Form of payment for use of artistic works or other assets
POPULARITY
Categories
On this episode of the Self-Publishing News Podcast, Dan Holloway reports that Audible has launched a major AI narration program featuring 100 synthetic voices, with options for both publishers and indie authors. He also covers upcoming changes to KDP Print royalties and costs, a 10,000-signature petition from European creators calling for stronger AI copyright protections, and news that the UK government has rejected a proposed AI transparency amendment. He closes with the latest developments in the Apple–Epic Games legal case, which could affect in-app book and audiobook sales. Sponsors Self-Publishing News is proudly sponsored by Bookvault. Sell high-quality, print-on-demand books directly to readers worldwide and earn maximum royalties selling directly. Automate fulfillment and create stunning special editions with BookvaultBespoke. Visit Bookvault.app today for an instant quote. Self-Publishing News is also sponsored by book cover design company Miblart. They offer unlimited revisions, take no deposit to start work and you pay only when you love the final result. Get a book cover that will become your number-one marketing tool. Find more author advice, tips, and tools at our Self-publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. And, if you haven't already, we invite you to join our organization and become a self-publishing ally. About the Host Dan Holloway is a novelist, poet, and spoken word artist. He is the MC of the performance arts show The New Libertines, He competed at the National Poetry Slam final at the Royal Albert Hall. His latest collection, The Transparency of Sutures, is available on Kindle.
This week on the New Music Business podcast, Ari sits down with Danny Ross, a producer and songwriter based in NYC, a columnist at Forbes, and founder of the largest songwriting camp in the world, Anti Social Camp. Danny's Anti Social Camp brings together over 250 songwriters, producers, and artists to collaborate amongst themselves and with major artists every summer in NYC. Past Anti Social Camp attendees have worked with artists including Jacob Collier, Miranda Lambert, Moby, Nile Rodgers, Kimbra, Andy Grammer, JP Saxe, and Rob Thomas. Brands like TikTok, Spotify, YouTube, Amazon, TIDAL, The Recording Academy, Republic Records, DistroKid, and The MLC are also intricately involved in the Anti Social Camp experience.If you are a songwriter or producer who's ever wondered what goes down at songwriting camps or how to get involved, you're going to learn all about that and more in this episode with Danny Ross. https://www.instagram.com/antisocialcamp/ Get $100 your Anti Social Camp Badge by using the code: ARIANTISOCIALVIP at antisocialcamp.comChapters00:00 The Importance of Reputation in the Music Industry03:02 Understanding Songwriting Camps05:48 The Structure and Dynamics of Songwriting Sessions08:47 The Evolution of the Anti Social Camp12:01 Building Community in New York's Music Scene14:54 The Anti Social Camp Experience17:54 Diverse Genres and Collaboration20:54 The Future of Songwriting Camps31:11 Creative Collaborations in Music Production32:26 Success Stories from the Camp33:44 Understanding Major vs. Indie vs. Self-Releasing Artists38:33 The Financial Landscape of Music Production44:53 Navigating Splits and Royalties in Music47:01 The Ethics of Publishing in the Music Industry52:39 Teaching the Next Generation of Music Creators56:40 The Importance of Community in Music Creation59:01 Defining Success in the New Music BusinessEdited and mixed by Ari DavidsMusic by Brassroots DistrictProduced by the team at Ari's TakeOrder the THIRD EDITION of How to Make It in the New Music Business: https://book.aristake.com Hosted on Acast. See acast.com/privacy for more information.
Chuck Shute and Martin Popoff discuss Popoff's book on Guns N' Roses, highlighting its unique photos and the collaboration with his editor, Dennis. Popoff has written 130 books, with 40% of his income from mail orders. They delve into the band's history, including the challenges of updating books and the impact of grunge on hair metal. Popoff emphasizes Axl Rose's dedication to creativity and the band's evolving sound. They also touch on the band's interactions with other musicians and the enduring influence of Guns N' Roses' music. Martin Popoff discussed his new book on Guns N' Roses, set to release by mid-June, with pre-orders available on Amazon and his website, where he signs and ships copies. He mentioned his prolific YouTube channel, "The Contrarians," and his audio-only podcast, "History and Five Songs with Martin Popoff," which has 308 episodes. Popoff also highlighted his involvement in other podcasts, including an AC/DC podcast with John Gaffney and appearances on Brian Slogale's "100 Most Important Songs" series. Chuck Shute concluded the conversation by thanking Popoff and mentioning the upcoming episode release.0:00:00 - Intro 0:00:20 - New GnR Book & Pics 0:02:05 - Writing Books & Updating Them 0:04:23 - Mailbox Money, Royalties & Best Books 0:06:54 - Guns 'N Roses At 40 0:08:34 - Early Guns 'N Roses, Name & Genre 0:16:55 - Shaking Up Rock, Hair Metal & Grunge 0:21:00 - Use Your Illusions 0:24:20 - Production & Sound of Appetite 0:28:25 - Possible New GnR Album & Izzy 0:30:10 - GnR, Motley Crue & Musical Connections 0:31:50 - Music Scene, Moving to L.A. & Evolution of Streaming 0:35:47 - New Bands, Cult Bands & Standing Out 0:42:28 - Axl Rose, Creativity & Time Lapses 0:45:25 - Tommy Stinson on Axl's Strengths & Weaknesses 0:47:03 - Interviewing Big Rockstars Like Axl & Izzy 0:55:50 - Fan of Hair Metal & Grunge & Evolution of Rock 1:02:03 - New Book, Pre-Ordering, Youtube & Podcast1:03:52 -Outro Martin Popoff website:https://martinpopoff.com/html/bookslistChuck Shute link tree:https://linktr.ee/chuck_shuteSupport the showThanks for Listening & Shute for the Moon!
"Oda is the richest mangaka without royalties who is number 2"In this episode Suuuper Anime Podcast, hosts Ed and Solo delve into the world of manga, focusing on the richest manga artist, Eiichiro Oda. They discuss the intricacies of manga royalties, the earnings of manga creators, and how these figures compare to other industries. The conversation also covers the top 10 richest manga artists, highlighting their works and estimated net worths, while exploring the impact of royalties on creators' earnings. Discussion NotesDefining what we class as the richest manga artist? Difference between manga sales and overall mangaka net worth Understanding Manga RoyaltiesThe Impact of Royalties on CreatorsComparing Manga and Other IndustriesTop 10 Richest Manga Artists OverviewDiving into the Top 10 RankingsDebating Manga Creator Net WorthsFactors Influencing Manga Creator WealthTop Manga Creators and Their EarningsThe Impact of Manga Sales on Creator WealthUnderstanding Royalties and Licensing in MangaConcluding Thoughts on Manga Wealth Disparities Sources quoted: Fandomwire - https://fandomwire.com/tite-kubo-is-richer-than-masashi-kishimoto-thanks-to-bleach-even-if-naruto-franchise-is-worth-over-10-billion-but-how/ Comicbook.com - https://comicbook.com/anime/news/manga-anime-wealthiest-creators-artists/ CBR - https://www.cbr.com/richest-japanese-mangaka-ranked/ If you enjoy the podcast, please don't forget to FOLLOW, RATE and REVIEW the show (it takes less than seconds) Please do also share with anyone you fill will enjoy the show. Also, to keep conversation going were super keen to hear your thoughts, questions and opinions on the show's discussion points, so please do drop us a voice note on our website www.suuuperanimepodcast.com or email at www.suuuperanimepodcast.com/contact Social media links Instagram SuuuperanimepodcastTikTok SuuuperanimepodcastTwitter @SuuuperanimeFacebook SuuuperAnimePodcast You Tube SuuuperAnimeDiscord https//discord.gg/suuuperlightsassembleSupport the show
Balanço de erros e acertos de 4 anos e 4 meses de gestão Saúde, Transporte e queda na arrecadação dos Royalties de petróleo Eleições 2026: Vice-governador ou deputado federal, Paes ou Bacellar
In this episode of Living on Blockchain, we sit down with Jaime Schwarz, founder of MRKD and the author of the first-ever NFT patent filed in 2017. Jaime is no stranger to the intersection of art, tech, and intellectual property. From collaborating with cultural legends like Public Enemy's Keith Shocklee to building tools that empower creators to mint, manage, and monetize their digital work — his insights go far beyond the noise. We explore: The original vision behind NFTs (and what went wrong) Why creator royalties still matter — and how to protect them How MRKD is building infrastructure to make Web3 invisible for everyday creators Lessons from the early days of crypto IP and what's coming next If you're interested in long-term value, creator rights, and how NFTs evolve from collectibles into infrastructure, this episode is for you.
A year ago, Spotify decided they weren't going to pay royalties on tracks that streamed less than 1,000 times. Instead, those royalties would go to other artists proportionately to their streaming totals. Our friend Tony van Veen, CEO of Disc Makers, recently calculated that in 2024 alone, this resulted in $47 million in independent artist royalties being diverted to (mostly) the majors! He went public with this data, Spotify actually responded, and Tony put them in their place. I'm excited that Tony will be our guest on Monday's TAXI TV. We've been close friends for at least 25 years, and he's one of the smartest business people I know. He's also a true champion of indie musicians! Tony and I will be discussing his findings – and whether there's anything artists can do about it.
Hello everyone and welcome to this week's episode of Trudge Report. The four of us are back in action. We do a quick check in on how everyone is doing and latest updates. Bill celebrates the big 40, Greg might have to get his toe cut off, and Corey discovers that he might be Disney royalty. We touch on a couple of trending news topics including DT superimposing his image as a pope, real life Star Wars flying vehicles, and the baseball fan who fell 20 ft over the ledge and into the outfield at the Pittsburgh Pirates game. We move to our recovery segment where we discuss problems that could beset the recovery group, i.e. compulsive talkers, big shotism, and bleeding deacons. How we deal with them on an individual and a group basis. Taking stock of our own missteps through the years in the recovery groups and how we can learn from them and teach others how to be better.Antagonize any situation, and you give it power against yourself; offer mental non resistance, and it crumbles away in front of you. -Emmet Fox-Don't forget to like, share, rate, and download the podcast on all of your listening platforms. Check out and subscribe to our YouTube channel, @trudgrereportpod, for other content surrounding sports and trending topics. Trudge on good people. Contact the Guys:Instagram: @trudgereportpodFacebook: Trudge ReportTikTok: trudgereportpodYouTube: @trudgereportpod
Bebe Rexha opens up after fans were quick to comment on her body at the Met Gala. She says she's been battling with PCOS and a miscarriage and asks fans to be respectful about people's bodies. Kayne stormed out of a Pierce Morgan interview. Also, SZA say's she owes Beyoncé royalties.See omnystudio.com/listener for privacy information.
In this masterclass episode of On the Rocks, host Emily King sits down with Samuel Siebenaler, co-founder and CEO of Precision Mineral Accounting, to demystify the complex world of mining royalties. With 20 years of industry experience, including a decade overseeing royalty accounting at Newmont Mining, Sam breaks down what royalties actually are, how they differ from streaming deals, and the critical contract elements that impact payments. From commingling issues to auditing challenges, this episode offers invaluable insights for both royalty holders and mining professionals. Sam shares real-world examples of payment discrepancies, explains the nuances of royalty agreements, and discusses how increasing transparency could transform industry trust. Whether you're a landowner with a royalty, an investor considering royalty structures, or a mining professional navigating payment obligations, this conversation provides essential knowledge for understanding how value is distributed in the mining world.
Branchy is joined by Gerard Mazza — better known as Big State — for a powerful discussion on the corruption plaguing government, the realities of tax extortion, and the misuse of Australia's gas royalties. They break down how the left vs. right narrative is fueling division and why restoring compassion, understanding, and true leadership is critical for the future. A must-listen for anyone ready to see behind the political theatre.PATREON Support The Hard Yarns and get access to exclusive drops, content, live shows and promo codes : www.patreon.com/thehardyarnspodcast FIND US Email: info@thehardyarns.com Instagram: @thehardyarnspodcast TikTok: @thehardyarnspodcast Web: https://www.thehardyarns.com SPONSORS All Trades Cover - https://www.alltradescover.com.au Pheed - https://bit.ly/4fha4zj 10% off Code word - hardyarnGOAT - https://thegoatco.au 15% off Code word - hardyarnHard Yarns is Produced by B32media #hardyarns #podcast #comedy
Fred Bell, CEO of Elemental Altus Royalties (TSX.V:ELE) (OTCQX:ELEMF), joins me to review the key takeaways from the Q4 and full year 2024 financials, including record quarterly and annual revenues and cash flows, marking their seventh consecutive year of revenue growth. We also discuss the financial and development growth on tap for 2025, with updates at key royalty partner operations. Full Year 2024 Highlights: Record revenue of US$16.3 million and record adjusted revenue1 of US$21.6 million, up 39% on 2023 Gold Equivalent Ounces1 ("GEOs") of 8,987 ounces (9,122 GEOs in 2023) with production from Korali-Sud pushed into Q1 2025 Record Operating Cash Flow plus Caserones dividends of US$8.7 million, up 42% on 2023, and record adjusted EBITDA1 of US$15.1 million, up 53% on 2023 US$33.5 million of accretive royalty acquisitions including producing gold royalties over Bonikro, Ballarat and SKO mines Repayment of US$27 million of debt, with remaining debt repaid in full in Q1 2025 leaving a fully undrawn US$50 million facility with NBC, CIBC and RBC Fourth Quarter 2024 Highlights: Record Q4 revenue of US$5.5 million and record adjusted revenue1 of US$6.8 million, up 21% on Q4 2023 and with no contribution from Korali-Sud Q4 attributable GEOs1 of 2,552 ounces (2,843 GEOs in Q4 2023) Record Operating Cash Flow plus Caserones dividends of US$3.3 million, up 54% on Q4 2023, and record Q4 adjusted EBITDA1 of US$4.8 million, up 72% on Q4 2023 2025 Outlook Record guidance of 11,600 to 13,200 GEOs, translating to record adjusted revenue of US$30.1 million to US$34.3 million, based on a gold price of US$2,600/oz and a copper price of US$4.00/lb This represents a 38% increase in GEOs and 50% year-on-year increase in adjusted revenue at the mid-point of guidance, with full exposure to higher gold prices Production is anticipated to be weighted towards the first half of the year, driven by first gold sales at the Korali-Sud royalty and Caserones shipments delayed from Q4 2024 into Q1 2025 Up to US$15 million in one-off payments, with over US$10 million expected in the first half of the year Fred breaks down the financial strength of the company, and the leverage of it's balance sheet to rising production and revenues in a higher metals price environment. He also highlighted with the roughly $5 million in cash on hand, the expected revenues over $30 million this year, a number of additional incoming $15 million in one-off payments, and the $50 million credit facility on hand, that the company is in a great position to keep reviewing acquisition transactions in the year to come. Wrapping up we cover some of the anticipated growth of the projects at their key cornerstone royalty assets: Caserones, Karlawinda, Korali-Sud, as well key royalties on compelling development projects in their portfolio like Arizona Sonoran's Cactus project in Arizona, Focus Minerals' Laverton project in Western Australia, and Firefly Metals Pickel Crow project in Ontario. If you have any follow up questions for Fred regarding Elemental Altus Royalties, then please email them to me at Shad@kereport.com. In full disclosure, Shad is a shareholder of Elemental Altus Royalties at the time of this recording, and may choose to buy or sell shares at any time. Click here to view recent news on the Elemental Altus Royalties website
CEO Fred Bell discusses the financial performance and future outlook of Elemental Altus Royalties, highlighting a significant revenue increase in 2024, the impact of Korali-Sud production, and the potential for more mergers and acquisitions in the royalty space. The discussion emphasizes the company's strong financial position and the implications of fluctuating gold prices on revenue.
The primary focus of this podcast episode is the intricate strategies that artists must employ to effectively disseminate their music across various platforms. As an artist, it is crucial to understand that a multifaceted approach to promotion significantly enhances the likelihood of reaching a broader audience and establishing a recognizable name within the industry. The discussion delves into the necessity of cultivating genuine relationships with influential figures, such as DJs and playlist curators, to facilitate one's presence on platforms like traditional radio and streaming services. Furthermore, we explore the roles of songwriters, publishers, and administrators in the music ecosystem, emphasizing the importance of understanding these distinctions for effective career management. Ultimately, this episode serves as a comprehensive guide for artists seeking to navigate the complexities of music distribution and relationship building within the industry.Takeaways: Artists must employ a multifaceted strategy to effectively disseminate their music across various platforms. Building genuine relationships within the music industry is paramount for artists seeking broader exposure. Self-promotion on platforms like Spotify is insufficient without establishing connections with influential curators. Understanding the roles of songwriters, publishers, and administration is crucial for navigating the music industry. The disparity in payout structures between traditional radio and streaming platforms is a significant concern for artists today. Strategically viewing one's music career as a business is essential for long-term success and sustainability. Links referenced in this episode:spotifyyoutubecbcCompanies mentioned in this episode: Spotify YouTube CBC Socan Rihanna Beyonce Ed Sheeran Erin Ashley Amanda Paris DJ Jester Ricochet
Paul Goldman is the founder and CEO of Muserk, a global rights management company using technology to help artists recover lost royalties. A former musician turned entrepreneur, he's on a mission to bring transparency to music publishing and help artists take control of their earnings.In this episode, Paul reveals how artists are leaving money on the table, why the current system is broken, and what independent musicians can do to secure their rightful royalties.Key Takeaways:Why understanding copyrights and royalties is crucial for every artist.How technology helps recover unclaimed earnings and streamline rights management.The importance of perseverance and a business mindset in the modern music landscape.------Learn more about Paul Goldman and Muserk at: https://muserk.com/Book an Artist Breakthrough Session with the Modern Musician team: https://apply.modernmusician.me/podcast
There is a fresh round of drill results to report this morning from Awale Resources, Premium Resources and Maritime Resources. Li-FT Power has commenced the 2025 Environmental Baseline Data Collection Program at the Yellowknife Lithium Project. Elemental Altus Royalties published their year-end operating and financial results. This episode of Mining Stock Daily is brought to you by... Vizsla Silver is focused on becoming one of the world's largest single-asset silver producers through the exploration and development of the 100% owned Panuco-Copala silver-gold district in Sinaloa, Mexico. The company consolidated this historic district in 2019 and has now completed over 325,000 meters of drilling. The company has the world's largest, undeveloped high-grade silver resource. Learn more at https://vizslasilvercorp.com/Calibre Mining is a Canadian-listed, Americas focused, growing mid-tier gold producer with a strong pipeline of development and exploration opportunities across Newfoundland & Labrador in Canada, Nevada and Washington in the USA, and Nicaragua. With a strong balance sheet, a proven management team, strong operating cash flow, accretive development projects and district-scale exploration opportunities Calibre will unlock significant value.https://www.calibremining.com/Integra is a growing precious metals producer in the Great Basin of the Western United States. Integra is focused on demonstrating profitability and operational excellence at its principal operating asset, the Florida Canyon Mine, located in Nevada. In addition, Integra is committed to advancing its flagship development-stage heap leach projects: the past producing DeLamar Project located in southwestern Idaho, and the Nevada North Project located in western Nevada. Learn more about the business and their high industry standards over at integraresources.com
Steve and Stuart look at Spotify's response to Kate Nash's latest comments about streaming royalties, and discuss the news that Warner Music is in the final stages of testing its superfan app, with heavy involvement from Ed Sheeran.Send in your questions for Stuart and Steve on thepriceofmusicpodcast@gmail.comFollow Steve on X - @steve_lamacqFollow Stuart on X - @stuartdredgeFollow The Price of Music on X - @PriceofMusicpodSupport The Price of Music on Patreon:https://www.patreon.com/ThePriceofMusicFor sponsorship, email - joe@musically.comThe Price of Music is a Music Ally production:https://musically.com
Interview with Frederick Bell, CEO, Elemental Altus Royalties CorpOur previous interview: https://www.cruxinvestor.com/posts/elemental-altus-royalties-tsxvele-consolidating-cash-flowing-gold-royalty-portfolio-6093Recording date: 9th of April, 2025Elemental Altus Royalties Corp is positioning itself for a transformative 2025, projecting to nearly double its revenue amid favorable gold prices and strategic acquisitions. The company anticipates revenue to reach approximately $45 million in 2025, up from $21.6 million in 2024, representing a 100% increase.CEO Frederick Bell recently outlined the company's evolution from a private million-dollar entity to a fast-growing gold and copper royalty company with a market capitalization over $200 million. Two major factors driving this growth are the consolidation of the AlphaStream portfolio, expected to contribute an additional $7-8 million in revenue, and the startup of the Karlawinda royalty with Allied Gold."This year Q1 is going to be a record, Q2 is going to be a record by a large margin," Bell stated, noting that unlike previous years, much of the revenue growth is weighted toward the first half of 2025.The company has strengthened its board with three significant additions: Prashant Francis from AlphaStream (a 14% shareholder), Matthieu Bos of Falcon Energy Materials, and Sandeep Singh, former CEO of Osisko Gold Royalties. These appointments enhance the company's North American market presence and deepen its royalty sector expertise.Financially, Elemental Altus has paid down all $30 million of its previously drawn debt, leaving it with an undrawn credit facility and the strongest balance sheet in its history. With a fixed cost structure of approximately $10 million (including $6 million in G&A and $4-4.5 million in taxes), the growing revenue directly improves margins.Bell believes the company presents compelling value, trading at approximately 6.5 times projected 2025 revenue compared to junior peers at 10x, mid-tiers at 15x, and majors at 20x. The company offers diversified exposure to 10 producing assets and 60-70 exploration/development royalties covering 13,500+ square kilometers.The royalty model provides unique advantages in the current inflationary environment, as royalties come off top-line revenue. "For the royalty company, you have more downside protection... you don't have the inflation side of it and you have all the exposure to the upside," Bell explained.With $15-20 million in cash expected to build on the balance sheet, management is evaluating various capital allocation strategies, including potential acquisitions (ranging from $1 million to $50-60 million), share buybacks through its newly established normal course issuer bid, and potentially introducing a dividend.Learn more: https://www.cruxinvestor.com/companies/elemental-altus-royaltiesSign up for Crux Investor: https://cruxinvestor.com
Charlie Shufeldt - CEO of Elk Range Royalties came back onto the podcast to walk through their notable transactions over the last 18-24 months, including their most recent $905mm DJ Basin acquisition from Oxy in Q1 2025.A big thanks to our 4 Minerals & Royalties Podcast Sponsors:--Tracts: If you are interested in learning more about Tracts title related services and software, then please call 281-892-2096 or visit https://tracts.co/ to learn more.--Riverbend Energy Group: If you are interested in discussing the sale of your Minerals and/or NonOp interests w/ Riverbend, then please visit www.riverbendenergygroup.com for more information--Farmers National Company: For more information on Farmer's land management services, please visit www.fncenergy.com or email energy@farmersnational.com--Oseberg: For more information on the software & data analytics tools that Oseberg has to offer, please visit www.oseberg.io.
Episode 71: Harvey Mason Sr. You've heard Harvey Mason Sr., whether you realize it or not. From the iconic grooves of Herbie Hancock's Head Hunters to the GRAMMY-winning “Kiss From A Rose” by Seal, Harvey's drumming has shaped music history across genres, decades, and mediums — albums, film scores, and TV alike. He's not only a musical powerhouse, but a dear friend, and in this episode, we finally sat down to dig into his legendary run — especially his work with Herbie Hancock and the Head Hunters album. Harvey shares the story of how that band came together, the sessions behind Chameleon and Watermelon Man, and why he chose not to tour with them at the height of their success. We also dive into his solo career — how it started, how it evolved, and the surprising role Clive Davis played in making it all happen. Harvey opens up about his long-standing friendships and collaborations with Quincy Jones and Chick Corea, his approach to fatherhood (including raising his sons Harvey Mason Jr., CEO of the Recording Academy, and Max Mason, former VP of Quincy Jones Productions), and how he built a legacy both on and off the kit. Fun fact: Vic Firth was Harvey's teacher — and Harvey still receives royalties from the early days of Vic Firth drumsticks! We also get into his stunning new album Changing Partners: Trios 2, featuring the likes of Chick Corea, Gonzalo Rubalcaba, James Genus, Dave Grusin, Stanley Clarke. This conversation is a masterclass in musicianship, legacy, and love for the craft. Enjoy my sit-down with the incomparable Harvey Mason Sr. ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. (0:00:00) Intro (0:02:35) Harvey's New Album (0:05:26) Head Hunters (0:06:29) Getting the Call from Herbie Hancock (0:09:20) Making the Head Hunters Album (0:10:59) Studio vs. Touring Musician, Harvey's Background (0:14:06) Berklee, Studying with Alan Dawson (0:15:33) Vic Firth taught Harvey (0:17:55) Moving to L.A., Lucille Ball Show (0:19:41) Session Work in the 1970's (0:21:24) Working with Quincy Jones on the Bill Cosby Show (0:22:51) Instrument Collection, Harvey's Foundation (0:24:23) Session Work, Touring (0:28:00) “Chameleon” Session (0:30:56) Herbie's Hollywood Bowl Show (0:32:55) What Herbie was like in the 70's (0:33:47) “Watermelon Man” (0:35:15) The “4 A.M.” Session, Jaco Pastorius (0:36:41) Jaco Stories (0:38:22) The “4 A.M.” Session Continued (0:38:45) Focusing on Goals, Family Life (0:41:18) Harvey Mason Jr. (0:41:59) Max Mason (0:44:18) Learning from Clive Davis, Quincy, and others (0:48:22) Biggie, T.I., and Lupe Fiasco Sampled Harvey's Music (0:49:05) Funk in a Mason Jar (0:49:39) “Till You Take My Love,” David Foster, David Paich (0:51:40) Clive Davis (0:55:59) Touring with Carole King (0:57:30) Chick Corea (0:58:55) Losing Chick and Quincy (1:00:44) What Harvey is Doing Now (1:02:05) How to Keep Creativity Going (1:02:54) Playing Piano in Church (1:06:42) Playing with Duke Ellington (1:08:07) The Quincy Jones JammJam (1:09:12) Advice (1:10:47) “Changing Partners Trios II” (1:11:49) Vic Firth Stories (1:18:55) Residuals, Pension, Royalties, and Sessions (1:21:31) Sharing Stories Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Harvey: https://www.instagram.com/harveymasonsr/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano
Explore the future of intellectual property on the blockchain in this insightful interview with Jason Zhao. Discover how Story Protocol is revolutionizing the way creators protect, share, and license their work. By bringing IP and copyright onchain, the protocol streamlines the process, ensures compliance with state and national laws, and secures rights in an innovative, transparent manner. Perfect for Web3 creators and blockchain developers ready to push boundaries and unlock new possibilities.Chapters00:00 - Intro: Jason Zhao, Co-founder and Chief Protocol Officer at Story Protocol 00:45 - How Story Protocol is revolutionizing IP management on blockchain 01:16 - Case study: Acquiring Justin Bieber's "Peaches" song rights 02:34 - The vision: Making IP as programmable as stablecoins 05:15 - Jason's background: From AI at DeepMind to blockchain 08:58 - Story's technical architecture: Custom Layer 1 blockchain 11:13 - Proof of Creativity Protocol explained 13:15 - Storing full IP rights and metadata (beyond NFTs) 18:47 - Legal framework and enforceable IP licenses 21:36 - Mainstream IP vs. native Story Protocol IP 24:07 - DeFi integration: Royalties and liquid IP markets 27:31 - How creators monetize their work on Story 29:50 - Tokenomics and the Big Bang staking event 33:51 - Roadmap: IP Portal and future upgrades 37:23 - David Goyer (Dark Knight trilogy) launching new IP on Story 38:28 - Fraud prevention and attestation services 45:02 - Staking mechanics and validator system 49:08 - Meme coins and IP-backed tokens 54:20 - The long-term vision: "HTTP for IP"✨ Check out our new website ✨https://thedefiant.io/
In this episode of the Nine Finger Chronicles podcast, host Dan Johnson speaks with Andrew Wills, a passionate hunter and muzzleloader enthusiast. They discuss Andrew's upbringing in Ohio, his experiences as a father, and the challenges of parenting a child with special needs. The conversation delves into the significance of family traditions in hunting, the transition to muzzleloading, and the deep connection to American history that comes with it. Andrew shares his journey of learning to hunt, the influence of his grandfather, and the joy of being in the outdoors with his children. In this engaging conversation, Andrew Wills, known as Hawken Horse, shares his unique journey as a songwriter and hunter. He reflects on the historical connections he feels while hunting, the traditions of hunting in American history, and how these experiences influence his music. Andrew discusses his evolution as a songwriter in Nashville, the challenges of the music industry, and the importance of authenticity in his work. He also highlights the impact of streaming on songwriters and the liberating nature of being an independent artist. The conversation culminates in a discussion about the creative process, including writing songs in unique settings like tree stands while hunting. Takeaways: Andrew Wills is passionate about flintlock muzzleloaders. Parenting brings unique challenges and joys. Expectations of fatherhood can change over time. Hunting is a family tradition for Andrew. Ohio has a rich history of hunting and outdoor activities. Andrew learned to hunt through trial and error. Muzzleloading connects Andrew to American history. The experience of hunting is about more than just the kill. Parenting a child with special needs requires dedication and love. The outdoors provides a sense of peace and connection to the past. Hunting connects us to our historical roots. The taste of venison is a personal favorite. Writing music for personal fulfillment can lead to success. Community is vital in the hunting and music worlds. The music industry operates on a volume basis. Royalties from streaming are significantly lower than in the past. Independence in music allows for creative freedom. The songwriting process can be both fun and stressful. Collaboration with the right people enhances creativity. Experiences in nature can inspire songwriting. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of the Nine Finger Chronicles podcast, host Dan Johnson speaks with Andrew Wills, a passionate hunter and muzzleloader enthusiast. They discuss Andrew's upbringing in Ohio, his experiences as a father, and the challenges of parenting a child with special needs. The conversation delves into the significance of family traditions in hunting, the transition to muzzleloading, and the deep connection to American history that comes with it. Andrew shares his journey of learning to hunt, the influence of his grandfather, and the joy of being in the outdoors with his children. He reflects on the historical connections he feels while hunting, the traditions of hunting in American history, and how these experiences influence his music. Andrew discusses his evolution as a songwriter in Nashville, the challenges of the music industry, and the importance of authenticity in his work. He also highlights the impact of streaming on songwriters and the liberating nature of being an independent artist. The conversation culminates in a discussion about the creative process, including writing songs in unique settings like tree stands while hunting. Takeaways: Andrew Wills is passionate about flintlock muzzleloaders. Parenting brings unique challenges and joys. Expectations of fatherhood can change over time. Hunting is a family tradition for Andrew. Ohio has a rich history of hunting and outdoor activities. Andrew learned to hunt through trial and error. Muzzleloading connects Andrew to American history. The experience of hunting is about more than just the kill. Parenting a child with special needs requires dedication and love. The outdoors provides a sense of peace and connection to the past. Hunting connects us to our historical roots. The taste of venison is a personal favorite. Writing music for personal fulfillment can lead to success. Community is vital in the hunting and music worlds. The music industry operates on a volume basis. Royalties from streaming are significantly lower than in the past. Independence in music allows for creative freedom. The songwriting process can be both fun and stressful. Collaboration with the right people enhances creativity. Experiences in nature can inspire songwriting. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of the Nine Finger Chronicles podcast, host Dan Johnson speaks with Andrew Wills, a passionate hunter and muzzleloader enthusiast. They discuss Andrew's upbringing in Ohio, his experiences as a father, and the challenges of parenting a child with special needs. The conversation delves into the significance of family traditions in hunting, the transition to muzzleloading, and the deep connection to American history that comes with it. Andrew shares his journey of learning to hunt, the influence of his grandfather, and the joy of being in the outdoors with his children. In this engaging conversation, Andrew Wills, known as Hawken Horse, shares his unique journey as a songwriter and hunter. He reflects on the historical connections he feels while hunting, the traditions of hunting in American history, and how these experiences influence his music. Andrew discusses his evolution as a songwriter in Nashville, the challenges of the music industry, and the importance of authenticity in his work. He also highlights the impact of streaming on songwriters and the liberating nature of being an independent artist. The conversation culminates in a discussion about the creative process, including writing songs in unique settings like tree stands while hunting.Takeaways:Andrew Wills is passionate about flintlock muzzleloaders.Parenting brings unique challenges and joys.Expectations of fatherhood can change over time.Hunting is a family tradition for Andrew.Ohio has a rich history of hunting and outdoor activities.Andrew learned to hunt through trial and error.Muzzleloading connects Andrew to American history.The experience of hunting is about more than just the kill.Parenting a child with special needs requires dedication and love.The outdoors provides a sense of peace and connection to the past. Hunting connects us to our historical roots.The taste of venison is a personal favorite.Writing music for personal fulfillment can lead to success.Community is vital in the hunting and music worlds.The music industry operates on a volume basis.Royalties from streaming are significantly lower than in the past.Independence in music allows for creative freedom.The songwriting process can be both fun and stressful.Collaboration with the right people enhances creativity.Experiences in nature can inspire songwriting.
Dan Corder is joined by Eitan Stern, founder and director of Legalese, to unpack the complex legal dispute surrounding Master KG’s global hit ‘Jerusalema’. With over 600 million YouTube views and a viral dance challenge during the pandemic, the song became a cultural phenomenon — but behind the success lies a legal battle over authorship, royalties, and rightful credit.See omnystudio.com/listener for privacy information.
Interview with Jason Attew, President & CEO of Osisko Gold RoyaltiesOur previous interview: https://www.cruxinvestor.com/posts/which-gold-miners-are-primed-for-a-re-rating-5309Recording date: 21st March 2025Osisko Gold Royalties has undergone a remarkable transformation under CEO Jason Attew, emerging as a pure-play precious metals royalty and streaming company with a strengthened balance sheet and simplified business model. With its 10th anniversary recently celebrated, the company now boasts a portfolio of 185 assets, including 21 producing properties.The most significant change has been abandoning the previous "generator/incubator" model, which involved purchasing and developing mining assets. According to Attew, this approach led to "destruction of shareholder value" due to the different skill sets required for development and the challenges of permitting and construction in today's inflationary environment. Instead, Osisko now focuses exclusively on providing capital through royalties and streams on high-quality assets managed by technically skilled teams in premium jurisdictions.Governance improvements have been another priority, with the elimination of the executive chair position, removal of related party transactions, and complete independence from other Osisko group companies. The company has also significantly reduced its net debt from over $250 million to approximately $35 million, while securing $750 million CAD in liquidity for future transactions.Osisko's portfolio is anchored by its crown jewel - a 5% royalty on Canadian Malartic operated by Agnico Eagle, representing approximately 37.5% of 2024 cash flow. Approximately 80% of the company's net asset value comes from tier-one jurisdictions in Canada, the US, and Australia, reducing geopolitical risk.Despite being a mid-tier player with about 5% of the sector's market capitalization, Osisko has captured approximately 10% of royalty deal flow, completing three transactions in 2024. These included acquiring a 1.8% royalty on Dalgaranga in Western Australia and participating in a syndicated transaction with Franco-Nevada for the Cascabel asset in Ecuador.Looking ahead, Osisko projects 40% growth over the next five years, with production increasing from 81,000 gold equivalent ounces in 2024 to between 110,000 and 125,000 ounces. Half of this growth will come from assets already in production, including Mantos Blancos and Island Gold.With a disciplined investment approach targeting deals between $50-500 million, strong margins of approximately 97%, and increasing institutional investor support, Osisko has positioned itself as a competitive force in the precious metals royalty sector, outperforming its peers in 2024 despite being a relatively young company in the space.View Osisko Gold Royalties' company profile: https://www.cruxinvestor.com/companies/osisko-gold-royaltiesSign up for Crux Investor: https://cruxinvestor.com
Join us for a conversation with Cameron Hanes and James G. Williams while they cover why Cam left Origin and signed with Sitka, their recent trip to Austin with Ways2Well, and more! Follow along: Instagram: https://www.instagram.com/cameronrhanes Twitter: https://twitter.com/cameronhanes Facebook: https://www.facebook.com/camhanes/ Website: https://www.cameronhanes.com Follow James (Gideon): https://www.instagram.com/james_g_williams/ Thank you to our sponsors: Sig Sauer: https://www.sigsauer.com/ use code CAM10 for 10% off optics Black Rifle Coffee: https://www.blackriflecoffee.com/ Use code KEEPHAMMERING for 20% your first order Hoyt: http://bit.ly/3Zdamyv use code CAM for 10% off MTN OPS Supplements: https://mtnops.com/ Use code KEEPHAMMERING for 20% off and Free Shipping GoHunt: https://gohunt.com/ use code CAM when you sign up for $50 towards the gear shop + 10% off the GoHunt store Grizzly Coolers: https://www.grizzlycoolers.com/ use code KEEPHAMMERING for 20% off Timestamps: 00:00:00 Why Cam Switched to Sitka Camo 00:11:00 Partner Loyalty & Sponsors 00:18:55 Stand Up for What Your Worth 00:22:54 Non-Hunter Podcast Listeners 00:24:26 Agreements, Royalties, & Growing a Business 00:27:22 Ad Break (Black Rifle Coffee & Grizzly Coolers) 00:28:58 Truett's Running Goals for Boston 00:30:41 Tanner Hanes: Rucking & Training 00:31:27 Truett's Upcoming Film 00:31:39 Austin, TX - The Travel Experience 00:36:29 Ways2Well - VO2 Max, Stem Cells, & Red Light Therapy 00:40:22 Shoe Testing at St. Edwards 00:42:33 Reps in Shoe Testing 00:51:41 James' Next 50k & Fitness Goals 00:53:44 Cocadona Speedland Shoes & Race 00:58:13 Suggestive Carrots & Steak Dinner 01:00:04 Larry's Goals & Running Heart Rate 01:03:02 Weight Gain & How Cam's Body Responds to Different Foods 01:11:09 Cheap Easy (Unhealthy) Snacks 01:14:17 Calorie Deficits 01:15:47 YETI Ranch - The Prince Buck 01:19:00 Outro
I'm sharing my thoughts on the reduced Amazon Merch royalties, in response to our friend Detour Shirts talking about the effects of lower per-sale profits on Amazon Merch on Demand, and what this could mean for the future
Victor Finn, Chief Executive of the Irish Music Rights Organisation IMRO on the latest figures released by Spotify.
Dr. Ebony Hoskins and Dr. Andreas Obermair discuss the surgical management of gynecologic cancers, including the role of minimally invasive surgery, approaches in fertility preservation, and the nuances of surgical debulking. TRANSCRIPT Dr. Ebony Hoskins: Hello and welcome to the ASCO Daily News Podcast, I'm Dr. Ebony Hoskins. I'm a gynecologic oncologist at MedStar Washington Hospital Center in Washington, DC, and your guest host of the ASCO Daily News Podcast. Today we'll be discussing the surgical management of gynecologic cancer, including the role of minimally invasive surgery (MIS), approaches in fertility preservation, and the nuances of surgical debulking, timing, and its impact on outcomes. I am delighted to welcome Dr. Andreas Obermair for today's discussion. Dr. Obermair is an internationally renowned gynecologic oncologist, a professor of gynecologic oncology at the University of Queensland, and the head of the Queensland Center for Gynecologic Cancer Research. Our full disclosures are available in the transcript of this episode. Dr. Obermair, it's great speaking with you today. Dr. Andreas Obermair: Thank you so much for inviting me to this podcast. Dr. Ebony Hoskins: I am very excited. I looked at your paper and I thought, gosh, is everything surgical? This is everything that I deal with daily in terms of cancer in counseling patients. What prompted this review regarding GYN cancer management? Dr. Andreas Obermair: Yes, our article was published in the ASCO Educational Book; it is volume 44 in 2024. And this article covers some key aspects of targeted precision surgical management principles in endometrial cancer, cervical cancer, and ovarian cancer. While surgery is considered the cornerstone of gynecologic cancer treatment, sometimes research doesn't necessarily reflect that. And so I think ASCO asked us to; so it was not just me, there was a team of colleagues from different parts of the United States and Australia to reflect on surgical aspects of gynecologic cancer care and I feel super passionate about that because I do believe that surgery has a lot to offer. Surgical interventions need to be defined and overall, I see the research that I'm doing as part of my daily job to go towards precision surgery. And I think that is, well, that is something that I'm increasingly passionate for. Dr. Ebony Hoskins: Well, I think we should get into it. One thing that comes to mind is the innovation of minimally invasive surgery in endometrial cancer. I always reflect on when I started my fellowship, I guess it's been about 15 years ago, all of our endometrial cancer patients had a midline vertical incision, increased risk of abscess, infections and a long hospital stay. Do you mind commenting on how you see management of endometrial cancer today? Dr. Andreas Obermair: Thank you very much for giving the historical perspective because the generation of gynecologic oncologists today, they may not even know what we dealt with, what problems we had to solve. So like you, when I was a fellow in gynecologic oncology, we did midline or lower crosswise incisions, the length of stay was, five days, seven days, but we had patients in hospital because of complications for 28 days. We took them back to the operating theaters because those are patients with a BMI of 40 plus, 45, 50 and so forth. So we really needed to solve problems. And then I was exposed to a mentor who taught minimal invasive surgery. And in Australia he was one of the first ones who embarked on that. And I can remember, I was mesmerized by this operation, like not only how logical this procedure was, but also we did rounds afterwards. And I saw these women after surgery and I saw them sitting upright, lipstick on, having had a full meal at the end of the day. And I thought, wow, this is the most rewarding experience that I have to round these patients after surgery. And so I was thinking, how could I help to establish this operation as standard? Like a standard that other people would accept this is better. And so I thought we needed to do a trial on this. And then it took a long time. It took a long time to get the support for the [LACE - Laparoscopic Approach to Cancer of the Endometrium] trial. And in this context, I just also wanted to remind us all that there were concerns about minimal invasive surgery in endometrial cancer at the time. So for example, one of the concerns was when I submitted my grant funding applications, people said, “Well, even if we fund you, wouldn't be able to do this trial because there are actually no surgeons who actually do minimally invasive surgery.” And at the time, for example, in Australia, there were maybe five people, a handful of people who were able to do this operation, right? This was about 20 years ago. The other concern people had was they were saying, could minimally invasive surgery for endometrial cancer, could that cause port side metastasis because there were case reports. So there were a lot of things that we didn't know anyway. We did this trial and I'm super happy we did this trial. We started in 2005, and it took five years to enroll. At the same time, GOG LAP2 was ramping up and the LACE trial and GOG LAP2 then got published and provided the foundations for minimally invasive surgery in endometrial cancer. I'm super happy that we have randomized data about that because now when we go back and now when people have concerns about this, should we do minimally invasive surgery in P53 mutant tumors, I'm saying, well, we actually have data on that. We could go back, we could actually do more research on that if we wanted to, but our treatment recommendations are standing on solid feet. Dr. Ebony Hoskins: Well, my patients are thankful. I see patients all the time and they have high risk and morbidly obese, lots of medical issues and actually I send them home most the same day. And I think, you know, I'm very appreciative of that research, because we obviously practice evidence-based and it's certainly a game changer. Let's go along the lines of MIS and cervical cancer. And this is going back to the LACC [Laparoscopic Approach to Cervical Cancer] trial. I remember, again, one of these early adopters of use of robotic surgery and laparoscopic surgery for radical hysterectomy and thought it was so cool. You know, we can see all the anatomy well and then have the data to show that we actually had a decreased survival. And I even see that most recent updated data just showing it still continued. Can you talk a little bit about why you think there is a difference? I know there's ongoing trials, but still interested in kind of why do you think there's a survival difference? Dr. Andreas Obermair: So Ebony, I hope you don't mind me going back a step. So the LACC study was developed from the LACE trial. So we thought we wanted to reproduce the LACE data/LAP2 data. We wanted to reproduce that in cervix cancer. And people were saying, why do you do that? Like, why would that be different in any way? We recognize that minimally invasive radical hysterectomy is not a standard. We're not going to enroll patients in a randomized trial where we open and do a laparotomy on half the patients. So I think the lesson that really needs to be learned here is that any surgical intervention that we do, we should put on good evidence footing because otherwise we're really running the risk of jeopardizing patients' outcomes. So, that was number one and LACC started two years after LACE started. So LACC started in 2007, and I just wanted to acknowledge the LACC principal investigator, Dr. Pedro Ramirez, who at the time worked at MD Anderson. And we incidentally realized that we had a common interest. The findings came totally unexpected and came as an utter shock to both of us. We did not expect this. We expected to see very similar disease-free and overall survival data as we saw in the endometrial cancer cohort. Now LACC was not designed to check why there was a difference in disease-free survival. So this is very important to understand. We did not expect it. Like, so there was no point checking why that is the case. My personal idea, and I think it is fair enough if we share personal ideas, and this is not even a hypothesis I want to say, this is just a personal idea is that in endometrial cancer, we're dealing with a tumor where most of the time the cancer is surrounded by a myometrial shell. And most of the time the cancer would not get into outside contact with the peritoneal cavity. Whereas in cervix cancer, this is very different because in cervix cancer, we need to manipulate the cervix and the tumor is right at the outside there. So I personally don't use a uterine manipulator. I believe in the United States, uterine manipulators are used all the time. My experience is not in this area, so I can't comment on that. But I would think that the manipulation of the cervix and the contact of the cervix to the free peritoneal cavity could be one of the reasons. But again, this is simply a personal opinion. Dr. Ebony Hoskins: Well, I appreciate it. Dr. Andreas Obermair: Ebony at the end of the day, right, medicine is empirical science, and empirical science means that we just make observations, we make observations, we measure them, and we pass them on. And we made an observation. And, and while we're saying that, and yes, you're absolutely right, the final [LACC] reports were published in JCO recently. And I'm very grateful to the JCO editorial team that they accepted the paper, and they communicated the results because this is obviously very important. At the same time, I would like to say that there are now three or four RCTs that challenge the LACC data. These RCTs are ongoing, and a lot of people will be looking forward to having these results available. Dr. Ebony Hoskins: Very good. In early-stage cervical cancer, the SHAPE trial looked at simple versus radical hysterectomy in low-risk cervical cancer patients. And as well all know, simple hysterectomy was not inferior to radical hysterectomy with respect to the pelvic recurrence rate and any complications related to surgery such as urinary incontinence and retention. My question for you is have you changed your practice in early-stage cervical cancer, say a patient with stage 1B1 adenocarcinoma with a positive margin on conization, would you still offer this patient a radical hysterectomy or would you consider a simple hysterectomy? Dr. Andreas Obermair: I think this is a very important topic, right? Because I think the challenge of SHAPE is to understand the inclusion criteria. That's the main challenge. And most people simplify it to 2 cm, which is one of the inclusion criteria but there are two others and that includes the depth of invasion. Dr. Marie Plante has been very clear. Marie Plante is the first author of the SHAPE trial that's been published in the New England Journal of Medicine only recently and Marie has been very clear upfront that we need to consider all three inclusion criteria and only then the inclusion criteria of SHAPE apply. So at the end of the day, I think what the SHAPE trial is telling us that small tumors that would strictly fulfill the criteria of a 1B or 1B1 cancer of the cervix can be considered for a standard type 1 or PIVA type 1 or whatever classification we're trying to use will be eligible. And that makes a lot of sense. I personally not only look at the size, I also look at the location of the tumor. I would be very keen that I avoid going through tumor tissue because for example, if you have a tumor that is, you know, located very much in one corner of the cervix and then you do a standard hysterectomy and then you have a positive tumor margin that would be obviously, most people would agree it would be an unwanted outcome. So I'd be very keen checking the location, the size of the tumor, the depths of invasion and maybe then if the tumor for example is on one side of the cervix you can do a standard approach on the contralateral side but maybe do a little bit more of a margin, a parametrial margin on the other side. Or if a tumor is maybe on the posterior cervical lip, then you don't need to worry so much about the anterior cervical margin, maybe take the rectum down and maybe try to get a little bit of a vaginal margin and the margin on the uterus saccals. Just really to make sure that you do have margins because typically if we get it right, survival outcomes of clinical stage 1 early cervix cancer 1B1 1B 2 are actually really good. It is a very important thing that we get the treatment right. In my practice, I use a software to record my treatment outcomes and my margins. And I would encourage all colleagues to be cognizant and to be responsible and accountable to introduce accountable clinical practice, to check on the margins and check on the number on the percentage of patients who require postoperative radiation treatment or chemo radiation. Dr. Ebony Hoskins: Very good. I have so many questions for you. I don't know the statistics in Australia, but here, there's increased rising of endometrial cancer and certainly we're seeing it in younger women. And fertility always comes up in terms of kind of what to do. And I look at the guidelines and, see if I can help some of the women if they have early-stage endometrial cancer. Your thoughts on what your practice is on use of someone who may meet criteria, if you will. The criteria I use is grade 1 endometrioid adenocarcinoma. No myometria invasion. I try to get MRI'd and make sure that there's no disease outside the endometrium. And then if they make criteria, I typically would do an IUD. Can you tell me what your practice is and where you've had success? Dr. Andreas Obermair: So, we initiated the feMMe clinical trial that was published in 2021 and it was presented in a Plenary at one of the SGO meetings. I think it was in 2021, and we've shown complete pathological response rates after levonorgestrel intrauterine device treatment. And so in brief, we enrolled patients with endometrial hyperplasia with atypia, but also patients with grade 1 endometrial adenocarcinoma. Patients with endometrial hyperplasia with atypia had, in our series, had an 85 % chance of developing a complete pathological response. And that was defined as the complete absence of any atypia or cancer. So endometrial hyperplasia with atypia responded in about 85%. In endometrial cancer, it was about half, it was about 45, 50%. In my clinical practice, like as you, I see patients, you know, five days a week. So I'm looking after many patients who are now five years down from conservative treatment of endometrial cancer. There are a lot of young women who want to get pregnant, and we had babies, and we celebrate the babies obviously because as gynecologist obstetricians it couldn't get better than that, right, if our cancer patients have babies afterwards. But we're also treating women who are really unfit for surgery and who are frail and where a laparoscopic hysterectomy would be unsafe. So this phase is concluded, and I think that was very successful. At least we're looking to validate our data. So we're having collaborations, we're having collaborations in the United States and outside the United States to validate these data. And the next phase is obviously to identify predictive factors, to identify predictors of response. Because as you can imagine, there is no point treating patients with a levonorgestrel intrauterine joint device where we know in advance that she's not going to respond. So this is a very, very fascinating story and we got our first set of data already, but now we just really need to validate this data. And then once the validation is done, my unit is keen to do a prospective validation trial. And that also needs to involve international collaborators. Dr. Ebony Hoskins: Very good. Moving on to ovarian cancer, we see patients with ovarian cancer with, say, at least stage 3C or higher who started neoadjuvant chemotherapy. Now, some of these patients are hearing different things from their medical oncologist versus their gynecologic oncologist regarding the number of cycles of neoadjuvant chemotherapy after getting diagnosed with ovarian cancer. I know that this can be confusing for our patients coming from a medical oncologist versus a gynecologic oncologist. What do you say to a patient who is asking about the ideal number of chemotherapy cycles prior to surgery? Dr. Andreas Obermair: So this is obviously a very, very important topic to talk about. We won't be able to provide a simple off the shelf answer for that, but I think data are emerging. The ASCO guidelines should also be worthwhile considering because there are actually new ASCO Guidelines [on neoadjuvant chemotherapy for newly diagnosed, advanced ovarian cancer] that just came out a few weeks ago and they would suggest that we should be aiming for R0 in surgery. If we can maybe take that as the pivot point and then go back and say, okay, so what do need to do to get the patient to zero? I'm not an ovarian cancer researcher; I'm obviously a practicing gynecologic oncologist. I think about things a lot and things like that. In my practice, I would want a patient to develop a response after neoadjuvant chemotherapy. So, if a patient doesn't have a response after two or three cycles, then I don't see the point for me to offer her an operation. In my circle with the medical oncologists that I work with, I have a very, very good understanding. So, they send the patient to me, I take them to the theater. I take a good chunk of tissue from the peritoneum. We have a histopathologic diagnosis, we have a genomic diagnosis, they go home the same day. So obviously there is no hospital stay involved with that. They can start the chemotherapy after a few days. There is no hold up because the chances of surgical complication in a setting like this is very, very low. So I use laparoscopy to determine whether the patient responds or not. And for many of my patients, it seems to work. It's obviously a bit of an effort and it takes operating time. But I think I'm increasing my chances to make the right decision. So, coming back to your question about whether we should give three or six cycles, I think the current recommendations are three cycles pending the patient's response to neoadjuvant chemotherapy because my aim is to get a patient to R0 or at least minimal residual disease. Surgery is really, in this case, I think surgery is the adjunct to systemic treatment. Dr. Ebony Hoskins: Definitely. I think you make a great point, and I think the guideline just came out, like you mentioned, regarding neoadjuvant. And I think the biggest thing that we need to come across is the involvement of a gynecologic oncologist in patients with ovarian cancer. And we know that that survival increases with that involvement. And I think the involvement is the surgery, right? So, maybe we've gotten away from the primary tumor debulking and now using more neoadjuvant, but surgery is still needed. And so, I definitely want to have a take home that GYN oncology is involved in the care of these patients upfront. Dr. Andreas Obermair: I totally support that. This is a very important statement. So when I'm saying surgery is the adjunct to medical treatment, I don't mean that surgery is not important. Surgery is very important. And the timing is important. And that means that the surgeons and the med oncs need to be pulling on the same string. The med oncs just want to get the cytotoxic into the patients, but that's not the point, right? We want to get the cytotoxic into the patients at the right time because if we are working under this precision surgery, precision treatment mantra, it's not only important what we do, but also doing it at the right time. And ideally, I I would like to give surgery after three cycles of neoadjuvant chemotherapy, if that makes sense. But sometimes for me as a surgeon, I talk to my med onc colleagues and I say, “Look, she doesn't have a good enough response to her treatment and I want her to receive six cycles and then we re-evaluate or change medical treatment,” because that's an alternative that we can swap out drugs and treat upfront with a different drug and then sometimes they do respond. Dr. Ebony Hoskins: I have maybe one more topic. In the area I'm in, in the Washington D.C. area, we see lots of endometrial cancer and they're not grade 1, right? They're high-risk endometrial cancer and advanced. So a number of patients with stage 3 disease, some just kind of based off staging and then some who come in with disease based off of the CT scan, sometimes omental caking, ascites. And the real question is we have extrapolated the use of neoadjuvant chemotherapy to endometrial cancer. It's similar, but not the same. So my question is in an advanced endometrial cancer, do you think there's still a role, when I say advanced, I mean, maybe stage 4, a role for surgery? Dr. Andreas Obermair: Most definitely. But the question is when do you want to give this surgery? Similar to ovarian cancer, in my experience, I want to get to R0. What am I trying to achieve here? So, I reckon we should do a trial on this. And I reckon we have, as you say, the number of patients in this setting is increasing, we could do a trial. I think if we collaborate, we would have enough patients to do a proper trial. Obviously, we would start maybe with a feasibility trial and things like that. But I reckon a trial would be needed in this setting because I find that the incidence that you described, that other people would come across, they're becoming more and more common. I totally agree with you, and we have very little data on that. Dr. Ebony Hoskins: Very little and we're doing what we can. Dr. Obermair, thank you for sharing your fantastic insights with us today on the ASCO Daily News Podcast and for all the work you do to advance care for patients with gynecologic cancer. Dr. Andreas Obermair: Thank you, Dr. Hoskins, for hosting this and it's been an absolute pleasure speaking with you today. Dr. Ebony Hoskins: Definitely a pleasure and thank you to our listeners for your time today. Again, Dr. Obermair's article is titled, “Controversies in the Surgical Management of Gynecologic Cancer: Balancing the Decision to Operate or Hesitate,” and was published in the 2024 ASCO Educational Book. And you'll find a link to the article in the transcript of this episode. Finally, if you value the insights that you hear on the ASCO Daily News Podcast, please take a moment to rate, review and subscribe wherever you get your podcasts. Disclaimer: The purpose of this podcast is to educate and to inform. This is not a substitute for professional medical care and is not intended for use in the diagnosis or treatment of individual conditions. Guests on this podcast express their own opinions, experience and conclusions. Guest statements on the podcast do not express the opinions of ASCO. The mention of any product, service, organization, activity or therapy should not be construed as an ASCO endorsement. Find out more about today's speakers: Dr. Ebony Hoskins @drebonyhoskins Dr. Andreas Obermair @andreasobermair Follow ASCO on social media: @ASCO on Twitter ASCO on Bluesky ASCO on Facebook ASCO on LinkedIn Disclosures: Dr. Ebony Hoskins: No relationships to disclose. Dr. Andreas Obermair: Leadership: SurgicalPerformance Pty Ltd. Stock and Ownership Interests: SurgicalPerformance Pty Ltd. Honoraria: Baxter Healthcare Consulting or Advisory Role: Stryker/Novadaq Patents, Royalties, and Other Intellectual Property: Shares in SurgicalPerformance Pty Ltd. Travel, Accommodation, Expenses: Stryker
Frederick Bell, CEO of Elemental Altus Royalties, discusses the company's financial guidance, including a 50% year-on-year increase in adjusted revenue for 2025. He highlights the company's strategic growth initiatives, including the ability to deploy capital for new acquisitions and the recent appointment of an experienced board member in the royalty space, Sandeep Singh. The discussion also touches on the future outlook for the company amidst fluctuating gold prices and the importance of improving liquidity for shareholders.
Episode: 2375 The Copyright on Hitler's Book Mein Kampf. Today, a twisted case of copyright.
Visit: RadioLawTalk.com for information & full episodes! Follow us on Facebook: bit.ly/RLTFacebook Follow us on Twitter: bit.ly/RLTTwitter Follow us on Instagram: bit.ly/RLTInstagram Subscribe to our YouTube channel: www.youtube.com/channel/UC3Owf1BEB-klmtD_92-uqzg Your Radio Law Talk hosts are exceptional attorneys and love what they do! They take breaks from their day jobs and make time for Radio Law Talk so that the rest of the country can enjoy the law like they do. Follow Radio Law Talk on Youtube, Facebook, Twitter & Instagram!
In this episode, featuring Keith Muller, CEO of Atlantic Lithium, we discuss the latest developments and challenges facing the lithium market and Atlantic Lithium's shareholders over the past 18 months. Keith provides insights on the emergence of African spodumene supply and its impact on the lithium industry, along with an update on Atlantic Lithium's involvement in the Ghana elections and its collaborative ventures with Piedmont Lithium. The company is forecasting 360,000 tons per year of spodumene concentrate. The interview also highlights strategic investments, project milestones, and potential financing options, noting that the company is fortified by strategic partnerships and boasts zero debt. CHAPTERS
In their 15 years on the scene, Spotify has reshaped the way that people listen to music. A new book explores what the streaming company did to get so powerful, and how it is continuing to alter the music landscape, often in ways that disadvantage the artists it claims to support. Journalist Liz Pelly discusses the reporting from her book, Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist. Liz Pelly will be in conversation with WNYC's John Schaefer at the New York Public Library's Stavros Niarchos Foundation Library on March 11.
Nametag shares the steps on how Music Artists can and should collect their royalties from live performances.More on Nametag Alexander @https://linktr.ee/nametagalexanderNametag & Nameless: ‘For Namesake 2'https://ffm.to/eodjyqr
Dr. Boyce Watkins is a Finance PhD, the founder of The Black Business School, and the author of The 10 Commandments of Black Economic Power. He is dedicated to helping the Black community build wealth through financial education. With a strong presence in media, Dr. Boyce has been featured on major outlets such as CNN, Fox News, and CNBC. He is also the host of the Dr. Boyce Watkins podcast, where he addresses economic issues affecting Black families. To receive a free list of his favorite AI stocks, text the word "Stock" to 87948. Visit BoyceWatkins.com for more resources and support on financial empowerment.
EPISODE SUMMARY In this episode of Entertainment Law Update, join Gordon Firemark and Tamara Bennett as they dive into the latest legal battles shaping the future of AI, copyright, and digital media. This AI-packed episode covers Texas' new ethics … Read the rest The post AI Copyright Gets Cheesy, Podcasters Win Fair Use, and Spotify Dodges? Royalties – Entertainment Law Update 177 appeared first on Entertainment Law Update.
Right About Now with Ryan AlfordJoin media personality and marketing expert Ryan Alford as he dives into dynamic conversations with top entrepreneurs, marketers, and influencers. "Right About Now" brings you actionable insights on business, marketing, and personal branding, helping you stay ahead in today's fast-paced digital world. Whether it's exploring how character and charisma can make millions or unveiling the strategies behind viral success, Ryan delivers a fresh perspective with every episode. Perfect for anyone looking to elevate their business game and unlock their full potential.Resources:Right About Now NewsletterFree Podcast Monetization CourseJoin The NetworkFollow Us On InstagramSubscribe To Our Youtube ChannelVibe Science MediaSUMMARYIn this episode of Right About Now, host Ryan Alford, joined by Chris Hansen, welcomes Jamie Schwarz—an innovative entrepreneur and co-founder of Team Flow Institute and Parallel Worlds US. As the holder of the world's oldest NFT patent, Jamie shares his journey from advertising to founding Brand Therapy. The discussion explores the evolving world of branding, marketing, and NFTs, with a strong focus on authenticity and community-driven engagement. Chris provides insights into the communal aspects of NFTs, while Jamie delves into co-creation and the intersection of digital and physical assets, highlighting the transformative potential of NFTs in redefining digital ownership.TAKEAWAYSThe evolution of branding and marketing in the digital age.Jamie Schwarz's background in advertising and transition to brand therapy.The significance of authenticity and creativity in marketing strategies.The impact of performance marketing versus branding on consumer relationships.The role of NFTs in digital ownership and their potential to reshape value in the digital realm.The community aspect of NFTs and their emotional storytelling value.The convergence of digital and physical assets, particularly among younger generations.The concept of digital spaces as "sandboxes" for creators and the importance of economic incentives.The shift towards co-creation and collaboration in creative industries.The need for companies to adapt and prioritize employee well-being in a rapidly changing business landscape. If you enjoyed this episode and want to learn more, join Ryan's newsletter https://ryanalford.com/newsletter/ to get Ferrari level advice daily for FREE. Learn how to build a 7 figure business from your personal brand by signing up for a FREE introduction to personal branding https://ryanalford.com/personalbranding. Learn more by visiting our website at www.ryanisright.comSubscribe to our YouTube channel www.youtube.com/@RightAboutNowwithRyanAlford.
107 Unlocking International Royalties: How to Get Paid for Your Music Worldwide In this Music Is My Business episode, Clint welcomes Jared Lozano, Director of International Royalties at SESAC, to break down how international royalties work for music producers and songwriters. They discuss the challenges of getting paid globally, metadata registration, the role of PROs, and why streaming royalties are often so low. Jared also shares insider tips on navigating foreign music markets, setting up a publishing entity, and maximizing your sync revenue. If you're a music creator looking to earn more from your placements, this episode is packed with must-know insights. How International Royalties Work Streaming Royalties Exclusive vs. Non-Exclusive Sync Deals The Power of Sub-Publishing Free 6-Step Guide - https://www.clintproductions.com/6steps Producer Mentorship - https://www.producermentorship.com](https://www.producermentorship.com/ Follow Clint on IG: https://www.instagram.com/clintmusic Watch Clint on YouTube: https://www.youtube.com/aclintjr Link To Resources: https://www.clintproductions.com/linkinbio
Tom welcomes back Robert Sinn to share his background in precious metals, junior mining, and biotech investing. Robert emphasizes the attractiveness of gold mining equities due to their underappreciated nature and the potential for significant returns. He highlights that the sector is less competitive compared to mainstream stocks like Apple or Microsoft, offering investors an edge through lower competition and fewer institutional players. Sinn structures his portfolio by considering market capitalization and volatility, allocating smaller percentages to high-risk junior miners (e.g., 2-3%) and larger allocations to more stable major miners (e.g., 10%). He prioritizes risk management, focusing on potential losses before profit opportunities. He also advises against holding overly concentrated positions in volatile stocks, suggesting that investors should cap their exposure based on market feedback. He touches on the macroeconomic backdrop, particularly the secular bull market for gold driven by central banks' increased demand, especially from China and India. Sinn notes that gold's role as a safe-haven asset is becoming more pronounced amid global uncertainty and geopolitical tensions. He also discusses the potential impact of tariffs and trade policies under the current administration on gold prices, suggesting that these factors could further drive demand. Sinn critiques the use of ETFs like GDX to gauge the entire mining sector, arguing that such funds are skewed towards larger companies and may not reflect broader trends. Instead, he advocates for a more nuanced approach, examining individual company performance and pipeline projects. He also touches on the importance of China's gold accumulation, which has significantly influenced global markets, and the potential for a physical short squeeze in gold. While acknowledging the complexity of predicting such events, Sinn believes that gold's role as a hedge against inflation and economic instability will continue to drive its value. Finally, Sinn underscores the need for investors to understand both macroeconomic trends and micro-level company fundamentals, emphasizing the importance of staying informed and adaptable in a rapidly changing market landscape. Time Stamp References:0:00 - Introduction0:46 - A Mining Equity Focus3:25 - Volatility & Risk5:46 - Doubling Down?8:35 - Wild Market Signals11:55 - Mine Lifecycles15:26 - Sentiment & Interest18:56 - Market Contrasts21:00 - New Investor Advice23:02 - Mergers & Mine Cycles25:06 - Problems With The GDX26:46 - Deposits & Economics28:14 - Royalties & Streams28:48 - Macro Outlook & Gold34:24 - Asian Gold Demand35:37 - LBMA & Deliveries?39:00 - Silver Demand?41:18 - His Primary Focus?44:37 - The 4th Turning46:19 - Wrap Up Talking Points From This Episode Robert highlights gold mining equities' potential for significant returns due to underappreciation and fewer institutional players. Sinn advocates for a balanced miner portfolio, allocating smaller percentages to high-risk junior miners and larger percentages to stable major miners. He emphasizes risk management. Sinn discusses the gold bull market driven by central bank demand, safe-haven status in uncertain times, and potential impact of tariffs on prices. Guest Links:Twitter: https://twitter.com/CEOTechnicianSubstack: https://robertsinn.substack.comCEO.CA: https://ceo.ca/@goldfingerYouTube: https://www.youtube.com/channel/UCV_3gUkg2hbl-Fni4XxNb_Q Robert Sinn is a 20+ year market veteran whose research and insights are followed by hedge fund managers, investment professionals and thousands of readers/viewers across the globe. His introduction to the stock market came in 2003 when his Father shared a research note on a company called Northern Dynasty Minerals (NDM). Shares proceeded to rise more than 1000% over the next nine months. Robert was hooked, and the Junior mining sector became an obsession.
D&P Highlight: Is it time to rethink royalties in the music industry? full 441 Thu, 13 Feb 2025 19:55:00 +0000 ZdZ8XvreHgAycu8RNMv06bBp8zibxwEk news The Dana & Parks Podcast news D&P Highlight: Is it time to rethink royalties in the music industry? You wanted it... Now here it is! Listen to each hour of the Dana & Parks Show whenever and wherever you want! 2024 © 2021 Audacy, Inc. News False https://player.amperwav
In today's episode Judith Germain speaks to Carter Fox about the importance of branding and building a consistent identity/community for artists to succeed in the music industry today. Carter describes how he has cultivated a distinct personal brand as the "soulful traveling spaceman bass man", which was inspired by a friend's observation about his persona. He explains how developing a strong brand identity is crucial for building a dedicated fanbase in the music industry. Key Takeaways Branding and consistency are crucial for artist success, helping build community and fan engagement Modern artists need to take control of their career, understanding all aspects from production to publishing Sustainable careers in music require adaptability, continual involvement, and openness to new technologies and opportunities In this conversation, Judith and Carter discuss the challenges modern artists face in monetising their music, given the shift towards streaming and the decline of traditional revenue streams like album sales and radio play. Carter outlines strategies for independent artists to build sustainable careers, including managing publishing rights, leveraging new platforms like TikTok, and diversifying income streams. You can find out more about our guest and today's episode in this Maverick Paradox Magazine article here. --- Maverick leadership is all about thinking outside the box and challenging the status quo. It's about having the courage to take risks and the confidence to lead in a way that is authentic and genuine. But amplifying your influence as a leader isn't just about having a strong vision or a big personality. It's also about having the right leadership capability and being able to execute on your ideas and plans. The consequences of not having the right level of influence as a leader can be significant. Without the ability to inspire and motivate others, you may struggle to achieve your goals and make a real impact. How Influential Are you? Take the scorecard at amplifyyourinfluence.scoreapp.com and see. Catalysing Transformation - 1 min video Judith's book: The Maverick Paradox: The Secret Power Behind Successful Leaders. Judith's websites: Judith Germain (mentoring, Speaker, author) - judithgermain.com The Maverick Paradox Magazine - themaverickparadox.com The Maverick Paradox Website - maverickparadox.co.uk Judith's LinkedIn profile is here, her Twitter profile (MaverickMastery) is here, Facebook here and Instagram here.
Scott Allan is the bestselling author of self-help books such as Fail Big, Relaunch Your Life, and Do the Hard Things First. ---- Find a Virtual Assistant at va.world -- Upgrade Your Brain Unleash & Use Your Uniqueness https://braingym.fitness/ --- Speaking Podcast/ Podcast Coaching /My Other Podcasts https://roycoughlan.com/ --------------- About my Guest Scott Allan: Scott Allan's journey transcends personal achievement to empower podcast audiences globally. With a portfolio of bestselling books, including "Do the Hard Things First," translated into 16 languages and over half a million copies sold, Scott's mission is to unlock human potential. Drawing from extensive experience as a corporate business trainer in Japan and a Transformational Success Strategist, he brings over 10,000 hours of research and practice in confidence development and mindset mastery. Scott's dedication to teaching, skill-building, and inspiring action offers podcast listeners not just stories but transformative insights and practical strategies for embracing challenges, fostering personal growth, and pursuing relentless self-improvement. What we Discussed: - Who is Scott Allan (2 mins) - Is the School system in Japan as we see on TV ( 6 mins) - The different of schools in Japan ( 7:30 mins) - His Meditation Journey ( 8:30 mins) - Visualis ation forSport (14 mins) - Meditation helping Anxiety (15:45) - Walking Meditation (18:45 mins) - His Journaling Process (21 mins) - Combining his Journals into a blueprint (23:30 mins) - His Creative writing process ( 27 mins) - Self Publishing Vs Publisher (33 mins) - How other Publishers Promote the book and Royalities( 40 mins) - Can we track the Royalties (43 mins) - The Besy Way to Launch a Book ( 46 mins) - The problems we had with Amazon (52 mins) - Why he gets people to do the Audio (54 mins) - The services he offers (56 mins) How to Contact Scott Allan : https://www.scottallanpublishing.com/ https://www.instagram.com/scottallanauthor/ https://www.facebook.com/scottallanauthor/ https://x.com/thescottallan https://www.linkedin.com/in/scott-allan-79a7b97b/ --- Help Support the Podcast by visiting my Store, Making a Donation or Supporting my Sponsors http://meditationpodcast.org/ Our Facebook Group can be found at https://www.facebook.com/meditationpodcast.org Find a Virtual Assistant at va.world
Scott Allan is the bestselling author of self-help books such as Fail Big, Relaunch Your Life, and Do the Hard Things First.----Find a Virtual Assistant at va.world--Upgrade Your Brain Unleash & Use Your Uniqueness https://braingym.fitness/ --- Speaking Podcast/ Podcast Coaching /My Other Podcasts https://roycoughlan.com/ --------------- About my Guest Scott Allan: Scott Allan's journey transcends personal achievement to empower podcast audiences globally. With a portfolio of bestselling books, including "Do the Hard Things First," translated into 16 languages and over half a million copies sold, Scott's mission is to unlock human potential. Drawing from extensive experience as a corporate business trainer in Japan and a Transformational Success Strategist, he brings over 10,000 hours of research and practice in confidence development and mindset mastery. Scott's dedication to teaching, skill-building, and inspiring action offers podcast listeners not just stories but transformative insights and practical strategies for embracing challenges, fostering personal growth, and pursuing relentless self-improvement. What we Discussed: - Who is Scott Allan (2 mins) - Is the School system in Japan as we see on TV ( 6 mins) - The different of schools in Japan ( 7:30 mins) - His Meditation Journey ( 8:30 mins) - Visualis ation forSport (14 mins) - Meditation helping Anxiety (15:45) - Walking Meditation (18:45 mins) - His Journaling Process (21 mins) - Combining his Journals into a blueprint (23:30 mins) - His Creative writing process ( 27 mins) - Self Publishing Vs Publisher (33 mins) - How other Publishers Promote the book and Royalities( 40 mins) - Can we track the Royalties (43 mins) - The Besy Way to Launch a Book ( 46 mins) - The problems we had with Amazon (52 mins) - Why he gets people to do the Audio (54 mins) - The services he offers (56 mins) How to Contact Scott Allan : https://www.scottallanpublishing.com/ https://www.instagram.com/scottallanauthor/ https://www.facebook.com/scottallanauthor/ https://x.com/thescottallan https://www.linkedin.com/in/scott-allan-79a7b97b/ --- Help Support the Podcast by visiting my Store, Making a Donation or Supporting my Sponsors http://meditationpodcast.org/ Our Facebook Group can be found at https://www.facebook.com/meditationpodcast.org Find a Virtual Assistant at va.world
Jon Ostenson is the Founder and CEO of FranBridge Consulting, an Inc. 5000 company, and he is a top .1% franchise consultant. ------------------ All about Roy / Brain Gym & Virtual Assistants at https://roycoughlan.com/ ------------------ About my Guest Jon Ostenson: Jon Ostenson is the Founder and CEO of FranBridge Consulting, an Inc. 5000 company, and he is a top .1% franchise consultant. Jon is also the author of the bestselling book, ‘Non-Food Franchising'. Jon draws on his experience as a former Inc. 500 Franchise President and Multi-Brand Franchisee in helping his clients select their franchise investments. Jon is a frequent contributor on franchising for publications such as Forbes, Inc., and Bloomberg. What we Discussed: - His journey in Franchising ( 2 mins) - Sometimes its not always a match with a Franchisor and Franchisee ( 4 mins) - Not all Franchisors are ethical ( 6:30 mins) - Own Business V's a Franchise (8:30 mins) - Can you get different sector Franchises (11:30 mins) - Vets get a Discount when buying a Franchise ( 14 mins) - How a Franchise Brooker helps with the Selection and what is the FDD (15 mins) - Investments needed for a Franchise (18:30 mins) - The Royalties and what you get for it (20 mins) - The trickey with scripts to sell the franchise ( 22 mins) - What is a Discovery Day (24:20 mins) - Why Franchisors work with Consultants to find Franchisees ( 26 mins) - Lead Generation ( 27:30 mins) - Tax Optimixation (28:30 mins) - The Non Profit that he donates profits of the book to (30:30 mins) - Next steps if you are interested in starting a franchise (32:30 mins) Where to find Jon Ostenson : https://franbridgeconsulting.com https://www.linkedin.com/in/jonostenson/ https://www.facebook.com/JonOstenson1/ https://twitter.com/Jon_Ostenson https://www.youtube.com/@JonOstensonFBC ------------------------------ All about Roy / Brain Gym & Virtual Assistants at https://roycoughlan.com/ Our Facebook Group can be found at https://www.facebook.com/speakingpodcast
In Part 1 of this two-part series, Kent engages in a lively conversation with Rudy Gatlin, a member of the renowned country music group, the Gatlin Brothers. Kent opens with a humorous anecdote about a "seniors GPS" and shares his experience attending a cold inauguration in Washington, D.C. The discussion then shifts to Rudy's family background, the Gatlin Brothers' early days in Texas, their move to Nashville, and their first hit song, "Broken Lady." Rudy also reflects on the evolving music industry, highlighting the impact of digital platforms and streaming services on artists' royalties.