL, July 27, 1981Four the hard way, Raise a ruckusFrank Wess (ts,fl) Sir Roland Hanna (p) George Mraz (b) Ben Riley (d) SAL NISTICO “NEO NISTICO” New York, November 3, 1978Blues for K.D. Continue reading Puro Jazz 15 de enero, 2025 at PuroJazz.

CHARLES TOLLIVER LIVE “CAPTAIN'S CABIN” Edmonton, AB, Canada, November 29, 1973Repetition, ImpactCharles Tolliver (tp) John Hicks (p) Clint Houston (b) Clifford Barbaro (d) WALTER BISHOP, JR. “MIDNIGHT BLUE” Milan, Italy, December 12, 1991Sweet and lovely, Never let me go, Farmer's delightWalter Bishop, Jr. (p) Reggie Johnson (b) Doug Sides CURTIS FULLER “THE OPENER” Hackensack, N.J., June 16, 1957Lizzy's bounce, A lovely way to spend an evening (hm out), OscalypsoCurtis Fuller (tb) Hank Mobley (ts) Bobby Timmons (p) Paul Chambers (b) Art Taylor (d) Continue reading Puro Jazz 31 de diciembre, 2024 at PuroJazz.

“WE THREE” Hackensack, N.J., November 14, 1958 ReflectionsPhineas Newborn, Jr. (p) Paul Chambers (b) Roy Haynes (d) “OUT OF THE AFTERNOON” Englewood Cliffs, N.J., May 16, 1962 Snap crackleRahsaan Roland Kirk (ts-1,manzello-2,stritch-3,c-fl-4,nose-fl-5) Tommy Flanagan (p) Henry Grimes (b) Roy Haynes (d) “CRAKLIN'” Englewood Cliffs, NJ, April 10, 1963 Under Paris SkiesBooker Ervin (ts) Ronnie Mathews (p) Larry Ridley (b) Roy Haynes (d) “TE VOU” New York ?, c. Continue reading Puro Jazz 4 de diciembre, 2024 at PuroJazz.

The Conference of the Parties, or the COP29 Summit, is happening amid much controversy now that Donald Trump has won the presidential election. It's ostensibly a group of self-congratulatory world leaders meeting in Baku, Azerbaijan, for photo ops, catered meals, and, a discussion of climate goals they don't intend to meet. Today, climate science provides an end-times prophecy that works in much the same way as the religious apocalypticism of old. Many neoliberals believe the weather is a moral force, punishing Americans for the sins of capitalism. The vast majority of first-world nation populations are completely oblivious to the unfolding weaponized environmental cataclysms that are closing in from every side. Tonight on Ground Zero (7-10 pm, pacific time), Clyde Lewis talks with Paul Chambers about COP 29 – REVOLUTION OR DEATH Listen Live: https://groundzero.radio Archived Shows: https://aftermath.media

Tonight"s Jazz Feature is a tribute to the great arranger/composer/producer and music icon Quincy Delight Jones or simply "Q". Quincy passed away peacefully at his home in Los Angeles at age 91 on November 3, 2024. He was born in Chicago on March 14,1933. Quincy's incredible history is easily accessed on the internet. So we turn to the Jazz feature album and it's a big band recording of Quincy's distinctive arrangements and really put Quincy on the Jazz map. It was done in September of 1956 and titled "This Is How I Feel About Jazz". It got rave reviews and established Jones as a top notch arranger/composer along with his production skills. The band is full o all star players from trumpeters Art farmer and Ernie Royal to saxophonists Phil Woods, Zoot Sims and Lucky Thompson and trombone masters like Jimmy Cleveland and Urbie Green and pianist Hank Jones, vibes master Milt Jackson to bassists Paul Chambers and Charles Mingus. The album is a masterpiece of arrangements and leaves room for so many great soloists too. Enjoy the earlt important music of Quincy Jones.

ROY HARGROVE “GRANDE-TERRE” Abril, 1998, Pointe-a-Pitre, GuadaloupeB and B, Afreaka, Priorities Roy Hargrove (t) Frank Lacy (tbn) Sherman Irby (sa) Jacques Schwarz-Bart (st) Ed Cherry (g) Larry Willis, Gabriel Hernandez (p) Gerald Cannon (b) José Luis “Changuito” Quintana, Julio Barreto (perc) Willie Jones III (dr) KOTKA “KOTKA 10” Marzo 6, 2024, Madrid, España.Parts I, II & IIIGuillermo Bazzola (g) Risto Vuolanne (b) Fernando Lamas (dr) GIL EVANS “GIL EVANS & TEN” Hackensack, N.J., September 6, 1957 Remember, Ella speedJohn Carisi, Jake Koven (tp) Jimmy Cleveland (tb) Bart Varsalona (b-tb) Willie Ruff (fhr) Lee Konitz (as) [as Zeke Tolin (as) ] Steve Lacy (sop) Dave Kurtzer (bassoon) Gil Evans (p,arr,cond) Paul Chambers (b) Jo Jones (d) Hackensack, N.J., September 27 & October 10, 1957 Big stuffAdd: Louis Mucci (tp) Nick Stabulas (d) replace John Carisi, Jo Jones Continue reading Puro Jazz 01 de noviembre, 2024 at PuroJazz.

“BLUES IN TRINITY” London, August 24, 1958Color Blind (db out), Just a pennyDizzy Reece, Donald Byrd (tp) Tubby Hayes (ts) Terry Shannon (p) Lloyd Thompson (b) Art Taylor (d) “STAR BRIGHT” Englewood Cliffs, N.J., November 19, 1959The rake, GroovesvilleDizzy Reece (tp) Hank Mobley (ts) Wynton Kelly (p) Paul Chambers (b) Art Taylor (d) “COMIN' ON” Englewood Cliffs, N.J., April 3, 1960The case of the frightened lover, TenderlyDizzy Reece (tp,cga-1) Stanley Turrentine (ts) Bobby Timmons (p) Jymie Merritt (b) Art Blakey (d) “SOUNDIN' OFF” Englewood Cliffs, N.J., May 12, 1960Ghost of a chance, Our Love is here to stayDizzy Reece (tp) Walter Bishop, Jr. Continue reading Puro Jazz 18 de octubre, 2024 at PuroJazz.

SONNY RED “OUT OF THE BLUE” Englewood Cliffs, NJ, December 5, 1959BluesvilleSonny Red (as) Wynton Kelly (p) Sam Jones (b) Roy Brooks (d) Englewood Cliffs, NJ, January 23, 1960Stairway to the star, Lost AprilSonny Red (as) Wynton Kelly (p) Paul Chambers (b) Jimmy Cobb (d) PAUL BLEY “PAUL BLEY PLAYS CARLA BLEY” Copenhagen, Denmark, December 7, 1991Vashkar, Seven, Turns, IctusPaul Bley (p) Marc Johnson (b) Jeff Williams (d) MUNDELL LOWE AND HIS ORCHESTRA “SATAN IN HIGH HEELS” New York, November 30, 1961Satan In High Heels, The lost and the lonely, MontageJoe Newman, Doc Severinsen, Clark Terry (tp) Urbie Green, Buster Cooper (tb) Jimmy Buffington (fhr) Ray Beckenstein (as,fl) Walt Levinsky (as,cl) Al Cohn, Al Klink (ts) Sol Schlinger (bar) Eddie Costa (p,vib) Mundell Lowe (g) George Duvivier (b) Ed Shaughnessy (d) Continue reading Puro Jazz 10 de octubre, 2024 at PuroJazz.

CHARLES TOLLIVER “THE RINGER” London, England, June 2, 1969Plight, The ringer, SpurCharles Tolliver (tp) Stanley Cowell (p) Steve Novosel (b) Jimmy Hopps (d) CHET BAKER “IN NEW YORK” New York, September, 1958Hotel 49, Blue thoughts, SolarChet Baker (tp) Johnny Griffin (ts) Al Haig (p) Paul Chambers (b) Philly Joe Jones (d) EMMET COHEN “VIBE PROVIDER” New York ?, c. Continue reading Puro Jazz 02 de octubre, 2024 at PuroJazz.

MILES DAVIS QUINTET “MILES” Hackensack, NJ, November 16, 1955Just squeeze me, How am I to know ?, S'posin'Miles Davis (tp) John Coltrane (ts) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) “THE INCREDIBLE JAZZ GUITAR OF WES MONTGOMERY” New York, January 26, 1960D natural blues, West Coast blues, Four on sixTommy Flanagan (p) Wes Montgomery (g) Percy Heath (b) Albert “Tootie” Heath (d) JAMES MOODY “THE MOODY STORY” New York October 1951 Margie, Moody's home, Wiggle waggleJohnny Grimes (tp) Bob Range (tb) James Moody (as,ts) Cecil Payne (bar) Johnny Acea (p) Larry Goins (b) Chink Williams (d) May 21, 1952 Until the real thing comes alongDave Burns (tp) Donald Cole (tb) James Moody (as,ts) Pee Wee Moore (bar) Sadik Hakim (p) [aka Argonne Thornton (p) ] unknown (b) Teddy Stewart (d) June 15, 1953 Wail baitDave Burns (tp) Donald Cole, (tb) James Moody (as,ts) Pee Wee Moore (bar) Sadik Hakim (p) unknown (b) Teddy Stewart (d) January 8, 1954 Keepin' up with Jonesy (1)Dave Burns (tp) William Shepherd (tb) James Moody (as,ts-1) Pee Wee Moore (bar) Sadik Hakim (p) John Latham (b) Joe Harris (d) Continue reading Puro Jazz 17 de septiembre, 2024 at PuroJazz.

We have been experiencing numerous earth anomalies over the past year with eclipses, earthquake swarms, solar flares, and magnetic pole disruptions. Some people believe it's just the normal Earth cycle changes while some say it's due to the planet being technologically manipulated. Others feel it's of a divine origin – the Wrath of God. Whatever is going on appears to be in alignment with ancient prophecies. Our planet is becoming increasingly unstable and we are seeing alarming things happen that we have never seen before. Furthermore, the Earth's magnetic field is rapidly weakening, making us more vulnerable with each passing day. Tonight on Ground Zero (7-10 pm, pacific time) Clyde Lewis talks with physicist, Paul Chambers about MEGATHRUSTERS. Listen Live: https://groundzero.radio Archived Shows: https://aftermath.media

Pallbearer [00:34] "An Offering of Grief" Sorrow and Extinction 20 Buck Spin SPIN048 2012 Full-length debut from this heavy doomy band from Little Rock AR. Easily one of the best records of 2012. Ray Charles & Milt Jackson [09:06] "Soul Meeting" Soul Meeting Atlantic SD 1360 1962 Two great tastes that vibe great together. Featuring Ray on piano, Milt on vibes, Kenny Burrell on guitar, Percy Heath on bass, and Art Taylor on drums. This one was written by Jackson, with illuminating parts from both Milt Jackson and Kenny Burrell. Curtis Harding [16:08] "Freedom" Soul Power Burger Records BRGR600 2014 Debut outing from this Atlanta musician. Describing his sound as "slop 'n soul", this one track has a definite Arthur Lee feel. Lou Rawls [18:49] "A Whole Lotta Woman" Soulin' Capitol Records T 2566 1966 Not a whole lotta love, not a whole lotta Rosie, but a whole lotta woman. John Coltrane with Red Garland [21:27] "Theme for Ernie" Soultrane Prestige 7142 1958 One of Coltrane's showcases for his distinctive sheets of sound style. Joined here by Red Garland on piano, Paul Chambers on bass, and again Art Taylor on drums. Les and Larry Elgart and their Orchestra [26:24] "You're My Thrill" Sound Ideas Columbia CL 1123 1958 Hailing from Pompton, New Jersey, these brothers developed their "Elgart Sound" in 1952 and released over half a dozen albums before parting after this album to pursue their musical interests. Mary Martin et al [30:02] "The Lonely Goatherd" The Sound of Music (Original Broadway Cast) Columbia Masterworks KOL 5450 1959 Now that's what I call yodeling! Pre-Julie Andrews obviously. Mary Martin was perhaps best known as playing the title role in the Broadway production of Peter Pan. Not sure how I knew this, but maybe it was due to living in New York for 20 years naking Broadway trivia inescapable. The Sinceros [33:23] "Take Me to Your Leader" The Sound of Sunbathing Epic EPC 83632 1979 The sticker on the cover says that this track is their featured single, so that's what I'm going with. Power pop-y new wave-y. Herb Alpert & the Tijuana Brass [37:10] "Casino Royale" Sounds Like... Herb Alpert & the Tijuana Brass A&M LP124 1967 You know I love a good shaggy dog of a film, and Casino Royale is definitely that. Well, the Daniel Craig version is too, but I'm talking about the 1967 comedy version with David Niven as Sir James Bond. Ravi Shankar [39:47] "An Introduction to Indian Music" The Sounds of India Columbia CS 9296 1968 (originally released in 1958) Re-released to tap into the growing interest thanks to the Beatles' interest in Indian music (specifically George Harrison). Relax! Simon & Garfunkel [43:56] "We've Got a Groovey Thing Goin'" The Sounds of Silence Columbia CS 9269 1966 Helped out here by The Wrecking Crew, including Glen Campbell and Joe South on guitar, Hal Blaine on drums, and Larry Knechtel on the Ray Charles-esque electric piano. Scott Walker + Sunn O))) [47:22] "Brando (Dweller on the Bluff)" Soused 4AD CAD 3428 2014 On the surface, it's an odd pairing, but as the music that fills this album suggests, it's a perfect pairing. Sunn O)))'s Greg Anderson and Stephen O'Malley had originally reached out to Walker about contributing to their 2009 album Monoliths and Dimensions but were unable to coordinate. Walker subsequently contacted about contributing drones to fill in the silence between his lyrics while working on his epic 2012 release Bish Bosch. Evidently, Sunn O))) brought their full stage equipment to Walker's studio for recording. If you are unfamiliar, it's a wall of Ampeg, Marshall, and HiWatt speakers with Ampeg SVT and Sunn Model T heads. Herb Alpert's Tijuana Brass [56:06] "The Girl from Ipanema" South of the Border A&M SP-108 1964 South of the border, down Rio de Janiero way. Music behind the DJ: "If I Fell" by Perry Botkin Jr and his Orchestra

Seven musicians, two recordings, five songs: musical magic. This week marks the 65th anniversary of “Kind of Blue,” the iconic album recorded and performed by a young group of talented rising stars – John Coltrane, Julian “Cannonball” Adderly, Bill Evans, Paul Chambers, Jimmy Cobb and Wynton Kelly – before they were jazz legends, all under the leadership of the visionary trumpeter Miles Davis. “Kind of Blue” remains a treasured classic recording and is still selling copies, still taught in music classrooms, still covered by jazz musicians and still deconstructed by cultural critics. So why has Kind of Blue endured as the top classic jazz album for 65 years? We speak with three jazz experts to learn more about the revolutionary album.

Underappreciated alto sax player Ernie Henry's last recordings before his premature death in 1957. . .featuring his Octet (with Lee Morgan, Melba Liston, Benny Golson and Cecil Payne), quintet (with Kenny Dorham) and quartet - also the Kenny Dorham Quartet . . groups including Wynton Kelly, Kenny Drew, Wilbur Ware, Paul Chambers, Philly Joe Jones and Art Taylor --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Tonight's Jazz Feature is a belated Birthday tribute to a sadly neglected Jazz giant and innovator. St.Elmo Sy;vester Hope was born in New York on June 27,1923 and died in that city at age 43 on May 19,1967 from a bout with pneumonia. Elmo grew up with his close friends Thelonious Monk and Bud Powell but somehow the honors that were given to Monk and Powell eluded Elmo Hope. His unique piano style reflected the influences of Monk and Powell but were very much his own. His recordings as a sideman and leader are rather sparse but tonight's Jazz Feature presents a session that is one of the best examples of Elmo's style and compositions. Elmo had just returned to New York after some very lean years in Los Angeles and recorded these pieces for a small obscure label and sadly they got poor distribution. They have been resurrected and show Mr. Hope in the best light with people he respected and who enhanced his music. Elmo is accompanied by bassist Paul Chambers and drum master Philly Joe Jones and he delivers 9 of his fine creations. Happy Birthday Anniversary Elmo Hope! Enjoy his music tonight!

Tonight's Jazz Feature is an important album recorded in one of the golden years of Jazz: 1959 but rarely mentioned. This album marked the first issued album under a new Blue Note contract by alto saxophone giant, Jackie McLean. Jackie was starting a new phase in career and this album marks the first step and it's a big step. Jackie emerges here from his early influences namely Charlie Parker and Sonny Rollins. Jackie also has one of the most distinctive sounds that's sometimes raw and harsh but always soulful and full of feeling. On this fine album McLean is featured with a frequent partner, trumpeter Donald Byrd. On piano is the fine Walter Davis Jr. who also composed four of the six tunes on the date. Paul Chambers is on bass and the drums are played by the innovative Pete LaRoca (aka Peter Sims).. All in all "New Soil" deserves recognition as another of the seminal recordings of 1959. Enjoy!

"We have often heard that we should transcribe and study the Masters - we're talking about Ray Brown, Ron Carter, Paul Chambers, and many more - but the deeper question was brought up by our recent special guest Linda Oh: "WHY should we transcribe the Masters?" Well, that's what we're here to talk about...the WHY!"If you like Bass - you're in the right place! Interested in more music and practice advice? Check out Open Studio...where you'll find courses and much more by world-class bassists like Reuben Rogers, Ron Carter, Christian McBride, Bob DeBoo and more. Reach out to the Upright Citizens anytime at uprightcitizenspodcast@gmail.com ★ Support this podcast ★

Julie sits down with Sub Summit co-founder Paul Chambers for a candid conversation about what to expect at this year's event. From the CUBE Awards to his most anticipated speakers and more, this laid-back chat between two friends is a great way to learn more about the event and hear about how you might be able to go for free. Julie tells her story of how she cold-called the guys at Sub Summit (as a newbie back in 2017) and now has been on stage 7 times! Enjoy this fun, laid-back episode. https://subsummit.comSupport the Show.

Join us tonight on Ground Zero Classics as we delve into the mysteries surrounding the recent earthquake in Taiwan and Japan's evacuation advisory for Okinawa. We explore whether there are any connections to the Earth's disturbances and geomagnetic actions of the sun before the eclipse, and if some of these catastrophes could be man-made to create an apocalyptic scenario. Our guest physicist Paul Chambers joins us to discuss LEVEL 7 - DOOMSDAY OF ETERNAL REST, shedding light on this fascinating topic. Tune in for a thought-provoking and informative episode of Ground Zero Classics.Originally Broadcast On 4/3/24Liking this episode?   Get more episodes, news and other bonuses when you become a member of Ground Zero: Aftermath.   Get a free trial now!

A 7.4 magnitude earthquake struck the east coast of Taiwan, causing landslides and collapsed structures along with numerous aftershocks. Soon after the seismic activity, Japan issued an evacuation advisory for the coastal areas of the southern prefecture of Okinawa. Furthermore, leaders are concerned that a possible "Level 7 event could occur forcing the population to evacuate." Level 7 is the highest level given to a nuclear accident. Could there be connections to the Earth's disturbances and geomagnetic actions of the sun before the eclipse? Is there a possibility that some of these catastrophes are man-made to create an apocalyptic scenario? Tonight on Ground Zero (7-10pm, pacific time) Clyde Lewis talks with physicist, Paul Chambers about LEVEL 7 - DOOMSDAY OF ETERNAL REST. Listen Live: https://groundzero.radio Archived Shows: https://aftermath.media

Today, Hunter is once again joined by James McDermott and Paul Chambers from the Far West Texas Regional Public Defender Office. This time, James and Paul are discussing how they utilized the new National Workload study to double their attorney staff. While the use of data was extremely important into winning over county commissioners, James' and Paul's willingness to let the system fail proved to be the catalyst in securing more funding. Guests: James McDermott, Chief Public Defender, Far West Texas Regional Public Defender           Paul Chambers, Deputy Chief Public Defender, Far West Texas Regional Public Defender   Resources:   National Workload Study https://www.rand.org/pubs/research_reports/RRA2559-1.html   Far West Texas Regional Public Defender https://far-west-texas-regional-public-defender.business.site/     Contact Hunter Parnell:                                 Publicdefenseless@gmail.com  Instagram @PublicDefenselessPodcast Twitter                                                                 @PDefenselessPod www.publicdefenseless.com  Subscribe to the Patron www.patreon.com/PublicDefenselessPodcast  Donate on PayPal https://www.paypal.com/donate/?hosted_button_id=5KW7WMJWEXTAJ Donate on Stripe https://donate.stripe.com/7sI01tb2v3dwaM8cMN  

With his newly released EP FCKNJP on Dirtybird Records, Shinichi Osawa comes through to Dirtybird Radio with a heater of a set full of exclusive edits, unreleased tracks and fire ID's, proving why he's one of the most respected artists to come out of Japan. VR warm-up set:STUFFI - "Noise" [CUFF]Umberto Pagliaroli - "Freak" [Flashmob Records]Robag Wruhme - "Quokka Supra" [Tulpa Ovi Records]Mary Ocher & Red Axes - "The Whip" [Underground Institute]Shinichi Osawa guest set:01 INTRO / SHINICHI OSAWA 02 MOODY FUSE / Claude VonStroke03 This My Shit / Astronomar, VNSSA04 Gimme Summn / TNGHT05 Black Box / Kitobwoy06 yallec / Sav-E + Prolix / GILLA BAND + Cruel Summer / Talor Swift07 Ghetto Face Place Space / Phil Kieran08 Killing Mangiaro / Tomas Abderson09 OPNR /SHINICHI OSAWA (unreleased)10 Body Sweat / Rory Marshall, yanzo11 SINGAPORE BRAIN SWING (unreleased) / SHINICHI OSAWA, EROL ALKAN, BOYS NOIZE, PAUL CHAMBERS 12 น้ำแดงน้ำส้ม / JV.JARVIS13 Asian / JUMADIBA14 Diamonds On My Mind / Eli Brown15 HIGH RAVE (unreleased) / SHINICHI OSAWA16 #FCJNJP / SHINICHI OSAWA17 Meet Her at the Love parade (SHINICHI OSAWA EDIT bootleg) / Da Hool18 METAL THREE (unreleased) / SHINICHI OSAWA19 Wire / Ø [Phase]20 POST RYAN (SHINICHI OSAWA EDIT bootleg) / GILLA BAND