Podcasts about guaraldi

durée : 00:59:37 - Banzzai Noël ! - par : Nathalie Piolé -

Party de noël d'IA café! On se fait des cadeaux et des suggestions de cadeaux sous le thème de l'intelligence artificielle.  Et on vous annonce le nom de notre prestigieux invité pour le 100e épisode d'IA Café!Shirley Plumerand:Femtech – IA et santé des femmes.Harvard et Google ont cartographié le cerveau humain avec une précision inouïeNoah Fromson, In 10 seconds, AI model detects cancerous brain tumor often missed during surgery Researchers say the technology could one day be applied to other cancers.   Paul Giraud et Jean-Emmanuel Bibault, Artificial intelligence in radiotherapy: Current applications and future trends": Diagnostic and Interventional Imaging, Volume 105, Issue 12, December 2024, Pages 475-480Dungate B, Tucker DR, Goodwin E, Yong PJ. Assessing the Utility of artificial intelligence in endometriosis: Promises and pitfalls. Womens Health (Lond).Jean-François Sénéchal:Annie Labrecque, Les prix Nobel 2024 en science : l'intelligence artificielle récompensée, Québec Science.Perplexity : https://www.perplexity.ai/Research rabbit: https://www.researchrabbit.ai/NotebookLM : https://notebooklm.google.com/SciSpace : https://typeset.io/  Stéphane Mineo:Le calendrier de l'Avant de ChapGPT. « OpenAI (ChatGPT) fait son calendrier de l'avent : 12 jours d'annonces IA en perspective». Sora est là! https://sora.com/ Jean-François SénéchalAnnonce officielle: Le nom de notre prestigieux invité pour le 100e épisode d'IA Café!Et encore plus! Bonne écoute.Production et animation: Jean-François Sénéchal, Ph.DBarristIAs: Shirley Plumerand, Stéphane MineoCollaborateurs et collaboratrices:  Véronique Tremblay, Stéphane Mineo, Fredérick Plamondon, Shirley Plumerand, Sylvain Munger Ph.D, Ève Gaumond, David Beauchemin.En musique :Guaraldi, V., Bailey, C., Budwig, M., & Schulz, C. M. 1. (2012). A Charlie Brown Christmas: the original sound track recording of the CBS television special [cd sound recording] ([Expanded ed.].). Fantasy.Sheena Easton, It's christmas all over the world, Soundtrack «Santa Claus - The movie», 1985. Pogologo Corp.OBVIA Observatoire international sur les impacts sociétaux de l'intelligence artificielleDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

Party de noël d'IA café! On se fait des cadeaux. On VOUS fait des cadeaux et des suggestions de cadeaux. Des cadeaux dans lesquels se cachent évidemment le thème de l'intelligence artificielle. Shirley Plumerand:Sortie au musée - Apophénies, interruptions : Artistes et intelligences artificielles au travail, Centre pompidou.Sortie au musée - Pixel, Grand Palais Immersif, Bastille.Stéphane Mineo:Conception d'un outil informatique de transcription et d'analyse d'un podcast extraordinaire.Fireflies - Une application pour faire des transcriptions à bons prix: https://fireflies.ai/Frédérick Plamondon:Un conte de Noël (pour et par les technobros): « Miracle à Mar-a-Lago ». https://miro.com/app/board/uXjVL7KUyzk=/?share_link_id=320733851563TechCrunch - Open AI's tumultuous early years revealed in emails from Musk, Altman, and others, 15 novembre 2024.Jean-François SénéchalUn indice concernant notre prestigieux invité pour le 100e épisode d'IA Café!Et encore plus! Bonne écoute.Production et animation: Jean-François Sénéchal, Ph.DBarristIAs: Fredérick Plamondon, Shirley Plumerand, Stéphane MineoCollaborateurs et collaboratrices:  Véronique Tremblay, Stéphane Mineo, Fredérick Plamondon, Shirley Plumerand, Sylvain Munger Ph.D, Ève Gaumond, David Beauchemin.En musique :Guaraldi, V., Bailey, C., Budwig, M., & Schulz, C. M. 1. (2012). A Charlie Brown Christmas: the original sound track recording of the CBS television special [cd sound recording] ([Expanded ed.].). Fantasy.OBVIA Observatoire international sur les impacts sociétaux de l'intelligence artificielleDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

On tonight's show: a retrospective on the career of Vince Guaraldi. Some remastered early works by the Vince Guaraldi Trio: Fenwyck's Farfel, and Django, and Ossobucco (featuring Eddie Duran on guitar), from 1956. Guaraldi playing with the Cal Tjader Quartet in 1957, Live at the Blackhawk: Lover Come Back to Me. Two from his 1957 release, A Flower is a Lovesome Thing: Like a Mighty Rose and Autumn Leaves From The Definitive Vince Guaraldi, a compilation of his work from 1955-66 at Fantasy Records, two of the popular songs from the TV specials: Charlie Brown Theme from 1964 and Skating from 1965. Two from Guaraldi's last recordings, done with the Warner label: Red Baron, from the Oh Good Grief album from 1968, and Alma-Ville, from the album of the same name, released in 1969. A new release of Linus and Lucy by the Vince Guaraldi Quintet, from the 50th Anniversary edition of A Charlie Brown Thanksgiving, 2023. Newly released songs from the soundtrack to You're Not Elected, Charlie Brown, the television special from 1972, with Guaraldi on vocals on Joe Cool, and then African Sleigh Ride.

durée : 00:58:40 - « Cast your fate to the wind » (Vince Guaraldi) (1963) - par : Laurent Valero - "Vince Guaraldi fut un excellent pianiste jazz et un musicien très actif de la scène musicale de San Francisco dans les années 50/60, bien qu'il reste aujourd'hui encore un artiste trop méconnu, souvent sous-estimé. Sa mort prématurée à l'âge de 46 ans en 1976, n'y est pas étrangère" Laurent Valero

durée : 00:58:40 - « Cast your fate to the wind » (Vince Guaraldi) (1963) - par : Laurent Valero - "Vince Guaraldi fut un excellent pianiste jazz et un musicien très actif de la scène musicale de San Francisco dans les années 50/60, bien qu'il reste aujourd'hui encore un artiste trop méconnu, souvent sous-estimé. Sa mort prématurée à l'âge de 46 ans en 1976, n'y est pas étrangère" Laurent Valero

How about this!!! ?? Newly released music from Vince Guaraldi... yep!!

“Vince is always pulling splinters from his fingers, driven in when he claws at the wooden baseboard, behind the keys,” wrote Bay Area music critic Ralph Gleason, as quoted in Davis author Derrick Bang's newly revised book Vince Guaraldi at the Piano. Splinters? They came from Guaraldi's intense playing, Bang says, nearly nonstop performing, and the worn quality of the pianos he played in clubs. Guaraldi, the Bay Area jazz musician known most for his Peanuts soundtracks and the song “Cast Your Fate to the Wind,” died in 1976 but is arguably more popular than ever, Bang says. Two recent signs: This month's latest archival release of music from a Peanuts special, It Was a Short Summer, Charlie Brown, and Bang's updated book, which he will talk about 6:30 p.m. July 11 at the Avid Reader in Davis. On today's Davisville we learn more about the music, new stories Bang heard while updating his book, and the baffling review Guaraldi received from the California Aggie the last time he played in Davis.  

durée : 00:59:27 - Banzzaï du mardi 04 juin 2024 - par : Nathalie Piolé -

'Review everything we do'Electronic, Richard Rorty, Ludovico Einaudi, Rob Auton, Eliza Doolittle, Rufus Hound, Vince.Guaraldi, The Gravity Drive, Fryars, The Teen Teens, Roddy Doyle, Robert Franks, The Secret Sisters, Mathilde Santing, Saint Etienne, Rita Dove, Philip Glass, Daniel Dennett, Debbie Reynolds, Malcolm McLaren, The Boswell Sisters, Lucinda Williams, Gregory Isaacs, David Byrne, Sheldon Allman, Sarah Jones.

This week, Alex Guaraldi of our sponsor, Coppersound Pedals joins the podcast! We talk about the DIY series and how YOU can become somewhat of a pedal builder yourself.  Also, do female guitarists not get their due respect? Please support our sponsor, Coppersound Pedals and get 10% off your order with the code DADS10! www.coppersoundpedals.com Please support the Guitar Dads at www.patreon.com/guitardadspodcast 

Good comic, mediocre episode.---------------------------------This isn't the proper way to cite stuff but whatever...Annihilation SoundtrackGinger Root cover of Linus and LucyViceA bunch of psychology articles and reddit and junkTerminator 2

С начала декабря из каждого утюга звучат рождественские песни и джаз не исключение. Слушая радио в машине вспомнил Dave Brubeck и добавил пару его вещей в мой плейлист xMas JAZZ. Разумеется также слушаю свежие альбомы на эту тему и об одном из таких пойдет сейчас речь. Американцы выросли на рождественских сериалах прошлого столетия для которых было написано множество песен. Пожалуй самый значимый композитор, пьесы которого стали хитами, это Винса Гуаралди. На основе его композиций многие джазмены сделали и делают свои аранжировки. В этом году молодой пианист Isaiah J. Thomson записал целый альбом Празднийк Гуаралди - A Guaraldi Holiday. 12 великолепных аранжировок, которые представляют собой упражнения в ностальгическом экспрессионизме. Это дань уважения эклектичной музыке композиотора – произведения, которого послужили одновременно знакомством с саундтреками детства и джазом для многих поколений меломанов, включая Томпсона. По сей день, каждый раз, когда я слышу Christmas Time Is Here, Friends Theme или Linus and Lucy, я вспоминаю, насколько музыка Гуаральди сформировала то, кем я являюсь сегодня, - говорит автор. Эти праздники несут в себе столько самых ценных воспоминаний, что я не могу представить их без Гуаральди. Я хочу отдать ему должное, потому что для многих людей, я считаю, Винс Гуаральди стал знакомством с великой музыкой и джазом. John Pizzarelli - guitar Anthony Hervey - trumpet Alexa Tarantino - alto sax, flute Julian Lee - tenor saxophone Isaiah J. Thompson - piano Philip Norris - bass Kyle Poole - drums Tyreek McDole - vocals Robbie Lee - vocals СЛУШАТЬ АЛЬБОМ - https://album.link/i/1709706088 ISAIAH J. THOMSON - https://t.me/discor/5832 JOHN PIZZARELLI - https://t.me/discor/6778 STEVE TURRE - https://t.me/discor/6524 Лучший трек альбома в плей-листе JAZZ по-русски 7 на AppleMusic и Spotify Поставь лайк ❤️ и подпишись на канал JAZZ по-русски https://t.me/discor #contemporaryjazz --- Send in a voice message: https://podcasters.spotify.com/pod/show/konstantins/message

Che cos'è C'è ancora domani? È l'esordio alla regia di Paola Cortellesi; ed è un film in costume femminista, che parla di violenza domestica inquadrandola nella cornice di un mondo patriarcale.  La prima parte dell'episodio discute il linguaggio filmico di C'è ancora domani senza spoiler. Poi, dopo l'allerta, si parlerà invece delle sue istanze femministe esaminando anche il finale.  Puoi sostenere il podcast da questa pagina di Ko-fi: https://ko-fi.com/saramazzoni  BIBLIOGRAFIA della puntata: Adriano Aprà e Claudio Carabba, Neorealismo d'appendice. Per un dibattito sul cinema popolare: il caso Matarazzo, Guaraldi editore, 1976. Callisto Cosulich, La battaglia delle cifre, in «Cinema Nuovo», n° 98, gennaio 1957. Goffredo Fofi, Erano tempi bui, in Cineromanzo. Il cinema italiano 1945-1953, a cura di Lorenzo Pellizzari, Longanesi, 1978. Io sono Sara Mazzoni e questo è Attraverso Lo Schermo, il podcast che vi racconta come sono costruite le storie audiovisive di film e serie tv. Mi trovate anche su Instagram @sara_mazzoni_filmserie e su Linktree. 

Jazz 88's Peter Solomon spoke with Erinn Liebhard, director of the St. Paul based dance troupe Rhythmically Speaking about their upcoming show "Chill," running Dec. 1 -3 at Amsterdam Bar & Hall in St. Paul, and featuring original choreography to a live jazz performance of Vince Guaraldi's score for A Charlie Brown Christmas. (Image by Jillian Bell).

Jazz 88's Peter Solomon spoke with Erinn Liebhard, director of the St. Paul based dance troupe Rhythmically Speaking about their upcoming show "Chill," running Dec. 1 -3 at Amsterdam Bar & Hall in St. Paul, and featuring original choreography to a live jazz performance of Vince Guaraldi's score for A Charlie Brown Christmas. (Image by Jillian Bell).

We have a very special episode this week with another great interview! We have Alex Guaraldi, founder of Coppersound Pedals. We talk all things Coppersound, including the new Kingpin pedal. In fact, Alex is even giving one away! If you want a chance to win, email alex@coppersoundpedals.com to enter. Check out Coppersound Pedals at https://coppersoundpedals.com

Andrea Temporelli"L'amore e tutto il resto"Poesie 1996 - 2022Interlinea Edizionihttps://interlinea.com«Leggere senza scegliere è impossibile, e dirò che fra i testi sui quali mi sono soffermato con maggior piacere ci sono quelli di Andrea Temporelli»: era il 2000 quando Giovanni Raboni, recensendo due antologie, battezzava così (Arriva la carica dei poeti ventenni, la vera generazione postmoderna) l'esordio di un autore che torna con un'antologia personale sulla vita, sui valori e sui sentimenti: «ma il conto è presto fatto: l'infinito / non si somma a infinito, bellamorte / che nulla dell'amore puoi sapere» dice il poeta confessando, alla fine, che «gli inganni dell'amore / hanno un timbro materno».Andrea TemporelliFiglio di un fiore e di un piccolo merlo, Andrea Temporelli con la poesia ha esplorato Il cielo di Marte (Einaudi, Torino 2005), prima di far ritorno alla Terramadre (Il Ponte del Sale, Rovigo 2012), ma i conti con il mondo letterario contemporaneo li ha risolti con il romanzo Tutte le voci di questo aldilà (Guaraldi, Rimini 2015) e con il volume di interventi critici militanti Smarcamenti, affondi e fughe (Ladolfi, Borgomanero 2016). Insegna nella scuola secondaria a Borgomanero (dove è nato nel 1973) e interviene su YouTube con un personale Dis/corso di scrittura creativa, che s'interroga sul senso della scrittura in un tempo in cui la società letteraria non esiste più. Se n'era già accorto nel 2005 quando, con il suo vero nome, aveva pubblicato presso Interlinea Poeti nel limbo. Studio sulla “generazione perduta” e sulla fine della tradizione.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

L'ultimo appuntamento del ciclo "Passione aliena" è dedicato a UFO 78 del collettivo Wu Ming, un romanzo che riesce a intrecciare attorno alla trama relativa alla misteriosa scomparsa di due ragazzi su una montagna della Lunigiana anche il racconto dell'Italia alla fine degli anni Settanta: un periodo molto particolare poiché la vicenda del rapimento di Aldo Moro ad opera della Brigate Rosse costituirà un turning point che cambierà il volto sociale, politico e culturale del paese. UFO 78 rovescia il rapporto tra realtà e finzione proprio perché sceglie di leggere la realtà di ora e di allora attraverso il ritratto della composita comunità che si formava attorno agli avvistamenti di oggetti volanti non identificati (gli UFO). Perché raccontare può essere anche un gesto politico, come sottolinea Wu Ming 2 ospite graditissimo di questa puntata, in cui compare anche un breve dialogo/telefonata presa in prestito dal podcast "Radio Piemonte International" (prod. Melologos) con le voci di Wu Ming 1 e Filo Sottile (link al podcast) BibliografiaWu Ming, Ufo 78, Einaudi, 2022.Wu Ming 2, Utile per iscopo? La funzione del romanzo storico in una società di retromaniaci, Guaraldi, 2014.Wu Ming 2, Veglione rosso. L'alba di una notte durata vent'anni, Panozzo, 2022.

Gabriella Vandi “La perversione narcisistica e il legame analitico”, pubblicato nel volume n.4/2022 della Rivista di Psicoanalisi.Link all'articolo:https://riviste.raffaellocortina.it/scheda-articolo_digital/gabriella-vandi/la-perversione-narcisistica-e-il-legame-analitico-RDPS2022_4_2-3897.htmlIn questo episodio Gabriella Vandi approfondisce la dinamiche relazionali della perversione narcisistica, le implicazioni nel trattamento psicoanalitico, nel contesto sociale e la sua relazione con il lutto originario. Intervista di Laura Ravaioli.Gabriella Vandi è Psicologa, Psicoterapeuta, Psicoanalista, Membro ordinario con funzioni di training della Società Psicoanalitica Italiana e dell'International Psychoanalytical Association. Membro fondatore del Centro Adriatico di Psicoanalisi, costituito nel 2020 e suo attuale Segretario Scientifico.Tra le sue più recenti pubblicazioni:Marchiori E., Masina L., Vandi G. Elogio della gattaiola. Esplorazioni intorno all'interpsichico (a cura di) Alpes, Italia, 2022.Fattori L., Vandi G. Etiche della psicoanalisi (a cura di) Alpes, Italia, 2022.Battistini A., Carnevali C., Vandi G., Federico Fellini. La vita è sogno, il sogno è vita, (a cura di) Pendragon, Bologna 2020.Corsa R. Fattori L. Vandi G. Vecchiaia e psicoanalisi (a cura di) Alpes, Italia, 2020.Cusin A., Fattori L., Stanzione M., Vandi G., "Tra" questa immensità, (a cura di) Guaraldi, Rimini 2020. Recensione di Gemma Zontini.Fattori L., Vandi G., Derive della fede, (a cura di) Guaraldi, Rimini 2019.

Vince Guaraldi scholar Derrick Bang wrote the liner notes for the 2022 Super Deluxe edition of the soundtrack for A Charlie Brown Christmas, and this week he talks about the 1965 cartoon, Guaraldi, and the soundtrack album sessions included in the digital and CD packages.  The digital version is out now and up on streaming platforms, and it includes the original 1965 mix, a new mix, and all of the sessions that have been found so far. The CD version also includes a Blu-Ray disc with the animated special, and it's due out December 2. The two-record vinyl version includes the album's original mix and a record with highlights from the sessions.  I've talked about Guaraldi and A Charlie Brown Christmas on 12 Songs with Steven Drozd of The Flaming Lips, Kristin Chenoweth, George Winston, and The Ornaments, and I wrote about Guaraldi's impact last year for The New Orleans Advocate.  If you want to read more by Bang, you find his film writing at his Blogspot. 

Vince Guaraldi's music brought the Peanuts to life. He scored 17 animated Peanuts television specials and the first was this Christmas classic, the evocative ‘A Charlie Brown Christmas'. Colleen ‘Cosmo' Murphy and her special guest Guaraldi fan and pianist Neil Cowley tell Vince Guaraldi's story and his relationship with Charles Schulz's gang of children who see life through the world-weary eyes of adults in this edition of the Classic Album Sundays Podcast. And of course, there is amazing music to get you in the holiday spirit! Read more about your favourite albums here: classicalbumsundays.com

Vince Guaraldi's music brought the Peanuts to life. He scored 17 animated Peanuts television specials and the first was this Christmas classic, the evocative ‘A Charlie Brown Christmas'. Colleen ‘Cosmo' Murphy and her special guest Guaraldi fan and pianist Neil Cowley tell Vince Guaraldi's story and his relationship with Charles Schulz's gang of children who see life through the world-weary eyes of adults in this edition of the Classic Album Sundays Podcast. And of course, there is amazing music to get you in the holiday spirit! Read more about your favourite albums here: classicalbumsundays.com

Happy Thanksgiving!Thanksgiving Theme - Vince Guaraldi TrioPork and Beans - WeezerScarlet Begonias - SublimeLink to the playlist:https://open.spotify.com/playlist/2VQH5FDWkoDqFDVXCfUFmR?si=e5d83b19045a4cacSocials:https://linktr.ee/wayltphttps://twitter.com/WAYLTP1https://www.instagram.com/wayltp/Resources:Guest application link: https://forms.gle/g1x92uDw9FfvS15N8Email: info@wayltp.com

Jerry Granelli was famous around the world for being part of the soundtrack for the Charlie Brown Christmas special as a member of the Vince Guaraldi Trio. The jazz drummer was also a member of the Rock and Roll Hall of Fame and had performed with performers like Sly Stone and The Grateful Dead. He had been living and performing in Halifax since the late 1980's. He passed away this week at the age of 80. Award winning Cape Breton-based musician Keith Mullins shares his thoughts and memories of the man who was a teacher and mentor to many Nova Scotian musicians.

Nella notte tra il 1° e il 2 novembre 1975 all'Idroscalo di Ostia viene ammazzato un omosessuale. Non un omosessuale qualunque, uno dei tanti che sono morti ammazzati: si tratta del poeta, scrittore e regista Pier Paolo Pasolini.In questo episodio cercheremo di sondare l'impatto che l'intellettuale Pasolini e la sua morte hanno avuto sulla società italiana, sui gruppi di liberazione omosessuale e sulla vita e la morte degli omosessuali qualunque.BibliografiaDario Bellezza, La morte di Pasolini, Mondadori, Milano, 1981Patrizia Carrano, Malafemmina. La donna nel cinema italiano, Guaraldi, Bologna, 1977Franco Grattarola, Pasolini. Una vita violentata, Coniglio Editore, Roma, 2005Pier Paolo Pasolini, Lettere luterane, Einaudi, Torino, 1976Pier Paolo Pasolini, Scritti corsari, Garzanti, Milano, 1975Andrea Pini, Omocidi. Gli omosessuali uccisi in Italia, Stampa Alternativa, Roma, 2002FilmografiaLa macchinazione (2014, David Grieco)Pasolini prossimo nostro (2006, Giuseppe Bertolucci)Pasolini. Un delitto italiano (1995, Marco Tullio Giordana)Salò o le 120 giornate di Sodoma (1975, Pier Paolo Pasolini)

SUPPORT ME ON PATREON WATCH MUSIC is not a GENRE VIDEOS and MORE Back when walking around indoors amongst strangers didn't cause massive physical anxiety, I used to take every chance I got to pop into a thrift store and see if it had any interesting vinyl. The truth is ANY vinyl you find in a thrift store is interesting. It's something someone else owned and listened to, that for whatever reason they're now sharing with someone new. The randomness of thrift store vinyl makes it interesting by default, whether what you find is well-known, a kind of obscure gem, or completely unknown on every level. Which describes this week's three albums. I found all of these in thrift stores, and bought each of them for different reasons. The Beatles I got because despite having every Beatles song on cassettes & CDs & digital/streaming formats, I've never owned an actual Beatles album. I have a 45 of theirs and that's it. Plus I knew this particular album's look from my dad having owned originals of all their American albums, and the one I found didn't look like it. It's the film soundtrack version. Not obscure by any means, but cool to find and have. Artie Shaw was my first big band love when I was a wee lad, mainly because I've always loved the clarinet. And again, I never owned him on vinyl. Finding this big bright package of an album was like the universe saying, “We know.” These days, someone like Artie Shaw is kind of obscure, so this was a nice find. And it's a damn good collection! Then there's the famous (?) Eddie Heywood. I'd honestly never heard of him. It was the complete unknown of this album, coupled with the title & Bob Ross–Yacht Rock mashup cover art, that compelled me to get this. I figured I'd never ever run across this album again. It makes me wish there was more blatant cheese in pop music. And it doesn't disappoint. It's that certain kind of swingin' 1950s late-but-not-too-late in the evening lounge jazz, smothered with super sugary strings, and with just enough quality and flourish to rise above Mantovani, yet not quite enough to match Guaraldi or Esquivel. All the music was composed or cowritten by Heywood, who worked with big names like Benny Carter & Billie Holiday, and he even has a star on the Hollywood Walk of Fame. Who knew? Just to bring it around to something super mega connected, my brain told me that well-known-kind-of-obscure-unknown is a perfect description of how I like to create music. I almost always take some well-known phrases/chord progressions/rhythms, mix them with kind of obscure words & sounds & arrangements, and throw in some completely unknown elements that are unique to me – manipulated sounds or lyrical phrasings that come straight from the weird way my mind mashes words together. OR I do the opposite of all those things. Either way, what comes out is an amalgam that sounds familiar, feels connected, and is totally its own thing. These two songs are perfect examples. The first combines hooky melodies & rhythms with more obscure lyrics and flat out weird backing vocals. The second combines hooky synths & rhythms with more obscure lyrics and at least three tracks of actual “found sound”: REC - “Make Me Mic My Mouth” (from the album Syzygy for the Weird) REC - “The Power of Repetition (Everlasting)” (from the album Syncopy for the Weird) Do you have any connection with any of these artists? Do you like stumbling across music you never thought you'd find or buy? Don't you think thrift stores are awesome on like every level? Discuss dammit! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/nick-dematteo/support

Scott, Karl, and Trent explore Vince Guaraldi's timeless Christmas album, the soundtrack to "A Charlie Brown Christmas," the 1965 TV special based on Charles Schultz's iconic Peanuts comic strip. At once hopeful and melancholic, Guaraldi's breezy jazz soundscape captures the childhood innocence of the Peanuts cast while lamenting the loss of meaning in the increasingly commercialized Christmas season.   Tune in to hear more music and ideas— brought to you by onlinegreatbooks.com. 

Scott, Karl, and Trent explore Vince Guaraldi's timeless Christmas album, the soundtrack to "A Charlie Brown Christmas," the 1965 TV special based on Charles Schultz's iconic Peanuts comic strip. At once hopeful and melancholic, Guaraldi's breezy jazz soundscape captures the childhood innocence of the Peanuts cast while lamenting the loss of meaning in the increasingly commercialized Christmas season.   This episode is a simulcast of the Music and Ideas Podcast, and is also being broadcast with our friends at the Barbell Logic Podcast. Barbell Logic is a premier online coaching service for people of all ages seeking to become stronger, fitter, and healthier.   Barbell Logic: https://barbell-logic.com Barbell Logic Podcast: https://podcasts.apple.com/us/podcast/barbell-logic/id1255032859 Music and Ideas Podcast: https://podcasts.apple.com/us/podcast/music-and-ideas/id1500358614

Vince Guaraldi’s soundtrack for "A Charlie Brown Christmas" was perfect for the animation of the Peanuts comics. It’s not just jazz, it’s what Charlie Brown sounds like. It’s what Christmas sounds like. And it perfectly encapsulates that melancholic feeling that comes around this time each year. In this episode, we'll talk about how jazz came to define the Peanuts sound, depression and anxiety as tackled by Charlie Brown, and the little Christmas tree that could.

Holiday specials bring out cherished memories in this week's episode of The Goods. Join Brian and Dan as they unpack Linus's undying devotion to The Great Pumpkin, praise the Guaraldi score, and debate whether Peanuts specials live up to their cachet. Dan spends a few minutes reflecting on his grandfather and the annual Pumpkin Hunt from his childhood, while Brian considers the romantic element of pumpkin carving. Music credits: RetroFuture Clean by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4277-retrofuture-clean License: http://creativecommons.org/licenses/by/4.0/

Caution: this episode might get LOUD. The Third Men Podcast is proud to present an all-new extended conversation with Alex Guaraldi and Jordan Collins: the masterminds behind CopperSound Pedals! These gear guys are joining us to spill the details on the brand new CopperSound/Third Man Hardware collaboration - the revolutionary new TRIPLEGRAPH pedal, available now exclusively on ThirdManStore.com and designed by CopperSound and Jack White himself! Alex and Jordan walk us through the inception, design, execution and packaging of one of the most exciting releases ever from TMH - and believe me, these guys have a LOT of cool stories to tell. But we're not stopping at the Triplegraph (though we totally could, because it's just THAT cool) - no, these tech gurus join us for a look back at the history of Third Man Hardware, and walk us through Jack White's gear setup from his early days in The White Stripes up through the most recent Help Us Stranger Raconteurs tour! There's a lot of history to get through, and a lot of history to make - so hold onto your Stratocasters and don't adjust those nobs, because you will NOT want to miss a moment of one of the most in-depth discussions in TMP history! See acast.com/privacy for privacy and opt-out information.

My guest today is an example of someone who was born in the right place at the right time. He was raised in San Francisco and during his formative years when arguably the greatest music cultivation was occurring. The core group of Brubeck, Desmond and Tjader and Guaraldi spawned a new era in melodic jazz, never removing the street element but conjoining swing elements with Latin rhythms, bossa rhythms and African percussion. At the same time Santana's Latin rock escapade was burgeoning as well as a bunch of Mavericks who were acclimating themselves to this fertile hotbed of cross music fertilization. My guest got sticks in his hand and became part of it all. Bola Sete, Noel Jewkes, Jon Hendricks, Dr. Denny Zeitlin, the airplane, GD, the aforementioned mentioned Guaraldi, Benny Velarde and countless other gigs @ Jimbo's Bop City, the Both And, the Workshop --- Support this podcast: https://anchor.fm/jake-feinberg/support

It’s another in Dennis Green’s occasional series of special music interviews. July 17 is the birthday of pianist Vince Guaraldi, and we celebrate with a conversation with his biographer Derrick Bang.  You’ll hear how a radio DJ made “Cast Your Fate To The Wind” a hit, and the story of how Guaraldi got his most … Continue reading The post Culture Crawl 581 “Happy Birthday, Vince Guaraldi!” appeared first on Jazz 88.3 KCCK.

It’s another in Dennis Green’s occasional series of special music interviews. July 17 is the birthday of pianist Vince Guaraldi, and we celebrate with a conversation with his biographer Derrick Bang.  You’ll hear how a radio DJ made “Cast Your Fate To The Wind” a hit, and the story of how Guaraldi got his most … Continue reading The post Culture Crawl 581 “Happy Birthday, Vince Guaraldi!” appeared first on Jazz 88.3 KCCK.

Good grief! With the largest known collection of Snoopy memorabilia Down Under, Lisa Ridey is constantly on the lookout for items to add to her massive collection — as well as space in her family's suburban Sydney home for displaying it. Lisa's 2014 appearance on Australian TV • Opening theme: "Keepers" by Still Flyin' • Closing theme: "Slow Draw/Feeling In My Heart" by Eric Frisch • Additional music by TrackTribe and Kevin MacLeod • www.forkeepspodcast.com

Tony Guaraldi Brown is a illustrator and teacher find him @tony_guaraldi_brown www.tgbart.com/ Please write a review on whatever podcast app you use. Leave some stars, thumbs up and favorite. It really helps.  Follow the podcast on Instagram for show announcements and bonus content. @bravecastlepodcast Find me @renzo_butchart for tattoos @glassbeetletattoo

Dip into this nog. Welcome to the December edition of the Aquarium Drunkard Transmissions podcast. We just published our massive and overstuffed Year in Review feature, and to celebrate, members of the AD crew —including your hosts, Justin Gage and Jason P. Woodbury, plus Tyler Wilcox and Marty Sartini Garner, to discuss the year in music. Touched on: some of our favorite albums, essential reissues and archival sets, and what music the AD team is planning on spending time with in the new year. Then, Aquarium Drunkard veteran Joe Crosby cozies up by the proverbial hearth to discuss A Charlie Brown Christmas, a 1965 special based on Charles M. Schulz’s Peanuts characters. Featuring the music of the Vince Guaraldi Trio, it’s not only a hallmark of the season, but a truly radical exploration of spiritual authenticity. In a world of cheap glitz, it remains a work of genuine, heartfelt art.

Brownie nació con la intención de disolver la frontera entre la música mainstream y el gusto por las músicas negras y del mundo. Así, ocupa un espacio ahora libre dentro de la industria radiofónica: Músicas especializadas tratadas para todos los públicos y, aun así, salpicadas por la dinámica realidad de estos tiempos. Dirigido por Andrés Ayala (@winitwo). Tracklist: Donny Hathaway - This Christmas Chico Buarque - Samba de Orly Clarence Carter - Back Door Santa Los Melodicos - La Mecedora Mark Rae - Bob's Temptation Brenda Lee - Rockin' Around The Christmas Tree James Brown - Santa Claus Go Straight To The Ghetto Winston surfshirt - For Real Llamada Piyama: Siniestro Total - A Fun Fun A Fan Fan The Knocks - Goodbyes feat. Method Man Sonny Boy Williamson II - Santa Claus Ella Fitzgerald - Frosty The Snowman Rada - Malísimo Tony Bennett - Winter Wonderland Jimmy Jules & The Nuclear Sound System - Xmas Done Got Funky Vince Guaraldi Trio - Christmas Is Coming

@tony_guaraldi_brown is an illustrator and highschool art teacher, comic book artist, rock poster creator and showing local artist. Curt Barnickle is the owner of @agentinkgallery and @trademarkstudio in Santa Rosa CA  Find me @renzo_butchart  Find the pod cast @brave_castle_cast Come get tattooed at @glassbeetletattoo   Thank you to AGENT INK GALLERY in Santa Rosa for their support. Colleen and Curt Barnickle are local hero’s. PLEASE go support their gallery! agentinkgallery.com Come out to the Tony Guaraldi-Brown and Steven Russel Black show Saturday May 19th 6-9 531 5th Street AGENT INK GALLERY

Tony Guaraldi-Brown is a professional illustrator and comic book artist who also teaches art at Rancho Cotati High School. He is a master of his craft and deep thinking individual. Find him and his book at www.tgbart.com and @tony_guaraldi_brown 

Nothing takes the edge off the holidays quite like the soundtrack to “A Charlie Brown Christmas” by Vince Guaraldi. The jazz musician and composer always wanted to write a standard. And since the “Peanuts” holiday special first aired in 1965, its score has become one of the most recognizable jazz recordings of all time. In 2012 “A Charlie Brown Christmas” was chosen for preservation in the Library of Congress’ National Recording Registry. Its story is told by Jean Schulz, the widow of “Peanuts” creator, Charles M. Schulz; Jerry Granelli, the drummer who played with Guaraldi; and Lee Mendelson, the producer who worked closely with Schulz on the Christmas special. (Originally aired December 14, 2012) Learn more about your ad choices. Visit megaphone.fm/adchoices

Gordie wonders about dinosaurs Paul discovers his time machine at last

On this episode, we’ve improvised a sampling of jazz hits that used to be an important part of the playlists of rock and roll radio stations. Prior to the mid-1970s, top 40 formats often included a wider spectrum of music than they do now. Back then you could hear rockabilly, easy listening, country, rhythm and blues, pop, Broadway show tunes, and jazz on the same station. That was long before radio, satellite, and Internet streaming rock music stations splintered into more narrowly focused formats such as hard rock, soft rock, classic rock, oldies, album oriented rock, urban contemporary, and so on. Many of the jazz hits played on top 40 radio stations were cover versions of then-current rock songs, and then there were rock and pop hits that were cover versions of jazz originals. And we’ll cover some of them, too. So, stay tuned for all that jazz. We’ll hit the high notes here.

Alex and I discuss how I caused him to crash his car in the snow, a delicious new reverb, and st, st, st, st, stutter effects. Also, I tease things at the end of this episode. I'm such a jerk. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sorry for the long time between episodes, but in the interim, I became a father. Audrey Ruth was born Dec 15, and so I wanted to celebrate by featuring a song first made famous by another lovely Audrey. I skipped over many of the biggest versions of this song and went right for the most interesting (for the most part). Enjoy!

In Vince Guaraldi at the Piano (McFarland Press, 2012),Derrick Bang chronicles San Francisco jazz pianist Vince Guaraldi’s sojourns into the world of jazz from the late 1940s to his untimely death in 1976. Guaraldi, known to most world-wide as the composer and pianist behind the Peanuts’ animated television specials featuring Charlie Brown and Snoopy, also played in Woody Herman’s “Third Herd” big band; composed and recorded a revolutionary Jazz Mass which he performed live in San Francisco’s Grace Cathedral in 1965; participated in some magical and memorable live and recorded collaborations with Brazilian guitarist Bola Sete; and was a fixture in the bossa nova Latin jazz San Francisco club scene in the 1950s and 1960s. His “Jazz Impressions of Black Orpheus,” based on the soundtrack to the Academy Award winner for Best Foreign Film in 1960, introduced countless people to jazz and the sensuous sounds of bossa nova. His single on the same album, “Cast Your Fate to the Wind,” won a Grammy for Best Original Jazz Composition in 1963 and was a successful cross-over song cover on the US Billboard pop chart. Though Vince Guaraldi died in 1976 at the age of only 47, his legacy was revived decades later by David Benoit and George Winston, both of whom recorded covers of his songs. Bang is circumspect about much of Guaraldi’s personal life and he qualifies up front that his book isn’t a traditional biography. Nonetheless, one gets a great feel for the varied and large body of work of this San Francisco-born musician who carved out a unique and enduring niche in the jazz world. Guaraldi had a wonderful sense of rhythm, and his improvisations were almost always melodic. He could swing and play anything from boogie-woogie to bossa nova but will perhaps most be remembered as a joyful player with a sense of playfulness and uplift. You feel good when you hear Vince Guaraldi’s music. With an extensive discography, filmography, and also a large collection of statements and observations by Guaraldi’s peers about his playing, his distinctive handlebar-mustachioed look, and his entertaining persona at the piano, Bang’s book, which represents a lifetime of listening and appreciation and more than four years of extensive research, is a rich and needed testimony to Guaraldi’s musical legacy. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Vince Guaraldi at the Piano (McFarland Press, 2012),Derrick Bang chronicles San Francisco jazz pianist Vince Guaraldi’s sojourns into the world of jazz from the late 1940s to his untimely death in 1976. Guaraldi, known to most world-wide as the composer and pianist behind the Peanuts’ animated television specials featuring Charlie Brown and Snoopy, also played in Woody Herman’s “Third Herd” big band; composed and recorded a revolutionary Jazz Mass which he performed live in San Francisco’s Grace Cathedral in 1965; participated in some magical and memorable live and recorded collaborations with Brazilian guitarist Bola Sete; and was a fixture in the bossa nova Latin jazz San Francisco club scene in the 1950s and 1960s. His “Jazz Impressions of Black Orpheus,” based on the soundtrack to the Academy Award winner for Best Foreign Film in 1960, introduced countless people to jazz and the sensuous sounds of bossa nova. His single on the same album, “Cast Your Fate to the Wind,” won a Grammy for Best Original Jazz Composition in 1963 and was a successful cross-over song cover on the US Billboard pop chart. Though Vince Guaraldi died in 1976 at the age of only 47, his legacy was revived decades later by David Benoit and George Winston, both of whom recorded covers of his songs. Bang is circumspect about much of Guaraldi’s personal life and he qualifies up front that his book isn’t a traditional biography. Nonetheless, one gets a great feel for the varied and large body of work of this San Francisco-born musician who carved out a unique and enduring niche in the jazz world. Guaraldi had a wonderful sense of rhythm, and his improvisations were almost always melodic. He could swing and play anything from boogie-woogie to bossa nova but will perhaps most be remembered as a joyful player with a sense of playfulness and uplift. You feel good when you hear Vince Guaraldi’s music. With an extensive discography, filmography, and also a large collection of statements and observations by Guaraldi’s peers about his playing, his distinctive handlebar-mustachioed look, and his entertaining persona at the piano, Bang’s book, which represents a lifetime of listening and appreciation and more than four years of extensive research, is a rich and needed testimony to Guaraldi’s musical legacy. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Vince Guaraldi at the Piano (McFarland Press, 2012),Derrick Bang chronicles San Francisco jazz pianist Vince Guaraldi’s sojourns into the world of jazz from the late 1940s to his untimely death in 1976. Guaraldi, known to most world-wide as the composer and pianist behind the Peanuts’ animated television specials featuring Charlie Brown and Snoopy, also played in Woody Herman’s “Third Herd” big band; composed and recorded a revolutionary Jazz Mass which he performed live in San Francisco’s Grace Cathedral in 1965; participated in some magical and memorable live and recorded collaborations with Brazilian guitarist Bola Sete; and was a fixture in the bossa nova Latin jazz San Francisco club scene in the 1950s and 1960s. His “Jazz Impressions of Black Orpheus,” based on the soundtrack to the Academy Award winner for Best Foreign Film in 1960, introduced countless people to jazz and the sensuous sounds of bossa nova. His single on the same album, “Cast Your Fate to the Wind,” won a Grammy for Best Original Jazz Composition in 1963 and was a successful cross-over song cover on the US Billboard pop chart. Though Vince Guaraldi died in 1976 at the age of only 47, his legacy was revived decades later by David Benoit and George Winston, both of whom recorded covers of his songs. Bang is circumspect about much of Guaraldi’s personal life and he qualifies up front that his book isn’t a traditional biography. Nonetheless, one gets a great feel for the varied and large body of work of this San Francisco-born musician who carved out a unique and enduring niche in the jazz world. Guaraldi had a wonderful sense of rhythm, and his improvisations were almost always melodic. He could swing and play anything from boogie-woogie to bossa nova but will perhaps most be remembered as a joyful player with a sense of playfulness and uplift. You feel good when you hear Vince Guaraldi’s music. With an extensive discography, filmography, and also a large collection of statements and observations by Guaraldi’s peers about his playing, his distinctive handlebar-mustachioed look, and his entertaining persona at the piano, Bang’s book, which represents a lifetime of listening and appreciation and more than four years of extensive research, is a rich and needed testimony to Guaraldi’s musical legacy. Learn more about your ad choices. Visit megaphone.fm/adchoices