Podcast appearances and mentions of ray brown

He really needs no introduction. The native of Shreveport, Louisiana, Ray Brown was drafted in the 60th round of the 1969 MLB Draft by the Kansas City Royals. He spent four years in their organization before being released, and in 1975, came to Alberta to play for the Edmonton Tigers of the Alberta Major Baseball League. He met his future wife, who is from Lac La Biche, and ended up staying in the province. He's coached at virtually every level ever since, including a few stints in the Western Canadian Baseball League with the Edmonton Prospects and Fort McMurray Giants. Most recently, he was with the Edmonton Collegiate Hawks and WCL's Edmonton Riverhawks as an assistant under Jake Lanferman. He's back with the Giants this summer, so we thought it'd be a good opportunity to catch up with him and hear more about his baseball journey, coaching philosophies and much more.

Jon chats with business coach and entrepreneur Ray Brown about a simple yet powerful business framework for architecture practices. They discuss the 'Four Ps' - Practice, Projects, People, and Perception - that can dramatically improve business results. Key insights include being intentional about business perceptions, understanding and managing project hours, the importance of clear roles and strategic hiring, and the value of a foundational business education. They also introduce ArchiBiz's new Business School for Architects. Ray underscores that architects must embrace basic business knowledge to ensure long-term success.Today's Guest...Ray Brown is a business coach and entrepreneur. Originally from Scotland & now based in Australia. Ray has coached everyone from startups to top executives of major companies. He is the founder ArchiBiz - a global company that helps ambitious architects build profitable and sustainable businesses without compromising design standards. Ray is our first returning guest, having featured on episode 31 of the podcast back in May 2024.Episode Highlights...00:00 Introduction01:31 Meet Ray Brown04:03 The Four Ps Framework for Architecture Practices06:33 Deep Dive into Practice and Projects16:17 People: Hiring, Training, and Utilisation22:47 Perception: Shaping Your Market Image28:43 Introducing the Business School for Architects35:46 Conclusion and Final Thoughts38:55 Travel Talk and FarewellKey Takeaways...Build Your Business Like You Build a HouseYou can be great at design, but without a strong business setup, your practice won't run well. Ray Brown talks about using the “Four Ps” to keep things on track:

Alexis Ramos & Ray Brown are Co-Presidents of Sixteenth Sports,  a division of Sixteenth, one of the leading, global Athlete Creator talent partnership companies. They lead Sixteenth Sports under the Whalar Group umbrella, creating a new stadium for Athletes to collaborate with brands beyond social media reach and build IP worthy of long-term partnerships.A visionary leader and influential Hispanic woman in the sports industry, Alexis is known for her strategic insight and transformative leadership. As one of the few Hispanic women to represent a 1st-round pick in the NFL draft, her career spans nearly a decade in the sports industry.Alexis began her career with the European Cup, enhancing fan engagement through innovative Fan Zones, and later joined the Las Vegas Raiders, where she discovered a passion for player and community initiatives. Since then, she has shaped player development and strategy for elite NFL talent, influencing the careers of stars such as Maxx Crosby, Najee Harris, Cameron Jordan, and Quentin Johnston. Renowned for her collaborative approach and creativity, Alexis encourages philanthropy and leadership amongst her athlete partners.A seasoned entertainment industry veteran, Ray Brown is celebrated for his talent discovery, management, and producing skills. His career highlights include working with Alfonso Ribeiro on "The Fresh Prince" and managing Shemar Moore on "Criminal Minds" and "SWAT." Ray co-founded Ncredible Entertainment with Nick Cannon, creating impactful projects like "Star Camp" and the "School Gyrls" films.Ray was instrumental in discovering Grammy and Oscar-winning artist H.E.R. and has collaborated with influencers like Sommer Ray to launch successful consumer brands. 

Welcome to the Blink Friction Arts Podcast and the Music Crazy Robots.Today we are holding the Low End: exploring Renowned Female Double Bass Players Who Changed the GameWhen we think of double bass players, it's easy to conjure images of towering instruments, smoky jazz clubs, and the deep rumble of classical orchestras. But while the double bass has long been considered a male-dominated instrument—perhaps due to its sheer size and physicality—women have not only held their own but reshaped the narrative in profound and inspiring ways.Here's a celebration of some of the most renowned female double bass players, spanning genres from classical to jazz, who continue to break boundaries and make their mark.1. Esperanza SpaldingIf there's a modern icon of bass brilliance, it's Esperanza Spalding. A musical prodigy, Spalding plays both double bass and electric bass with virtuosic ease, weaving jazz, fusion, classical, and soul into a genre-defying tapestry. She made headlines in 2011 by winning the Grammy for Best New Artist—an award rarely given to jazz musicians. With a string of critically acclaimed albums and boundary-pushing live performances, Spalding's influence reaches far beyond the bass community. She's also a professor at Harvard, emphasizing innovation in music and performance.2. Chi-chi NwanokuBritish-born Chi-chi Nwanoku is a trailblazer in the classical music world. As the founder of the Chineke! Orchestra—the first professional orchestra in Europe made up of majority Black and ethnically diverse musicians—she has made it her mission to open doors in a traditionally exclusionary space. A formidable double bassist in her own right, Chi-chi was a principal bassist with the Orchestra of the Age of Enlightenment for over 30 years. Her career blends musical excellence with social justice, making her a vital voice in contemporary classical music.3. Linda May Han OhHailing from Australia and now based in New York, Linda May Han Oh has become one of the most in-demand jazz bassists of her generation. Whether leading her own projects or playing with legends like Pat Metheny, Joe Lovano, or Vijay Iyer, Oh brings a deep musicality and sharp improvisational mind to every performance. Her tone is warm, articulate, and commanding, with an emotional range that speaks volumes. She also teaches at the Berklee College of Music and the New School, nurturing the next wave of bass talent.4. Kristin KorbA rare mix of bassist and vocalist, Kristin Korb blends bebop agility with a velvet voice. Originally from the U.S. and now based in Denmark, Korb carries forward the tradition of singing bassists (think Ray Brown or Slam Stewart) but with a distinctively elegant and lyrical touch. Her interpretations of jazz standards are joyful, inventive, and rhythmically tight, making her performances feel both timeless and fresh.5. Caroline EmeryFor lovers of classical double bass pedagogy, Caroline Emery is a key figure. A professor at the Royal College of Music in London, Emery has trained a generation of outstanding bassists, many of whom now play in top orchestras worldwide. She's known for her work with young musicians and her emphasis on posture, breath, and physical awareness—an essential contribution to transforming how double bass is taught and performed.6. Jennifer LeithamJennifer Leitham, a veteran of the jazz scene and an accomplished composer, performer, and educator, is best known for her work with the likes of Mel Tormé and Doc Severinsen. Her playing is powerful and deeply rooted in jazz tradition, but she's also known for pushing the envelope both musically and personally. As a transgender woman in jazz, Leitham has been an advocate for visibility and acceptance in the music world, proving that artistry and authenticity go hand in hand.7. Amy DominguesClassically trained yet artistically adventurous, Amy Domingues has explored everything from Baroque continuo playing to post-rock collaborations and experimental sound art. Based in Washington, D.C., she's a cellist and double bassist with a unique voice. Her work highlights the double bass's capacity for subtlety, beauty, and textural depth across genres.Why Representation MattersThe double bass may be one of the largest and most physically imposing instruments in the orchestra or on the bandstand, but these women show that passion, skill, and vision aren't confined by size or stereotype. They've not only expanded what's possible on the instrument—they've redefined who gets to play it.Whether you're a student, a listener, or a player yourself, exploring the work of these bassists is a powerful reminder of music's capacity to evolve—and to include.Want to dive deeper? Check out performances by these players on YouTube, explore their discographies on streaming platforms, and follow their latest work on social media. And if you're learning bass yourself—take heart: these legends prove that the possibilities are endless.Follow the music crazy team on YouTub @taletellerclub

durée : 01:05:27 - Club Jazzafip - C'est un club printanier, paré de fleurs et de bourgeons, avec balade à la campagne, pique nique dans l'herbe et peace and love que nous vous proposons en compagnie de Ray Brown, Ramsey Lewis, Tim Hardin, Mouloudji, Azilis...

COLEMAN HAWKINS – “ALL AMERICAN FOUR / FIVE” New York, May 29, 1944Make believe, Don't blame meColeman Hawkins (ts) Teddy Wilson (p) John Kirby (b) Sidney Catlett (d) New York, October 17, 1944Under a blanket of blue, Beyond the blue horizonBuck Clayton (tp) Coleman Hawkins (ts) Teddy Wilson (p) Slam Stewart (b) Denzil Best (d) LESTER YOUNG / HARRY EDISON – “PRES & SWEETS” Los Angeles, November 1, 1955Pennies from Heaven, That's all, One o'clock jumpHarry “Sweets” Edison (tp) Lester Young (ts) Oscar Peterson (p) Herb Ellis (g) Ray Brown (b) Buddy Rich (d) VIC DICKENSON – “QUARTET” New York, June 24, 1952Tenderly, Lion's den, In a mellow toneVic Dickenson (tb) Bill Doggett (org) John Collins (g) Jo Jones (d) MEL POWELL – “SEPTET” New York, December 30, 1953‘S wonderful, It's been so long, You're lucky to meBuck Clayton (tp) Henderson Chambers (tb) Edmond Hall (cl) Mel Powell (p) Steve Jordan (g) Walter Page (b) Jimmy Crawford (d) Continue reading Puro Jazz 15 de abril, 2025 at PuroJazz.

JAZZ AT THE PHILHARMONIC “CARNEGIE HALL” New York, September 16, 1950Norgran blues (improvisation), Lady be good, A ghost of a chance (fp out)Harry “Sweets” Edison (tp) Bill Harris (tb) Flip Phillips, Lester Young (ts) Hank Jones (p) Ray Brown (b) Buddy Rich (d) RUBY BRAFF “BRAFF !” New York, June 26, 1956As long as I live, Blue turning grey over you, If I had you, It's been so longRuby Braff (tp) Dave McKenna (p) Steve Jordan (g) Buzzy Drootin (d) COZY COLE “ALL STARS” New York, February 22, 1944Father co-operates, Just one more chance, Thru' for the nightJoe Thomas (tp) Trummy Young (tb) Coleman Hawkins (ts) Earl Hines (p) Teddy Walters (g) Billy Taylor (b) Cozy Cole (d) Continue reading Puro Jazz 08 de abril, 2025 at PuroJazz.

COLEMAN HAWKINS – “ALL AMERICAN FOUR / FIVE” New York, May 29, 1944Make believe, Don't blame meColeman Hawkins (ts) Teddy Wilson (p) John Kirby (b) Sidney Catlett (d) New York, October 17, 1944Under a blanket of blue, Beyond the blue horizonBuck Clayton (tp) Coleman Hawkins (ts) Teddy Wilson (p) Slam Stewart (b) Denzil Best (d) LESTER YOUNG / HARRY EDISON – “PRES & SWEETS” Los Angeles, November 1, 1955Pennies from Heaven, That's all, One o'clock jumpHarry “Sweets” Edison (tp) Lester Young (ts) Oscar Peterson (p) Herb Ellis (g) Ray Brown (b) Buddy Rich (d) VIC DICKENSON – “QUARTET” New York, June 24, 1952Tenderly, Lion's den, In a mellow toneVic Dickenson (tb) Bill Doggett (org) John Collins (g) Jo Jones (d) MEL POWELL – “SEPTET” New York, December 30, 1953‘S wonderful, It's been so long, You're lucky to meBuck Clayton (tp) Henderson Chambers (tb) Edmond Hall (cl) Mel Powell (p) Steve Jordan (g) Walter Page (b) Jimmy Crawford (d) Continue reading Puro Jazz 15 de abril, 2025 at PuroJazz.

JAZZ AT THE PHILHARMONIC “CARNEGIE HALL” New York, September 16, 1950Norgran blues (improvisation), Lady be good, A ghost of a chance (fp out)Harry “Sweets” Edison (tp) Bill Harris (tb) Flip Phillips, Lester Young (ts) Hank Jones (p) Ray Brown (b) Buddy Rich (d) RUBY BRAFF “BRAFF !” New York, June 26, 1956As long as I live, Blue turning grey over you, If I had you, It's been so longRuby Braff (tp) Dave McKenna (p) Steve Jordan (g) Buzzy Drootin (d) COZY COLE “ALL STARS” New York, February 22, 1944Father co-operates, Just one more chance, Thru' for the nightJoe Thomas (tp) Trummy Young (tb) Coleman Hawkins (ts) Earl Hines (p) Teddy Walters (g) Billy Taylor (b) Cozy Cole (d) Continue reading Puro Jazz 08 de abril, 2025 at PuroJazz.

Tonight's Jazz Feature is one of the first great soloists on the vibraphone: the amazing Lionel Hampton. This was his first session after he signed up with Jazz producer Norman Granz. Granz wished to present the artistic side of Lionel and this recording does the job in a big way. Lionel, who's style works in so many contexts is joined here for the first time by the great Canadian pianist Oscar Peterson, bassist Ray Brown and master drummer Buddy Rich. The band selected the 6 tunes and delivered them with swing and soul. All of this was recorded in New York on September 2, 1953. Lionel the magnificent!

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STANDARS SEMANAL.-917.The Very Thought Of You.-VINILOS MITICOS DEL JAZZ.-.Ben Webster - (1953) - King Of The Tenors.-JAZZACTUALIDAD.-.Latino Blanco Quintet - Mark Nightingale-BOREALIS Título: King of the tenors Músico: Webster, Ben Acompañantes: Benny Carter Fecha de Grabación: 1953 Lugar de Grabación: New York Sello Discográfico: Verve Nº de temas: 8 Formato: LP Instrumento: Saxofón tenor Estilo: Swing Nº de Serie: 837431 Año de Edición: 1994 Duración: 39:58 Calificación: 5* /2 Comentario: Un disco majestuoso que recoge todas las virtudes de este magnifico saxofonista. Además cuenta con la participacion de Benny Carter al saxo alto, Herb Ellis a la guitarra, Harry Edison a la trompeta, Oscar Peterson al piano y Ray Brown al bajo. Título: Borealis. Músicos: Latino Blanco (saxo barítono) & Mark Nightingale (trombón). Acompañantes: Kontxi Lorente (p); Miquel Álvarez (cb) y Vicente Espí (dm). Fecha de Grabación: 2022. 26 junio. Lugar de Grabación: Valencia. Sello Discográfico: Sedajazz Records. Nº de temas: 6. Formato: CD. Instrumento: Saxo baritono y trombón. Estilo: Contemporáneo. Nº de Serie: SJ 152. Año de Edición: 2024. Duración: 38:54. Calificación: 3*1/2 Comentario: Francisco Blanco Latino anda envuelto siempre en más aventuras de las que parece razonable, pero de alguna manera consigue salir exitoso de todas ellas, con un optimismo a prueba de bomba y una inagotable capacidad de disfrutar como señas de identidad. Una de esas aventuras consiste en recordarnos de cuando en cuando su admiración por Gerry Mulligan, tanto en versión de cuarteto sin piano como al frente de una orquesta. Mark Nightingale, es uno de los músicos más respetados y solicitados de la escena británica y europea y Francisco Blanco «Latino», es, asimismo, un instrumentista extraordinario, algo que a veces pasa a segundo plano cuando el artista acentúa, sobre todo, su faceta educadora en torno a ese colectivo maravilloso que es «Sedajazz». La química entre ambos es evidente; y este disco, el segundo que graban juntos, —sin contar el que ambos participan con el octeto de la Sedajazz Record—, deja claro que el dialogo entre saxo barítono y trombón, poco frecuente en el jazz, provoca, de manera natural, una sensibilidad sensorial extraordinaria. La empatía musical entre ambos reputados instrumentistas, hace el resto. Bajo la fórmula del quinteto, Blanco Latino reúne para este su segundo trabajo en colaboración con el trombonista, Mark Nightingale, a Kontxi Lorente al piano, Miquel Álvarez al contrabajo, y Vicente Espí a la batería, es decir, una sección rítmica de las mejores que pueden reunirse hoy en España. El repertorio elegido para esta sesión de grabación, son, en su mayoría, composiciones propias de los músicos que intervienen en la grabación; tres piezas de Mark Nightingale, dos de Latino Blanco, y el sexto, el tema que cierra el álbum, es la preciosa composición de Cole Porter, titulada: «You’d Be So Nice to Come Home To”. Como es habitual en los trabajos que publica «Sedajazz Records», excelente álbum.

Over more than a century, the Yankee pinstripes have perhaps become the most iconic uniform element in all of sports, instantly identifiable to fans everywhere. And 113 years ago this week, the New York then Highlanders announced they'd be wearing them for the first time. Mike and Bill looks back at the history of the uniform pinstripes, as well as the Old English D on Tigers uniforms, the Athletics' continued association with elephants as they migrated across the country, and more! Plus, happy birthday to Ray Brown and Wilbur Cooper! And farewell to Mark Bradley, Jim Lawrence, and Brian Matusz.

This week on Dopey we are joined by recovery advocate and woman in recovery, Jamie Tall! Jamie shares all about her super crazy journey on this weeks show!TRIGGER WARNING: It gets very graphic around sex and violence, so please use caution! Jamie tells it all and is now sober helping addicts and alcoholics! Patreon is www.patreon.com/dopeypodcastDOPEY LOVE LIVE WITH MARGARET CHO, Dr. Nzinga Harrison, Brace Belden, Erin Khar, Ray Brown and Linda are available at:https://publictheater.org/productions/joes-pub/2025/d/dopey-podcast-live/https://podcast.feedspot.com/rehab_podcasts/Here is AI:"From Fucking the Devil to Finding God: The Jamie Tall Story"Show Notes:

Steph and Weston discuss the 49ers hiring new CB coach Ray Brown, why the 49ers aggressive attitude towards the defense should mean taking a shot at Myles Garrett, and which 49ers free agents the 49ers should/could bring back.

Tonight's Jazz Feature is a tribute to Canada and all things Canadian. It's been heard on The Jazz Show before but in these unsettled times I think it's time to hear it again. It's The Canadiana Suite played by and composed by the great Canadian pianist Oscar Peterson. Oscar performs the suite with his working trio of the time with Ray Brown on bass and Ed Thigpen on drums. It was recorded on Sept.9,1964 in New York. The 8 movement suite takes us across Canada from East to West in a series of musical portraits. It's time to be proud of Canada and the Canadiana Suite represents that pride.

Taiwanese vibraphonist and percussionist Chien Chien Lu, along with Pittsburg, Pennsylvania native bassist Richie Goods, have crafted a sound that is both captivating and rhythmic. Their music draws from a rich tapestry of cultural influences including Taiwanese, American, and African-American traditions, especially within the jazz sub-culture. Chien Chien Lu and Richie Goods are dedicated to expanding their musical repertoire, creating a unique connection that resonates deeply with listeners. In the fall of 2024, Chien Chien Lu and Richie Goods visited Columbus, Ohio, where they met with students at Otterbein University and performed to a captivated full house audience. During their visit, they visited my studio, sharing compelling stories about their individual paths into jazz and the inception of their musical collaboration. Chien Chien Lu recounted her transition from playing classical music in Taiwan to exploring the creative latitude of jazz upon her relocation to the United States. She arrived in the US holding a master's degree in classical percussion but sought the unique expressions of jazz. While pursuing graduate studies in Philadelphia, Chien was introduced to Jeremy Pelt, one of today's leading trumpeters. Impressed by her talent, Pelt included Chien in his subsequent European tour and later featured her in his next album. At that time, Richie Goods was a member of Pelt's band. In 2017, Chien graduated with a Master of Music in Jazz Studies from the University of the Arts. It all then fell together. Richie Goods describes his journey into jazz through performing arts school in Pittsburgh Creative and Performing Arts High School. After graduating from the prestigious jazz program at Berklee College of Music, Richie moved to New York City, where he studied under jazz legends Ron Carter and Ray Brown. Richie worked extensively with jazz piano legend Mulgrew Miller for nine years, which provided opportunities to perform with other major jazz luminaries including Russell Malone, Lenny White, Louis Hayes, and Vincent Herring. His extensive discography includes Grammy award-winning and platinum albums by Alicia Keys and Common. Connected is a band jointly led by Richie Goods and Chien Chien Lu, and their latest recording is Connected vol. 1. This pandemic era-project was derived from frequent conversations Richie Goods and Chien Chien had about the Black Lives Matter movement and the unwarranted hate crimes against Asians. They decided to do a project that would unify people and invoke imagery of love and peace, says Richie. The result is a dynamic jazz group influenced by global sounds, which reflects the musical identities of Richie and Chien. Connected vol. 1, won "Best Instrumental Album" at the 34th Golden Melody Awards in Taiwan. The playlist for this episode includes five recordings. They tap into their latest recording, Connected vol. 1 and Chien Chien Lu's first recording, The Path. Richie Goods produced The Path and Connected vol. 1. The playlist for this episode: 1.Treasure Mountain, Connected vol. 1, (Richie Goods/Chien Chien Lu), RichMan Music, 2023-(8:16); Chien Chien Lu-Marimba & Vibraphone; Richie Goods-Electric bass & acoustic bass; Brett Williams-Keyboards & Rhodes; Quintin Zoto-Guitar; David Frazier, Jr.-Drums; Danny Sadownick-Percussion 2.Blind Faith, The Path (Chien Chien Lu), RichMan Music, 2020-(5:26); Chien Chien Lu-Marimba & Vibraphone; Richie Goods-Bass & Electric Bass; Shedrick Mitchell-Piano & Organ; Quintin Zoto-Guitar; Allan Medford-Drums; Percussion-Ismel Wignall 3.We Live in Brooklyn Baby, The Path (Chien Chien Lu), Richman Music, 2020-(5:38) Chien Chien Lu-Marimba & Vibraphone; Richie Goods-Bass & Electric Bass; Jeremy Pelt-Trumpet; Shedrick Mitchell-Piano & Organ; Quintin Zoto-Guitar; Allan Mednard-Drums; Percussion-Ismel Wignall; Yoojin Park-Violin; Phoebe Tsai-Cello 4.Someday We'll All Be Free, Connected vol. 1, (Donnie Hathaway), Richman Music, 2023-(7:26); Chien Chien Lu-Marimba & Vibraphone; Richie Goods-Electric bass & acoustic bass; Jamison Ross-vocal; Piano/Organ-Shedrick Mitchell; Lil John Roberts-Drums; Danny Sadownick-Percussion Thanks to A Tribe for Jazz for helping to make this interview happen and their support. Please note that there may be some technical issues in the audio. However, the conversation rich in content. Thank you for listening. Subscribe and you'll be one of the first to listen to upcoming episodes, articles, and announcements. Photo by Stephen Pyo

The legendary Indianapolis jazz club The Jazz Kitchen recently celebrated its 30th anniversary. Through the years, The Jazz Kitchen has hosted performances from some of the biggest names including J.J. Johnson, Billy Cobham, Dee Dee Bridgewater, Bob James, Ray Brown, Lakecia Benjamin, Kamasi Washington, and many others. In 2009, The Jazz Kitchen was recognized by DownBeat magazine, as one of the 100 best jazz clubs in the world. Listen to an interview with the club's founder David Allee, as he shares an oral history of The Jazz Kitchen. Allee is also a trumpet player and has performed with groups including the Jimmy Coe Big Band and Pavel & Direct Contact.

Pittsburgh has a strong connection to the world of jazz; in fact, you might say it is sacred ground for this music genre. Many of the legends of jazz - like Billy Eckstine, Billy Taylor, Ray Brown, George Benson, Stanley Turrentine, Mary Lou Williams, Ahmad Jamal, Art Blakey and dozens more - are from this Pennsylvania “burg.”   In this episode, we talk with co-founder and executive producer of MCG Jazz, Marty Ashby, about how MCG Jazz grew out of the organization founded in the 1960's by Bill Strickland as Manchester Craftsman Guild. What started as Strickland's dream to serve and give back to the community, has since grown into a powerhouse program.  As a Craftsman Guild, MCG initially provided a space to develop ceramics, photography and digital design education for urban youth. In the late 80's, Strickland joined forces with jazz guitarist Ashby. Together as co-founders, they started MCG Jazz, where Ashby also continues to grow this legacy program as its executive producer.  Our conversation begins with Marty Ashby telling me about the backstory to this incredible organization, its history, present projects and their vision for the future of keeping Jazz alive for generations to come

Text us about this show.Anyone who has spent any time around the NE Wisconsin music scene knows about John Harmon. John is a world class jazz pianist and composer who studied under the great Oscar Peterson and played with the likes of Ray Brown and Milt Jackson. In the 1970s he formed the progressive jazz band Matrix who turned out six critically accaimed albums and toured the world. John's sons, Noah and Zach, are both extremely talented musicians. Noah, a keyboard player, is part of Kyle Megna and the Monsoons and Zach is a polyrhythmic drummer who has played with a number of artists both in LA and NE Wisconsin. Put them together and you have an incredible jazz trio with some deep musical roots called The Harmon Boyz."The Fly" performed by Matrixwritten by John Harmon℗ 1979 Warner Records Inc. Used with permission of John Harmon."Happy" written and performed by Eric Koppa℗ 2024 Eric Koppa Music. Used with permission of Eric Koppa.Face Your EarsExplore home recording and music creation with Rich and Justin on 'Face Your Ears'!Listen on: Apple Podcasts SpotifySupport the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2025 by Project X Productions. All rights reserve...

How can we engage local businesses in the teaching of Christ in the new year? Host Jeff Anderson talks to guests Ray Brown, Jack Howard, and Rob Amerine about that and more. Lets spread past the four walls of the Church and reach our community in all walks of life. That's on this New Years edition of Crosswalk Colorado Springs! See omnystudio.com/listener for privacy information.

This Week on our Giant Christmas Episode we are joined by Kimber King and a shit tons of Dopes in our annual Dopey Christmas Craptacular. I feel like i should stop writing note because AI does it so well! So sit back and enjoy a super special Dopey episode! With a cavalcade of Dopes - some voicemails, stories and more on this brand new episode of the good old dopey show!  https://www.patreon.com/dopeypodcast https://www.tickettailor.com/events/thedopeyfoundation/1484803 Dopey Podcast: A Very Dopey Christmas

Today, the Spotlight shines On Christian McBride, a musician, recording artist, prolific composer, arranger, producer, cultural curator, dedicated educator, and mentor.Christian has been called the hardest-working person in jazz, and based on what I just rattled off, that might be underselling it. From his early days in Philadelphia soaking up the sounds of Philly Soul to sharing stages with legends like Ray Brown and Chick Corea, Christian has become a bridge between jazz's rich history and its vibrant future.These days, you'll find him leading his new band, Ursa Major, hosting NPR's Jazz Night in America, mentoring the next generation of musicians, and somehow finding time to work on a new big band album featuring twelve different vocalists. He's also preparing for an upcoming funk tribute show with none other than George Clinton and Savion Glover at NJPAC.Whether laying down the groove with Inside Straight, his Big Band, or any other celebrated ensemble, Christian brings an irresistible combination of soul, swing, and storytelling to everything he touches. Today, we'll explore his journey from Philly to the world stage, his passion for record collecting, and why he believes being uncomfortable might be the best way to grow as a musician.Quick note: this conversation occurred when our baseball teams were still in contention. One had a better outcome than the other, and neither made it all the way…–Dig DeeperVisit Christian McBride at christianmcbride.comListen to Christian McBride on Qobuz, Bandcamp, or your streaming platform of choiceFollow Christian McBride on Instagram, Facebook, and YouTubeTribute to Funk!The curious mind—and hard work—of bassist Christian McBrideJazz House Kids | School For JazzDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Christian McBride, a musician, recording artist, prolific composer, arranger, producer, cultural curator, dedicated educator, and mentor.Christian has been called the hardest-working person in jazz, and based on what I just rattled off, that might be underselling it. From his early days in Philadelphia soaking up the sounds of Philly Soul to sharing stages with legends like Ray Brown and Chick Corea, Christian has become a bridge between jazz's rich history and its vibrant future.These days, you'll find him leading his new band, Ursa Major, hosting NPR's Jazz Night in America, mentoring the next generation of musicians, and somehow finding time to work on a new big band album featuring twelve different vocalists. He's also preparing for an upcoming funk tribute show with none other than George Clinton and Savion Glover at NJPAC.Whether laying down the groove with Inside Straight, his Big Band, or any other celebrated ensemble, Christian brings an irresistible combination of soul, swing, and storytelling to everything he touches. Today, we'll explore his journey from Philly to the world stage, his passion for record collecting, and why he believes being uncomfortable might be the best way to grow as a musician.Quick note: this conversation occurred when our baseball teams were still in contention. One had a better outcome than the other, and neither made it all the way…–Dig DeeperVisit Christian McBride at christianmcbride.comListen to Christian McBride on Qobuz, Bandcamp, or your streaming platform of choiceFollow Christian McBride on Instagram, Facebook, and YouTubeTribute to Funk!The curious mind—and hard work—of bassist Christian McBrideJazz House Kids | School For JazzDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

CHARLIE PARKER “Charlie Parker's Reboppers” – New York, November 26, 1945Ko-ko (2,3), Billie's bounce (1,3), Now's the time (1,3)Miles Davis (tp-1) Dizzy Gillespie (tp-2,p-3) Charlie Parker (as) Argonne Thornton (p-4) “Charlie Parker All Stars” – New York, May 8, 1947Donna LeeMiles Davis (tp) Charlie Parker (as) Bud Powell (p) Tommy Potter (b) Max Roach (d) “CHICAGO RHYTHMDIZZY GILLESPIEKINGS” “Dizzy Gillespie Sextet” – New York, February 28, 1945Groovin' high, Dizzy atmosphereDizzy Gillespie (tp) Charlie Parker (as) Clyde Hart (p) Remo Palmieri (g) Slam Stewart (b) Cozy Cole (d) “Dizzy Gillespie And His All Star Quintet” – New York, May 11, 1945Salt peanuts (dg,ens vcl),Dizzy Gillespie (tp,vcl) Charlie Parker (as) Al Haig (p) Curly Russell (b) Sidney Catlett “Shaw ‘Nuff” – New York, May 15, 1946Oop Bop Sha BamDizzy Gillespie (tp, vo) Sonny Stitt (as) Milt Jackson (vib) Al Haig (p) Ray Brown (b) Kenny Clarke (d) Gil Fuller, Alice Roberts (vo) THELONIOUS MONK “Thelonious Monk Trio” – New York, October 24, 1947Ruby my dear, Well you needn't, Off minorThelonious Monk (p) Gene Ramey (b) Art Blakey (d) “Thelonious Monk Quintet” – New York, November 21, 1947Monk's mood, ‘Round midnight George Tait (tp) Sahib Shihab (as) [aka Edmund Gregory (as) ] Thelonious Monk (p) Bob Paige (b) Art Blakey (d) “BUD POWELL TRIO” Linden, NJ, August 1949I'll remember April, Somebody loves me, I should careBud Powell (p) Curly Russell (b) Max Roach (d) New York, May 1, 1951Un poco locoBud Powell (p) Curly Russell (b) Max Roach (d) Continue reading Puro Jazz 04 de noviembre, 2024 at PuroJazz.

Listen in to Ray Brown, CEO of ESCO Group, as he discusses his journey from accountant to CEO of a 100% employee-owned company. Ray dives into pivotal leadership moments, the mentors who shaped his approach, and the early challenges that drove his growth. Discover how Ray leads ESCO Group—a leader in electrical construction, automation, and safety consulting—through change, innovation, and community impact. Tune in to hear Ray's insights on why Marion is the ideal place to raise a family and grow a business!

This week on the teaser Ray is back - PLUS we are doing a special event in Los Angeles on January 11th sponsored by ORO Recovery!  https://www.patreon.com/dopeypodcast   keywords: Dopey Podcast, addiction, recovery, musicians, spirituality, community, events, media, public speaking, listener engagement summaryIn this episode of the Dopey Podcast, host David Manheim discusses various themes including reflections on the loss of musicians, personal struggles with recovery and spirituality, listener engagement through emails, upcoming events, and experiences with media and public speaking. The conversation highlights the importance of community in recovery and the impact of shared stories. takeaways The Dopey Podcast continues to engage listeners through Patreon. Reflections on the loss of musicians evoke deep emotions. Personal struggles with recovery are common and relatable. Listener emails provide insight into the community's experiences. Upcoming events foster a sense of connection among listeners. Public speaking experiences can be both challenging and rewarding. The importance of finding new meetings in recovery. Community support is vital for those in recovery. Engaging with listeners enhances the podcast experience. The podcast serves as a platform for sharing personal stories. titles Navigating Loss in the Music World Struggles and Spirituality in Recovery Sound Bites "Rest in peace, Phil Lesh." "I need to find another meeting." "I love the long episodes." "I want to be the hot redhead." Chapters 00:00Introduction to Dopey Podcast and Patreon 03:12Reflections on Musicians and Loss 05:54Personal Struggles with Recovery and Spirituality 09:05Listener Emails and Community Engagement 11:59Upcoming Events and Special Guests 15:01Experiences with Media and Public Speaking

Rick and Ron host Internationally renowned jazz drummer, percussionist, clinician, author, and educator, Steve Houghton to the podcast. Steve initially received acclaim at age twenty as the drummer with Woody Herman's Young Thundering Herd. Since then he has shared stage and studio with luminaries Freddie Hubbard, Rufus Reid, Gary Burton, Dave Stryker, Clay Jenkins, Shelly Berg, Jared Gold, Lyle Mays, Bob Sheppard, Billy Childs, Bobby Hutcherson, Pat LaBarbara, Bobby Shew, Geoff Keezer, Bob Bowman, Walter Smith III , Wayne Bergeron, Bill Cunliffe, Arturo Sandoval, Steve Allee, Joe Henderson, Ray Brown, Eddie Henderson, among others. Steve retired in 2022 as Professor of Percussion and Jazz at Indiana University's Jacobs School of Music. He continues to presents clinics and master classes to students around the world, most recently in Germany, England, China, New Zealand, Australia and Taiwan. Houghton is a Past- President of the Percussive Arts Society (PAS) a founding member of the Jazz Education Network (JEN) and endorses, Yamaha drums and percussion, Zildjian cymbals, Vic Firth sticks and mallets, and Remo world percussion products and drumheads.

“JOE VENUTI AND EDDIE LANG” “JOE VENUTI AND EDDIE LANG” New York, September 29, 1926Stringing the blues, Black and blue bottomJoe Venuti (vln) (g) STUFF SMITH “BILTMORE HOTEL” New York, January 6, 1937Honeysuckle rose, Stomping at the SavoyStuff Smith (vln) Clyde Hart (p) Bobby Bennett (g) John Kirby (b) Cozy Cole (d) Ella Fitzgerald (vcl) EDDIE SOUTH “PARIS” – November 25, 1937Fiddle blues (1,2)Eddie South (vln) Stephane Grappelli (vln-1) Django Reinhardt (g) Paul Cordonnier (b-2) “AND DUO” – Hilversum, Holland, March 13, 1938Black gypsyEddie South (vln) Dave Martin (p) STEPHANE GRAPPELLI “VIOLINS NO END” Paris, May 4, 1957Don't get around much anymoreStephane Grappelli, Stuff Smith (vln) Oscar Peterson (p) Herb Ellis (g) Ray Brown (b) Jo Jones (d) JEAN-LUC PONTY “UPON THE WINGS OF MUSIC” Los Angeles, CA, January, 1975Upon the wings of musicJean-Luc Ponty (vln,el-vln,violectra,synt) Patrice Rushen (p,el-p,org,clavinet,synt) Dan Sawyer (el-g) Ralphe Armstrong (el-b) Leon “Ndugu” Chancler (d,perc,tom-tom) BILLY BANG “TRIBUTE TO STUFF SMITH” New York, September 20, 21 & 22, 1992Lover manSun Ra (p,synt) Billy Bang (vln) John Ore (b) Andrew Cyrille (d) REGINA CARTER “ELLA : ACCENTUATE THE POSITIVE” New York, December, 2016All my lifeXavier Davis (p) Marvin Sewell (g) Regina Carter (vln) Chris Lightcap (b) Alvester Garnett (d) JENNY SCHEINMAN “THE RABBI'S LOVER” Brooklyn, NY, 2001The rabbi's loverRuss Johnson (tp) Adam Levy (g) Jenny Scheinman (vln) Greg Cohen (b) Trevor Dunn (b-1) Kenny Wollesen (d) Continue reading Puro Jazz 21 de octubre, 2024 at PuroJazz.

Internationally renowned jazz drummer, percussionist, clinician, author, and educator, Steve Houghton initially received acclaim at age twenty as the drummer with Woody Herman's Young Thundering Herd. Since then he has shared stage and studio with luminaries Freddie Hubbard, Rufus Reid, Gary Burton, Dave Stryker, Clay Jenkins, Shelly Berg, Jared Gold, Lyle Mays, Bob Sheppard, Billy Childs, Bobby Hutcherson, Pat LaBarbara, Bobby Shew, Geoff Keezer, Bob Bowman, Walter Smith III , Wayne Bergeron, Bill Cunliffe, Arturo Sandoval, Steve Allee, Joe Henderson, Ray Brown, Eddie Henderson, among others. Steve retired in 202 as Professor of Percussion and Jazz at Indiana University's Jacobs School of Music. He continues to presents clinics and master classes to students around the world, most recently in Germany, England, China, New Zealand, Australia and Taiwan. Houghton is a Past- President of the Percussive Arts Society (PAS) a founding member of the Jazz Education Network (JEN) and endorses, Yamaha drums and percussion, Zildjian cymbals, Vic Firth sticks and mallets, and Remo world percussion products and drumheads.

“THELONIOUS MONK TRIO” New York, October 24, 1947Ruby my dear, Well you needn't, April in Paris, Off minorThelonious Monk (p) Gene Ramey (b) Art Blakey (d) BUD POWELL “JAZZ GIANT” New York, February 23, 1949Tempus fugit, Celia, Cherokee, I'll keep loving you (bp p-solo)Bud Powell (p) Ray Brown (b) Max Roach (d) “THE AL HAIG TRIO” New York, February 27, 1950Liza, Stars fell on Alabama, Stairway to the stars, Opus capriceAl Haig (p) Tommy Potter (b) Roy Haynes (d) BARRY HARRIS “AT THE JAZZ WORKSHOP” San Francisco, CA, May 15 & 16, 1960Is you is or is you ain't my baby, Moose the mooche, Woody'n youBarry Harris (p) Sam Jones (b) Louis Hayes (d) Continue reading Puro Jazz 30 de septiembre, 2024 at PuroJazz.

JO JONES SEXTET “VAMP ‘TIL READY” New York, April 19, 1960Liza, You're getting to be a habit with me, Should I ?, Royal garden bluesHarry “Sweets” Edison (tp) Bennie Green (tb) Jimmy Forrest (ts) Tommy Flanagan (p) Tommy Potter (b) Jo Jones (d) JESS STACY “AND FRIENDS” New York, November 25, 1944Liza, You're getting to be a habit with me, Should I ?, Royal garden bluesJess Stacy (p) Specs Powell (d) JUAN TIZOL “AND HIS ORCHESTRA” Los Angeles, April 7, 1946Keb-Lah, The Sphinx, Zanzibar, You Can't Have Your Cake And Eat ItDick Cathcart (t), Juan Tizol (v-tb), Willie Smith (as; vo on #17), Babe Russin (ts), Arnold Ross (p), Irving Ashby (g), Ed Mihelich (b), Nick Fatool (d) “LOUIS ARMSTRONG/OSCAR PETERSON” Hollywood, CA, October 14, 1957Let's fall in love, What's new, Moon song, There's no you, Sweet LorraineLouis Armstrong (tp,vcl) Oscar Peterson (p) Herb Ellis (g) Ray Brown (b) Louie Bellson (d) Continue reading Puro Jazz 27 de septiembre, 2024 at PuroJazz.

Hour 1 features: 1.Cowboys vs. Giants on TNF=Boring 2.Talking Cards with Kyle Odegard 3.Will There Be Any Defense in the Commanders Game? Hour 2 features: 1.Weekend Winners With Gov Wes Moore 2.Keys to Victory 3.NFL QB Rankings Are Underrating Jayden Hour 3 features: 1.PFT Commenter Joins The Show 2.Commanders and Cardinals Predictions 3.Jeff Walker's Week 4 Hype Song Hour 4 features: 1.Ray Brown joins the show to discuss Commanders 2.Ask BMitch 3.Heard It Here First

Hour 4 features: 1.Ray Brown joins the show to discuss Commanders 2.Ask BMitch 3.Heard It Here First

Ray Brown talks about his playing days with the Redskins and the Cardinals

Season 10 kicks off with exciting news and an audible sneak preview.(And that, dear listener, is what folks in the business call a teaser.)The ALP is supported by RHB. Music arranged by Ryan Anselment

STAN GETZ / J. J. JOHNSON “AT THE OPERA HOUSE” Chicago, IL, September 29, 1957Billie's bounce, My funny ValentineJ.J. Johnson (tb) Stan Getz (ts) Oscar Peterson (p) Herb Ellis (g) Ray Brown (b) Connie Kay (d) GIOVANNI GUIDI “A NEW DAY” Pernes-les-Fontaines, France, August, 2023Cantos del ocells (1), Only sometimes (1), My funny ValentineJames Brandon Lewis (ts-1) Giovanni Guidi (p) Thomas Morgan (b) Joao Lobo (d) ) ART BLAKEY'S JAZZ MESSENGERS “ROOTS AND HERBS” Englewood Cliffs, N.J., February 18, 1961Roots and herbs, Look at the birdie, Petty larcenyLee Morgan (tp) Wayne Shorter (ts) Bobby Timmons (p) Jymie Merritt (b) Art Blakey (d) Continue reading Puro Jazz 09 de septiembre, 2024 at PuroJazz.

SOMETHING ELSE! “SOUL JAZZ” New York at a Smoke Jazz Club “Daylight Session” New York, 2024Filthy McNasty, Mean greens, NaimaJeremy Pelt (tp) Vincent Herring (as) Wayne Escoffery (ts) David Kikoski (p) Paul Bollenback (g) Essiet Essiet (b) Otis Brown, III (d) DUKE ELLINGTON / RAY BROWN “THIS ONE'S FOR BLANTON” Las Vegas, Nevada, December 5, 1972Do nothin' till you hear from me, Things ain't what they used to be, Sophisticated lady, See see riderDuke Ellington (p) Ray Brown (b) BEN ALLISON “LAYERS OF THE CITY” 2017 Enter the dragon, Layers of the city, The detective's wifeJeremy Pelt (tp) Frank Kimbrough (p) Steve Cardenas (g) Ben Allison (b,el-b,comp,arr) Allan Mednard (d) Continue reading Jazz 01 de agosto, 2024 at PuroJazz.

Ray Brown was born in Houston, Texas, and received a BFA with Honors from the Sally McDonnell Barksdale Honors College at the University of Mississippi. Later Ray receive an MFA in Studio Art with emphasis in Ceramics at West Virginia University. http://ThePottersCast.com/1049

Playlist for The Everything Show 7/8/2024Moon Duo / Planet CaravanDan Auerbach / Every Chance I Get (I Want You In The Flesh)Einsturzende Neubauten / Ist IstThe Animals / Hey GypPsychic Graveyard / Your Smile is a HoaxRadiohead / High And DryFrancis / How It's Gonna Be from Now OnLes Cyclades / AlocasiaWilliam DeVaughn / Be Thankful For What You've GotThe Sweet Inspirations / Sweet InspirationOnce Twice / SparksNina Simone / Sinnerman (Sofi Tukker Remix)Beak> / The SealWinnetka Bowling League / This Is LifeCharlie Parker / Funky Blues (feat. Charlie Parker, Johnny Hodges, Benny Carter, Charlie Shavers, Flip Phillips, Ben Webster, Oscar Peterson, Barney Kessel, Ray Brown & J.C. Heard)Robben Ford / White Rock Beer...8 centsDwight Yoakam / What I Don't KnowEels / GOLDYBuddy Holly / It's So EasyLinda Ronstadt / It's So EasyDarden Smith / I Don't Want To Dream AnymoreChris Isaak / Wicked GameFats Waller / I'm Gonna Sit Right Down And Write Myself A LetterThe Viscounts / Harlem Nocturne

Business Foundations for ArchitectsJoin Ray Brown, an experienced business coach and entrepreneur, as he delves into the essential business fundamentals that architects need to master. In this podcast, Ray breaks through the myth that architects aren't trained in business, offering insights on how to specialize, systematize, and scale architectural practices for success.Discover the importance of strategic monthly board meetings, understand the crucial difference between cash and profit, and learn how to build a profitable, sustainable business without compromising on design standards. With a background in coaching startups, major banks, and top executives, Ray brings his expertise to the world of architecture through Archibiz, an educational platform tailored for ambitious architects.Tune in to transform your practice with actionable business strategies and expert guidance.This week at EntreArchitect Podcast, Business Foundations for Architects with Ray Brown.Connect with Ray online at Archibiz, check out the courses, and find him on Instagram, Facebook, and LinkedIn.Referenced in this EpisodeEA444: Ray Brown – Business Coaching for ArchitectsPlease visit Our Platform SponsorsGo to https://betterhelp.com/architect for 10% off your first month of therapy with BetterHelp and get matched with a therapist who will listen and help. Thank you to our sponsor BetterHelp for supporting our community of small firm entrepreneur architects.ARCAT.com is much more than a product catalog, with CAD, BIM, and specifications created in collaboration with manufacturers. ARCAT.com also offers LEED data, continuing education resources, newsletters, and the Detailed podcast. Visit https://ARCAT.com to learn more.Visit our Platform Sponsors today and thank them for supporting YOU... The EntreArchitect Community of small firm architects.Mentioned in this episode:ArchIT

JAZZ CORNER, lundi et jeudi à 13h et 18h. Chronique animée par Serge Mariani, Louise Hodé ou Géraldine Elbaz : concerts à ne pas manquer, albums à écouter au plus vite et des artistes à découvrir. Cette semaine, Géraldine nous parle du pianiste Jacky Terrasson. Le célèbre pianiste Jacky Terrasson, salué par le New York Times comme “l'un des artistes susceptibles de façonner la culture américaine”, dévoile “Moving On”. De retour en France après trois décennies passées à New York, il organise un jeu de piste à double nationalité, mêlant Chopin et le jazz, avec des artistes invités tels que Kareen Guiock-Thuram, Camille Bertault et Grégoire Maret. Avec une joie de vivre retrouvée, chaque morceau raconte une aventure, une histoire, une délicate célébration du bonheur. Présenté dans le New York Times en 1994 comme “l'un des trente artistes susceptibles de changer la culture américaine dans les trente prochaines années”, le pianiste Jacky Terrasson honore cette promesse en étant le musicien de jazz français le plus écouté sur les plateformes digitales. Né à Berlin en 1965, d'une mère américaine et d'un père français, il intègre (après des études en France de piano classique) le Berklee College of Music et remporte en 1993 le prestigieux Prix du Thelonious Monk Institute of Jazz International Piano Competition. C'est au côté de BETTY CARTER, DEE DEE BRIDGEWATER, CASSANDRA WILSON, ou encore CHARLES AZNAVOUR, GUY LAFITTE, BARNEY WILEN et RAY BROWN qu'il débute sa carrière. Il signe avec le légendaire label Blue Note et son emblématique président Bruce Lundvall, pour une longue et impressionnante aventure de 25 ans de succès. © Alexandre LacombeHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

"We have often heard that we should transcribe and study the Masters - we're talking about Ray Brown, Ron Carter, Paul Chambers, and many more - but the deeper question was brought up by our recent special guest Linda Oh: "WHY should we transcribe the Masters?" Well, that's what we're here to talk about...the WHY!"If you like Bass - you're in the right place! Interested in more music and practice advice? Check out Open Studio...where you'll find courses and much more by world-class bassists like Reuben Rogers, Ron Carter, Christian McBride, Bob DeBoo and more. Reach out to the Upright Citizens anytime at uprightcitizenspodcast@gmail.com ★ Support this podcast ★

A few months back, we got into the argument that all bass players get into – what are the coolest, grooviest bass lines of all time? After hours of heated debate, we decided to get Nick Campbell to help make that decision for us.In today's podcast, Nick Campbell reels off the bass lines that shaped his sound. It's the perfect way to introduce yourself to the worlds of Rocco Prestia, Ray Brown, James Jamerson and Colin Greenwood.In this episodeWhy Nick is a huge Radiohead fan.The first time he heard Tower of Power.Why nothing beats a Ray Brown two-feel.Is this James Jamerson's coolest bassline?And much, much more!

In this enlightening episode, Ray Brown delves into the intricacies of running a profitable architecture business. Alongside host Rion, Ray discusses the untaught yet crucial business skills that can transform an architectural practice from surviving to thriving. They explore a variety of strategies that promise not only to alleviate common business pressures but also to significantly enhance profitability and operational efficiency. Their conversation covers innovative approaches to business management that many architects overlook. Ray introduces a revolutionary program aimed at redefining the business landscape for architects, providing insights that could be game changers for your practice. Discover the one element many architects neglect that could prevent business overwhelm. Learn about a new perspective on profitability that doesn't rely on increasing workload. Find out the common business advice that Ray argues is fundamentally flawed. Hear why certain industry-standard practices might actually be hindering your firm's success. Tune in to uncover the transformative insights that could redefine how you manage your architectural practice and lead you to greater success.   To learn more about Ray Brown, visit his: Website: https://archibiz.global/ Facebook: https://www.facebook.com/ArchibizBusinessEducation/ LinkedIn: https://www.linkedin.com/company/archibiz-business-education/ Youtube: https://www.youtube.com/channel/UCJNeCdow94bUAcZvGr7o0mA/featured Instagram: https://www.instagram.com/archibizhq/   ► Transcription: https://otter.ai/u/pJN3cdOaXMIRz01qs7WdHTfPg4Y?utm_source=copy_url   ► Feedback? Email us at podcast@businessofarchitecture.com   ► Access your free training at http://SmartPracticeMethod.com/   ► If you want to speak directly to our advisors, book a call at https://www.businessofarchitecture.com/call   ► Subscribe to our YouTube Channel for updates:   https://www.youtube.com/c/BusinessofArchitecture   *******   For more free tools and resources for running a profitable, impactful, and fulfilling practice, connect with me on: Facebook: https://www.facebook.com/groups/businessofarchitecture Instagram: https://www.instagram.com/businessofarch/ Website: https://www.businessofarchitecture.com/yt Twitter: https://twitter.com/BusinessofArch Podcast: http://www.businessofarchitecture.com/show iTunes: https://podcasts.apple.com/us/podcast/business-architecture-podcast/id588987926 Android Podcast Feed: http://feeds.feedburner.com/BusinessofArchitecture-podcast Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9idXNpbmVzc29mYXJjaGl0ZWN0dXJlLmxpYnN5bi5jb20vcnNz   *******   Access the FREE Architecture Firm Profit Map video here: http://freearchitectgift.com   Carpe Diem!  

Boston College guard Jaeden Zackery entered the transfer portal on Wednesday. We look at his career and what he meant to Earl Grant, and where the Eagles will go now, because they look to be in trouble. Ray Brown defensive backs coach is a steal, and The Athletic gives a report on a proposal for conference realignment that is intriguing, but unrealistic. We look at it.Support Us By Supporting Our Sponsors!RobinhoodRobinhood has the only IRA that gives you a 3% boost on every dollar you contribute when you subscribe to Robinhood Gold. Now through April 30th, Robinhood is even boosting every single dollar you transfer in from other retirement accounts with a 3% match. Available to U.S. customers in good standing. Robinhood Financial LLC (member SIPC), is a registered broker dealer. Amazon Fire TVFire TV recently created Fire TV Channels to deliver a constant supply of the latest videos from your favorite sports brands, all for free. That includes all of us at Locked On and most of the big pro leagues and college conferences as well. To Learn More, visit www.amazon.com/LockedOnFireTV LinkedInThese days every new potential hire can feel like a high stakes wager for your small business. That's why LinkedIn Jobs helps find the right people for your team, faster and for free. Post your job for free at LinkedIn.com/lockedoncollege. Terms and conditions apply. GametimeDownload the Gametime app, create an account, and use code LOCKEDONCOLLEGE for $20 off your first purchase. FanDuelNew customers, join today and you'll get TWO HUNDRED DOLLARS in BONUS BETS if your first bet of FIVE DOLLARS or more wins. Visit FanDuel.com/LOCKEDON to get started. eBay MotorsFrom brakes to exhaust kits and beyond, eBay Motors has over 122 million parts to keep your ride-or-die alive. With all the parts you need at the prices you want, it's easy to bring home that big win. Keep your ride-or-die alive at EbayMotors.com. Eligible items only. Exclusions apply. eBay Guaranteed Fit only available to US customers.FANDUEL DISCLAIMER: 21+ in select states. First online real money wager only. Bonus issued as nonwithdrawable free bets that expires in 14 days. Restrictions apply. See terms at sportsbook.fanduel.com. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG (CO, IA, MD, MI, NJ, PA, IL, VA, WV), 1-800-NEXT-STEP or text NEXTSTEP to 53342 (AZ), 1-888-789-7777 or visit ccpg.org/chat (CT), 1-800-9-WITH-IT (IN), 1-800-522-4700 (WY, KS) or visit ksgamblinghelp.com (KS), 1-877-770-STOP (LA), 1-877-8-HOPENY or text HOPENY (467369) (NY), TN REDLINE 1-800-889-9789 (TN) Follow & Subscribe on all Podcast platforms…

This week on Dopey! DopeyCon IV!!!! A cavalcade of Dopes! A treasure Trove ofand  Dopey Stories! It's all here! Bobby Dukes burning a dude's dick with a crack pipe in a glory hole to Jessa Reed's Opus Owl Story! Plus great recovery with Hank Azaria, Joe Schrank, Ask Erin Khar! Music by Ray Brown and so very much more on this weeks brand new spanking episode of that good old Dopey Show! DopeyCon IV!!!!! More About Dopey: Dopey Podcast is the world's greatest podcast on drugs, addiction and dumb shit. Chris and I were two IV heroin addicts who loved to talk about all the coke we smoked, snorted and shot, all the pills we ate, smoked, all the weed we smoked and ate, all the booze we consumed and all the consequences we suffered. After making the show for 2 and a half years, Chris tragically relapsed and died from a fentanyl overdose. Dopey continued on, at first to mourn the horrible loss of Chris, but then to continue our mission - which was at its core, to keep addicts and alcoholics company. Whether to laugh at our time in rehab, or cry at the worst missteps we made, Dopey tells the truth about drugs, addiction and recovery. We continually mine the universe for stories rife with debauchery and highlight serious drug taking and alcoholism. We also examine different paths toward addiction recovery. We shine a light on harm reduction and medication assisted treatment. We talk with celebrities and nobodies and stockpile stories to be the greatest one stop shop podcast on all things drugs, addiction, recovery and comedy pathfinding the route to the heart of the opioid epidemic.