Podcasts about music copyright

In this edition of our Inside Track podcast, we explored whether Calvin Harris ripped off Chicane for his latest single, diving into the ongoing debate around the derivative nature of pop music sampling versus simply copying the feel or essence of a track. Next, we discussed the importance of DJs learning to use all different types of DJ gear. With so many formats and technologies out there, versatility remains a crucial skill for any serious DJ.Finally, we wrapped up with a conversation about the three key things that need to happen for someone to truly get hooked on DJing for life.As ever, this was a really fun discussion, made more so by our wonderful live student audience here at Digital DJ Tips, who joined us for the recording. Thank you to them, thank you for listening, and we hope you enjoy the show.If you enjoy this podcast and you can, please do give us a five-star rating on Apple Podcasts. It really does make a difference.TIMESTAMPS00:00 Intro00:17 Episode overview00:59 Does Calvin Harris' new song copy Chicane?17:25 Why DJs should be able to play on all gear30:05 The three things that make you a DJ for life Want to get your question answered on an episode of this podcast? Digital DJ Tips course owners get to ask questions in their student-only group. Your first step to getting involved is to buy a DJ course, so come and join our community at https://www.digitaldjtips.com.

Top Music Attorney Ben McLane REVEALS the Biggest Contract Mistakes Artists Make In this episode, Top Music Attorney Ben McLane REVEALS the Biggest Contract Mistakes Artists Make, Renowned top music attorney Ben Mclane joins us to break down how record deals have evolved, new strategies in music distribution, and what every emerging artist must know before signing with a label or investor. We also dive into licensing vs. ownership, the power of artist independence, and key legal pitfalls to watch out for. Perfect for songwriters, producers, and independent artists who want to protect their creative rights and build lasting music careers!

This episode is sponsored by https://WE-PN.com Become your own VPN provider.To get 50% off enter promo code: kingraam50-------------------------This episode is sponsored by BetterHelp. Give online therapy a try at https://betterhelp.com/MASTYORASTY and get on your way to being your best self.-------------------------Parsa Asadzadeh is a musician and multi instrumentalist who lives in Mashhad. In this episode I talk to him about the state of copyright in the Iranian music industry.https://www.instagram.com/parsa_asadzadeh/-------------------------To learn more about psychedelic therapy go to my brother Mehran's page at: https://www.mindbodyintegration.ca/ or to https://www.somaretreats.org for his next retreat.***Masty o Rasty is not responsible for, or condone, the views and opinions expressed by our guests ******مستی و راستی هیچگونه مسولیتی در برابر نظرها و عقاید مهمان‌های برنامه ندارد.***--------Support the showhttps://paypal.me/raamemamiVenmo + Revolut: @KingRaam Hosted on Acast. See acast.com/privacy for more information.

AI and Music Copyright Law with Professor Judith Finell by The BTLJ Podcast

Where power flows, Zuckerberg swiftly follows, which puts him firmly in Trump's camp for the foreseeable…How that manifests in Meta we'll see over the next 4 years, but they've already abandoned content moderation in favour of community notes.We look at the ripples this'll send throughout their many platforms, as well as the UK's creative copyright crisis and Grok's newfound 18+ mode, on this week's Disconnected.This episode of Disconnected covers:Meta's shift to an unmoderated, community notes-style platformThe UK's AI strategy coming up against copyright for the creative sectorX's chatbot discovers how to talk dirtyJag Sharma: https://www.linkedin.com/in/jagsharmahttps://www.instagram.com/jagsharma/Jen Campbell:https://www.linkedin.com/in/jennifer-m-campbell/Jason Kapadia:https://www.linkedin.com/in/jasonkapadia/https://www.instagram.com/jasonkapadia/Felina Tan:https://www.linkedin.com/in/felinagabrielletan/

YMC Special - Will Page's Global Value of Music Copyright On this special edition of the YMC podcast, your hosts Jay Gilbert and Mike Etchart have a conversation with one of our favorite friends, economist Will Page on his recent piece "Global Value of Music Copyright 2023 - $45.5B!"   Subscribe to the newsletter! YourMorning.Coffee

Pianist Salo was a longtime member of a Seattle post-rock band called “Joy Wants Eternity.” Their music was instrumental -- and all of it was made close to ten years ago. The band went their separate and amicable ways in 2015.  So, imagine Salo's surprise when just this year, Joy Wants Eternity was listed as a collaborator on a new project: an album from a musician called the “Illusory Explainer. An album they didn't actually collaborate on. Both the band and their fans were confused. If the group didn't help make the music, then who did?  It's something podcast producer Roddy Nikpour has been looking into. He detailed the possible use of generative music A.I. in a recent story for KEXP.  Guests: Roddy Nikpour, assistant teaching professor at Arizona State University and a podcast producer for KEXP.  Related Links: Find Nikpour's story on Joy Wants Eternity here: AI-Generated Music Is Siphoning Streams from Artists in Seattle and Beyond See omnystudio.com/listener for privacy information.

In the last couple episodes, we've looked at the property market, we've looked at the demise of Credit Suisse, but now we're gonna go one-on-one with Will Page, talking about his latest work: How much is copyright worth and the way in which music is having its own, getting back at cinema.For more on Bubble Trouble, including transcripts of the show, visit us online at http://bubbletroublepodcast.comYou can learn more about Richard at https://www.linkedin.com/in/richard-kramer-16306b2/More on Will Page at: https://pivotaleconomics.comIn this episode of Bubble Trouble, Richard Kramer and economist Will Page dive into the fascinating world of music copyright. They explore the market value, currently pegged at $45.5 billion, and discuss what this number entails, including the roles of record labels, collecting societies, and publishers. They delve deep into the growing significance of vinyl records, the influence of streaming services, and the striking impact of globalization on music trade flows. Additionally, they discuss new market opportunities, the potential for further growth, and the future of direct artist-to-fan engagements. Join the conversation to understand the changing dynamics of the music industry and the economic forces shaping it.00:00 Introduction to Bubble Trouble00:35 Part One01:10 Exploring the Value of Copyright02:23 The Economics of Music Copyright07:12 Streaming vs. Cinema: A Shift in Consumption17:08 The Vinyl Revival19:31 Part Two19:31 Global Impact of Music Copyright22:32 The Global Impact of Reggaeton22:47 Economic Disparities in Music Streaming23:25 The Big Mac Index and Media Trade24:50 K-Pop's Global Dominance26:20 The Role of Government in Music Industry Success28:36 Canada's Multicultural Music Scene30:06 The Rise of Punjabi-Canadian Artists33:12 The Future of Music Copyright and Streaming37:41 Direct Artist-to-Fan Relationships40:50 Emerging Markets and the Future of Copyright41:51 Conclusion and Future Episodes Hosted on Acast. See acast.com/privacy for more information.

Hello everyone, it's Bill Thompson – T Bill. Some of the things covered on today's session include: The stock market's good week.  The aftermath of the stock market crash of 1929. The Federal Reserve cuts interest rates by ¼ of a percent. UMG suing Tunecore and Believe for ‘Industrial Scale Infringement.' Corporate earnings up from a year ago. 

Tune in to this informative episode entitled, Surprising Things You Will Learn About Digital Mechanical Royalties, on the MUBUTV Music Business Insider Podcast as hosts Eric Knight and Ritch Esra sit down with Serona Elton, head of educational partnerships at the MLC and music business department head at the University of Miami. They dive deep into the significance of the Music Modernization Act and its impact on digital mechanical royalties. Discover how the MLC's tailored programs and resources, such as PowerPoints and video materials, are making complex industry concepts accessible to diverse student populations. Perfect for students, educators, and music professionals alike!

In 2020, Taylor Swift began the famous task of re-recording her songs that had already been released to claim artistic and financial control over them. In this Trial by Podcast, law graduates Abby Adams, Jessica Lees, and Michelle Tan explore how Taylor Swift was able to do this legally, and discuss the broader dynamics of copyright law.

In the music industry, everything you do with your songs revolves around copyright, and the effective exploitation of your copyright. One of the ways to exploit that copyright is to have your music synced to films and TV shows and ads. In this conversation with Music Supervisor, Tyler McLoughlan, we break down the key concepts of music copyright, sync, and how songwriters can make the most of this space.Timestamp:3:51 - Explaining Copyright and Its Importance8:26 - The Role and Function of Sync Agents and Supervisors16:00 - Practical Advice for Songwriters and Artists in Sync30:52 - Discussion on Lyrics and Visuals32:44 - Genre and Sync Opportunities35:45 - Common Themes in Advertising and Sync Opportunities44:46 - Pitching Strategies1:00:38 -Sync and Money Discussion1:01:05 - Advertising Revenue1:01:34 -Sync Money and Ownership Rights1:03:21 - Information Sources for Ownership1:04:12 - Sync Agents and Copyright UnderstandingAbout Tyler: On her return from London as a music license broker with Ricall, Tyler McLoughlan founded The Sound Pound in 2011, a Brisbane business specialising in music supervision, clearances and composition across advertising, film and TV. She has worked on projects including music supervision for Billabong, Lunatics (Netflix), Robbie Hood, Bananas (SBS), Retrograde, Content (ABC), and advertising campaigns for Telfast, TAFE, Tourism & Events Queensland, Destination Gold Coast, RACQ and The Natural Confectionary Company. As an artist manager, Tyler looks after the international career of tropical roots artist Bobby Alu. Contact Tyler : WebsiteSong Credit (excerpt): “Holiday Home” written by Francesca de Valence.Find out more and contact us at I Heart Songwriting Club & Francesca de Valence.Get your creativity, confidence, and songwriting output flowing. Join The Club and receive the support and structure to write 10 songs in 10 weeks and get feedback from a private peer community. Just getting started on your songwriting journey and need more hands-on support? Establish a firm foundation and develop your musical and lyric skills with our Beginner Songwriting Courses. Don't struggle to write your next album - write an album a year with ease! Watch our Free Songwriting Masterclass. Get songwriting insights from I Heart Songwriting Club: Instagram / Facebook / YouTubeBe inspired by Francesca on socials: YouTube / Facebook / InstagramTheme song: “Put One Foot In Front Of The Other One” music and lyrics by Francesca de Valence If you love this episode, please subscribe, leave a review and tell everyone you know about The Magic of Songwriting.

This week Craig and Rex review three newish releases -- Beyonce's brilliant "Carter Country," Pearl Jam's not so bad "Dark Matter" and Motley Crue's ugly new single "Dogs of War." Also this episode, some trivia answers, how AI impacts music from both a creator and fan perspective, black light baseball, the Rangers' big inning, Astro woes continue, and a blockbuster trade involving the Marlins and Padres. Sources include: Rocket, "Industry Source: Bob Rock Used AI Technology to Compose Songs for Motley Crue's New Album (themetalden.com, last accessed 05/09/2024); Rocket, "Confirmed: Scott Stapp to Replace Vince Neil (But Only in the Studio) (themetalden.com, last accessed 05/09/2024); Olivia Perreault, "Billy Eilish Fans Slam Ticket Prices as Tour Sales Struggle (ticketnews.com, last accessed 05/09/2024); Nathan Smith, et al., "AI songs that mimic popular artists raising alarms in the music industry" (abcnews, last accessed 05/09/2024); Ryan Phillips, "Summer League Baseball Team to Play Glow-in-the-Dark Game Under Blacklights," (si.com, last accessed 05/09/2024).Episodes Referenced:140 - Hey, That's Not Fleetwood Mac! w/ Rich EnglerErrata: Zager & Evans' 6-week run at No. 1 with "In the Year 2525" ended the week of August 16, 1969, not April 16. Z&E's follow up single, "Mr. Turnkey," peaked at No. 106 on the Billboard Hot 100. Wade Boggs played in Tampa for two seasons, a shade more than a minute and a half. Has Craig ever heard of MacKenzie Gore? Joel Youngblood started August 4, 1982 in the line-up for the Mets at Chicago and finished the day in Philadelphia as a Montreal Expo. Both Youngblood hits - the one in Chicago and the one in Philadelphia, were against future Hall of Fame pitchers. -->Join our Discord: https://discord.gg/tT8d3pVUsN-->You can support Hooks & Runs by purchasing books, including the books featured in this episode, through our store at Bookshop.org. Here's the link. https://bookshop.org/shop/hooksandrunsHooks & Runs - www.hooksandruns.comHooks & Runs on TikTok -  https://www.tiktok.com/@hooksandrunsHooks & Runs on Twitter - https://twitter.com/thehooksandrunsAndrew Eckhoff on Tik TokLink: https://www.tiktok.com/@hofffestRex von Pohl (Krazy Karl's Music Emporium) on Facebookhttps://www.facebook.com/people/Krazy-Karlz-Music-Emporium/100063801500293/ Music: "Warrior of Light" by ikolics (Premium Beat)     This podcast and this episode are copyright Craig Estlinbaum, 2024, all rights reserved.  

Discover the unexpected truth about protecting your online content. Find out how to navigate the legal landscape of social media and AI-created content. The secrets to safeguarding your business await. Stay tuned for the surprising revelations that will change the way you approach your online presence.My special guest is Brittany Ratelle. Brittany is a seasoned small business attorney renowned for her specialization in guiding entrepreneurs through the legal aspects of digital marketing. With a focus on protecting intellectual property rights, Brittany offers invaluable expertise in the realms of social media content sharing, branding photography, and the legal implications of AI-created content. Her extensive experience and dedication to assisting content creators and business owners have established her as a trusted authority in the digital space. Brittany's practical insights and comprehensive understanding of legal nuances make her an indispensable resource for those seeking to safeguard their online content and navigate the complexities of digital marketing.In this episode, you will be able to:Mastering Best Practices for Social Media Content SharingSafeguarding Intellectual Property Rights in Digital MarketingUnderstanding the Legal Implications of Using AI-Created ContentHarnessing the Importance of Branding Photography for BusinessesImplementing Strategies for Protecting Online Content from TheftThe key moments in this episode are:00:00:00 - Introduction to Rocky Mountain Marketing 00:01:09 - Understanding Social Media Etiquette 00:02:56 - Brittany's Legal Expertise in Digital Marketing 00:08:01 - Protecting Your Intellectual Property 00:11:46 - Protecting Content from Theft 00:12:37 - Understanding Copyright and Intellectual Property 00:13:35 - Protecting Valuable Content 00:15:33 - Copyrighting Frameworks and Trademarks 00:17:19 - Lawfully Ever After Course 00:19:54 - Resharing Content and Music Copyright 00:24:20 - Copyright and Memes 00:27:12 - AI and Copyright 00:29:36 - AI-Generated Content and Commercial Use 00:31:13 - Importance of Branding Photography 00:33:40 - Conclusion and Call to Action Visit Brittany Ratelle's social media pages:Website: https://brittanyratelle.com/Linkedin: https://www.linkedin.com/in/brittany-ratelle-a4563232/Instagram: https://www.instagram.com/brittanyratelle/Learn more about Katie and Next Step Social Communications:Speaking: https://katiebrinkley.com/Website: https://www.nextstepsocialcommunications.comLinkedin: https://www.linkedin.com/in/katiebrinkleyYouTube: https://www.youtube.com/channel/@rockymountainmarketingInstagram: https://www.instagram.com/iamkatiebrinkley/Facebook: https://www.facebook.com/groups/socialprofitlab#contentcreation #legalguide #ip #digitalprint #contentcreators #coaches #smallbusinessowners #influencers #businesspodcast #careerpodcast #katiebrinkley #ai #copywright #trademark Hosted on Acast. See acast.com/privacy for more information.

On this episode about psychology, philosophy, and minor grievances which shall not stand, we talk about going down a rabbit hole, music copyright lawsuits, Malcolm Gladwell, cooking Greek food, and more!Send us your rabbit holes, rants, questions, and parting gift suggestions to sibetepodcast@gmail.com and leave us a 5-star review on your podcast platform of choice.

Gain a fundamental understanding of music copyright laws and why they're crucial for your music career. We delve into what it means to copyright a song, how to do it, and how to protect your work from being used without your permission. Welcome to the Music Advice! In this daily podcast, we provide musicians, artists, songwriters, and music producers with valuable music career tips to help navigate their journey in the music industry. Brought to you by https://www.musicadvice.io, your go-to resource for music advice and guidance.   Be sure to visit our website at https://www.musicadvice.io/ to access a wealth of resources, articles, and tools to support your music career. Connect with us on social media for regular updates and behind-the-scenes content.   Get your free 92-Page Music Strategy Guide: https://www.musicadvice.io/free-modern-artist-songwriter-toolkit   Follow us on social media: https://wlo.link/@musicadvice   Stay tuned for weekly episodes packed with practical tips, inspiring stories, and expert advice to help you thrive in your music career. Let's make your music dreams a reality! --- Send in a voice message: https://podcasters.spotify.com/pod/show/musicadvice/message

Alan Cross, Music Historian, host of the Ongoing History of New Music Learn more about your ad choices. Visit megaphone.fm/adchoices

Jordan Harari grew up in Bay Area and attended University of San Francisco and works in the licensing and clearancing department for a big studio. We are going to interview him tonight and discuss what his day-to-day entails. We will also get to wrap up and hear some advice on his transition from the agency side of the entertainment business to the clearancing side. Jordan will also chat about the article "Music Copyright in the Age of Forgetting" and how it has affected Jordan's work in the business. Jordan will wrap up the episode sharing his advice for those that are new to LA culture and life what it is like to transition to a new city. https://www.theringer.com/music/2021/9/9/22663301/music-plagiarism-copyright-infringement-lorde-olivia-rodrigo-blurred-lines

Cory and Noah discuss music copyright, why it's bad, and whether some version of it might actually be good?Hear new episodes a month early on Nebula: https://nebula.tv/ghost-notes12tonehttps://twitter.com/12tonevideoshttps://nebula.app/12tonehttps://www.youtube.com/c/12tonevideoshttps://www.patreon.com/12tonevideosPolyphonichttps://twitter.com/WatchPolyphonichttps://nebula.app/polyphonichttps://www.youtube.com/c/Polyphonichttps://www.patreon.com/polyphonicSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Save 7% on your first year of DistroKid with this link: https://bit.ly/3gToqZu To support the show, check out Tim's educational resources here: https://bit.ly/3r3RBjh More ways to connect with Tim: https://linktr.ee/timbuell Podcast Rewind Playlist (on Spotify) to catch up on my favorite past episodes of the podcast: https://spoti.fi/3ExTvwv

In this episode of Trial by Podcast, law graduates Antonia Bonura, Emma-Lee Jones, and Britney Tassone explore the complicated world of copyright in the music industry, taking a closer look at its recent impact through a high-profile landmark decision involving Ed Sheeran.

Alan Cross, Music Historian, host of the Ongoing History of New Music Learn more about your ad choices. Visit megaphone.fm/adchoices

The A team is back on this episode of What's New '23 Album Review, and we are diving into Ed Sheeran's most anticipated album - Subtract.  Subtract is Ed Sheeran's sixth studio album, and it's already the fastest selling album in 2023 so far. We listened to the tracks, gave our thoughts about the musicality, production, and commercial success of the album.  We also touched on the recent copyright court case that Ed won over Marvin Gaye's Let's Get It On. "He has an impeccable ability to paint beautiful pictures in your mind with his words" - Emily Peacock, Vocalist "He's at the top of his game, it's pure quality" - Eddie Parsons, Drummer "It's lyrics and melody and there's not a great deal else to it, because what else do you need. He's basically revealed himself and this is his best album" - Phil Pendlebury, Music Producer If you're an Ed Sheeran fan or just love good music, don't miss this episode. See omnystudio.com/listener for privacy information.

In a win for modern songwriters everywhere, a New York City jury finds in favor of Ed Sheeran against the estate of Marvin Gaye - which had claimed copyright infringement of Gaye's iconic hit 'Let's Get It On' in Sheeran's song 'Thinking Out Loud.' Ryan supports the outcome and explains why Sheeran was correct in saying there are only so many notes, so many chords, and so many ways to construct a song. Finally, Tucker Carlson's leaked comments only serve to bolster his popularity with those viewers who already love him.

Join me for a lively discussion with Brittain Ashford who is Executive Director of the Music Publishers Association of the United States. She answers some of the most common questions music educators have about music copyright issues.Show linksMPA.orgImadeit.orgNAfME.orgI would like to that J.H. Tackett Marketing in Hanford for sponsoring this episode.The Central Valley Music Educators Podcast is hosted by Rob Bentley. The show is available at:www.cvmepodcast.comhttps://www.youtube.com/@centralvalleymusiceducatorwww.facebook.com/cvmepodcastwww.instagram.com/cvmepodcast

In this Special Christmas Episode, Jared Brandley shares his story of how he came to write and compose the inspirational, heart-touching song "Savior and Son".As a Christmas gift, we have created a special music video of Savior and Son for you, and have included it in this podcast episode. We've also included the lyrics below:Savior and Son1st VerseLittle Baby, wrapped in swaddling clothes, safely nestled in my arms.I will hold You through the night, I will keep You safe from harm.Little Baby, when the shepherds came, and knelt beside your manger stall,You smiled at them with so much love, King of Kings and Lord of All.ChorusSweet baby boy, your mother's joy, is full tonight, the stars are bright, and Heaven is near.Whate'er You do, the trials You pass through, your mother's love, like God's above, will always be here.2nd VerseAs I look into your sleeping face, I wonder what your eyes will see;Birds and beasts and clouds and olive trees, sunsets on the Sea of Galilee?The lame will rise, and come, and follow You; the blind will look into your eyes,You will make the leper whole again, still the waves and calm the skies.Chorus3rd VerseSomeday, You will die upon a cross, a gift to set all mankind free,Offered freely by a sinless soul, You will rescue even me.When You go, I know my heart will break, once Your sacrifice is done.But tonight I'll hold You close to me, my Savior and Son.3rd ChorusJesus, my child, tender and mild, when You are grown, and I'm alone, though Heaven is near,Whate'er I do, the trials I pass through, I know your love, like God's above, will always be here.Ending ChorusThrough tears and pain, sunshine and rain, Gethsemane, upon the tree, and when your battle's won,I'll still be here, and you'll still be near, I hope You know, I Love You so, my Savior and Son.I hope You know, I Love You so, my Savior and Son.Words and Music Copyright © 2006 Jared C. Brandley-----We'd like to give a special thanks to Jared for being willing to share Savior and Son with the world. We'd also like to thank James Wales for generously donating his recording studio, Ruth James for playing the keyboard, and Jessie Tensmeyer for singing this beautiful song.To learn more about Savior and Son or Jared's other Christmas and holiday-centered songs, please email him at jaredbrandley@comcast.net. Savior and Son sheet music is available for purchase. -----To WATCH this podcast episode on YouTube, visit: https://youtu.be/tpRwGCeDtjATo WATCH the music video on it's own, visit: https://youtu.be/7hIbUW9lt8E-----Also, if you have a faith-promoting or inspiring story, or know someone who does, please let us know by going to https://www.latterdaylights.com and reaching out to us.

CMU's Andy Malt and Chris Cooke review key events in music and the music business from the last week, including former Spotify economist Will Page's claim that “music copyright has never had it so good”, with – by his calculations – the value of the wider music rights business now almost $40 billion worldwide, and the changes over at Amazon Prime Music with more music but less functionality. SECTION TIMES 01: Will Page report (00:09:15) 02: Amazon Music (00:28:04) (Timings may be slightly different due to adverts) STORIES DISCUSSED THIS WEEK • Will Page says “music copyright has never had it so good” as global revenues reach almost $40 billion • Amazon shuffles its Prime Music offer, full 100 million track catalogue now available ALSO MENTIONED • BBC celebrates 70 years of singles chart by playing most streamed track released each year • Listen to the full Setlist theme tune MORE FROM CMU • Upcoming CMU webinars • Buy MMF and CMU Insights' Dissecting The Digital Dollar book on Amazon • Sign up to receive the CMU Daily news bulletin

In this episode, our host Mariela Morales Suárez discusses the book Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power (UNC Press, 2022) by Dr. Larisa Kingston Mann. You'll hear about: Dr. Mann's intellectual trajectory and how she became interested in the topic of copyright in Jamaican popular music; The concept of “rude citizenship” through the Jamaican music world; What it means to be “original” from the perspective of copyrights, language, and diverse modes of cultural production in Jamaica; Dr. Mann's writing process as a form of translation from fieldwork notes, archival materials, and music contents into ethnography; How to make the classroom a meaningful pedagogical space by learning from marginal voices and practices; What constitutes the exilic spaces, namely, the reimagining of marginalized spaces as sites of agency and sovereignty through music and cultural production; The transnational networks of the local music production in Jamaica and global flows of sonic resistance, especially during COVID-19. About the book In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann—DJ, media law expert, and ethnographer—identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a world shaped by coloniality, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization. You can find this book on the University of North Carolina Press website. Author: Larisa Kingston Mann is Assistant Professor in the Department of Media Studies and Production at Temple University (PA, USA). Host: Mariela Morales Suárez is a doctoral candidate at the Annenberg School for Communication at the University of Pennsylvania where she specializes in transnational media flows, technological appropriations, diasporic identity formation, and popular culture. Editor & Producer: Jing Wang. She is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania. Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode, our host Mariela Morales Suárez discusses the book Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power (UNC Press, 2022) by Dr. Larisa Kingston Mann. You'll hear about: Dr. Mann's intellectual trajectory and how she became interested in the topic of copyright in Jamaican popular music; The concept of “rude citizenship” through the Jamaican music world; What it means to be “original” from the perspective of copyrights, language, and diverse modes of cultural production in Jamaica; Dr. Mann's writing process as a form of translation from fieldwork notes, archival materials, and music contents into ethnography; How to make the classroom a meaningful pedagogical space by learning from marginal voices and practices; What constitutes the exilic spaces, namely, the reimagining of marginalized spaces as sites of agency and sovereignty through music and cultural production; The transnational networks of the local music production in Jamaica and global flows of sonic resistance, especially during COVID-19. About the book In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann—DJ, media law expert, and ethnographer—identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a world shaped by coloniality, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization. You can find this book on the University of North Carolina Press website. Author: Larisa Kingston Mann is Assistant Professor in the Department of Media Studies and Production at Temple University (PA, USA). Host: Mariela Morales Suárez is a doctoral candidate at the Annenberg School for Communication at the University of Pennsylvania where she specializes in transnational media flows, technological appropriations, diasporic identity formation, and popular culture. Editor & Producer: Jing Wang. She is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania. Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

In this episode, our host Mariela Morales Suárez discusses the book Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power (UNC Press, 2022) by Dr. Larisa Kingston Mann. You'll hear about: Dr. Mann's intellectual trajectory and how she became interested in the topic of copyright in Jamaican popular music; The concept of “rude citizenship” through the Jamaican music world; What it means to be “original” from the perspective of copyrights, language, and diverse modes of cultural production in Jamaica; Dr. Mann's writing process as a form of translation from fieldwork notes, archival materials, and music contents into ethnography; How to make the classroom a meaningful pedagogical space by learning from marginal voices and practices; What constitutes the exilic spaces, namely, the reimagining of marginalized spaces as sites of agency and sovereignty through music and cultural production; The transnational networks of the local music production in Jamaica and global flows of sonic resistance, especially during COVID-19. About the book In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann—DJ, media law expert, and ethnographer—identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a world shaped by coloniality, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization. You can find this book on the University of North Carolina Press website. Author: Larisa Kingston Mann is Assistant Professor in the Department of Media Studies and Production at Temple University (PA, USA). Host: Mariela Morales Suárez is a doctoral candidate at the Annenberg School for Communication at the University of Pennsylvania where she specializes in transnational media flows, technological appropriations, diasporic identity formation, and popular culture. Editor & Producer: Jing Wang. She is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania. Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In this episode, our host Mariela Morales Suárez discusses the book Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power (UNC Press, 2022) by Dr. Larisa Kingston Mann. You'll hear about: Dr. Mann's intellectual trajectory and how she became interested in the topic of copyright in Jamaican popular music; The concept of “rude citizenship” through the Jamaican music world; What it means to be “original” from the perspective of copyrights, language, and diverse modes of cultural production in Jamaica; Dr. Mann's writing process as a form of translation from fieldwork notes, archival materials, and music contents into ethnography; How to make the classroom a meaningful pedagogical space by learning from marginal voices and practices; What constitutes the exilic spaces, namely, the reimagining of marginalized spaces as sites of agency and sovereignty through music and cultural production; The transnational networks of the local music production in Jamaica and global flows of sonic resistance, especially during COVID-19. About the book In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann—DJ, media law expert, and ethnographer—identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a world shaped by coloniality, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization. You can find this book on the University of North Carolina Press website. Author: Larisa Kingston Mann is Assistant Professor in the Department of Media Studies and Production at Temple University (PA, USA). Host: Mariela Morales Suárez is a doctoral candidate at the Annenberg School for Communication at the University of Pennsylvania where she specializes in transnational media flows, technological appropriations, diasporic identity formation, and popular culture. Editor & Producer: Jing Wang. She is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania. Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In this episode, our host Mariela Morales Suárez discusses the book Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power (UNC Press, 2022) by Dr. Larisa Kingston Mann. You'll hear about: Dr. Mann's intellectual trajectory and how she became interested in the topic of copyright in Jamaican popular music; The concept of “rude citizenship” through the Jamaican music world; What it means to be “original” from the perspective of copyrights, language, and diverse modes of cultural production in Jamaica; Dr. Mann's writing process as a form of translation from fieldwork notes, archival materials, and music contents into ethnography; How to make the classroom a meaningful pedagogical space by learning from marginal voices and practices; What constitutes the exilic spaces, namely, the reimagining of marginalized spaces as sites of agency and sovereignty through music and cultural production; The transnational networks of the local music production in Jamaica and global flows of sonic resistance, especially during COVID-19. About the book In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann—DJ, media law expert, and ethnographer—identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a world shaped by coloniality, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization. You can find this book on the University of North Carolina Press website. Author: Larisa Kingston Mann is Assistant Professor in the Department of Media Studies and Production at Temple University (PA, USA). Host: Mariela Morales Suárez is a doctoral candidate at the Annenberg School for Communication at the University of Pennsylvania where she specializes in transnational media flows, technological appropriations, diasporic identity formation, and popular culture. Editor & Producer: Jing Wang. She is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania. Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

In this episode, our host Mariela Morales Suárez discusses the book Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power (UNC Press, 2022) by Dr. Larisa Kingston Mann. You'll hear about: Dr. Mann's intellectual trajectory and how she became interested in the topic of copyright in Jamaican popular music; The concept of “rude citizenship” through the Jamaican music world; What it means to be “original” from the perspective of copyrights, language, and diverse modes of cultural production in Jamaica; Dr. Mann's writing process as a form of translation from fieldwork notes, archival materials, and music contents into ethnography; How to make the classroom a meaningful pedagogical space by learning from marginal voices and practices; What constitutes the exilic spaces, namely, the reimagining of marginalized spaces as sites of agency and sovereignty through music and cultural production; The transnational networks of the local music production in Jamaica and global flows of sonic resistance, especially during COVID-19. About the book In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann—DJ, media law expert, and ethnographer—identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a world shaped by coloniality, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization. You can find this book on the University of North Carolina Press website. Author: Larisa Kingston Mann is Assistant Professor in the Department of Media Studies and Production at Temple University (PA, USA). Host: Mariela Morales Suárez is a doctoral candidate at the Annenberg School for Communication at the University of Pennsylvania where she specializes in transnational media flows, technological appropriations, diasporic identity formation, and popular culture. Editor & Producer: Jing Wang. She is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania. Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In this episode, our host Mariela Morales Suárez discusses the book Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power (UNC Press, 2022) by Dr. Larisa Kingston Mann. You'll hear about: Dr. Mann's intellectual trajectory and how she became interested in the topic of copyright in Jamaican popular music; The concept of “rude citizenship” through the Jamaican music world; What it means to be “original” from the perspective of copyrights, language, and diverse modes of cultural production in Jamaica; Dr. Mann's writing process as a form of translation from fieldwork notes, archival materials, and music contents into ethnography; How to make the classroom a meaningful pedagogical space by learning from marginal voices and practices; What constitutes the exilic spaces, namely, the reimagining of marginalized spaces as sites of agency and sovereignty through music and cultural production; The transnational networks of the local music production in Jamaica and global flows of sonic resistance, especially during COVID-19. About the book In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann—DJ, media law expert, and ethnographer—identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a world shaped by coloniality, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization. You can find this book on the University of North Carolina Press website. Author: Larisa Kingston Mann is Assistant Professor in the Department of Media Studies and Production at Temple University (PA, USA). Host: Mariela Morales Suárez is a doctoral candidate at the Annenberg School for Communication at the University of Pennsylvania where she specializes in transnational media flows, technological appropriations, diasporic identity formation, and popular culture. Editor & Producer: Jing Wang. She is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania. Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In this episode, our host Mariela Morales Suárez discusses the book Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power (UNC Press, 2022) by Dr. Larisa Kingston Mann. You'll hear about: Dr. Mann's intellectual trajectory and how she became interested in the topic of copyright in Jamaican popular music; The concept of “rude citizenship” through the Jamaican music world; What it means to be “original” from the perspective of copyrights, language, and diverse modes of cultural production in Jamaica; Dr. Mann's writing process as a form of translation from fieldwork notes, archival materials, and music contents into ethnography; How to make the classroom a meaningful pedagogical space by learning from marginal voices and practices; What constitutes the exilic spaces, namely, the reimagining of marginalized spaces as sites of agency and sovereignty through music and cultural production; The transnational networks of the local music production in Jamaica and global flows of sonic resistance, especially during COVID-19. About the book In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann—DJ, media law expert, and ethnographer—identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a world shaped by coloniality, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization. You can find this book on the University of North Carolina Press website. Author: Larisa Kingston Mann is Assistant Professor in the Department of Media Studies and Production at Temple University (PA, USA). Host: Mariela Morales Suárez is a doctoral candidate at the Annenberg School for Communication at the University of Pennsylvania where she specializes in transnational media flows, technological appropriations, diasporic identity formation, and popular culture. Editor & Producer: Jing Wang. She is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania. Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

In this episode, our host Mariela Morales Suárez discusses the book Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power (UNC Press, 2022) by Dr. Larisa Kingston Mann. You'll hear about: Dr. Mann's intellectual trajectory and how she became interested in the topic of copyright in Jamaican popular music; The concept of “rude citizenship” through the Jamaican music world; What it means to be “original” from the perspective of copyrights, language, and diverse modes of cultural production in Jamaica; Dr. Mann's writing process as a form of translation from fieldwork notes, archival materials, and music contents into ethnography; How to make the classroom a meaningful pedagogical space by learning from marginal voices and practices; What constitutes the exilic spaces, namely, the reimagining of marginalized spaces as sites of agency and sovereignty through music and cultural production; The transnational networks of the local music production in Jamaica and global flows of sonic resistance, especially during COVID-19. About the book In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann—DJ, media law expert, and ethnographer—identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a world shaped by coloniality, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization. You can find this book on the University of North Carolina Press website. Author: Larisa Kingston Mann is Assistant Professor in the Department of Media Studies and Production at Temple University (PA, USA). Host: Mariela Morales Suárez is a doctoral candidate at the Annenberg School for Communication at the University of Pennsylvania where she specializes in transnational media flows, technological appropriations, diasporic identity formation, and popular culture. Editor & Producer: Jing Wang. She is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania. Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues.

I had a long conversation with my daughter on what she wants to be when she grows up, but during  this deep conversation made me realize that I was never taught to dream growing up. I never knew what that even mean.Music:(Copyright free music)Love2016Ben Winwood(Copyright free music)The DepthsDavid Benedict(Copyright free music)Pilgrims Instrumental VerisonDaniel PrattFollow me on-Instagram @jbruton_brutonFacebook @Jacoby Tyrone BrutonTikTok @jacobybrutoncomedy  

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Love this edgy disco grooveSearch and download for free our amazing complete database of amazing sounds and special effects herehttps://www.tale-teller.club/free-sfxNo sign up needed, immediate downloads.Check our free social network platform for musicians and artists www.tale-teller.club/forumCheck out our own story www.tale-teller.club/immersionauthentic-sfx #game_audio #gaming_tools #loops #reels #shorts #youtube #tiktok #sound #soundeffects #specialeffects #free #logicpro #taleteller #taletellerclub #soundrecordings #ASMR #recordings #studio #creators #creatortools #soundtracks #postedit #freedownloads #audio #audiotools #audiorecording #podcaster #podcasttools #gamedesigners #musicians #filmmakers #juicysounds #free-lessons #digital-music-school #digi-mus #ads #advertising #voiceover #vocals #taletellers #taletellerclub #soundscape #sound_designer #audio_tricks #loopmaster #juicy_loops #loopscatalogue #cubase #garageband #royalty_free #Greatdownloads #no-copyright #free_stuff #instagram_tools #facebook_video #Online_library #immersive #immersion #make_believe #story #stortellers #storytelling, #nocatch #100%free #moods #ambient #trance #ambient #imovie#music #musicpodcasts #musician #composer #digitalmusic #arranger #performer #how_to_create_soundtracks #soundtracks_fo_film, #classical #classicallytrained #contemporarymusic #recordingartists #††ç #TTC #entertainers, #apple_loops_ alternative #ringtone #ringtone_samples #create_ringtones#Live_backing_tracks #tale_teller_club #sarnia #sarnia-de-la-mare #pro_tools#makemovies, #howto #learn #learnfilmmaking #filmschool #video_art #filmsecrets#specialeffects #freetools #logicprofree #taleteller #taletellerclub #soundrecordings #ASMR #recordings #studio #creators #creatortools #soundtracks #postedit #freedownloads #audio #audiotools #audiorecording #podcaster #podcasttools #gamedesigners #musicians #filmmakers #juicysounds #free-lessons #digital-music-school #moody #mood_creation #petrifying_sounds #funny_sounds #games #game #gaming #online_filmschool #create_tension #synth #processed#electronic #electronic_sfx 

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In this fascinating and entertaining episode, we're joined by two people who are asking complicated questions about the nature of music copyright: Damien Riehl, technologist, technology lawyer and musician, and coder and technologist Noah Rubin. You may have heard of them previously – together, Riehl and Rubin created software that composed every single possible melody – and then they released them into the public domain. We ask them about their work, and Damien gives his forthright opinions on the recent Ed Sheeran plagiarism court case, copyright trolls, whether the copyright law as it stands is fit for purpose, and what music copyright law should look like. All the Music: http://allthemusic.info Damien's TED talk: https://www.ted.com/talks/damien_riehl_copyrighting_all_the_melodies_to_avoid_accidental_infringement Damien's music choice: Phoebe Bridgers Noah's choice: Beardyman -------

We are once again joined by recurring guest Kurt Dahl, who is a top-tier entertainment lawyer, drummer for the established rock band One Bad Son, and manager for mixer Brian Moncarz. Check out his website and his Tik Tok! In this episode we discuss Taylor Swift re-recording her album "Red", the legalities surrounding using samples in your music, and your Patreon questions! Nothing is too granular. Check out our other episodes with Kurt:Should You Buy Social Media FollowersMusic Law 101Check out our episode with LA-based producer Stint:Finding Your Path | With Stint (Gallant, MØ, Carly Rae Jepsen, Demi Lovato, and more)----Join our mailing list!----Stuff We Use / Affiliate Links:Distrokid (our recommended music distribution service)Close.IO (Malcoms recommended CRM)Transistor.FM (A great podcast hosting platform)BackBlaze File Backup Services (Malcoms recommend data backup service)Printful - Print-To-Order Merchandise ServiceCanva (what we use for graphic design)Quickbooks Accounting Software (What we use to run our books and process credit card payments)Support the show (https://www.patreon.com/yourbandsucksatbusiness)show lessSupport the show (https://www.patreon.com/yourbandsucksatbusiness)Support the show (https://www.patreon.com/yourbandsucksatbusiness)Support the show (https://www.patreon.com/yourbandsucksatbusiness)

On this episode of the Reformation Fellowship Podcast, we will hear part two of Dr. Michael Reeves giving an address to Union School of Theology about the need for personal reformation. Dr. Michael Reeves serves as President and Professor of Theology for Union School of Theology. He is a minister and regular preacher in the local church he attends with his wife, Bethan, and their two girls near Oxford. He is the Director of the European Theologians Network, and is the author of numerous books. Such as Delighting in the Trinity, Spurgeon on the Christian Life, and Rejoice and Tremble. You can follow him on Twitter @mike_reeves.Music Copyright 2021 K. Jason French All Rights Reserved www.crossworksmusic.com

On this episode of the Reformation Fellowship Podcast, we will hear part one of Dr. Michael Reeves giving an address to Union School of Theology about the need for personal reformation. Dr. Michael Reeves serves as President and Professor of Theology for Union School of Theology. He is a minister and regular preacher in the local church he attends with his wife, Bethan, and their two girls near Oxford. He is the Director of the European Theologians Network, and is the author of numerous books. Such as Delighting in the Trinity, Spurgeon on the Christian Life, and Rejoice and Tremble. You can follow him on Twitter @mike_reeves.Music Copyright 2021 K. Jason French All Rights Reserved www.crossworksmusic.com

In this podcast, learn about what is to come in episodes to come. I introduce myself and the meaning of the title, "Growth, Goals, and God", and how it will depict the topics that will be discussed later on. Music Copyright- Music by HookSounds

رادیو شب نوا قسمت دهم : دلم برایت تنگ شده ©Music CopyRight by Martin Czerny Alright Reserved --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

On this episode of the Reformation Fellowship Podcast, Justin Schell continues his conversation with Michael Reeves. They wrap up their time together by discussing the need for pastors to pursue God-centered theology that stirs their affections and leads to joyful service. Dr. Michael Reeves serves as President and Professor of Theology for Union School of Theology. He is a minister and regular preacher in the local church he attends with his wife, Bethan, and their two girls near Oxford. He is the Director of the European Theologians Network and is the author of numerous books. Such as Delighting in the Trinity, Spurgeon on the Christian Life, and Rejoice and Tremble. You can follow him on Twitter @mike_reeves.Music Copyright 2021 K. Jason French All Rights Reserved www.crossworksmusic.com

On this episode of the Reformation Fellowship Podcast, Justin Schell continues his conversation with Michael Reeves. This time they discuss how the fear of the Lord is crucial for healthy, flourishing ministries and churches. Dr. Michael Reeves serves as President and Professor of Theology for Union School of Theology. He is a minister and regular preacher in the local church he attends with his wife, Bethan, and their two girls near Oxford. He is the Director of the European Theologians Network and is the author of numerous books. Such as Delighting in the Trinity, Spurgeon on the Christian Life, and Rejoice and Tremble. You can follow him on Twitter @mike_reeves.Music Copyright 2021 K. Jason French All Rights Reserved www.crossworksmusic.com

On this episode of the Reformation Fellowship Podcast, Justin Schell talks with Michael Reeves on the necessity for warm, gospel-centered fellowship amongst pastors. Dr. Michael Reeves serves as President and Professor of Theology for Union School of Theology. He is a minister and regular preacher in the local church he attends with his wife, Bethan, and their two girls near Oxford. He is the Director of the European Theologians Network, and is the author of numerous books. Such as Delighting in the Trinity, Spurgeon on the Christian Life, and Rejoice and Tremble. You can follow him on Twitter @mike_reeves.Music Copyright 2021 K. Jason French All Rights Reserved www.crossworksmusic.com

Welcome to the Reformation Fellowship Podcast. Check out our trailer before we launch Season 1 of the podcast! You will hear from our host, Justin Schell, as he shares the vision for the podcast and the Reformation Fellowship.Music Copyright 2021 K. Jason French All Rights Reserved www.crossworksmusic.com