Podcast appearances and mentions of don peake

Why do Mommy and Daddy Robeson want a child? What's going on inside the walls of their palatial home? And why, for the love of God, is Wendy Robie not more famous? These and other questions are posed and answered (sort of) in this week's installment of 21 Jump Scare, as Bradford and Eric take a long, hard look at the sleazy goings-on in Wes Craven's underappreciated THE PEOPLE UNDER THE STAIRS, featuring Everett McGill, A.J. Langer, Brandon Adams, Ving Rhames, Sean Whalen, and Ms. Robie. Background (spoiler-free) 0:00-9:00 Discussion (spoiler-heavy) 9:01-31:13 Awards (spoilers for days) 31:14 Our theme music is by Sir Cubworth, with selections from the "TPUTS” soundtrack by Don Peake (main theme), and Redhead Kingpin & the FBI. For more information on this film, essays from your hosts, and other assorted bric-a-brac, visit our website, 21jumpscare.com. Please subscribe to this podcast in Apple or Google Podcasts, Stitcher, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a rating! Follow us on Facebook. Follow us on Instagram. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Taking an ill-advised detour en route to California, the Carter family soon run into trouble when their RV breaksdown in the middle of the desert. Stranded, the family find themselves at the mercy of a group of monstrous cannibals lurking in the surrounding hills. With their lives under threatm the Carters have no choice but to fight back by any means necessary.Starring Russ Grieve, Virginia Vincent, Susan Lanier, Robert Houston, Dee Wallace, Martin Speer, Janus Blythe, James Whitworth, Michael Berryman, Lance Gordon, John Steadman, Cordy Clark, and more. Music by Don Peake. Director of Photography Eric Saarinen. Written and Directed by Wes Craven.

"Remember last year, when we were worried that Halloween in 2020 wouldn't feel like Halloween? 'We can't bob for apples, the season is ruined!' Well now some time has passed, it's October again and I haven't even seen an apple in 7 months." - Micah Bravo, host of Tracks of the Damned You think this year was a clusterfuck, you ain't see nothing yet. Live, from the radio station of the third most prestigious community college in the greater Baton Rouge area, DJ Micah Bravo (Regina Linn) surveys a decimated post-nuclear landscape and does what they do every Halloween: get high and party with another great mix of weird and wild spooky tunes. The pumpkins may have mutated a new skin that's impervious to knives but Halloween will never die! ACT ONE 1. What Lurks On Channel X? by Rob Zombie 2. Concerto for Organ, Strings & Timpani in G Minor, FP 93: I. Andante by Francis Poulenc 3a. Troma Team Title Music 3b. Clip #1 of The Masque of the Red Death read by William S. Burroughs 3c. Silver Shamrock Jingle by John Carpenter & Alan Howarth 4a. Halloween by Betty Grable & David Wayne 4b. Slaughterhouse by Ganksta NIP 5a. Spookshow Trailer 5b. Experiment in Terror by Harry Mancini 6a. Dracula (1979) trailer 6b. Stage 4-3 Bram Stoker's Dracula for Genesis by Andy Brock 6c. Clips from Dracula (1979), Nosferatu (1979), Count Dracula (1970), Bram Stoker's Dracula, Count Dracula (1977), Spanish Dracula (1931) 7. Bela Lugosi by Severed Limb 8a. Dream Clinic scene from A Nightmare on Elm Street 8b. Bury a Friend by Billie Eilish 9a. Ghost in the Machine trailer 9b. Hex from The Andromeda Strain by Gil Mellé 10a. Carvel, Kooky Spooks Make-Up commercials 10b. The World Television Premier of John Carpenter's Halloween 10c. John Carpenter's Halloween by Trent Reznor and Atticus Ross 11a. To Raise The Dead by Vincent Price 11b. Zombie Jamboree by Harry Belaftone 12a. Living Dead Beats by Sek 12b. "Are they slow moving, chief?" from Night of the Living Dead 13. "I Love The Dead" by Alice Cooper ACT TWO 1. The Spook by Pete Drake 2. Theme From Cannibal Ferox by Roberto Donati and Fiamma Maglione 3. Clip #2 of The Masque of the Red Death read by William S. Burroughs 4a. "Whoa, psychedelic!" from Terrorvision 4b. Terrorvision Theme by The Fibonaccis 5. Night of the Vampire by The Moontrekkers 6a. Halloween Saftey (1985) clip 6b. Fall Children by AFI 7a. "All the different ways of dying. Violently?" clip from Return of the Living Dead 7b. Transylvanian Concubine by Rasputina 8. Dead & Buried Suite by Joe Renzetti 9. Now I'm Feeling Zombified by Alien Sex Fiend 10a. Sadismo trailer 10b. Shadowman by Link Wray 11a. 781 Redrum by Brotha Lynch Hung 11b. Pass The Shovel by Gravediggaz 12. Boo! from The Canterville Ghost by Gordon Getty ACT THREE 1. The Munge by Genki Genki Panic 2. Werewolf & Witchbreath by The Troll 3. Clip #3 of The Masque of the Red Death read by William S. Burroughs 4a. The Hills Have Eyes Opening Theme by Don Peake 4b. Sammy Terry Nightmare Theater opening 5. Dr. Holmes (He Stripped Their Bones) by Macabre 6a. Abby Trailer 6b. Day of Wrath Funk Breaks by The Rite of Exorcism 7a. Penn Jillette on Monstervision: Ed Wood defense 7b. Opening Theme to Ed Wood by Howard Shore 8a. Hot Rod Herman clip 8b. The Munsters theme by The Surf Dawgs 9a. Subway scene from Possession (1981) 9b. Demon Host by Timber Timbre 10a. Don't by Garden on a Trampoline 10b. New Jim Jones (live) by Dre Dog

Don Randi and Don Peake from The Wrecking Crew

It is always an honor to have Don Peake come on the show, and this time he is bringing along another Wrecking Crew member, bassist Chuck Berghofer! Both are participating in a special concert event, "Farewell to Glen Campbell," on January 27th, 2019 at Bogie's in Westlake Village! We talk to Don and Chuck about working with Glen, the impact of Glen's playing on music and share some great stories working with Glen in the studio!

It is always an honor to have Don Peake come on the show, and this time he is bringing along another Wrecking Crew member, bassist Chuck Berghofer! Both are participating in a special concert event, "Farewell to Glen Campbell," on January 27th, 2019 at Bogie's in Westlake Village! We talk to Don and Chuck about working with Glen, the impact of Glen's playing on music and share some great stories working with Glen in the studio!

Don Peake returns to the show and this time we take a closer look at his work as a session guitarist. As the staff guitarist at Motown Records, Don helped define the "Motown Sound" and we take a closer look at one of the most distinctive and influential styles of music mixing R&B, funk, blues, jazz and pop. Also we take another look at Don playing with the Wrecking Crew. And we delve deeper into his playing in a big band, the function of the guitar in the orchestra and his groundbreaking gig with Ray Charles.

Don Peake returns to the show and this time we take a closer look at his work as a session guitarist. As the staff guitarist at Motown Records, Don helped define the "Motown Sound" and we take a closer look at one of the most distinctive and influential styles of music mixing R&B, funk, blues, jazz and pop. Also we take another look at Don playing with the Wrecking Crew. And we delve deeper into his playing in a big band, the function of the guitar in the orchestra and his groundbreaking gig with Ray Charles.

Don Peake returns to the show and this time we take a closer look at his work as a session guitarist. As the staff guitarist at Motown Records, Don helped define the "Motown Sound" and we take a closer look at one of the most distinctive and influential styles of music mixing R&B, funk, blues, jazz and pop. Also we take another look at Don playing with the Wrecking Crew. And we delve deeper into his playing in a big band, the function of the guitar in the orchestra and his groundbreaking gig with Ray Charles.

This Luncheon podcast features television composer, Mike Post. Mike and Don Peake, the moderator, have a decades long bond and touched on some fascinating stories with Jackie Kennedy, Andy Williams, Ray Charles, Sonny & Cher, Pete Carpenter, and how a beach towel battle in Hawaii turned into a TV composing gig. To learn more about this luncheon with Mike Post, please visit: http://www.asmac.org/podcast-mike-post-sept-2016

Don Peake is an amazing musician. Starting out as the lead guitarist for the Everly Brothers, Don also was part of the Wrecking Crew and did sessions for Phil Spector, the Beach Boys, Jan & Dean, The Monkees and the Mamas & The Papas. Don also was the staff guitarist for Motown records, playing on all the Jackson 5 hits, The Supremes and Marvin Gaye. As an arranger Don arranged Bobby Darin's hit "If I Were A Carpenter." Don also started composing for films and TV and composed the theme for "Knightrider." and the score for the film "The Hills Have Eyes." We talk to Don about his experiences, his music, guitar, gear and more!

Don Peake is an amazing musician. Starting out as the lead guitarist for the Everly Brothers, Don also was part of the Wrecking Crew and did sessions for Phil Spector, the Beach Boys, Jan & Dean, The Monkees and the Mamas & The Papas. Don also was the staff guitarist for Motown records, playing on all the Jackson 5 hits, The Supremes and Marvin Gaye. As an arranger Don arranged Bobby Darin's hit "If I Were A Carpenter." Don also started composing for films and TV and composed the theme for "Knightrider." and the score for the film "The Hills Have Eyes." We talk to Don about his experiences, his music, guitar, gear and more!

Don Peake is an amazing musician. Starting out as the lead guitarist for the Everly Brothers, Don also was part of the Wrecking Crew and did sessions for Phil Spector, the Beach Boys, Jan & Dean, The Monkees and the Mamas & The Papas. Don also was the staff guitarist for Motown records, playing on all the Jackson 5 hits, The Supremes and Marvin Gaye. As an arranger Don arranged Bobby Darin's hit "If I Were A Carpenter." Don also started composing for films and TV and composed the theme for "Knightrider." and the score for the film "The Hills Have Eyes." We talk to Don about his experiences, his music, guitar, gear and more!

The American Society of Music arrangers & Composers presented a panel discussion, “The Sound of Motown, from Detroit to Los Angeles” at its monthly luncheon, November 14 at Catalina’s in Hollywood. Keyboardist, composer, and producer Clarence McDonald moderated the panel that included Marvin Augustus, David Blumberg, Sylvester Rivers, and Don Peake. This session was a follow-up to last summer’s ASMAC arranging workshop with Paul Riser (see July 2007 “Overture”). Because the Motown sound has had a dramatic impact on American popular music, it is fascinating to hear the stories of the individual musicians who were an integral part of that famed organization. To learn more about this luncheon with the Motown Sound Panel, please visit http://www.asmac.org/motown-sound-panel-luncheon-november-14-2007/

Download MP3A big thank you to Dana for joining us this episode. Follow her on Twitter and check out her deviantART page.This episode discusses The Hills Have Eyes (1977). IMDb. Wikipedia.Excerpts from the film's score composed by Don Peake.