Podcasts about papas

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Chris Dalla Riva, author of the new book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves. Chris is a fixture here at Numlock, we're big fans of his newsletter Can't Get Much Higher and have been eagerly waiting for this book, which tracks the history of music by coasting along the top of the Billboard Hot 100. The book can be found at Amazon and wherever books are sold, grab a copy!This interview has been condensed and edited. Chris Dalla Riva, it is great to have you back on. Especially great this week, because you are finally out with a book that I know you've been working on for a very long time, Uncharted Territory. Thanks for coming back on.Yeah, thrilled to be back, but also thrilled to have the book come out. The book publishing world is one of the only worlds left in the world that moves slow enough where you're waiting for so long for something to happen.You have guest-written for Numlock before; you have been a staple of the Sunday editions in the past. You are definitely familiar to the audience at this point because you are doing some of the best music data journalism out there. You've been working on this thing for, I feel like, as long as I've known you, and it is just great to have it come out finally, man.Yeah, actually, I met you because I was working on this project. I was trying to track down some data that you'd used at FiveThirtyEight, and you responded to my email with your phone number. You were like, “This is easier to explain over the phone.”Yeah, I remember I had scraped the radio for months at FiveThirtyEight just to see where it went, and you hit me up with that. I think that you focused some of your energies on the newsletter, and that's been so fun to follow, but this is truly what you've been working at. It is great to get you on finally to talk all about it.What would you describe this book as? How would you describe it, either to folks who might be familiar with your newsletter or unfamiliar with your newsletter, about what you're setting out to do with this particular project?The subtitle, I think, is helpful. It's What Numbers Tell Us About the Biggest Hit Songs and Ourselves. My typical pitch is that it's a data-driven history of popular music that I wrote as I spent years listening to every number one hit song in history. You get a balance of music history, data analysis, just random music chart shenanigans. I wrote it over such a very long period of time that you get a little bit of how my life was intersecting with this book over the years as I tried to get it published.I love the angle on the No.1s being a place to go with, because it gives you a pulse on what's popular at the time and not necessarily what's the most influential at the time. You can see there's a lot of stuff that hit number one at one point or another that have no musical legacy whatsoever, but nevertheless are still interesting. It's dipping your toe in the stream, right? You can see that a lot of things that we assume about how the music industry works weren't always the case.You wrote a little bit about the early transition from big bands to singers as the front-facing people in their operation. That was informed in no small part by what was performing on the charts, but also, I think, labor action, right?An under-discussed part of music history in the last 100 years is that when thinking of any band now or any musical artist, you almost certainly think of the front person being the singer. But if you go look back at big bands of the 1930s and 1940s, anyone whose name was attached to the band was often not a singer. Some that come to mind are Glenn Miller, the Glenn Miller band. Glenn Miller was a trombone player. Artie Shaw was a clarinet player. If none of these names are familiar to you, that's okay. But you can ask your grandparents.Why does this transition happen: suddenly, the lead singer is always getting top billing in a band? There are a bunch of things that contributed to this. One thing I talk about pretty extensively is just the advent of better microphones. If a voice cannot be heard over the roar of an orchestra or a big band, you need a choir of people to sing. It makes the singer less identifiable. As we get better amplification, better microphones, you can get a wider range of vocal styles. Those vocalists can now compete with the sound of a ton of instruments.At the same time, something you mentioned that I think is a fun bit of history is how music used to be much better organized. They had better labor organization, the same way that Hollywood has much better labor organization than music these days. There still exists a group called the American Federation of Musicians. For two years, they had a strike for a work stoppage, when no new music was being recorded. This was during World War II. You weren't allowed to strike during World War II.They were frowned upon very much, it seems, yes.Yes, even if you were a musician. People were like, “Come on, why are the musicians striking?” There's a lot of interesting history there. One of the weird loopholes was that singers could not join the American Federation of Musicians. Because of that, some labels would get around the strike by just recording acapella songs or songs with instruments that were not eligible to be membership because they weren't “serious” enough, like the harmonica. There were weird harmonica songs that were popular at this time. By the time the strike ended, by the time World War II ended, suddenly, singers had a much more prominent role because they were the only ones allowed to perform.There is tons of weird stuff about this strike. Like, labels backlogged tons of recordings because they knew the strike was coming. “White Christmas,” maybe the best-selling record of all time, was one of those backlogged recordings — recorded in July of 1942 and put out however many months later.That's fun. That's basically why Tom Cruise is in a union but Bad Bunny isn't?I guess so. Music and labor have a history that I'm not an expert on. For some reason, musicians have had a much more difficult time organizing. It seemed to be a little bit easier back when there were these big bands that needed to be rolled out to perform in movie theaters or local clubs. You needed a tuba player and a trombone player and a sax player. I guess it was easier for those musicians to organize. Whereas now, things are so scattered and productions can be super small, and you could record something in your bedroom. They never got that level of organization. I think it's actually hurt artists to some degree because they don't have the protections that the film industry does.Because you're able to just coast along at the top of the charts throughout basically the century, you're able to get lots of different interweaving stories of labor and also legal disputes/legal outcomes, as well as this technological evolution. What are some of the ways that technology has informed how the music that we listen to changes or evolves over time? Or even some of the litigation that we have seen over the course of the century of musical creation. It just seems like it's a really fun way to track some of these bigger trends that we don't even know are really trends.Yeah, totally. I think one of the key themes of the book is that musical evolution is often downstream from technological innovation, which has a nice little ring to it. But in general, there's this idea that creativity is being struck by the muse, and you create something. Whereas in reality, there are usually physical constraints or technological constraints that shape the art that we make. One of the most basic examples is the length of songs. From the '40s up till the early, mid-60s, the pop song sits around 2.5 to three minutes. The reason for this is that vinyl singles could literally not hold more sound without degrading, which is completely backwards from the idea that there was an artist who chose to write a 2.5-minute song.I was like, “Well, you had to work within the constraint.” Then technology gets better, singles start to get longer. During the disco era, they actually made bigger discs to put out these long dance mixes. The single sat around like 3.5 to 4.5 minutes for decades until about 10 years ago, when it started to shorten again. People typically point to music streaming for this reason, because artists are paid if a song is listened to for more than 30 seconds, so it's really just a volume game. If you have a 14 minute song that someone listens to one time, they get paid once. But if I listen to a two-minute song seven times (which is again, the same amount of time spent listening), I will be paid out seven times. There is this financial incentive to shorten songs.I don't think artists are sitting in the studio thinking about this constantly. But what I see, what I saw again and again, is that artists were rational beings to some degree and would work within the constraints that they were given. They would usually push against those constraints. That's where a lot of great art comes out of.Even new mediums are offering new opportunities. You wrote a little bit about MTV and how that really changed a lot of what was able to be successful at the time. You had new types of acts that were able to really start competing there, and other acts that just weren't. Do you wanna speak a little bit about like what video did?Yeah, video certainly changed the game. There were artists who had visual presences earlier. The Beatles had a very visual presence. I think part of their success is tied to the fact that television was becoming a thing, and mass media was really becoming a thing. However, we associate musicians with visuals so much these days. That really emerged in the 1980s, where you needed your visual concepts to be as strong, if not stronger than, your musical concepts. I think because of that, you start seeing some artists break through who I don't think are considered great musicians.I always sadly point to the song, “Hey Mickey” by Tony Basil. If it's your favorite song, sorry. I don't think it's a masterful musical creation, but it had this fun music video where she's dressed up as a cheerleader. A lot of that song's success was just the fact that MTV was willing to put that in heavy rotation because it was a fun video to watch. We live in the shadow of that era where visuals matter just as much as anything else.When you think about the most popular artists, outside of maybe a handful, you think of their visual concepts. You think of what Beyoncé looks like, what her videos are like, same with Taylor Swift, as much as you think about their music. That really reshaped our relationship with popular music. We expect to know what artists look like. It's odd to think about that; it really wasn't a thing decades before. You could be a fan of an artist and not really know what they look like. How would you know? Maybe you saw them in a magazine. Maybe you caught them on one television show. The idea that we have access to what everyone looks like is a pretty new phenomenon.That's fun. It's just so interesting to see how a simple change, whether it's today an algorithm or then a medium of distribution, can just have material impacts on the popularity of British synth music in America.Yeah, that's the perfect example. There's a great book called I Want My MTV, and it's an oral history of MTV. They talked to one of the founders. Early MTV would play, as you're saying, all these British new wave acts. Think A Flock of Seagulls, Duran Duran or even someone like U2. They asked the founder, “Why were you playing so many British artists on early MTV?” He was like, “For some reason, British artists happened to make music videos. And there were about 200 music videos in existence. We had to fill 24 hours of programming.” A Flock of Seagulls was gonna get played a bunch of times just because they happened to make music videos.It is a weird thing. Why would anyone make a music video if there was nowhere to really play them? I don't know why specifically the British had more videos, but there were occasional times where television shows might show a video.They do love that over there, like Top of the Pops. I can see why.Music and television have always been connected. You even think Saturday Night Live still has musical acts. Back then, say your label didn't wanna send you out to Britain to go on Top of the Pops. Maybe they would send a video of you instead. There were videos that would float around on these variety shows, and some early videos were just concert footage. It was like, it was a chicken or the egg thing. Once some people had success on MTV, everyone started producing videos. MTV somehow pulled off the miracle of convincing labels that they needed to make videos and that they needed to front the cost for that. Then they had to give MTV the video for free. I don't know how MTV managed to do that.Well, all of Gen X can't be wrong. If you do wanna get it out there, you do have to get it out there. One really fun recurring thing in the book — which again, like I really enjoyed. I think it's a phenomenal work. I think it's a great history. I'm telling stories that I learned in your book to everybody. It is a really fun read in that regard, I wanna say.I do love how you occasionally clock a genre that really only exists briefly. There's one that always goes around for like the strangest things to hit number one, like the Ballad of the Green Berets. I think like there's a Star Wars disco track that I definitely have on vinyl at home about that. You wrote a lot about like teen tragedy songs. What are some of the fascinating like brief trends that only made a small splash and that all of us have forgotten ever existed, but nevertheless achieve some measure of immortality?Yeah, the teen tragedy song is a good one. That actually inspired the writing of this whole book because I got 50 No. 1s, and I was like, “Why are there so many number ones about teenagers dying? That's a little weird.” And then I did a little digging and tried to piece together why that was. The teenage tragedy song, late '50s, early '60s, there are all of these songs about two teenagers in love, usually high schoolers. One tragically dies often in a car crash, and the other is very sad and maybe says that they'll reunite again one day in the afterlife. Some of the big ones are “Leader of the Pack” by the Shangri-Las and “Teen Angel” by Mark Dinning.It's a very weird blip in popular music history. I won't say it has cast a long shadow, but there are some occasional people who pull from that tradition. The craziest teen tragedy song ever was “Bat Outta Hell” by Meatloaf, in which Jim Steinman tried to write a nine-minute motorcycle crash song. I think that's a really interesting one.Disco: bizarre in the amount of people that made disco songs. I really came to like disco and the best disco music, I'm like, “These are the greatest sounds that have ever been recorded.” But it got so big and so popular that everyone felt the need to record disco songs.Not everything is “I Feel Love,” right?No, most things are not. It strikes me that this happened with disco, but has not happened with other genres. Frank Sinatra recorded disco songs. Basically, every television theme song got a disco remix. I Love Lucy had a disco remix. The Rocky theme song had a disco remix.What? I'm sorry, Frank Sinatra did a disco song? Is it good?It's not good. It's “Night and Day” over a disco beat. And it's not clear to me if they just remixed it or if he actually recut the vocal because I just cannot imagine him doing that. In the mid-60s, there was a nun who topped the charts, The Singing Nun with a song called “Dominique.” Of course, during the disco era, it was remixed as a disco song. There are examples of this where people went sort of disco. The Rolling Stones record “Miss You” and it has the disco beat, or Pink Floyd does “Another Brick in the Wall” or Queen does “Another One Bites the Dust.”Everyone was gonna give it a try. There was so much money being made in the disco world at the time. You can always find some artists you would never think would do a disco song probably tried. They probably gave it their best.That's great. It's just fun because the things that hit number one for a week don't necessarily have to be good. They just have to be popular for like a week. Even the construction of the Top 40 chart, which you get into in the book, isn't exactly science. A lot of times, it's a little bit of intuition. It's a lot of what's selling and what's selling where specifically. It is a little bit woo woo, right?Yeah, definitely. The goal of this chart is “What's the most popular song in America in a given week?” Back in the day, that meant what were people buying? What were people listening to on the radio? What were people spinning in jukeboxes? Today, most music is done on streaming. It's consumption-based, rather than sales-based. So the chart's the same in name only, but it's really measuring very different things. The equivalent would be if we knew after you purchased your copy of “I Feel Love,” how many times did you actually play it at home? You could have purchased it, went home and never played it again. Something like that would not register on the charts these days.I respect the people at Billboard because they have an impossible task. It's like “We're gonna take all the information and we're going to boil it down into choosing or measuring what the most popular song is.” It's an impossible task to some degree.I have watched the evolution of the chart, and I go back and forth on whether they have given up on actually trying to rank stuff or if they are just ranking things in a different way. I think that the apples-to-apples between the era stuff is just so hard to do.One thing I really enjoyed about your book, in particular, is that it's not a story of why these songs are the best. It's a story of why these songs were popular at the time, just dipping the toe into the river of human sound. One thing that I'll ask as you wrap: as you were going through these eras, who did you hear a lot more of than you thought? Who did you hear a lot less than you expected?I joked with some people that if you just looked at the top of the charts, the greatest rock band of the 1970s is either Grand Funk Railroad or Three Dog Night because they both had three number one hits, and many other bands in the classic rock canon have none. Led Zeppelin does not really exist on the pop chart, the singles chart. Led Zeppelin really only put out albums. The Eagles were also big during the '70s on the music charts. But Three Dog Night, they're the legends.There are tons of people that I didn't realize how much I would see of them. Someone like Lionel Richie and Phil Collins, of course, they're tremendously popular, but they were so popular. Phil Collins was popular at the height of the bald pop star era, which I think is a thing of the past. You had multiple bald men who were regularly topping the charts in the mid-80s. You see a ton of Phil Collins, more than I was expecting, even though I know he's very popular.Who don't you see a ton of? Sometimes you don't see people until a bit later in their careers. This is actually an interesting phenomenon. Artists do not score a number one hit during their most critically acclaimed period, and then a decade later, they do. For example, Cheap Trick. They have a number one hit, but it's at the end of the '80s song called “The Flame.” Whereas if you hear Cheap Trick on the radio, it's probably their live album from the 1970s. This is a phenomenon you see again and again. Some old timer will get their number one much later in their career. Tina Turner gets her number one when she's probably in her 40s. It's always interesting to see that.There are also some artists where I feel like there's a divergence between what their most popular songs are these days and what was topping the charts. Elton John is a good example there. “Benny and the Jets” was a number one hit, still a tremendously popular song. But he's got a lot of weird No. 1s that I don't think have as much street cred these days. He has a song called “Island Girl.” Did not age like fine wine. I don't even think he plays it live anymore because it's considered somewhat racially insensitive. But it was a No. 1 hit at the time. “Philadelphia Freedom” is another one by Elton John. I feel like when people think of the Elton John catalog, it's probably not the first song that comes to mind. But it was a No. 1 hit, huge smash. His cover of “Lucy in the Sky with Diamonds” was a No. 1. Elton John has been very popular throughout the decades, but I feel like the reasons he's been popular have changed.People have just gravitated towards different songs as time has gone on. You get distortions at the top of the charts. But I think, as you mentioned, it provides a good sample of what was actually popular. You have the good, the bad, and the ugly. Whereas if you look at some other sources, people are just gonna be like, “Oh, listen to these records. These are the best records.” In reality, the bad records are important, too.Yeah, bad records are great. They're at least interesting. I imagine also some of this process must have been missing out on a lot of interesting music because one song was just dominating the charts. Were there any songs in particular that come to mind that wooled the roost for potentially a little bit too long?Yeah, the quintessential example is the “Macarena” in the ‘90s.Oh, no!I think it was No. 1 for 13 weeks.Christ!There's a great clip of people at the Democratic National Convention and '96 dancing the “Macarena.” It's so bad. Yeah, so a very popular song. There are tons of stuff that gets stuck behind it. There's a great No.1 hit in the '90s called “I Love You Always Forever.” It's a very nice song by Donna Lewis. It's stuck at No. 2 because it just happened to be popular during the “Macarena's” very long run. YYour life's work, your greatest accomplishment, being stymied by the “Macarena” feels like a level of creative hell that I have never envisioned before.Yeah, there are other artists who got unlucky. Bruce Springsteen never performed a No. 1 hit. He wrote a No.1 hit for another artist. His closest was “Dancing in the Dark” got to No. 2, but that was also when Prince released “When Doves Cry,” so it's a tough, tough week. Bob Dylan, similar thing. He wrote a No. 1 hit, but he only ever got to No. 2. I think he got to No. 2 twice. Once, he got stuck behind “Help” by the Beatles, and another time he got stuck behind “Monday Monday” by the Mamas and the Papas.This is another thing when I talk about the charts. There could be many fewer units sold in a given week, or there could be many more units sold. There's a lot of luck involved if you're gonna go all the way to No. 1. You could be Bruce Springsteen: you release the biggest record of your life, and Prince also releases the biggest record of his life at the exact same time.Incredible. So again, I have read the book. I really, really like it. People are doubtlessly familiar with the newsletter at this point, but I am also a big fan and booster of that. But I guess I'll just throw it to you. Where can folks find the book, and where can folks find you?Yeah, you can find me, Chris Dalla Riva, basically on every social media platform under cdallarivamusic. I'm most active on TikTok and Instagram. The book, Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, should be available from every major retailer online. Amazon, Barnes & Noble, Walmart, Booklist, all that good stuff. Not available physically in stores, so definitely order it online.Like I said, I spent years listening to every No. 1 hit in history, built a giant data set about all those songs and used that to write a data-driven history of popular music from 1958 to basically 2025. So go pick up a copy, buy one for your mother for Christmas. Or your father, I don't discriminate. Yeah, check it out. I'm hoping people enjoy it, and I'm really excited to finally get it out in the world. It's been a long, circuitous journey to get it published.It's a really fun read, and I wish it nothing but the best. And yeah, congrats, thanks for coming on.Yeah, thanks for having me.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

rWotD Episode 3117: Earthbound Papas Welcome to random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Saturday, 15 November 2025, is Earthbound Papas.The Earthbound Papas are a Japanese progressive rock/metal band performing songs and interpretations of music from video games, notably including the Final Fantasy series. Nobuo Uematsu, the acclaimed composer of music in the Final Fantasy series, formed the band after his previous band, The Black Mages, disbanded in 2010. In addition to new arrangements of some Final Fantasy tracks, they have also arranged tracks from other projects that featured Uematsu as a composer and they have produced original compositions for the band's albums. In 2010, the Earthbound Papas were featured on the Distant Worlds II: More Music from Final Fantasy live orchestral release, in which they joined the orchestra for a performance of the song Dancing Mad from Final Fantasy VI.The band have also worked on Hyperdimension Neptunia Victory and Megadimension Neptunia VII alongside internal Idea Factory composer Kenji Kaneko.This recording reflects the Wikipedia text as of 00:50 UTC on Saturday, 15 November 2025.For the full current version of the article, see Earthbound Papas on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Kajal.

Barry and Abigail try something a little different with newly minted Three-Timer Jeff “Jafo” Shettler, who previously appeared on Jukebox: Wish There Were Beer (Pink Floyd and brewLAB) and Bonus: Pink Floyd Leftovers (Pink Floyd and brewLAB Leftovers). Jafo brings us on location to brewLAB in Carpinteria, California, to open a bottle of The False Prophet he had been saving for over eight years.Watch this video version of this episode!Suggested pairings of brewLAB beers and albums we heard included: Green Tea IPA and Mad Villainy by MF DOOM, Coco Johnny and Time Out of Mind by Bob Dylan, Green Tea IPA and Rust Never Sleeps by Neil Young, Beatbox and License to Ill by Beastie Boys, and Sorciere Noir and Dub Side of the Moon by Easy Star All-Stars.Abigail was intrigued by Mangose and Botanicale Deux. Barry called out Rice Rice Baby.Jafo suggested pairing The False Prophet with Sympathy for the Devil by The Rolling Stones, Bitches Brew by Miles Davis, or Ripple by Grateful Dead. Other suggested song pairings we heard included California Dreamin' by The Mamas & The Papas, Caravan by Van Morrison, Cinnamon Girl by Neil Young, Banana Pancakes by Jack Johnson, and Worst Comes to Worst by Dilated Peoples.Barry suggested pairing Jafo's homebrewed Maple Bacon Bourbon Porter with Darkness on the Edge of Town by Bruce Springsteen. By the way, you can hear our discussion of this album in our episode Dark Beer on the Edge of Town from 2021.Abigail wasn't drinking, but she plugged I Don't Want to Know by Fleetwood Mac.Dave, one of the brewers and the beertender the night we “stopped by,” suggested pairing The False Prophet with (Got) Everything to Shine by Saudade Experiment.Up next… Brothers in Arms by Dire StraitsJingles are by our friend Pete Coe.Visit Anosmia Awareness for more information on Barry's condition.Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic!Leave us a rating or a review on Apple Podcasts or Spotify!Facebook | Instagram | Bluesky | YouTube | Substack | Website | Email us | Virtual Jukebox | Beer Media Group

Love, lust, and heartbreak are the secret soundtrack of the LA canyons. In this episode of My Rock Moment we welcome Emmeline Summerton of Instagram's Lost Canyons LA, a historian of the LA Canyons and former writer of the New Topanga Times. Together we trace that soundtrack through eight songs — uncovering the romance, the messiness and the broken hearts behind the lyrics. We start with “Guinnevere,” David Crosby's mysterious song inspired by 3 women — Christine Hinton, Joni Mitchell, and the surprising third muse, “Delta Lady” — Leon Russell's ode to Rita Coolidge and the wild, studio-to-road romance that sent them straight into Joe Cocker's Mad Dogs tour. Then we move to the Mamas & the Papas' “Go Where You Wanna Go,” a sunny single born from the band's very messy affairs.    From there:  “Our House,” Graham Nash's tiny, perfect snapshot of life with Joni Mitchell in Laurel Canyon — ordinary moments made into a classic. Then Joni's own “All I Want' about her relationship with James Taylor. We'll also unpack “Leather and Lace,” the duet that reunited Stevie Nicks and Don Henley after a broken romance and leer jet flirtations; “Faithless Love,” J.D. Souther's devastating ballad given wings by Linda Ronstadt during their fraught romance and end with Neil Young's "A Man Needs a Maid" off of Harvest. This is a tour of romance and ruin, tenderness and betrayal — the songs that turned private heartbreak into something the rest of us could sing along to. We'll share the stories behind each track and the music that made the canyons heartbreak famous. Find out more about Emmeline Summerton of Lost Canyons LA: https://topanganewtimes.com/author/emmeline-summerton https://www.instagram.com/lostcanyonsla For more information on My Rock Moment and the Host, Amanda Morck: www.myrockmoment.com For more information on upcoming episodes and your regular dose of rock history follow us on Instagram: https://www.instagram.com/la_woman_rocks Learn more about your ad choices. Visit megaphone.fm/adchoices

La carrera es la excusa y el protagonista, la historia.ZONA MIXTA, un nuevo espacio dentro de #MejorCorrer, donde las historias siguen corriendo. Porque antes o después del reloj, siempre está la conversación.Grabado en el marco del K42 en Villa La Angostura, nos metemos en la intimidad de quienes hacen de cada zancada una forma de vida.

Komödie auf Amazon Prime über 2 Papas bei einem Playdate, das sich zu einer absoluten Katastrophe entwickelt. Der arbeitslose Brian kümmert sich um seinen Sohn. Er folgt einer Einladung von Jeff zu einem gemeinsamen Spielenachmittag mit seinem Sohn. Jeff legt dabei ein seltsames Verhalten an den Tag und ehe sie sich versehen, müssen alle um ihr Leben rennen.

Pull up a chair and join Suzanne Paul and Andrew Papas for the first ever episode of Fork’s Sake - a weekly feast of food, memories, and laughter. Our first guest is Tom Sainsbury. He’s a comedian, an actor, a podcaster and someone who you'll definitely know from his impressions on social media. From stand-up comedy disasters to the tales behind his most famous impressions, Tom serves up stories that'll have you asking for seconds. Follow Fork's Sake for new episodes every Tuesday. Follow us on Instagram: @forkssakepodcast, @suzannepaulnz, @andrew_papas & @thomassainsbury See omnystudio.com/listener for privacy information.

Jeff Papas talks Bulldog football heading into this weekend's regular season finale. We also talk UMD sports with athletic director Forrest Karr.See omnystudio.com/listener for privacy information.

In der sechsten und letzten Podcastfolge unserer Themenreihe „blau-gelbe-Trainingswelt“ sprechen wir über ein sehr, sehr wichtiges Thema: Wie kann ich den Kindern von Anfang an vermitteln, wie Pferde ticken und wie man richtig mit ihnen umgeht? Diese Folge ist für alle Mamas und Papas gedacht, die sich oft mit Pferden gar nicht auskennen und trotzdem entscheiden müssen, in welche Reitschule oder zu welchem Trainer sie ihre Kinder "geben" sollen. Kerstin Klinkenborg-Frerichs erzählt, was sich hinter dem Konzept DUALINI verbirgt und warum die Eltern von pferdebegeisterten Kiddies diese Ausbildungsmethode unbedingt auf dem Schirm haben sollten.⁠pferdetraining-kkf@outlook.de⁠⁠https://www.facebook.com/profile.php?id=100091500196580⁠⁠https://pferde-ausbildung.de/trainerliste/⁠⁠https://www.dualini.de⁠

"At least three record companies have extended million dollar contracts to people who create AI music. The US Copyright office has said it will begin extending protection those who use AI as a tool. The PROs will extend licensing. We will tell you what is going on."

De un sueño con “papas de colores” a liderar la categoría de chips de vegetales en Chile.Carola Echenique cuenta cómo creó un producto que “se vende solo”: diseño, empaque, timing y crecimiento responsable.En esta conversación desmenuzamos los primeros prototipos en el garage, la entrada al retail, el rol del packaging como vendedor silencioso, cómo financiar capital de trabajo sin “quemar la empresa”, y por qué la actitud es la llave para aprovechar oportunidades únicas.Qué aprenderásCómo validar una idea de alimentos sin focus groups caros (intuición + cliente real).El “playbook” para entrar al retail sin perder el alma artesanal.Packaging que vende: mensajes, doypack y jerarquía visual.Escalar por etapas (capex, leasing, líneas “kettle”, cuándo comprar maquinaria).Armar equipo con stock options cuando no hay caja para sueldos de mercado.La tríada Aptitud–Actitud–Oportunidad aplicada al emprendimiento.Entrevista a Jorge McKay:Llegó a Tener 52 Locales y Le Vendió La Empresa A Nestlé

Jeff Papas joins to talk Bulldog football, as he does each Monday morning. Kevin Gorg from FanDuel Sports Network checks in on the Minnesota Wild, who have struggled out of the gates.See omnystudio.com/listener for privacy information.

"The number changes, but as of the writing of this description, only 1883 songs have topped the Billboard Hot 100 chart including all its earlier versions. This week back in 1990, the first rap song topped the chart. That got me wondering how many other firsts and other interesting facts surround the top spot. Here is a list."

In dieser Folge startet Evelyn solo – ihr Gast ist kurzfristig ausgefallen (Magen-Darm… der absolute Super-GAU!). Also nutzt sie die Gelegenheit für einen kleinen Rückblick auf ihren New-York-Trip. Dabei wird schnell klar: Alleinreisen? Nope, nichts für sie. Aber immerhin – ein paar positive Erkenntnisse gab's trotzdem. Mitten in der Aufnahme taucht dann überraschend „Beau“ auf! Aus seiner Kita-Mückenstich-Story entwickelt sich ein wunderbar offenes Gespräch über elterliche Aufgabenteilung sowie Ängste und Sorgen von Mamas und Papas. Beide sind sich einig: Fürsorge und Schutz sind oft eine echte Gratwanderung, bei der Fail-Videos garantiert keine Hilfe sind – und mit Kindern ändert sich einfach ALLES. Hätte einem das bloß mal jemand vorher gesagt! Eine spontane, ehrliche und sehr nahbare Folge über das Elternsein und die kleinen (und großen) Dramen des Familienalltags. Viel Spaß mit Evelyn und Beau! Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/AllemeineEltern Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Retour sur l'histoire du tube mythique '1999' de l'artiste légendaire Prince. Découvrez comment cette chanson emblématique, sortie en 1982, a été créée dans un contexte de tension mondiale et de peur d'une apocalypse nucléaire.L'épisode nous plonge dans les coulisses de la composition de ce morceau emblématique, révélant les sources d'inspiration de Prince ainsi que les anecdotes surprenantes qui ont façonné ce classique. Vous apprendrez comment le chanteur s'est enfermé pendant des jours dans son studio, refusant toute nourriture, pour donner vie à ce titre devenu culte. Vous serez également surpris d'apprendre que la mélodie de '1999' a en réalité été inspirée d'un vieux tube des Mamas and the Papas, et que le célèbre Phil Collins s'en serait même inspiré quelques années plus tard pour composer l'un de ses propres succès. Une histoire de influences musicales fascinante !Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Lyt med til vores snak og anekdoter og historier om musik fra 60'erne. Vi kommer denne gang rundt om danske spillesteder, misforståede gaver, kaffe på Place Pigalle, desuden berører vi danske Hitmarkers og svenske Tages og ikke mindst anekdoter fra en svunden tid. Du kommer i selskab med Animals, Mamas and Papas, Simon & Garfunkel, … Læs videre "Fritz & Drewsen (2)"

Jeff Papas joins to recap career days for UMD football standouts Kyle Walljasper and Luke Dehnicke in a win over Mary on Saturday. Then Matt Wellens of the Duluth News Tribune drops by to discuss the hot start for the UMD men's hockey team.See omnystudio.com/listener for privacy information.

Diese Folge bringt euch Sonne auf den Teller – auch ohne Flugticket. Ich erzähle euch die Geschichte hinter den kanarischen Papas arrugadas mit Mojo Verde, den kleinen runzligen Kartoffeln mit der grünen Kräutersauce, die zu Recht als kulinarisches Wahrzeichen der Inseln gelten. Ihr erfahrt, warum dieses einfache Gericht einst aus Mangel entstanden ist, wie es zur „Maravilla Gastronómica“ Spaniens wurde und was es mit meinem ganz persönlichen Weihnachtsbuffet-Flashback zu tun hat. Dazu gibt's das Rezept, wie immer unkompliziert, ehrlich und mit einer Extraportion Geschmack nach Atlantik und Sonne.

This episode of Wise_N_Nerdy with Charles and Joe kicks off with a heartfelt Question of the Week: “What is your favorite Robin Williams movie?” From the magic of Aladdin and the swashbuckling adventure of Hook to the emotional depth of Awakenings and What Dreams May Come, the hosts and listeners celebrate the incredible range and impact of one of the world's most beloved actors.After rolling the dice, fate leads the duo into the “How Do I…?” segment, where Charles and Joe explore how to decide which causes are truly worth supporting. They discuss meaningful giving, how to avoid pitfalls like high-overhead charities, and how to make sure your generosity makes a real difference.Next, it's time for the “Parliament of Papas” — and this week's Reddit story sparks big discussion. When a hungry 15-year-old reacts to her mom snagging fries without asking, a simple moment turns into a full-blown family standoff. Was it selfishness, manipulation, or just a misunderstanding about boundaries and respect? The hosts weigh in with empathy, humor, and dad-level insight.The dice then bless the show with a “Daddy, Tell Me A Story” segment, where Charles and Joe share personal moments that make them feel awesome — those little victories and proud dad vibes that remind us to celebrate life's small wins.But no Wise_N_Nerdy episode would be complete without bad dad jokes, and this week's come courtesy of the always hilarious Devocite, complete with his daughter's eye-roll-worthy reactions.Finally, the fates guide the hosts to “What Are You Nerding Out About?” — where Charles shares his passion for connecting with people and helping them thrive, while Joe dives into his new favorite cozy fantasy anime, Campfire Cooking in Another World with My Absurd Skill, a deliciously heartwarming show about magic, food, and friendship.It's a journey full of laughter, reflection, and community — everything that makes Wise_N_Nerdy special. So tune in, laugh along, and remember to Find your FAMdom.Wise_N_Nerdy: Where Fatherhood Meets Fandom

"The NOW CDs, as they are often called, started in the UK in 1998 with Richard Branson. They were a hit out of the gate, each crafted to a specific formula. They are a professionally made mix tape. We have the full history and a good bit of trivia about the series."

In this week's Wise_N_Nerdy episode, Charles and Joe are back with another hilarious, heartfelt, and thought-provoking ride through fatherhood, fandom, and everything in between. The show kicks off with the Question of the Week: “If you could take a vacation in any fictional setting, where would you go?” From the magical lands of Faerûn to the adventurous Johto Region, the elegant beauty of Naboo, and even the monster-filled streets of Solo Leveling's South Korea, the hosts dream up the ultimate geek getaways that will have every listener imagining their own nerdy travel plans.Next, the trusty roll of the dice leads into the “What Are You Nerding Out About?” segment. Joe dives into his latest anime obsession, May I Ask For One Final Thing?, sharing how its first two episodes set up a hilariously over-the-top premise that hooked him immediately. Charles switches gears, celebrating the unexpected delight of Nerds Slurpees at 7-Eleven, then takes listeners behind the mic to discuss the art of crafting a great podcast hook. He also gets a bit introspective, reminding us all to recognize the good moments in life and hold onto them when they come — a message that perfectly captures the spirit of Wise_N_Nerdy.When the dice land on “Daddy, Tell Me A Story,” Joe brings the laughs (and cringes) with tales from his adventures donating plasma — including verbal brawls in the waiting room and one unforgettable person who decided mid-donation was a great time to remove their needle. Chaos, compassion, and comedy — all in one segment.The fun continues with some “Bad Dad Jokes” straight from the Discord community, proving once again that no pun is too painful for this show. Then it's time for “How Do I…?”, where Charles and Joe share genuine advice on how to cope when life throws everything your way and you're feeling completely frazzled. It's a candid, supportive, and relatable discussion that perfectly blends humor with heart.Finally, the “Parliament of Papas” segment brings a real-world ethical dilemma to the table: a bride-to-be asks her sister-in-law not to bring her seizure-alert dog to the wedding because her maid of honor has a severe allergy. The hosts break down the drama, exploring both sides of the issue with empathy, reason, and that signature Wise_N_Nerdy wit.From laughter to life lessons, this episode has it all — a reminder to slow down, laugh often, and Find your FAMdom in the moments that matter most.Wise_N_Nerdy: Where Fatherhood Meets Fandom

"Cryptozoology is the study of a creature that probably doesn ot exist. Think Bigfoot. What is great about it is that every state seems to have its own monster. Maybe people really do think it exists or maybe it was invented to scare children at Halloween. We built up a list along with songs about candy. It is Halloween 2025."

"Led Zeppelin's Shadow Song: The True Story of Dazed and Confused" The Not Old Better Show, Music Today Interview Series  

Discograffiti is the deep-dive podcast for music obsessives.  In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series. It's Chuck's chat with Larry Knechtel, the Wrecking Crew keyboard player and bassist who—along with Brian Wilson & The Beach Boys—has worked with Simon & Garfunkel, Duane Eddy, The Mamas & The Papas, The Monkees, The Doors, The Byrds, The Grass Roots, Elvis Presley, Jerry Garcia, and Billy Joel. He also was a key member of the band Bread. Larry passed away a few years later in 2009, which makes this posthumously released “Chuck Chat” yet another priceless buried treasure.   Here are just a few of the many things that Larry discusses with Discograffiti in this podcast: What he ascertained early on as a studio musician's average career length, which then led to a healthy fear of his phone no longer ringing; His legendary work on Simon & Garfunkel's “Bridge Over Troubled Water”; Besides Brian, the only Beach Boy he says his fellow studio musicians ever saw in the studio along with them; The curse of having perfect pitch; And his friendship with Jim Gordon…not to mention the fate of the 50+ hours of jam tapes that he recorded with him, which included spoken ruminations on what was bugging Jim at the time.  There'll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti's Patreon. Don't miss it, or you'll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we'll all have world peace. Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up) Free Sneak Peek: linktr.ee/discograffiti Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It's completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti's weekly bonus episodes and access to our entire Patreon episode archive. There are now over 300 Patreon episodes.

Jeff Papas joins the show to break down a tough loss for UMD football on Saturday night. UMD athletic director Forrest Karr also drops by.See omnystudio.com/listener for privacy information.

Buckle up for another fun-filled episode of Wise_N_Nerdy with Charles and Joe as they dive into fandom, family, and fatherhood with plenty of laughs along the way. This week kicks off with the Question of the Week: “Who is the worst or best fictional character to have as a road trip guest?” The hosts play a variety of hilarious speakpipes and share their own picks, from Percy Jackson to David from Jumper—and even Pokémon like Muk and Jigglypuff.With the traditional roll of the dice guiding the show, the first stop is the Parliament of Papas segment, where Charles and Joe tackle the tricky topic of whether or not you're truly required to socialize in the workplace. From there, it's time for Daddy, Tell Me A Story, where Joe shares a surprising tale about his grandfather—who just happened to be a “hippo whisperer.” Yes, you read that right. He knew the trick to get hippos at the zoo to open their mouths so visitors could pet their tongues!Of course, no episode would be complete without some bad dad jokes—this time centered around executioners. After the laughs, the dice bring us to the How Do I...? segment, where the discussion gets real about how to handle bullies, offering advice that's practical for kids and adults alike.The hosts also share more community speakpipes, including several from listener CaseyJay, sparking fun discussions about K-Pop Demon Hunters and the funny things kids repeat that they probably shouldn't.Finally, the What Are You Nerding Out About? segment brings everything home. Charles opens up about some of the real-life stresses and guilt that come with managing income and responsibility, while Joe closes things out with a glowing recommendation of the Dungeon Crawler Carl series by Matt Dinniman—describing it as Hunger Games meets Hitchhiker's Guide to the Galaxy with the fun, chaotic mechanics of games like Diablo.If you're looking to laugh, learn, and connect, this episode is packed with stories, jokes, and nerdy goodness that prove why Wise_N_Nerdy is the place to Find your FAMdom.Wise_N_Nerdy: Where Fatherhood Meets Fandom

In dieser Folge geht's mal wieder um alles – vom ersten Kuss bis zum zweiten Kind, vom Freundebuch bis zur Trotzphase. Hannes erzählt, wie sich das Leben mit zwei Kindern verändert, warum die Terrible Two manchmal nicht immer so terrible sind – und wie schön es ist, die eigenen Kinder einfach beim Wachsen zu beobachten.Darüber hinaus sprechen die beiden über Jugendcrushes, Diddl-Freundebücher und Stickeralben. Habt ihr Euer Stickeralbum noch? Naja, dann Kopfhörer auf, PAPAS an und die alten Kisten durchgucken.Alle Infos zu unseren aktuellen Werbepartnern findet ihr hier:KoroMit dem Code PAPAS bekommt ihr bei Koro 5% Rabatt auf Eure nächste Bestellung.GEW-Ferienhttps://www.gew-ferien.de/IKEAhttps://www.ikea.com/de/de/ Hosted on Acast. See acast.com/privacy for more information.

The Nerdlings: Twenty Six Versions of Twist and Shout  As promised here are all 26 versions of Twist and Shout that was featured in  our series of Twist And Shout.  All full length, the full medleys done by some artist.  Bobby Vee, Bon Jovi, Booker T and the MGS, Bruce Springsteen, Celine Dion,  Chubby Checker, Cliff Richard, Del Shannon, Dr. Teeth and Electrical Mayhem, Genesis, Isley Brothers, Mae West, Michael Buble, NSYNC, Rodney Dangerfeild,  Salt-n-Pepa, Shangri-Las, Dave Clark Five, The Mamas and Papas, The Searchers, The Who, Ike and Tina Turner, Tom Jones, The Troggs, The Top Notes The Beatles/ Ferris  email address for contact: nerdlingpodcast@gmail.com Instagram accounts to follow:  secretplaceslasvegas and ShinySquirrelPodcast Copyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use  

"Many music outlets noticed there was no traditional Summer Song this year. No poppy dance tune that rose to the top of the charts. The Billboard Summer Song chart claimed a number one but it was a down tempo ballad. We will explore what happened and why."

Jeff Papas checks in on UMD football, then we play back last week's chat with Gophers men's hockey coach Bob Motzko.See omnystudio.com/listener for privacy information.

In this episode of Wise_N_Nerdy, Charles and Joe are joined by the amazing Audie Norman for a fun and insightful ride through fandom, fatherhood, and a few unexpected laughs. The show kicks off with the Question of the Week: If you could learn any one spell or power from a fantasy world, what would it be? From the practical magic of prestidigitation and the versatility of wild shape in Dungeons & Dragons, to the Great Sage ability from That Time I Got Reincarnated as a Slime, the hosts dream big. Teleportation powers also come up—whether it's the flashy leaps from Jumper or Apparition from Harry Potter.Before rolling the dice, Charles unveils the show's new logo, a design created by Audie himself. The random dice roll kicks things off with Bad Dad Jokes, this time themed around polar bears—with Charles giving a shoutout to Nathan Fillion for his own stream of dad jokes online.Next up is the "How Do I…?" segment where Charles, Joe, and Audie talk through the creative process behind designing the new Wise_N_Nerdy logo. From concept to final touches, they share the story of what makes the design special for the show and its community.The dice then land on "What Are You Nerding Out About?", where Joe brings back a fan-favorite guessing game: figuring out the plot of an anime just from its title. This week's challenge? Apocalypse Bringer Mynoghra: World Conquest Starts with the Civilization of Ruin. Meanwhile, Audie nerds out about Aaron Sorkin, diving into classics like The West Wing and Studio 60 on the Sunset Strip. Charles wraps up the segment with some personal excitement, celebrating his birthday with gifts like an electric drum kit and Borderlands 4.In "Daddy, Tell Me a Story," Audie shares his journey into podcasting—how he started listening, what inspired him, and what eventually pushed him to create his own show. Finally, the dice close out the night with the "Parliament of Papas", where Joe tells a heartfelt and complicated story about his mother's wedding ring. Passed down through siblings, the ring sparked both love and family division when one sister asked for it back after a difficult engagement fell apart.This episode blends laughs, stories, and deep dives into the worlds of fandom and family—proving once again why listeners love to Find your FAMdom with Wise_N_Nerdy.

"Many countries around the world take time each year to poll their citizens about their favorite songs. It usually happens around Christmas and a major media outlet plays the songs. We will tell you about some of the biggest ones and try to figure out why we don't do that here in America."

David Angulo, José Luis Arrazola y sus hijas presentan un espectáculo musical único inspirado en el espíritu vocal de The Mamas & The Papas. Versiones y temas propios se unirán en un concierto entrañable el 9 de octubre en el Auditorio de Zaragoza.

To hear the full episode subscribe HEREThe Black Dahlia murder shocked postwar America and ignited a media frenzy that reduced her to pulp headlines and grotesque speculation. The LAPD's bungled investigation faded into silence, until the incest trial of George Hodel thrust the Dahlia's specter back into the spotlight.In episode 3 of This Body, we trace a line from Elizabeth Short's depersonalized body in Leimert Park through Tamar Hodel's testimony, and into the next generation of Hollywood daughters: Michele and Chynna Phillips, Mackenzie Phillips, and Bijou Phillips.From Chinatown to Lolita, from the Mamas and the Papas to Scientology, this is a story of how Los Angeles devours its daughters, and how some live to tell the tale.

On February 4, 1941, Bronx police officers were called to the home of John and Catherine Pappas for a report of a homicide. Based on the evidence, detectives theorized that someone had been invited into the Pappas apartment while Catherine was home alone and that same someone had strangled her to death, then ransacked the apartment looking for valuables. To investigators the scene resembled a fairly straightforward robbery-homicide; however, to detective Ed Burns, there were elements of the crime scene that bore a striking similarity to another assault and robbery case he'd been assigned to just two weeks earlier in another part of the Bronx. What followed was an investigation that exploded in size from a single robbery-gone-wrong that resulted in a murder to a sprawling serial sexual assault case that would eventually involve more than eighty victims in eight states, all victimized by the same man. The hunt for the Aspirin Bandit is among the more remarkable cases in New York criminal history, not only because of the number of victims, but also because of the tremendous effort and coordination put forth to catch the killer—effort and coordination that, in 1941, was virtually unheard of.Thank you to the Amazing Dave White (of BRING ME THE AXE PODCAST) for research and writing assistance!ReferencesBrooklyn Eagle. 1941. "Papas slayer, faced by victims, confesses." Brooklyn Eagle, March 4: 1.Connor, Christine, and Elise Greven. 2017. "Gentleman Killer." A Crime to Remember. Janaury 3.Dillon, Edward, and Howard Whitman. 1941. "Cigarets, aspirin clues to woman's strangler." Daily News (New York, NY), February 6: 4.New York Times. 1941. "Alarm for burglar sent in Pappas case." New York Times, February 8: 32.—. 1941. "Cvek found guilty of Pappas murder." New York Times, May 20: 46.—. 1941. "Cvek tells court he killed in anger." New York Times, May 16: 24.—. 1941. "Mystery cloaks woman's murder." New York Times, February 6: 15.—. 1941. "Pappas strangler admits 15 crimes." New York Times, March 5: 1.—. 1941. "Slayer of woman 'rebukes' press." New York Times, March 8: 34.—. 1941. "Sun lamp halts trial." New York Times, April 22: 23.Rice, William. 1941. "Cvek a killer? No surprise to his relatives." Daily News (New York, NY), March 5: 4. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Brian R. Solomon is the author of a new book on professional wrestling legend Gorilla Monsoon, available everywhere on Tuesday, Sept. 30. Hear after that from our friend Jeff Papas on the UMD football team grinding out a fifth straight win.See omnystudio.com/listener for privacy information.

This episode of Wise_N_Nerdy is packed with laughs, heartfelt moments, and plenty of nerdy goodness as Charles and Joe roll the dice on another unforgettable show.The episode kicks off with the return of the Manager Update—a fan-favorite segment. Joe reveals that his former nightmare manager has officially been let go, and his ex-coworkers couldn't be more thrilled. It's a big sigh of relief and the perfect way to start the night.From there, the hosts dive into the Question of the Week: “What's the best geeky gift you've ever received or given?” Charles shares the story of passing along his old computer to his friend Mike Woodard, while Joe talks about some of the incredible gifts from his brother-in-law, including D&D figures and wireless headphones. Both hosts fondly recall how longtime listener PaulPuck gifted them their Nintendo Switches—proof that the Wise_N_Nerdy community is truly something special.Then the dice set the path, starting with the Parliament of Papas segment. The guys weigh in on a tough Reddit story: a sibling who treasured their late sister's ring, only to have their brother use it to propose without asking. When the fiancée returned it, the family turned against the OP. Charles and Joe break it down with empathy and wisdom, exploring family dynamics and boundaries.Next, in What Are You Nerding Out About?, Joe gushes about the witty and creative writing style of Assistant to the Villain by Hannah Nicole Maehrer. Charles jumps between several nerdy delights—praising the new Demon Slayer movie, sharing his excitement for Lycoris Recoil, and announcing his brand-new podcast with Josh Cooper (aka JoshTheDad from Uploads of Fun): The Little Brown Pill, a show dedicated to nerding out about coffee.The dice roll again, landing on the How Do I…? segment, where Charles shares his proud DIY experience installing a rear car camera. It's a great reminder of the satisfaction that comes from tackling challenges head-on instead of always paying someone else to do it.Of course, no episode would be complete without some bad dad jokes—this time featuring Devocite—and even a surprise bad uncle joke from Charles. After the commercial break, the show takes a heartwarming turn as the hosts react to a video from Tyler (aka TheFullRunThrough), who introduces his newborn son born just the day before. Devocite keeps the theme going with a story about finding a baby crow… that turns out to be another sneaky dad joke.Finally, the episode closes with Daddy, Tell Me A Story, where the hosts swap fun tales about beating the summer heat. Joe explains how he crafted makeshift ductwork out of trash bags to funnel cool air from his living room to his bedroom—an ingenious (and hilarious) dad move.From start to finish, this episode reminds us that whether it's geeky gifts, DIY victories, or dad jokes galore, there's always a way to Find your FAMdom in the things we share and the stories we tell.Wise_N_Nerdy: Where Fatherhood Meets Fandom

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"An Idiom is a group of words that suggest a meaning different than their specific words. Many of them come from the world of music and we have created a solid list. You will recognize a lot of them."