Podcasts about jazz mass

Sunday, May 26, 2024 Sermon Jazz Mass 10 a.m. The Rev. Matt Babcock

May 28, 2023 - Day of Pentecost (Jazz Mass)

     Well-known local musician Kevin Kirk joins Morning Light to share his new CD: "Jazz Mass - Sacred Music, A Jazz Prayer" available now at www.KevinKirk.com   He also talks about the upcoming Jazz Mass on Sunday, August 28th at St. Mary's parish in Boise.

The talents of Charlotte composers and musicians will be on display at Carnegie Hall in New York City. James Kevin Gray and Rick Bean have written a Jazz Mass that will be performed at Carnegie Hall in New York City by many musicians and singers from the Charlotte area including renowned vocalist Dawn Anthony. Gray, Bean, Anthony, and conductor Sonja Sepulveda talk about the origins of the Jazz Mass , what it means for the Charlotte music community to have this work performed in New York, and how this work brings people from different backgrounds together. Pictured: Carnegie Hall by Ajay Suresh from New York, NY, USA - Carnegie Hall, CC BY 2.0 .

The Reverend Winnie Varghese

In the third segment of our conversation with Patsy Moore, we take a slight left and then work our way back to dreams, hearing the story of how Patsy helped her friend Eduardo Del Barrio fulfill his dream of creating a jazz mass that played at Los Angeles' Disney Concert Hall

Ike Sturm is a bassist, composer and bandleader in New York City. He is the Music Director for the Jazz Ministry at Saint Peter's Church in Manhattan. He has performed with Alarm Will Sound, the International Contemporary Ensemble, Gene Bertoncini, Ingrid Jensen, Donny McCaslin, Bobby McFerrin, Ben Monder, Maria Schneider and Kenny Wheeler. His large-scale Jazz Mass album received a 4 1/2 star rating from DOWNBEAT magazine and was named among the “Best CDs of the Year.” Ike joins The Playful Musician to discuss his educational ensemble at Saint Peter's Church, Jazz 4 All. We talk about how jazz music is a good fit for churches and Ike shares what it was like growing up with a music icon as a father. We chat how he found his way to the bass, his mentors and musical influences, and how the outdoors influence his music. Ike shares how his playing and writing go hand in hand and how the pandemic has changed his writing process.

Noelette Leader-Hutton is a classically trained, gospel/jazz interpreter of song. She is the author of recently released devotional book titled, “No More Monday Morning Blues”. Her inspiration for writing the book was to assist in reversing the negative and hopeless feelings people feel when Monday's roll around. This is the first in a five-book series. The book is available on Amazon kindle and eBook: https://payhip.com/b/Bxdq She also has a weekly blog and music which you can experience on her website: www.noeletteleader.com Noelette has a passion for the Word of God and the music with which He has blessed her. It is her purpose as she ministers, to welcome the presence of the Holy Spirit and make real in the hearts of those who hear, the God of creation and the universe, and Jesus Christ the Savior. She has ministered throughout the US, Bermuda and Barbados since the age of 21. She has been privileged to share the stage with The Richard Smallwood Singers, Edwin Hawkins, Shelton Kilby, and the brilliant Jazz pianist & composer, Mary Lou Williams, singing the lead in her Jazz Mass, to name a few. #AllAboutTheExperiences #LivingWithoutLimits #Podcasts #NoeletteLeaderHutton #Author #NoMoreMondayMorningBlues #Singer #Speaker #Composer #SevenDaysToPraise --- Send in a voice message: https://anchor.fm/aate/message Support this podcast: https://anchor.fm/aate/support

Valstybiniam chorui „Vilnius“ – 50-imt! Spalio 15 d., Lietuvos nacionalinėje filharmonijoje, gimtadienį kolektyvas švęs kartu su būriu scenos bičiulių, o taip pat pristatys ir pasaulinę kompozitoriaus Lino Rimšos kūrinio „Jazz Mass“ premjerą. Apie choro „Vilnius“ praeitį, dabartį ir ateitį kalbėsimės su ilgamečiu jo vadovu Vladu Bagdonu.Ievos Buinevičiūtės pasakojimas apie vieną žymiausių XIX–XX a. sandūroje gyvenusių ir kūrusių prancūzų kompozitorių, kuris tapo pirmuoju filmo garsinio takelio (nebyliųjų filmų eroje atliekamo gyvai) kūrėju. Šį kartą klausysimės 2006-aisiais įrašyto muzikos įrašo, tačiau XX a. pradžioje – nebyliųjų filmų eroje – ši muzika buvo atliekama tik gyvai per kino filmo seansą.Šiandien netekome kompozitoriaus, pirmosios lietuviškos roko operos „Meilė ir mirtis Veronoje“ autoriaus Kęstučio Antanėlio. Išskirtinę asmenybę prisimena jo kolega, kompozitorius Laimis Vilkončius.Pirmosios valandos pabaigoje – skamba Žirmūnai. Restoranas, kuriame vyko ankstyvieji roko, tuo metu pas mus dažniausiai vadinto bigbitu, festivaliai. Gamykla, kūrusi tiek magnetofonus, tiek pasiklausymo įrangą ar lėktuvų juodąsias dėžes. Apie visą tai pasakoja „Gatvės gyvos“ gidas Albertas Kazlauskas.Rubrikoje „Be kaukių“ – poetas, eseistas, žurnalistas Rimvydas Stankevičius. Kaip ir kur gimsta jo kuriamos eilės? Pokalbis apie artėjančią žiemą, mėgstamiausią poeto metų laiką, muziką nuo „Pink Floyd“ iki Wolfgango Amadeuso Mozarto, tikėjimą ir pomirtinį gyvenimą. R. Stankevičius turi tikslą aplankyti visas Lietuvos bažnyčias ir tai daro jau eilę metų. Kiek iš jų jau spėjo aplankyti?Ved. Ignas Andriukevičius ir Rasa Murauskaitė

In this episode I've invited Tyler Bielatowicz and Marleigh Domeracki to join me in discussing our experience in performing The Abyssinian Jazz Mass by Wynton Marsalis.  Also joining us is our chorale director, Dr. Diana Saez, and two of our fellow choir members, Johnny Greenslit and Paul Balsley.  

In this episode Jamie Howison shares a conversation with Ike Sturm, bassist and composer, and the Music Director for the Jazz Ministry at St Peter's Church in Manhattan. Downbeat Magazine awarded Ike's Jazz Mass album four and a half stars, describing it as “an excellent work that melds jazz and the mass genre together extremely well,” and noting that it “exudes serenity, peacefulness and a still calmness.” To find out more about Ike Sturm and to listen to samples of his work with his duo project Endless Field, visit his website. You should also take a look at a lovely video of his setting of Psalm 23, which features at the end of this podcast. If you live in New York or happen to be planning a trip to that vibrant city, we recommend you find out more about the Jazz Ministry of St Peter's Church.Comment on this episode here. Subscribe to the show wherever you listen to audio and we invite you to rate us or write a review of what we are doing on Apple Podcasts. Reviews help others join the conversation.* * *This podcast is created at saint benedict's table, a congregation of the Anglican Church of Canada in Winnipeg, where we've been making great audio since 2006. Listen to other recent episodes on our website and see our entire catalogue of almost 500 shows on our hosting page.Our MissionTo provide rich and stimulating audio resources to the wider church and engage topics and issues relevant to the concerns and questions of the larger culture in which we live. 

Dr. Alan Baker, Professor at Bloomsburg University & Artistic Director of the Lyric Consort, speaking about two concerts. The BU Concert Choir will be joined by the Lyric Consort and the Presbybop Jazz Ensemble under Rev. Bill Carter's direction for Vince Guaraldi's "Jazz Mass" and more, Thursday, March 7 at 7pm at St. Paul's Episcopal Church, in Bloomsburg. Admission is free. www.bloomu.edu The Lyric Consort will present a program titled, "Poor Wayfarin' Stranger" on Sunday, March 10, 2019, at St . Luke's Episcopal Church, Wyoming Avenue in Scranton at 3pm. www.lyricconsort. com

All Saints’ Episcopal Church, Atlanta is a vibrant, progressive community that welcomes all – wherever they may be on their spiritual journey. We are called to know, to love, and to serve God and our neighbors. In all that we do, we honor All Saints’ abiding commitment for justice and peace for all people in Atlanta and across the world. Visit us online at https://allsaintsatlanta.org

Sermons from All Saints' Episcopal Church - Atlanta

Jazz Mass Music From Pentecost Service

Psalm 104 From the Jazz Mass On Pentecost

Pentecost

Matt Lemmler is a New Orleans Jazz pianist, composer, arranger, Piano Professor at Loyola University, and music director of the Jazz Mass at Christ Episcopal Church in Covington La. We are talking about the history of New Orleans music, Matt's newest album Love, and the healing power of participatory music.Support the show (http://www.patreon.com/extracrispypodcast)

In Vince Guaraldi at the Piano (McFarland Press, 2012),Derrick Bang chronicles San Francisco jazz pianist Vince Guaraldi’s sojourns into the world of jazz from the late 1940s to his untimely death in 1976. Guaraldi, known to most world-wide as the composer and pianist behind the Peanuts’ animated television specials featuring Charlie Brown and Snoopy, also played in Woody Herman’s “Third Herd” big band; composed and recorded a revolutionary Jazz Mass which he performed live in San Francisco’s Grace Cathedral in 1965; participated in some magical and memorable live and recorded collaborations with Brazilian guitarist Bola Sete; and was a fixture in the bossa nova Latin jazz San Francisco club scene in the 1950s and 1960s. His “Jazz Impressions of Black Orpheus,” based on the soundtrack to the Academy Award winner for Best Foreign Film in 1960, introduced countless people to jazz and the sensuous sounds of bossa nova. His single on the same album, “Cast Your Fate to the Wind,” won a Grammy for Best Original Jazz Composition in 1963 and was a successful cross-over song cover on the US Billboard pop chart. Though Vince Guaraldi died in 1976 at the age of only 47, his legacy was revived decades later by David Benoit and George Winston, both of whom recorded covers of his songs. Bang is circumspect about much of Guaraldi’s personal life and he qualifies up front that his book isn’t a traditional biography. Nonetheless, one gets a great feel for the varied and large body of work of this San Francisco-born musician who carved out a unique and enduring niche in the jazz world. Guaraldi had a wonderful sense of rhythm, and his improvisations were almost always melodic. He could swing and play anything from boogie-woogie to bossa nova but will perhaps most be remembered as a joyful player with a sense of playfulness and uplift. You feel good when you hear Vince Guaraldi’s music. With an extensive discography, filmography, and also a large collection of statements and observations by Guaraldi’s peers about his playing, his distinctive handlebar-mustachioed look, and his entertaining persona at the piano, Bang’s book, which represents a lifetime of listening and appreciation and more than four years of extensive research, is a rich and needed testimony to Guaraldi’s musical legacy. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Vince Guaraldi at the Piano (McFarland Press, 2012),Derrick Bang chronicles San Francisco jazz pianist Vince Guaraldi’s sojourns into the world of jazz from the late 1940s to his untimely death in 1976. Guaraldi, known to most world-wide as the composer and pianist behind the Peanuts’ animated television specials featuring Charlie Brown and Snoopy, also played in Woody Herman’s “Third Herd” big band; composed and recorded a revolutionary Jazz Mass which he performed live in San Francisco’s Grace Cathedral in 1965; participated in some magical and memorable live and recorded collaborations with Brazilian guitarist Bola Sete; and was a fixture in the bossa nova Latin jazz San Francisco club scene in the 1950s and 1960s. His “Jazz Impressions of Black Orpheus,” based on the soundtrack to the Academy Award winner for Best Foreign Film in 1960, introduced countless people to jazz and the sensuous sounds of bossa nova. His single on the same album, “Cast Your Fate to the Wind,” won a Grammy for Best Original Jazz Composition in 1963 and was a successful cross-over song cover on the US Billboard pop chart. Though Vince Guaraldi died in 1976 at the age of only 47, his legacy was revived decades later by David Benoit and George Winston, both of whom recorded covers of his songs. Bang is circumspect about much of Guaraldi’s personal life and he qualifies up front that his book isn’t a traditional biography. Nonetheless, one gets a great feel for the varied and large body of work of this San Francisco-born musician who carved out a unique and enduring niche in the jazz world. Guaraldi had a wonderful sense of rhythm, and his improvisations were almost always melodic. He could swing and play anything from boogie-woogie to bossa nova but will perhaps most be remembered as a joyful player with a sense of playfulness and uplift. You feel good when you hear Vince Guaraldi’s music. With an extensive discography, filmography, and also a large collection of statements and observations by Guaraldi’s peers about his playing, his distinctive handlebar-mustachioed look, and his entertaining persona at the piano, Bang’s book, which represents a lifetime of listening and appreciation and more than four years of extensive research, is a rich and needed testimony to Guaraldi’s musical legacy. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Vince Guaraldi at the Piano (McFarland Press, 2012),Derrick Bang chronicles San Francisco jazz pianist Vince Guaraldi’s sojourns into the world of jazz from the late 1940s to his untimely death in 1976. Guaraldi, known to most world-wide as the composer and pianist behind the Peanuts’ animated television specials featuring Charlie Brown and Snoopy, also played in Woody Herman’s “Third Herd” big band; composed and recorded a revolutionary Jazz Mass which he performed live in San Francisco’s Grace Cathedral in 1965; participated in some magical and memorable live and recorded collaborations with Brazilian guitarist Bola Sete; and was a fixture in the bossa nova Latin jazz San Francisco club scene in the 1950s and 1960s. His “Jazz Impressions of Black Orpheus,” based on the soundtrack to the Academy Award winner for Best Foreign Film in 1960, introduced countless people to jazz and the sensuous sounds of bossa nova. His single on the same album, “Cast Your Fate to the Wind,” won a Grammy for Best Original Jazz Composition in 1963 and was a successful cross-over song cover on the US Billboard pop chart. Though Vince Guaraldi died in 1976 at the age of only 47, his legacy was revived decades later by David Benoit and George Winston, both of whom recorded covers of his songs. Bang is circumspect about much of Guaraldi’s personal life and he qualifies up front that his book isn’t a traditional biography. Nonetheless, one gets a great feel for the varied and large body of work of this San Francisco-born musician who carved out a unique and enduring niche in the jazz world. Guaraldi had a wonderful sense of rhythm, and his improvisations were almost always melodic. He could swing and play anything from boogie-woogie to bossa nova but will perhaps most be remembered as a joyful player with a sense of playfulness and uplift. You feel good when you hear Vince Guaraldi’s music. With an extensive discography, filmography, and also a large collection of statements and observations by Guaraldi’s peers about his playing, his distinctive handlebar-mustachioed look, and his entertaining persona at the piano, Bang’s book, which represents a lifetime of listening and appreciation and more than four years of extensive research, is a rich and needed testimony to Guaraldi’s musical legacy. Learn more about your ad choices. Visit megaphone.fm/adchoices