Podcasts about papas

Dans cet épisode, Xavier pis Martin jasant de leur parcours pour devenir parents: la fertilité, les choix, les bas et les belles victoires qui les ont menés à accueillir leurs deux p`tits trésors. Un conversation vraie, tendre, pis pleine de courage.   Cours de sommeil en ligne pour nouveau-nés – cliquez ici Besoin d'aide pour le sommeil ? Découvrez nos forfaits sommeil ICI.

In this lively and laughter-filled episode of Wise_N_Nerdy, Charles and Joe kick things off with the Question of the Week: “If you were transported into a D&D campaign as your current self, what class would you actually be?” Joe wastes no time declaring that Charles would absolutely be a bard, armed not with a lute but with a drum — because of course he would. Charles fires back, suggesting Joe would be a bard too… before quickly pivoting and upgrading him to wizard, because someone has to keep the party alive with spell slots fueled by bad dad jokes.With the roll of their signature dice, the randomness begins — and the first stop is a fresh round of Bad Dad Jokes, led by community favorite Devocite, who drops some groan-worthy punchlines that get Charles and Joe rolling (their eyes and their dice). Naturally, the hosts can't resist adding a couple of terrible dad jokes of their own.Next, fate guides the show into “Daddy, Tell Me A Story”, where Charles and Joe reminisce about convention moments that made them stop and think, “Yep… these are my people.” From chaotic con floors to unexpected geeky bonding moments, the stories highlight exactly what it means to Find your FAMdom within fan culture.Then it's time for “What Are You Nerding Out About?”, where Charles shares his hilarious RPG experiences from CONjuration, recounting game sessions so wild they nearly had the table crying from laughter. Joe shifts gears into anime mode, gushing about Hero Without a Class: Who Even Needs Skills?!, a series starring a protagonist who ignores societal expectations and instead rises to greatness through pure determination and hustle.The dice tumble again and land on “How Do I…?”, where the hosts address a universal parenting struggle: what to do when your kids are pushing every last one of your buttons. Charles and Joe offer real talk, real strategies, and the reminder that even the best parents have days when they're this close to losing it.Finally, the show closes with the “Parliament of Papas” segment, where the dads unite to roast the phenomenon of PROMposals — calling them over-the-top, unnecessary, and peak-level cringe. It's a perfect blend of parenting wisdom, cultural commentary, and comedic snark.Wise_N_Nerdy: Where Fatherhood Meets Fandom

"The The Office of the US Trade Representative has released their 2024 Piracy Report listing the notorious markets for counterfeiting and piracy. The practice is alive and well. This report dedicated an entire section just to music. We will tell you what it said."

Les mentalités évoluent sur la paternité. Mais dans les faits ? Qui de mieux que Papatriarcat pour venir en parler ? Un podcast Bababam Originals Ecrit par Hélène Vézier Monté par Romain Redon ⁠Retrouvez tous les épisodes de Madame Meuf ici. Learn more about your ad choices. Visit megaphone.fm/adchoices

Viele Eltern merken irgendwann, dass sie unbewusst beginnen, dieselben Muster aus der Kindheit weiterzugeben, die ihnen selbst wehgetan haben. In diesem Beitrag zeige ich dir, warum du alte Reaktionen deiner Eltern wiederholst, wie tief diese Muster aus der Kindheit wirken – und vor allem, wie du sie lösen kannst. Du erfährst, wie du als Mama oder Papa präsent bleibst, ohne in dein inneres Kind zu rutschen, und wie du deinen Kindern dadurch etwas vollkommen Neues vorlebst. Lass uns gemeinsam herausfinden, welche Muster in dir Leben und wie du es schaffst, diese nicht an deine Kinder weiter zu geben. KLICKE HIER FÜR EIN ERSTES INNERES KIND GESPRÄCH mit mirMuster aus der Kindheit lösen – für deine Kinder und dichViele Mamas und Papas haben eine riesige Angst: Die Angst, unbewusst genau die Muster an ihre Kinder weiterzugeben, unter denen sie selbst als Kind gelitten haben. Vielleicht kennst du das. Du nimmst dir vor, liebevoller zu sein, geduldiger, präsenter. Aber dann wirst du laut. Oder du ziehst dich zurück. Oder du funktionierst einfach weiter – wie früher deine Mama oder dein Papa. Und am Abend sitzt du da und denkst dir: „Fuck. Jetzt habe ich genau das gemacht, was ich nie tun wollte.“ Ich kenne das. Und ich weiß, wie tief diese Muster sitzen. In diesem Beitrag zeige ich dir:warum du reagierst wie früher deine Eltern (auch wenn du es nicht willst)was in deinem Nervensystem wirklich passiertwarum deine Kinder nicht deine Worte spüren, sondern dein Innenlebenwie du als Mama oder Papa bei dir bleibst, statt in alte Muster zu rutschenund wie du ganz konkret Muster aus der Kindheit lösen kannst Weiterlesen

Episode 154: Supermoon Music And More November 25, 2025 Heres Another Tales Vinyl Tells, sharing the The vinyl albums from the 60s & 70s, those LPs carried the new wave of The British Invasion while America was already experiencing its own invasion from Joan Baez, Joni Mitchell, Beach Boys, Jan and Dean, Mamas and Papas, CSN&Y, Bob Dylan, The Doors, the folkies, Paul Revere and the Raiders, Freddie Boom Boom Cannon, The Turtles, The Buckinghams even. And in the next hour, my intention today is to share some of those great LPs that were breaking a type of sound barrier and blowing minds while we.well, we were having our own revolution, discovering free love, recreational experimental mind altering elements, all to a soundtrack that lives on and has NOT been repeated. This music of today may last, maybe not. 60s & 70s rock has everlasting life.   You can learn how to financially support this program by going to https://patron.podbean.com/talesvinyltellssupport. And thanks for listening today.  My email is talesvinyltells@gmail.com.  If you want to hear a Tales Vinyl Tells when it streams live on RadioFreeNashville.org, we do that at 5 PM central time Wednesdays. The program can also be played and downloaded anytime at podbean.com, iHeart podcasts, Player FM podcasts, Listen Notes podcasts and many other podcast places. And of course you can count on hearing the Tales on studiomillswellness.com/tales-vinyl-tells anytime.

Jeff Papas joins the show to put a bow on the UMD football season, which ended on Saturday in Ohio. Then we talk about JJ McCarthy's struggles as the Vikings fall to the Packers.See omnystudio.com/listener for privacy information.

Vi har hver valgt en række singler fra 1965 – 1967, som vi præsentere og taler om. Du kommer i selskab med Peter And Gordon, Kinks, Mamas and Papas, Tina Turner, Lovin’ Spoonful og mange flere.

In this festive and laughter-packed episode of Wise_N_Nerdy, Joe is joined by the incredible TVsTravis, bringing his signature charm, insight, and perfectly timed dad-level humor. The duo kicks things off with the Question of the Week: “What holiday treats hit differently now that you've grown up?” From the questionable legacy of fruitcake to the nostalgia of store-bought cookies and the surprising sophistication of eggnog, Joe and TVsTravis dive into which seasonal snacks have aged like fine wine — and which have not.With the ceremonial roll of the dice, the first segment lands squarely on Bad Dad Jokes, and TVsTravis comes armed and ready. He unleashes a barrage of perfectly crafted groan-inducing zingers, setting the bar high before Joe adds a couple of his own questionable masterpieces. It's a pun-slathered opening that sets the tone for an episode filled with levity and warmth.The dice then point the way to “What Are You Nerding Out About?”, where TVsTravis talks about one of his passions: modding old hardware. From transforming a vintage tube radio into a digital speaker to turning an antique telephone into a fully functional microphone, his creativity sparks inspiration for makers and nostalgia lovers alike. Meanwhile, Joe can't contain his enthusiasm for My Hero Academia FINAL SEASON, raving about its emotionally charged first episodes, jaw-dropping animation, and powerful storytelling.Next, the fates guide them into the “Parliament of Papas” segment, where a surprisingly heated (yet hilarious) debate breaks out over leftover etiquette. How long must leftovers sit in the fridge before they're no longer “claimed”? One day? Three? A week? Joe and TVsTravis dig into the ethics, the chaos, and the unspoken rules of household fridge diplomacy.After that, it's time for “Daddy, Tell Me A Story,” where workplace war stories take center stage. From botched software rollouts to technical mishaps that triggered frantic recovery efforts, both hosts share tales that every tech-savvy parent — or anyone with a job — can relate to.The episode wraps up with a thoughtful “How Do I…?” segment, where Joe and TVsTravis offer genuine, practical advice for navigating today's challenging job market. From resume prep to interview mindset to staying resilient in uncertain times, the discussion is honest, encouraging, and grounded in real-world experience — the perfect blend of fatherly wisdom and nerd-approved insight.Whether you're here for the dad jokes, the tech talk, the anime hype, or the life advice, this episode offers the perfect place to Find your FAMdom.Learn more about TVsTravis over at at https://tvstravis.com/

"This is our annual Thanksgiving show. Thanksgiving is celebrated in many counties other than the United States. We will tell you the list and and how the people celebrate. Plus play songs about Thanksgiving food."

Dans cet épisode des « Enfants d'Europe 1 », Ombline Roche nous embarque pour un voyage musical nostalgique au cœur des années 80. De Julien Clerc à Sylvie Vartan, en passant par Pierre Perret et The Mamas and The Papas, chaque séquence est ponctuée d'anecdotes savoureuses et de souvenirs marquants. L'émission se clôt sur une note romantique avec l'histoire musicale entre Laurent Voulzy et Kim Wilde.À retenir :Julien Clerc ouvre l'épisode avec « Lili voulait aller danser », écrit par Luc Plamondon.Témoignage de Pierre Perret dans « Musicorama » et retour sur Sylvie Vartan avec « Qu'est-ce qui fait pleurer les blondes ? ».Anecdotes sur The Mamas and The Papas et la passion de Laurent Voulzy pour Kim Wilde.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Tous les jours, entre 14h et 15h, Ombline Roche vous fait revivre la musique des années 1950 à la fin des années 1980 !Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Jeff Papas talks about the UMD football team winning an outright conference championship and somehow not getting a home playoff game. Kevin Falness of the Minnesota Wild Radio Network checks in, as the Wild have won their way back into the playoff picture here in the early going.See omnystudio.com/listener for privacy information.

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Chris Dalla Riva, author of the new book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves. Chris is a fixture here at Numlock, we're big fans of his newsletter Can't Get Much Higher and have been eagerly waiting for this book, which tracks the history of music by coasting along the top of the Billboard Hot 100. The book can be found at Amazon and wherever books are sold, grab a copy!This interview has been condensed and edited. Chris Dalla Riva, it is great to have you back on. Especially great this week, because you are finally out with a book that I know you've been working on for a very long time, Uncharted Territory. Thanks for coming back on.Yeah, thrilled to be back, but also thrilled to have the book come out. The book publishing world is one of the only worlds left in the world that moves slow enough where you're waiting for so long for something to happen.You have guest-written for Numlock before; you have been a staple of the Sunday editions in the past. You are definitely familiar to the audience at this point because you are doing some of the best music data journalism out there. You've been working on this thing for, I feel like, as long as I've known you, and it is just great to have it come out finally, man.Yeah, actually, I met you because I was working on this project. I was trying to track down some data that you'd used at FiveThirtyEight, and you responded to my email with your phone number. You were like, “This is easier to explain over the phone.”Yeah, I remember I had scraped the radio for months at FiveThirtyEight just to see where it went, and you hit me up with that. I think that you focused some of your energies on the newsletter, and that's been so fun to follow, but this is truly what you've been working at. It is great to get you on finally to talk all about it.What would you describe this book as? How would you describe it, either to folks who might be familiar with your newsletter or unfamiliar with your newsletter, about what you're setting out to do with this particular project?The subtitle, I think, is helpful. It's What Numbers Tell Us About the Biggest Hit Songs and Ourselves. My typical pitch is that it's a data-driven history of popular music that I wrote as I spent years listening to every number one hit song in history. You get a balance of music history, data analysis, just random music chart shenanigans. I wrote it over such a very long period of time that you get a little bit of how my life was intersecting with this book over the years as I tried to get it published.I love the angle on the No.1s being a place to go with, because it gives you a pulse on what's popular at the time and not necessarily what's the most influential at the time. You can see there's a lot of stuff that hit number one at one point or another that have no musical legacy whatsoever, but nevertheless are still interesting. It's dipping your toe in the stream, right? You can see that a lot of things that we assume about how the music industry works weren't always the case.You wrote a little bit about the early transition from big bands to singers as the front-facing people in their operation. That was informed in no small part by what was performing on the charts, but also, I think, labor action, right?An under-discussed part of music history in the last 100 years is that when thinking of any band now or any musical artist, you almost certainly think of the front person being the singer. But if you go look back at big bands of the 1930s and 1940s, anyone whose name was attached to the band was often not a singer. Some that come to mind are Glenn Miller, the Glenn Miller band. Glenn Miller was a trombone player. Artie Shaw was a clarinet player. If none of these names are familiar to you, that's okay. But you can ask your grandparents.Why does this transition happen: suddenly, the lead singer is always getting top billing in a band? There are a bunch of things that contributed to this. One thing I talk about pretty extensively is just the advent of better microphones. If a voice cannot be heard over the roar of an orchestra or a big band, you need a choir of people to sing. It makes the singer less identifiable. As we get better amplification, better microphones, you can get a wider range of vocal styles. Those vocalists can now compete with the sound of a ton of instruments.At the same time, something you mentioned that I think is a fun bit of history is how music used to be much better organized. They had better labor organization, the same way that Hollywood has much better labor organization than music these days. There still exists a group called the American Federation of Musicians. For two years, they had a strike for a work stoppage, when no new music was being recorded. This was during World War II. You weren't allowed to strike during World War II.They were frowned upon very much, it seems, yes.Yes, even if you were a musician. People were like, “Come on, why are the musicians striking?” There's a lot of interesting history there. One of the weird loopholes was that singers could not join the American Federation of Musicians. Because of that, some labels would get around the strike by just recording acapella songs or songs with instruments that were not eligible to be membership because they weren't “serious” enough, like the harmonica. There were weird harmonica songs that were popular at this time. By the time the strike ended, by the time World War II ended, suddenly, singers had a much more prominent role because they were the only ones allowed to perform.There is tons of weird stuff about this strike. Like, labels backlogged tons of recordings because they knew the strike was coming. “White Christmas,” maybe the best-selling record of all time, was one of those backlogged recordings — recorded in July of 1942 and put out however many months later.That's fun. That's basically why Tom Cruise is in a union but Bad Bunny isn't?I guess so. Music and labor have a history that I'm not an expert on. For some reason, musicians have had a much more difficult time organizing. It seemed to be a little bit easier back when there were these big bands that needed to be rolled out to perform in movie theaters or local clubs. You needed a tuba player and a trombone player and a sax player. I guess it was easier for those musicians to organize. Whereas now, things are so scattered and productions can be super small, and you could record something in your bedroom. They never got that level of organization. I think it's actually hurt artists to some degree because they don't have the protections that the film industry does.Because you're able to just coast along at the top of the charts throughout basically the century, you're able to get lots of different interweaving stories of labor and also legal disputes/legal outcomes, as well as this technological evolution. What are some of the ways that technology has informed how the music that we listen to changes or evolves over time? Or even some of the litigation that we have seen over the course of the century of musical creation. It just seems like it's a really fun way to track some of these bigger trends that we don't even know are really trends.Yeah, totally. I think one of the key themes of the book is that musical evolution is often downstream from technological innovation, which has a nice little ring to it. But in general, there's this idea that creativity is being struck by the muse, and you create something. Whereas in reality, there are usually physical constraints or technological constraints that shape the art that we make. One of the most basic examples is the length of songs. From the '40s up till the early, mid-60s, the pop song sits around 2.5 to three minutes. The reason for this is that vinyl singles could literally not hold more sound without degrading, which is completely backwards from the idea that there was an artist who chose to write a 2.5-minute song.I was like, “Well, you had to work within the constraint.” Then technology gets better, singles start to get longer. During the disco era, they actually made bigger discs to put out these long dance mixes. The single sat around like 3.5 to 4.5 minutes for decades until about 10 years ago, when it started to shorten again. People typically point to music streaming for this reason, because artists are paid if a song is listened to for more than 30 seconds, so it's really just a volume game. If you have a 14 minute song that someone listens to one time, they get paid once. But if I listen to a two-minute song seven times (which is again, the same amount of time spent listening), I will be paid out seven times. There is this financial incentive to shorten songs.I don't think artists are sitting in the studio thinking about this constantly. But what I see, what I saw again and again, is that artists were rational beings to some degree and would work within the constraints that they were given. They would usually push against those constraints. That's where a lot of great art comes out of.Even new mediums are offering new opportunities. You wrote a little bit about MTV and how that really changed a lot of what was able to be successful at the time. You had new types of acts that were able to really start competing there, and other acts that just weren't. Do you wanna speak a little bit about like what video did?Yeah, video certainly changed the game. There were artists who had visual presences earlier. The Beatles had a very visual presence. I think part of their success is tied to the fact that television was becoming a thing, and mass media was really becoming a thing. However, we associate musicians with visuals so much these days. That really emerged in the 1980s, where you needed your visual concepts to be as strong, if not stronger than, your musical concepts. I think because of that, you start seeing some artists break through who I don't think are considered great musicians.I always sadly point to the song, “Hey Mickey” by Tony Basil. If it's your favorite song, sorry. I don't think it's a masterful musical creation, but it had this fun music video where she's dressed up as a cheerleader. A lot of that song's success was just the fact that MTV was willing to put that in heavy rotation because it was a fun video to watch. We live in the shadow of that era where visuals matter just as much as anything else.When you think about the most popular artists, outside of maybe a handful, you think of their visual concepts. You think of what Beyoncé looks like, what her videos are like, same with Taylor Swift, as much as you think about their music. That really reshaped our relationship with popular music. We expect to know what artists look like. It's odd to think about that; it really wasn't a thing decades before. You could be a fan of an artist and not really know what they look like. How would you know? Maybe you saw them in a magazine. Maybe you caught them on one television show. The idea that we have access to what everyone looks like is a pretty new phenomenon.That's fun. It's just so interesting to see how a simple change, whether it's today an algorithm or then a medium of distribution, can just have material impacts on the popularity of British synth music in America.Yeah, that's the perfect example. There's a great book called I Want My MTV, and it's an oral history of MTV. They talked to one of the founders. Early MTV would play, as you're saying, all these British new wave acts. Think A Flock of Seagulls, Duran Duran or even someone like U2. They asked the founder, “Why were you playing so many British artists on early MTV?” He was like, “For some reason, British artists happened to make music videos. And there were about 200 music videos in existence. We had to fill 24 hours of programming.” A Flock of Seagulls was gonna get played a bunch of times just because they happened to make music videos.It is a weird thing. Why would anyone make a music video if there was nowhere to really play them? I don't know why specifically the British had more videos, but there were occasional times where television shows might show a video.They do love that over there, like Top of the Pops. I can see why.Music and television have always been connected. You even think Saturday Night Live still has musical acts. Back then, say your label didn't wanna send you out to Britain to go on Top of the Pops. Maybe they would send a video of you instead. There were videos that would float around on these variety shows, and some early videos were just concert footage. It was like, it was a chicken or the egg thing. Once some people had success on MTV, everyone started producing videos. MTV somehow pulled off the miracle of convincing labels that they needed to make videos and that they needed to front the cost for that. Then they had to give MTV the video for free. I don't know how MTV managed to do that.Well, all of Gen X can't be wrong. If you do wanna get it out there, you do have to get it out there. One really fun recurring thing in the book — which again, like I really enjoyed. I think it's a phenomenal work. I think it's a great history. I'm telling stories that I learned in your book to everybody. It is a really fun read in that regard, I wanna say.I do love how you occasionally clock a genre that really only exists briefly. There's one that always goes around for like the strangest things to hit number one, like the Ballad of the Green Berets. I think like there's a Star Wars disco track that I definitely have on vinyl at home about that. You wrote a lot about like teen tragedy songs. What are some of the fascinating like brief trends that only made a small splash and that all of us have forgotten ever existed, but nevertheless achieve some measure of immortality?Yeah, the teen tragedy song is a good one. That actually inspired the writing of this whole book because I got 50 No. 1s, and I was like, “Why are there so many number ones about teenagers dying? That's a little weird.” And then I did a little digging and tried to piece together why that was. The teenage tragedy song, late '50s, early '60s, there are all of these songs about two teenagers in love, usually high schoolers. One tragically dies often in a car crash, and the other is very sad and maybe says that they'll reunite again one day in the afterlife. Some of the big ones are “Leader of the Pack” by the Shangri-Las and “Teen Angel” by Mark Dinning.It's a very weird blip in popular music history. I won't say it has cast a long shadow, but there are some occasional people who pull from that tradition. The craziest teen tragedy song ever was “Bat Outta Hell” by Meatloaf, in which Jim Steinman tried to write a nine-minute motorcycle crash song. I think that's a really interesting one.Disco: bizarre in the amount of people that made disco songs. I really came to like disco and the best disco music, I'm like, “These are the greatest sounds that have ever been recorded.” But it got so big and so popular that everyone felt the need to record disco songs.Not everything is “I Feel Love,” right?No, most things are not. It strikes me that this happened with disco, but has not happened with other genres. Frank Sinatra recorded disco songs. Basically, every television theme song got a disco remix. I Love Lucy had a disco remix. The Rocky theme song had a disco remix.What? I'm sorry, Frank Sinatra did a disco song? Is it good?It's not good. It's “Night and Day” over a disco beat. And it's not clear to me if they just remixed it or if he actually recut the vocal because I just cannot imagine him doing that. In the mid-60s, there was a nun who topped the charts, The Singing Nun with a song called “Dominique.” Of course, during the disco era, it was remixed as a disco song. There are examples of this where people went sort of disco. The Rolling Stones record “Miss You” and it has the disco beat, or Pink Floyd does “Another Brick in the Wall” or Queen does “Another One Bites the Dust.”Everyone was gonna give it a try. There was so much money being made in the disco world at the time. You can always find some artists you would never think would do a disco song probably tried. They probably gave it their best.That's great. It's just fun because the things that hit number one for a week don't necessarily have to be good. They just have to be popular for like a week. Even the construction of the Top 40 chart, which you get into in the book, isn't exactly science. A lot of times, it's a little bit of intuition. It's a lot of what's selling and what's selling where specifically. It is a little bit woo woo, right?Yeah, definitely. The goal of this chart is “What's the most popular song in America in a given week?” Back in the day, that meant what were people buying? What were people listening to on the radio? What were people spinning in jukeboxes? Today, most music is done on streaming. It's consumption-based, rather than sales-based. So the chart's the same in name only, but it's really measuring very different things. The equivalent would be if we knew after you purchased your copy of “I Feel Love,” how many times did you actually play it at home? You could have purchased it, went home and never played it again. Something like that would not register on the charts these days.I respect the people at Billboard because they have an impossible task. It's like “We're gonna take all the information and we're going to boil it down into choosing or measuring what the most popular song is.” It's an impossible task to some degree.I have watched the evolution of the chart, and I go back and forth on whether they have given up on actually trying to rank stuff or if they are just ranking things in a different way. I think that the apples-to-apples between the era stuff is just so hard to do.One thing I really enjoyed about your book, in particular, is that it's not a story of why these songs are the best. It's a story of why these songs were popular at the time, just dipping the toe into the river of human sound. One thing that I'll ask as you wrap: as you were going through these eras, who did you hear a lot more of than you thought? Who did you hear a lot less than you expected?I joked with some people that if you just looked at the top of the charts, the greatest rock band of the 1970s is either Grand Funk Railroad or Three Dog Night because they both had three number one hits, and many other bands in the classic rock canon have none. Led Zeppelin does not really exist on the pop chart, the singles chart. Led Zeppelin really only put out albums. The Eagles were also big during the '70s on the music charts. But Three Dog Night, they're the legends.There are tons of people that I didn't realize how much I would see of them. Someone like Lionel Richie and Phil Collins, of course, they're tremendously popular, but they were so popular. Phil Collins was popular at the height of the bald pop star era, which I think is a thing of the past. You had multiple bald men who were regularly topping the charts in the mid-80s. You see a ton of Phil Collins, more than I was expecting, even though I know he's very popular.Who don't you see a ton of? Sometimes you don't see people until a bit later in their careers. This is actually an interesting phenomenon. Artists do not score a number one hit during their most critically acclaimed period, and then a decade later, they do. For example, Cheap Trick. They have a number one hit, but it's at the end of the '80s song called “The Flame.” Whereas if you hear Cheap Trick on the radio, it's probably their live album from the 1970s. This is a phenomenon you see again and again. Some old timer will get their number one much later in their career. Tina Turner gets her number one when she's probably in her 40s. It's always interesting to see that.There are also some artists where I feel like there's a divergence between what their most popular songs are these days and what was topping the charts. Elton John is a good example there. “Benny and the Jets” was a number one hit, still a tremendously popular song. But he's got a lot of weird No. 1s that I don't think have as much street cred these days. He has a song called “Island Girl.” Did not age like fine wine. I don't even think he plays it live anymore because it's considered somewhat racially insensitive. But it was a No. 1 hit at the time. “Philadelphia Freedom” is another one by Elton John. I feel like when people think of the Elton John catalog, it's probably not the first song that comes to mind. But it was a No. 1 hit, huge smash. His cover of “Lucy in the Sky with Diamonds” was a No. 1. Elton John has been very popular throughout the decades, but I feel like the reasons he's been popular have changed.People have just gravitated towards different songs as time has gone on. You get distortions at the top of the charts. But I think, as you mentioned, it provides a good sample of what was actually popular. You have the good, the bad, and the ugly. Whereas if you look at some other sources, people are just gonna be like, “Oh, listen to these records. These are the best records.” In reality, the bad records are important, too.Yeah, bad records are great. They're at least interesting. I imagine also some of this process must have been missing out on a lot of interesting music because one song was just dominating the charts. Were there any songs in particular that come to mind that wooled the roost for potentially a little bit too long?Yeah, the quintessential example is the “Macarena” in the ‘90s.Oh, no!I think it was No. 1 for 13 weeks.Christ!There's a great clip of people at the Democratic National Convention and '96 dancing the “Macarena.” It's so bad. Yeah, so a very popular song. There are tons of stuff that gets stuck behind it. There's a great No.1 hit in the '90s called “I Love You Always Forever.” It's a very nice song by Donna Lewis. It's stuck at No. 2 because it just happened to be popular during the “Macarena's” very long run. YYour life's work, your greatest accomplishment, being stymied by the “Macarena” feels like a level of creative hell that I have never envisioned before.Yeah, there are other artists who got unlucky. Bruce Springsteen never performed a No. 1 hit. He wrote a No.1 hit for another artist. His closest was “Dancing in the Dark” got to No. 2, but that was also when Prince released “When Doves Cry,” so it's a tough, tough week. Bob Dylan, similar thing. He wrote a No. 1 hit, but he only ever got to No. 2. I think he got to No. 2 twice. Once, he got stuck behind “Help” by the Beatles, and another time he got stuck behind “Monday Monday” by the Mamas and the Papas.This is another thing when I talk about the charts. There could be many fewer units sold in a given week, or there could be many more units sold. There's a lot of luck involved if you're gonna go all the way to No. 1. You could be Bruce Springsteen: you release the biggest record of your life, and Prince also releases the biggest record of his life at the exact same time.Incredible. So again, I have read the book. I really, really like it. People are doubtlessly familiar with the newsletter at this point, but I am also a big fan and booster of that. But I guess I'll just throw it to you. Where can folks find the book, and where can folks find you?Yeah, you can find me, Chris Dalla Riva, basically on every social media platform under cdallarivamusic. I'm most active on TikTok and Instagram. The book, Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, should be available from every major retailer online. Amazon, Barnes & Noble, Walmart, Booklist, all that good stuff. Not available physically in stores, so definitely order it online.Like I said, I spent years listening to every No. 1 hit in history, built a giant data set about all those songs and used that to write a data-driven history of popular music from 1958 to basically 2025. So go pick up a copy, buy one for your mother for Christmas. Or your father, I don't discriminate. Yeah, check it out. I'm hoping people enjoy it, and I'm really excited to finally get it out in the world. It's been a long, circuitous journey to get it published.It's a really fun read, and I wish it nothing but the best. And yeah, congrats, thanks for coming on.Yeah, thanks for having me.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

This week on Wise_N_Nerdy, Charles and Joe kick off the show with a popcorn-powered Question of the Week: “What is the best popcorn?” From classic buttery goodness to sweet caramel crunch and even the fancy gourmet blends, the hosts and listeners pop off (pun intended) on what makes the perfect snack.With the dice rolled and destiny set, the first segment lands on “What Are You Nerding Out About?” — where Charles talks about Too Many Losing Heroines, a cozy and feel-good anime he loves to throw on in the background. He also admits he's bursting at the seams wanting to talk about the new Demon Slayer movie — if only Joe would finally watch it! Meanwhile, Joe's been fully immersed in the world of That Time I Got Reincarnated as a Slime, so much so that he's rewatching it with his wife, proving that great anime really is worth a second run.Next up, the dice take us into the “How Do I…?” segment, where Charles and Joe tackle a real parenting conundrum: What do you do when your kid wants to quit an activity mid-season? Both dads agree that sticking it out is an important life lesson — it builds character, teaches commitment, and keeps those registration fees from going to waste!The show keeps rolling with “Daddy, Tell Me A Story,” where the hosts get reflective about how parenting evolves over time. From strict curfews to more relaxed rules, Charles and Joe share how being a parent to your firstborn can look very different from raising your youngest — and why that's not necessarily a bad thing.Then it's time for the “Parliament of Papas” segment, featuring a speakpipe from fan-favorite Devocite, who tells a tale about making his daughter clean up a biohazard left by her dog. Charles and Joe weigh in with their takes on responsibility, consequences, and the fine art of gross parenting moments that build character (and stories for the podcast).Finally, the episode wraps up with a classic Bad Dad Joke that compares air conditioning to computers — because, of course, both stop working at the worst possible times.Full of warmth, wit, and dad-level wisdom, this episode is a perfect mix of heart and humor. Whether you're here for the laughs, the life lessons, or the anime talk, you're bound to Find your FAMdom right here with Charles and Joe.Wise_N_Nerdy: Where Fatherhood Meets Fandom

rWotD Episode 3117: Earthbound Papas Welcome to random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Saturday, 15 November 2025, is Earthbound Papas.The Earthbound Papas are a Japanese progressive rock/metal band performing songs and interpretations of music from video games, notably including the Final Fantasy series. Nobuo Uematsu, the acclaimed composer of music in the Final Fantasy series, formed the band after his previous band, The Black Mages, disbanded in 2010. In addition to new arrangements of some Final Fantasy tracks, they have also arranged tracks from other projects that featured Uematsu as a composer and they have produced original compositions for the band's albums. In 2010, the Earthbound Papas were featured on the Distant Worlds II: More Music from Final Fantasy live orchestral release, in which they joined the orchestra for a performance of the song Dancing Mad from Final Fantasy VI.The band have also worked on Hyperdimension Neptunia Victory and Megadimension Neptunia VII alongside internal Idea Factory composer Kenji Kaneko.This recording reflects the Wikipedia text as of 00:50 UTC on Saturday, 15 November 2025.For the full current version of the article, see Earthbound Papas on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Kajal.

Barry and Abigail try something a little different with newly minted Three-Timer Jeff “Jafo” Shettler, who previously appeared on Jukebox: Wish There Were Beer (Pink Floyd and brewLAB) and Bonus: Pink Floyd Leftovers (Pink Floyd and brewLAB Leftovers). Jafo brings us on location to brewLAB in Carpinteria, California, to open a bottle of The False Prophet he had been saving for over eight years.Watch this video version of this episode!Suggested pairings of brewLAB beers and albums we heard included: Green Tea IPA and Mad Villainy by MF DOOM, Coco Johnny and Time Out of Mind by Bob Dylan, Green Tea IPA and Rust Never Sleeps by Neil Young, Beatbox and License to Ill by Beastie Boys, and Sorciere Noir and Dub Side of the Moon by Easy Star All-Stars.Abigail was intrigued by Mangose and Botanicale Deux. Barry called out Rice Rice Baby.Jafo suggested pairing The False Prophet with Sympathy for the Devil by The Rolling Stones, Bitches Brew by Miles Davis, or Ripple by Grateful Dead. Other suggested song pairings we heard included California Dreamin' by The Mamas & The Papas, Caravan by Van Morrison, Cinnamon Girl by Neil Young, Banana Pancakes by Jack Johnson, and Worst Comes to Worst by Dilated Peoples.Barry suggested pairing Jafo's homebrewed Maple Bacon Bourbon Porter with Darkness on the Edge of Town by Bruce Springsteen. By the way, you can hear our discussion of this album in our episode Dark Beer on the Edge of Town from 2021.Abigail wasn't drinking, but she plugged I Don't Want to Know by Fleetwood Mac.Dave, one of the brewers and the beertender the night we “stopped by,” suggested pairing The False Prophet with (Got) Everything to Shine by Saudade Experiment.Up next… Brothers in Arms by Dire StraitsJingles are by our friend Pete Coe.Visit Anosmia Awareness for more information on Barry's condition.Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic!Leave us a rating or a review on Apple Podcasts or Spotify!Facebook | Instagram | Bluesky | YouTube | Substack | Website | Email us | Virtual Jukebox | Beer Media Group

Love, lust, and heartbreak are the secret soundtrack of the LA canyons. In this episode of My Rock Moment we welcome Emmeline Summerton of Instagram's Lost Canyons LA, a historian of the LA Canyons and former writer of the New Topanga Times. Together we trace that soundtrack through eight songs — uncovering the romance, the messiness and the broken hearts behind the lyrics. We start with “Guinnevere,” David Crosby's mysterious song inspired by 3 women — Christine Hinton, Joni Mitchell, and the surprising third muse, “Delta Lady” — Leon Russell's ode to Rita Coolidge and the wild, studio-to-road romance that sent them straight into Joe Cocker's Mad Dogs tour. Then we move to the Mamas & the Papas' “Go Where You Wanna Go,” a sunny single born from the band's very messy affairs.    From there:  “Our House,” Graham Nash's tiny, perfect snapshot of life with Joni Mitchell in Laurel Canyon — ordinary moments made into a classic. Then Joni's own “All I Want' about her relationship with James Taylor. We'll also unpack “Leather and Lace,” the duet that reunited Stevie Nicks and Don Henley after a broken romance and leer jet flirtations; “Faithless Love,” J.D. Souther's devastating ballad given wings by Linda Ronstadt during their fraught romance and end with Neil Young's "A Man Needs a Maid" off of Harvest. This is a tour of romance and ruin, tenderness and betrayal — the songs that turned private heartbreak into something the rest of us could sing along to. We'll share the stories behind each track and the music that made the canyons heartbreak famous. Find out more about Emmeline Summerton of Lost Canyons LA: https://topanganewtimes.com/author/emmeline-summerton https://www.instagram.com/lostcanyonsla For more information on My Rock Moment and the Host, Amanda Morck: www.myrockmoment.com For more information on upcoming episodes and your regular dose of rock history follow us on Instagram: https://www.instagram.com/la_woman_rocks Learn more about your ad choices. Visit megaphone.fm/adchoices

"Video may have killed the radio star but streaming and individual choices in music killed the video. Paramount Global has begun shutting down Mtv channels in Europe and reports are that soon it will come to the United States. Mtv is 44 and it looks like it may not make it to 45. "

La carrera es la excusa y el protagonista, la historia.ZONA MIXTA, un nuevo espacio dentro de #MejorCorrer, donde las historias siguen corriendo. Porque antes o después del reloj, siempre está la conversación.Grabado en el marco del K42 en Villa La Angostura, nos metemos en la intimidad de quienes hacen de cada zancada una forma de vida.

Komödie auf Amazon Prime über 2 Papas bei einem Playdate, das sich zu einer absoluten Katastrophe entwickelt. Der arbeitslose Brian kümmert sich um seinen Sohn. Er folgt einer Einladung von Jeff zu einem gemeinsamen Spielenachmittag mit seinem Sohn. Jeff legt dabei ein seltsames Verhalten an den Tag und ehe sie sich versehen, müssen alle um ihr Leben rennen.

Pull up a chair and join Suzanne Paul and Andrew Papas for the first ever episode of Fork’s Sake - a weekly feast of food, memories, and laughter. Our first guest is Tom Sainsbury. He’s a comedian, an actor, a podcaster and someone who you'll definitely know from his impressions on social media. From stand-up comedy disasters to the tales behind his most famous impressions, Tom serves up stories that'll have you asking for seconds. Follow Fork's Sake for new episodes every Tuesday. Follow us on Instagram: @forkssakepodcast, @suzannepaulnz, @andrew_papas & @thomassainsbury See omnystudio.com/listener for privacy information.

Jeff Papas talks Bulldog football heading into this weekend's regular season finale. We also talk UMD sports with athletic director Forrest Karr.See omnystudio.com/listener for privacy information.

In this spooky (and hilarious) episode of Wise_N_Nerdy, Charles and Joe kick things off with the Question of the Week: “Which movie monster or horror villain would make the worst trick-or-treat chaperone?” From Pennywise's balloon-filled nightmares to the creepy charm of Kruger — and an uncomfortably real mention of Jeffrey Epstein — the answers are as chaotic as they are entertaining.With the dice rolled and fate decided, the adventure begins with “What Are You Nerding Out About?” — Charles admits he's feeling a little grumpy but lights up while talking about a Choose Your Own Adventure-style book with D&D flair. Joe, on the other hand, dives into The Prison Healer trilogy by Lynette Noni, a romantic fantasy (“romantasy”) series his wife Kelsi introduced him to.The dice next land on “How Do I…?”, where the hosts share tips on staying young at heart and full of energy. From keeping your body in motion to challenging your mind, Charles and Joe remind us that growth and curiosity are the keys to vitality.Of course, no episode would be complete without some groan-worthy humor — this time courtesy of Bad Dad Jokes from CaseyJay, featuring classic zingers about reading maps backward and a skating dog that's “paws-itively” funny.Then, it's time for “Daddy, Tell Me A Story,” where Charles and Joe look back on sharing internet classics like Charlie the Unicorn and Charlie Bit Me with their kids — bridging generations one viral video at a time.Finally, the dice land on the “Parliament of Papas” segment, where things get real. The dads break down the good, bad, and ugly sides of DoorDash — from privacy scandals involving dashers to the sneaky, predatory pricing practices that hurt customers and restaurants alike.Full of heart, humor, and honesty, this episode is a perfect example of how Wise_N_Nerdy blends real talk with laughs — and as always, invites you to Find your FAMdom.Wise_N_Nerdy: Where Fatherhood Meets Fandom

"At least three record companies have extended million dollar contracts to people who create AI music. The US Copyright office has said it will begin extending protection those who use AI as a tool. The PROs will extend licensing. We will tell you what is going on."

Jeff Papas joins to talk Bulldog football, as he does each Monday morning. Kevin Gorg from FanDuel Sports Network checks in on the Minnesota Wild, who have struggled out of the gates.See omnystudio.com/listener for privacy information.

In this laugh-filled and heartfelt episode of Wise_N_Nerdy, Charles and Joe invite listeners to Find your FAMdom as they dive into another week of fandom fun, fatherly wisdom, and nerdy adventures.The episode kicks off with the Question of the Week: “What is your favorite Easter egg in a movie or show?” From Star Wars hidden cameos to clever Disney and Pixar callbacks, and the countless Marvel Cinematic Universe secrets, Charles, Joe, and their listeners geek out over the details that make storytelling magic even more fun to uncover.Then, the roll of the dice leads into “Daddy, Tell Me A Story,” where Charles shares behind-the-scenes tales from his years of being an extra on movie and TV sets. From long shoot days to surprising celebrity encounters, it's a fascinating glimpse into the entertainment industry from someone who's lived it.Next up, the dice bring us to “What Are You Nerding Out About?” Joe talks about the new anime A Gatherer's Adventure in Isekai, a surprisingly fun (if familiar) addition to his seasonal watchlist. Meanwhile, Charles recounts his amazing weekend at Multiverse Con, filled with panels, cosplay, and connecting with fellow fans.The fates then deliver a fan-favorite moment—Bad Dad Jokes featuring none other than Devocite and his daughter Ruby! Their back-and-forth brings giggles and groans alike, and Joe adds in his own punchline about an escalator that stops working.After the laughter fades, the dice move us to “How Do I…?” where the hosts explore ways to encourage kids to develop their positive predispositions—like natural curiosity, creativity, and motivation. It's a sincere, dad-level discussion about nurturing potential and helping children thrive.Finally, the show wraps with the “Parliament of Papas” segment. The hosts unpack a complex Reddit story about a 19-year-old on a gap year who refuses to pay rent to her parents after already covering her own groceries and cooking. It sparks a thoughtful talk about family expectations, independence, and communication.From heartfelt reflections to geeky excitement, this episode is the perfect reminder that fatherhood and fandom go hand in hand. Wise_N_Nerdy: Where Fatherhood Meets Fandom

"The number changes, but as of the writing of this description, only 1883 songs have topped the Billboard Hot 100 chart including all its earlier versions. This week back in 1990, the first rap song topped the chart. That got me wondering how many other firsts and other interesting facts surround the top spot. Here is a list."

In dieser Folge startet Evelyn solo – ihr Gast ist kurzfristig ausgefallen (Magen-Darm… der absolute Super-GAU!). Also nutzt sie die Gelegenheit für einen kleinen Rückblick auf ihren New-York-Trip. Dabei wird schnell klar: Alleinreisen? Nope, nichts für sie. Aber immerhin – ein paar positive Erkenntnisse gab's trotzdem. Mitten in der Aufnahme taucht dann überraschend „Beau“ auf! Aus seiner Kita-Mückenstich-Story entwickelt sich ein wunderbar offenes Gespräch über elterliche Aufgabenteilung sowie Ängste und Sorgen von Mamas und Papas. Beide sind sich einig: Fürsorge und Schutz sind oft eine echte Gratwanderung, bei der Fail-Videos garantiert keine Hilfe sind – und mit Kindern ändert sich einfach ALLES. Hätte einem das bloß mal jemand vorher gesagt! Eine spontane, ehrliche und sehr nahbare Folge über das Elternsein und die kleinen (und großen) Dramen des Familienalltags. Viel Spaß mit Evelyn und Beau! Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/AllemeineEltern Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Jeff Papas joins to recap career days for UMD football standouts Kyle Walljasper and Luke Dehnicke in a win over Mary on Saturday. Then Matt Wellens of the Duluth News Tribune drops by to discuss the hot start for the UMD men's hockey team.See omnystudio.com/listener for privacy information.

This episode of Wise_N_Nerdy with Charles and Joe kicks off with a heartfelt Question of the Week: “What is your favorite Robin Williams movie?” From the magic of Aladdin and the swashbuckling adventure of Hook to the emotional depth of Awakenings and What Dreams May Come, the hosts and listeners celebrate the incredible range and impact of one of the world's most beloved actors.After rolling the dice, fate leads the duo into the “How Do I…?” segment, where Charles and Joe explore how to decide which causes are truly worth supporting. They discuss meaningful giving, how to avoid pitfalls like high-overhead charities, and how to make sure your generosity makes a real difference.Next, it's time for the “Parliament of Papas” — and this week's Reddit story sparks big discussion. When a hungry 15-year-old reacts to her mom snagging fries without asking, a simple moment turns into a full-blown family standoff. Was it selfishness, manipulation, or just a misunderstanding about boundaries and respect? The hosts weigh in with empathy, humor, and dad-level insight.The dice then bless the show with a “Daddy, Tell Me A Story” segment, where Charles and Joe share personal moments that make them feel awesome — those little victories and proud dad vibes that remind us to celebrate life's small wins.But no Wise_N_Nerdy episode would be complete without bad dad jokes, and this week's come courtesy of the always hilarious Devocite, complete with his daughter's eye-roll-worthy reactions.Finally, the fates guide the hosts to “What Are You Nerding Out About?” — where Charles shares his passion for connecting with people and helping them thrive, while Joe dives into his new favorite cozy fantasy anime, Campfire Cooking in Another World with My Absurd Skill, a deliciously heartwarming show about magic, food, and friendship.It's a journey full of laughter, reflection, and community — everything that makes Wise_N_Nerdy special. So tune in, laugh along, and remember to Find your FAMdom.Wise_N_Nerdy: Where Fatherhood Meets Fandom

This episode of Wise_N_Nerdy with Charles and Joe kicks off with a heartfelt Question of the Week: “What is your favorite Robin Williams movie?”  From the magic of Aladdin and the swashbuckling adventure of Hook to the emotional depth of Awakenings and What Dreams May Come, the hosts and listeners celebrate the incredible range and impact of one of the world's most beloved actors.After rolling the dice, fate leads the duo into the “How Do I…?” segment, where Charles and Joe explore how to decide which causes are truly worth supporting. They discuss meaningful giving, how to avoid pitfalls like high-overhead charities, and how to make sure your generosity makes a real difference. Next, it's time for the “Parliament of Papas” — and this week's Reddit story sparks big discussion. When a hungry 15-year-old reacts to her mom snagging fries without asking, a simple moment turns into a full-blown family standoff. Was it selfishness, manipulation, or just a misunderstanding about boundaries and respect? The hosts weigh in with empathy, humor, and dad-level insight. The dice then bless the show with a “Daddy, Tell Me A Story” segment, where Charles and Joe share personal moments that make them feel awesome — those little victories and proud dad vibes that remind us to celebrate life's small wins.But no Wise_N_Nerdy episode would be complete without bad dad jokes, and this week's come courtesy of the always hilarious Devocite, complete with his daughter's eye-roll-worthy reactions. Finally, the fates guide the hosts to “What Are You Nerding Out About?” — where Charles shares his passion for connecting with people and helping them thrive, while Joe dives into his new favorite cozy fantasy anime, Campfire Cooking in Another World with My Absurd Skill, a deliciously heartwarming show about magic, food, and friendship. It's a journey full of laughter, reflection, and community — everything that makes Wise_N_Nerdy special. So tune in, laugh along, and remember to Find your FAMdom. Wise_N_Nerdy: Where Fatherhood Meets Fandom

"The NOW CDs, as they are often called, started in the UK in 1998 with Richard Branson. They were a hit out of the gate, each crafted to a specific formula. They are a professionally made mix tape. We have the full history and a good bit of trivia about the series."

In this week's Wise_N_Nerdy episode, Charles and Joe are back with another hilarious, heartfelt, and thought-provoking ride through fatherhood, fandom, and everything in between. The show kicks off with the Question of the Week: “If you could take a vacation in any fictional setting, where would you go?” From the magical lands of Faerûn to the adventurous Johto Region, the elegant beauty of Naboo, and even the monster-filled streets of Solo Leveling's South Korea, the hosts dream up the ultimate geek getaways that will have every listener imagining their own nerdy travel plans.Next, the trusty roll of the dice leads into the “What Are You Nerding Out About?” segment. Joe dives into his latest anime obsession, May I Ask For One Final Thing?, sharing how its first two episodes set up a hilariously over-the-top premise that hooked him immediately. Charles switches gears, celebrating the unexpected delight of Nerds Slurpees at 7-Eleven, then takes listeners behind the mic to discuss the art of crafting a great podcast hook. He also gets a bit introspective, reminding us all to recognize the good moments in life and hold onto them when they come — a message that perfectly captures the spirit of Wise_N_Nerdy.When the dice land on “Daddy, Tell Me A Story,” Joe brings the laughs (and cringes) with tales from his adventures donating plasma — including verbal brawls in the waiting room and one unforgettable person who decided mid-donation was a great time to remove their needle. Chaos, compassion, and comedy — all in one segment.The fun continues with some “Bad Dad Jokes” straight from the Discord community, proving once again that no pun is too painful for this show. Then it's time for “How Do I…?”, where Charles and Joe share genuine advice on how to cope when life throws everything your way and you're feeling completely frazzled. It's a candid, supportive, and relatable discussion that perfectly blends humor with heart.Finally, the “Parliament of Papas” segment brings a real-world ethical dilemma to the table: a bride-to-be asks her sister-in-law not to bring her seizure-alert dog to the wedding because her maid of honor has a severe allergy. The hosts break down the drama, exploring both sides of the issue with empathy, reason, and that signature Wise_N_Nerdy wit.From laughter to life lessons, this episode has it all — a reminder to slow down, laugh often, and Find your FAMdom in the moments that matter most.Wise_N_Nerdy: Where Fatherhood Meets Fandom

"Cryptozoology is the study of a creature that probably doesn ot exist. Think Bigfoot. What is great about it is that every state seems to have its own monster. Maybe people really do think it exists or maybe it was invented to scare children at Halloween. We built up a list along with songs about candy. It is Halloween 2025."

"Led Zeppelin's Shadow Song: The True Story of Dazed and Confused" The Not Old Better Show, Music Today Interview Series  

Discograffiti is the deep-dive podcast for music obsessives.  In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series. It's Chuck's chat with Larry Knechtel, the Wrecking Crew keyboard player and bassist who—along with Brian Wilson & The Beach Boys—has worked with Simon & Garfunkel, Duane Eddy, The Mamas & The Papas, The Monkees, The Doors, The Byrds, The Grass Roots, Elvis Presley, Jerry Garcia, and Billy Joel. He also was a key member of the band Bread. Larry passed away a few years later in 2009, which makes this posthumously released “Chuck Chat” yet another priceless buried treasure.   Here are just a few of the many things that Larry discusses with Discograffiti in this podcast: What he ascertained early on as a studio musician's average career length, which then led to a healthy fear of his phone no longer ringing; His legendary work on Simon & Garfunkel's “Bridge Over Troubled Water”; Besides Brian, the only Beach Boy he says his fellow studio musicians ever saw in the studio along with them; The curse of having perfect pitch; And his friendship with Jim Gordon…not to mention the fate of the 50+ hours of jam tapes that he recorded with him, which included spoken ruminations on what was bugging Jim at the time.  There'll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti's Patreon. Don't miss it, or you'll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we'll all have world peace. Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up) Free Sneak Peek: linktr.ee/discograffiti Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It's completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti's weekly bonus episodes and access to our entire Patreon episode archive. There are now over 300 Patreon episodes.