Podcasts about Act One

On today's episode of Female Gaze: The Film Club, Morgan recently spoke with filmmaker Sophia Takal and producer Stephanie Roush about their upcoming film, “Act One” which premieres at the Tribeca Film Festival. “Act One” follows high school senior Hannah who, after failing to be cast in the school drama, seeks out acting classes, much to her mother's dismay. Hannah stumbles upon Act One taught and run by Melanie, an alluring acting teacher. As Hannah joins the group, she straddles the line between finding herself and losing herself. “Act One” is psychological thriller with a coming of age story at the heart of it, and it's anchored by some brilliant performances. “Act One” premieres on June 10th (Judy Garland's birthday), with additional screenings on June 12th and June 13th. You can find more information at the Tribeca Film Festival website HERE. You can follow Female Gaze: The Film ClubInstagramBlueSkyWebsite

We want to believe our lives can be changed by the ideas contained in a book. Visit thisamericanlife.org/lifepartners to sign up for our premium subscription.Prologue: When Alexa was seven, she started going through her grandfather's books. Her grandfather was a playwright and teacher, and through the books—and especially through his notes in the margins—she entered the world of 1930's American theater. And she found a book that changed her life: writer Moss Hart's autobiography Act One. (5 minutes)Act One: More of Alexa Junge and how Moss Hart's autobiography changed her life. She followed his path, learned specific lessons, and had a vision of him that was absolutely clear—until she met his widow. (10 minutes)Act Two: A book that changed a family's life—temporarily, and not for the better. David Sedaris on what happened when he found a dirty book in the woods and passed it along to his sisters. (9 minutes)Act Three: Reporter Jeremy Goldstein tells the story of a man who had many books change his life, even though he'd never read them. (14 minutes)Act Four: Writer Meghan Daum travels to De Smet, South Dakota—where Laura Ingalls Wilder lived and set most of her Little House books. What surprises her is how much it matches what she'd imagined. The people there seem to be genuinely living by the values Laura wrote about. (15 minutes)Transcripts are available at thisamericanlife.orgThis American Life privacy policy.Learn more about sponsor message choices.

In this week's episode, Grainne O'Farrelly, Managing Director, Regulatory Consulting, Kroll Advisory (Ireland) Limited and Member of Compliance Institute's Prudential, Regulation and Governance (PR&G) Working Group is delighted to be joined by Brian Cooke, Group Chief Information Security and IT Risk Officer at PTSB, to share a sector‑wide perspective on what DORA is trying to achieve, why it matters, and why he sees it as a positive and enabling regulation for European financial services.

Dallas and Celeste just got back from seeing Mortal Kombat 2, and they have thoughts. The sequel brings Johnny Cage into the fold, raises the stakes with the actual tournament, and delivers some genuinely great fights and character moments. But does it stick the landing? In the spoiler-free half, Dallas and Celeste break down the pacing problems, the characters who got shortchanged, and whether the film earns its R rating. Then after the break, gloves come off, full spoiler discussion on movie spoilers, Kitana's story arc (the one that should have been the whole movie), what the film gets right as a Mortal Kombat experience, and why it left Dallas wanting to fire up the games all over again. Check out The Bottom Shelf's Thoughts on the 90's movies Mortal Kombat - https://geekdevotions.com/2022/06/17/how-bad-is-mortal-kombat-tbs-review/ Mortal Kombat Annihilation - https://geekdevotions.com/2022/06/30/how-bad-is-mortal-kombat-annihilation/ 

THE G.Y.M. — PILOT, ACTS TWO AND THREE By Dani HanksPick up where Act One left off. Valerie still cannot get her commercial. The film crew is still in her face. The Solstice gym across the street is still winning. And things are about to get considerably worse.Bryan is teaching group fitness despite not knowing what "happy baby" is, and every senior in the building keeps asking when Reggie is coming back. Kayla is supposed to be training her client. Her client is currently turning purple under a barbell. The cameraman looks weirdly familiar to her and she cannot place it. Chris is somewhere in the locker room going through a smoothie situation he did not ask for. Wade the IT guy is crawling through a server closet stuffed with the unpaid invoices Valerie has been hiding in her clipboard. And Valerie, our hero, has just told the cute IT guy that her anaconda doesn't want his real estate funds.It's fine. Everything is fine.By the time we get to the pool, Alexa is jumping off a diving board she has no business being on, Bryan is leading a secret back room of seniors through a yoga pose he learned thirty seconds ago, Wade is sitting next to a soaking wet Valerie holding the worst envelopes she's ever seen in her life, and the truth about who's been filming all day is about to drop in the middle of the room like a brick through a window.Underneath the chaos, this is what the show is actually about: a woman trying to save the only place she ever felt at home, with a crew of misfits who have nowhere else to go either. Norman Lear would recognize this gym. So would anybody who's ever worked at one.Meanwhile, across the street, in a chrome office at the new Solstice, a Southern silver fox in a tall cowboy hat is watching the whole thing through binoculars. He is having the time of his life. He is not done with The G.Y.M. Not even close.Recorded live at Podcast Movement at SXSW in front of a packed house of our peers, and you can hear it in the room. Video version available on YouTube and across our channels.CASTHeather Foster - Narrator Allison Dunbar - Valerie Yasmine Al-Bustami - Kayla and Spin Client Kensington Tallman - Alexa and White Trash Spin Diva Shaan Sharma - Wade, Bored EMT, and Johnny Joe Nemmers - Gary Hughes, Cocky Newscaster, Television, and Gruff Driver Jacob A. Ware - Bryan and Sam Brian Villalobos - Chris, Weak-Armed Client, and Handyman Amy Bailey - Mary, Gem, Peppy Newscaster, First AC, and Phone Scott Hervey - Client Carlin (special guest appearance, our attorney from Weintraub Tobin)Produced by Manifest Media. Created by Jack Levy, Mark Knell, and Shaan Sharma.This live read benefits Best Friends Animal Society, selected by Allison Dunbar, dedicated to bringing no-kill to every shelter in the country. Save Them All. bestfriends.org/donateSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

THE G.Y.M. — PILOT, ACT ONE By Dani HanksWelcome to the run-down fitness shithole at the end of the strip mall. Two buildings left standing, a tech repair shop and The G.Y.M., and across the street a brand new chrome-and-barbell luxury chain called Solstice is having its grand opening on the same day Valerie is trying to film her grand re-opening commercial.Valerie inherited her childhood sanctuary the hard way. The previous owner got hauled off in handcuffs as "The Flamingo King," the FBI took the penguins, and she sank her life savings into keeping the bulldozers off the lot. Now the bike handlebars are snapping mid-shoot, the wifi is down, the POS is down, the smoothie blender is wifi-controlled (a mistake), and a real estate vulture in pinstripes will not stop circling the parking lot. Her ragtag crew, an Insta-thirsty trainer, a Finnish golden retriever on a visa, a chaos-gremlin receptionist who cannot swim, a buttoned-up IT guy from next door, a smoothie-bar veteran who misses the cocaine era, and a crystal-worshipping yogi with prison connections, is the only thing standing between Valerie and the wrecking ball.It's a found-family workplace comedy in the bloodline of Cheers, Superstore, and The Bear, but make it the gym. HBO sitcom material with prime-network legs. Dani Hanks' pilot won the 2024 Austin Film Festival Josephson Entertainment Fellowship, the year-long development deal AFF hands to the one teleplay it bets the most on, and ISA named Dani one of the Top 25 Screenwriters to Watch in 2025.We recorded this live at Podcast Movement at SXSW in front of a packed house of our peers, and you can hear it in the room. The energy, the laughs landing in real time, the cast riding the wave together. Video version available on YouTube and across our channels. Lean in with that, then let Act One take you the rest of the way.CASTHeather Foster - Narrator Allison Dunbar - Valerie Yasmine Al-Bustami - Kayla and Spin Client Kensington Tallman - Alexa and White Trash Spin Diva Shaan Sharma - Wade, Bored EMT, and Johnny Joe Nemmers - Gary Hughes, Cocky Newscaster, Television, and Gruff Driver Jacob A. Ware - Bryan and Sam Brian Villalobos - Chris, Weak-Armed Client, and Handyman Amy Bailey - Mary, Gem, Peppy Newscaster, First AC, and Phone Scott Hervey - Client Carlin (special guest appearance, our attorney from Weintraub Tobin)Produced by Manifest Media. Created by Jack Levy, Mark Knell, and Shaan Sharma.This live read benefits Best Friends Animal Society, selected by Allison Dunbar, dedicated to bringing no-kill to every shelter in the country. Save Them All. bestfriends.org/donateSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

KPFA Theatre Critic Richard Wolinsky reviews the Royal Shakespeare Company touring production of “Hamnet” at ACT Toni Rembe (Geary) Theatre through May 24, 2026.         Text of Review: In November 2025, a film adaptation of the 2020 Maggie O'Farrell novel Hamnet hit the screens of America. Four months later, Jessie Buckley won an Oscar for the role of Agnes Hathaway, wife of William Shakespeare, and mother of their three children. But back in April 2023, the same month that Chloe Zao was contracted to co-author and direct the screenplay of Hamnet, a stage adaptation of the novel made its premiere under the auspices of the Royal Shakespeare Company at their home, the Swan Theatre in Stratford-on-Avon in England. And it's a touring production by that same company that is now at ACT's Toni Rembe Theatre through May 24th. From a purely academic viewpoint, it's fascinating to examine the differences between the two adaptations. The same high points exist in both, sometimes the dialogue even matches. The characters are mostly the same, though the film's Will, played by Paul Mescal, is warmer and more family oriented than Rory Alexander's Will on stage. The line from late in the film, “you weren't here” for instance, now has a resonance because the on stage Will often is not there, spending more time in London than his family would like, and Agnes complains. Agnes's ugly relationship with her stepmother Joan is fleshed out in the play, as is the turbulent relationship between Will and his father, played on stage by the scene-stealing Nigel Barrett. Act One of the play takes twenty minutes on film. The film zooms into the family surrounding Shakespeare's  young son. The play tells a more broader story, how Shakespeare became Shakespeare. Jessie Buckley's Agnes is someone we deeply care about, almost a modern woman dropped five hundred years into the past. Kemi-Bo Jacobs' Agnes on stage is extremely difficult. There's a reason why it takes a while for the other characters to warm up to her. She's often loud and angry, with an annoying cadence in her voice. It's almost no wonder that Will wants to spend so much time in London. Which is likely the more authentic performance? One other thing: the film nails the ending. The play, not so much. But then again, here we have a top-notch British production, the kind you'd only see in Stratford-on-Avon or maybe the West End, in person, with a massive gorgeous set, and actors who have been studying Shakespeare since infancy. People travel to England for productions like this, whatever their flaws. And now it's right at your front door. The Royal Shakespeare Company and Neal Street productions Hamnet plays at ACT's Toni Rembe Theatre through May 24th. For more information go to act-sf.org. I'm Richard Wolinsky on Bay Area theatre for KPFA. The post Review: “Hamnet” at ACT Toni Rembe (Geary) Theatre appeared first on KPFA.

PV & FRANNYA girl with a glockenspiel. A boy with a guitar. A high school full of weirdos, mascots who may or may not be unhinged, and a mystery that isn't what anyone thinks it is.A dead-serious love story… that refuses to behave like one.One flier turns into a band. One band turns into obsession. And before they ever play a real set, everything is already ridiculous.ACT ONEOverton High is chaos in a controlled environment.The mascot smokes. The journalist thinks she's breaking Watergate. The nicest bully in school politely refuses lunch money.And then there's PV.Brilliant. Intense. Completely uncompromising.She doesn't want to start a band. She wants to build something real.Franny Blevins just wants to be part of it.What begins as an awkward coffee shop encounter quickly turns into a partnership built on music, rules, and one very firm boundary:No romance. Ever.Which becomes a problem almost immediately.As Franny gets pulled deeper into PV's world, her music, her logic, her investigations, and her completely upside-down way of seeing everything, the stakes escalate in the most unexpected ways.A hate note that isn't hate.An audition that turns into an interrogation.A band that starts to feel like something much bigger… and much messier.Act One is the beginning of the band, the beginning of the obsession, and the moment everything starts to spiral just slightly out of control.

In this episode, UE's Melanie Bennett interviews Jeff Noland and Miriam McKendall from Holland & Knight about the Stop Campus Hazing Act.

Dive into the legacy! Join host Marina Franklin as she chats with Dr. Tamara Nall and Hollie Harper about embracing and celebrating matriarchal legacy. Tune in for insights on redefining generational traditions. Dr. Tamara Nall is the founder of The Junia Legacy, a cultural movement redefining generational naming traditions to intentionally honor daughters as legacy bearers. Through Junia, she introduced a feminine counterpart to "Junior," creating space for women to be recognized in lineage and identity. Her work explores the intersection of culture, naming, and generational pride, empowering families to build legacy with intention.  Hollie Harper is a South Jersey comedian/writer/actress. In 2021 she created and co-exec-produced Hella Late! with Hollie Harper on BRIC TV for which she was nominated for best actress at 2021's NYC Web Fest. She was a recent semi-finalist in the NBC Standup Competition, won Best Actress at 2024's Act One, One Act Festival and just earned a Best Actress nomination by Broadway World for her performance in Melanie Goodreaux's "The Popes Of Farragut Street". Her live, sold-out comedy show "F.D.K." with Emily Flake was recently chosen for the Knockouts Women's Comedy Festival, the New York Comedy Festival and the IO Comedy Festival in Chicago. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf. Writer for HBO's 'Divorce' and the new Tracy Morgan show on Paramount Plus: 'Crutch  

In Shakespeare's Othello, the Second Senator in Act One warns of a Turkish fleet bearing down on Cyprus. Later in that same scene, the Duke of Venice remarks, "The Turk with a most mighty preparation makes for Cyprus. Othello, the fortitude of the place is best known to you." References to Cyprus appear again and again throughout the dialogue—calling attention to wars, naval battles, and the conflicts surrounding the island, including, as Iago puts it, the struggle between "grounds Christian and heathen." Shakespeare places Othello in Cyprus at a moment of extreme tension. In the play, the island has just faced an imminent invasion by the Ottoman Turks. The Venetian fleet is mobilized, generals are dispatched, and Cyprus is on high alert. It makes for an exciting story—but what's even more compelling is that the setting Shakespeare chose mirrors real history almost exactly. In 1570 and 1571, Cyprus—then a Venetian possession—was attacked by the Ottoman Empire. The final and most famous stronghold was a city called Famagusta, whose siege became infamous across Europe. For Shakespeare's audience, Cyprus under Turkish threat was not fictional—it was recent news. When Othello opens with fears of invasion, Shakespeare is tapping into a collective memory of terror and loss that was still emotionally raw. To help us explore how the play connects to the real history Shakespeare's audience would have recognized immediately, I'm delighted to welcome our guest today, Michael Walsh.

Love to hear from you; “Send us a Text Message”Act One Discussion with Steve Thomas: I Wonder What Sort of Tale We've Fallen Into?“I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived… for the mass of men lead lives of quiet desperation.” — Henry David ThoreauDilecti Amici. Dear friends and brothers in Christ.Let's speak plainly.You are living in a world that is loud, chaotic, and confusing. Social media, influencers, advertisers, schools, and even government all compete for your attention. Each tells you what to think, what to buy, what to fear, and who you are supposed to be. The noise is constant, and it leaves many young men disoriented and exhausted.If you want a concrete path forward, we share the Claymore Militis Christi “battle plan,” including “knees before the phone,” one act per week, and the power of walking with another man. Subscribe, share this with a friend who needs hope, and leave a review with the biggest question you're still wrestling with.Order Your Claymore Battle Plan Handbook Here or on Amazon Today! Visit Steve Thomas and Catholic Joe. Support the show

Love to hear from you; “Send us a Text Message”“I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived… for the mass of men lead lives of quiet desperation.”[1] — Henry David ThoreauDilecti Amici. Dear friends and brothers in Christ.Let's speak plainly.You are living in a world that is loud, chaotic, and confusing. Social media, influencers, advertisers, schools, and even government all compete for your attention. Each tells you what to think, what to buy, what to fear, and who you are supposed to be. The noise is constant, and it leaves many young men disoriented and exhausted.Pope Benedict XVI described our age as a “dictatorship of moral relativism,” a culture in which truth is reduced to preference and feelings replace reality. It should come as no surprise that so many are struggling. The statistics do not lie. Fifty-seven percent of teen girls report feeling persistently sad or hopeless. Forty percent of teens struggle to function normally because of depression. Thirty percent of teen girls have seriously considered suicide, a figure that has increased by sixty percent in just the past decade. Among LGBTQIA+ teens, fifty-two percent report ongoing mental health struggles, and twenty-two percent have attempted to take their own lives.[2] And let us be honest. Almost every young man today has been exposed to hardcore pornography, often at a young age, robbing innocence and distorting the moral compass. Suicide and overdoses continue to claim far too many lives. As Henry David Thoreau observed long ago, “The mass of men lead lives of quiet desperation.”Yet this is not the whole story.You are not alone, and you are not doomed. I have seen young men begin to wake up, sensing that something is deeply wrong and refusing to accept shallow answers. You are hungry for meaning, for truth, and for a life that matters. Too often, what you are offered instead are empty slogans or expert opinions detached from the reality of good and evil.That is why I picked up a pen.Do you need another book? Perhaps not. But you do need guidance. You need a battle plan that helps you confront the questions burning in your heart: Who am I? Why am I here? What is my purpose? Why were we created male and female? What does authentic love look like? Where can lasting happiness be found?This is where Claymore Milites Christi enters the story. Visit the Website! [1] Henry David Thoreau, Civil Disobedience and Other Essays.[2] Centers for Disease Control, Youth Risk Behavior Survey, 2021. Support the show

In this episode of Rekhta Guftgu, filmmaker Imtiaz Ali opens up about the failures, doubts, and turning points that shaped his journey long before Bollywood success found him. In a deeply honest conversation with Irfan, he reflects on failing ninth grade, discovering theatre at Hindu College, finding creative grounding with Act One, and arriving in Mumbai without a fixed plan.He talks about learning filmmaking on the job through television, the uncertainty of early rejection, and the long road to finding his voice as a director. The conversation also moves into the heart of storytelling, how stories choose us, what changes when stars and budgets enter the picture, and why a filmmaker must protect their inner truth even under pressure.This is about identity, language, belonging, ambition, and the courage to go deeper in life and art.

MY LADY'S SONGA limo driver. Two porn stars. A senator with everything to lose.One night in New York that turns into leverage, betrayal, and war.ACT ONENew York. Late-night Eighth Avenue. Strip clubs, neon, and power moving quietly behind tinted glass.Sal “The Barber” Marino is a former soldier of the streets, a man who did twelve years without talking and now makes a living driving high-end clients through a city he no longer trusts.One call pulls him back in.A simple job. Easy money. Drive the girls. Pick up the client. Keep your mouth shut.But the client is a powerful senator. The ride is being recorded. And the job isn't what it seems.What starts as routine turns into leverage. a blackmail setup that reaches into politics, unions, and the last remnants of old-school control.As the night bleeds into morning and the city gives way to the open road, Sal is locked in with Hara; young, sharp, and unpredictable. Two worlds collide. Old code versus new survival.And then it breaks.A confrontation. A line crossed. A slap that lands harder than anything that came before.That's the moment everything changes.Act One ends when business becomes personal... and there's no going back.

Each of us is made to run our individual race…how is that going for you? What are your eyes fixed on? Are you watchful of those who would distort the truth? And, like Paul, are you willing to go where the Holy Spirit leads, even if that means that suffering awaits? When the uproar was […] The post Act One! appeared first on Rockpointe Community Church.

Each of us is made to run our individual race…how is that going for you? What are your eyes fixed on? Are you watchful of those who would distort the truth? And, like Paul, are you willing to go where the Holy Spirit leads, even if that means that suffering awaits? When the uproar was […] The post Act One! appeared first on Rockpointe Community Church.

Album 8 Track 9: Accelerating Your Career: Think Two. Act One. w/Kristen FischbeckBrand Nerds, we are back in the building! Today, we are diving deep into what it takes to achieve professional growth as we sit down with Kristen Fischbeck. If you are a marketer looking to "compress the timeline" between where you are and where you want to be, this episode is your blueprint. Kristen's rise is nothing short of meteoric: she joined a boutique agency as an entry-level account coordinator and, in just seven years, navigated every level of the organization to become Managing Partner. Now, she leads strategy for an expansive and impressive portfolio including BMW, Rolls-Royce, and Land Rover. In this conversation, Kristen breaks down what we are coining the "Think Two. Act One." strategic mindset of thinking two steps ahead while acting on one to master the job you want before you even have the title. We explore the grit required to thrive in your career, the "Ruh-Roh" moments that lead to massive growth, and how AI is currently slashing production costs in half for luxury brands. Key Takeaways:The 2-1 Rule for Career AccelerationMimic the MasteryThe Space to FailHigh-Octane BrandingAI as a Production ToolDon't forget to subscribe, rate, and share with a fellow Brand Nerd!Instagram | LinkedIn

professorjrod@gmail.comIn this episode of Technology Tap: CompTIA Study Guide, we dive into the fundamentals of Windows security, an essential topic for anyone preparing for IT certifications like the CompTIA A+ Core 2 exam. Understanding Windows security is critical for IT skills development and technology education, as it functions as an ongoing trust engine that verifies user identity and access permissions seamlessly.We explore the underlying architecture of Windows security, moving beyond rote memorization to help you reason through security protocols and apply them both on the job and during your tech exam prep. Whether you're studying in a group or solo, this guide will strengthen your comprehension of complex security concepts and better prepare you for your IT certification exams.We connect the CIA triad to the real Windows controls you touch every day, then break down identity and access management step by step: identification, authentication, authorization, and access control. From there, we get practical about access control lists, implicit deny, and least privilege, including why over-privileged accounts turn small mistakes into big incidents. We also clear up a common confusion that derails newer techs: hashing versus encryption, plus where symmetric encryption, asymmetric encryption, digital signatures, and TLS key exchange show up in real life.Then we move into the account and admin side of Windows: local accounts versus Microsoft accounts, the power of security groups, quick account management with Net User, and why User Account Control is both a security control and a behavior check. We close with an enterprise view of privileged access management, just-in-time admin access, Zero Trust, and modern multi-factor authentication like authenticator apps and one-time passwords. This is Act One of a two-parter, so we also preview the next step where Windows turns into a full enterprise security platform. Subscribe, share this with a friend studying IT, and leave a review with your biggest Windows security question.Support the showArt By Sarah/DesmondMusic by Joakim KarudLittle chacha ProductionsJuan Rodriguez can be reached atTikTok @ProfessorJrodProfessorJRod@gmail.com@Prof_JRodInstagram ProfessorJRod

This week, we talk about finishing art for an issue however you can (4:25), the final stages fulfilling a Kickstarter (10:50), when flatting gets time-consuming (15:30), when the real world gives your writing a boost (22:00), doing your post-con inventory (31:00), finding a prospective cover artist for an upcoming comic (37:40), launching a Kickstarter (42:30), and re-evaluating the Act One elements in your story (46:50).

This Friends Like Us, host Marina Franklin talks with funny ladies Chanel Ali and Hollie Harper about decline in city rats, comedy, and confronting uncomfortable truths! They share stories and laughs while addressing issues like family history and societal norms. Listen now!  Hollie Harper is a South Jersey comedian/writer/actress. In 2021 she created and co-exec-produced Hella Late! with Hollie Harper on BRIC TV for which she was nominated for best actress at 2021's NYC Web Fest. She was a recent semi-finalist in the NBC Standup Competition, won Best Actress at 2024's Act One, One Act Festival and just earned a Best Actress nomination by Broadway World for her performance in Melanie Goodreaux's "The Popes Of Farragut Street". Her live, sold-out comedy show "F.D.K." with Emily Flake was recently chosen for the Knockouts Women's Comedy Festival, the New York Comedy Festival and the IO Comedy Festival in Chicago. Chanel Ali -You know Chanel Ali from Netflix's Dash and Lily or her time on MTV's Girl Code. Originally from Philly, her storyteller-like style and commanding stage presence allowed her to conquer the NYC comedy scene as a crowd favorite. She boasts two Comedy Central specials, an album, and the fact that she drinks way more than you. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf. Writer for HBO's 'Divorce' and the new Tracy Morgan show on Paramount Plus: 'Crutch  

Hosts Tasha Huo and Josh Hallman read real studio script coverage of their old specs, and it's... painful. Plus, they discuss some of this year's Oscar nominees, their predictions, their reactions, and why! TWIW: Josh has a breakthrough by writing an Act One with no plan / Tasha wrote a movie treatment in a single day and has never felt so alive / We watched & discussed ET for February's Patreon Zoom Q&A and learned so much! / Tasha re-read a script she just submitted to her agents and is now questioning everything   Questions / Comments: ActTwoWriters@gmail.com Edited by the GREAT Paul Lundquist

Five years ago, in the Prime Universe, the advent of quantum computing led to complete socioeconomic calamity. The Internet is now a thing of the past, and the online-addicted masses have taken it... poorly. Now, the future of humanity rests in the hands of one young programmer and an old gay couple who thought they'd left the world behind for good. It's a madcap adventure that writer Dalton Deschain describes as "Children of Men meets Smokin' Aces meets Rat Race!"This episode is sponsored by:Meet Your Double Feature, a movie podcast by two brothers - visit MeetYourDoubleFeature.com or search your podcatcherPublic Domain Cinematic Universe, a new creative podcast from AYADU fan Dick Genital - search your podcatcher and follow on Bluesky @pdcu.bsky.socialThe Vampire with No Name, an actual play podcast from Dubious Creatures - visit dubiouscreatures.com or search your podcatcherAnd as always you can join our Patreon at Patreon.com/DylanAndDaltonCHAPTERS00:00:00 - Cold Open00:05:20 - Discussion00:08:58 - Fan Expectations00:14:48 - Director Choice00:18:24 - Ad Read: Meet Your Double Feature00:19:34 - Act One00:32:42 - Discussion00:42:55 - Ad Read: Public Domain Cinematic Universe00:44:50 - Act Two Part One01:04:30 - Discussion01:05:00 - Act Two Part One Continued01:07:00 - Discussion01:11:42 - Act Two Part One Continued01:24:26 - Ad Read: The Vampire With No Name01:25:30 - Discussion

Source: Jenny Cohn's Twitter Post: Become a supporter of this podcast: https://www.spreaker.com/podcast/shining-a-light-podcast--4733928/support.

Here is a clean, human, podcast-ready episode description written in your voice, shaped for listeners, and structured like a true narrative introduction—not a transcript.Concepts & Conversations with Coach BryanEpisode 275In this episode of Concepts & Conversations, Coach Bryan begins a deeply personal, reflective series titled “When It All Began.” This is Act One—the origin story.After a full and demanding weekend filled with ministry, music, travel, and reflection, Coach Bryan takes listeners back to a defining moment in his life: the weekend of August 15th–17th, 1997. A time before clarity, before wisdom, before experience—when emotion, curiosity, and innocence collided for the first time.This episode revisits the atmosphere of youth conferences, long church weekends, family trips, and the quiet moments in between—where feelings formed before language existed to explain them. Coach Bryan shares the story of encountering someone who would unknowingly become the catalyst for his earliest understanding of attraction, longing, and vulnerability—the one he refers to simply as “the Tabernacle girl.”Listeners are invited into the internal world of a fourteen-year-old navigating emotions he didn't yet have the tools to process. From road trips filled with gospel music to late-night writing sessions, this episode centers on the creation of a first love letter—not just as an act of expression, but as a moment of courage. A decision to stop holding feelings privately and finally put them into words, even without knowing the outcome.This is not a story about romance fulfilled.It is a story about initiation—the moment where awareness begins, where risk first shows up, and where the seeds of future lessons are planted.Act One closes with the completion of that letter and the realization that sometimes, the bravest thing you can do is speak—then let go of control over what happens next.This episode sets the foundation for what's to come in Act Two, where consequences, growth, and perspective begin to unfold.As always, Concepts & Conversations isn't about nostalgia for nostalgia's sake. It's about reflection that leads to understanding—helping listeners see how early moments shape later decisions, and how believing in yourself often starts long before you know who you're becoming.

Link to my book on Amazon: https://a.co/d/0hrt1b3sMy other Podcast, where I talk about the more dark and edgy side of politics: www.BCPextras.com or www.TheRealBCP.com

thecreativemastermind.com/ danielcubillo.tv@gmail.com ABOUT DANIEL Creating innovative, engaging audiovisual content for people, organizations, and causes telling stories that matter. I'm a showrunner, writer, and creative executive with over 30 years of experience, also working on independent creative projects and offering consulting services to the next generation of content creators. MEET DANIEL I have dedicated my life to content creation of all sorts. You name it: music video clips, wedding videos, live Real Madrid soccer games, awards galas, Real Housewives' episodes, interactive gameshows, influencer YouTube videos, historical TV movies, and beyond. I've spent decades identifying, developing, adapting, and producing audiovisual content, both for major players in the industry and for my own boutique production company. I've been lucky enough to learn from television legends, coworkers, mentors, bosses, peers, and teachers. Thanks to their generosity, wisdom, and expertise, I've accomplished incredible things, like creating and running a multimillion-euro primetime scripted drama and adapting and running from Los Angeles what became the most viewed show in Facebook Watch history at the time. Now, I'm excited to pass on that expertise to the next generation of content creators. I offer full-service consulting, mentorship, and production services to content creators, gamers, influencers, and other public figures who need hands-on support and guidance to get their unique story out there. I'm also constantly creating work of my own. I'm currently looking for the right partners to package my original content. Explore my project catalog here – for more information, contact me! MY CAREER: A LOVE STORY As a storyteller first and foremost, I think of my career as a full-blown epic saga, a four-act drama, a love story with all the highs and lows that come with it. Act One had me swooning hard. There's nothing quite like young love, and I first fell in love with content creation in my early teens, when my father taught me how to shoot and edit video during summer vacation. When that love was combined with my love of skiing and traveling, the chemistry was electric. It yielded a pilot for a travel show that didn't just fly, it soared, landing five seasons on Nat Geo and Grupo Planeta. I went from a solo act cutting clips in my living room to a full-blown production force. Act Two, I committed. Jumping from cable's charm to broadcast glitz, I found myself in the big leagues, with millions of eyes on the prize each night. Top Chef, Fear Factor, The Voice, Big Brother… I was showrunning with the best and learning about the game's cutthroat complexity. This was when I committed my life and soul to the art of storytelling. Act Three started out as my honeymoon phase. I ran the show… then ran the showrunners. From inception to air, I juggled development departments and the high-stakes sales market. The exec life chose me, and I embraced it. But as much as I learned, as much as I soared, I also felt distanced from my true love. I saw firsthand how the essence of storytelling often gets sidelined by the top brass. And that sting? It felt a lot like heartbreak. Act Four is where I find myself now: the rekindling. I'm back to my roots, to the content that beats true to my heart, not just what the market dictates. And every new voice I mentor reignites my passion and makes me feel committed and passioned again. Jointly, we're rewriting the script, elevating narratives, and crafting content that doesn't just fit the bill, it sets the bar. MY BOOK A strategic field guide for creators, storytellers, and entertainment professionals navigating the new content-driven world. BUY NOW *Avaliable in Hardcover, Paperback, eBook & AudioBook.

Caravaggio, the brilliant outlaw painter whose genius made him famous and whose violence made him a fugitive.Rome, 1610. The city is loud, corrupt, holy, and dangerous. Caravaggio thrives in it.Act One drops you straight into the night everything breaks. Inside a dark Roman chapel, Caravaggio confronts his greatest rival and exposes a truth the Church is not ready to control. God does not live in perfection. God lives in flesh, shadow, and brutal light.Outside the church, Rome answers back. Wine turns into provocation. Desire turns into rivalry. Old grudges sharpen. A debt comes due. What begins as swagger spirals into violence, and by dawn Caravaggio's life in Rome is over.Wanted. Hunted. Unforgivable.A carriage slips through the gates. A boat cuts across black water. Behind him, the city that crowned him now wants him dead. Ahead lies Malta, a fortified island ruled by warrior monks, where faith is enforced with steel and survival demands obedience.Act One is ignition. Art as rebellion. Faith as power. Genius as liability.This is where the fuse gets lit.CastDennis Kleinman · NarratorCraig Parker · CaravaggioDan Lauria · Cardinal Del MonteBruce Davison · Alof de WignacourtShaan Sharma · Stefano della CroceCatherine Lidstone · LenaSarah Elmaleh · MariaBrendan Bradley · Annibale CarracciNoah James · Ranuccio TomassoniJosh Sterling · Ottavio TomassoniZeke Alton · Giovan TomassoniNick Monteleone · ManciniMatt Curtin · ToppaBjorn Johnson · Pope Paul VRay Abruzzo · Pope Clement VIIIWritten by Richard VetereExecutive Produced byJack Levy, Shaan Sharma, and Mark KnellTable Read is a Manifest Media production.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Stay at home dad Grant Goodkin lives a quiet life tending to his loving family. But when he sleeps, he dreams of violence and decay, and every morning he wakes up a little more dangerous. What's happening to him, and can his blissful family life survive it? Listen to writer Dylan Roth present his feature-length script to storytelling partner Dalton Deschain, as they perform and critique this latest installment in their ongoing universe of imaginary sci-fi movies.SPONSORS:The Second Disc, your guide to the best in physical music releases. Visit www.theseconddisc.comMALINKO, a novel by Rick Paulas, which you can get only by sending $25 to @Rick-Paulas on Venmo.As always, you can join our community and enjoy extra fun perks at Patreon.com/DylanAndDaltonCHAPTERS00:00:00 - Cold Open00:08:47 - Discussion00:21:09 - Fan Predictions00:30:12 - Director Choice00:33:31 - Act One01:02:42 - Discussion01:13:16 - Ad Read: The Second Disc01:16:11 - Act Two Content Warning01:17:06 - Act Two01:27:14 - Go here to skip That Scene01:38:33 - Ad Read: Malinko01:40:24 - Discussion

IntroductionThe Book of Esther presents characters driven by passion rather than clear devotion to God, much like Samson. The narrative tension goes deeper than simply replacing Queen Vashti. The real challenge is whether God can fulfill his redemptive promise. God promised in Genesis 15, "I am your shield and defender." Abram is to have his confidence in God alone. Now the book of Esther recalls for us that God's people face potential annihilation in a foreign land where He seems silent. The central question emerges: Has God forsaken His redemptive promise? Can the Lord truly defend His people when everything appears lost and in turmoil?Potential Promotion (Esther 2:19-23)The Persian king parades young maidens through the city as a brutal reminder of his absolute power. He owns everything, and no one owns anything, not even their own children. Esther maintains her secret Jewish identity, remaining silent and compliant by Mordecai's request. When Mordecai discovers and reports a plot to assassinate the king he reports it through Esther. He expects a handsome reward, as was customary in Persian culture. Instead, he receives nothing. The conspirators face brutal execution, demonstrating the king's harsh rule. This happens while Mordecai is left unrewarded despite saving the king's life. Act One concludes with a sobering reality: the empire is in the king's control. The question still lingers, “Who is the King of kings and Lord of lords?” Is it God who claims to be a shield and defender, or is it Xerxes?An Old Grudge Manifests (Esther 3:1-6)A new character enters the scene: Haman the Agagite, descendant of Agag, the Amalekite king whom Saul failed to destroy in 1 Samuel 15. This represents an ancient enmity stretching back to Exodus 17, where God decreed that the Amalekites would be put down as the serpent seed. Haman's very existence challenges God's credibility and promises because it testifies that this line is thriving. When Haman is promoted, it is the king's order that all must bow to him. Mordecai refuses, and he eventually reveals his Jewish identity. He does not identify as Saul's descendant, but a Jew. Now we are seeing that this man is not Marduk's follower, but he is bearing the fruit of following our Lord. Hamaan is upset by Mordecai failing to bow to him. Rather than simply killing Mordecai, which would appear petty, Haman devises a more sinister plan: genocide against all the Jews. This sets up the book's central tension. This is the real tension. Can God really trample the serpent seed? It appears to the human eye that God has failed. History's Tragic Reversal (Esther 3:7-15)Haman casts lots (pur) to determine the timing of his genocide. This sets up a tension in the narrative. Now, there is a deadline. Hamaan will destroy the Jews in 11 months. This means that God has less than a year to act on His promises. The tension increases. Hamaan is a master manipulator. He starts with the truth that there are people who are scattered. He then waters down the truth to a half-truth that they have their own laws. Then he drops the ultimate lie by telling the king they will not comply. Xerxes does not like self-willed people. Mordacai knows that this king likes wealth. We have seen the king parade. He even offers to compensate the kingdom for lost tax revenue. He offers about 60% of the kingdom's revenue with 10,000 talents of silver. The king gives Haman his signet ring, granting him complete authority to issue royal decrees. The decree goes out: all Jews will be destroyed, with plunder offered as motivation for neighbors to betray neighbors. While the city itself is confused by this decision, the decree stands as imperial law. The central question crystallizes: Can God protect His people? Will man's decree override God's decree? The serpent appears to have triumphed.CONCLUSIONDespite the dire circumstances, the conclusion offers profound hope. God remains a "shield and defender" even when silent. Mordecai's identification as a Jew. He is not merely as a descendant of Saul. This suggests that God is still at work in the midst of his people. The Lord has 11 months to act, and His promises do not fall flat.The book of Esther encourages us with a powerful truth: if God can work through His "B team,' We think of imperfect people like Esther and Mordecai, and still be triumphant, how much more will God work in the midst of us as we cling to Him? We don't need SEAL Team Six; God accomplishes His purposes through unlikely means. The great irony: Haman will not carry out his genocide, but the Lord will carry out what He said He would do, triumphing over the serpent's seed despite all opposition. Just as Christ's greatest victory came through the apparent defeat of the cross, ending in resurrection and ascension, God's eternal decrees will never be annulled. Let us find our identity in Christ and trust that the Lord is at work even when He seems silent.

Gamer and YouTuber extraordinaire TULOK THE BARBRARIAN has come to drag Dylan & Dalton back to the DARK UNIVERSE in this massive guest episode! For the first time, a guest has brought in a full-length script to read, and it's a gnarly reinterpretation of the classic folk tale The Pied Piper. We've gone all out for this one!Who is this menacing musician, and how does his story connect to our thirty-part cinematic universe of monster movies? (Don't worry, no previous Dark Universe experience is required.)SPONSORSDon't miss our charity livestream on Friday, January 23rd at 8pm ET, over on the Tulok the Barbrarian YouTube channel! We'll be running a one-shot game set in the same Dark Universe as this episode, guest starring fan-favorite guests Stella Sacco and Kendra Wells.You can back the new sourcebook Formula Infiniti at TTRPG.link/speedofsadAnd you can find Coffee Nick's Movie Picks wherever you listen to podcasts.CHAPTERS00:00:00 - Intro00:03:40 - Our guest, Tulok!00:06:38 - Why the Pied Piper?00:13:05 - Tulok brought a gift00:14:00 - The Surprise00:20:31 - Announcing our upcoming charity stream00:26:52 - Trigger warnings00:27:35 - Act One00:45:01 - Discussion00:54:43 - Act Two01:06:16 - Discussion01:17:59 - Back to Act Two01:32:06 - Discussion01:39:02 - Act Three02:09:48 - Discussion02:29:24 - Coming attractions and patron acknowledgements

Fluent Fiction - Norwegian: Balancing Act: One Man's Journey from Stress to Connection Find the full episode transcript, vocabulary words, and more:fluentfiction.com/no/episode/2026-01-15-08-38-20-no Story Transcript:No: Lars satt ved skrivebordet sitt i en moderne kontorbygning i Oslo.En: Lars sat at his desk in a modern office building in Oslo.No: Utenfor vinduene dalte snøen sakte ned over byens gater, og inne summet maskinene som vanlig.En: Outside the windows, the snow slowly drifted down over the city's streets, and inside, the machines hummed as usual.No: Det var vinter, og alt virket litt roligere, bortsett fra på Lars sitt kontor hvor stresset var i ferd med å toppe seg.En: It was winter, and everything seemed a bit calmer, except for in Lars' office where the stress was about to peak.No: Lars var en mellomleder, kjent for å være pålitelig.En: Lars was a middle manager, known for being reliable.No: Men nå følte han seg stadig mer frakoblet fra familien.En: But now he felt increasingly disconnected from his family.No: Ingrid, hans kone, hadde ofte nevnt hvor lite tid han tilbrakte hjemme, mens deres datter, Mette, hadde et viktig fotballkamp rett rundt hjørnet.En: Ingrid, his wife, had often mentioned how little time he spent at home, while their daughter, Mette, had an important soccer game coming up soon.No: Lars ville så gjerne være der for å støtte henne, men han visste også at sjefen ventet en viktig prosjektlevering i dag.En: Lars really wanted to be there to support her, but he also knew that his boss expected an important project delivery today.No: Tanken på prosjektet presset seg på.En: The thought of the project pressed on him.No: Lars visste at han måtte levere noe før dagen var omme.En: Lars knew he had to deliver something before the day was over.No: Men så; et bilde fanget blikket hans.En: But then, a picture caught his eye.No: Der sto Mette, med et stort vinnende smil etter en tidligere kamp.En: There was Mette, with a big winning smile from a previous game.No: Han merket en varm følelse av stolthet bre seg.En: He felt a warm feeling of pride spread through him.No: Klokken tikket mot innleveringsfristen, og stresset toppet seg da han tastet bort siste setninger på prosjektet.En: The clock ticked toward the submission deadline, and the stress peaked as he typed away the final sentences of the project.No: Likevel, tanken på å skuffe Mette ved ikke å møte opp på kampen, gnagde i bakhodet.En: Yet, the thought of disappointing Mette by not showing up at the game gnawed at the back of his mind.No: Valget måtte tas.En: A choice had to be made.No: Lars pustet dypt, skrev en kort e-post til sjefen med det han hadde fått gjort, og bestemte seg for å dra.En: Lars took a deep breath, wrote a short email to his boss with what he had accomplished, and decided to go.No: Prosjektet var ikke helt ferdigstilt, men han visste at ordene til Ingrid og smilet til Mette betydde mer nå.En: The project was not entirely complete, but he knew that Ingrid's words and Mette's smile meant more now.No: Han ankom fotballbanen akkurat i tide.En: He arrived at the soccer field just in time.No: Snøen knirket under støvlene mens han skyndte seg mot tribunen.En: The snow crunched under his boots as he hurried towards the stands.No: Mette så ham ikke med én gang, men Lars så hvordan selvtilliten strålte ut av henne da hun scoret et mål i siste minutt.En: Mette didn't see him right away, but Lars saw how her confidence radiated as she scored a goal in the last minute.No: Etter kampen møttes de med en sterk omfavnelse.En: After the game, they met with a strong embrace.No: Mette smilte stort og klemte ham hardt.En: Mette smiled broadly and hugged him tightly.No: Flere timer senere fikk Lars en telefon fra sjefen.En: Several hours later, Lars received a phone call from his boss.No: "Godt gjort," sa han.En: "Well done," he said.No: Lars ble overrasket, men lettet.En: Lars was surprised but relieved.No: Sjefen hadde notert seg den delvise rapporten og oppfattet Lars' prioriteringer som et godt eksempel på balansen mellom jobb og familie.En: The boss had noted the partial report and perceived Lars' priorities as a good example of balancing work and family.No: Denne opplevelsen endret noe hos Lars.En: This experience changed something in Lars.No: Han skjønte at å være mer til stede for familien ikke bare gjorde ham lykkeligere, men også bedre i stand til å prestere på jobben.En: He realized that being more present for his family not only made him happier but also better able to perform at work.No: Fra denne vinterdagen av fi kk arbeid og familie en mer balansert plass i hans liv.En: From this winter day forward, work and family found a more balanced place in his life. Vocabulary Words:drifted: dalthovered: summetsubmission: innleveringsfristendisconnected: frakobletgnawed: gnagdeblissfully: lykkeligpressured: pressetspread: breaccomplished: oppnåddthrive: trivesembrace: omfavnelseconvey: formidledetermined: bestemtperceive: oppfattepriorities: prioriteringerbalance: balansehummed: summetradiated: stråltestretched: strekksatisfied: tilfredsstiltrelieved: lettetconfidence: selvtillitsubmission: innsendingcompletion: ferdigstillelseassociate: tilknyttecommitment: forpliktelsestruggled: kjemperremarkable: bemerkelsesverdigpresent: til stedeconsumed: oppslukt

Rooms of Experience, Act 1By Steffany SommersStarring Patty McCormack as Ada Wellsand Dan Lauria as DA Harvey DavisThe call comes in at night.An elderly woman.A dead son.A tank of helium left in plain sight.Ada Wells doesn't deny it.She wanted his last day to be peaceful.Enter Dana Jeffries, razor-sharp, undefeated, and hungry to prove herself.Her boss, Harvey Davis, assigns the case for one reason: optics.Defense attorney Alexis Martinez pushes back hard.Detective Curtis starts questioning his own conclusions.Gina Gordon protects Ada like family.Carter becomes another pressure point inside the machine.Rebecca is caught in the ripple effect.Then Alexis shows Dana the home movies.The real story.The years no one saw.The cost no one counted.By the end of Act One, Dana walks out of Ada's house shaken.No longer sure the law and justice are the same thing.Starring Academy Award nominee Patty McCormack (The Bad Seed) as Ada Wellswith Dan Lauria (The Wonder Years) as DA Harvey DavisCraig Parker (The Lord of the Rings) as Detective CurtisNicholas Gonzalez (The Good Doctor) as CarterNora Zehetner (Heroes, Everwood) as RebeccaAlyshia Ochse as Dana JeffriesCandice Coke as Alexis MartinezEileen Grubba as Gina GordonAlain Uy as Ethanand narrated by Sarah ElmalehTable Read is executive produced by Jack Levy, Mark Knell, and Sean Sharma. A Manifest Media production.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, we kick off 2026 by talking about Ambrosia Sky, a short, atmospheric sci-fi game that quietly wrecked us more than we expected. What starts as a PowerWash-adjacent cleanup sim turns into a meditation on grief, abandonment, and the emotional cost of leaving home. We talk about why smaller, constrained games are thriving right now, how Ambrosia Sky uses limitation as a strength, and why finishing Act One left us with far more questions than answers — in the best possible way.  Episode Notes We open the first episode of 2026 in full post-holiday time confusion: strange schedules, too much work, and no reliable sense of what day it is.Eden talks about covering extra shifts at the comic shop, double-dipping PTO, and the unfortunate result of biking home in brutal weather and bruising their ribs.A digression on sleep rituals follows, including Peter's famously corpse-like sleeping position and Eden's highly specific side-switching requirements.With it being January 1st, we reflect on 2025 as a pop-culture year — broadly rough, but not without meaningful discoveries.We note a shared shift toward shorter, more focused media, especially in games.

Send us a textAct One Podcast - Episode 50 - Special Episode featuring a panel discussion on the topic of "How to Give Notes to Screenwriters" with producer/creative executive Owen Shiflett, screenwriter Clare Sera, and screenwriter/producer Quinton Peeples.Great storytelling thrives on great feedback. This class explores how to give notes that inspire, not deflate—how to challenge writers without crushing their voice. We'll break down what makes notes useful, how to communicate them effectively, and how to turn criticism into creativity. This panel discussion was recorded on Tuesday, October 28th, 2025, as part of our Act One Producing and Entertainment Executive Program.About our panelists:OWEN SHIFLETT has been the SVP of Production and Development at both Blue Monday Productions and Content Superba. Prior to that, Owen held positions as VP of Development at Shudder and Sundance Now, where he oversaw the creation of original content for both platforms. Owen also served as the Head of Television at Parkes MacDonald and Director of Development at AMC Networks.CLARE SERA has written in the family film genre for nearly every studio in Hollywood, including writing BLENDED, the Sandler/Barrymore family rom-com and SMALLFOOT, the animated family film. She has contributed to dozens of films, both animated and live action in this genre. She has written a screen adaptation of The Shadowmaker (by author Ron Hansen) for Goodman Pictures and is developing a feature take on the Nativity story for Southland Studios.QUINTON PEEPLES has written multiple features for all the major networks and studios including Fox, NBC, ABC, Disney, Lionsgate and many others. He found his way to directing in 1995 when he shot his original screenplay “JOYRIDE” starring Tobey Maguire and Benicio DelToro. Quinton has worked on multiple shows as varied as “FLASHFORWARD,” “UNFORGETTABLE,” “THE LAST SHIP,” “11/22/63,” and Marvel's “RUNAWAYS.” Most recently he ran the limited series “ECHOES” for Netflix. The Act One Podcast provides insight and inspiration on the business and craft of Hollywood from a Christian perspective.Support the show

Send us a textAct One Podcast - Episode 49 - Special Episode featuring a case study from the 2025 Producing and Entertainment Executive Program on the new Lionsgate/MGM+ show, ROBIN HOOD, now streaming.During the Act One Producing and Entertainment Executive Program, we occasionally offer case studies of projects for the students to watch and discuss with the filmmakers. Recorded on Saturday, November 8th, 2025, this interview with Showrunner John Glenn offers a fascinating look "behind the curtain” of the making of the new Lionsgate/MGM+ series, ROBIN HOOD.John Glenn is an American screenwriter, producer, director, and showrunner with over 25 years of experience creating film and television at the highest level. He launched his career in 1999 when he sold his speculative screenplay Red World to Jerry Bruckheimer and Walt Disney Pictures. Since then, Glenn has written, sold, and produced original films and series for every major studio and network in Hollywood - including Warner Bros., Paramount, Universal, Fox, Sony, DreamWorks, and Disney, as well as ABC, NBC, CBS, and FOX on the television side. His work also extends to MGM+, Lionsgate, and many more. His series Robin Hood for Lionsgate and MGM+, starring Sean Bean and Connie Nielson, premiered Nov. 2 and is currently streaming.Throughout his career, Glenn has developed and sold dozens of high-concept projects, working closely with A-list directors, producers, and actors across both film and television. Known for his ability to craft character-driven stories within commercial genres, Glenn continues to serve as a trusted creative force in the industry, bridging the worlds of studio filmmaking and premium television. The Act One Podcast provides insight and inspiration on the business and craft of Hollywood from a Christian perspective.Support the show

CONTENT WARNING: The cold open of this episode includes a description of a suicide attempt. It's brief and you'll see it coming.Dylan & Dalton present maybe the most ridiculous episode they've ever conceived! And for now, that's all the detail you get.This episode is sponsored by...TOWNIE(S), an RPG by Jellyfishlines - https://jellyfishlines.carrd.co/VI Degrees of Star Wars, a podcast by Sam Marchiony - https://6dosw.buzzsprout.com/White City, an RPG by Spooky Aurora - https://retrofit-games-company.itch.io/spooky-auroras-white-cityAnd as always by our generous Patrons, who you can join for $5/mo at patreon.com/DylanAndDaltonCHAPTERS00:00:00 - Intro to the Intro00:01:07 - Cold Open00:09:06 - Discussion00:22:51 - Townies Ad Read00:24:18 - Act One00:36:26 - Objection!00:43:51 - Act One Resumed00:50:58 - Discussion00:52:24 - Act One Resumed00:57:03 - Discussion01:06:24 - Six Degrees of Star Wars Ad Read01:07:24 - Act Two Part One01:20:42 - Spooky Aurora - White City Ad Read01:21:52 - Cross-Examination

Send us a textAct One Podcast - Episode 47 - Interview with Director and Screenwriter, Spencer Folmar.Spencer Folmar is the co-writer and co-director of the new film, SAINT NICK OF BETHLEHEM, starring Daniel Roebuck. Based on a true story about Allen Smith's life, this inspiring story follows a man who, after the heartbreaking loss of his son, transforms his grief into a beacon of hope for others by embodying the spirit of Santa Claus. The film is currently streaming on Amazon Prime Video and Angel Studios.Spencer Folmar is a passionate filmmaker, producer, and storyteller known for creating bold, authentic films that inspire and challenge audiences. As the founder of Hard Faith Films, Spencer has committed his career to crafting stories that delve into real-world struggles while offering hope and redemption. His work stands out in the faith-based film space for its raw honesty, tackling themes often avoided in traditional Christian cinema.Spencer's filmography includes Generational Sins in 2017, a powerful drama exploring forgiveness and generational brokenness, and Shooting Heroin in 2020, a film about a small town taking justice into their own hands to stop the spread of drugs by whatever means possible. Beyond directing and producing, Spencer champions independent filmmakers through the Hard Faith Film Festival, providing a platform for fresh, faith-centered voices.Spencer's motto, “Telling Stories That Liberate,” reflects his dedication to creating cinema that resonates deeply with viewers, sparking conversations that lead to spiritual and personal growth. His unique approach has garnered recognition as a filmmaker unafraid to explore the messiness of life while pointing to the hope found in redemption.The Act One Podcast provides insight and inspiration on the business and craft of Hollywood from a Christian perspective.Support the show

Send us a textAct One Podcast - Episode 48 - Interview with Directors Phil Cunningham and Brent Dawes of the new film, DAVID.From the songs of his mother's heart to the whispers of a faithful God, David's story begins in quiet devotion. When the giant Goliath rises to terrorize a nation, a young shepherd armed with only a sling, a few stones, and unshakable faith steps forward. Pursued by power and driven by purpose, his journey tests the limits of loyalty, love, and courage—culminating in a battle not just for a crown, but for the soul of a kingdom. Released by Angel Studios, DAVID is in theaters everywhere beginning December 19th, 2025.Phil Cunningham's passion for storytelling was ignited and fueled as a young boy growing up in the wild frontier of Zimbabwe, where day-to-day life was often interspersed with larger-than-life characters and fantastic stories. Phil was struck by the incredible power of stories to impact society and in particular the power of animation to cross race, culture, age and gender barriers better than any other medium. Over the last 25 years, Phil together with Jacqui, has built Sunrise Animation Studios in Cape Town, South Africa. The studio's mission statement is “Inspire Through Story".Brent Dawes has spent over two decades as the Creative Lead at Sunrise Animation Studios, where (among many other projects) he created the Jungle Beat series and directed Jungle Beat: The Movie, which Netflix acquired in 2021, where it ranked in the Top 10 movies across all genres in its first 3 weeks. Dawes is the writer and co director of the Young David Shorts and the David animated feature film.Sunrise Animation Studios is a full-service animation studio based in Cape Town, South Africa. Founded by Phil and Jacqui Cunningham, Sunrise has a passion for quality storytelling, and a belief that film and TV are the most powerful mediums for story in the modern era. The company's mission is to inspire, entertain and enchant audiences worldwide, providing the finest in family entertainment. Sunrise is the production partner for Jungle Beat, a series of high-quality animated short episodes that have become immensely popular worldwide, having been broadcast in over 180 countries and across a range of media platforms including TV, cinema and in-flight entertainment. The brand's YouTube channel has over 11 Million subscribers and 5 Billion views. Sunrise were also the production provider for the hit animated feature Jungle Beat: The Movie, and the Jungle Beat 2 The Past sequel, released in 2024. Sunrise is also a world leader in sports mascot creation and branding, and partners here include The Welsh Rugby Union, Juventus Football Club, The English Rugby Football Union, and current world champions, South African Rugby. "Story" and "people" remain at the heart of everything the studio does.The Act One Podcast provides insight and inspiration on the business and craft of Hollywood from a Christian perspective.Support the show

What happens when you wish you were someone else… and the universe says bet?Natalie Primavera has a million followers, perfect technique, and the lead role in every show. Ava Ross has a cracked phone, a boyfriend who sings like naked Miley Cyrus, and a work-study job sweeping up after other dancers.One ancient snow globe. Two desperate wishes. And suddenly they wake up in each other's bodies.There's just one problem: Natalie's body is now in a hospital bed with a shattered hip. And Ava's body? It's about to dance the Sugar Plum Fairy… with ankles like wet spaghetti.What follows is the funniest, most chaotic Nutcracker rehearsal season in history... zombie cats, possessed dolls, a Romanian ballet master who might actually be a warlock, his terrifying nine-year-old son, and a love triangle nobody ordered.But underneath the chaos is something real: two girls discovering that the lives they envied aren't what they seemed.It's Freaky Friday meets Center Stage, and it hits.THE UNDERSTUDY: ACT ONEWritten by award-winning writer Jenna St. John.Starring: Kensington Tallman as Natalie Primavera Logan Laurel as Ava Ross Konstantin Lavysh as Mr. Constantine Carson Bolde as Grayson Garcia Sasha Knight as Trevor Rita Dos Santos as Kenzie Samantha A. Smith as Jasmine Kearn Eva Binder as Zoe Dennings Adele Abinante as Bean Ross Avery Clyde as Mrs. Primavera Katherine Brunk as Ms. Ross Brandon Potter as Mr. Primavera Sarah Elmaleh as Miss Lana Miki Yamashita as Miss Miyako Paula Tiso as NarratorOnly on Table Read.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Well, we kicked off our Advent Against Empire series with Diana Butler Bass diving deep into Matthew's birth narrative, and wow—it did not disappoint. Diana brought her three signature lenses (anti-imperialism, non-violence, and eco-wholeness) to the most Jewish of all the gospels, and things got delightfully nerdy. We explored how Matthew's genealogy isn't just a boring list of "begats"—it's a subversive royal document packed with scandalous women and outsiders that announces Jesus as the true king in direct confrontation with Rome and Herod. Diana walked us through a brilliant two-act structure: Act One is all about the birth of Wisdom and Joseph (a dreamer who winds up in Egypt—sound familiar?) receiving divine announcements. Act Two gives us the Apocalyptic clash between the World as it is and the World to come, with the Magi's cosmic rebellion against Herod, the horrific violence that follows when the empire doesn't get its way, and the holy family's return. We also geeked out on Jesus as the embodiment of Sophia—Wisdom incarnate—and how Matthew's five-discourse structure mirrors the Torah itself. If you've always thought of Matthew as the "Christmas pageant gospel," prepare to have your assumptions lovingly dismantled. Want to go deeper? Join Diana and me for our full four-week Advent journey, The Beginning of Another World: Advent Against Empire. Each week we're letting a different gospel speak its revolutionary word—no harmonizing, no smoothing over the rough edges. The class is fully asynchronous so that you can participate on your own schedule or join us live for our recordings. Sign up HERE and contribute whatever you can (including 0). Come get nerdy with us! You can WATCH the conversation on YouTube here Diana Butler Bass, Ph.D., is an award-winning author, popular speaker, inspiring preacher, and one of America's most trusted commentators on religion and contemporary spirituality. Previous Episodes with Diana & Tripp How the Lectionary Kept Me Christian: Diana Butler Bass on Practicing the Year Two Books, One Night: Finding Beauty in What We Can't Control Religious Liberty & Violence – Unpacking the First 100 Days of Trump 2.0 The Interlocking Crises of Religion & Democracy Faith in a Toxic Public Square The Resurrection of Jesus 2024: The Sequel The Christology Ladder ONLINE ADVENT CLASS w/ Diana Butler Bass⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join us for a transformative four-week Advent journey exploring how the four gospels speak their own revolutionary word against empire—both in their ancient context under Roman occupation and for our contemporary world shaped by capitalism, militarism, and nationalism.  This course invites you into an alternative calendar and rhythm. We'll discover how these ancient texts of resistance offer wisdom for our own moment of political turmoil, economic inequality, and ecological crisis. This class is donation-based, including 0. You can sign-up at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.HomebrewedClasses.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ This podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Homebrewed Christianity ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠production. Follow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠the Homebrewed Christianity⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theology Nerd Throwdown⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Rise of Bonhoeffer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ podcasts for more theological goodness for your earbuds. Join over 75,000 other people by joining our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack - Process This!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get instant access to over 50 classes at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.TheologyClass.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow the podcast, drop a review⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, send ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠feedback/questions⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or become a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠member of the HBC Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bob is joined once again by resident musical theatre brain Brittney Brown to bring their Wicked movie series in for a landing with Wicked: Part Two. Fresh out of the theater (and a little shot out of a cannon), they unpack whether Act Two really is weaker than Act One, how the film handles “For Good,” and if splitting the story into two movies was bold storytelling…or a glittery cash grab. They dive into: Why “Defying Gravity” might still break the show's structural rules—and why that's okay The emotional (and structural) heavy lifting of Act Two, including “No Good Deed” and “As Long As You're Mine” Ariana Grande and Cynthia Erivo's performances, chemistry, and Oscar potential The animals, Bach's transformation, and what the film fixes (or fumbles) from the stage show Rewatchability, double-feature vibes, and what this adaptation means for future movie musicals Stick around to the end as Bob and Brittney talk about that final Grimmerie moment, the future of the “Wicked-verse,” and why big, earnest movie musicals like this still feel a little bit like magic.

It's Homecoming week in Pondhill, 1994. Fourteen-year-old P is barely holding it together, shaving a single whisker in the bathroom mirror, writing a note he almost can't take back, and dialing his best friend Kev before a Zippo flame turns fear into momentum.At school, P's movie-trivia fluency sabotages Kev in a "battle of the sexes" quiz, earning heat from Kev and former best friend Bex. After class, the band - P, Kev, and Dizzy - argues Pantera vs. Korn, then mainlines '90s VHS nostalgia with Ace Ventura and The Crow.Then the impossible slides by in stainless steel: a DeLorean. Its driver, "Miss World," knows her metal, quotes regrets, and won't take three teens on a joyride yet. She'll be back tomorrow at 11 A.M.Under Friday-night lights, P pulls down a highlight-reel TD in a scrappy eighth-grade pickup game while Dizzy's hustling block saves the play. Back in the stands, P's parents pitch football and fitting in. P keeps tugging his shirt straight and his purple beanie low, but the question won't leave him alone: who is he allowed to be, especially if the words for it don't exist here?SMALL BLOCK is a feature screenplay by Ashley Lauren, performed live and mixed like a feature film for your ears. From the award-winning team at TABLE READ / Manifest Media Productions.Content Advisory: This episode contains suicidal ideation, transphobic and homophobic language, and minor fatphobic language, used intentionally to serve the story and its period portrayal.New episodes drop Tuesdays. Subscribe now.Cast (Full Feature):P - Levi Dafferner Kev - Kosi Eguchi Bex - Piper Kingston Dizzy - Deryck Hak Miss World - Lydia Tinsley Dad - Adam Pilver Mrs. D - Gemma Kyle Mom - Leah Zhang Britt - Eric Miller Tiff / Martha - Avery Norris Mr. Welch / Kev's Dad - Eddie Aguirre Dan / Zach - Aidan Dick Jack - Kellen Rose James - Michael Amir Nash Rob - Jack Murphy Janet / Video Store Clerk - Sabrina Ariss Narrator - Paula TisoWritten by Ashley Lauren Produced by Jack Levy, Mark Knell, and Shaan Sharma for TABLE READ / Manifest MediaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In 1944, scientists in the employ of the United States Military were on the cusp of the most consequential discoveries in history. Fearing that the US might use their invention — an atomic fusion bomb — to hold the world hostage, a few of its creators attempted to leak its specifications to the Soviet Union. One tried to stop its construction altogether. This is his story — but in our Pod Universe, nothing is quite so simple as a spy drama, is it?It's Dalton's first solo pitch of the Pod Universe, and like Dylan's space opera, it's a big swing! Will this historical sci-fi thriller capture the interest of the Pod Universe faithful? Has Dalton stepped too far out of their monster movie wheelhouse?Only one way to find out.OUR SPONSORS:Ritual Deck RPG: plusoneexp.comThe FrankencastReturn to Blacktail Harbor: roguecentaur.itch.io/blacktailOUR PATREON: patreon.com/dylananddaltonOUT SHOP: shop.thepoduniverse.comCHAPTERS00:00:00 - Cold Open00:04:21 - Predictions and Expectations00:21:30 - Act One00:45:17 - Sponsor: Ritual Deck RPG00:46:05 - Discussion01:02:13 - Act Two (part one)01:26:29 - Sponsors: The Frankencast & Return to Blacktail Harbor01:29:04 - Discussion01:40:32 - Previews & Acknolwedgments

Send us a textAct One Podcast - Episode 46 - Interview with Producer, John Shepherd.John Shepherd is a 30-year veteran of indie & studio film. As a producer, John's known for such films as Emanuel (2019), The Stoning of Soraya M. (2008), Bobby Jones: Stroke of Genius (2004) and The Ultimate Gift (2006). His latest film is Sarah's Oil which is inspired by the remarkable true story of Sarah Rector, an African American girl born in Oklahoma Indian Territory in the early 1900s, who believes there is oil beneath the barren land she's allotted and whose faith is proven right. The film opens in theaters everywhere on November 7th.The Act One Podcast provides insight and inspiration on the business and craft of Hollywood from a Christian perspective.Support the show

Season 5 Ep 45: The Democrats Sweep in the Off Year Elections...We Are Going To Do It All Over Again Aren't We?   0:00 - Intro 1:56 - Act One:  We Are Going To Do It All Over Again Aren't We?  

Episode Description:In this heartfelt continuation of The Chronicles of the Mystery Girl, Coach Bryan takes listeners back to the late 1990s — a time of change, challenge, and youthful discovery. Picking up where Act One left off, he revisits the moment that first encounter with the mysterious young woman changed everything. But as the memories unfold, life continues to move — from his family's struggles and small victories to the soundtracks that defined a generation.Journey with Coach Bryan through the ups and downs of adolescence: from gospel CDs that brought comfort during tough times, to road trips with friends, and the excitement of summer youth camp. Along the way, a new spark ignites when a chance seatmate on the bus—Girl B—turns an ordinary trip into an unforgettable story of connection, innocence, and first love.But even as new emotions stir, the thought of the mystery girl refuses to fade. As Act Two closes, a question lingers: will she return once more, this time in Zanesville?

MEMBERS! JOIN US FOR THE BONUS SHOW IMMEDIATELY AFTER THIS MAIN SHOW: INSERT HERE:  https://youtube.com/live/FeLQmB0qkVoJOIN OUR COMMUNITY!  Exclusive Members-only content & perks! Only ~17 cents/day! $5/month! https://www.youtube.com/channel/UC-GqXHAdxVUVMw2F_7h_X3Q/join Another one BITES THE DUST! Former National Security Advisor John Bolton, who served in that role in the first term of the great and powerful President Donald J. Trump, has just been indicted on some 30 charges, mostly centered around his unlawful retention of classified information, and of leaking that classified information to unauthorized third-parties.Join me LIVE at 2:10 PM ET as I break down the indictment!In our BONUS show, we'll take a look at the decision out of the 7th Circuit Court of Appeals to DENY Trump his request to pause the order preventing him from deploying the National Guard in Chicago.  All this decision REALLY does is bring one day closer the moment when Trump simply invokes the Insurrection Act of 1807! We'll cover that BONUS show content for members only immediately after the open-access livestream above.I also invite each of YOU to join me in our desperate but worthy mission to save our great nation. The easiest way to do that? SUBSCRIBE! SUBSCRIBE! SUBSCRIBE! EVEN BETTER, BECOME A CHANNEL MEMBER! https://www.youtube.com/channel/UC-GqXHAdxVUVMw2F_7h_X3Q/join : -)Episode 1048

In the far reaches of space, two civilizations are locked in an endless conflict. The Eridai's reckless industry cost the Ley-to their homeworld. The Ley-to's quest for vengeance has consumed their entire culture, and there's no end in sight. But when a twist of fate brings their starships to a halt, two opposing crews will have to bring their long conflict to a conclusion — one way or another. It's Dylan's first solo pitch for The Pod Universe, and he's jumping directly into his favorite sci-fi subgenre: the Space Opera! It's Battlestar Galactica meets Pirates of the Caribbean, but is that going to mean anything to Dalton — who, improbably, has no interest in either? Tune in to find out! OUR SPONSORS The DC3cast, a weekly podcast about DC Comics that recently celebrated its 500th episode! dc3cast.com Dim Stars: A Novel of Outer-Space Shenanigans by Brian P. Rubin - dimstarsbook.com RPG Zine Club, a subscription service for artisan tabletop games - rpgzine.club/zineuniverse Check out our new MERCH STORE, shop.thepoduniverse.com And as always you can join our Patreon at Patreon.com/DylanAndDalton TIMESTAMPS 00:00:00 - Cold Open 00:09:59 - Discussion 00:15:24 - Fan Predictions 00:26:40 - Lore Recap 00:32:04 - Act One 01:01:11 - Discussion 01:12:47 - Act Two Part One 01:32:39 - Discussion