Podcasts about davey jay

Grammy Award-winning engineer Bruce Hensal joins co-host Jim Myers from the Melrose Center in welcoming back guests Beth McKee and Davey Jay. Beth is a critically acclaimed singer, songwriter, keyboardist who sprung from the New Orleans music scene a few decades ago, and also the founder and driving force of the Swamp Sistas, a non-profit force for good in Central Florida.  Davey is a leading entertainment attorney who has worked with numerous artist in Central Florida and beyond.  Beth talks with Bruce and Jim about current projects.  Davey discusses some of the ramifications of A.I. and other topics.

Grammy Award-winning engineer Bruce Hensal joins co-host Jonathan Coutrier-Owens from the Melrose Center in welcoming guests Beth McKee and Davey Jay. Beth talks about her latest single Cosmic Traveler and upcoming projects. Davey Jay discusses the new world of NFTs and other topics related to entertainment law.

If you spend all day swimming against the current, you end up... exhausted! While learning and growing is a life-long process as an entrepreneur (and human), identifying-- and accepting-- our strengths, and learning to lean into them is one of the fastest ways to get a leg up on your competition. Today, we are talking to attorney Davey Jay, whose focus in entertainment and IP law has seen her represent both Oscar and Grammy award-winning clients, as well as educate for over 12 years here locally at Full Sail University for entertainment and communication law. We are thrilled to have her on!

Rachel Feigelson has worked with some of the biggest names in the industry. She solidified her career when she attended the Winston House, a house where musicians and industry professionals gather to network and spread good music. She currently owns Rocksam Management, where she consults with the 35th most successful artist in the world, according to Billboard, Taylor Dayne. In this episode, Rachel talks about the importance of networking, crafting a good email, and some dos and don'ts of artist management. Links to products/websites mentioned: Davey Jay’s episode: https://whenlifehandsyoulennons.simplecast.fm/007 Elliot Jacobson’s episode: https://whenlifehandsyoulennons.simplecast.fm/017 “Tell it to my Heart” celebrity lip sync: https://youtu.be/tO1GUcbyLIE Taylor Dayne: https://www.taylordayne.com Impractical Jokers: https://www.trutv.com/shows/impractical-jokers/index.html Simon Cowell: https://en.wikipedia.org/wiki/Simon_Cowell Kings of Leon: http://kingsofleon.com Ke$ha: http://www.keshaofficial.com Matt Graham: https://www.discovery.com/tv-shows/dual-survival/bios/matt-graham Cody Simpson: https://codysimpson.com BRND MGMT: https://brndmgmt.com Nicky Romero: https://www.nickyromero.com Mike Posner: https://mikeposner.com Winston House: http://www.winstonhouse.com Kelly Clarkson: https://kellyclarkson.com Hunter Hayes: https://www.hunterhayes.com Kris Jenner: https://en.wikipedia.org/wiki/Kris_Jenner RuPaul: http://www.rupaul.com/news/ Tim Ferriss: https://tim.blog Yungblud: https://www.yungbludofficial.com Harry Hudson: https://harryhudson.com Shae Brock: http://www.shaebrock.com Jonathan Cheban: https://en.wikipedia.org/wiki/Jonathan_Cheban Boston University: http://www.bu.edu Emblem3: https://en.wikipedia.org/wiki/Emblem3 Drew Chadwick: https://twitter.com/TrueChadwick Hunter Pence: https://en.wikipedia.org/wiki/Hunter_Pence Quick links: 3:26: About Rachel Feigelson 4:56: Going into law school 6:17: The importance of artists learning the business side of music and Rachel’s two-cents 9:20: Rachel will lead artists into fruition and securing their rights 12:12: How did you know you were going into artist management? 18:43: What are some things you’ve learned at those internships and jobs? 22:48: How did you coordinate and manage to successfully implement the celebrity lip sync video? How did it even come about? 28:06: What would your perfect email look like? 31:00: What’s your platform of choice for networking? 32:38: Networking doesn’t have to be complicated. It can be as simple as sending a DM on Instagram. 33:54: What’s the difference between artist management and music management? 35:30: What is Rachel working on with Taylor? 36:43: Have you worked with a lot of smaller clients? 37:35: What’s it like jump starting your career by working with larger artists instead of starting with smaller artists? 40:06: What can a smaller artist do to achieve Taylor Dayne or Nicky Romero’s level of fame? 43:10: What should an artist look for in an artist manager? 46:00: What are the red and green flags when you’re searching for an artist manager? 52:35: Is it a good idea for artist managers to manage artists/bands in different genres? 56:28: What are the trends that you’re seeing when you’re researching marketing tactics? 58:14: How do you pick out the influencers that stand out in such a saturated market? 1:01:15: Always be hungry to learn new things and strategies. 1:01:56: Rachel’s top three tips and tricks for getting into artist management and how you can stay connected with Rachel Feigelson Connect with me: Website: https://www.lennoncihak.com Patreon: https://www.patreon.com/lennoncihak Mailing List: http://eepurl.com/dlYpxT Instagram: https://www.instagram.com/lennoncihak/ Twitter: https://twitter.com/LennonCihak LinkedIn: https://www.linkedin.com/in/lennoncihak/ YouTube: https://www.youtube.com/channel/UC5eX_uxAUIwBC0gyKwCbqtw Guest Request: https://goo.gl/forms/8zs61IYiIXMLjFpX2 Connect with Rachel Feigelson: Website: https://www.rocksam.com/ Instagram: https://www.instagram.com/rachelfeigelson/ Facebook: https://www.facebook.com/rocksammanagement/

Elliot Jacobson is a session and touring drummer for Ingrid Michaelson and Elle King. He is also a producer, published songwriter (Kobalt), and artist manager. Raised in Houston, Texas, Jacobson always had a passion for music. He was surround by a myriad of various genres growing up, but really focused on his passion for drumming in college. In this episode, Elliot shares information on getting into these types of touring and session gigs, working in the studio, taking tough criticism, music copyrights and contracts, and how to further your success within the music industry. Links to products/websites mentioned: WLHYL Ep. 012 - Brandon Jackson: https://whenlifehandsyoulennons.simplecast.fm/012 WLHYL Ep. 007 - Davey Jay: https://whenlifehandsyoulennons.simplecast.fm/007 SXSW: https://www.sxsw.com EDC Orlando: https://orlando.electricdaisycarnival.com EDM.com copyright law feature: https://edm.com/features/navigating-songwriting-process-staying-out-of-legal-trouble Drake: https://drakeofficial.com Elle King: https://www.elleking.com Ingrid Michaelson: https://www.ingridmichaelson.com Quick links: 3:08: About Elliot Jacobson 10:30: Elliot’s opportunities have come about because of his professionalism and work ethic. 14:17: Put your ego and self aside so you can take on opportunities and follow the lead. 16:40: What’s the difference between a session drummer and a touring drummer? 21:42: Have you ever had a situation where you’ve gone into the studio and had someone be pushy? 24:48: Using the pushy encounters as learning experiences and ways to better yourself. 26:51: You’ve done every part of the creative part. What was it like being a producer and working on the other side of the board? 29:44: Learn how to take harsh criticism and work with it. 32:33: What’s it like to hear your performances on the radio, YouTube, and DVDs? What’s that feeling like? 34:24: Are you playing an integral part in the marketing aspect of the music? 36:21: How has knowing the business side of the music business helped your career as a drummer? 44:58: Contracts and what to look for in them. 49:22: If you pawn things off on other people who know more, then you’ll be a fish out of water if something happens. 51:29: Once you’ve learned something and feel comfortable teaching it, then you can consider delegating it out. 53:21: Elliot is moderating a panel at SXSW called “Art for Hire”! 59:33: Copyrights and royalties are how you make some or most of your money, right? 1:08:26: Having a contract in place to protect you but also enforcing the contract. The two different types of copyrights. 1:11:36: There are 900,000 different royalties per track. 1:18:35: The secret to being a millionaire 1:24:54: Focus on what you’re best at: Are you good at garnering streams on Spotify or Apple Music or can you fill a stadium of people for a performance? You should also have a good sense of who you are as a musician and as a person. 1:33:20: Stepping outside of your comfort zone to garner a successful career. 1:38:53: You can’t measure your success by what someone else tells you. Your success is your success! 1:49:16: Carving your own path and creating the next wave of success or standard. 1:57:27: Don’t compare yourself to others. You don’t sound like Drake. You’re your own sound. We already have a Drake. 2:08:13: Music that fans and listeners can relate to will naturally perform better. 2:10:05: Stay connected with Elliot Jacobson. Connect with me: Website: https://www.lennoncihak.com Patreon: https://www.patreon.com/lennoncihak Mailing List: http://eepurl.com/dlYpxT Instagram: https://www.instagram.com/lennoncihak/ Twitter: https://twitter.com/LennonCihak LinkedIn: https://www.linkedin.com/in/lennoncihak/ YouTube: https://www.youtube.com/channel/UC5eX_uxAUIwBC0gyKwCbqtw Guest Request: https://goo.gl/forms/8zs61IYiIXMLjFpX2 Connect with Elliot Jacobson: Website: https://www.elliot-jacobson.com Instagram: https://www.instagram.com/elliotjacobson/ Twitter: https://twitter.com/elliotjacobson

Davey Jay is an intellectual property and entertainment lawyer based in Orlando, Florida. She's currently the chair of the Entertainment and Sports section of the Florida Bar exam. She has worked on deals with major clients, including HBO, Warner/Chappell, Discovery, Telemundo, Sony, Columbia, and Sub Pop. She's also represented Oscar- and Grammy-wining artists.The music industry is very ambiguous. Many people, especially those who are just entering into the industry, assume that it's cut and dry. That's simply not the truth. In fact, it's the opposite. As an artist, you should be thinking about a lot of angles when you're working on music. Who's collecting the royalties for your collaboration? What's the royalty split? Who federally owns the copyright? Why is it important to federally copyright your music?These are all questions you should be asking yourself. Your music is a form of art and you own it! Davey and I go through the entire songwriting process, the legal barriers along the way, and what you can do to keep your works of art federally protected and the royalty payments coming in.Links mentioned in this episode:Copyright Law: Navigating the songwriting process and staying out of legal trouble (EDM.com Feature)Meehle and JayTop 5 misconceptions about music copyrightsWhat is music licensing and why is it important for my career as an artist?Trademarks: What are they and why musicians and artists should careHarry Fox AgencySoundExchangeCopyright.govQuick links:3:20: Is there any type of legal protection during the planning phase of the songwriting process?6:00: Going back and forth with projects -- you still have rights to the song even though you only added an eight-bar loop7:15: What is a split sheet and why are they important?8:34: Dividing up who's paying for the studio time, booking it, and having friends in the studio12:45: Can I use a limited duration of someone else's sample/song in my song? Is that legal?16:45: My argument on Twitter about copyright infringement & how you get the rights to using someone else's sample19:50: Can mixing and mastering engineers claim rights to the tracks they work on?22:20: Should you consult an attorney to help cement the percentage of royalties for the engineers?23:50: Should you have your deliverables be in your contract?25:35: The Music Modernization Act (MMA)27:25: How royalties are generated from the radio29:28: What are the benefits of releasing through a label/independents?31:25: You don't need a label to become successful32:23: What's the difference between an exclusive and non-exclusive agreement?35:45: What are some things to lookout for in a non-exclusive agreements?38:45: Avoiding screwy labels and ensuring you're paid the royalties you deserve40:43: What're some examples of a good and bad deals?45:43: Is it common or uncommon to have labels claim outside sales (merch, touring)?47:23: How do you get the rights to actually own your artwork?51:48: Why should you (federally) copyright your track?58:40: After you register your song with the copyright office, what can you do to protect your music?1:01:33: Story of artists stealing other artists' work and stealing music and making money on it; how to find people who are using your track illegally1:04:35: What are protections when it comes to your merchandise?1:06:19: Should you have public relations strategy/team/person figured out prior to releasing?1:09:20: Do public relations people try and claim royalties because of their success?1:10:28: Paid playlisting on Spotify1:12:00: What's the difference between a synch and mechanical license?1:19:00: Trying to poke holes in synchronization1:23:33: Writing music for a movie and how royalties calculated... or not1:25:22: Why should artists tour to promote their music? How are the royalties collected when touring?1:29:30: Parting thoughts and a few things to do before you release music and launching your career; clearing your trademark before you start usingStay connected with me:Website: www.lennoncihak.comPatreon: https://www.patreon.com/lennoncihakMailing List: http://eepurl.com/dlYpxTInstagram: https://www.instagram.com/lennoncihak/Twitter: https://twitter.com/LennonCihakLinkedIn: https://www.linkedin.com/in/lennoncihak/YouTube: https://www.youtube.com/channel/UC5eX_uxAUIwBC0gyKwCbqtwGuest Request: https://goo.gl/forms/8zs61IYiIXMLjFpX2Stay connected with Davey Jay:Website: https://www.meehle.comFacebook: https://www.facebook.com/MeehleJay/Twitter: https://twitter.com/davey_esq

A conversation with Entertainment & IP Lawyer, Davey Jay, on what is Intellectual property and why is it so important to protect content and how distribution, publishing, and management contracts can help or damage an artists or film makers on their career. Also, how SingularDTV

Davey Jay returns to the podcast for a copyright and publishing foundation masterclass. In this episode we discuss everything you need to know to get started with building a foundation knowledge of how copyright and publishing works. Davey Jay discusses the benefits of registering your copyright. We cover how mechanical royalties, performance royalties, and synchronization licenses work. Also, you’ll learn which codes you need to obtain to make sure all of your online streams and digital plays are being tracked correctly. The benefits of SoundExchange, and why every artist should sign-up. How do you properly cover or sample a song, and make money from it, and much more. Keep in touch:chris.goyzueta@gmail.com www.makingitwithchrisg.com https://www.instagram.com/chrisgoyzueta/ https://www.facebook.com/makingitwithchrisg  Credits: Host: Chris G. Producer: Jason TrosclairExecutive Producer: ONElive Creative Agency  Music: Emily Kopp

Welcome to another episode of Making It with Chris G where we have Conversations with people in the world of entertainment who are making it, from behind the scenes to the spotlight. Sharing their stories and insight to help you get one step closer to Making It. Davey Jay is an Entertainment Business and Intellectual Properties Attorney. In this podcast Dave discusses how she became an Entertainment Attorney, how to get clients, how to protect your Intellectual Properties and your business, contracts, choosing your PRO, and much more. Davey Jay is a partner at Meehle & Jay in Orlando, FL, and has been practicing law in the Entertainment Industry since 2008. Keep in Touch with Davey Jay: http://www.meehle.com/https://www.facebook.com/MeehleJay/ https://twitter.com/davey_esq  Keep in touch: www.makingitwithchrisg.com https://www.instagram.com/chrisgoyzueta/ https://twitter.com/chrisgoyzueta https://www.facebook.com/makingitwithchrisg