1959 film by Marcel Camus
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3 episodes with Black Orpheus
5 episodes with Black Orpheus
2 episodes with Black Orpheus
2 episodes with Black Orpheus
3 episodes with Black Orpheus
2 episodes with Black Orpheus
2 episodes with Black Orpheus
3 episodes with Black Orpheus
2 episodes with Black Orpheus
On tonight's show: Bing Crosby, Sweet Georgia Brown, 1932 Chu Berry, Body and Soul, 1938 The Spencer Trio, Baby, Won't You Please Come Home? 1938 Winifred Atwell, Choo Choo Samba, 1950s Claude Williamson Trio, Stella by Starlight, 1956 Illinois Jacquet, Have You Met Miss Jones? 1957 Doris Day, There Will Never Be Another You, 1957 Clark Terry, Take the A Train, 1957 Duke Ellington, Night and Day, 1958 Howard Roberts, When the Sun Comes Out, 1959 Ella Fitzgerald, In the Wee Small Hours of the Morning (Live at the Crescendo), 1961 Oscar Peterson Trio, Moten Swing, 1963 Paul Desmond, The Theme from Black Orpheus, 1963 Zoot Sims, The Girl from Ipanema, 1977 The Rosenberg Trio, Django, 1995 The Spencer Wyatt Big Band, Blues in The Bucket, 2001
Tyler talks about the classic epic Ben-Hur and why it stands Sword and Sandals above the other religious based movies of it's time. He also reviews the other THREE versions that were made. But the other nominees were nothing to scoff at either! Take a listen and see how close they stack up against one of Hollywood's best films.
Welcome to Season 04 Episode 07 - the "Four Drumsticks" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Prof. Dan Lendzian and Ms. KK LaBarbera on The Book Women; Ms. Elizabeth Cardy-Sciarrino on It's A Wonderful Life - A Live Radio Play; Ms. Seri Beeson on the NSAA Holiday Arts Show; and Mr. Marco Palos and Mr. Blake Lewis on A Not So Silent Night holiday concert. Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Thanks for listening! Time Stamps (Approximate) 01:05 Dan Lendzian/KK LaBarbera - The Book Women 18:27 Libby Cardy-Schiarrino - Wonderful Life/Radio Play 28:20 Seri Beeson/NSAA Holiday Art Show 42:40 Arts Calendar 44:19 Marco Palos/Blake Lewis/Phat Cat Swinger Media "Oh, Good Grief", Vince Guaraldi Trio, from The Definitive Vince Guaraldi; Jan. 1, 2009, Fantasy Inc. "The Great Pumpkin Waltz", Vince Guaraldi Trio, from A Charlie Brown Christmas, December 1965, Concord Music Group "Run Rudolph Run, written by Chuck Berry and Johnny Marks, Chess Records 1958; performed by Phat Cat Swinger, Nov. 23, 2018 "Cast Your Fate to the Wind, written by Vince Guaraldi, performed by the Vince Guaraldi Trio, from the album Jazz Impression of Black Orpheus, Fantasy Records 1962 Artist Links Dan Lendzian; KK LaBabera Elizabeth Cardy-Sciarinno Seri Beeson Phat Cat Swinger Box Office at SUNY Fredonia Lake Shore Center for the Arts Tickets GIVE THE GIFT OF MEMBERSHIP! BECOME AN OPERA HOUSE MEMBER! PHAT CAT SWINGER PREVIEW
Se cumplen 65 años del estreno de la película 'Orfeo Negro' de cuya banda sonora escuchamos 'Générique', 'A felicidade', 'Manhã de carnaval' y 'Samba de Orfeu'. Basada en la obra de teatro de Vinicius de Moraes 'Orfeu da Conceição', estrenada en el Municipal de Río de Janeiro en 1956, que llevaba el mito griego de Orfeo a las favelas y el carnaval carioca, y de la que suenan las músicas de Jobim 'Ouverture', 'Lamento no morro'. y 'Se todos fossem iguais a você'. Del disco del bajista Nilson Matta 'Black Orpheus', publicado en 2013, 'Se todos fossem iguais a você' -cantada por Leny Andrade, 'Frevo de Orfeu', 'O nosso amor', 'Samba de Orfeu' y 'Valsa de Euridice' y 'Eu e o meu amor'/'Lamento no morro' -cantadas por Gretchen Parlato-. Con el mismo título, el Trio da Paz, del que forma parte Matta, grabó 'A felicidade' y 'Manhã de carnaval' -ambas en la voz de Maúcha Adnet-. Escuchar audio
RIP JAKE. Lots of rambles, but a really great discussion. Hosted on Acast. See acast.com/privacy for more information.
This week, we have another brand new "In Conversation" episode with Daresha Kyi, an award-winning director and producer! In this episode, we chat with Daresha about her filmmaking journey. She shares experiences and lessons learned from her various projects as well as invaluable advice for aspiring filmmakers. (01:12) Check out Daresha's list of impactful films: Ganja & Hess, Quilombo, Black Orpheus, Sweet Sweetback's Baadasssss Song, Lars and the Real Girl, The Godfather Part II, Harold and Maude, Cinema Paradiso, Life Is Beautiful, The Spirit of the Beehive, My Life as a Dog, Benny & Joon, Being There, American Beauty, and Chinatown As well as Daresha's Mount Rushmore of filmmakers: Federico Fellini, Ava DuVernay, Martin Scorsese, and Pedro Almodóvar We are available on all podcasting platforms but please follow, rate, and review us on Apple Podcasts and Spotify apps. We greatly appreciate the support! Follow us on social media: IG: @recappinpodcast Twitter: @recappinpodcast FB: ReCappin' with Delora and Ashley Contact us: Email: recappinpodcast@gmail.com
This week, we review Challengers. We also discuss sports movies in Concessions of a Cinephile, and more! The Bloody Awesome Movie Podcast delivers a spoiler-free review of a film, usually a new release with some exceptions, every week. Then Matt Hudson (@wiwt_uk) from What I Watched Tonight and Jonathan Berk (@berkreviews) from Berkreviews.com will introduce a variety of movies or pop-culture-related topics in a series of segments. For some movies, a bonus episode that is full of spoilers will drop a few days later. Review of Challengers Director, writer, and cast provided by Letterboxd.com IMDb.com Synopsis: Tennis player turned coach Tashi has taken her husband, Art, and transformed him into a world-famous Grand Slam champion. To jolt him out of his recent losing streak, she signs him up for a “Challenger” event — close to the lowest level of pro tournament — where he finds himself standing across the net from his former best friend and Tashi's former boyfriend. RATINGS: 88% RT critic 75% RT audience 83 Metascore, 7.8 IMDb user score 4.2 Letterboxd, RELEASE location / DATE: In theaters everywhere Concessions of a Cinephile In this segment, we switch to movie-motivated conversations of a large variety that could include headlines, trailers, top five lists, best of, competitions, etc…. Topic Best of movie by specific sport (Football, Baseball, etc) Media Consumption Movies, TV, Video Games, Music, Podcasts (not ours), etc that we use to pass the time Matt's consumption Dead Meat, Double Toasted Annihilation Jon's consumption Black Orpheus, A Bigger Splash, The Talented Mr. Ripley, Backspot Opposable Thumbs Listen on Spotify | Apple Podcast | Stitcher BAMP on Twitter | BAMP on Instagram | TeePublic Merchandise Jon on Twitter | Jon on IG | Jon on Letterboxd.com Matt on Twitter | Matt on IG | Matt on Letterboxd.comBerkreviews.com | WhatIWatchedTonight.co.uk --- Send in a voice message: https://podcasters.spotify.com/pod/show/bloody-awesome/message Support this podcast: https://podcasters.spotify.com/pod/show/bloody-awesome/support
This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 28th March 2024 Artist - Track - Album - Year Kelly Green By the Way Seems 2024 Lynne Arriale Persistence Being Human 2024 Jill McCarron Trio The Whisperer Gin 2024 Monty Alexander Oh Why (That's Why) D-Day 2024 Brian Bromberg Solar LaFaro 2023 Allen Dennard Forgive and Forget Flashback 2022 Melissa Aldana Ritual Echoes of the Inner Prophet 2024 Leigh Pilzer's Seven Pointed Star Where Will We Go? Beating the Odds 2024 Marta Karassawa Quintet Good Vibes tempo bom 2024 Caroline Julia Cabading Off Court Funk Sugilanon 2024 Tierney Sutton and San Gabriel 7 Monkey Mind Good People 2024 Michael Brecker African Skies Tales from the Hudson 1996 Doug MacDonald Si Miner Sextet Session 2024 Jill McCarron Trio The Gin Suite: Gin Gin 2024 Jill McCarron Trio The Gin Suite: Bitters Gin 2024 Jill McCarron Trio The Gin Suite: Luck of the Draw Gin 2024 Noah Haidu Obsesión Standards II 2024 Spike Wilner Trio Happy Ending Contrafactus 2024 Martin Budde Red Back Burner 2024 Mike Clement Actualization Hittin' It! 2024 The Gary Urwin Jazz Orchestra and Friends Day in the Live of a Fool (theme from "Black Orpheus") Flying Colors 2024 Andy Milne and Unison Kumoi Joshi Time Will Tell 2024 Last Ark Out Song Needs Title (feat. Allison Au) Lift 2024 Reverso En Avant Shooting Star Étoile Filante 2024 The post The Creative Source (#CreativeSource) – 28th March 2024 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.
TWiV notes Ashish Jha's call for doctors to combat a vacuum of medical information while ignoring our contributions, China CDC's surveillance of SARS-CoV-2 at the Huanan Seafood Market, and an experimental infectious attenuated COVID-19 vaccine that elicits superior mucosal and systemic immunity in hamsters. Hosts: Vincent Racaniello, Dickson Despommier, Alan Dove, Kathy Spindler, and Brianne Barker Subscribe (free): Apple Podcasts, Google Podcasts, RSS, email Become a patron of TWiV! Links for this episode Register for ASV 2023 MicrobeTV Discord Server Jha ignores TWiV contribution to disseminating science information (STAT) Surveillance of SARS-CoV-2 at the Huanan Market (Science) Pandas in the Huanan Market? (ArsTechnica) Infectious attenuated COVID-19 vaccine candidate (Nature Micro) Virus attenuation by codon pair deoptimization (Cell Rep) Timestamps by Jolene. Thanks! Weekly Picks Dickson – Jazz Project: Conductor/composer: Gill Evans. Produced Sketches of Spain, Porgy And Bess. Quincey Jones. Numerous albums, all kinds of music. Duke Ellington. Prolific musician, pianist, and composer. Antonio Carlos Jobim. Signature album: Sound track from the film – Black Orpheus. Signature songs: Girl From Ipanema; The Waters of March. Brianne – This is what it sounds like when plants cry Kathy – I know who you are by Barbara Rae-Venter Alan – Svalbard seed vault virtual tour Vincent – We're Asking the Impossible of Vaccines by Katherine Wu Intro music is by Ronald Jenkees Send your virology questions and comments to twiv@microbe.tv
"Try to remember. It's a very old story. Many podcasts ago, Nana was sad and melancholic, like this little bird trapped in its cage. But one day, from the strings of her guitar that sought only one true love, a voice spoke to her of lost kisses from the lips of Hachi. Hachi's lips trembled anxiously, and her mouth opened slightly like a fragrant flower—No, you're too young to remember! Forgive me, Hachi..." Next week we will be back to talk about The Mad Fox! You can follow Niamh on twitter @FoxmomNia and listen to faer other podcasts, Ghost Divers, Pondering Pootan, and Around the Long Fire by going to exportaud.io/ghostdivers, exportaud.io/pootan, and abnormalmapping.com/longfire. You can follow Autumn on twitter by going to @Autumnal_Coffee and listen to all of their podcasts by going to exportaud.io. You can see how we rated this stairwell and all the other stairwells by going to exportaud.io/stairwellquality You can also get listen to this podcast a week early by giving us a dollar on the patreon!!! Find out more at https://ornate-stairwells.pinecast.co
I don't have a funny quote for this one and I'm tired because Daylight Saving fucked me right up, sorry. Also, the Stairwells Movie Bracket is now over! You can listen to the episode by becoming a $5 patron at exportaud.io! You'll also get the next episode on Black Orpheus early, which is already out when you are reading this, where we will talk through the predictions and crown our winner! You can follow Niamh on twitter @FoxmomNia and listen to faer other podcasts, Ghost Divers, Pondering Pootan, and Around the Long Fire by going to exportaud.io/ghostdivers, exportaud.io/pootan, and abnormalmapping.com/longfire. You can follow Autumn on twitter by going to @Autumnal_Coffee and listen to all of their podcasts by going to exportaud.io. You can see how we rated this stairwell and all the other stairwells by going to exportaud.io/stairwellquality You can also get listen to this podcast a week early by giving us a dollar on the patreon!!! Find out more at https://ornate-stairwells.pinecast.co
THE STORY OF O AND EMany writers and film makers have gone back to Virgil's classic for inspiration over the decades: Tennessee Williams with Orpheus Descending (1957); Marcel Camus' timeless film, Black Orpheus (1959) is a Brazilian Carnavale take, Sarah Ruhl's Eurydice is a theatrical staple, and more recently, the Broadway hit, Hadestown.My offering was composed in the early months of the pandemic, and still retains the urgency of those days. Here are the first 3 songs/episodes, with my spoken introductions. EP 1: OBSESSION - sets the neurotic scene.EP 2: GET OUT! - O fantasizes an escape from the city.EP 3: CHOP WOOD, CARRY WATER - Ensconced upstate, O takes some bucolic counsel.for more reading on the original tale... https://en.wikipedia.org/wiki/Orpheus_and_EurydiceIn Virgil's classic version of the legend, it completes his Georgics, a poem on the subject of agriculture. Here the name of Aristaeus, or Aristaios, the keeper of bees, and the tragic conclusion was first introduced.[2]Ovid's version of the myth, in his Metamorphoses, was published a few decades later and employs a different poetic emphasis and purpose. It relates that Eurydice's death was not caused by fleeing from Aristaeus, but by dancing with naiads on her wedding day.Other ancient writers treated Orpheus's visit to the underworld more negatively. According to Phaedrus in Plato's Symposium,[3] the infernal deities only "presented an apparition" of Eurydice to him. Plato's representation of Orpheus is in fact that of a coward; instead of choosing to die in order to be with his love, he mocked the deities in an attempt to visit Hades, to get her back alive. As his love was not "true"—meaning that he was not willing to die for it—he was punished by the deities, first by giving him only the apparition of his former wife in the underworld and then by having him killed by women.[3]
Welcome back Films Fans!! Its a New Year and were celebrating all it has to offer. Starting off with Black History Month! On this episode our hosts are having a great time reviewing the exciting, the historic and the classical films Devotion and Black Orpheus. Please join us as we jump into the historic nature of this month with this episode's beverage choices. Come on, grab a seat and your favorite drink as Tawania supports a local Black business and Von makes us a classic drink with a twist. If you like this episode please be sure to share, like and follow us here and on Apple Podcasts, Spotify, Facebook, Instagram and Twitter. Be Safe, Be Well and Please Wear a Mask.
'Iroko' es el título del disco que firman el pianista cubano Omar Sosa y el cantante y guitarrista brasileño Tiganá Santana. Resalta puntos de encuentro entre principios musicales bantús y yorubas, presentes en el candomblé y la santería, con piezas como 'Iroko', 'Bolero de flotación', 'Bloco novo', 'Moradia de Babalú' o 'A selva da gameleira branca'. Y grabaciones de los años sesenta del cuarteto del saxofonista Paul Desmond y el guitarrista Jim Hall de 'Samba de Orfeu', 'Theme from Black Orpheus', 'Samba cantina', 'Bossa antigua' y 'Easy living'. Escuchar audio
Grab your dancing shoes and head on down to Brazil with Guti, Ismael, and Ron as we discuss the 1959 romantic tragedy Black Orpheus. Stick around till the end for our World Cup predictions. Follow @reellatinos on Instagram and Twitter.
Episode No. 570 features artist vanessa german and curator Kimberli Gant. german is included in "Start Talking: Fischer/Shull Collection of Contemporary Art," an exhibition of gifts to the North Carolina Museum of Art pledged by Hedy Fischer and Randy Shull. The show is on view through February 5, 2023. The Mount Holyoke College Art Museum is presenting "THE RAREST BLACK WOMAN ON THE PLANET EARTH," german's response to the Joseph Allen Skinner Museum, an early 20th-century cabinet of curiosities at Mount Holyoke. The exhibition is in previews through October 12, the artist will perform at the museum on October 13, at which point the show will remain on view through May 28, 2023. german is showing recent work at New York City's Kasmin Gallery in "Sad Rapper" through October 22. With Ndubuisi Ezeluomba, Gant is the co-curator of "Black Orpheus: Jacob Lawrence and the Mbari Club" which is at the Chrysler Museum of Art in Norfolk, Va. through January 8, 2023. The exhibition explores the connection between Lawrence and his contemporaries based in the Global South via the Nigerian journal "Black Orpheus" and the presentation of their work at Nigeria's Mbari Artists & Writers Club. After debuting in Norfolk, the show will travel to New Orleans and Toledo. The exhibition is accompanied by an outstanding catalogue published by Yale University Press in association with the Chrysler and the New Orleans Museum of Art. Indiebound and Amazon offer it for $50. Instagram: vanessa german, Kimberli Gant, Tyler Green. Air date: October 6, 2022.
SUPPORT THE SHOW ON PATREON AND HEAR EPISODES EARLY! https://www.patreon.com/rapcritic REQUEST MUSIC VIDEOS, MOVIES, OR MUSIC STREAMS HERE: https://ko-fi.com/rapcritic --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/reviewanew/support
In the fifteenth episode of Season 7 (Fantastical Realities) Kyle is joined by fellow podcaster Ben Thelen and screenwriter Gio Maldonado to discuss the blend of dance, music, and tragedy that combines celebratory romanticism and societal tragedy in the jubilant yet wary depiction of Favela life in Marcel Camus' Black Orpheus (1959).
In this episode we discuss his career as an Actor, Director, Choreographer and how those different artistic expressions helped him navigate the world. We also talk in depth about what it was like to travel with a deaf theatre company without knowing any sign language goin in. Professor Stephen Buescher is an actor, director, and teaching artist who has designed and led movement training curriculum for various master's programs including Brown University/Trinity Repertory Consortium and the American Conservatory Theater. He has also taught physical theater in the master's programs at the Yale School of Drama, University of Missouri Kansas City, and the University of Connecticut. He has choreographed Hamlet, A Thousand Splendid Suns, Orphan of Zhao, Stuck Elevator, Monstress, Let There Be Love, and Underneath the Lintel at the American Conservatory Theater; The Imaginary Invalid at the Old Globe Theater (Fiasco); A Midsummer Night's Dream and Private Lives at Long Wharf Theater; A Christmas Carol at Trinity Repertory Company; Love's Labour's Lost at Shakespeare Santa Cruz; Blues for an Alabama Sky at the Lorraine Hansberry Theater; and Black Maria at The Providence Black Repertory Theater. He has directed numerous productions in the MFA Conservatory including The Bacchae Communion Rite, The Taming of the Shrew, Romeo and Juliet, Galileo, The House of Bernarda Alba (Moscow Art Theater), Hotel Paradiso, Black Orpheus, and Crazy for the Country. Professor Buescher has been a long time company member with Dell' Arte International where he has performed both nationally and internationally. International Festivals include the International Small Scene Theater Festival (Croatia), The Festival of New Adaptations (Hungary), and The Festival International de Teatro Caribe (Colombia). He has also performed with the National Theater of Greece, Oktana Dance, and Tanz Theater Heidelberg. Nationally he has performed with Dell' Arte International, American Conservatory Theater, Smith Wymore Disappearing Acts, Scott Wells and Dancers, Shotgun Players, and Deborah Slater Dance. He is a first round recipient of TCG's New Generations Grant, a member of SDC, and the Network of Ensemble Theaters. Professor Buescher is a graduate of the Dell' Arte International School of Physical Theater and California Institute of the Arts.EducationDell'Arte International School of Physical TheaterCalifornia Institute of the Arts
Velkommen til Filmfeber - podcasten som dekker alt av ulike sjangere og epoker i filmhistorien. I denne siste episoden før vi tar sommerferie returnerer til en kjent formel, og prøver igjen et årstall med hver vår topp 3. Vi er også blant annet innom kult-dokumentaren 'American Movie' (1999), gullpalmevinneren 'Black Orpheus' (1959) og 'Elvira: Mistress of the Dark' (1988) i vår "Sett siden sist"-spalte. I panelet er Pål Gundersen, Per-André Nielsen og Tommy Larsson. Vil du sende inn spørsmål kan du enten gjøre det på instagram: Filmfeber eller mail: filmfeberpod@gmail.com. God lytting!
Dylan and Connor are joined by Jordan Dobson (Hadestown, West Side Story). Listen in as the guys discuss the new season of Elite on Netflix, Jordan's new musical The Wanderer at PaperMill Playhouse, jazz band, the musical Parade, the Philly arts scene, making his Broadway debut in the Ivo Van Howe West Side Story revival, standing by for Isaac Cole Powell, what it was like to be a Black man playing a role traditionally played by white actors, the icon that is Tatiana Lofton, Connor's crush on Andre Lamoglia, Jensen McRae, a secret project tease, A Beautiful Noise trying out in Boston, and playing Orpheus in Hadestown on Broadway.Follow Jordan on InstagramFollow DRAMA. on Twitter & InstagramFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramEdited by DylanGet your DRAMA merch (t-shirts, stickers, and more) HERE!SUBSCRIBE TO OUR PATREON HERE! Support us and help us continue producing content!Please subscribe on Apple Podcasts, rate us 5 stars, and leave a kind review!
Grabaciones inéditas del guitarrista brasileño Bola Sete en sus visitas anuales al Penthouse, club de jazz de la ciudad de Seattle, entre 1966 y 1968: 'Consolação', 'Meditação', 'Soul samba', 'Deve ser amor', 'Valsa de uma cidade' y 'Garota de Ipanema'. Y grabaciones, también de los años sesenta, de Bola Sete (1923-1987) con el pianista californiano Vince Guaraldi en estudio ('Casaba', 'Days of wine and roses') y en concierto ('Black Orpheus suite'). Escuchar audio
In this season seven premiere of THE ONE-INCH BARRIER, we discuss France's romance about death and tragedy that won at the 32nd Academy Awards: Marcel Camus's BLACK ORPHEUS. This week's guest is Brett Doze, co-host of Gilded Films Podcast and writer for InSession Film. Find us on the internet! Brett Doze: @bdoze2017 Gilded Films: @gildedfilms Juan Carlos Ojano: @carlosojano The One-Inch Barrier: @OneInchBarrier You can now support this podcast via Patreon! Click here: https://www.patreon.com/TheOneInchBarrier Music Credits Opening and Ending: Original Music by Antonio Carlos Jobim & Luiz Bonfá
We all have theater kid energy! Broadway News: Starting this season, Tony Awards voters must complete unconscious bias training in order to vote in any categories. The news, sent to voters last Friday, requires members to take a free, online training session led by inclusion strategist Vernā Myers. The course is meant to teach viewers how to identify unconscious or implicit bias in their own decision-making processes and how to correct it, according to the course description. Producers Stephen Byrd and Alia Jones-Harvey announced that a new musical stage adaptation of Black Orpheus, featuring a book by Pulitzer Prize winner Nilo Cruz, original music by Grammy Award winner and Brazilian icon Sergio Mendes, and direction and choreography by Tony Award winner Sergio Trujillo, is being readied for its world premiere production on Broadway during the 2022-2023 season. A developmental workshop and an out-of-town regional theatre run are being planned for 2022 before heading to Broadway in 2023. James Snyder, who has been playing the role of Harry Potter in Harry Potter and the Cursed Child since a new, shorter version of the production reopened on Broadway on November 12, 2021, has had his contract terminated. The termination follows a complaint from fellow cast member Diane Davis, who has since also left the production by her own accord, regarding his conduct. The Broadway revival of Ntozake Shange's for colored girls who have considered suicide/ when the rainbow is enuf, directed and choreographed by Tony Award nominee Camille A. Brown will begin performances on Friday, April 1, 2022 at the Booth Theatre. The fully reimagined production will open on Wednesday, April 20, 2022. Casting: Dennis Stowe steps into the role of Jafar in the Broadway production of Aladdin beginning this week at the New Amsterdam Theatre. He succeeds fellow original cast member Jonathan Freeman, who created the role on Broadway after voicing the part in the 1992 animated film. Freeman played his final performance on January 23. NaTasha Yvette Williams will succeed Dawnn Lewis as Zelma, Tina Turner's mother, in Broadway's Tina: The Tina Turner Musical beginning February 4. Lewis is scheduled to play her final performance on January 30. Williams was last seen on Broadway in Chicken and Biscuits and has been a long-time Matron "Mama" Morton in Chicago. She starred as Becky during the original run of Waitress, and also appeared on Broadway in A Night With Janis Joplin, Porgy and Bess, and The Color Purple. Follow @BwayPodNetwork on Twitter. Find co-hosts on Twitter at @AyannaPrescod, @CLewisReviews, and @TheMartinAcuna. Subscribe To BPN's newsletter HERE. Learn more about your ad choices. Visit megaphone.fm/adchoices
“Black Orpheus” Announces Broadway Plans, Arts Leaders Testify Before Congress, Joe Iconis’ “Punk Rock Girl!” Begins “Today on Broadway” is a daily, Monday through Friday, podcast hitting the top theatre headlines of the day. Any and all feedback is appreciated: Ashley Steves ashley@broadwayradio.com | @NoThisIsAshleyGrace Aki grace@broadwayradio.com | @ItsGraceAkiJames Marino read more The post Today on Broadway: Friday, January 21, 2022 appeared first on BroadwayRadio.
Nikki Bedi and Rev Richard Coles are joined by actor Ralf Little who first appeared on our screens as the awkward Antony in the Royle Family, went on to star in Two Pints and a packet of crisps, and now Death in Paradise. Legendary football manager Brian Clough took our guest Craig Bromfield under his wing as a troubled youngster but their relationship ended when Craig betrayed Brian and never saw him again. Craig has written about his experience to make sense of what he did and why he did it. Helen Kirkham is a Saturday Live listener who had a road accident as a teen and later trained to be a nurse. She attended a lecture by the doctor who saved her life. Sports reporter Emma John who is a cricket fan, a bluegrass fiddler and singledom advocate. Andy Summers, guitarist with The Police, chooses his Inheritance Tracks: Manha de Carnaval from the film Black Orpheus by Luiz Bonfa and West Coast Blues by Wes Montgomery and your thank you. Producer: Corinna Jones
In 1953, Black American-born French actress, singer, and dancer Marpessa Dawn moved to Europe in order to escape racial discrimination in the U.S. and find acceptance as an entertainer.In this episode, we follow Marpessa's journey from being a lab technician in New York during the Civil Rights Movement in the '50s to becoming an international entertainer and star in Europe throughout the '60s and '70s.
We chat with Ghislan Timm(Jess-lin/Jiz-lan) (she/they) an experimental filmmaker and multidisciplinary artist based in Tkaronto (Toronto). We talk nighttime collage making, Romare Bearden, the way stillness feels, August Wilson, nature as the great muse, Jackie Shane's connection to Toronto, and finding references in the everyday. Recommendations from this episode: Romare Bearden, A Life in Art August Wilson on His Pittsburgh Cycle Jackie Shane Money ( That's What I Want) Live Jackie Shane salt nayyirah waheed Ghislan's work is influenced by Afro-Caribbean folklore and culture, Afro-futurism, soundscape, and cinema, and often appropriates archival film and imagery to shape non-linear narratives from fragments of memories. ghislantimm.format.com| @orphicinema
This episode offers a sneak preview of the upcoming Philadelphia Latino Film Festival (PHLAFF) opening on Friday, June 2. Festival Director, Marangeli Meija Rabell discusses this year's festival offerings and their commitment to showcasing work by emerging filmmakers and those using film as a means of social change. We talk about the current economic crisis in Puerto Rico, the new documentary film about Residente and how PHLAFF is building community by bringing artists together with audiences. Featured soundtracks include Alejandro Iñárritu's Amores Perros, Marcel Camus' Black Orpheus, Eliseo Subiela's Dark Side of the Heart and Residente.
Nice group tonight! Worked with some motifs and explored different harmonies with them. Towards the end I started a blues, but I wasn't really feeling connected to a "free blues" so I segued into a version of God Bless the Child. After that I still felt like staying with a jazz sound so the next piece was Manhã de Carnaval, also known as Black Orpheus. Enjoy.
Black Orpheus is a 1959 Brazilian film that retells the Greek tragedy of Orpheus and Eurydice. If that sentence doesn't bore you to death, feel free to stream this cinematic classic on the Criterion Channel.If like me, you're thinking that that film might not be for you, it probably isn't! This film is beautiful to look at but purposefully lingers on vivid scene after vivid scene, much to my chagrin and Mike's delight.We also chat about Bob Ross and the new documentary about him available on Netflix right now.If you want to interact with the show, you can find us on all the socials (except facebook.
Playing Favorites returns! With splendid new guest and new friend Rachel Oyawale! Our chat ranged from picturesque Italian hostels to Carné's resplendent Black Orpheus, to our shared Jewish backgrounds and (mostly shared) Jewish senses of humor, and beyond. Listen in! It's Playing Favorites! Glad to be back! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/nathaniel-brimmer-beller/support
VH1 Reality content was totally inspired by the like-films that came before... And this is the one where Carolyn thinks she swindled Ashlee into watching a musical, which Ashlee argues the music in the drum-heavy 1959 visual affair, Black Orpheus actually wasn't cringey or shoe horned. This vibrant, beautiful film based on the play, Orfeu da Conceição by Vinicius de Moraes follows the formula of enamored at first sight, jealously, surrealism, and spirituality, all surrounding the nougat that is Carnival in Rio de Janeiro, Brazil. This brought up a whole lesson on Black cross-cultural exchange, exposure, experience, and simply embracing all dimensions of ourselves because let's be honest; we all trace back to one continent. Black Orpheus Interviews Subjects of Desire https://www.drcherylthompson.com/ Black Orpheus Sountrack Looking for "Black Orpheus," a French documentary about Black Orpheus's cultural and musical roots and its resonance in Brazil today Guava Island [Trailer] James Baldwin on Carmen Jones (1954) Also! It's our one year anniversary! We get into the year (very briefly) on our evolution as film writers/critics/lovers (that should be the name of a web series) but basically, a rant exchange between tired Black women... tiiii 'ed.
The Brazilian Trio ('Maúcha na praia', 'Black Orpheus trilogy'), la cantante sueca Sylvia ('Rio de Janeiro blue', 'Someone home', 'O cheiro da Carolina') y la alemana Ulla Haesen ('Disfarça e vem', 'Valeu', 'Os grilos'), el saxofonista Gil Spitzer ('Bossa antigua', 'This is for Luisa', 'The very thought of you') y el vibrafonista Warren Wolf ('Come and dance with me'). Escuchar audio
Depressa! Toma! Toca faz o sol nasce! Bolstered by yet another mega guest, Dr. Rebecca Futo Kennedy, the creative mind behind Classics at the Intersections, we get into Marcel Camus’ French-Brazilian adaptation of Greek myth, Black Orpheus (Orfeu Negro). We also tease our future dive into Thermae Romae and bring in It Follows into the mix. We dive into the importance of play, aging, death, Casio keyboards and how this movie might secretly be a horror film masquerading as a tragedy. Final verdict: Cala boca! Ele está fazendo levantar o sol.
On this week’s episode of Black Girl Film Club Ashley and Britney discuss Carmen Jones (1954) directed by Otto Preminger and starring Dorothy Dandridge and Harry Belafonte. Your favorite podcast hosts discuss the history of this iteration of Carmen as well as finding inspiration by looking at the past. This week’s recommendations are Black Orpheus (1959) and Introducing Dorothy Dandridge (1999). Follow us on Twitter @ blkgirlfilmclub. Check us out on Instagram @ blackgirlfilmclub. Visit us at http://www.blackgirlfilmclub.com.
Boomer, Brandon, and Alli discuss the Carnival-set Greek myth adaptation Black Orpheus (1959). https://swampflix.com/krewe-divine/ 00:00 Welcome 01:00 Inception (2010) 02:40 Bacurau (2020) 03:33 Time loop movies 05:38 Disturbing Behavior (1998) 08:42 Dead Pigs (2021) 12:21 I Care a Lot (2021) 16:15 Black Orpheus (1959)
In this episode Lisa, Andy, and I talk about the films in our festival that we thought were the worst ones.. Among other things, you will hear how the debate about whether or not Black Orpheus and The Seventh Seal are similar movies ended, as well as who was not here for The Virgin Suicides, Ma Rainey's Black Bottom, and WW84. But also, if you've been making a list of things to see, we shout out more than a few more movies that we LOVE for things like the food, no Black suffering, and campy R&B soundtracks.
Ryan and her dad review Marcel Camus's 1959 film Black Orpheus (Orfeu Negro).
First Draft Episode #281: Opening the Mailbag with Lilliam Rivera This week is a new mailbag episode, where I--along with a very special guest--will answer listener questions! Joining me today is Lilliam Rivera, author of The Education of Margot Sanchez, Dealing in Dreams, Goldie Vance: The Hotel Whodunit, and her newest YA novel, Never Look Back, a retelling of the Greek myth Orpheus and Eurydice set in the Bronx (out now)! Links and Topics Mentioned In This Episode Meg Medina is the New York Times bestselling and Newberry Medalist author of Merci Suárez Changes Gears, Yaqui Delgado Wants to Kick Your Ass, and most recently, Evelyn del Rey is Moving Away. Matt de la Peña, New York Times bestselling and Newberry Medalist author of Last Stop on Market Street, Love, and Mexican Whiteboy. Track Changes, the podcast miniseries that explains how your book goes from the laptop to the bookshelf Lilliam is contributing a story to From a Certain Point of View: The Empire Strikes Back The Clarion Science Fiction and Fantasy Writers’ Workshop The National Council of Teachers of English conference Black Orpheus (movie) I want to hear from you! Have a question about writing or creativity for Sarah Enni or her guests to answer? To leave a voicemail, call (818) 533-1998. Subscribe To First Draft with Sarah Enni Every Tuesday, I speak to storytellers like Veronica Roth, author of Divergent; Linda Holmes, author and host of NPR’s Pop Culture Happy Hour podcast; Jonny Sun, internet superstar, illustrator of Lin-Manuel Miranda’s Gmorning, Gnight! and author and illustrator of Everyone’s an Aliebn When Ur a Aliebn Too; Michael Dante DiMartino, co-creator of Avatar: The Last Airbender; John August, screenwriter of Big Fish, Charlie’s Angels, and Charlie and the Chocolate Factory; or Rhett Miller, musician and frontman for The Old 97s. Together, we take deep dives on their careers and creative works. Don’t miss an episode! Subscribe in Apple Podcasts, Spotify, Stitcher, or wherever you get your podcasts. It’s free! Rate, Review, and Recommend How do you like the show? Please take a moment to rate and review First Draft with Sarah Enni in Apple Podcasts, Google Play, or wherever you listen to podcasts. Your honest and positive review helps others discover the show -- so thank you! Is there someone you think would love this podcast as much as you do? Please share this episode on Facebook, Twitter, Pinterest, or via carrier pigeon (maybe try a text or e-mail, come to think of it). Just click the Share button at the bottom of this post! Thanks again!
Canciones brasileñas grabadas por grandes músicos de jazz: el saxofonista Hank Mobley ('Recado bossa nova'), el pianista Duke Pearson ('Sandalia dela'), el guitarrista Wes Montgomery ('How insensitive'), el saxofonista Dexter Gordon ('Meditation'), los pianistas Oscar Peterson ('Triste') y Bill Evans ('Chora coração'), los saxofonistas Wayne Shorter ('Black Orpheus') y Joe Henderson ('Once I loved'), el guitarrista Charlie Byrd ('Desafinado') y el guitarrista Joe Pass ('Corcovado'). Escuchar audio
Better Than Fight Club goes to Brazil! We're talking 1959's Black Orpheus! It was a hit when your Grandma was going to the dance clubs and tearing it up, Bossa Nova style. I also have to give a major shout out to the Ancient Greeks for their myths that inspired this film and my favorite Disney movie, Hercules.
Before Vince Guaraldi made his mark in pop culture with his iconic music for Peanuts, he released Jazz Impressions of Black Orpheus, which includes his wonderfully warm hit, "Cast Your Fate to the Wind," his haunting cover of "Moon River" and more. This episode marks Louie and Kyle's first foray into the world of Jazz, and they are joined by their old pal, Jason Boxer! The trio discusses Jason running for his local school board, songs that may or may not secretly be psy ops and why Vince's music makes us feel so good. --- Send in a voice message: https://anchor.fm/kickthejukebox/message
Don't look back in anger! Join the DBFS as discuss one of the greatest Brazilian films of all time, bossa nova music, Carnaval, the myth of Orpheus and Eurodice, the French director Marcel Camus, romantic tragedy, the casual racism of exoticisizing the favelas, Paul Simon's work with South Africa, deep black chiaroscuro cinematography, a commentary on bureaucracy in Brazil, the colorful costumes, depictions of Death in film, trauma rigidity, the popularity and influence of the soundtrack, and a bit of musical history of Brazil. Smash that play button for an in depth Black Orpheus film analysis! (Special Guest: Darek Mazzone) Click here to listen to Darek's show Wo' Pop on KEXP!
A Phil Svitek Podcast - A Series From Your 360 Creative Coach
Many of you know my from my Anatomy of a Movie days (thank you). To honor our collective film & TV passion, I decided to recommend some of the films and TV shows I've been watching and enjoyed. These include Spike Lee's Da Five Bloods, Steve Carell's Irresistible, Black Orpheus and Hulu's Palm Springs, Mindy Kaling's Never Have I Ever series and Netflix's They've Gotta Have Us. Comment down below with any questions/opinions or recommendations of your own! Hit me up on social media @PhilSvitek if it's easier. I'd love to hear from you. And for more free resources from your 360 creative coach, check out my website at http://philsvitek.com.
It's almost a 3-for-1 as Len and Vince give their thoughts on the feature adaptation of HAMILTON (featuring the 'undiscovered' Renee Elise Goldsberry), the luminous BLACK ORPHEUS of 1959 and the soaring sounds of 1992's SARAFINA with the star making performance of Leleti Khumalo. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode the dudes talk about awful Maine accents, Bruce Lee making animal noises, and Greek mythology dancing. Quite the range of topics but those were the films we watched! We talk about Enter the Dragon (1973), Black Orpheus (1959), and Dolores Claiborne (1995), all on HBO Max!-----------------------------------------------------------------------------------------Watch along with us next week for Rashomon (1950), Night on Earth (1991), and Dune (1984) all on HBO Max! If you want to help choose the movies we watch for the podcast follow us on Instagram @ThoseMovieDudes and vote on our polls every Saturday!
In this episode the dudes talk about Jake Gyllenhaal hanging out with his dead fiancee's parents, Italian Teenagers discovering their sexuality and Pete Davidson giving minors tattoos on Staten Island. We were all over the board this week, but that's typical considering the wide variety of movies we cover. This week we watched Moonlight Mile (2002) on HBO Max, Amarcord (1973) on HBO Max and The King of Staten Island (2020) available on VOD. -----------------------------------------------------------------------------------------Watch along with us next week for Dolores Claiborne (1995) Available on HBO Max, Enter the Dragon (1973) Available on HBO Max, and Black Orpheus (1959) Available on HBO Max. If you want to help choose the movies we watch for the podcast follow us on Instagram @ThoseMovieDudes and vote on our polls every Saturday!
Episode 013 of the Manjumasi Podcast comes from veteran Australian producer Jamie Stevens (@jamiestevens). An outstanding blend of organic and synthetic sounds and textures that moves through a variety of moods. Great work from Jamie following on his recent Titans EP release. 1. Toada - Fervor [Plüma Records] 2. natural/electronic.system. - Rituale [Delsin Records] 3. Erol Arda - Imagine That [Kindisch] 4. Fluxion - Cliff [Vibrant Music] 5. Gatara - Driving Solo (Chromewell Remix) [Spaghetti Monster] 6. Mark Evemport - Jusak [Sticky Music] 7. Anthony Naples - Aftermath AM [ANS] 8. Mitch von Arx - Skim [Project Mooncircle] 9. Bostro Pesopeo - Meti [Permanent Vacation] 10. Franklin De Costa & Christopher Rau - Untitled 2 [Black Orpheus] 11. Jamie Stevens - Blush [Manjumasi] 12. Laurence Guy - Why Do Cowboys Never Die In The East (Jamie Stevens Re-Edit) [Mule Musiq] 13. Zoi - Somewhere [Traum] 14. Steve Slight - Saga (Sinerider Remix) [Mango Alley]
Terrill and Nate unleash Jumanji // Out of Sight (2:07) // Fargo (5:55) // Black Orpheus (8:34) // Crooklyn (12:01) // Killing Them Softly (15:23) // The Challenge (18:20) // The Aladdin Trilogy (20:10) // Jumanji (25:39) // @MovieFilmPod // moviefilmpod@gmail.com
Once again making music tonight to benefit our local www.gullottahouse.org; the organization has done essential assistance for years helping those in need, but has stepped up like never before during this crisis. They help both people in need of food and restaurants in need of customers. Please consider donating if you have enjoyed the music tonight. I played a couple standards tonight; All the Things You Are and Black Orpheus. Otherwise just grooving on whatever tones were stopping by!
Bonus Info: JJ chats with Peter Bell about the films Orphee and Black Orpheus. LISTEN TO S2E2Pt2: Undercover in the Underworld first. In this SOTSOG Snack. JJ chats with film expert Peter Bell about the 1950 film Orphee and the 1957 film Black Orpheus. They discuss similarities and differences. between the films as well as their connection to the overall story of Orpheus.
This episode, I got to talk with sung! sung is a writer and interdisciplinary artist from Korea. They are the author of What About the Rest of Your Life (Perfect Day Publishing) and Flowers Are for Pussies (Ghost City Press). Their work has appeared in Nat. Brut, Kweli Journal, Contrary, The James Franco Review, The Wanderer, and Crab Fat Magazine. Media, artists, books, etc mentioned in this episode: sung's website sung's Twitter Kaveh Akbar bag of dirt tweet Jamie Berrout's essays against publishing Interview with Kaveh Akbar where he discusses "Poems are rarely on the side of power." Not mentioned in the episode, but looks interesting to read (and it's free online!) on the subject of trauma and how our culture makes it a commodity: Decolonizing Trauma Studies: Trauma and Postcolonialism Paintbucket "To eat the fruit climb the tree" poem Black Orpheus soundtrack Dreaming of Ramadi in Detroit by Aisha Sabatini Sloan "On Basquiat, the Black Body, and a Strange Sensation in My Neck" by Aisha Sabatini Sloan Kendra Allen's When You Learn the Alphabet The sound of waves breaking is "Wynd" by weerm This episode's editor and social media manager is Mitchel Davidovitz
This week, Adam and Kevin discuss daddy issues with Ant Timpson's horror-thriller Come to Daddy, opening in theaters and on VOD platforms Friday. Other titles discussed include The Dead Don't Die, My Valentine, The Buffalo Hunt, The Oscar Nominated Short Films: Animation, Black Orpheus, and Can You Ever Forgive Me? 00:02:33 - Come To Daddy review 00:16:57 - Watch list 00:35:07 - New releases February giveaway: Roma Criterion Collection Blu-ray - Click here to enter! web: http://filmpulse.nettwitter: http://twitter.com/filmpulsenet facebook: http://facebook.com/filmpulse
When you think of movies that have had a significant impact on you, which ones come to mind? In this episode, Carlos and Satch talk about just that and share their thoughts and lessons learned from movies that moved them, including: Black Orpheus (1959), Jonathan Livingston Seagull (1973), One Flew Over the Cuckoo's Nest (1975), […]
When you think of movies that have had a significant impact on you, which ones come to mind? In this episode, Carlos and Satch talk about just that and share their thoughts and lessons learned from movies that moved them, including: Black Orpheus (1959), Jonathan Livingston Seagull (1973), One Flew Over the Cuckoo's Nest (1975), […]
Chicago is a city known for being cold majority of the year. But when it stops, it's SO HOT. So The Immortals have weird energy in this July episode as they discuss the Oscar winning Black Orpheus, a Joni Mitchell album, a Who classic and--the reason for the season--Taggart! Get excited! And some water! Intro 0:00 -- 15:32 The Click Song 15:32 -- 20:05 Black Orpheus 20:05 -- 39:33 The Hissing of Summer Lawns 39:33 -- 49:32 Won't Get Fooled Again 49:32 -- 54:52 Taggart 54:52 -- 59:45 Outro 59:45 -- 1:03:09 --Leave your own henge ratings at TheArtImmortal.com --Be sure you leave an iTunes review Twitter iTunes Join us next time as we discuss more random things. Until then, email or tweet us your thoughts, leave a review on iTunes and other crap every podcast asks you to do. (But we love that you do it!) Artwork by Ray Martindale Opening tune and clips by Adam Lord
Just family in the audience tonight; my mother-in-law asked for some Scott Joplin and I happened to have a rag in the repertoire. I sort of kept with the "oompah" bass for a while, which turned into a version of the jazz tune "Black Orpheus", and in honor of Independence Day did a medley of "America" mixed with John Lennon's "Yesterday". Enjoy.
Rætt er við flautuleikarana Áshildi Haraldsdóttur og Berglindi Maríu Tómasdóttur. Í þættinum hljóma brot úr eftirfarandi verkum Badinerie úr hljómsveitarsvítu nr. 2 eftir Johann Sebastian Bach í flutningi Petru Mullejans og barokksveitarinnar í Freiburg, Tónatónar úr flautumínútum Atla Heimis Sveinssonar í flutningi Manuelu Wiesler. Brot úr Flautukonserti Atla Heimis Sveinsonar, Robert Aitken leikur með Sinfóníuhljómsveit Íslands. Fantasía í g moll eftir Georg Philipp Telemann í flutningi Manuelu Wiesler. Brot úr Sinfóníu nr. 5 eftir Ludwig van Beethoven. Viva Italiana fantasía um stef eftir Rossini og Verdi eftir Marinu Manafovu, Kuelyar Ksenja leikur á piccoloflautu með hljómsveit Marinsky leikhússins. Brot úr Disney kvikmyndinni Skógarlíf. Black Orpheus eftir Luis Bonfá, Sergio Barranehea leikur á bassaflautu og Útópía með Björk.
Rætt er við flautuleikarana Áshildi Haraldsdóttur og Berglindi Maríu Tómasdóttur. Í þættinum hljóma brot úr eftirfarandi verkum Badinerie úr hljómsveitarsvítu nr. 2 eftir Johann Sebastian Bach í flutningi Petru Mullejans og barokksveitarinnar í Freiburg, Tónatónar úr flautumínútum Atla Heimis Sveinssonar í flutningi Manuelu Wiesler. Brot úr Flautukonserti Atla Heimis Sveinsonar, Robert Aitken leikur með Sinfóníuhljómsveit Íslands. Fantasía í g moll eftir Georg Philipp Telemann í flutningi Manuelu Wiesler. Brot úr Sinfóníu nr. 5 eftir Ludwig van Beethoven. Viva Italiana fantasía um stef eftir Rossini og Verdi eftir Marinu Manafovu, Kuelyar Ksenja leikur á piccoloflautu með hljómsveit Marinsky leikhússins. Brot úr Disney kvikmyndinni Skógarlíf. Black Orpheus eftir Luis Bonfá, Sergio Barranehea leikur á bassaflautu og Útópía með Björk.
Jazz Atlas se pare de ses plus beaux apparats pour un défilé des carnavals du globe, tout en jazz, merengue, calypso, rumba, salsa et autres surprises !Alors laissez-vous transporter le temps d'une heure dans une parade musicale colorée jusqu'au bout du monde...Charles D'Almaine (Grande-Bretagne)Carnaval Of Venice (Enregistré en 1902)Dizzy Gillespie (Etats-Unis)Barbados Carnival (Jambo Caribe, 1964)The Amazing Keystone Big Band (France)Marche Royale Du Lion (Le Carnaval Jazz Des Animaux, 2015)EXTRAIT - La chanteuse Irene McQueen au sujetdu carnaval : chansons, costumes, personnageset combat au bâton (Trinité-et-Tobago)Interview enregistrée par Alan Lomax à La Fortune,Trinité-et-Tobago, en 1962Quincy Jones (Etats-Unis)Manha De Carnaval (Black Orpheus, 1962)Joao Donato (Brésil)Ventodo Carnaval (The New Sound Of Brasil, 1965)Youn Sun Nah (Corée du Sud)My Name Is Carnival (Same Girl, 2010)RAM (Haïti)Fèy (Aibobo,1996)Population de Trinité-et-Tobago(Trinité-et-Tobago)Mardi Gras Carnival / Lord Melody (Jump Up Carnival, 1958)Professor Longhair (Etats-Unis)Mardi Gras In New Orleans (Single, 1949)Joao Donato (Brésil)Manha De Carnaval (The New Sound Of Brazil, 1965)Fats Domino (Etats-Unis)GoTo The Mardi Gras(Going To The River / Go To The Mardi Gras, 1953)Jorge Ben (Brésil)Amor De Carnaval (O Bidu : Silencio No Brooklin, 1967)Roberto Roena (Porto Rico)Que Se Sepa (Apollo Sound 5, 1973)Celia Cruz (Cuba)La Vida Es Un Carnaval (Mi Vidar Es Cantar, 1998)Cesaria Evora (Cap-Vert)Cinturao Tem Mele (Mar Azul, 1991)Duke Ellington (Etats-Unis)Carnival In Caroline(Braggin' In Brass / Carnival In Caroline, 1938)Gerald Clark & His Invaders (Trinité-et-Tobago)Don't Stop The Carnival ~continued(Enregistré par Alan Lomax au Calypso At Midnight Concert,Town Hall, Trinté-et-Tobago, en1946)
A lot of movies use music as sonic wallpaper - just background sound to fill silence and fit the genre - but bold, memorable films tend to have equally strong and unforgettable music at the forefront. Great filmmakers have a way of merging images and narrative with the visceral power of sound. It happens a lot in art-house films, like those you can watch on the new Criterion Channel. I’ve been perusing their catalog lately, and lots of titles have come to mind. Music can tie a film to a time and place: Punk Rock is what sets Repo Man in 1980’s L.A.; Black Orpheus uses Bossa Nova to put us in Brazil in 1959. Music: Luiz Bonfa ” Samba de Orfeu” From Black Orpheus (1959) (A studio version by the composer. This movie (and song) started the whole bossa nova craze) But more than just establishing setting, film music can be like a color scheme, putting everything into harmony. Wes Anderson’s choice of music is as painstaking and obsessive as his set design. It must have cost a fortune to use
Opera was born during the Renaissance as an attempt to recreate the experience of an ancient Greek play as it would have been performed in the Theater of Dionysus in Athens. In this episode, Marc Eliot Stein and Lisa Geraghty talk about the greatest of several operas about one particular Greek myth: "Orfeo ed Euridice" by Christoph Willibald Gluck, which tells the story of the musician Orpheus's descent into the Underworld to retrieve his beloved wife Eurydice back from the dead. We also talk about Charlie Daniels Band, Arcade Fire, "Black Orpheus", Rainer Maria Rilke and Jacques Offenbach's wild satire "Orphee aux Enfers", a French comic opera that twisted Gluck's masterpiece into something entirely different. A refreshing descent into the joys of early classical opera!
On Jean-Paul Sartre's Anti-Semite and Jew: An Exploration of the Etiology of Hate (1946) and "Black Orpheus" (1948). How can we best understand the psychology of racism? Sartre condemns anti-Semitism as denying the facts of the human condition: the responsibility for fixing problems and not blaming them on a demonized other. But he also criticizes "the democrat" for a humanism that pretends we're in a post-racial world, calling instead for "concrete liberalism" that treats Jews not as abstract individuals but as real people in an an oppressed situation. Don't wait for parts 2 and 3; get the full, ad-free Citizen Edition now. Please support PEL! See PEL Live in NYC on April 6. Sponsors: Please visit calm.com/pel for 25% off a stress-reducing subscription, TakeCareOf.com (code PEL) for 50% off a month of personalized vitamins, TheGreatCoursesPLUS.com/PEL for two months of unlimited learning for 99 cents, and use code 30PEL get 30% off at Amazon of Bill Wooditch's book Fail More.
How do you follow-up an Oscar-winning breakthrough like Moonlight? That’s the question on our lips this week as Michael Leader, David Jenkins and Kelli Weston weigh up Barry Jenkins’ hotly-anticipated third feature If Beale Street Could Talk, adapted from James Baldwin’s celebrated novel. This week also sees the release of Australian actor-turned-director Joel Edgerton’s Boy Erased, based on a true account of a young man’s experience at a gay conversion therapy centre. And in Film Club, we explore one of Jenkins’ key inspirations for Beale Street, 1959’s Black Orpheus by French master Marcel Camus. See acast.com/privacy for privacy and opt-out information.
Colin Bailey is best known for his work with the Vince Guaraldi trio, whose inspired music helped make the Charlie Brown television shows famous. Colin, though, has played drums with many of the best musicians in the business, from Victor Feldman, Miles Davis, Stan Getz, and Frank Sinatra, to Joe Pass, Mel Torme, and Joao Gilberto. Colin tells Colin about growing up in wartime England, his long career in jazz, his thoughts on the Beatles and Ginger Baker, his work on The Tonight Show, and why Astrud Gilberto owes him fifty dollars. In the intro, Colin talks about Lucky, the last movie starring the great Harry Dean Stanton. To conclude the podcast, Colin offers some wisdom from Charles Bukowski about getting your work done. Intro music: "Samba de Orfeu" from Jazz Impressions of Black Orpheus and "Charlie Brown Theme" from A Boy Named Charlie Brown.
Live at the Pink Cow, Tokyo on 12 Mar 2018 Vocal - Hiromi Yamashita Guitar - Kevin Kim (Greco FA-95) Keyboard - Yukio Nozu Sax - Katsuhiro Uchiba Drums - Yohei Suzuki Bass - Hirokazu Sekikawa
Also known as, "Manhã de Carnaval" , and "Orfeu Negro", and "Morning of Carnival" Check out alive-drumming.org at http://alive-drumming.org/ As supplied on the "Jazz and Blues Sampler", Apple iOS App. https://itunes.apple.com/us/app/srt-jazz-and-blues-sampler/id1344104865?mt=8
Also known as, "Manhã de Carnaval" , and "Orfeu Negro", and "Morning of Carnival" Check out alive-drumming.org at http://alive-drumming.org/ As supplied on the "Jazz and Blues Sampler", Apple iOS App. https://itunes.apple.com/us/app/srt-jazz-and-blues-sampler/id1344104865?mt=8
Also known as, "Manhã de Carnaval" , and "Orfeu Negro", and "Morning of Carnival" Check out alive-drumming.org at http://alive-drumming.org/ As supplied on the "Jazz and Blues Sampler", Apple iOS App. https://itunes.apple.com/us/app/srt-jazz-and-blues-sampler/id1344104865?mt=8
The final Run it Red of 2017 has landed. Ben drops new cuts from Norm Talley, DJ Qu, Phase, Rodhad, Sigha and many more. Don't forget to like & subscribe so you don't miss out on any episodes. Finally, thanks to everyone who listened to the show this month and to all the people who sent over music - as always, please send any music to promos@djbensims.com BEN SIMS pres RUN IT RED 36. DEC 2017 1. Oliverwho Factory - No House Words. Madd Chaise Inc 2. Lester Fitzpatrick - My Main Man MLK. UKR 3. Javonette - Groove Society. Hardmatter 4. Norm Talley - Paradise Garage. FXHE 5. Deetroit - Kloud 909. Deetroit 6. Joe Smooth & Screamin Rachael - I Am House Music (Music Box Mix). Trax 7. T-Bone & Batara - Late Night Drive. Extended Play 8. DJ Stretch - Disko. UKR 9. Jordan Fields - I Can Do. MWM 10. Norm Talley - Da Hornz Norm. FXHE 11. Kez YM - Blood Heat. Berlin Bass Collective 12. Mark du Mosch - UM-ing. Clone Royal Oak 13. DJ Qu - Poetry. Strength Music 14. JC Williams - Sonic Shroom. Extended Play 15. Deetroit - 888. Deetroit 16. Carlo Lio - Ground Under. Inmotion Music 17. Flug - Pulckerstrs. Illegal Alien 18. Avision - Culture. Hardgroove 19. H4L - Wild Hunt (Mark Broom Remix). Astray 20. Greg Gow - Internal Espionage (Dark Web Mix). Reconstructured 21. ASKE - Amnesia. Primitive State 22. Blue Hour - Unknown (Ben Sims Remix). Blue Hour 23. Eremitas - Intermúndio. Primitive State 24. Ben Sims - Wired (DJ Pepo Remix). Synthesis 25. Eddie Hale - Enigma. Intacto 26. Absent - Unease. Factum 27. Max Underson - Fix. Primitive State 28. Tadeo & Ctrls - Dropout. Token 29. Repro - Wetware. Key Vinyl 30. Antigone & Phase - Icosahedron Flood. Token 31. Samuli Kemppi - Impossible Landscape. Semantica 32. Steve Bicknell - Confusion Of Chase. Reclaim Your City 33. Asymptote - Theory Of Knowledge. Suburban Avenue 34. Beat Movement - Deux Ex Crepusculum. Love Blast 35. Phase & Rodhad - Detonation Vertex. Token 36. Echologist - Catalepsy. Illegal Alien 37. Yan Cook - Roadblock. Cooked 38. Repro - Terminal Fatique. Key Vinyl 39. Jonas Kopp - Bigatron. Reclaim Your City 40. Stenny - Fortress. Ilian Tape 41. Swarm Intelligence - Flatlands. Ear Wiggle 42. Kalter Ende & Sarf - Shift Mode (Eric Fetcher Remix). Envelope Structure 43. Singular Anomalies - Genetic Editing. Greta 44. Ctrls & Antigone - The Hardest Part. Token 45. Overbay - Another Day (Miss Electric Remix). Mer 46. Deepbass & Ness - Multidimensionalman Alien. Illegal Alien 47. Antony Doria - Surprise. Unknown 48. Milorad - Lap Dance. Unknown 49. Joaquin Ruiz - Moonlight. Monocline 50. Michael Schwarz - Parabel. District66 51. MZR - Soak. Decision Making Theory 52. Sigha - Down (Function Remix). Token 53. Savas Pascalidis - Reality Meltdown. Arsenik 54. Population One - Rush Hour (20th Anniversary Mix). Rush Hour 55. James Bong - Circles. Unknown 56. Lewis Fautzi -Absolute Zero. Figure 57. Elektrabel - 27-7-17. Subsist 58. Stefan Vincent - Synesthesia (Artefakt Rework). Dynamic Reflection 59. Insolate - Afterlife. Singular 60. J. Albert - No Longer Me (Dub). Black Orpheus 61. DJ Normal 4 - Gazer. 777 62. Burial - Pre Dawn. Nonplus 63. DJ Qu - Seespotrun. Strength Music 64. Radioactive Man - Sonic Portal (Dexcorcist Remix). Asking For Trouble 65. Model 500 - No Ufo's (Moodyman Remix). Metroplex 66. Mosca - Fever Version. Lavalava
On the first segment of today’s show, host Tom Breen is joined by Connecticut poet Kate Rushin to talk about two movies that have had a profound influence on her understanding and love of cinema: DAUGHTERS OF THE DUST, a landmark 1991 drama from director Julie Dash about three generations of African American Gullah women from the Sea Islands of South Carolina, a movie often celebrated as the first feature film directed by an African American woman to get a wide theatrical release in the United States; and we’ll also talk about BLACK ORPHEUS, a 1959 musical from French director Marcel Camus that adapts the classical Greek myth of Orpheus and Eurydice to the vibrant, samba-suffused streets of Brazil’s Rio de Janeiro during Carnival.On the second segment of the show, Breen and the New Haven Independent’s Allan Appel review THREE BILLBOARDS OUTSIDE EBBING, MISSOURI, a new ensemble dramedy from director Martin McDonagh that follows a grieving, defiant mother seeking justice for her murdered child in a small town in the Ozark mountains of southern Missouri.
In our forty-second episode we're talking spine #48: Marcel Camus' BLACK ORPHEUS from 1959. First, Jarrett and RJ talk movies: RJ shits on HEAD FULL OF GHOSTS, watched SWISS ARMY MAN (which is awesome), and Jarrett talks about the best video of 2018: LASAGNA CAT - SEX SURVEY RESULTS, amongst other things. Introduction is 'Criterion Creeps Theme' by petite petite, and musical interludes are Eydie Gormie's "Blame it on the Bossa Nova" and Arcade Fire's "It's Never Over (Oh Orpheus)". Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, and Stitcher!
Skeletor's Leaning Tower of Rocks 2017 is here and we are too. All hail Skeletor. As with the start of any new year, we are going on a diet and cutting down on all that excess fat - which means one simple thing, welcome to a new look Eclectica. Join us for Criterion's Black Orpheus, Valhalla Rising, Martin Scorsese's Silence and our feature presentation - La La Land.
今天宝宝睡前听到的是口琴大师Robert Bonfiglio 演奏的曲子《Black Orpheus》，悠扬的口琴声仿佛在诉说一个很久远的故事.......一起来听听吧！
We obliterate Independence Day: Resurgence and sink our teeth into The Shallows plus we also discuss Arabian Nights, The Wave, Black Orpheus and Weiner. 0:00 - Intro / Jay's Trip to D.C. 22:30 - Review: Independence Day: Resurgence 51:00 - Review: The Shallows 1:14:30 - Other Stuff We Watched: The Knick, Black Orpheus, The Wave, Arabian Nights Vol. 1, Weiner 1:45:00 - Junk Mail: Jay's Memory and Annabelle, What Kinds of Cars We Drive, Most Valuable DVD or Blu-ray, Actors That Were Miscast or a Poor Substitute for Someone Else, Film Junk Nightmares 2:07:10 - This Week on DVD and Blu-ray 2:11:15 - Outro
We obliterate Independence Day: Resurgence and sink our teeth into The Shallows plus we also discuss Arabian Nights, The Wave, Black Orpheus and Weiner. 0:00 - Intro / Jay's Trip to D.C. 22:30 - Review: Independence Day: Resurgence 51:00 - Review: The Shallows 1:14:30 - Other Stuff We Watched: The Knick, Black Orpheus, The Wave, Arabian Nights Vol. 1, Weiner 1:45:00 - Junk Mail: Jay's Memory and Annabelle, What Kinds of Cars We Drive, Most Valuable DVD or Blu-ray, Actors That Were Miscast or a Poor Substitute for Someone Else, Film Junk Nightmares 2:07:10 - This Week on DVD and Blu-ray 2:11:15 - Outro
Masabumi Kikuchi (Klavier)
Evan Parker es uno de los pioneros en el establecimiento en Europa de una escena de improvisación libre. En esta edición de 'Club de Jazz' del 16 de mayo de 2016 conversamos con el saxofonista británico antes de su actuación en el Festival de Jazz de Vic junto a Agustí Fernández e Ivo Sans, concierto del que escuchamos una de sus improvisaciones. Además, algunas de sus grabaciones más recientes, junto a músicos como Peter Evans, Matthew Wright y John Edwards, entre otros, así como alguna de sus grabaciones primigenias. Ferran Esteve despide corresponsalía de "La duda permanente" con el "Black Orpheus" del pianista Masabumi Kikuchi. Los primeros minutos del programa están dedicados a la memoria de la fotógrafa Esther Cidoncha, que falleció el pasado viernes 13 de mayo. A ella va dedicado este programa. Toda la información y derechos: http://www.elclubdejazz.com
Evan Parker es uno de los pioneros en el establecimiento en Europa de una escena de improvisación libre. En esta edición de 'Club de Jazz' del 16 de mayo de 2016 conversamos con el saxofonista británico antes de su actuación en el Festival de Jazz de Vic junto a Agustí Fernández e Ivo Sans, concierto del que escuchamos una de sus improvisaciones. Además, algunas de sus grabaciones más recientes, junto a músicos como Peter Evans, Matthew Wright y John Edwards, entre otros, así como alguna de sus grabaciones primigenias. Ferran Esteve despide corresponsalía de "La duda permanente" con el "Black Orpheus" del pianista Masabumi Kikuchi. Los primeros minutos del programa están dedicados a la memoria de la fotógrafa Esther Cidoncha, que falleció el pasado viernes 13 de mayo. A ella va dedicado este programa. Toda la información y derechos: http://www.elclubdejazz.com
In this episode The Criterionist talks about Marcel Camus's BLACK ORPHEUS.
Baden Powell was a composer, singer, and guitarist inextricably linked to the Bossa Nova craze of the 1960’s. If you’re at all familiar with Bossa Nova from the early 60’s, you’ll recognize what a radical departure Powell’s music was from the highly sophisticated stuff that was catching on in the U.S. around this time. We listen to “How Insensitive” from the beautiful 1967 collaboration between Frank Sinatra and Antonio Carlos Jobim, the patron saint of Bossa Nova. The poet, essayist, and playwright Vinicius de Moraes wrote the lyrics for “How Insensitive”, and he collaborated with Jobim on “The Girl from Ipanema”, “No More Blues”, and the play that eventually became the movie called “Black Orpheus”. The Jobim/Moraes partnership wasn’t an exclusive one. Moraes started working with Baden Powell in the early 60’s, but Powell and Moraes focused their attention on a synthesis between Brazilian music and traditional African forms.
Liz Anaya: violin Nate Goudreault: bass Willie Jones Jr: piano Tariq Nicholson: synthesizer Joel Silloway: drums
In Vince Guaraldi at the Piano (McFarland Press, 2012),Derrick Bang chronicles San Francisco jazz pianist Vince Guaraldi’s sojourns into the world of jazz from the late 1940s to his untimely death in 1976. Guaraldi, known to most world-wide as the composer and pianist behind the Peanuts’ animated television specials featuring Charlie Brown and Snoopy, also played in Woody Herman’s “Third Herd” big band; composed and recorded a revolutionary Jazz Mass which he performed live in San Francisco’s Grace Cathedral in 1965; participated in some magical and memorable live and recorded collaborations with Brazilian guitarist Bola Sete; and was a fixture in the bossa nova Latin jazz San Francisco club scene in the 1950s and 1960s. His “Jazz Impressions of Black Orpheus,” based on the soundtrack to the Academy Award winner for Best Foreign Film in 1960, introduced countless people to jazz and the sensuous sounds of bossa nova. His single on the same album, “Cast Your Fate to the Wind,” won a Grammy for Best Original Jazz Composition in 1963 and was a successful cross-over song cover on the US Billboard pop chart. Though Vince Guaraldi died in 1976 at the age of only 47, his legacy was revived decades later by David Benoit and George Winston, both of whom recorded covers of his songs. Bang is circumspect about much of Guaraldi’s personal life and he qualifies up front that his book isn’t a traditional biography. Nonetheless, one gets a great feel for the varied and large body of work of this San Francisco-born musician who carved out a unique and enduring niche in the jazz world. Guaraldi had a wonderful sense of rhythm, and his improvisations were almost always melodic. He could swing and play anything from boogie-woogie to bossa nova but will perhaps most be remembered as a joyful player with a sense of playfulness and uplift. You feel good when you hear Vince Guaraldi’s music. With an extensive discography, filmography, and also a large collection of statements and observations by Guaraldi’s peers about his playing, his distinctive handlebar-mustachioed look, and his entertaining persona at the piano, Bang’s book, which represents a lifetime of listening and appreciation and more than four years of extensive research, is a rich and needed testimony to Guaraldi’s musical legacy. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Vince Guaraldi at the Piano (McFarland Press, 2012),Derrick Bang chronicles San Francisco jazz pianist Vince Guaraldi’s sojourns into the world of jazz from the late 1940s to his untimely death in 1976. Guaraldi, known to most world-wide as the composer and pianist behind the Peanuts’ animated television specials featuring Charlie Brown and Snoopy, also played in Woody Herman’s “Third Herd” big band; composed and recorded a revolutionary Jazz Mass which he performed live in San Francisco’s Grace Cathedral in 1965; participated in some magical and memorable live and recorded collaborations with Brazilian guitarist Bola Sete; and was a fixture in the bossa nova Latin jazz San Francisco club scene in the 1950s and 1960s. His “Jazz Impressions of Black Orpheus,” based on the soundtrack to the Academy Award winner for Best Foreign Film in 1960, introduced countless people to jazz and the sensuous sounds of bossa nova. His single on the same album, “Cast Your Fate to the Wind,” won a Grammy for Best Original Jazz Composition in 1963 and was a successful cross-over song cover on the US Billboard pop chart. Though Vince Guaraldi died in 1976 at the age of only 47, his legacy was revived decades later by David Benoit and George Winston, both of whom recorded covers of his songs. Bang is circumspect about much of Guaraldi’s personal life and he qualifies up front that his book isn’t a traditional biography. Nonetheless, one gets a great feel for the varied and large body of work of this San Francisco-born musician who carved out a unique and enduring niche in the jazz world. Guaraldi had a wonderful sense of rhythm, and his improvisations were almost always melodic. He could swing and play anything from boogie-woogie to bossa nova but will perhaps most be remembered as a joyful player with a sense of playfulness and uplift. You feel good when you hear Vince Guaraldi’s music. With an extensive discography, filmography, and also a large collection of statements and observations by Guaraldi’s peers about his playing, his distinctive handlebar-mustachioed look, and his entertaining persona at the piano, Bang’s book, which represents a lifetime of listening and appreciation and more than four years of extensive research, is a rich and needed testimony to Guaraldi’s musical legacy. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Vince Guaraldi at the Piano (McFarland Press, 2012),Derrick Bang chronicles San Francisco jazz pianist Vince Guaraldi’s sojourns into the world of jazz from the late 1940s to his untimely death in 1976. Guaraldi, known to most world-wide as the composer and pianist behind the Peanuts’ animated television specials featuring Charlie Brown and Snoopy, also played in Woody Herman’s “Third Herd” big band; composed and recorded a revolutionary Jazz Mass which he performed live in San Francisco’s Grace Cathedral in 1965; participated in some magical and memorable live and recorded collaborations with Brazilian guitarist Bola Sete; and was a fixture in the bossa nova Latin jazz San Francisco club scene in the 1950s and 1960s. His “Jazz Impressions of Black Orpheus,” based on the soundtrack to the Academy Award winner for Best Foreign Film in 1960, introduced countless people to jazz and the sensuous sounds of bossa nova. His single on the same album, “Cast Your Fate to the Wind,” won a Grammy for Best Original Jazz Composition in 1963 and was a successful cross-over song cover on the US Billboard pop chart. Though Vince Guaraldi died in 1976 at the age of only 47, his legacy was revived decades later by David Benoit and George Winston, both of whom recorded covers of his songs. Bang is circumspect about much of Guaraldi’s personal life and he qualifies up front that his book isn’t a traditional biography. Nonetheless, one gets a great feel for the varied and large body of work of this San Francisco-born musician who carved out a unique and enduring niche in the jazz world. Guaraldi had a wonderful sense of rhythm, and his improvisations were almost always melodic. He could swing and play anything from boogie-woogie to bossa nova but will perhaps most be remembered as a joyful player with a sense of playfulness and uplift. You feel good when you hear Vince Guaraldi’s music. With an extensive discography, filmography, and also a large collection of statements and observations by Guaraldi’s peers about his playing, his distinctive handlebar-mustachioed look, and his entertaining persona at the piano, Bang’s book, which represents a lifetime of listening and appreciation and more than four years of extensive research, is a rich and needed testimony to Guaraldi’s musical legacy. Learn more about your ad choices. Visit megaphone.fm/adchoices
Black Orpheus is Marcel Camus' ode to Greek myth with a bossa nova beat. It's also a beautiful film.
Time for archive program #71, featuring the "now sounds" of George Mgrdichian, the "cinematic sounds" of Gus Vali, and the "easy listening" sounds of Claude Ciari! Plus, get ready to party like it's 1959 with Mohammed El-Bakkar! Ain't no party like a Radio Bastet party cuz a Radio Bastet party don't stop... 1. GEORGE MGRDICHIAN & HIS ENSEMBLE Israeli Medley: Erev Shel Shoshanim (Evening of the Roses)/Cholot Mid Bar (Sands of the Desert) from the album The Now Sounds of the Middle East, 19692. JIMMY LINARDOS & HIS NEAR-EAST GROUP Tsiftetelli (Dance instrumental) from the album Recorded Live at Cafe Tel Aviv, 19683. TONI FRANGIEH (buzuk), SETRAK SARKISSIAN (tabla) Saideh Layletna Saideh from the album Belly Dance Nights (Layale Bourg El Hamam) Volume 1, 1977 4. HASSAN ABU SEOUD & HIS ORCHESTRA Kayda El Azal from the album Belly Dances from the Middle-East, 1974 5. THE FUAD HASSAN ENSEMBLE Hali Men from the album Music of the Bedouin Bandits, 1959 6. YAFFA YARKONI TRIO BEL CANTO WITH GEORGE STRATIS & HIS ENSEMBLE Sude Sude from the album Songs from the Garden of Allah, 1963 7. CLAUDE CIARI Kaan Azzaman from the album Habbeytak Bessayf, 1974 8. CHRIS KALOGERSON & THE ENSEMBLE SHARQI Velisaris from the album Belly Dance!, 1979 9. JUAN PENA LEBRIJANO & ORQUESTA ANDALUSI DE TANGER Amigo Mio, No (No, my friend) from the album Encuentros, 198510. TARIK BULUT (DIRECTOR) Halay from the album In an Egyptian Garden, 195811. MOHAMMED EL-BAKKAR Party #1: Baroudati Habboubati/Addoum Haaly Addoum/Yalla Yalla Hey/Hebbayna Baadena from the album An Arabic Party, 197912. GUS VALI & HIS ORCHESTRA Manna De Carnival (from Black Orpheus) from the album Motion Picture Music for Belly Dancers, 196513. EMAD SAYYAH & HIS ARABY ORCHESTRA Darbek Darbek (Play the Derbecki, I Want to Dance Araby) from the album Invitation to Belly Dance, 1985
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