Podcasts about theatre company

Dark Library: The Time Machine @ After Hours Theatre Company - 9.5 out of 10! Exceptional Show! LA Theatre Bites Recommended! www.latheatrebites.com

What if women could get men pregnant? The Supreme Court's Dobb's Decision provoked Messenger Theatre Company's short audio drama, "The Chip." An experimental piece of tech has been invented to help combat eroding abortion rights for women. The chip will move a pregnancy from a woman's body to a man's. The couple in this play grapple with this man's unexpected pregnancy. In a post-Roe V Wade world, women begin to take desperate measures. Transcript: https://www.messengertheatreco.org/the-chip-transcript Website: https://www.messengertheatreco.org/#/audio-drama-podcast/ Binge on all of our audio shows at atlantafringe.org/fringe-audio or wherever you enjoy podcasts.

Camperdown Theatre Company director Warren Easley discusses bringing ‘Noises Off' by Michael Frayn to the stage.Tickets to the show can be purchased from Laffs, 163 Manifold St, phone 5593 1469 or online atcamperdowntheatrecompany.com.au

Actors Matthew Connell & Clarisse Bonello join us to chat about new Victorian Theatre Company production Future Loves Burning, Age of Extremes, written and directed by Tim Wotherspoon.  Motley Bauhaus, May 7 to 23. home | VTC 

Victor Salinas shares his dream to launch a theater company that unveils the truth through contemporary and  revolutionary productions. His latest project, The Lady Bird of Saint Joan, is bold and deeply honest! 

Eleven questions could save a life. That's the idea behind a bill in the state legislature right now. It would require law enforcement officers to ask the questions to determine if someone is at risk of dying at the hands of a domestic abuser. We'll explore the issue with Purplish. Then, Denver Center Theatre Company announces its new season. We get a glimpse into how those choices are made with artistic director Chris Coleman us for our series "Raise The Curtain," about Colorado's vibrant theater scene. 

Through guerrilla dance performances on beaches, high streets, shopping centres, and public spaces, groups of older women are taking dance out into the world—playfully and powerfully disrupting assumptions and inviting audiences to see ageing differently.In this joyous and inspiring episode, Jenny Ross from Collective Discovery speaks with Sian Stevenson, Creative Director of Moving Memory Dance Theatre Company, about a very different story of ageing—one of creativity, connection, power, and joy. We explore how movement and performance can build confidence, challenge stereotypes, and celebrate the strength and resilience of older women.For more on Collective Discovery, see our website or LinkedIn. We welcome feedback at collective@collectivediscovery.co.uk. Hosted on Acast. See acast.com/privacy for more information.

Morgan is a playwright, screenwriter and dramaturg who has penned many successful hits across stage and screen. Some of her most celebrated work includes the plays, “Belongings”, and, “The Wasp” that both enjoyed runs at the Hampstead Theatre and Trafalgar Studios. “Belongings” was shortlisted for The Charles Wintour Most Promising Playwright Award. Where “The Wasp” was adapted into a hit film starring Natalie Dormer (Game of Thrones) and Naomie Harris (Skyfall), directed by Guilleme Morales, 2023. Other work Morgan has written includes:Typical Girls, a play set in a female prison, premiered at The Sheffield Crucible, 2021Mum, Plymouth Theatre Royal and Soho Theatre, 2021When the Long Trick's Over, UK Tour 2022. She has also co-written the musical “Cake” which performed in London in 2023 and 2024 following a previous 2022 tour. As well as her own Theatre Company called “Terrifying Women” which produces new horror plays written by women. Her adaptation of “Damage” by Josephine Hart which was produced by Netflix under its new title “Obsession”.In recent times her version of “Dracula” which focussed on uncovering female perspectives in Bram Stoker's text, opened at the Lyric Hammersmith in 2025. As a dramaturg she also worked on Chloe Wade's play “As SHE Likes It” both at the Greenwich Theatre and UK Tour. Morgan and I discuss her inspirations to become a writer, her process, how she finds her characters and develops her stories. To how “The Wasp” came about. Its journey from the stage to the screen and where the characters of Heather and Carla came from. In addition, how the brilliant and sinister image of the tarantula wasp features as a metaphorical link between the two. To find out how, listen in!Thank you Morgan! Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning 

Prolific playwrights Mona Mansour and Emily Zemba recently debuted Entangled: 12 Scenes in a Circle K off the I-40 in New Mexico. The play, which was directed by Scott Ilingworth, premiered at HERE Arts Center and is presented by SOCIETY Theatre Company. SOCIETY is a collective of theatre makers creating new research-driven, radically collaborative works. This episode was recorded March 23, 2026. Read the New York Times piece about quantum entanglement, https://www.nytimes.com/2022/10/10/science/black-holes-cosmology-hologram.html Dan Hooper's podcast that was mentioned is Why This Universe? Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of One in Ten, host Teresa Huizar interviews filmmaker Norah Shapiro and actor and executive producer Anthony Edwards about their award-winning documentary Magic and Monsters, which follows survivors of the Children's Theatre Company abuse scandal in Minneapolis, Minnesota. They describe charismatic artistic director John Clark Donahue as a serial child abuser who fostered a culture with multiple perpetrators, the 2010s Minnesota statute-of-limitations lookback that enabled 17 civil lawsuits, and survivors' ongoing sense that accountability and acknowledgment remain lacking. The conversation highlights institutional betrayal, brand protection, and the need for boundaries in youth-serving organizations, alongside the healing power of being believed and connecting with other survivors.Time Stamps 00:00 Welcome And Premise 00:36 Why This Film Matters 01:30 Host Reaction And Setup 02:51 Case Recap And Timeline 06:05 Anthony Edwards Connection 09:53 Ethics Of Survivor Storytelling 11:45 Trauma Informed Filmmaking 16:22 Healing Through Community 18:07 Institutional Grooming Dynamics 21:59 Prevention Lessons For Parents 23:20 Culture Of Trust And Othering 25:40 Magic And Monsters Duality 26:35 Institutional Betrayal 27:22 Protecting the Brand 31:06 Seeking Acknowledgement 33:19 Trauma and Self Care 35:09 Unresolved Justice 36:50 Recovery Through Connection 41:54 Being Believed Matters 43:32 Film Impact and Next Steps 47:47 Closing Thanks and Resources ResourcesMagic & MonstersSupport the showDid you like this episode? Please leave us a review on Apple Podcasts.

Chris Lindstrom is joined by Cam Webb of the Orange Steel Theatre Company to talk about their Pittsburgh Fringe show, "Doohickey". Doohickey! is an immersive makerspace experience, where audience members are invited to join the intergalactic resistance group Caomei in their struggle against shadowy land developers whose greed is inflicting untold damage to the world.Armed with the support of Caomei, the audience will use recycled materials to craft gadgets that do whatever they can imagine.Doohickey!Company: Orange Steel Theatre CompanyDate(s): March 20, 2026 - March 28, 2026Time(s): 8:00 pmGenre: TheatreVenue: Assemblehttps://pittsburghfringe.org/events/doohickey/Mentioned in this episode:It's A LotCheck out It's A Lot on Lunchador! https://feeds.captivate.fm/itsalot/ Mind of MagnusCheck out Mind of Magnus at magnusapollo.com, and leave him factoids at 585-310-2473! https://mind-of-magnus.captivate.fmJoe Bean RoastersJoe Bean Coffee - Coffee that lifts everyone. Use promo code Lunchador for 15% off your order! https://shop.joebeanroasters.com

Send a textA president we never hear. Seven women we can't ignore. We sit down with Eleve' Theater Company to unpack the whiplash world of POTUS by Selina Fillinger, a ferocious farce where doors slam, spin cycles faster than the news, and the people holding power together aren't the ones at the podium. Melissa, the director, shares why art should unsettle and how this script spotlights women leading from the shadows—strategizing, firefighting, and finding solidarity under pressure.We trace Eleve's origin story from a string of no's for “Wit” to a mission built on yes: yes to edge, yes to new work, yes to women-centered plays the community rarely sees. With a grant-backed partnership at Chance Theater's 48-seat black box in Anaheim, the team brings a DIY ethos to life—hand-built doors for farce timing, self-sourced costumes, and prop lists wild enough to ping a delivery algorithm. The intimacy of the space becomes an asset: the audience is part of the charge, close enough to feel the speed of decisions and the shock of consequences.Cast members dig deep into character and context. Leyna's Harriet, the chief of staff, carries strategy and stamina; Sej's Jean, the press secretary, maps the White House to corporate corridors where women navigate promotion politics and pay the tax of honesty; Cydney's Stephanie embodies the under-credited labor that keeps the day moving. Together they show how systems pit women against each other even as they build alliances to make it through an impossible 24 hours. The result is comedy that tells the truth at speed—tragedy accelerated until it's hilarious and uncomfortably real.If you're hungry for smart political theater, community grit, and an ensemble that elevates each other, this conversation will pull you in. Join us for craft talk, candid stories, and a look at why representation onstage changes what audiences feel and remember. Don't miss the run: March 13–15 at Chance Theater in Anaheim, already more than half sold. Subscribe, share this with a theater friend, and leave a quick review to help more listeners find the show.Elevé Theatre Company presents POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive | Chance TheaterFacebookInstagramFacebook - Back To The Grind Coffee Find STTS:Steps To The Stage (@stepstothestage) | InstagramFacebookSteps To The Stage (buzzsprout.com)Steps To The Stage - YouTubePlease follow on your favorite podcast platform and we appreciate 5 Star ratings and positive reviews!

We spoke to Director and Interim Artistic Director, Jamie Bullins and Actors Noelle Dominique Rodriguez and Harper LaRue Allen about their show "The Rocket Men" written by award winning playwright, Crystal Skillman.  The show opens March 12th at the Carson Theater at the Lied Center for Performing Arts.  This show is presented by seven women who play the role of seven former male Nazi scientists who immigrated to the US during World War 2 and were the backbone of the NASA program.  These scientists were key in the moon landing and "Operation Paperclip." There is a lot to unpack in this play based on a true story, and you'll want to go see it!  Show Dates: March 12-22, 2026 Tickets and Website: https://angelscompany.org/ Show Location: Carson Theatre at the Lied Center for Performing Arts, Lincoln, NE HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or our website:  https://platteriverbard.com or anywhere you get your podcasts. Also find annual events, theatre resources and news on our website https://platteriverbard.com. Send your Press Releases to be added to our news site. No annoying ads or popups! We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Please share, follow us on social media and subscribe!

Welcome back to the 273rd episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 273rd episode we bring you a Duet Review of An Intervention by Mike Bartlet, directed by 郝邦宇 Steven Hao, and presented in its Toronto premiere as the inaugural production by Downstage Theatre Company. Join Mackenzie Horner and Ryan Borochovitz, as they discuss resourceful staging solutions, questionable wordplay, and the high costs of producing indie theatre. An Intervention ran at Native Earth Performing Arts' Giisiz Studio (585 Dundas St E, Toronto, ON) from February 11th to 15th, 2026. More information about the production can be found on the company's Instagram, @downstage.theatreco CONTENT WARNING: An Intervention contains themes, discussions, and depictions of substance abuse (particularly alcoholism) and suicide; this review, likewise, speaks directly to these topics. Viewer discretion is strongly advised. Less importantly, this review contains many SPOILERS for An Intervention. It will begin with a general non-spoiler review until the [32:44] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. Though the run has already ended, you may still choose to proceed at your own risk. Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAu Ryan Borochovitz – [Just send all that love to CoH instead; he won't mind!]; if you enjoy his theatre thoughts, more can be found at https://nextmag.ca/search/borochovitz Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.comCHAPTERS: 0:00 – Introduction 3:26 – Pre-Spoiler: TTC Be Crazy Sometimes 4:17 – P-S: Synopsis, Pt.1 12:05 – P-S: What Did I Miss?17:26 – P-S: General Appraisal 24:17 – P-S: How Old? 28:07 – P-S: Production Elements 32:43 – SPOILERS from here on out 33:14 – Synopsis, Pt.2 43:08 – Not Thinking Clearly 45:15 – Wordplay (ft. Mike Bartlett's Cock) 53:23 – Vagueness vs. Obliqueness 57:33 – Red Rope & Neckties 1:01:39 – The Moment After 1:02:48 – Toward a More Affordable Future 1:08:09 – Sign Off

00:50 For many families, Alzheimer's doesn't arrive all at once—it creeps in through forgotten names, missed appointments, and the quiet heartbreak of watching someone you love slip away. In the Black community, the disease hits harder and earlier. Zaakirah Muhammad has a story about Alzheimer's—not just as a medical condition, but as a community issue that demands visibility, resources, and compassion.14:02 In part one of Anna Wilson's story, we heard the numbers, and the stories behind them, revealing how queer youth in Oklahoma are disproportionately pushed to the margins, often with nowhere safe to land. In part two, we go beyond the statistics to find young people navigating rejection, resilience, and survival in a state where support can feel scarce.25:55 In May of 2025, Oklahoma passed House Bill 1588, creating the Spring Creek Watershed Study Act, to address waterway contamination from poultry farm waste in northeastern Oklahoma. The bill's passage is due in part to a local non-profit which has worked for decades to protect the Spring Creek Watershed. This month, Roma Carter has the first part of the story.37:32 On a small stage in Tulsa, big stories are being told—stories of Black womanhood, survival, joy, and reckoning. World Stage Theater is bringing a bold new production to life with For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf a production of Ntozake Shange's 1976 groundbreaking choreopoem. First written to give voice to what was too often silenced, the work still resonates decades later. Kelli McCloud-Schingen, executive director of World Stage Theater, discusses how this production honors Shange's legacy while simultaneously speaking directly to the current moment.41:12 Black history isn't only marked by struggle—it's also filled with moments of laughter, brilliance, and pride that stay with us for a lifetime. In this story, Sondra Slade brings us back to a personal remembrance, but also a shared one, echoing the quiet questions and powerful affirmations that shape how we come to know ourselves.Focus: Black Oklahoma is produced in partnership with KOSU Radio & Tri-City Collective. Additional support is provided by the Commemoration Fund & Press Forward.Our theme music is by Moffett Music.Focus: Black Oklahoma's executive producers are Quraysh Ali Lansana & Bracken Klar. Our associate producers are Jesse Ulrich, & Naomi Agnew. Our production interns are Alexander Evans, Roma Carter, Jess Grimes, & Anna Wilson.You can visit us online at KOSU.org or FocusBlackOklahoma.com & on YouTube @TriCityCollectiveOK. You can follow us on Instagram @FocusBlackOK & on Facebook at Facebook.com/FocusBlackOK.You can hear Focus: Black Oklahoma on demand at KOSU.org, the NPR app, NPR.org, or wherever you get your podcasts.https://linktr.ee/focusblackok

Plus the latest theatre news and reviews and a few thoughts on the passing of the Grateful Dead's Bob Weir.Introduction (0:05)Alex Miller hosts solo this week as co-host Toni Tresca is out of town. Preview of upcoming interview with playwright Edith Weiss about her comedy Fierce Satire and Mediocre Sex opening at Buntport Theater.Theater Season Update (0:35)Colorado's busy theater scene - 16 shows reviewed in January, 20 more expected in February. Alex highlights OnStage Colorado's active coverage of the state's performing arts.Recent Reviews Roundup (1:15)Burning Bluebeard (Catamounts) - Toni's review praises this Colorado premiere at Boulder Dairy CenterGodspeed (Denver Center) - Toni reviews this Western that moved from reading to full productionThe Game's Afoot (StageDoor Conifer) - Garth Gerstin's mixed review of the Ken Ludwig mysteryThe Odd Couple Female Version (Miner's Alley) - Garth praises this well-done productionUpcoming Coverage & News (5:45)Preview of shows being reviewed including touring productions, new works, and dance. Interview preview with Kenya Mahogany about Happy to be Nappy at Manos Agrados in Aurora.Colorado Theater News (7:20)Rich Cowden's sudden departure from Aurora Fox after 2.5 yearsShrek the Musical controversy and canceled performances at Parker-Pace CenterInterview: Fierce Satire and Mediocre Sex (8:30)Conversation with playwright/actor Edith Weiss and director Susan Lyles (And Toto too Theatre Company) about their world premiere comedy featuring eight short plays exploring human foibles, opening February 13-28 at Buntport.Key topics discussed:And Toto too's 21-year mission promoting female playwrightsThe play's structure as interconnected vignettesThemes of commonality, landing in unwanted lives, and finding hopeCast includes Edith Weiss, Chris Kendall, Jeff Jesmer, Meredith Young, Sophia BajjaThe Shakespeare's Jeopardy segment and other memorable scenesPersonal Reflection: The Grateful Dead (31:54)Alex shares emotional reflections on Bob Weir's death, his experiences as a teenage Deadhead seeing 30+ shows, and the concept of "hiraeth" - longing for a time you can't revisit.Next Episode Preview (39:15)Upcoming interview with Thunder River Theater Company (Carbondale) about K2 - a climbing play featuring actors in harnesses for the entire show. Runs February 13-March 1.Show runs approximately 40 minutes

The stories of World War 2 can be epic - full of courage and compassion. One of the lesser-known stories is that of Gino Bartali, an Italian cyclist and Tour de France champion who used his position as one of Italy's most famous athletes to help refugees escape Mussolini's Fascist Italy.Now, that story is coming to the stage in Wilmington, when the Delaware Theatre Company presents the US premiere of Glory Ride, a new musical by Victoria Buchholz and Todd Buchholz.To learn more about the show, Delaware Public Media's Martin Matheny talked to Delaware Theatre Company's Producing Artistic Director, Mimi Warnick for this week's Arts Playlist.

Also on Spotlight: The Tiny Desk Contest is underway; meet the filmmaker behind the documentary "The Return of Navajo Boy"; and the Tucson Gem and Mineral Society welcomes rock hounds from around the world.

Brownstone @ Open Fist Theatre Company - 8.5 out of 10! Great Show! LA Theatre Bites Recommended! Jan 24 - Feb 28, 2026. www.latheatrebites.com

Welcome back to the 264th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 264th episode we bring you a Duet Review of A Christmas Carol written by Charles Dickens, directed by Chloë Rose Flowers, presented by King Theatre Company / Trisan Construction. Join Jillian Robinson and Emily Cornelius, as they discuss this all-around beautiful depiction of the timeless classic that once again proves to bless us, everyone!. A Christmas Carol is playing at the Schomberg Community Hall (325 Main St., Schomberg, ON) from December 13 - December 21, 2025. Tickets can be purchased from the following link: https://www.kingtheatre.ca/christmascarolThis review contains SPOILERS. The episode will begin with a general non-spoiler review until the [13:08] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk.Follow our panelists:Jillian Robinson – Instagram: @jillian.robinson96 Emily Cornelius – Instagram: @emilycorn94 // Upcoming show : Dance Nation @outside_the_march, @coalminetheatre at Coal Mine Theatre from April 12 - May 3, 2026. Tickets can be purchased from the following link : https://tickets.coalminetheatre.com/event/330:21/Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com.

Alexis discovered the new "6-7" of 2026, MOVIE REVIEW: Holly reviews "Marty Supreme," we talk to Julia Diaz of Children's Theatre Company's production of "Go Dog Go/Ve Perro, Ve!" and BOOK REVIEW: Colleen read "Heated Rivalry" so maybe you don't have toSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

===== MDJ Script/ Top Stories for January 9th Publish Date:  January 9th    Commercial: From the BG AD Group Studio, Welcome to the Marietta Daily Journal Podcast.    Today is Friday, January 9th and Happy Birthday to Jimmy Page I’m Keith Ippolito and here are the stories Cobb is talking about, presented by Times Journal Georgia schedules election to replace Marjorie Taylor Greene Marietta Theatre Company announces 2026 season Flu season hits Georgia harder this year — What you should be watching for Plus, Leah McGrath from Ingles Markets on saturated fats All of this and more is coming up on the Marietta Daily Journal Podcast, and if you are looking for community news, we encourage you to listen and subscribe!  BREAK: INGLES 4 STORY 1: Georgia schedules election to replace Marjorie Taylor Greene  Georgia’s 14th Congressional District is gearing up for a special election on March 10, following Marjorie Taylor Greene’s abrupt resignation. Greene, once a staunch Trump ally, stepped down after a public fallout with the president over her push to release Jeffrey Epstein-related documents. Trump called her a “traitor” and vowed to back her challenger if she ran again. Ouch. The race? Already crowded. Nearly two dozen candidates are eyeing the seat, including two Democrats, an independent, and 20 Republicans. Big names like State Sen. Colton Moore and Dalton Councilman Nicky Lama are in the mix. Qualifying runs Jan. 12–14, with a $5,220 fee. STORY 2: Marietta Theatre Company announces 2026 season Marietta Theatre Company just dropped its 2026 season lineup, and honestly? It’s a good one. Tickets are already on sale—season passes start at $65, and they’re flexible, so no stressing over dates. “Live theater sticks with you—it’s magic that lingers,” said Katrina Stroup, the company’s president. “This season? Laughter, music, joy. We’ve got it all.” Here’s what’s coming: Little Shop of Horrors (Jan. 22-31): A cult classic with humor, heart, and a man-eating plant. 9 to 5: The Musical (May 28-June 6): Dolly Parton. Friendship. Revenge. Enough said. All Shook Up (Aug. 13-22): Elvis meets Twelfth Night. Chaos ensues. Details at mariettatheatre.tix.com. STORY 3: Flu season hits Georgia harder this year — What you should be watching for  Flu season’s here, and Georgia’s getting hit hard—again. Over 300 people have been hospitalized since Dec. 21, and it’s not just the flu. RSV and colds are making the rounds too. Feeling run down? Fever, chills, body aches, sore throat? Yeah, it might be the flu. Dr. Earl Stewart Jr. from Wellstar says Influenza A (H3N2) is the big culprit this year, hitting kids, seniors, and folks with chronic conditions the hardest. Symptoms usually last 5–7 days, but that cough? It might stick around for weeks. When to worry? If you’re struggling to breathe, have chest pain, or your kid’s lethargic and not drinking fluids—get to the ER. Prevention? The usual suspects: flu shots, handwashing, rest, and staying hydrated. And if you do catch it, antivirals like Tamiflu can help—especially if you act fast. Stay safe, everyone. We have opportunities for sponsors to get great engagement on these shows. Call 770.799.6810 for more info.  We’ll be right back. Break: INGLES 4 STORY 4: Cobb Prom Swap  Got an old prom dress or suit gathering dust in your closet? Give it a second life at the Cobb Prom Swap! The Cobb County Public Library is collecting gently used dresses, suits, shoes, jewelry, accessories, and even new, unused cosmetics through Feb. 7. Drop-off locations include: East Cobb Library, Marietta North Cobb Library, Kennesaw Powder Springs Library, Powder Springs Vinings Library, Atlanta West Cobb Library, Kennesaw Then, teens can shop for free at the Prom Swap events—first-come, first-served—on Feb. 21 (South Cobb Library, Mableton) and Feb. 28 (Switzer Library, Marietta). Perfect outfits, no price tags. STORY 5: Wheeler overcomes rocky start to beat Cherokee Cherokee came out swinging, but Wheeler landed the knockout punch, pulling away for a 78-64 win Tuesday night at Cherokee High. The Wildcats (12-3, 4-0 Region 5AAAAAA) have been living out of suitcases for weeks, and while this wasn’t their cleanest game, they handed the Warriors (11-5, 3-1) their first region loss—without starters Kevin Savage and Lamarrion Lewis. UConn commit Colben Landrew was unstoppable, dropping 26 points. Jaron Saulsberry added 17, and Amare James chipped in 16, including a half-court buzzer-beater that sparked Wheeler’s comeback. Cherokee started hot—Sean Hamilton’s seven-point run helped build a 20-6 lead. But Wheeler clawed back, outscoring the Warriors 26-12 in the second quarter and never looking back. FALCONS: Kirk Cousins and the Falcons just shook up his contract—again. According to reports, they’ve reworked the final two years of his four-year, $180 million deal, giving Atlanta some breathing room with the salary cap. But here’s the kicker: by March 13, 2026, they’ll have to decide if Cousins sticks around. Why? A $67.9 million guarantee for 2027 kicks in that day. And let’s be real—at 38, with a no-trade clause, Cousins isn’t exactly a hot commodity. The new deal slashes his 2026 base salary from $35 million to $2.1 million, shifting that cash to 2027. Still, he’s got a $10 million roster bonus locked in for next year. Atlanta signed Cousins in 2024 with $100 million guaranteed, then drafted Michael Penix Jr. at No. 8. But when Penix tore his ACL, Cousins stepped in, starting seven games. His numbers? Solid-ish: 1,721 yards, 10 TDs, five picks. Not bad for a guy nearing 40. I'm Keith Ippolito and that’s your MDJ Sports Minute. And now here is Leah McGrath from Ingles Markets on saturated fats We’ll have closing comments after this. Break: INGLES 4 Signoff-   Thanks again for hanging out with us on today’s Marietta Daily Journal Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger Podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at mdjonline.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. Produced by the BG Podcast Network Show Sponsors: www.ingles-markets.com See omnystudio.com/listener for privacy information.

Guest: John Cameron MitchellWriter of Hedwig and the Angry InchDirector of Hedwig and the Angry Inch, Shortbus, Rabbit Hole, How to Talk to Girls at PartiesAppeared as an Actor in Hedwig and the Angry Inch, Shortbus, The Twilight Zone, Head of the Class, Law & Order, Girls, The Good Fight, Yellowjackets, Shrill, and many others.John Cameron Mitchell Bio: John Cameron Mitchell's Hedwig and the Angry Inch, written with Stephen Trask, made its debut on the stage of Squeezebox, a New York City rock ‘n' roll drag bar. The show then premiered Off-Broadway, receiving rave reviews. He was awarded an Obie Award, a “New York Magazine” Award, a Drama League Award and the Outer Critics Circle Award for Outstanding Off-Broadway Musical. John's film adaptation of Hedwig and the Angry Inch received directing and acting awards at festivals such as Sundance (Audience Award, Best Director), Berlin, Deauville, Seattle International, San Francisco International, and San Francisco's Lesbian & Gay. The film was also honored by the National Board of Review, The L.A. Film Critics Association, “Premiere Magazine” and the Golden Globes (Nomination: Best Performance by an Actor in a Motion Picture – Musical or Comedy). He has received a Drama Desk Award Nomination for his role of Dickon in the Broadway production of The Secret Garden. Off-Broadway, Mitchell received an Obie Award and a Drama Desk Award Nomination for his role of Larry Kramer in The Destiny of Me. In Lincoln Center's Hello Again, Mitchell received a Drama Desk Nomination. He also appeared in the original Broadway production of Six Degrees of Separation and as Huck Finn in the Broadway production of Big River. Mitchell adapted and directed Tennessee Williams' Kingdom of Earth for New York's Drama Dept. Theatre Company, of which he is a founding member.The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - EditorAdditional music and sound effects licensed through Envato ElementsLinksBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene NewsletterSpecial ThanksJennifer IsaacsonLauren KardosJeffery KeilholtzShow ContributorsLeah BarkerJustin BorakJim ColleranZach DulliKJ LamparJohn Cameron Mitchell The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - Editor Additional music and sound effects licensed through Envato Elements LINKSBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene Newsletter

Catherine Jhung is a dancer, actor, teacher and school administrator. Raised in the San Francisco Bay Area and Denver, CO., she graduated with a B.A. from Sarah Lawrence College and holds a Master's degree in early childhood education from Brooklyn College. Catherine appeared as a featured dancer and royal wife in The King and I on the First National Tour of the Tony Award-winning 1997 Broadway revival. Modern dance credits include Bill Young and Dancers (New York City), Silesian Dance Theatre (Bitom, Poland) and the New Dance Ensemble (Minneapolis, MN), where she performed in the works of many notable choreographers, including Bill T. Jones, Douglas Dunn, Bebe Miller, Doug Elkins and Ralph Lemon. In Minneapolis, Catherine also performed at the Minneapolis Children's Theatre Company and Theatre Mu (Mu Productions). As an actor, Catherine appeared on television in ABC's One Life To Live and All My Children. She was a member of the award-winning Rising Circle Theater Collective, originating roles in the plays Pulling the Lever and American Family Project. Catherine taught arts-in-education workshops in dance and drama to students of all ages in the New York City area for over ten years for American Ballet Theatre, Queens Theatre in the Park and New York City Center. She served as a Montessori preschool administrator for five years. And most recently taught at the Park Slope Schoolhouse and in NYC Dept of Ed PreK early learning centers. Catherine enjoys spending time with her family and in nature, swimming, cycling around her neighborhood, cooking and singing. She lives in Brooklyn, NY with her musical husband and daughter and the family's two beloved cats, Fripp and Eno.

Welcome back to the 262nd episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 262nd episode we bring you a Duet Review of Moonlight Schooner, written by Kanika Ambrose, directed by Sabryn Rock, a Necessary Angel Theatre Company production in association with Canadian Stage and Tarragon Theatre. Join Associated Artistic Producer Jillian Robinson and new guest Divine Angubua as they discuss the importance of identifying the individual, the need for community, and the necessary role of text & movement to penetrate the never ending cycle of colonial oppression. Moonlight Schooner is playing at Berkeley Street Theatre (26 Berkeley St.) from November 21st to December 14th, 2025. Tickets can be purchased from the following link: https://my.canadianstage.com/overview/9330 This review contains many SPOILERS for Moonlight Schooner. It will begin with a general non-spoiler review until the [14:53] mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk. Follow our panelists: Jillian Robinson – Instagram: @jillian.robinson96 Divine Angubua– Instagram: @ angubua_for_presidentFollow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com

Holly and Alexis are back to share the Critics' Choice Award Nominations as well as Miley Cyrus's paper fear.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Holly and Alexis are LIVE from Children's Theatre Company, joined by Managing Director Ryan. They also share the appeal of trendy Instagram bios.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Robey Theatre Company presents: The Great Lover @ Los Angeles Theatre Center – 9.1 out of 10! Exceptional Show! LA Theatre Bites Recommended! www.latheatrebites.com

Dark Library: Edgar Allan Poe @ After Hours Theatre Company - 9.1 out of 10! Exceptional Show! LA Theatre Bites Recommended! Nov 14 – 23, 2025. www.latheatrebites.com

Gary Hirsch - Co-Director and Kennedy Niska - Musical Director for the upcoming stage performance by Stage North Theatre of "10 November" that will be taking place at Franklin Arts Center in Brainerd. The play focuses on the mystery surrounding the sinking of the SS Edmund Fitzgerald on Lake Superior in 1975.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Reed Sigmund is no stranger to performing around the FM area, but his professional career finds him in the Twin Cities where he has graced the stage at the Children's Theater Company in various productions...but he keeps getting pulled in to play The Grinch over and over. Reed discusses the role, his yuletide tradition and what it means to play "the mean one" over and over! Tickets are available for the run by going to https://childrenstheatre.org/See omnystudio.com/listener for privacy information.

In this powerful episode, Eric Swanson activist, performer, and drag entertainer - aka Miss Bouvier - joins me to talk about what it really means to keep Pride alive when the world feels divided. From Florida's political battlegrounds to global stages in Amsterdam, Eric opens up about using performance as protest, the legacy of Stonewall, and why LGBTQ+ unity is more vital than ever. What you will get in this episode  is truth-telling, hard-won hope, and a reminder that visibility is resistance. We discuss how... Visibility is power and how drag performance keep help keep LGBTQ+ culture alive in places trying to silence it. Global perspectives teach us the power of resilience, rights, and representation. Unity conquers fears - Why division within our community only serves those who want to erase us. About Eric As an actor and artist, Eric Swanson has been seen in regional productions of  “La Cage Aux Folles “ (Albin),  “Hairspray “ (Edna Turnblad),  “Hair “ (Margaret Mead),  “Chicago “ (Mary Sunshine) and  “Simply Gershwin “ with over 400 performances as leading man Frank. He is a fierce advocate for the arts and arts education having completed his bachelors in Music Education from Adrian College (2007). He is the former Choral Director of Middle and Upper Schools (2007-2012) at the prestigious Roeper School located in Birmingham, Michigan. From 2011-2021 he held the position of co-founder and Executive Director for The Detroit Actor's Theatre Company. He holds two national directorial credits with his direction of  “Pray The Gay Away “ (2019) and  “Golden Girls, The Laughs Continue “(2022-currently touring), both produced by acclaimed producers Murray and Peter Present. of the struggle of working full time in the state of Florida as a drag performer. Miss Bouvèé debuted in March 2020 and is the live-singing drag persona of Eric Swanson. As Miss Bouvèé, she has charmed audiences in self produced sold out productions like her annual murder mysteries “Minnie Behind Bars” and “Minnie's Merry Murder Christmas” and an original musical comedy “Double Trouble”. Miss Bouvèé travels the high seas with LGBTQIA+ groups like Adventure Bears, Island City Travel, and the national brand OutBound (GayCities Best Travel Group 2024). She has collaborated with cruise lines like Azamara, Norwegian, Royal Caribbean, Princess, and Celebrity Cruise Lines. Miss Bouvèé continues her arts and advocacy for underserved communities in Florida. She was vehemently opposed to SB1438 which banned public performances of drag and trans artists in the state of Florida. Her voice rose to national media attention when Out/Advocate magazine (June 2024) did a full feature on her which told the story In August 2023, Miss Bouvèé starred in the indie drag horror comedy and full feature f ilm “Big Easy Queens” which premiered at Popcorn Frights in Fort Lauderdale. Filmed entirely in the state of Florida during the infamous SB1438 drag ban, the film went on to win nearly a dozen awards including Best Actor for Eric Swanson as Miss Bouvee (Berlin Indie Film Festival), and played at over 40 festivals around the world. In 2024 Bouvèé was named Out South Florida's (OutSFL) “Best Local Celebrity”, “Best Actor” and holds the title of “Best...

The Queen's Fools presents: HAG @ After Hour Theatre Company - 7.6 out of 10! Above Average! October 22 - 29,2025. www.latheatrebites.com

Reed Sigmund is an actor and director with Children’s Theatre Company.

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In this episode of the Broad Street Review podcast, host Darnelle Radford speaks with Kendyll Young and Grant Struble, founders of the Relic Theatre Company, about their journey in establishing a new theater company in Philadelphia. They discuss the challenges and excitement of starting a theater, the importance of branding, the current landscape of theater, and the need for community support. The conversation also touches on their production of 'Spring Awakening' and the significance of creating opportunities for local artists.Chapters00:00 Introduction to Relic Theatre Company02:51 The Journey of Starting a Theater Company05:45 Building a Foundation: Early Steps and Challenges08:22 The Importance of Branding and Identity11:21 Navigating the Current Theater Landscape13:53 Funding and Sustainability in Theater16:41 Casting and Team Dynamics19:40 The Creative Process and Production Insights22:31 Community Engagement and Support25:07 Final Thoughts and Future AspirationsBased on Frank Wedekind's controversial 1891 play, Spring Awakening opened on Broadway to mass acclaim in 2006, and has not lost an ounce of relevancy since. Exploring themes of sexuality, women's reproductive rights, mental health, and the consequences of intellectual repression, the musical celebrates and mourns the invariable struggles young people face. With a blend of gritty, rock-infused melodies and poetic, poignant lyrics, the musical offers a raw and unflinching look at the journey into adulthood.October 9-26, 2025Christ Church Neighborhood House - 20 N American Street, Philadelphia, PA 19106At the Relic Theatre Company, we believe great theater has the power to change the lives of both the audience who experiences it and the artists who create it. But this power is only manifested when the work is relevant, passionate, and financially accessible. We aim to produce a wide range of plays and musicals that embody these three principles while utilizing the rich artistic landscape of Philadelphia as our greatest resource.Music Director - Jake CollinsChoreographer - Julianna BabbAssociate Producer / Dramaturg - Lizzie Newcomb GumlaCostume Designer - Asaki KurumaAsher Vaglica - Production Stage ManagerLighting Designer - Bless RudisillScenic Designeer - Chris HaigAssistant Stage Manager - Ronnie HernandezProps Designer - Emily SchumanSound Designer - Larry FowlerFight Director - J. Oliver DonahueDirector - Robi HagerFOR TICKETS AND INFORMATION: https://relictheatre.org

Join us for a special podcast episode featuring Angel's Theatre Company's production of Pivot at Wyuka Stables in Lincoln, Nebraska. If you had the chance to see Pivot at Shelterbelt, you'll find the Lincoln production brings a unique perspective to the play. The setting of Wyuka Stables adds a new layer to this already powerful story, written by Nebraska playwright Alex Lubischer. We chat with Jamie Bullins, director of Pivot and Interim Director of Angels Theatre Company. It's always a pleasure catching up with Jamie—and this time, there's a fun twist. Listen in to find out what Jamie promises to do if ticket sales get a big boost. Don't miss this lively conversation and a chance to support local theatre. Get your tickets today and experience Pivot in a whole new way. ANGELS THEATRE COMPANY: "Pivot" opens October 9-12 & 16-19 Website and Tickets: www.angelscompany.org HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Find us on You Tube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe!   ©Platte River Bard Podcast by Chris and Sheri Berger.  

Also on Arizona Spotlight: For 60 years, The Hermitage No-Kill Cat Shelter has offered hope to felines and humans in need; and a gold medal Olympian Carrie Bates shares her story of addiction and recovery.

A conversation with actor Tom Teti about his life, his career in Philadelphia theater, and his long association with People's Light and Theatre Company in Malvern.For a blog post with images and additional information about Tom's career, go to: https://www.aithpodcast.com/blog/tom-as-in-teti/For more information about the October 2025 production of Tommy and Me at PLTC, go HERE.Support the show"Adventures in Theater History: Philadelphia" the BOOK can be ordered from independent bookstores and at all online book retailers now! Our website: www.aithpodcast.comOur email address: AITHpodcast@gmail.comBluesky: @aithpodcast.bsky.socialFacebook: https://www.facebook.com/AITHpodcastInstagram: https://www.instagram.com/aithpodcast/ Support us on Patreon! GO HERE© Podcast text copyright, Peter Schmitz. All rights reserved. ℗ All original voice recordings copyright Peter Schmitz. ℗ All original music copyright Christopher Mark Colucci. Used by permission.

Spencer Theatre Company's production of Frankenstein runs October 10–12 and October 17–19 at the Hoogland Center for the Arts.

King James @ Little Fish Theatre Company - 8.4 out of 10! Very Good Show! LA Theatre Bites Recommended! Sept 12 - 28, 2025. www.latheatrebites.com

We had the opportunity to visit the stage of Brigit St. Brigit Theatre Company's latest production, Doubt: A Parable, at the First Central Congregational Church. This immersive production invites you to step back into 1964, inside a fictional Bronx parish, where a beloved priest, a steadfast school principal, a devoted mother, and a young, impressionable nun each confront questions of faith, conviction, and uncertainty. Before you experience this powerful and intimate performance, take a deep dive with us in this podcast. We explore the themes, and what makes this production so compelling. Winner of both the Pulitzer Prize and Tony Award for Best Play, Doubt first premiered off-Broadway in 2004 before its acclaimed Broadway run of 525 performances and 25 previews. It was later adapted into the 2008 film starring Meryl Streep and Philip Seymour Hoffman. Brigit St. Brigit Theatre Company continues to deliver unforgettable theatrical experiences—and this one is no exception! Cast:  Delaney Driscoll (Sister Aloyisus), Melissa King (Sister James), Murphy Wulfgar (Father Flynn) and Lisa Israel (Mrs. Muller)​​ Artist/Design Team:Cathy MW Kurz (Director) and Eric Griffith (Stage Manager), and Bill VanDeest (Scenic/Lighting Designer) BRIGIT ST. BRIGIT THEATRE COMPANY:  Tickets and Website: https://www.bsbtheatre.com/doubt First Central Congregational Church, 421 South 36th Street, Omaha, NE Audio Described Performance on September 21st by Radio Talking Book. HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on YouTube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. To buy us a cup of coffee:  https://ko-fi.com/platteriverbard. Please find us and Subscribe!

Welcome back to the 244th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 244th episode we bring you a Duet Review of Tuesdays with Morrie, written by Jeffrey Hatcher & Mitch Albom, directed by Chloë Rose Flowers, presented by King Theatre Company. Join Jillian Robinson and Emily Cornelius, as they discuss the importance of supporting new theatre companies and choosing your own life adventure, all while leading with love and a good cry.Tuesdays with Morrie is playing at Pine Farms Orchard, King City from August 13th-28th, 2025. Tickets can be purchased from the following link: https://www.kingtheatre.ca/tuesdayswithmorrieThis review contains many SPOILERS for Tuesdays with Morrie. It will begin with a general non-spoiler review until the 00:10:27 mark, followed by a more in-depth/anything goes/spoiler-rich discussion. If you intend to see the production, we recommend you stop watching after that point, or at least proceed at your own risk.Follow our panelists:Jillian Robinson – Instagram: @jillianrobinson.96Emily Cornelius – Instagram: @emilycorn94 Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you'd like us to review your upcoming show in Toronto, please send press invites/inquiriesto coh.theatre.MM@gmail.com

For more than four decades, the Delaware Theatre Company has been entertaining audiences in and around Wilmington.Recently, the organization underwent a reinvention of sorts, announcing that it was moving to a leadership model with two people at the top - an Artistic Director and a Managing Director.Earlier this year, the company announced Broadway veteran Mimi Warnick as its Producing Artistic Director, and this month, they named her colleague, Managing Director Candice Buchanan.On this edition of Arts Playlist, Delaware Public Media's Martin Matheny chats with Buchanan and Warnick about their vision and the future for Delaware Theatre Company.

This week I talk to Actor Ryan London Levin. We talk about his role in the upcoming presentation of Treasure Island at Children's Theatre Company, the Jewish mob, and trying to break through as a playwright, on this week's Who The Folk?! Podcast. Treasure Island at Children's Theatre Company: https://childrenstheatre.org/whats-on/treasure-island/'American Golem: The Kid Cann Story' at History Theatre's Raw Stages: New Works  Festival: https://www.historytheatre.com/raw-stages-new-works-festival-2Sponsored by: Minneapolis Jewish Federation Global Experiences (https://jewishminneapolis.org/mjf-get-involved/mjf-global-experiences/)

New works from a Nebraska Playwright, a collaboration between Omaha and Lincoln theatres - The Platte River Bard Podcast is there for it!  Shelterbelt Theatre and the Angels Theatre Company present "Pivot", a new works by Alex Lubischer.  This play is about a girl named Kara, who is reclaiming the future she thought was hers in a small Nebraska town. There are lots of twists and turns - and we hear - some good music being used in this production as well!    It will be at Shelterbelt Theatre August 28 - September 14 and then will be at Wyuka Stables produced by Angels Theatre Company October 9-19th! SHELTERBELT THEATRE: "Pivot" opens August 28th Website and Tickets: www.shelterbelt.com   ANGELS THEATRE COMPANY: "Pivot" opens October 9-12 & 16-19 Website and Tickets: www.angelscompany.org HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on You Tube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe!   ©Platte River Bard Podcast by Chris and Sheri Berger.

Today's WKXL NH Unscripted show is about the upcoming Ovation TC production of The Hunchback of Notre Dame and our guests were Meg Gore (AD), Katy Gore (choreographer), Debrah Hernandez (Esmeralda) and Jillian Mastroberte (Gargoyle).”Based on the Victor Hugo novel and songs from the Disney animated feature, The Hunchback of Notre Dame showcases the film's Academy Award-nominated score, as well as new songs by Menken and Schwartz. Quasimodo, the deformed bell-ringer of Notre Dame who longs to be “Out There,” observes all of fifteenth-century Paris reveling in the Feast of Fools.” Tickets can be purchased: ovation.ludus.com/index.php

In this episode of the Investing in Integrity podcast, Ross Overline, CEO and co-founder of Scholars of Finance, sits down with John Geelan, General Counsel and Secretary at Piper Sandler Companies.For 20 years, John has been a driving force at Piper Sandler, rising from Assistant General Counsel in 2005 to leading the firm's legal department. With deep expertise in corporate governance, public company reporting, and corporate development, he has helped steer the firm through complex legal and strategic challenges. As President of the Piper Sandler Foundation, he also ensures the firm's philanthropic efforts align with its broader mission.John's journey provides a unique lens into the intersection of law, finance, and corporate responsibility. He shares insights on creativity in problem-solving, maintaining mental health in leadership, and navigating high-stakes decision-making. Plus, he explores policy shifts in Washington and the growing influence of AI in financial services.Meet John GeelanJohn Geelan is the General Counsel and Secretary of Piper Sandler Companies, a role he has held since 2012. As a member of the firm's executive leadership team, he oversees legal, governance, and regulatory matters while also serving as President of the Piper Sandler Foundation. Geelan joined the company in 2005 after working in private practice at Faegre & Benson LLP. He serves on the boards of the Children's Theatre Company and The Fund for Legal Aid. Geelan holds a bachelor's degree in economics and music from the University of St. Thomas and a J.D. from Notre Dame Law School.