Podcasts about Entertainment law

Courtroom battles are reshaping the film industry in ways that affect everyone from A-list stars to streaming subscribers. When Scarlett Johansson sued Disney over Black Widow's simultaneous streaming release, she wasn't just fighting for her paycheck—she was challenging how talent gets compensated in the digital age. The resulting alleged $40 million settlement forced studios everywhere to rewrite contracts with streaming contingencies.Meanwhile, across the globe, Nigerian filmmaker Femi Adebayo made history with a judgment against digital pirates who cleverly misused his film's promotional materials. His three-year legal fight established crucial precedent for Nollywood creators and signaled that copyright protection extends beyond Hollywood's borders.Technology continues to create fascinating legal disruptions. When Quentin Tarantino announced plans to auction Pulp Fiction NFTs, Miramax quickly filed suit, arguing his 1993 contract never contemplated blockchain tokens. Though they settled privately, the dispute highlighted how decades-old agreements struggle to address technologies that didn't exist when the ink dried.The most provocative developments involve artificial intelligence. Buenos Aires prosecutors are challenging their own government for failing to regulate AI systems that clone faces and voices without consent, framing digital identity as a constitutional right. Simultaneously, Chinese courts ruled that images created with AI tools can receive copyright protection—but only when significant human creativity guides the process.From Japanese courts imposing record penalties against "fast movie" channels that condense films into unauthorized summaries to European judges limiting what information YouTube must share about copyright infringers, these cases collectively demonstrate that intellectual property law isn't just legal background noise—it's the script determining who controls the stories we love.Whether you're creating content, distributing it, or simply enjoying it as a fan, understanding these shifting legal frameworks provides a fascinating new lens through which to view your favorite films. Subscribe now to explore more intersections of creativity and the fine print that governs it.Send us a text

106 : The Flow: Episode 106 - Cover Your Assets: Legal Must-Knows for Podcasters Ecamm Network Listen to The Flow Think your podcast is legally sound? Think again. In this must-listen episode of The Flow, we're joined by Gordon Firemark, the go-to podcast lawyer, to break down the legal essentials every podcaster needs to know. From copyright concerns and guest releases to music licensing, trademarks, and how to protect your content — Gordon shares actionable advice that could save your show (and your wallet).Whether you're just starting out or have hundreds of episodes under your belt, this episode is your legal crash course to podcasting smart and staying protected.We'll cover:✅ AI-Generated Content & Copyright: Who Owns What?✅ Guest Releases & Interview Rights: Are You Covered?✅ Music, Clips, and Copyright Claims: What You Can and Can't Use✅ And more!

In this episode, we sit down with Kennington Groff, Esq., an experienced attorney specializing in intellectual property, entertainment, and corporate law. With a career spanning major companies like HBO, NBCUniversal, and Lionsgate, Kennington shares insights into protecting creative work, legal pitfalls businesses should avoid, and how the entertainment industry is evolving in the digital age.What You'll Learn:Kennington's journey into law and entertainmentCommon misconceptions about trademarks and copyrightsThe biggest IP challenges facing content creators todayLegal mistakes businesses make when protecting their brandHow streaming platforms have changed entertainment lawEssential legal advice for entrepreneurs and startupsKennington's volunteer work and advice for aspiring lawyersWhether you're a content creator, entrepreneur, or business owner, this episode is packed with valuable legal insightsto help you navigate intellectual property and entertainment law.Kennington is a highly organized and motivated individual with a strong work ethic, who brings a unique blend of legal and industry experience to her clients. She is dedicated to registering, protecting, enforcing, and defending the rights of individuals and companies throughout the United States and abroad. Kennington is a J.D. graduate from Pepperdine Law, and holds Bachelors of Arts degrees in Journalism and Public Relations and Spanish from The University of Georgia.Kennington is also a dedicated volunteer and has a history of supporting great causes. She advocates for the welfare of animals and supports local businesses volunteering with Buckhead Business Association and Taste of Buckhead. Formerly, she mentored high school students preparing for moot court and drafted declarations to help clients obtain court-approved temporary restraining orders as a Legal Volunteer with LACBA Domestic Violence Legal Services Project.W: Kennington Groff, ESQ

Athletes and celebrities may be the ones in the spotlight, but behind every sponsorship deal, headline-making trade, or backstage battle over royalties, there's a lawyer making it all happen. On this episode of Real Cases, we sit down with three Stetson Law alums: music industry attorney and Founding Partner of Keller, Turner, Andrews, & Ghanem, Jason L. Turner; Senior Director and Associate Council for the Charlotte Hornets, Cymoril White; and Vice President of Basketball Strategy for the Utah Jazz, Steven Schwartz. We discuss the ins and outs of copyright termination, new legal questions around data gathering through wearable technology, and the multitude of unusual avenues through which people enter the profession.

Gaming & Entertainment Law – eine ungewöhnliche, aber spannende Spezialisierung in der Anwaltei!In dieser Folge sprechen wir mit Angela Yonkova-Markov, einer Expertin für Gaming & Entertainment Law, über die faszinierende Welt des Gaming-Rechts. Was macht diese Spezialisierung aus? Welche rechtlichen Herausforderungen gibt es, und was erwartet junge Jurist:innen in diesem Bereich?©Paragraphinnen 2025produced by Sarah Schneeweiß

Joshua Lastine, an entertainment lawyer, returns to the podcast to break down the rapidly changing legal and business landscape of the film industry. As AI tools reshape content creation, streaming platforms redefine distribution, and independent filmmakers leverage new technology, Joshua explains how contracts, intellectual property, and revenue models are evolving. He dives into the legal implications of AI in filmmaking, from WGA and SAG-AFTRA's new protections to the ethical and financial risks of content licensing for AI training. He also discusses how major studios are adapting to these shifts and what it means for the future of traditional and independent production. The conversation highlights how cutting-edge technology is empowering low-budget filmmakers to create studio-quality content without massive resources. Joshua explores the impact of real-time rendering, virtual production, and AI-driven tools on independent filmmaking, making it easier than ever to produce high-end visuals on a fraction of the budget. He also breaks down the shifting economics of streaming vs. theatrical releases, how tax incentives influence production locations, and why smart distribution strategies are more critical than ever. Packed with expert legal insights and industry analysis, this episode offers a roadmap for navigating the intersection of law, technology, and the evolving film industry.

In this episode of Talking Book Publishing, hosts Kathleen and Adanna sit down with renowned entertainment attorney Clair Burrill, whose new book Attorney to the Stars offers an inside look into his decades-long career representing some of the biggest names in music, film, and television. From his early days as a musician to becoming a top entertainment lawyer, Clair shares captivating stories about his clients, including John Candy, Robin Williams, Waylon Jennings, and The Rolling Stones.Beyond the celebrity encounters, Clair opens up about turning his career and personal experiences into a book. He talks about how storytelling became a passion, the challenges of writing, and why he structured the book the way he did. For aspiring authors, his journey from legal briefs to memoir writing offers valuable lessons.Plus, for a limited time, Attorney to the Stars will be available as a free eBook on Amazon from March 14 for five days—so don't miss your chance to grab a copy! Whether you're a fan of Hollywood history, music industry secrets, or legal drama, this is a packed episode with fascinating anecdotes and invaluable insights.We'd like to hear from you. If you have topics or speakers you'd like us to interview, please email us at podcast@talkingbookpublishing.today and join the conversation in the comments on our Instagram @writerspubsnet.

On today's show, we have the legendary entertainment lawyer Peter Dekom. Peter Dekom significantly impacted his time at Bloom, Dekom & Hergott. He has represented remarkable clients, including George Lucas, Keenen Ivory Wayans, John Travolta, Ron Howard, and Robert Towne, as well as renowned companies like Sears and JVC. As an advisor, Peter has contributed significantly to New Mexico, helping shape the state's film incentives. You'll want to bookmark this episode and listen to it at least four times. Peter shares a wealth of valuable advice.The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernExecutive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

In this episode of The Art of Music Law, we dive into the world of entertainment law with Sarah Falzon, an accomplished associate at Taylor Oballa Murray Leyland LLP. With her expertise in music and entertainment law, Sarah shares her insights on the unique legal challenges artists and music companies face today.Episode Highlights:1. Background & Career PathSarah shares her journey into entertainment law and the experiences that sparked her interest in the field.How her background in mathematics and statistics shapes her approach to legal work and problem-solving.The transition from law school to practicing entertainment law and the lessons she learned along the way.2. Music & Entertainment LawThe biggest legal challenges artists and music companies face today, and how they can protect their interests.A breakdown of a common legal issue Sarah helps artists navigate, from contract negotiations to copyright concerns.The significant impact streaming platforms and digital media have had on music law.Legal protections that emerging artists should prioritize early in their careers to safeguard their work.3. Personal Connection to MusicSarah reflects on her personal connection to music, having played the violin for over 20 years, and how this influences her work as a lawyer.How being a musician herself helps Sarah relate to her clients and advocate for their needs in a more empathetic and effective manner.4. Advice & Future TrendsSarah offers valuable advice for young lawyers interested in pursuing a career in entertainment law.The trends and legal issues shaping the future of the music industry, including the evolving relationship between artists and digital platforms. W: SARAH FALZON

hat happens behind the scenes of Hollywood contracts? Are actors and filmmakers unknowingly signing away their rights? In this exclusive episode, we sit down with Tina Kilberg—actress, screenwriter, and entertainment law expert—to uncover the hidden dangers in film contracts and how creatives can legally protect themselves.Tina is not just an actress and screenwriter—she's also a legal advisor specializing in entertainment law. With her unique insider knowledge, she helps actors, writers, and filmmakers understand their rights, avoid legal traps, and negotiate smarter deals.✅ Top 3 contract pitfalls actors & filmmakers overlook

TOPICS: Ryan talks to entertainment lawyer Mark Jaffe about the “Success Kid” copyright lawsuit and the copyrightability of internet memes; we are also joined by law professor Alexandra Roberts about her recent article talking about kid fluencers being able to revoke their consent to using their names for trademarks created by their parents. Our guest this week is country musician and veterans advocateJessica Lynn. Jessica talks to Ryan about her music and her work with Armed Forces Entertainment and the State Department's American Voices Program. Jessica's new album “All I Own” comes out onJanuary 17th and you can find out more about our guest's work by visiting jessicalynnmusic.orgRate/review/subscribe to the Break the Business Podcast on iTunes, SoundCloud, Stitcher, and Google Play. Follow Ryan @ryankair and the Break the Business Podcast @thebtbpodcast. Like Break the Business on Facebook and tell a friend about the show. Visit www.ryankairalla.com to find out more about Ryan's entertainment, education, and business projects.” Hosted on Acast. See acast.com/privacy for more information.

I stay away from dreamkillers, but the dreamkillers keep coming to me to stop me due to their insanity, jealousy or any type of sociopathy

In the latest episode of Real Chicks Rock Presents Real Discussions, host Michelle Dawes Birt welcomes the talented and seasoned massage therapist Courtney Redond III to the show. With over 20 years of experience, Courtney has mastered the art of deep tissue massage, specializing in chronic pain relief and injury recovery. Born and raised in Los Angeles, Courtney shares his fascinating journey from a budding singer and entertainer to a transformative healer in Atlanta. Key Takeaways:  You can't be productive in life without your body. Live life, and don't let life live you. Massage is a powerful thing when it comes to healing. And don't forget to like, subscribe, and hit the notification bell for more empowering content! ✨   Episode References Sequoia Therapy - http://www.sequoiatherapy.com Real Chicks Rock - http://www.realchicksrock.com Instagram -  https://www.instagram.com/sequoiadeeptissuemassageatl   Connect with Real Chicks Rock! Instagram - https://www.instagram.com/realchicksrock Facebook - https://www.facebook.com/RealChicksRock1 Twitter - https://twitter.com/RealChicksRock1 Website: www.RealChicksRock.com   For more information on Courtney Redmond III:  Website: www.sequoiatherapy.com Instagram: @sequoiadeeptissuemassageatl Contact: 404-662-3157   . .  #RealChicksRock #RealDiscussions #MassageTherapy #DeepTissueMassage #HolisticHealing #WellnessJourney #TransformationalHealing #Atlanta #MichelleDawesBirt #CourtneyRedmond #SelfCare #Empowerment #Inspiration #HealthAndWellness #Podcast #Podcaster #YouTubeChannel

0:00 SEG 1 Authors and podcast hosts Kenny Curtis & Jillian Hughes talk about their new kid's book from Nat Geo Kids - "Greeking Out: Heroes & Olympians". https://www.amazon.com/Greeking-Heroes-Olympians-Kenny-Curtis/dp/1426376278  12:42 Entertainment lawyer Joshua Lastine talks about legal issues behind some of the high-profile animated shows such as Avengers: EMH, The Simpsons, RWBY and more. https://lastineentertainmentlaw.com/  34:23 SEG 2 Writer Jim Ousley is in-studio to discuss his upcoming release of Butcher Queen 2 from Red5 Comics https://www.red5comics.com/butcher-queen  https://twitter.com/JimOusley  44:58 SEG 3 Jim Ousley continued Check out the ‘Justice League Revisited Podcast' with Susan Eisenberg and James Enstall at https://anchor.fm/justiceleague  Thanks to our sponsors Historic St. Charles, Missouri (https://www.discoverstcharles.com/), Bug's Comics and Games (https://www.facebook.com/profile.php?id=100070575531223) Buy tickets to 2 Rivers Comic Con coming to St. Charles in May 2025 https://2riverscomiccon.com/  Buy Me a Coffee - https://www.buymeacoffee.com/3Y0D2iaZl  Patreon -   https://www.patreon.com/GeekToMeRadio  Website -   http://geektomeradio.com/    Podcast -   https://anchor.fm/jamesenstall  Facebook -   https://www.facebook.com/GeekToMeRadio/   Twitter -   https://twitter.com/geektomeradio   Instagram -   https://www.instagram.com/geektomeradio/  Producer - Joseph Vosevich https://twitter.com/Joey_Vee  --- Support this podcast: https://podcasters.spotify.com/pod/show/jamesenstall/support

This week we have Entertainment Attorney Chris Perez. In this episode Chris shares his experience working with Filmmakers of all shapes and sizes, what the benefits are of working and building a relationship with a lawyer, the future of the film industry, how AI is making an impact and the importance of distribution as a filmmaker. Tons of great knowledge and gems in this episode. Enjoy! Follow Us! Chris Perez:  ⁠https://www.linkedin.com/in/christopher-l-perez/ | ⁠https://donaldsoncallifperez.com/attorneys/christopher-l-perez/ Carlo: ⁠https://www.instagram.com/carlostigs/⁠ | ⁠https://www.carlostigliano.com/ The Creative Gap:https://www.instagram.com/creativegap |https://www.youtube.com/@CreativeGapPodcast SUPPORT THE PODCAST ONhttps://www.patreon.com/TheCreativeGapPodcast ____________________________________________________ ⚙️ GEAR USED TO MAKE THIS PODCAST: Rodecaster Pro II:https://amzn.to/3RluSeV Rode Podmic:https://amzn.to/3RpaR77 Mic Stand:https://amzn.to/4caJUfi Camera 1:https://amzn.to/45h5E7b Camera 2:https://amzn.to/45g8iKx Light:https://amzn.to/3KK6XSt

Today, Nancy Grace and Sheryl McCollum dive into legal strategies, courtroom stories, and the upcoming trial of Sean "Diddy" Combs. They draw comparisons between Combs' case and the unresolved Ghislaine Maxwell situation, highlighting the potential involvement of powerful figures. Nancy and Sheryl also reflect on a resurfaced moment when Mike Tyson confronted Combs, and the revelation of an 11th accuser speaking out against him. Show Notes: (0:00) Welcome! Nancy and Sheryl introduce this week's crime roundup    (0:20) Nancy's flashback to court mornings (3:30) The Rolodex revelation  (7:00) Comparison of Combs' trial to the unresolved Ghislaine Maxwell case  (10:00) ‘Reportedly' by Kim Porter (12:30) Victims coming forward in case   (14:00) Gloria Allred's speaks out  (18:00) Combs laywers legal strategy   (23:00) Legal strategies with mental health  --- Nancy Grace is an outspoken, tireless advocate for victims' rights and one of television's most respected legal analysts. Nancy Grace had a perfect conviction record during her decade as a prosecutor. She is the founder and publisher of CrimeOnline.com, a crime- fighting digital platform that investigates breaking crime news, spreads awareness of missing people and shines a light on cold cases.  In addition, Crime Stories with Nancy Grace, a daily show hosted by Grace, airs on SIRIUS XM's Triumph Channel 111 and is downloadable as a podcast on all audio platforms - https://www.crimeonline.com/ Connect with Nancy:  X: @nancygrace Instagram: @thenancygrace Facebook: @nancygrace Sheryl “Mac” McCollum is an Emmy Award-winning CSI, a writer for CrimeOnLine, Forensic and Crime Scene Expert for Crime Stories with Nancy Grace, and a CSI for a metro Atlanta Police Department. She is the co-author of the textbook., Cold Case: Pathways to Justice.  Connect with Sheryl: Email: coldcase2004@gmail.com X: @ColdCaseTips Facebook: @sheryl.mccollumSee omnystudio.com/listener for privacy information.

We welcome Maria C. Miles to the show! Maria is an attorney and the founder of an entertainment law practice with offices in New York. Her practice focuses on all areas of entertainment law, including film, music, literary publishing, and new media. She is the president of the board of the Hellenic Film Society USA and previously served on the board of New York Women in Film and Television (NYWIFT). She is Adjunct Professor of Entertainment Law at the School of Visual Arts, the Feirstein Graduate School for Cinema and NYU Tisch School of the Arts. The annual New York Greek Film Expo, a Greek film festival for all New Yorkers, will be held October 3-13 in theaters in the New York metro area. In addition to the latest Greek films this year's program includes meet & greets and Q&As with visiting directors. This year's event is hosted by Award-winning Actor, Director, and Screenwriter Thanos Tokakis. Movies will also be shown at Village East Theater in Manhattan; the Barrymore Film Center in Fort Lee, NJ; and at the prestigious Museum of the Moving Image (MoMI) in Astoria. All films in Greek with English subtitles. For tickets, schedules, and more info please visit: http://www.hellenicfilmusa.org/ Facebook Instagram Youtube Watch the Expo trailer!

THE STRATEGIC ENTERTAINMENT LAWYER JOINS THE CONVERSATION

THE PROFESSOR/ATTORNEY/DOCTOR JOINS THE CONVERSATION

Robert Sciglimpaglia is a Certified Worker's Compensation Specialist by the Connecticut Bar Association and is admitted to Connecticut and New York, and also the United States Supreme Court. In addition to the practice of law, Robert is also a professional actor and voice-over artist and is a member of SAG-AFTRA.Robert chats with Derek about why he loves to practice law, how law is intertwined into every aspect of human society, and what led him to pursue an acting career. He also talks about how the infamous 2012 Chevy Super Bowl commercial, “Happy Grad”, became a reality, why the commercial taught him to never “phone in” a performance, some of his favorite roles, and the various aspects of entertainment law.Follow and subscribe to the show:https://bit.ly/3yWWIYJCheck out Robert's acting website:https://bit.ly/4gk8mxPCheck out Robert's law website:https://bit.ly/4gipXpP Hosted on Acast. See acast.com/privacy for more information.

Gordon Firemark, a media producer and lawyer based in Los Angeles, shares his journey from television sports production to running an entertainment law practice in this episode. As the go-to expert for podcast-related legal matters, Gordon discusses his experience in podcasting and teaching entertainment law. He also delves into his diverse career, including producing shows, practicing law, and teaching courses on entertainment and intellectual property law.Lawyer Side HustlesGordon Firemark, a media producer and lawyer, shared his experience of balancing multiple roles, including running an entertainment law practice, teaching courses, and producing podcasts. He emphasized the importance of staying interested in different areas and finding excitement in helping people across various spectrums. Gordon's approach to having multiple jobs reflects a non-linear career path that allows for continuous growth and learning opportunities.“My destination is to enjoy the journey,” shares Gordon Firemark in Episode 159 of You Are a Lawyer.Gordon's story serves as a testament to the benefits of having a side business as a lawyer. By engaging in various activities such as teaching, producing shows, and running a law practice, he has been able to maintain a sense of excitement and interest in his work. His ability to balance different roles while still being present for his family showcases the flexibility and fulfillment that side hustles can offer legal professionals. Gordon's journey exemplifies how having a side business can not only enhance one's career but also provide a sense of purpose and enjoyment in the legal profession.LISTEN TO LEARNThe importance of positioning oneself as an expert in a specific field through podcastingThe different aspects of entertainment law and the peculiarities of the entertainment industryThe benefits and challenges of working in live theater, TV production, and podcastingWE ALSO DISCUSSGordon's experience as a media producer and lawyer, and how he uses his background in television sports production in his entertainment law practiceThe evolution of Gordon's podcast, "Entertainment Law Update," and his role as the "podcast lawyer”Gordon's daily routine, which involves creating content, practicing law, and teaching courses on entertainment law and intellectual propertyJoin the FREE mailing list!Get behind-the-scenes content from You Are A Lawyer. 1) Visit www.youarealawyer.com2) Add your email address to the Subscribe pop-up box OR3) Enter your email address on the right side of the screen4) Get emails from me (I won't fill your inbox with junk)!Interact with You Are A LawyerKyla Denanyoh hosts the You Are A Lawyer podcast. Follow the podcast:YouTube: https://www.youtube.com/@youarealawyerWebsite: https://www.youarealawyer.com

In this episode, we talk with Joshua Lastine (Lastine Entertainment Law) about when should an artist contact a lawyer, copywrite protection, the impact of content creation and social media, the value of music, the importance of networking, and arguing about boobs and butts on television. Plus, being star struck, and moving Kevin Feige's office materials. You can check out Lastine Law at the following locations: https://lastineentertainmentlaw.com/ https://www.facebook.com/Lastineimpressions/ https://www.instagram.com/lastinelaw/ https://www.imdb.com/name/nm8524601/?ref_=fn_al_nm_1 Paul works a day job, puts out vinyl, and puts on shows via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Katzulhu Productions⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/paul.neil.12⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/katzulhu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/Dont-Quit-Your-Day-Job-podcast-107924851339602

The Writers' Hangout dives into some entertainment news.  Sandy and Terry cover the latest hot Hollywood lawsuits, which are plural, involving screenwriter R. Lance Hill, Amazon, and the remake of the 1989 ‘Roadhouse.' A cult classic, ‘Roadhouse was a starring vehicle for Patrick Swayze, produced by Joel Silver and directed by Rowdy Herrington.Then, Terry shares an article by David Courtney, Ten Colorful Ways to Say It's Hotter Than Hades in Texas, featured in Texas Monthly.  Research for this episode includes:Amazon, MGM Accuse Original ‘Road House' Screenwriter of Fraud in Countersuit By Ross A. Lincoln for TheWrap by Samantha Bergeson for IndieWirehttps://www.indiewire.com/news/breaking-news/road-house-screenwriter-sues-amazon-over-copyright-ai-use-1234958090/#:~:text=Lance%20Hill%2C%20who%20uses%20the,movie%20was%20released%20in%201989‘Road House' Rumble: Amazon Denies AI Used To Create Actors' Voices For Remake During Strike As Original Pic's Scribe Sues To Shut Down New Movie by Dominic Patten for Deadline Hollywood https://deadline.com/2024/02/road-house-lawsuit-amazon-copyright-1235839774/Ten Colorful Ways to Say It's Hotter Than Hades in Texas, which was featured in Texas Monthly.  https://www.texasmonthly.com/being-texan/folksy-sayings-heat-weather/?utm_source=pocket_shared&utm_source=pocket_sharedThe PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernProducer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

Show Notes:Description:In this episode of Filmmaking Conversations with Damien Swaby, we are joined by Sky, an entertainment lawyer with a career spanning over four decades. Since beginning his practice in 1981, Sky has become a leading figure in entertainment law, now practicing at the renowned firm Greenberg Glusker. Known for handling some of Hollywood's largest financing transactions—such as Reliance Investments in DreamWorks and The Human Group's slate financing for Lionsgate—Greenberg Glusker has set the bar for excellence in the industry.Sky shares insights into the evolving entertainment landscape, including the impact of streaming services and the decline of traditional film markets. We delve into the complexities of cross-border financing, managing large legal teams, and navigating critical tax issues in Hollywood. Sky also discusses his influential books, The Biz and Taxation of the Entertainment Industry, essential reads for anyone in the film business. Whether you're interested in the legal aspects of filmmaking or the business side of Hollywood, this episode is packed with valuable knowledge.Educational Value:Listeners will gain a deep understanding of the legal and financial aspects of the entertainment industry. Sky's expertise offers practical insights into how major deals are structured, the importance of understanding tax implications in film financing, and how the industry is evolving with new technologies and platforms. This episode is particularly valuable for filmmakers, producers, and legal professionals in the entertainment industry.Link to Sky's Book: The Biz, 6th Edition: The Basic Business, Legal and Financial Aspects of the Film Industry in a Digital World https://www.amazon.com/Biz-6th-Business-Financial-Industry/dp/1935247328/ref=sr_1_1?crid=2BDLGEO3NR361&dib=eyJ2IjoiMSJ9.SmTJ49sXTIYNSHADrR2Wm9oprDLMBIRssBPvrBT4gvvgdwyylEoS4tfoDlJsTQvthMddfqVHZzXgb2DhxK0w7QN5UUOeENTjyW_s92QyOQ7usMfFoCuM1j6QyGqzD8PNYbg1INFqQdfV04YOP5k7ep2tkntMy0mlOCOW7TLZOaXb-LDySy01OXMM3wuIVjt9-RiOvTVbjWd-zTgORQcOl3L6_lp_sfU-Pk_AW1xjniA.FMkQ31MydBpF__iDKaXFuvlYEhx3H4piLONLR1Q5wCg&dib_tag=se&keywords=the+biz&qid=1721072721&sprefix=the+biz%2Caps%2C159&sr=8-1W: https://www.greenbergglusker.com/schuyler-sky-m-moore/

In this episode of Geek Freaks, Frank and Thomas explore the biggest announcements from D23, spotlighting Marvel, Star Wars, and more! From exciting updates on the Fantastic Four and Daredevil to fresh reveals from the Star Wars universe, we cover the highlights that fans can't afford to miss. Additionally, Frank sits down with entertainment lawyer Joshua Lastine, who shares insights from his career working with major studios like Marvel and Lionsgate. Joshua provides an in-depth look at the legal side of the entertainment industry, discussing the importance of protecting talent and the latest trends shaping Hollywood. Whether you're a Marvel or Star Wars fan or intrigued by the behind-the-scenes of entertainment law, this episode is packed with valuable content!   Timestamps and Topics:   00:00 - Introduction and Overview of D23 Announcements 00:18 - Marvel Highlights: Fantastic Four, Daredevil: Born Again, and more 02:01 - Star Wars Updates: Skeleton Crew, Mandalorian, and Andor 11:09 - Pixar and Disney Animation: Incredibles 3, Toy Story 5, and Moana 2 26:27 - Disney+ and Upcoming Live-Action Adaptations: Lilo & Stitch, Tron, and more 45:00 - Exclusive Interview with Joshua Lastine: Protecting Talent in Entertainment 50:00 - The Future of Entertainment Law and Joshua's Career Journey 56:30 - The Role of Lawyers in the Streaming Era and Emerging Trends 01:00:00 - Call to Action and Closing Remarks Key Takeaways:   The Fantastic Four reboot is creating major buzz with its unique 60s futuristic aesthetic. Daredevil: Born Again promises to continue the Defenders saga, bringing back fan-favorite characters. Star Wars' Skeleton Crew blends nostalgia with fresh adventures, echoing 80s kids' movies like Goonies. Joshua Lastine emphasizes the critical role of legal protection for creatives in the entertainment industry. New trends in entertainment law include a focus on streaming deals and evolving responsibilities for entertainment lawyers. Quotes:   "The Fantastic Four reboot looks so damn good. The vibes are just right; it's inspiring and interesting." - Frank "Joshua Lastine gave us a deep dive into the complexities of entertainment law and why it's crucial for creatives to have strong legal backing." - Thomas "Skeleton Crew feels like a 1980s kids' movie set in space. It's definitely giving off Goonies in space vibes!" - Frank Call to Action: Enjoying the show? Don't forget to subscribe, leave us a five-star review, and share this episode with your fellow geeks! Join the conversation on social media using the hashtag #GeekFreaksPodcast. We love hearing from you! Links and Resources:   Check out Josh's Site: https://lastineentertainmentlaw.com/  For all the latest news discussed in this episode, visit GeekFreaksPodcast.com. Follow us on social media: Facebook: @thegeekfreakspodcast Twitter: @geekfreakspod Instagram: @geekfreakspodcast Threads: @geekfreakspodcast Listener Questions: Got a question or a topic you'd like us to cover in a future episode? Send it our way on any of our social media platforms, or drop us an email at geekfreakspodcast@gmail.com.   Apple Podcast Tags: Marvel, Star Wars, D23, Entertainment Law, Joshua Lastine, Fantastic Four, Skeleton Crew, Daredevil, Pixar, Disney Animation

Achieving Success with Olivia Atkin Episode 94 "Unlocking Achievement: Legal Insights for Entertainment And Podcasting with Gordan Firemark"Olivia talks personal and professional achievements with Gordan Firemark. Gordan is the Founder and CEO of Law offices of Gordan P. Firemark. With over 30 years of experience as an entertainment attorney Gordan aids artists, writers, producers, and directors in achieving their goals across theater, film, television, and news media. His practical legal counsel ensures clients can make savvy deals, expand their businesses, and thrive in their endeavors. Gordon is also the producer and host of Entertainment Law Update, a podcast tailored for entertainment professionals, and he covers intellectual property, news media, and business matters in the entertainment sector.Join Olivia every Tuesday as she brings on top notch guests to talk about how they are Achieving Success! Career Development Book and More at Achieving-success.comStay Connected With Us:Linkedin: https://www.linkedin.com/company/achieving-success-llcInstagram: @_achievingsuccessTwitter: @_achievesuccessFacebook: @Achieving SuccessYou can find Gordan Firemark:LinkedIn: Gordan Firemark email: gfiremark@firemark.com  Website https://firemark.com/

78 : The Flow: Episode 78 - The Legal Side of Podcasting Ecamm Network Listen to The Flow Podcasting, especially video podcasting, can be a great way to share your message with the world. There are so many things to learn and do, but it's hard to know where to start if you've never done it before. Producing a podcast can initially seem daunting; it's easy to feel overwhelmed when starting something new. Using a Video First approach with Ecamm Live will make it much easier and save you lots of time.The Flow is here to help. We'll take you step-by-step through creating a video podcast, from planning and production to promotion and monetization. You'll learn how to build an efficient workflow that will make your content shine, leaving you to focus on creating great content.This week on The Flow, Katie is joined by The Podcast Lawyer™ himself, Gordon Firemark. We'll be talking all about the legal side of podcasting. What can you do? What shouldn't you do? And what are the best practices? Gordon Firemark helps creatives, artists, entrepreneurs and others achieve the dream of getting their messages out and making a meaningful impact with their craft. He has practiced media, entertainment and business law since 1992 and is often referred to as The Podcast Lawyer™.A podcaster himself, he's been producing and hosting the Entertainment Law Update podcast since 2009, and in 2020, launched the More, Better, Faster podcast which offers insights and advice to creative professionals and businesses who want to achieve more, better, faster. Gordon is the author of the Podcast, Blog & New Media Producer''s Legal Survival Guide and creator of several online courses for creatives.His undergraduate degree in radio, television and film and experience in live theatre production informs his thinking about all things legal. In addition to his busy law practice, He teaches Entertainment Law at Columbia College Hollywood, Intellectual Property and Media Law at Fashion Institute of Design and Merchandising, and Contract law at Pepperdine Law School.Find him online at https://gordonfiremark.comChapters

Ryanne Saucier is a second-generation broadcaster, media, intellectual property and entertainment attorney who serves as Vice President of Legal Affairs for a major media network. She has served as in-house counsel for media companies for the past 15 years. In 2011, Ryanne was published by the American Bar Association in the book titled Entertainment Law for the General Practitioner, making Ryanne one of the youngest attorneys published by the American Bar Association on the topic of entertainment law. She has worked with various artists, musicians, filmmakers and projects related to the arts throughout her career. In addition to her legal degree, Ryanne is a 2015 graduate of the Broadcast Leadership Training school from the National Association of Broadcasters (NAB), the premiere executive-style MBA program for leaders in broadcasting and media. Recognized as a subject-matter expert in her field, she is regularly requested to lecture on the topics of media law, copyright law, and trademark law, as it relates to the entertainment, social media, and traditional media industries. In 2021, she began social selling, creating content in the space of health and wellness to inspire and encourage women in their personal lives and in their business. She is a graduate of Birmingham-Southern College and Mississippi College School of Law. All of the foregoing pales in comparison to her favorite title and responsibilities of being wife to Dan and Mommy to her son and his fur sister Belle. Ryanne and I talk about: -Embodying who you are -Standing out on social media - Creativity - Trademark law - Copyrights on social media - Instagram trends - Social media breaks as a content creator - Knock offs and doups - AI/ChatGPT - Instagram rolling out rewarding original content and pushing that out more - Copyright and trademark mistakes people are making online - Ryanne treats social media like a cocktail party analogy - Ryanne's health and wellness journey - Body image - Motherhood Find Ryanne: www.instagram.com/ryann_reimagined https://www.linkedin.com/in/ryannesaucier Find Nikki: www.instagram.com/fitfunandfrazzledpodcast www.instagram.com/nikkilanigan.yogaandwellness

Dispute Resolution and Litigation in the Entertainment Industry Overview The entertainment industry is a hotbed for various legal disputes due to the complexity of the relationships and the value of the intellectual property involved. Understanding the nature of these disputes and the mechanisms for resolving them is crucial for legal practitioners in this field. This discussion will cover common types of disputes, including contract disputes, tortious interference claims, talent-related litigation, and intellectual property lawsuits. Additionally, it will delve into alternative dispute resolution methods prevalent in the industry. Contract Disputes and Tortious Interference Claims 1. Contract Disputes In the entertainment industry, contracts are fundamental in governing relationships between artists, production companies, distributors, and other stakeholders. Disputes often arise due to ambiguities in contract terms, failures to perform contractual obligations, or conflicts over contract interpretations. Common issues include: Non-performance: A party may fail to deliver the promised performance or product by the agreed deadline. Breach of exclusivity: This occurs when an artist or entity engages in activities that compete with the contracted commitments, despite exclusivity clauses. Payment disputes: Disagreements over the amount or timing of payments under the terms of the contract. To resolve these disputes, parties typically engage in negotiations, and if unresolved, litigation may ensue. Courts primarily look at the language of the contract and the intent of the parties at the time of contract formation to determine outcomes. 2. Tortious Interference Claims Tortious interference happens when a third party intentionally disrupts a contractual relationship, causing one party to fail to fulfill their contractual duties. In the entertainment context, this could involve situations where a competitor or new employer knows about an existing contract but still entices a party to breach that contract. The elements of this claim include: Existence of a valid contractual relationship or business expectancy The third party's knowledge of this relationship Intentional interference inducing or causing a breach or termination of the relationship Resultant damage to the party whose relationship has been disrupted Legal remedies typically include compensatory damages, and in some egregious cases, punitive damages may be awarded. Talent-Related Litigation 1. Wrongful Termination Wrongful termination claims arise when an employment relationship (often involving a specific contractual term) is ended by the employer in a manner that breaches one or more terms of the contract. In the entertainment industry, this might involve firing an actor or artist without a valid reason as stipulated in the contract. The key legal consideration here is whether the termination was consistent with the contract terms and conditions agreed upon. 2. Breach of Contract Artists often sue for breach of contract in scenarios where they are not compensated as agreed for their performances or contributions. This could include non-payment for roles performed, not receiving residuals, or other compensations promised but not delivered. Intellectual Property Lawsuits Intellectual property is the cornerstone of the entertainment industry. Disputes typically involve: 1. Copyright Infringement Copyright infringement occurs when copyrighted work is used without permission. Cases in the entertainment industry often involve unauthorized reproductions of music, film, or software. The plaintiff must prove ownership of a valid copyright and that the defendant copied substantial parts of their work without permission. 2. Trademark Infringement Trademark disputes involve the unauthorized use of a trademark that leads to confusion about the origin of goods or services. In entertainment, this could involve using a similar name or logo that confuses consumers about the identity of th --- Send in a voice message: https://podcasters.spotify.com/pod/show/law-school/message Support this podcast: https://podcasters.spotify.com/pod/show/law-school/support

Financing and Investment in the Entertainment Industry: Key Legal Aspects 1. Venture Capital, Private Equity, and Crowdfunding Venture Capital and Private Equity Legal Frameworks: Venture capital (VC) and private equity (PE) in the entertainment industry often involve complex legal agreements. These agreements typically cover the amount of capital invested, equity stakes, governance structures, and exit strategies. Due Diligence and Regulatory Compliance: Legal professionals must conduct thorough due diligence to assess the viability and legal standing of the target company. This includes evaluating intellectual property rights, existing contracts, and compliance with relevant regulations. Crowdfunding Regulatory Environment: Crowdfunding for entertainment projects often falls under specific securities law regimes depending on the jurisdiction. In the U.S., the Securities and Exchange Commission (SEC) regulates this under rules like Regulation Crowdfunding (Reg CF), which mandates certain disclosures and limits on fundraising amounts. Legal Considerations: Terms of use for crowdfunding platforms, investor rights, and the nature of the return (e.g., rewards, equity) are critical areas requiring legal scrutiny. 2. Tax Incentives and Government Funding for the Arts Tax Incentives Incentive Structures: Various jurisdictions offer tax incentives to stimulate local production activities, which can include tax credits, deductions, and rebates. Understanding the eligibility criteria and application process is essential. Compliance and Optimization: Entertainment lawyers must ensure that their clients comply with the tax codes and optimally benefit from available incentives. Government Funding Grants and Subsidies: These can be crucial for funding arts and entertainment projects. Legal professionals should be familiar with the application processes and legal stipulations tied to these funds, such as usage restrictions and reporting requirements. 3. Securities Regulation and Entertainment-Related IPOs Securities Regulation IPOs and Regulatory Compliance: For entertainment companies looking to go public, navigating the complex securities regulations is critical. This includes preparing for IPOs through prospectuses that meet disclosure requirements and managing ongoing obligations like quarterly reporting. Market Regulations: Entertainment entities must comply with regulations governing the trading of securities, which can impact how shares in the company are bought, sold, and held. 4. Valuation and Monetization of Entertainment Properties Valuation Techniques Asset-Based Approach: This involves evaluating the tangible and intangible assets of a company, including copyrights, trademarks, and contracts. Income Approach: Forecasts future income from entertainment properties, adjusted for risks and potential growth. Monetization Strategies Licensing and Syndication: Legal structures for licensing agreements, rights management, and revenue sharing need to be meticulously drafted. Direct Revenue Generation: This includes box office sales, streaming revenues, and merchandise. Each stream requires specific legal considerations regarding intellectual property rights and distribution agreements. --- Send in a voice message: https://podcasters.spotify.com/pod/show/law-school/message Support this podcast: https://podcasters.spotify.com/pod/show/law-school/support

Manaileng is an admitted Attorney of the High Court of South Africa with over 10 years extensive experience in the legal industry. She is the Managing Director of Maphike Attorneys Incorporated, a specialist boutique law firm through which she provides legal services mainly in Entertainment Law (Music, Film and Television), Intellectual Property Law, Commercial Law, Media Law, Litigation and Alternative Dispute Resolution. Manaileng has a strong background in corporate commercial law, commercial litigation, entertainment law, intellectual property law media law and information technology law representing clients in court, parliament, inquiries and other various forums. She has worked in both private practice and corporate, including Africa's largest collective management organization, The Southern African Music Rights Organization (SAMRO) as a Business Development Manager: Licensing. Her legal prowess was further harnessed at illustrious black-owned information technology companies which significantly diversified her expertise as a well-rounded and knowledgeable attorney. She has participated in numerous workshops, panels, television and radio programs and engaged in legal commentary on news channels dedicated to educating the creative industry on music licensing and contractual matters in the entertainment world. Her experience resulted in her joining a collective of 6 (six) women in the music industry to co-found the chapter of Women in Music South Africa which NPO she is the current Chapter Chair. She is the sole Director at Yateletata Services, an Intellectual Property Law and Entertainment Law specialist consultancy where she provides IP advisory services as well as legal (contract law) training and workshops geared towards the educating the music industry. ——————————— If you enjoyed today's episode please give it a thumbs up if you're watching on YouTube and definitely subscribe, rate and review the podcast wherever you're listening. We would love to hear from you, find us on Instagram @sister_in_law_ and @maphikeinc If you know a trailblazing woman of colour in the legal profession and believe that her story will inspire someone please send your guest suggestions to advice@sisterinlaw.co.za --- Send in a voice message: https://podcasters.spotify.com/pod/show/tebello-motshwane/message

Regulations and Content Guidelines: a. Broadcast Regulations: FCC The Federal Communications Commission (FCC) oversees and regulates broadcast television and radio in the United States. Rules govern areas such as indecency and profanity, advertising practices, political advertising, and equal time provisions. Broadcasters must comply with content guidelines, including restrictions on obscene, indecent, or profane material during certain hours. b. Content Ratings: Content rating systems, such as TV Parental Guidelines and the Motion Picture Association of America (MPAA) rating system, provide guidance on the suitability of media content for different age groups. Ratings help inform viewers and parents about potentially objectionable content, enabling informed decisions. Censorship, Obscenity, and Free Speech Concerns: a. Obscenity and Indecency Standards: Legal definitions and standards for obscenity and indecency can vary across jurisdictions, impacting the permissible content in media and artistic works. Regulations aim to strike a balance between protecting public decency and upholding free speech rights. b. Artistic Expression and Free Speech: The entertainment industry often navigates the tensions between artistic expression and societal norms or government censorship. Legal protections for free speech and artistic freedom can vary across countries and cultures, influencing the creative process and content distribution. Compliance with Labor Laws and Union Rules: a. Labor Regulations: The entertainment industry must comply with applicable labor laws, including minimum wage requirements, overtime regulations, and workplace safety standards. Specific rules may apply to child actors, stunt performers, and other specialized roles. b. Union Agreements: Unions such as the Screen Actors Guild (SAG), Writers Guild of America (WGA), and Directors Guild of America (DGA) negotiate collective bargaining agreements that govern working conditions, compensation, and benefits for their members. Compliance with union rules is essential for maintaining harmonious labor relations and avoiding potential strikes or legal disputes. Cross-Border Regulations and International Distribution: a. Import/Export Controls: The distribution of media content and artistic works across borders may be subject to import/export controls, censorship, or content restrictions in different countries. Navigating these regulations is crucial for facilitating international distribution and avoiding potential legal or cultural conflicts. b. Intellectual Property Protection: International treaties and agreements, such as the Berne Convention and the TRIPS Agreement, establish frameworks for protecting intellectual property rights across borders. Ensuring compliance with these treaties is essential for safeguarding copyrights, trademarks, and other intellectual property assets in global markets. c. Cultural Considerations: Different cultural norms and sensitivities can influence the acceptability and reception of media content in various regions. Localization efforts, such as dubbing, subtitling, or content editing, may be necessary to adapt to specific cultural contexts and regulatory environments. --- Send in a voice message: https://podcasters.spotify.com/pod/show/law-school/message Support this podcast: https://podcasters.spotify.com/pod/show/law-school/support

Sarah sees many clients who change careers within the law, like becoming in-house lawyers, but at the end of the day, they are still lawyers. When people think that switching to entertainment law will be a fun and exciting change, it's important to step back and ask some more questions. Today's podcast episode features a conversation with Jordan Nahmias. Jordan used to practice law as an entertainment lawyer and is now a coach and strategist in Toronto, Canada. He talks about his experience and his path out of law. Many people consider exploring this area when thinking about leaving the law. See show notes at formerlawyer.com/228  

The entertainment industry is built upon a foundation of creativity, innovation, and the cultivation of unique artistic works and brands. Protecting these intellectual property (IP) assets is crucial for preserving the rights of creators, ensuring fair compensation, and safeguarding the commercial viability of entertainment properties. In this section, we will explore the various facets of intellectual property protection in the entertainment sector, including copyright law, trademarks, rights of publicity, and industry-specific issues surrounding fair use, parody, and work-for-hire agreements. Copyright Law and the Creative Process: Copyright law is the bedrock of intellectual property protection for creative works in the entertainment industry. It grants exclusive rights to authors, artists, and creators over their original works, allowing them to control the reproduction, distribution, public performance, and derivative use of their creations. Copyright Protection for Entertainment Works: Literary works (scripts, books, lyrics) Musical works (compositions, sound recordings) Dramatic works (plays, musicals, choreographic works) Audiovisual works (films, television shows, video games) Artistic works (paintings, sculptures, photographs) Ownership and Transfer of Copyright: Initial ownership: Copyright initially belongs to the creator(s) of the work. Work-for-hire doctrine: Exceptions where the copyright belongs to the employer or commissioning party. Copyright transfers and licensing: Mechanisms for transferring or granting rights to third parties. Duration of Copyright Protection: Copyright terms vary based on the type of work and jurisdiction. Generally, copyright protection lasts for the life of the author plus an additional period (e.g., 70 years in the United States). Fair Use and Creative Exceptions: Fair use doctrine allows limited use of copyrighted works for purposes such as criticism, commentary, news reporting, teaching, and research. Parody and satire may qualify as fair use under certain circumstances. Trademarks, Branding, and Rights of Publicity: In the entertainment industry, trademarks and branding play a pivotal role in establishing and protecting the identities, reputations, and commercial value associated with entertainment properties, personalities, and companies. Trademark Protection for Entertainment Brands: Studio names, production company logos, and entertainment franchises. Titles of movies, TV shows, video games, and other entertainment products. Catchphrases, slogans, and distinctive character names or elements. Rights of Publicity: Rights that individuals (e.g., actors, musicians, athletes) have over the commercial use of their name, likeness, voice, or other personal attributes. Crucial for protecting the personal brands and reputations of entertainers and public figures. Trademark Licensing and Merchandising: Licensing agreements grant third parties the right to use trademarks and brands in exchange for royalties. Merchandising agreements govern the production and sale of branded consumer products (e.g., apparel, toys, collectibles). Entertainment-Specific IP Issues: The entertainment industry presents unique intellectual property challenges and considerations, particularly regarding fair use, parody, and the work-for-hire doctrine. Fair Use in Entertainment: Fair use exceptions are frequently invoked in the entertainment industry for purposes such as parody, criticism, and commentary. Factors considered include the purpose and character of the use, the nature of the copyrighted work, the amount and substantiality of the portion used, and the effect on the potential market. Parody and Satire: Parody and satire are often protected forms of fair use, allowing for limited use of copyrighted works for humorous or critical purposes. However, the line between fair use and infringement can be blurry, and courts consider factors such as the transformative nature of the parody and the potential market --- Send in a voice message: https://podcasters.spotify.com/pod/show/law-school/message Support this podcast: https://podcasters.spotify.com/pod/show/law-school/support

The domestic and global appetite to consume sports and entertainment keeps growing. As such, legal work – in its myriad forms – will continue to expand alongside it, says a global firm partner. In this episode of The Lawyers Weekly Show, host Jerome Doraisamy welcomes back Squire Patton Boggs partner Tony Chong to discuss what's happening in sports and entertainment law, the issues and challenges being faced on the ground by practitioners, the need for legal teams to continually anticipate evolutions in the sporting and entertainment realms, and staying on top of the social, cultural and even political zeitgeist in understanding how the environment will evolve. Chong also details the need to immerse one's self in the industry, engaging with other practice groups, the potential need to be a jack-of-all-trades, taking a case-by-case approach, how legal work in these spaces will continue to grow, and why it is so exciting to be at the forefront of such change. If you like this episode, show your support by rating us or leaving a review on Apple Podcasts (The Lawyers Weekly Show) and by following Lawyers Weekly on social media: Facebook, Twitter and LinkedIn. If you have any questions about what you heard today, any topics of interest you have in mind, or if you'd like to lend your voice to the show, email editor@lawyersweekly.com.au for more insights!

The entertainment industry is a multifaceted landscape with a complex web of agreements and negotiations. Understanding the different types of agreements and effective negotiation strategies is crucial for success in this realm. Talent Agreements: Artist Contracts: Compensation: Discussing salary, royalties, and other financial terms. Exclusivity: Establishing the scope of exclusivity in terms of duration and activities. Creative Control: Negotiating creative input and artistic autonomy. Intellectual Property Rights: Addressing ownership and control of intellectual property created during the agreement. Production and Distribution Deals: Production Deals: Financing: Determining the sources and terms of funding for the project. Rights and Ownership: Defining rights to distribute, exhibit, and exploit the finished product. Delivery Schedules: Setting timelines for production and delivery. Distribution Deals: Distribution Rights: Negotiating the territories, platforms, and terms for distributing the content. Marketing and Promotion: Discussing promotional activities and their associated costs. Licensing and Merchandising Contracts: Licensing Agreements: IP Licensing: Granting rights to use intellectual property in various forms, such as merchandise, games, and adaptations. Royalties and Fees: Agreeing on royalties or licensing fees for the use of intellectual property. Merchandising Contracts: Manufacturing and Distribution: Negotiating terms for manufacturing, distribution, and profit sharing of merchandise. Quality Control: Setting standards for product quality and ensuring compliance. Effective Negotiation Strategies: Preparation: Research: Studying the industry, market conditions, and precedents. Goals and Objectives: Clearly defining goals and priorities for the negotiation. Active Listening: Empathy: Understanding the other party's interests and concerns. Clarification: Asking clarifying questions to ensure mutual understanding. Strategic Framing: Presenting a Win-Win Scenario: Emphasizing the mutual benefits and potential for collaboration. Focusing on Value: Highlighting the unique value and contributions of each party. Collaborative Problem-Solving: Brainstorming Solutions: Exploring creative and mutually acceptable solutions to potential challenges. Flexibility: Willingness to consider and evaluate alternative proposals. Emotional Intelligence: Maintaining Composure: Regulating emotions to avoid impulsive decisions. Building Trust: Demonstrating honesty, transparency, and reliability. In the entertainment industry, a comprehensive grasp of the legal and financial nuances, combined with strategic negotiation skills, is paramount. By understanding the key considerations and employing effective negotiation strategies, professionals can achieve favorable terms and mutually beneficial outcomes, ultimately contributing to the success of their projects and careers. --- Send in a voice message: https://podcasters.spotify.com/pod/show/law-school/message Support this podcast: https://podcasters.spotify.com/pod/show/law-school/support

In this episode we dive into the fascinating intersection of artificial intelligence and the entertainment industry. Join us as we explore the ways AI is revolutionizing how we create, consume, and interact with entertainment content. Gordon Firemark https://www.gordonfiremark.com/⁠ ⁠https://firemark.com/ My Men Richard/Richard Lesperance richardlesperance.com richard.lesperance@gmail.com https://linkedin.com/in/richardlesperance https://tiktok.com/@mymenrichard2 https://tiktok.com/@mymenrichard https://www.facebook.com/1richardlesperance/ https://www.youtube.com/@mymenrichard https://twitter.com/MyMenRichard --- Send in a voice message: https://podcasters.spotify.com/pod/show/richard-lesperance/message

https://www.imdb.com/name/nm7501862/bio/Born and raised in Los Angeles to a family of actors, Zeke has been surrounded by Hollywood since he was young. Through the guidance of his father, Art Hindle, and his mother Adrienne Hampton, Zeke took on many roles as a child actor in TV, film, commercials, and theatre, but wished to create his own identity through independent intellectual and athletic endeavor.Upon graduating, Summa Cum Laude on an academic scholarship at Loyola Marymount University in 2012 with Honors, he played professional tennis on the ATP World Tour for three years. After obtaining a world ranking of 1729, he had to retire in 2016 due to a chronic knee injury, and turned to real estate agency to make ends meet. He became quite the successful businessman and negotiator in the process.Zeke then set his sights on following in his family's footsteps and began pursuing acting, writing, directing, and producing. Earning his first Screen Actor's Guild worthy role in Gentlemen's Fury (2017) and starring in his first feature film as co-creator, writer, director, and producer with Happenstance (2020), gaining a cult-like following in the process, and screening the film at Cannes. He has four completed pilots that he is pitching now as television series; Imposter Society, Late Bloomers, The Girl in the Dark Corner, and Bluegrass. He is also writing several feature scripts such as Venice, The Labyrinth, Wanderers, etc. He keeps busy creating films, and social media content constantly via his production company Preston Way.He studied Entertainment Law at Southwestern and passed the CA Bar in July of 2022Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

The entertainment industry is built upon a foundation of creativity, innovation, and the cultivation of unique artistic works and brands. Protecting these intellectual property (IP) assets is crucial for preserving the rights of creators, ensuring fair compensation, and safeguarding the commercial viability of entertainment properties. In this section, we will explore the various facets of intellectual property protection in the entertainment sector, including copyright law, trademarks, rights of publicity, and industry-specific issues surrounding fair use, parody, and work-for-hire agreements. Copyright Law and the Creative Process: Copyright law is the bedrock of intellectual property protection for creative works in the entertainment industry. It grants exclusive rights to authors, artists, and creators over their original works, allowing them to control the reproduction, distribution, public performance, and derivative use of their creations. Copyright Protection for Entertainment Works: Literary works (scripts, books, lyrics) Musical works (compositions, sound recordings) Dramatic works (plays, musicals, choreographic works) Audiovisual works (films, television shows, video games) Artistic works (paintings, sculptures, photographs) Ownership and Transfer of Copyright: Initial ownership: Copyright initially belongs to the creator(s) of the work. Work-for-hire doctrine: Exceptions where the copyright belongs to the employer or commissioning party. Copyright transfers and licensing: Mechanisms for transferring or granting rights to third parties. Duration of Copyright Protection: Copyright terms vary based on the type of work and jurisdiction. Generally, copyright protection lasts for the life of the author plus an additional period (e.g., 70 years in the United States). Fair Use and Creative Exceptions: Fair use doctrine allows limited use of copyrighted works for purposes such as criticism, commentary, news reporting, teaching, and research. Parody and satire may qualify as fair use under certain circumstances. Trademarks, Branding, and Rights of Publicity: In the entertainment industry, trademarks and branding play a pivotal role in establishing and protecting the identities, reputations, and commercial value associated with entertainment properties, personalities, and companies. Trademark Protection for Entertainment Brands: Studio names, production company logos, and entertainment franchises. Titles of movies, TV shows, video games, and other entertainment products. Catchphrases, slogans, and distinctive character names or elements. Rights of Publicity: Rights that individuals (e.g., actors, musicians, athletes) have over the commercial use of their name, likeness, voice, or other personal attributes. Crucial for protecting the personal brands and reputations of entertainers and public figures. Trademark Licensing and Merchandising: Licensing agreements grant third parties the right to use trademarks and brands in exchange for royalties. Merchandising agreements govern the production and sale of branded consumer products (e.g., apparel, toys, collectibles). Entertainment-Specific IP Issues: The entertainment industry presents unique intellectual property challenges and considerations, particularly regarding fair use, parody, and the work-for-hire doctrine. Fair Use in Entertainment: Fair use exceptions are frequently invoked in the entertainment industry for purposes such as parody, criticism, and commentary. Factors considered include the purpose and character of the use, the nature of the copyrighted work, the amount and substantiality of the portion used, and the effect on the potential market. Parody and Satire: Parody and satire are often protected forms of fair use, allowing for limited use of copyrighted works for humorous or critical purposes. --- Send in a voice message: https://podcasters.spotify.com/pod/show/law-school/message Support this podcast: https://podcasters.spotify.com/pod/show/law-school/support

In today's episode I'm joined by Kurt Dahl aka The Lawyer Drummer.  We talk about the legal side of the business as well as learn about his experience in the industry as a successful musician.  Whether you are just starting out, or have established your career in the world of music, this podcast episode has a ton of valuable information about what steps to take to protect yourself as a musician, as well as making sure you sign the agreements and contracts that are right for you.  As a musician, Kurt has toured North America with his band One Bad Son, scored five top 10 singles and a #1 song, released 9 albums with various artists, and has worked closely with major industry players like 604 Records, The Feldman Agency, Frontside Group, Strut Entertainment, and Hive Management. The band has toured arenas with Def Leppard, Shinedown, and Judas Priest, and in 2019 we shared the bill with The Rolling Stones in front of 70,000 people. Kurt has practiced Entertainment Law throughout Canada since 2010, providing comprehensive legal advice to a wide array of music, film, television and technology clients since 2010. He became Partner at Murphy & Company in 2016 and was acknowledged by Canadian Lawyer in 2019 for his contributions to Entertainment Law in Canada. If you are at a new level in your career and may need to talk with someone about the next steps, or have any questions, you can reach out to Kurt via his website. His social media @lawyerdrummer is also packed with valuable information for musicians at every level of their careers.

TV Guide's Matt Roush on changes to Law and Order and The Good Doctor.

From representing Yoko Ono to winning class action lawsuits on behalf of actors and musicians, Neville Johnson and his partner Douglas Johnson (no relationship) have built one of the most interesting and successful entertainment law practices in the nation, specializing in representing “talent” as opposed to the business side of the industry.  Join Rahul and Ben for a fascinating discussion with Neville and Doug, as they describe how they got their start in this practice, recount some of their most interesting cases, and talk about trends in entertainment law resulting from new technologies. About Neville Johnson - Senior PartnerWebsite: Johnson and Johnson, LLP Law Firm | Johnson and Johnson, LLP (jjllplaw.com) Professional Experience:Neville L. Johnson graduated Phi Beta Kappa from the University of California, Berkeley (1971).  He received his law degree from Southwestern Law School (1975), graduating near the top of his class.  He has tried over 28 civil jury trials and over 70 civil trials and arbitrations without a jury. He is a member of the invitation-only American Board of Trial Advocates (ABOTA), and is on the Board of Governors of the Consumer Attorneys of Los Angeles (CAALA since 2005), the Board of Directors of the national organization Public Justice, and on the Board of Governors of the Beverly Hills Bar Association 2013-2015 and 2020-2022 (BHBA). Johnson is a long-time member of the invitation-only Los Angeles Copyright Society, and on the Board of The California Society of Entertainment Lawyers. He was nominated for Trial Lawyer of the Year in 2005 by CAALA.  He was Co-Chair of the Entertainment Law Section of the Beverly Hills Bar Association from 2009 to 2011. He has been on the Planning Committee of the USC Entertainment Law Institute since 2011. He has appeared in courts in Arizona, Colorado, Florida, Georgia, Hawaii, Louisiana, Nevada, New York, New Jersey, New York, Oregon, Tennessee, New Mexico, Ohio, Pennsylvania, and Texas. In 2020, Mr. Johnson and his team secured a verdict in a Right of Publicity case of over 9 Million Dollars in damages, and over 7 Million Dollars in attorneys fees. Mr. Johnson has litigated and settled countless cases against a wide array of defendants concerning royalty accounting, profit participation, publicity rights, idea theft, copyright infringement, and many other entertainment law matters. He has also served as an adjunct professor at Southwestern Law School since 2012, where he teaches Entertainment and Media Litigation. However, his greatest pride has been in defending the privacy rights of all citizens against the worst malefactors in the media. His work in this field was perhaps best summarized by Professor David A. Elder, a leading expert on the law of privacy, who published the following special dedication in his treatise, Privacy Torts: To Neville L. Johnson… who has led the charge, often successfully (and always creatively and with great passion) in exposing some of the worst outrages of media newsgathering. Neville ranks with Brandeis and Warren as the great defenders of privacy. All America is in his debt. Mr. Johnson has practiced entertainment law and IP law since 1975 [except for 10 months in 1977-78 when he was a Public Defender (juvenile) in Los Angeles County and handled over 100 matters, including two murder trials and one attempted murder trial]. Mr. Johnson has represented many well-known celebrities and entertainment concerns. The firm currently represents Sylvester Stallone in net profit litigation, and many other writers, directors, actors, producers, musicians, models, and JoJo Siwa, the biggest teen star in the world. He and his firm have been lead counsel in many class actions, including pioneering class actions in the entertainment industry against the entertainment unions, major record companies and motion picture companies. The firm has also handled a number of consumer class actions. The firm handles 15 to 20 right of publicity cases a year. Mr. Johnson is a frequent lecturer and written extensively on entertainment, copyright and media and other legal topics, including in London, England  (Entertainment attorneys based in the UK, London Branch of Entertainment Section of BHBA), Cannes, France (MIDEM, the international music convention), New York (ABA Forum on Communications Section, and Entertainment Law Section and New York Bar Assn.: Entertainment Law Section), Nashville (ABA Entertainment Law Section), Las Vegas (ABA Entertainment Law Section), Miami, Arizona State University, Stanford University, U.C. Berkeley, Loyola Law School, Southwestern Law School, USC Entertainment Law Institute annual forum (3 times) as well as the undergraduate school, California Western School of Law, California State University, Northridge, and many times to the Entertainment Section of the BHBA as a panelist or moderator), the Intellectual Property Section of Los Angeles County Bar Assn., and Berklee College of Music (Boston). Johnson & Johnson LLP, based in Beverly Hills, California, is a litigation firm that specializes in complex litigation with a particular emphasis on entertainment, intellectual property, right of publicity, privacy, defamation, consumer issues, and class actions. Mr. Johnson and the firm also negotiate business and entertainment agreements. Representative Matters:Obtained a 9.6 Million Dollar jury verdict after a seven week jury trial for claim of violation of the right of publicity, Hansen v. The Coca Cola Company, the largest verdict for a right of publicity case in the history of the United States. The trial court also awarded 7.4 million dollars in attorneys' fees.Obtained a unanimous landmark privacy ruling from the California Supreme Court in Sanders v. American Broadcasting Companies, Inc. (1999) 20 Cal.4th 907, a decision that is included in multiple casebooks and taught in law schools across the country.Obtained a published California Court of Appeal opinion representing fitness celebrity Richard Simmons in right of privacy claims against a magazine and private eye for placing a GPS tracker on a car. Simmons v. Bauer Media (2020)Represented numerous victims (both individually and in a class action) of notorious wiretapper Anthony Pellicano and other liable parties, including obtaining a favorable partial affirmance of a significant sanctions award by the California Court of Appeal in Gerbosi v. Gaims, Weil, West & Epstein LLP (2011) 193 Cal.App.4th 435, which concerned a law firm's use of Pellicano's services.Pioneered the use of class actions against studios and record labels for improperly accounting to artists regarding royalties and profit participation, obtaining multiple eight-figure settlements therefrom. Represented many individuals in profit participation claims, including Sylvester Stallone, Jack Klugman, Richard Dreyfuss and Mike Connors.Represented the heir of songwriter Gram Parsons in Parsons v. Tickner (1995) 31 Cal.App.4th 1513, defeating a statute of limitations defense and establishing a fiduciary duty claim against a music publisher.Represented numerous legendary musicians and/or their estates on a variety of contractual, accounting, and intellectual property matters, including John Lennon, Buddy Holly, Michelle Phillips, Rick Nelson, P.F. Sloan, members of Earth, Wind and Fire, Mitch Ryder, Lloyd Price and many others.Obtained a $15 million award in a jury trial business fraud case. Honors:He has been repeatedly selected by Super Lawyers as one of the top entertainment attorneys in Southern California (top 5% of attorneys as voted by peers). In 2020, 2021 and 2022 Super Lawyer and his peers named him one of the top 100 attorneys in Southern California, the only entertainment attorney on the list, he was named one of the top 100 Power Lawyers in Entertainment Law by The Hollywood Reporter every year since, 2008, and in 2020 moved to a new permanent category and designated a “Legal Legend.” He has also been designated numerous times one of the top lawyers in entertainment by Variety and Los Angeles legal newspapaer The Daily Journal. He was nominated as Trial Lawyer of the Year by the California Consumer Attorneys Association of Los Angeles. He is a fellow at the American Law Institute (only 2% of all attorneys are members).  In 2020 he was honored as Alumnus of the Year by the Biederman Entertainment Law Institute at Southwestern Law School.   A law review article about his career is Richard and Calvert, “Suing the Media, Supporting the First Amendment: the Paradox of Neville Johnson and the Battle for Privacy,” 67 Albany Law Review 1097 (2004). On June 23, 2015, the Los Angeles Times did a major profile (front page, Business Section) on his career, “Contract Sport, ‘Go-to' L.A. Lawyer Says Hollywood Studios Are Shortchanging His Clients,” noting that Johnson & Johnson is one of the few firms successfully taking on the entertainment establishment on a regular basis. The cover story of the July 2016, issue of Attorney at Law magazine is about Neville Johnson.  The Los Angeles Business Journal profiled him on its first page, “Lawyer Up,” (September 9, 2019). Speaking Engagements:He is a frequent speaker, including in London, England [Entertainment attorneys based in the UK, London Branch of Entertainment Section of Beverly Hills Bar Association (BHBA)], Cannes, France (MIDEM, the international music convention), the Intellectual Property Section of Los Angeles County Bar Assn., and Berklee College of Music (Boston); and the Los Angeles Copyright Society. New York (ABA Forum on Communications Section, and Entertainment Law Section and New York Bar Assn.: Entertainment Law Section), Nashville (ABA Entertainment Law Section), Las Vegas (ABA Entertainment Law Section), Miami, Arizona State University, Stanford University, U.C. Berkeley, Loyola Law School, Southwestern Law School, USC Entertainment Law Institute annual forum (3 times) as well as the undergraduate school, California Western School of Law, California State University, Northridge, and many times to the Entertainment Section of the BHBA as a panelist or moderator),  SInce 2011 he has moderated the panel on ethical issues for the annual Year in Review for the Entertainment Section of the Beverly Hills Bar Association. Publications: Johnson & Johnson, “Interesting New Developments About Which All Practitioners Should be Aware,” 31 New York State Bar Assn, Entertainment, Arts and Sports Law Journal 56 (2020); Johnson, Johnson, Smolla & Tweed, “Defamation and Invasion of Privacy in the Internet Age,” 25 Southwestern Journal of International Law 9 (2019) Johnson & Johnson, “Trouble in Tinseltown, Los Angeles Daily Journal (April 23, 2019); “My Big Mouth,” Los Angeles Daily Journal (March 29, 2019); Johnson & Johnson, “Entertainment Contracts with Minors in New York and California, 30 New York State Bar Assn, Entertainment, Arts and Sports Law Journal 75 (2019); Johnson & Johnson, “A New Way to Revive a Corporation?,” Los Angeles Daily Journal (October 18, 2016); Johnson & Johnson, “Hollywood Docket: One Sided World,” 27 New York State Bar Assn, Entertainment, Arts and Sports Law Journal 32 (2016); Johnson & Elder, “Maybe America Needs More Peter Thiels,” Los Angeles Daily Journal (August 8, 2016); “We've Lost Control,” Los Angeles Daily Journal (June 16, 2016); “Talent Agency Act Survives Suit, Clarity Remains Elusive,” Los Angeles Daily Journal (May 10, 2013); “The Man Who Seduced Hollywood,” 36 Los Angeles Lawyer 41(September 2013); “Remedies for Web Defamation,” California Lawyer 36 (May 2013); “To Find Employment as a Lawyer, You Must Market Yourself,” 36 Los Angeles Lawyer 12 (June 2013); “Ten Rules for Success in the Practice of Law, 31 Los Angeles Lawyer 12 (June 2008); Chapter, Johnson & Aradi, “Defamatory Tweeting and Other Name and Likeness Violations” in Building Your Artist's Brand as a Business, International Association of Entertainment Lawyers (2012) (includes a discussion of right of publicity); Chapter, Johnson & Fowler, “Litigation: How to Draft Defensively Without Killing the Deal” in Licensing of Music from BC to AD (Before the Change/After Digital), International Association of Entertainment Lawyers (2014); Elder, Johnson & Rishwain, “Establishing Constitutional Malice for Defamation and Privacy/False Light Claims When Hidden Cameras and Deception Are Used by the Newsgatherer,” 22 Loyola of Los Angeles Entertainment Law Review 327 (2002); “New Developments in California Privacy and Defamation Law,” 23 California Litigation 21 (2010); Johnson & Johnson, “What Happened to Unjust Enrichment in California? The Deterioration of Equity in the California Courts,” 44 Loyola of Los Angeles Law Review 277 (2010); Johnson & Walsh, “The Danger of “Anti-Libel Tourism” Litigation in the United States, 32 Los Angeles Lawyer 44 (December 2009); Johnson, “Privacy and the First Amendment”, California Litigation (2006); co-author “Caught in the Act,” Los Angeles Lawyer (1998) (an analysis of trends in the right of privacy); Johnson & Lang, The Personal Manager in the California Entertainment Industry, 52 Southern California Law Review 375 (1979)(a definitive article on the regulation of talent agents, personal managers, and the interplay of entertainment unions and guilds in that nexus). He co-authored chapters on music publishing and personal managers in The Musician's Business & Legal Guide (2017 5th edition), and wrote the authorized and best-selling biography of the greatest coach in the history of sports, The John Wooden Pyramid of Success (Second Edition 2004). Since 2012, Neville and Douglas Johnson have taught a course on entertainment and media litigation as Adjunct Professors at Southwestern School of Law.  From 2011-2014, he was one of the panelists teaching the Los Angeles County Bar Association new admittees course on class actions; and since 2011 he has moderated the panel on ethical issues for the annual Year in Review for the Entertainment Section of the Beverly Hills Bar Association.  Professional Associations:American Board of Trial Advocates (invitation only)Association of Business Trial LawyersBeverly Hills Bar Association Co-Chair Entertainment Section, 2009-2011Board of Governors, 2012-2015, 2020-2022Consumer Attorneys Association of Los AngelesBoard of Governors, 2005-PresentConsumer Attorneys of CaliforniaLos Angeles Copyright Society (invitation only)Los Angeles County Bar AssociationLoyola Productions [Filmmaking arm of the Society of Jesus (the Jesuits)]Co-Chair of the Board, 2009-PresentNational Association of Recording Arts and Sciences (Grammy organization)Voting Member (as the recording artist professionally known as Trevor McShane)Public Justice (National organization advocating for consumers and fundamental rights)Board of Governors, 2011-PresentUSC Entertainment Law InstitutePlanning Board, 2011-Present Education:J.D., Southwestern University School of Law, 1975B.A., University of California at Berkeley, Berkeley, 1971 Practice Areas:Media LawEntertainment LawEntertainment Class ActionsPrivacy LawComplex Business Litigation Matters, including breach of contract, breach of fiduciary duty and fraudRight of Publicity (wrongful use of name and likeness)Copyright Infringement and Theft of Idea casesIssues involving the entertainment unions Admissions:CaliforniaUnited States Supreme Court  About Douglas Johnson - Managing PartnerWebsite: Johnson and Johnson, LLP Law Firm | Johnson and Johnson, LLP (jjllplaw.com) Professional Experience:Mr. Johnson is well known for handling high-profile and high-impact entertainment matters. His clients include producers, actors, directors, writers, production companies, music artists, composers, music publishers, and independent record labels. He is well-known for his successes in royalty disputes, profit participation disputes, right of publicity cases, and theft of idea cases for film and television.  Mr. Johnson also handles invasion of privacy and libel cases, business disputes, and class actions.  Mr. Johnson has been repeatedly named by Super Lawyer as a top intellectual property litigator for more than a decade, representing the top 2.5% of the profession in Southern California. Mr. Johnson also serves as outside general counsel for WorldStarHipHop.com, a popular music and pop culture website, where he deals with cutting-edge copyright, media, and right of privacy issues.  Mr. Johnson has handled numerous copyright infringement lawsuits in Federal Court for Worldstar.   Since co-founding Johnson & Johnson, Mr. Johnson has been at the forefront of developing California's right of publicity laws. He regularly represents celebrities, models, and professional athletes in litigation against defendants who have wrongfully used their images.  He has litigated cases up to the California Supreme Court, advocating for precedent to protect the rights of all Californians from those who would seek to profit from their names, images, and likenesses without authorization. Mr. Johnson's advocacy in this area of law extends to his participation on speaking panels, publication of scholarly articles, and educating law students on the importance of these rights.  Mr. Johnson recently litigated a right of publicity case that resulted in a 9.6 million jury award and an attorney fee award of 7 million against Coca-Cola and Monster Energy for building their Hubert's Lemonade brand around the name of the founder of Hansen Juices, Hubert Hansen.  Mr. Johnson also received a seven-figure jury award in a right of publicity case for an actor/supermodel.   Representative Matters:Handled profit participation disputes on behalf of Sylvester Stallone (Demolition Man, Expendables, and the Rocky Films), Glen Larson (Magnum PI, Knight Rider, Fall Guy, Battlestar Galactica), Ed Weinberger (Amen), Richard Dreyfuss (Goodbye Girl, Mr. Holland's Opus, and Close Encounters Of The Third Kind, and What About Bob?), Raymond Wagner (Turner and Hooch), Jack Klugman (Quincy, Odd Couple), Mike Connors (Mannix), the Estate of Charles Bronson (St. Ives, Telefon), Mort Engelberg (Hot Stuff and Smokey And The Bandit), and the owners of the Friday 13th horror franchise.  Lead counsel in a class action against Sony Music, resulting in $12.7 million settlement and 36% uplift in ongoing foreign streaming royalties in Nelson v. Sony (S.D.N.Y) benefiting thousands of legacy recordings artists; currently co-counsel in similar litigation on behalf of legacy artists signed to Warner and Universal. Lead Counsel defending RatPac inidea theft case over the 2018 Melissa McCarthy movie, Life of the Party. (case dismissed on Motion for Summary Judgment).Lead Counsel representing producer in a dispute over turnaround rights to the film Rush Hour 4.  Lead Counsel for Janet Jackson in a royalty dispute with her label.  Obtained $5.35 million in retrospective relief and an estimated $3.1 million in savings over the next three years in Risto v. AFM & SAG-AFTRA (C.D. Cal.) for non-featured performers who receive royalties from the AFM & SAG-AFTRA Intellectual Property Rights Distribution Fund.Obtained a seven-figure settlement as lead counsel in a major talent management dispute for actress Karrueche Tran after successfully freezing all her manager's assets in Tran v. Muhammad (C.D. Cal.)Currently representing the leading production music company in North America on a variety of copyright matters both in and out of litigation-see, e.g., Associated Production Music v. The Vail Corp. (C.D. Cal.)Co-counsel in class actions against major Hollywood studios alleging endemic underpayment on home video and new digital media for pre-1982 movies for writers, producers, actors, and directors.  In those cases, Mr. Johnson handled the settlement with Universal for $25 million, the settlement with Fox for $12.6 million, and the settlements with Sony and Paramount.Mr. Johnson was co-counsel in three class actions against the record industry companies over digital download royalties of underpayments to artists (Temptations/Motels/Ronee Blakely), resulting in eight-figure settlements.  The cases dealt head-on with unresolved points of law as to the classification of digital downloads, and the rights of artists to receive royalties in the face of changing technology. Mr. Johnson has litigated several high-profile libel actions against large media companies, resulting in several mid-seven-figure settlements.  Recently he represented Richard Simmons against In-Touch Magazine. In May 2020, he argued and won an Anti-SLAPP appeal for Mr. Simmons.With his partner, Neville L. Johnson, he settled three class actions against the Directors Guild of America, Writers Guild of America, and Screen Actors Guild of America for tens of millions of dollars of unpaid foreign levies.  Defended blues icon B.B. King in a case seeking declaratory relief regarding the right to produce a film about his life, resulting in dismissal of the lawsuit.Obtained a seven-figure jury verdict in Oregon U.S. District Court on behalf of a music artist and record company in a copyright infringement case.Represented business owner in arbitration in a partnership dispute resulting in a seven-figure award for the client.Wrongful death and civil rights case resulting in reorganization of staffing and training at a county jail. The matter was featured on the cover of the Sacramento News & Review and constituted the largest settlement in the nation at the time for such a case. Thought Leadership:Panelist, CalCPA: Entertainment Industry Conference (June 21, 2022)Panelist, Beverly Hills Bar Association, Entertainment Law Year in Review, Ethics (January 13, 2020)Adjunct Professor, Entertainment and Media Litigation, Southwestern School of Law, (2012 to Present)Panelist, “Backend Optics: Profit Participations Through Different Lenses,” Beverly Hills Bar Association, Entertainment Law Section, (2018)Panelist, “I'm a Celebrity, You Can't Do That, (Can You?), California Society of Entertainment Lawyers, (2018)Panelist, “Entertainment Year in Review: Entertainment Litigation With Stars Of The Bar,” Beverly Hills Bar Association, Entertainment Law Section, (2017)Panelist, “The Right of Publicity: The State of The Current Law,” Beverly Hills Bar Association, Entertainment Law Section, (2014)The Ever-Evolving Courtroom Drama of Net Profits, Donald L. Stone's Inn of St. Ives, (2012)Panelist, Right of Publicity: How Much Is Your Client Really Worth?, Beverly Hills Bar Association, Entertainment Law Section, (2012)Panelist, Current Issues in Right of Likeness, Defamation and Privacy, Beverly Hills Bar Association, Entertainment Law Section, (2011)Panelist, Injuries Without Remedies, Loyola Law School's Legal Symposium, (2011) Sample Publications:The Troubling Trend of Online Exceptionalism to Copyright's Separate Accrual Rule, New York State Bar Association, Entertainment, Arts and Sports Law Journal, Vol. 34, No. 2, (Summer 2023)Florida sides with California on delayed discovery in copyright cases, Daily Journal (March 3, 2023)The Second and Ninth Circuits Diverge on Copyright Law's Discovery Rule, New York State Bar Association, Arts and Sports Law Journal, Vol 33, No. 2 (Fall 2022)The Top 3 Copyright Law Developments of 2022 (So Far), New York State Bar Association, Arts and Sports Law Journal, Vol. 33, No. 2, (Spring 2022)Say Goodbye to Back-End Deals, New York State Bar Association, Arts and Sports Law Journal, Vol. 32, No. 3 (Fall 2021)3 Music Litigation Developments in 2020-2021, Daily Journal (October 23, 2021)Contract, Fraud, and Libel Damages, Journal of Consumer Attorneys Associations for Southern California, Advocate Magazine (October 2021).  3 Music Litigation Developments in 2020-2021, Daily Journal (September 16, 2021)Recent Developments In Entertainment Law: Defamation Jurisdiction, Copyright, and Talent Contest Agreements (Summer 2021)Black Windows: Scarlett Jo vs Disney, Daily Journal, (July 6, 2021)Recent Right of Privacy Developments, Daily Journal, (July 22, 2021)Developments In Libel, Social Media, Privacy and The Right of Publicity, (Spring 2021)Copyright Developments in 2020, New York State Bar Association, Arts and Sports Journal, Vol. 32, No. 1 (Sring 2021)Pandemic-era Appellate Rulings Take on Arbitration, Los Angeles Daily Journal (April 22, 2021)Recent Interesting Cases, New York State Bar Association, Arts and Sports Law Journal, Vol. 31, No. 2, (Spring 2020)Hollywood Docket: Trending: Data Privacy, Copyright Trolling, And A Clause To Keep In Mind, New York State Bar Association, (June 6, 2020)Recent Development In Copyright Law, Daily Journal, (August 2, 2020)COVID-19 And The Return To Film Production In California, Los Angeles Daily Journal, (July 13, 2020)Interesting New Developments About Which All Practitioners Should Be Aware Of, New York State Bar Association, Arts and Sports Law Journal, Vol. 31, No. 1, (Winter 2020)My Big Mouth, Journal of Consumer Attorneys Association for Southern California, Advocate Magzine, (December 2019)Entertainment Contracts With Minors in New York and California, New York State Bar Association, Arts and Sports Law Journal, Vol. 30, No. 1, (Spring 2019)Defamation and Invasion of Privacy in the Internet Age, Southwestern Journal of International Law, Volume XXV (2019)When Will Legal Communication Result In Liability? Los Angeles Daily Journal, (Mar 29, 2019)Entertainment Contracts With Minors: Clarification Needed, Los Angeles Daily Journal, (Nov. 27, 2018)Tales and Lessons Regarding the Right of Publicity, USC Entertainment Law Spotlight, Issue 2, (2018)Hollywood Docket: Tales and Lessons Regarding the Right of Publicity, New York State Bar Association, Arts and Sports Law Journal, No. 2, (Summer 2018)Hollywood Docket: Essential Clauses for Drafting an Ironclad Release and Consent Agreement, New York State Bar Association, Arts and Sports Law Journal, Vol. 29, No. 1, (Spring, 2018)Before You Sign That Deal At Cannes…Produced By, Producers Guild of America, (April/May 2017)Hollywood Docket: Making the Perfect Pitch, New York State Bar Association, Arts and Sports Law Journal, Vol. 27, No.3, (Fall/Winter 2017)Hollywood Docket: One-Sided World, New York State Bar Association, Entertainment, Arts and Sports Law Journal, Vol 27, No. 2., (Summer, 2016)A New Way to Revive a Corporation, Los Angeles Daily Journal, (Oct 26, 2016)Hollywood Docket: Social Media, the Law, and You, New York State Bar Association, Arts and Sports Law Journal, Vol. 27, No. 3 (Fall 2016)What Happened to Unjust Enrichment in California? The Deterioration of Equity in the California Courts, Loyola of Los Angeles Law Review, Vol. 44:277 (Fall 2010) Published Cases:Gerbosi v. Gaims, Weil, West & Epstein, LLP (2011) 193 Cal.App.4th 435Walker v. Geico General Ins. Co. (9th Cir. 2009) 558 F.3d 1025Simmons v. Bauer Media Group USA, LLC (2020) 50 Cal App.5th 1037Education:J.D., University of the Pacific, McGeorge School of Law, 2000, Dean's ListB.A., University of Southern California, 1996, Dean's List Practice Areas:Entertainment LitigationComplex Business LitigationClass Action LitigationIntellectual Property LitigationDefamation, Media, and First Amendment LawRights of Privacy and Publicity Admissions:California   

Florida State has filed suit against the ACC, and the case against the ACC's Grant of Rights is stronger than anticipated. The 'Noles may need to send someone to the ACC HQ to cut out a piece of carpet before too long. Worth the Read: Mark T. Wilhelm, "Irrevocable but Unenforceable? Collegiate Athletic Conferences' Grant of Rights," Harvard Journal of Sports and Entertainment Law 8 no. 1 (2017): 63–124. Please rate and review this podcast! Every 5-star review helps! Support the podcast via the Unconquered Podcast Patreon page. Film breakdowns of various schemes and techniques will be continuing throughout the offseason. Check out our new items in the Unconquered Shop. Support the podcast by buying some swag! Please also support our podcast sponsors (and make sure to let them know you heard about them from the Unconquered Podcast): Justin Galloway at Benchmark Mortgage: With the way that interest rates have climbed lately, if you're looking to buy a house, you're going to want to have the right people on your side to make sure you get the best possible rate and have the best loan strategy for your plans. Justin Galloway is exactly who you want on your side. If you're buying a home in Florida, Tennessee, Kentucky, or Alabama, make sure you give Justin a chance to earn your business—the more questions you have, the more valuable he's going to be for you, and he's going to make sure you get the most value from your mortgage from rates to fees to overall planning. Give him a call at 615-594-4260 or email him at justin.galloway@benchmark.us and let him know you heard about him from Unconquered with Doc Staples.  Jacksonville, FL realtor, Luis Marquez, who brings professional photography and videography skills to online real estate listings. A current listing, in case you wanted to see a sample: https://www.zillow.com/homedetails/415-Captiva-Dr-Ponte-Vedra-FL-32081/123618490_zpid/. Check out other examples of Luis' work here: https://www.pixelperfectlisting.com/. Support the podcast and contact Luis for all your greater Jacksonville real estate needs at 850-443-5797 or via email at luismarquez@kw.com. Chapel Hill, NC realtor, Shenandoah Nieuwsma, who brings PhD-level research and a relentless work ethic to real estate. She sets the standard for how to use data to benefit her clients.. She also understands both people and strategy and is consequently an ace negotiator who knows how to get the best result.. Nobody knows the market better, and her enthusiasm and drive are unparalleled. I've worked with her, and if you're about to be in the Research Triangle real estate market, you'll want to work with Shen. Contact her at (919) 726-3955 or via email at shen@shenrealestate.com. Garage Makeovers: The top rated garage remodeling company in south Florida according to Homeadvisor and Angies List. They are licensed and insured and have been serving all of Palm Beach and Broward County since 2005. Their services include: Painting and drywall work, Overhead Storage, Polyaspartic Flooring, Cabinets, Shelving, Slotwall and accessories for anything you have. Call Nathan at Garage Makeovers for all your storage and organizational needs, 954.571.8774. EPR Creations, an online marketing and website design company that provides turnkey web design, search engine optimization, online marketing strategies, and website management. If you have a business that could benefit from a more robust online presence, EPR Creations can get you there. I've trusted them with multiple projects and have been happy with their work each time. Let EPR Creations empower you to do the things that inspire you (and make some money too). Buy my second book! Paul and the Resurrection of Israel is available through Amazon, Cambridge University Press, or wherever you buy your books. I've spent the last 20 years on this book, and it's going to be of interest to anyone who wants to understand the New Testament better. Buy extra copies for family and friends interested in the Bible! Buy my other book! The Idea of Israel in Second Temple Judaism is available through Amazon, Cambridge University Press, BookShop.org, or wherever you buy your books. I would be very grateful if any listeners with any sort of interest in this area would order a copy—and those of you who aren't interested could always buy one for someone you know who might be. Thanks as always for your support!  

This episode of Entertainment Law Update is sponsored by JD Supra – a leading platform in professional services content marketing – helping lawyers to turn their expertise into networking opportunities, media visibility, and new business. JD Supra publishes and distributes … Read the rest The post Echoes of 2023: Legal Landscape Shifts, AI Battles, and NFT Dramas – A Year in Entertainment Law and Predictions for 2024 appeared first on Entertainment Law Update.

This episode of Entertainment Law Update is sponsored by JD Supra – a leading platform in professional services content marketing – helping lawyers to turn their expertise into networking opportunities, media visibility, and new business. JD Supra publishes and distributes … Read the rest The post Live (sort of) from the 33rd Annual UTCLE/TESLAW Entertainment Law Institute appeared first on Entertainment Law Update.

Our guest for this episode is Matthew Ram, an Entertainment lawyer. Matthew's journey began at the University of Toronto, where he earned a degree in Economics, and later, he completed his Juris Doctorate at the University of Detroit Mercy. He went on to establish MSM Group Professional Corporation, specializing in Real Estate, Corporate, and Entertainment Law. As MSM Legal Group gained recognition, Matthew turned his attention to his other passions: entrepreneurship and music. Today, the firm provides an innovative New Business Start-Up package and is making waves in the entertainment industry. We had the privilege of sitting down with Matt at the MPL studio to discuss his work in entertainment law and gather valuable insights for aspiring artists looking to make music their career. This episode is brimming with valuable information, so don't miss it!

Before opening her own firm, Shihadeh Law, Jodie was a Partner at The Davis Firm, where she negotiated deals at the highest level for global superstar recording artists, music producers, songwriters, television personalities, management and production companies, professional athletes, and business executives in all areas of the entertainment industry. Jodie was recently featured in Billboard Magazine's 2020 Top Music Lawyers and Variety Dealmakers Elite NYC 2018 for her skillful deal-making. Join me as we explore what it's really like to be an Entertainment Lawyer in LA, working with popstars every day to protect their interests whilst dealing with the impacts of technology and copyright. This podcast is brought to you by Ethical Change Agency. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ariela Moskowitz worked as an exec for Disney and is now an associate for an entertainment law firm. She has a unique perspective on how Hollywood strikes ought to resolve and the future of studios and networks.  

Elizabeth Lombardi is an Executive in Business Affairs at Creative Artists Agency (CAA). CAA is a talent agency, home to music industry legends such as: Ben Platt, Beyonce, Harry Styles, Kelsea Ballerini, The Band Camino, Zendaya, etc. As of 2023, she is also an adjunct professor at her alma mater, Belmont University, in the Mike Curb College of Entertainment & Music Business in addition to her full-time work as an Entertainment Attorney. This interview is for you if you're wondering: - Should I take a job outside of the music industry to build experience and a resume, or is that going to silo me and set me back? - What are ways to continue to network outside of my school or job in the Nashville area? - Where do I begin as an Entertainment Lawyer? Chapters 02:06 Career Path and Volunteer Experience 03:22 Choosing the Music Industry and Law 07:19 Growing Up in Chicago and Musical Influence 09:42 Choosing Belmont University 12:53 Meeting Jake Owen and the Impact 16:54 The Importance of Networking and Building Relationships 18:34 Choosing Entertainment Law 25:22 Getting Internships and Standing Out 31:52 CMA EDU and Networking 34:58 Working at CAA and Career Progression 44:49 Transition to the Music Industry 46:23 Challenges of Temporary Positions 48:09 The Importance of Self-Confidence 51:12 Taking a Job Outside of Entertainment 55:33 Returning to the Entertainment Industry 58:48 Finding Fulfillment in Work 01:02:08 The Importance of Patience and Persistence 01:07:29 Working at a Law Firm 01:09:46 Reevaluating Career Goals 01:14:57 Teaching at Belmont University 01:26:28 The Country Music Hall of Fame's Troubadour Society 01:32:25 Journey to the Music Industry 01:33:54 Living the Dream 01:34:54The Power of Live Music Follow and Subscribe to these accounts: ⁠Springboard Music's Instagram⁠⁠ ⁠Rachael Hession's Instagram⁠⁠ Elizabeth Lombardi's LinkedIn Creative Artists Agency Country Music Hall Of Fame | Troubadour Society Belmont Music Business Program Belmont Law CMT CMA EDU Whisky Jam HCA --- Support this podcast: https://podcasters.spotify.com/pod/show/springboardmusic/support

I'm really excited to have Joshua Lastine on the show today. Joshua is an entertainment law attorney, and as many of you know, I'm connected to the entertainment industry through my daughter who is a professional actress at the musical theatre world on the west coast. So I've seen a lot of what goes on in the entertainment world from the performers side and from the creative side, but very little about what is behind the curtain on the legal side. Joshua has worked with all the big entities in that arena. He started his practice right after the pandemic and he has built that up and three years since was built into a thriving entertainment law practice. So it's a great opportunity for me to talk about two things that I like a lot, solo and small firm practitioners and the entertainment industry. And there's no better representative of that intersection than Joshua Lastine. I hope you enjoy. In this episode, Neil and Joshua discuss:Overcoming adversity in entertainment and/or law. Tenacity and anti-fragility. Starting a solo practice during lockdown. Maintaining relationships to stay top of mind. Key Takeaways:Life is about leveling up and the journey it takes to get there, not the final location. It takes different types of lawyers for different types of work that need to be done. If someone declines working with you, it would just be a different personality match. Network early in your law school experience, especially if you know what area of law you are looking to go into. Find a way to organize your contacts into different levels of importance to you and your business and make sure to stay in contact with and top of mind for those people. "For every battle I have, I just gain that much more experience and become that much better of an attorney." — Joshua LastineGet in touch with Joshua Lastine:Website: https://lastinelaw.com/ Instagram: https://www.instagram.com/lastinelaw/ Facebook: https://www.facebook.com/Lastineimpressions/ LinkedIn: https://www.linkedin.com/in/joshua-r-lastine-b3632b42/ Thank you to our sponsors!Ruby Receptionist - Virtual receptionist & live call services that will help you grow your office (and save money), one call at a time - to learn more, go to https://get.ruby.com/TLE or call 844.311.7829The Net Profit CFO - Ryan Kimler works with attorneys who want to enjoy higher net profits without working longer or harder. With just 9 Simple Numbers, Ryan will help you drive more profit to your bottom line-and he won't confuse you with all the details! Connect with Ryan at www.netprofitcfo.com.Get in touch with Neil:Website: https://thelawentrepreneur.com/Twitter: https://twitter.com/lawentrepreneurFacebook: