Podcasts about Kenny Wheeler

En este episodio de La Montaña Rusa hemos escuchado y comentado los discos:ÁLBUM DESTACADO. Adrián Iaies. Melancolía (2017).Veronika Harcsa & Balint Gyemant. About Time (2022).CLÁSICO DE LA SEMANA. Kenny Dorham. Matador (1962).Mathew Halsall. An Ever Changing View (2023).Ferenc Nemeth. UnStandard (2022).Fire! Testament (2024).Kenny Wheeler. Some days Are Better: The Lost Scores (2025).

Send us your thoughts! Trumpeter and composer Kenny Wheeler (1930–2014) was one of the most enigmatic and influential musicians in recent memory. His instantly recognisable sound was a driving force within every major innovation in modern European jazz during the last half of the 20th century.More importantly, his life provides us with a profound example of the way music can manifest itself in the most unlikely of vessels. As a lonely and shy teenager in Canada, he sought refuge from his difficult home life in the friendships he forged through a mutual love of bebop. After an unexpectedly bold move to London at the age of 22, he struggled with his confidence for years before making his first big break with the John Dankworth Orchestra. Kenny would soon find his voice in a triumvirate of musical communities: straight-ahead jazz, the burgeoning free scene, and in the busy recording studios.Throughout his life, he constantly pursued personal growth while investing in his friends from every corner of the music business who would bring the inimitable beauty, precision, and chaos in his compositions to life. And in an artform where individuality represents the highest level of expression, Kenny was peerless. Indeed, few jazz artists of any era developed such a fingerprint in one area, let alone becoming immediately identifiable as virtuoso instrumentalists, improvisors, and composers.Kenny Wheeler's life is a compelling – and fundamentally human – story. This book brings together over 130 original interviews and new archival and biographical research on Wheeler's life and music, chronicling his journey from small town Canada to international acclaim. It is as much a perspective on the history and development of jazz in Britain and Europe as it is the extraordinary tale of this improbable pioneer.Support the show

Esta semana, en una nueva sesión de Rebelión Sónica, los invitamos a escuchar material del disco "The Music of Anthony Braxton" del destacado saxofonista estadounidense, Steve Lehman. El álbum, que celebra los 80 años del legendario e influyente compositor, vientista, pianista y filósofo Anthony Braxton, fue editado el 28 de febrero por el sello Pi Recordings. Grabado en Los Ángeles, junto a su trío integrado por él en saxo alto, Mark Brewer en bajo y Damion Reid en batería, además del invitado especial Mark Turner en saxo tenor, Lehman rinde homenaje a uno de sus primeros mentores, con un álbum en vivo de “swing duro”, que conmemora el 80 aniversario del nacimiento del influyente vientista Anthony Braxton. Lehman estuvo en el grupo de gira de Braxton de 1999 a 2007, actuando en festivales internacionales y apareciendo en una serie de grabaciones, incluido un tributo a la música de Andrew Hill, “Nine Compositions (Hill)” (2000). "Desde el principio, supe que quería conectar la música de Anthony con nuevas audiencias y defender la música de su pequeño grupo como una parte realmente indispensable del canon del jazz”, señaló Lehman sobre este nuevo disco. “Entonces, eso significó ser realmente exigente con el repertorio y hacer un esfuerzo consciente para trabajar con músicos fuera de la órbita de Braxton que pudieran aportar nuevas perspectivas a la música”. Según el sello, Lehman eligió composiciones intrincadas, pegadizas y únicas para grupos pequeños de Braxton que grabó originalmente en las décadas de 1970 y 1980 con músicos como Ed Blackwell, Dave Holland y Kenny Wheeler, entre otros, en álbumes como “Fall” (1974) y “Six Compositions: Quartet” (1981). Al final del programa, viajamos al pasado en el catálogo de Lehman y su trío, para escuchar música de su colaboración con el pianista Craig Taborn, “The People I Love”. Según Pi Recordings, el título del disco “fue tomado por Lehman de unas palabras que entregó el ahora fallecido vibrafonista Bobby Hutcherson en una entrevista de 2010: “Cuando era más joven, pensaba que la música era lo primero. Y ahora que he envejecido, me doy cuenta de que toda esa música, no es más que el reflejo de las imágenes de las personas que amo y de la presencia Dios”. Rebelión Sónica se transmite por radio Rockaxis los jueves a las 10 y 22 horas, con la conducción de Héctor Aravena.

Here is a playlist featuring endless delights from recent and not so recent releases of Kenny Wheeler, and Kenny Wheeler-adjacent music, projects and musicians. The playlist features John Taylor; Arild Andersen; Rainer Brüninghaus, Kenny Wheeler, Jon Christensen, Brynjar Hoff; Tommy Smith [pictured]; John Surman; The Scottish National Jazz Orchestra, Laura Jurd, Irini Arabatzi. Detailed playlist at https://spinitron.com/RFB/pl/20350038/Mondo-Jazz [from "Spring (Phases)" onward]. Happy listening! Photo credit: Derek Clark.

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Regarded as the most important and influential musician on the Irish jazz scene, saxophonist/flutist and composer Michael Buckley has been playing professionally since the age of six when critics hailed him as a child prodigy. Born in Dublin city in 1971 Michael first came to prominence on an International level when, aged 10, he played flute with the legendary saxophonist George Coleman in the National Concert Hall. Though largely self-taught, his obvious talent has been developed by his father Dick Buckley, and such legends as Milt Hinton. Buckley has found his unique voice playing both saxophone and flute. Buckley has been collaborating with the World Jazz Orchestra, where Michael represented Ireland, the Edinburgh Jazz Festival Orchestra (led by Tim Hagans), and small group tours and concerts with Dave Liebman, John Abercrombie, Joey Baron, Jason Rebello, Nils Wolgram, Tom Rainey, and Chander Sardjoe, to name but a few. Now in his early 40s, Buckley is rapidly becoming the most important producer of his generation. With countless albums ranging from jazz to traditional to hip-hop, Michael is making a name for himself internationally as a producer and engineer. Buckley has also performed and toured in recent years with The Mingus Big Band, Jason Moran, Kurt Rosenwinkle, Edward Simon, Pete King, Badal Roy, Kenny Wheeler, Lee Konitz, Grant Stewart, Ingrid Jensen, Guy Barker, Greg Burk, Damon Brown, Kevin Dean, Florian Ross, soloist with the BBC big band, Albert Sanz, and Gerard Presencer among others. As well as frequent radio spots, Michael has made numerous television appearances, regularly works on film and television scores, and recently collaborated on recordings with Donovan, the Cranberries, The Coors, Jerry Lee Louis, and Johnny Mattis.

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Here is a playlist mostly devoted to releases that, explicitly or implicitly, remind of us of the importance of Kenny Wheeler for today's jazz. The playlist features Erik Jekabson; Kenny Wheeler Legacy; Jason Keiser; Gautier Garrigue; Elise Vassallucci; John Daversa; Benjamin Lackner. Detailed playlist at https://spinitron.com/RFB/pl/20115121/Mondo-Jazz [from "Jane Wants to Tell You Something " onward]. Happy listening!

With the release of Some Days Are Better: The Lost Scores, the musical personality of trumpeter-composer …

John Taylor – In Two Minds C.A.M. Jazz | Enero 14, 2014 1 Ambleside Suite 19:01 1.1 Coniston 5:36 1.2 Dry Stone 7:40 1.3 Ambleside 5:45 4 Phrase The Second 4:54 5 Episode 3 3:14 6 3/4 pm 3:56 7 Middle Age Music 5:41 8 Calmo 4:12 9 Reflections In D 5:25 Piano – John Taylor Phonographic Copyright ℗ – Kepach Music S.r.l. Recorded At – Bauer Studios Ludwigsburg Mixed At – Bauer Studios Ludwigsburg Engineer – Johannes Wohlleben Liner Notes [English, Italian] – Brian Morton, John Taylor Management – Andrea Marini Mastered By – Danilo Rossi Photography By – Andrea Boccalini Producer – Ermanno Basso Recorded and mixed in Ludwigsburg on 21, 22, 23 November 2011 at Bauer Studios All tracks © KEPACH Music S.r.l. except #4, 6 Kenny Wheeler; #9 Sony ATV Harmony ℗ 2013 KEPACH Music S.r.l. Under License by CAM CINE TV MUSIC, Inc. ///////////////////////////////////// CORTINA FINAL In The Bleak Midwinter Whirlpool John Taylor Kepach Music | Enero 7, 2008 ///////////////////////////////////// John Taylor Sept 25 1942 | Julio 17, 2015 /////////////////////////////////////

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Jim was raised in Winnipeg, Manitoba and graduated from Silver Heights Collegiate in 1984. That same year his quintet won top high school combo in Canada and he was selected lead tenor in the Canadian High School All Star Jazz Ensemble. His school band directors were Wilfred Jones and Jim Mackay. In June 1986, he was profiled in DOWNBEAT magazine as a young musician deserving of wider recognition. Mair graduated from the University of Mary (Bismarck, North Dakota) with a Bachelor of Science degree in Music Education (1988) and the University of Missouri at Kansas City Conservatory of Music and Dancewith a Master of Arts degree in music (1990). He studied with Scott Prebys and Loran Eckroth at U-Mary from 1984 to 1988, Mike Parkinson Gary Foster and Tim Timmons at UMKC from 1988 to 1990 and did additional studies at the Banff Summer Jazz Workshop with Dave Holland. Kenny Wheeler and Pat Labarbera in 1988. He is a two-time full fellowship recipient at the Aspen Music Festival in 1989 and 1990. Jim was Professor of Music and Director of Instrumental and Jazz Studies at Kansas City Kansas Community College from 1999-2023. In December 2014, his college big band performed at the 30th annual Havana Jazz Festival in Cuba. He also serves as the Artistic Director/Founder of The Kansas City Jazz Alliance (501c3), The Kansas City High School and Middle School Jazz All Stars program and is the producer of The Kansas City Jazz Summit which includes the annual Basically Basie Competition. From 2003 to 2010 he served as the Artistic Director/Conductor for The Kansas City Jazz Orchestra (501c3), a performance organization that he co-founded. Jim is a co-founder of the Prairie Village Jazz Festival. Mair has also served on the faculty at the College of Southern Idaho, the International Music Camp, and the Charlie Parker Academy of the Arts. In addition, he has served as a staff writer for the Saxophone Journal and since 1992 has served as an artist/clinician for the Selmer Instrument Company. Mair has conducted the North Dakota, South Dakota (twice) and Idaho All-State Jazz Ensembles (twice) and the Kansas City All District Jazz Band (six times). While teaching in Idaho from 1995 to 1999 his radio show "Table Down Front" was broadcast across the northwest on NPR affiliates. His performance credits include appearances at the Havana, Cuba Jazz Festival, New York City JVC Jazz Festival, Montreux Jazz Festival, IAJE Convention, JEN Convention, Carnegie Recital Hall, Birdland and Showman's Cafe in New York City and the Duchin Room in Sun Valley, Idaho. In 1999, Mair was honored by the Governor of Idaho for his outstanding contributions to the Arts. He received the same recognition from the state of Kansas in 2010. In the spring of 2013 Mair received the Henry Louis Teaching Excellence Award from KCKCC as faculty member of the year. In early 2014, he was awarded the League for Innovation John & Suanne Roueche Teaching Excellence Award. In 2015, he was awarded an Honorary degree from the University of West London's, (England) London College of Music for his contributions to jazz education both in North America and in the United Kingdom. Additional accolades include Alumnus of the Year at both of the universities that he attended. University of Mary in 1995 and in 2017 the University of Missouri-Kansas City Conservatory of Music and Dance. Also in 2017 The Kansas City Jazz Alliance formed by Mair and his wife received Jazz Distinction recognition in a concert celebration at the Johnny Pacheco Latin Music and Jazz Festival at Lehman College (SUNY) in the Bronx, New York. In 2021, the annual 4 day Kansas City Jazz Summit was selected as "Best of Kansas City" for local businesses and in 2022 the readers of JAM magazine voted Jim, Kansas City's Favorite Saxophonist. Mair serves on the advisory board for the Metheny Family Music Foundation and the Burnett Family Foundation. Jim has on multiple occasions performed as a soloist, the Star Spangled Banner and O Canada at NCAA college and professional sporting events including for the Kansas City Chiefs, Kansas City Royals and Kansas City Monarchs home games. Retiring from 28 years of college teaching in July 2023, the academic year 2023-2024 found Mair serving as an Artist in Residence at Fort Richmond Collegiate in his hometown of Winnipeg, Canada directing the jazz bands and teaching three sections of beginning band. In the fall of 2024 Jim will join the full-time music staff at St. James Academy in Lenexa, KS where he will serve as Assistant Director of Bands and Jazz Specialist.  

'Rainmaker' se titula el disco con el que Ben Sidran celebra su 80 cumpleaños y del que escuchamos los temas 'Panda', 'Victime de la mode', 'Sweet' y 'So long'. También a la francesa Cyrille Aimée con 'Beautiful day', 'Again again' y 'Inside and out' de su reciente 'À fleur de peau'. Y desde Italia grabaciones del pianista Enrico Pieranunzi ('Les amants'), el clarinetista Gabriele Mirabassi ('Fou rire'), el pianista Riccardo Zegna ('No valse'), el trompetista Kenny Wheeler ('Flo') y el guitarrista Battista Lenna ('Tema delle scuole'). Para despedir, 'For the palms', del disco 'Brasil' de Lee Ritenour y Dave Grusin.Escuchar audio

Bone2pick is back up and running with a fantastic sit down featuring one of the most respected and in demand bass players on the international jazz scene, the great Jay Anderson. Jay generously shares his thoughts and memories of growing up in Southern California, his early professional years with Woody Herman and Carmen McRae, his many years anchoring the bass chairs of the Grammy Award winning Maria Schneider Jazz Orchestra and Bob Mintzer Big Band, his longtime association with Joe Sample and his vast amounts of touring and recording with the likes of Michael Brecker, John Scofield, Kenny Wheeler, Michael Franks, Frank Zappa, David Bowie, Allen Ginsberg, among many others. Enjoy!

Der französische Schlagzeuger und Komponist Olivier Le Goas ist seit 35 Jahren aktiv in der internationalen Jazzszene. In seinen Bands spielten schon Größen wie Kenny Wheeler, John Abercrombie, John Escreet und Kevin Hays. Auf seinem neuen Album setzt er mit einem neuen, virtuosen Klaviertrio seine avancierten Rhythmus Konzepte mitreißend um. Für unsere Jazzredakteurin Beate Sampson das Jazzalbum des Monats März.

Mark joins the show to chat about his new album, Smiling. Joining the show is Olivia Cuttill as a guest host. Saxophonist and composer Mark Lockheart first came to prominence in the mid 1980s with the influential big band Loose Tubes. In 1992 Mark formed the eclectic co-led quartet Perfect Houseplants, a group that released six albums and collaborated with classical artists such as the Orlando Consort, Andrew Manze and Pamela Thorby. The mid-90s saw Mark recording and performing with many jazz, folk and pop artists, including Django Bates, Kenny Wheeler, Norma Winstone, June Tabor, Stereolab, Jah Wobble, Robert Wyatt, Prefab Sprout, Don Um Romao, Thomas Dolby and Radiohead.In 2003 Mark joined Seb Rochford's Polar Bear, which over a period of 12 years recorded six ground-breaking albums. The band's second album, Held On The Tips Of Fingers, was nominated for the 2005 Mercury Award and later appeared in Jazzwise's 100 Albums That Shook the World. The band's fifth album, In Each And Every Way, was also nominated for a Mercury Award in 2013. In 2007 Mark was a featured soloist (along with John Pattitucci and Gwilym Simcock) in Mark Anthony Turnage's About Water, which premiered on the Southbank in June 2007. Mark collaborated several times more with Turnage, performing his A Man Descending with the Southbank Sinfonia in 2008 and more recently as one of the featured musicians in Turnage's opera Anna Nicole, which premiered at the Royal Opera House in London in 2011. In 2009 Mark's quintet album In Deep was released to critical acclaim. The following year saw the release of Mark's first big band album Days Like These with the Hamburg-based NDR big band. That same year Mark was awarded APPJC Parliamentary Jazz Musician of the Year 2010. In 2013 Mark released Ellington In Anticipation, a radical reworking of Ellington melodies with an all-star line up including Seb Rochford and Liam Noble. The album received numerous four and five-star reviews and was MOJO magazine's Jazz Album of 2013 and nominated as Best Jazz CD of 2013 by the APPJC at the 2014 Parliamentary Awards.  An invitation to perform at the New York Rochester Jazz Festival in 2014 led to the formation of Mark's trio, Malija, with bassist Jasper Hoiby and pianist Liam Noble. Malija's debut album The Day I Had Everything was released in December 2015 to critical acclaim. The group's second album Instinct was released in 2017 followed by a 21-date tour.  In 2016 Mark was awarded Jazz FM Instrumentalist of the Year and also nominated for the British Composer Awards for his composition With One Voice. A few years later saw the birth of two very contrasting projects , the jazz/orchestral work titled Days On Earth for jazz sextet and 30-piece orchestra, released on Edition Records in January 2019 and a set of English Renaissance music ‘Salvator Mundi' recorded at Temple church in London with organist Roger Sayer.mosaic: Exploring Jewish Issuesmosaic is Jewish Federation of Palm Beach County's news magazine show, exploring Jewish...Listen on: Apple Podcasts SpotifySupport the show

Abrimos 2024 con el brillante nuevo trabajo del guitarrista Wolfgang Muthspiel, Dance Of The Elders, publicado en 2023 para ECM. Descubriremos la música del contrabajista y compositor australiano Brendan Keller-Tuberg, del que escuchamos su álbum del 2021, In Spite Of It All. Nuestro Clásico de la Semana fue el recuerdo al batería Tony Oxley, quien nos ha dejado recientemente. Figura clave junto a otros del Free y Avantgarde británico, lo escucharemos en su debut del año 1969, The Baptised Traveller, junto a Kenny Wheeler, Evan Parker, Derek Bailey y Jeff Clyne. Seguir leyendo La Montaña Rusa 01.2024. Wolfgang Muthspiel. Brendan Keller-Tuberg. Recuerdo a Tony Oxley. John Scofield. Novas Trio. Jean-Michel Pilc. en La Montaña Rusa Radio Jazz.

“I play the double bass as a professional musician. I don't consider myself a piano player, but I play a little bit of piano, of course. Every musician should play a little bit of piano to understand harmony. And if you want to compose or to arrange music, you need to know basic piano. So I play a little bit of piano. Actually, I started to play guitar before the double bass, because it was not so easy to get a double bass 40 years ago. My father was a bass player, but he never had a bass at home. So I started to play guitar first, and I was really into Bossa Nova and those chords from João Gilberto, and it was a big influence in my early years. But then I found a double bass when I was sixteen or seventeen– it was a terrible double bass, but it was enough to start with. Today, that sounds kind of late to start learning an instrument, but back then it wasn't so terrible. Now you have small double basses that kids of nine, ten years old can start playing. In the eighties, if you were small, you could not play double bass, basically.”Bernardo Moreira is one of the most active Portuguese double bassists. He has performed as a guest soloist with Gulbenkian, Metropolitan de Lisboa, and Nacional do Porto orchestras, and gained prominence for his collaborations with international artists, including the legendary Benny Colson, Freddie Hubbard, Wayne Shorter, Art Farmer, and Kenny Wheeler. He is a regular collaborator with many jazz musicians in Portugal, participating in formations such as the Maria João/Mário Laginha quartet, the Mário Laginha trio, and singer Cristina Branco. In 2021, he released Enter Paredes, and in 2022, he led Cantina's de Main and SUL.www.clavenamao.orghttps://open.spotify.com/artist/0Yse2njeXg2XDiQmmxhAc5www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastMusic on this episode:António Marinheiro, Bernardo Moreira Sextet, from the album Entre Paredes PROMESSAS MIX V3 ULT from SULCourtesy of Bernardo Moreira

Bernardo Moreira is one of the most active Portuguese double bassists. He has performed as a guest soloist with Gulbenkian, Metropolitan de Lisboa, and Nacional do Porto orchestras, and gained prominence for his collaborations with international artists, including the legendary Benny Colson, Freddie Hubbard, Wayne Shorter, Art Farmer, and Kenny Wheeler. He is a regular collaborator with many jazz musicians in Portugal, participating in formations such as the Maria João/Mário Laginha quartet, the Mário Laginha trio, and singer Cristina Branco. In 2021, he released Enter Paredes, and in 2022, he led Cantina's de Main and SUL.“I play the double bass as a professional musician. I don't consider myself a piano player, but I play a little bit of piano, of course. Every musician should play a little bit of piano to understand harmony. And if you want to compose or to arrange music, you need to know basic piano. So I play a little bit of piano. Actually, I started to play guitar before the double bass, because it was not so easy to get a double bass 40 years ago. My father was a bass player, but he never had a bass at home. So I started to play guitar first, and I was really into Bossa Nova and those chords from João Gilberto, and it was a big influence in my early years. But then I found a double bass when I was sixteen or seventeen– it was a terrible double bass, but it was enough to start with. Today, that sounds kind of late to start learning an instrument, but back then it wasn't so terrible. Now you have small double basses that kids of nine, ten years old can start playing. In the eighties, if you were small, you could not play double bass, basically.”www.clavenamao.orghttps://open.spotify.com/artist/0Yse2njeXg2XDiQmmxhAc5www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastMusic on this episode:António Marinheiro, Bernardo Moreira Sextet, from the album Entre Paredes PROMESSAS MIX V3 ULT from SULCourtesy of Bernardo Moreira

“I play the double bass as a professional musician. I don't consider myself a piano player, but I play a little bit of piano, of course. Every musician should play a little bit of piano to understand harmony. And if you want to compose or to arrange music, you need to know basic piano. So I play a little bit of piano. Actually, I started to play guitar before the double bass, because it was not so easy to get a double bass 40 years ago. My father was a bass player, but he never had a bass at home. So I started to play guitar first, and I was really into Bossa Nova and those chords from João Gilberto, and it was a big influence in my early years. But then I found a double bass when I was sixteen or seventeen– it was a terrible double bass, but it was enough to start with. Today, that sounds kind of late to start learning an instrument, but back then it wasn't so terrible. Now you have small double basses that kids of nine, ten years old can start playing. In the eighties, if you were small, you could not play double bass, basically.”Bernardo Moreira is one of the most active Portuguese double bassists. He has performed as a guest soloist with Gulbenkian, Metropolitan de Lisboa, and Nacional do Porto orchestras, and gained prominence for his collaborations with international artists, including the legendary Benny Colson, Freddie Hubbard, Wayne Shorter, Art Farmer, and Kenny Wheeler. He is a regular collaborator with many jazz musicians in Portugal, participating in formations such as the Maria João/Mário Laginha quartet, the Mário Laginha trio, and singer Cristina Branco. In 2021, he released Enter Paredes, and in 2022, he led Cantina's de Main and SUL.www.clavenamao.orghttps://open.spotify.com/artist/0Yse2njeXg2XDiQmmxhAc5www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastMusic on this episode:António Marinheiro, Bernardo Moreira Sextet, from the album Entre Paredes PROMESSAS MIX V3 ULT from SULCourtesy of Bernardo Moreira

“I had so many people around me when I was young– famous poets like Ary dos Santos, one of Portugal's greatest poets of the 20th century. Sometimes he would be there talking with my mother, and I had this information that was getting in, but I wasn't aware of it. And then in the early days, when I had just started playing, I was really into modern jazz, which was very instrumental, so I didn't really pay attention to lyrics. It took me a while to get interested in Portuguese music, and in that mixture between jazz, Fado music and Portuguese popular music. For a while I was into the importance of a good poem. Now what moves me most of the time is that mixture of cultures— trying to do something that you cannot find in other countries. If you are into a lot of American jazz, for instance, you can play great music, but you are always playing music that started elsewhere, you know? And for a European like me, it's challenging to try and find what makes you different in such a big market. What sound can you try to create that you wouldn't hear in France or in Japan or in New York? So that's a very difficult challenge, actually, because you try to get really into your heart and your emotion. And I think Portugal has a lot of good emotions in its popular music that you don't find elsewhere. The music I make always has a kind of nostalgic ambience. It's not always sadness. It's a melancholic approach that is very hard to put into words– you just need to feel it.”Bernardo Moreira is one of the most active Portuguese double bassists. He has performed as a guest soloist with Gulbenkian, Metropolitan de Lisboa, and Nacional do Porto orchestras, and gained prominence for his collaborations with international artists, including the legendary Benny Colson, Freddie Hubbard, Wayne Shorter, Art Farmer, and Kenny Wheeler. He is a regular collaborator with many jazz musicians in Portugal, participating in formations such as the Maria João/Mário Laginha quartet, the Mário Laginha trio, and singer Cristina Branco. In 2021, he released Enter Paredes, and in 2022, he led Cantina's de Main and SUL.www.clavenamao.orghttps://open.spotify.com/artist/0Yse2njeXg2XDiQmmxhAc5www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastMusic on this episode:António Marinheiro, Bernardo Moreira Sextet, from the album Entre Paredes PROMESSAS MIX V3 ULT from SULCourtesy of Bernardo Moreira

Bernardo Moreira is one of the most active Portuguese double bassists. He has performed as a guest soloist with Gulbenkian, Metropolitan de Lisboa, and Nacional do Porto orchestras, and gained prominence for his collaborations with international artists, including the legendary Benny Colson, Freddie Hubbard, Wayne Shorter, Art Farmer, and Kenny Wheeler. He is a regular collaborator with many jazz musicians in Portugal, participating in formations such as the Maria João/Mário Laginha quartet, the Mário Laginha trio, and singer Cristina Branco. In 2021, he released Enter Paredes, and in 2022, he led Cantina's de Main and SUL.“I had so many people around me when I was young– famous poets like Ary dos Santos, one of Portugal's greatest poets of the 20th century. Sometimes he would be there talking with my mother, and I had this information that was getting in, but I wasn't aware of it. And then in the early days, when I had just started playing, I was really into modern jazz, which was very instrumental, so I didn't really pay attention to lyrics. It took me a while to get interested in Portuguese music, and in that mixture between jazz, Fado music and Portuguese popular music. For a while I was into the importance of a good poem. Now what moves me most of the time is that mixture of cultures— trying to do something that you cannot find in other countries. If you are into a lot of American jazz, for instance, you can play great music, but you are always playing music that started elsewhere, you know? And for a European like me, it's challenging to try and find what makes you different in such a big market. What sound can you try to create that you wouldn't hear in France or in Japan or in New York? So that's a very difficult challenge, actually, because you try to get really into your heart and your emotion. And I think Portugal has a lot of good emotions in its popular music that you don't find elsewhere. The music I make always has a kind of nostalgic ambience. It's not always sadness. It's a melancholic approach that is very hard to put into words– you just need to feel it.”www.clavenamao.orghttps://open.spotify.com/artist/0Yse2njeXg2XDiQmmxhAc5www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastMusic on this episode:António Marinheiro, Bernardo Moreira Sextet, from the album Entre Paredes PROMESSAS MIX V3 ULT from SULCourtesy of Bernardo Moreira

“I had so many people around me when I was young– famous poets like Ary dos Santos, one of Portugal's greatest poets of the 20th century. Sometimes he would be there talking with my mother, and I had this information that was getting in, but I wasn't aware of it. And then in the early days, when I had just started playing, I was really into modern jazz, which was very instrumental, so I didn't really pay attention to lyrics. It took me a while to get interested in Portuguese music, and in that mixture between jazz, Fado music and Portuguese popular music. For a while I was into the importance of a good poem. Now what moves me most of the time is that mixture of cultures— trying to do something that you cannot find in other countries. If you are into a lot of American jazz, for instance, you can play great music, but you are always playing music that started elsewhere, you know? And for a European like me, it's challenging to try and find what makes you different in such a big market. What sound can you try to create that you wouldn't hear in France or in Japan or in New York? So that's a very difficult challenge, actually, because you try to get really into your heart and your emotion. And I think Portugal has a lot of good emotions in its popular music that you don't find elsewhere. The music I make always has a kind of nostalgic ambience. It's not always sadness. It's a melancholic approach that is very hard to put into words– you just need to feel it.”Bernardo Moreira is one of the most active Portuguese double bassists. He has performed as a guest soloist with Gulbenkian, Metropolitan de Lisboa, and Nacional do Porto orchestras, and gained prominence for his collaborations with international artists, including the legendary Benny Colson, Freddie Hubbard, Wayne Shorter, Art Farmer, and Kenny Wheeler. He is a regular collaborator with many jazz musicians in Portugal, participating in formations such as the Maria João/Mário Laginha quartet, the Mário Laginha trio, and singer Cristina Branco. In 2021, he released Enter Paredes, and in 2022, he led Cantina's de Main and SUL.www.clavenamao.orghttps://open.spotify.com/artist/0Yse2njeXg2XDiQmmxhAc5www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastMusic on this episode:António Marinheiro, Bernardo Moreira Sextet, from the album Entre Paredes PROMESSAS MIX V3 ULT from SULCourtesy of Bernardo Moreira

Bernardo Moreira is one of the most active Portuguese double bassists. He has performed as a guest soloist with Gulbenkian, Metropolitan de Lisboa, and Nacional do Porto orchestras, and gained prominence for his collaborations with international artists, including the legendary Benny Colson, Freddie Hubbard, Wayne Shorter, Art Farmer, and Kenny Wheeler. He is a regular collaborator with many jazz musicians in Portugal, participating in formations such as the Maria João/Mário Laginha quartet, the Mário Laginha trio, and singer Cristina Branco. In 2021, he released Enter Paredes, and in 2022, he led Cantina's de Main and SUL.“I had so many people around me when I was young– famous poets like Ary dos Santos, one of Portugal's greatest poets of the 20th century. Sometimes he would be there talking with my mother, and I had this information that was getting in, but I wasn't aware of it. And then in the early days, when I had just started playing, I was really into modern jazz, which was very instrumental, so I didn't really pay attention to lyrics. It took me a while to get interested in Portuguese music, and in that mixture between jazz, Fado music and Portuguese popular music. For a while I was into the importance of a good poem. Now what moves me most of the time is that mixture of cultures— trying to do something that you cannot find in other countries. If you are into a lot of American jazz, for instance, you can play great music, but you are always playing music that started elsewhere, you know? And for a European like me, it's challenging to try and find what makes you different in such a big market. What sound can you try to create that you wouldn't hear in France or in Japan or in New York? So that's a very difficult challenge, actually, because you try to get really into your heart and your emotion. And I think Portugal has a lot of good emotions in its popular music that you don't find elsewhere. The music I make always has a kind of nostalgic ambience. It's not always sadness. It's a melancholic approach that is very hard to put into words– you just need to feel it.”www.clavenamao.orghttps://open.spotify.com/artist/0Yse2njeXg2XDiQmmxhAc5www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastMusic on this episode:António Marinheiro, Bernardo Moreira Sextet, from the album Entre Paredes PROMESSAS MIX V3 ULT from SULCourtesy of Bernardo Moreira

“I would love if young people understood that art is one of the things that make you a human and not a robot. That's the difference. And if we could pass on that message, what makes us human beings, it's exactly our ability to feel. We need to do it in the schools and the teacher should be the most important person in the world right now - good teachers who pass that message to young people. They need to focus on the important things to get that capacity to concentrate. If we lose the concentration capacity, then we are becoming robots, and so for me, the challenge is really for the young people and teachers, telling them the importance of paying attention to the important things.”Bernardo Moreira is one of the most active Portuguese double bassists. He has performed as a guest soloist with Gulbenkian, Metropolitan de Lisboa, and Nacional do Porto orchestras, and gained prominence for his collaborations with international artists, including the legendary Benny Colson, Freddie Hubbard, Wayne Shorter, Art Farmer, and Kenny Wheeler. He is a regular collaborator with many jazz musicians in Portugal, participating in formations such as the Maria João/Mário Laginha quartet, the Mário Laginha trio, and singer Cristina Branco. In 2021, he released Enter Paredes, and in 2022, he led Cantina's de Main and SUL.www.clavenamao.orghttps://open.spotify.com/artist/0Yse2njeXg2XDiQmmxhAc5www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastMusic on this episode:António Marinheiro, Bernardo Moreira Sextet, from the album Entre Paredes PROMESSAS MIX V3 ULT from SULCourtesy of Bernardo Moreira

Bernardo Moreira is one of the most active Portuguese double bassists. He has performed as a guest soloist with Gulbenkian, Metropolitan de Lisboa, and Nacional do Porto orchestras, and gained prominence for his collaborations with international artists, including the legendary Benny Colson, Freddie Hubbard, Wayne Shorter, Art Farmer, and Kenny Wheeler. He is a regular collaborator with many jazz musicians in Portugal, participating in formations such as the Maria João/Mário Laginha quartet, the Mário Laginha trio, and singer Cristina Branco. In 2021, he released Enter Paredes, and in 2022, he led Cantina's de Main and SUL.“I would love if young people understood that art is one of the things that make you a human and not a robot. That's the difference. And if we could pass on that message, what makes us human beings, it's exactly our ability to feel. We need to do it in the schools and the teacher should be the most important person in the world right now - good teachers who pass that message to young people. They need to focus on the important things to get that capacity to concentrate. If we lose the concentration capacity, then we are becoming robots, and so for me, the challenge is really for the young people and teachers, telling them the importance of paying attention to the important things.”www.clavenamao.orghttps://open.spotify.com/artist/0Yse2njeXg2XDiQmmxhAc5www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastMusic on this episode:António Marinheiro, Bernardo Moreira Sextet, from the album Entre Paredes PROMESSAS MIX V3 ULT from SULCourtesy of Bernardo Moreira

“It took me some time to understand where I was going to see myself. It's true that, at home, me and my brothers had a beautiful cultural environment because my father was, not a professional musician, but a jazz lover. He was really into jazz music and really passionate about it. But he was never a professional musician. He was an amateur. My mother, also, was a teacher and a writer, so I think we had this environment at home that got us into music. We were always listening either to opera or to jazz. Of course, we had our preferences when we were kids– we loved The Beatles and The Rolling Stones. But we always had this different approach because of our mother and father. Everything that influenced us came through them, even if we didn't know it. When I was fourteen or fifteen I started to feel a need to play an instrument. And one thing that helped a lot was the fact that we were four brothers and we started to play music together. We had this small combo happening at home almost every day, every hour. And it was a quick sensation– immediately I understood that this was what I was going to do for the rest of my life.”Bernardo Moreira is one of the most active Portuguese double bassists. He has performed as a guest soloist with Gulbenkian, Metropolitan de Lisboa, and Nacional do Porto orchestras, and gained prominence for his collaborations with international artists, including the legendary Benny Colson, Freddie Hubbard, Wayne Shorter, Art Farmer, and Kenny Wheeler. He is a regular collaborator with many jazz musicians in Portugal, participating in formations such as the Maria João/Mário Laginha quartet, the Mário Laginha trio, and singer Cristina Branco. In 2021, he released Enter Paredes, and in 2022, he led Cantina's de Main and SUL.www.clavenamao.orghttps://open.spotify.com/artist/0Yse2njeXg2XDiQmmxhAc5www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastMusic on this episode:António Marinheiro, Bernardo Moreira Sextet, from the album Entre Paredes PROMESSAS MIX V3 ULT from SULCourtesy of Bernardo Moreira

Bernardo Moreira is one of the most active Portuguese double bassists. He has performed as a guest soloist with Gulbenkian, Metropolitan de Lisboa, and Nacional do Porto orchestras, and gained prominence for his collaborations with international artists, including the legendary Benny Colson, Freddie Hubbard, Wayne Shorter, Art Farmer, and Kenny Wheeler. He is a regular collaborator with many jazz musicians in Portugal, participating in formations such as the Maria João/Mário Laginha quartet, the Mário Laginha trio, and singer Cristina Branco. In 2021, he released Enter Paredes, and in 2022, he led Cantina's de Main and SUL.“It took me some time to understand where I was going to see myself. It's true that, at home, me and my brothers had a beautiful cultural environment because my father was, not a professional musician, but a jazz lover. He was really into jazz music and really passionate about it. But he was never a professional musician. He was an amateur. My mother, also, was a teacher and a writer, so I think we had this environment at home that got us into music. We were always listening either to opera or to jazz. Of course, we had our preferences when we were kids– we loved The Beatles and The Rolling Stones. But we always had this different approach because of our mother and father. Everything that influenced us came through them, even if we didn't know it. When I was fourteen or fifteen I started to feel a need to play an instrument. And one thing that helped a lot was the fact that we were four brothers and we started to play music together. We had this small combo happening at home almost every day, every hour. And it was a quick sensation– immediately I understood that this was what I was going to do for the rest of my life.”www.clavenamao.orghttps://open.spotify.com/artist/0Yse2njeXg2XDiQmmxhAc5www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastMusic on this episode:António Marinheiro, Bernardo Moreira Sextet, from the album Entre Paredes PROMESSAS MIX V3 ULT from SULCourtesy of Bernardo Moreira

Simon & Nick discuss the Score to Mr Benn by Don Warren an Alias for Duncan Lamontwho for several decades Lamont worked as a freelance musician (on flute and clarinet as well as saxophone), based around Archer Street in Soho and playing in the surrounding jazz clubs. He often performed with British bands accompanying American vocalists, including Fred Astaire, Tony Bennett, Bing Crosby, Sammy Davis Jr., Marlene Dietrich, Peggy Lee and (for 19 seasons) with Frank Sinatra. He also played with touring bandleaders such as Count Basie, Benny Goodman and Henry Mancini. Lamont led his own band for 11 years. He worked on recording and performing projects with Kenny Wheeler for many decades.For those who missed the original Mr Benn books and TV show (the former, published first In 1967, the latter aired between 1971 and 1972 before making several returns via reruns on the BBC), then the plot is also straight forward. Black suit and bowler hat-clad London professional Mr Benn leaves his house each episode, walks to a local fancy-dress shop, and chooses an outfit. An adventure then ensues, set in a world that reflects his outfit. Harking back to a glorious time in children's television - one that has latterly been remembered for its psychedelic edges and surrealist tendencies - Duncan Lamont's score was a perfect accompaniment to those mini odysseys. It's woozy, blissful and dreamy at times, then jaunty and upbeat the next moment, taking the form of brief but beautiful accidentals to set those senes.This is our website This is our InstagramThis is our Facebook group

Face to Face, Nikki's new album is out today! As a founder member of the hugely innovative Creative Jazz Orchestra in the early 90s, Nikki Iles came to prominence working with musicians such as Anthony Braxton, Vince Mendoza, Mark Anthony Turnage, Kenny Wheeler and Mike Gibbs.Mike subsequently booked her for one of her first recording dates with great American musicians, Steve Swallow and Bob Moses on the CD “By The Way” on AH HUM records. For many years, Nikki served a lengthy apprenticeship in the North of England playing with the cream of British and American jazz such as Peter King, Iain Ballamy, Art Farmer, Peter King ,Tina May ,Tim Garland and Jim Mullen.Many of these relationships were re- kindled later ,when after a car accident, Nikki finally decided to make the move to London in 1998. Here she joined the groups and toured and recorded with musicians such as Steve Arguelles, Mick Hutton, Martin Speake, Stan Sulzmann and Julian Arguelles and Norma Winstone .Several awards followed with the BT British Jazz Award and an IAJE Award in America for services to Jazz. Although well known as a pianist, composition still remains a major part of her musical life.The breadth of Nikki's artistic vision has led her to disregard the arbitrary boundaries of the jazz scene and most notably, commissions have included a collaboration with American dancer Mimi Cichanowicz , the UMO Jazz Orchestra in Finland, “A Gentle Prayer “ - London Sinfonietta , “Red Ellen” - Tim Garland's Northern Underground Band, “Carillion – The LPO's Renga ensemble and this year “The Caged Bird” from the International Society of Jazz Arrangers and Composers.Nikki was honoured to have her piece HUSH commissioned by the National Youth Jazz Orchestra featured at the 2012 Proms ( BBC TV) and more recently write for the great American singer, Kurt Elling and The Scottish National Jazz Orchestra.Recently she has been particularly busy - she was awarded the prestigious Ivors Academy Gold Badge and the Ivor Novello Award - winning the best large ensemble composition in 2021.Support the show

This episode features an interview with Grammy-nominated musician Art Lande and jazz sax player Sam Williams. We discussed tracks from their current album Portals, and the duo's upcoming show at Dazzle on November 26. Sam Williams is a saxophonist and music educator, currently residing in Boulder, CO. Experienced in various music styles, Sam performs regularly in jazz venues and concert halls throughout northern Colorado and beyond. Grammy-nominated Art Lande is an internationally known pianist, composer, improviser, drummer, and educator who has performed with a long list of the Who's Who in jazz, including Joe Henderson, Woody Shaw, Bobby Hutcherson, Steve Swallow, Charlie Haden, Kenny Wheeler, Sheila Jordan, Mark Isham, Paul McCandless, Jan Garbarek, and many others. --- Send in a voice message: https://podcasters.spotify.com/pod/show/backstagejazz/message

Episode 173: Simon O'Brien - from The Style Council fan to Weller Tour Crew…On this episode of The Paul Weller Fan Podcast, we meet Simon O'Brien and hear his a journey from The Style Council fan in his teens to joining Paul Weller tour security in 2000.We talk Red Wedge, the Paul Weller Movement, and being In the right place at the right time for the Heliocentric tour with a band on fire...You'll hear stories on Paul, John Weller, Kenny Wheeler, and unforgettable gigs across the UK - including V2000, Glasgow's Gig on the Green and the final night at Earl's Court... Hosted on Acast. See acast.com/privacy for more information.

From the Classroom to the Track: Kenny Wheeler's Coaching Chronicles Dive deep into the world of track and field coaching with Kenny Wheeler, the dedicated coach from Pleasant Valley High School in Iowa, on this episode of the Gill Athletics Connections Podcast. Hosted by Mike Cunningham, this conversation promises to be a blend of passion, insights, and invaluable experiences tailored for track and field coaches across America, both at the high school and college levels. Kenny Wheeler's story is one of commitment, adaptability, and a profound love for the sport. From his early days as an academic advisor to his current role at Pleasant Valley High School, Wheeler's journey offers a unique perspective on the challenges and rewards of coaching in the high school setting. In this episode, Wheeler delves into his experiences working with student-athletes, the intricacies of organizing track and field camps, and the importance of community involvement in the sport. He also sheds light on the dynamics of coaching in Iowa, a state with its unique set of track and field events, and the strategies he employs to ensure his athletes' success. Join Wheeler and Cunningham as they discuss the nuances of recruiting, the significance of mentorship in coaching, and the future of track and field. Whether you're a seasoned coach or just starting out, this episode is a treasure trove of knowledge and inspiration. Don't miss out on this opportunity to learn from a coach who truly understands the heartbeat of track and field at the grassroots level. Tune in to the Gill Athletics Connections Podcast and let Kenny Wheeler's experiences inspire and guide you in your own coaching journey. WATCH ON YOUTUBE   Want to have an exploratory conversation about YOUR track equipment needs? Connect with us: Host Mike Cunningham on Twitter: @mikecunningham Email: sales@gillathletics.com Phone: 800-637-3090 Twitter: @GillAthletics Instagram: @GillAthletics1918 Facebook: facebook.com/gillathletics LinkedIn: linkedin.com/company/gillathletics/

Montreal-based saxophonist and composer Christine Jensen has been described as, “an original voice on the international jazz scene… [and] one of Canada's most compelling composers,” by Mark Miller of the Globe and Mail. According to Greg Buium of Downbeat Magazine, “Jensen writes in three dimensions, with a quiet kind of authority that makes the many elements cohere. Wayne Shorter, Maria Schneider and Kenny Wheeler come to mind.” After a performance at the 2006 Montreal International Jazz Festival, Scott Yanow wrote, “She's rapidly developing into a major force … as a player and as a writer.”Jensen is equally at home performing in small and large ensemble settings. Her latest opus, Treelines - The Christine Jensen Jazz Orchestra on Justin-Time Records, won her the 2011 Juno Award for Contemporary Jazz Album of the Year, along with Quebec's Opus Award for jazz recording of the year. Downbeat magazine described it as“…a stunning orchestral debut… ****1/2 stars”. She recently performed at various jazz festivals across Canada as well as at Dizzy's Jazz Club-Lincoln Center in New York with this ensemble. “Jensen's formidable orchestra is the glistening sunlight, the tranquility and force of the ocean, and the majestic trees that her music imagines.”-Jazz TimesSupport the show

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 8th June 2023 Artist - Track - Album - Year The Michael O'Neill Quintet    My Man's Gone Now    Conversations with Birds    2023 Joe Farnsworth    Composition 4    In What Direction Are You Headed?    2023 Mike Clark    Chan's Song    Mike Clark Plays Herbie Hancock    2023 Tim Ray Trio    No Worries    Fire & Rain    2023 Dave Bass    Agenbite of Inwit    The Trio, Vol. 3    2023 Jivko Petrov Trio (JP3)    Morocco Vibe    One the Way    2022 Mira Choquette    No Moon at All    In Reel Time    2023 Laila Biali    But Not for Me (feat. Anat Cohen)    Your Requests    2023 Chloe Jean    Blue Skies    Fairy Tale Fail    2023 Ellie Martin    Love Somehow Will Heal    Verdant    2023 Kevin Toney    In a Sentmental Mood (feat. Azar Lawrence)    An Evening with Kevin Toney and Friends: Jazz Legacy    2023 Stephen Philip Harvey Octet    Fuel the Flame    Elemental    2023 Marina Pacowski    East of the Sun    Inner Urge    2023 Brian McCarthy Octet    After | Life Suite: Movement III    After | Life    2023 Nick Finzer    To Dream a Bigger Dream    Dreams Visions Illusions    2023 Sébastien Parent    NuAge Industriel Tome 3 (À La Recherche du Groove Perdu)    Projet Seb Parent    2023 Javon Jackson    The Game    "With Peter Bradley" Soundtrack and Score    2023 Javon Jackson    Brother G    "With Peter Bradley" Soundtrack and Score    2023 Dave McMurray    The Other One    Grateful Dedication 2    2023 Dhaivat Jani Plus    Day 21    Sum || Parts    2023 Duncan Hopkins    Foxy Trot    Who Are You?: The Music of Kenny Wheeler    2023 Tom Teasley    Shadows of Courage    The Breath    2023 Tom Teasley    Lightness From the Dark    The Breath    2023 Devin Gray    Most Definitely    Most Definitely    2023 Devin Gray    Upstate Berlin    Most Definitely    2023 Devin Gray    Tailgate Lunches    Most Definitely    2023 Devin Gray    Blackwell Magic    Most Definitely    2023 Devin Gray    Hoi Polloi    Most Definitely    2023 The post The Creative Source (#CreativeSource) – 8th June 2023 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

"Gnu suite" (de l'

"Gnu suite" (de l'

Welcome to Rock Your Shine: After you've been cracked wide open. On this show, I sit down with people from all over the world to hear their transformational stories on their deep grief and loss journeys.  In this episode, we delve into the depths of grief and loss with Jon Hazilla, who has experienced unimaginable pain. Jon shares his heartbreaking journey of losing three siblings and going through a divorce while processing deep grief. Discover the transformative power of 'heart play' and gain insights into understanding your own dark place. Jon opens up about his experience with therapy and his thoughts on medication. We explore practical tools to pull yourself out of a dark place and discuss whether Jon took time to withdraw and shut everything out. Navigating the loss of his siblings and the impact of divorce on handling other losses are explored. We delve into the topic of receiving signs from the other side and how Jon tapped into music and playfulness as sources of healing. Discover how Jon found moments of joy while still in darkness. We also explore what Jon's relationship with his ex-wife looks like post-divorce and gain insights into his journey of self-love. Jon Hazilla has performed and/or recorded with: Jo Anne Brackeen, James Williams, John Hicks, Billy Taylor, Aaron Goldberg, Ray Drummond, Ron Carter, George Garzone, Benny Golson, Billy Pierce, Steve Grossman, Larry Coryell, Kenny Wheeler, Sheila Jordan, Ran Blake, John Clayton, and Max Roach. He continues to perform in countless global festivals from the Azores to Costa Rica, Warsaw, Rome, Nice, Serbia, and Kyoto, to name a few. He is a graduate of New England Conservatory of Music.  He received a National Endowment Award in 1987, The Robert Porter Memorial Advancement Award in Education from the American Federation of Teachers in 2002, a Berklee Fellowship Grant in 2006, and the Steelgrass residency in Kauai, Hawaii in 2012. Jon has produced eight CDs as a leader, and recorded over 45 more as a sideman. Berklee Press published his first book Mastering the Art of Brushes in 2002, and its second edition in 2017. His second book Rhythmic Reflections on Creative Teaching was published by Mosaic Eye Publishing in 2013. Hal Leonard released his DVD Brush Control in 2008.  He is co-founder of “Jazz on Wheels,” a volunteer group of musicians that performs free concerts at Boston Public libraries for inner-city children. He was a mentor for the City Music Program, volunteered for Habitat for Humanity helping survivors of Hurricane Katrina, was music facilitator for Project COMMON BOND serving young adults from around the world who have experienced trauma, and is artistic coordinator for Peace by Piece, a community trauma outreach program in South Boston. He is a certified hospice volunteer for Aseracare Hospice. He was a Pastoral Associate at First Parish in Brookline (Unitarian Universalist) and taught in the Religious Exploration program. He has run over 40 marathons and one ultra, and has a PR of 2:38. Jon is a professor at Berklee College of Music where he has taught since 1987. Jon's natural gift for teaching keeps him in high demand in and around Boston and worldwide. Join us as we navigate the depths of loss, find healing, and embrace the resilience of the human spirit. **TRIGGER WARNING** This episode covers sensitive subject matter and is not suitable for all listeners. If this topic could be a trigger for you, listen to this episode with a friend, a sibling, a loved one or a parent so you can talk about any emotions that come up for you. The contents of this episode are not intended to replace therapy and should not be taken as such. If you need immediate help, please call the crisis hotline listed below in our resources. Listen in as we talk about: [2:45] The 3 siblings he has lost  [5:25] Going through a divorce and processing deep grief and loss at the same time [8:15] The power of ‘heart play' [12:50] Understanding your dark place  [13:50] Seeing a therapist and his thoughts on medication [16:00] Tools to pull yourself out of a dark place [20:10] Did he take time to withdraw and shut everything out? [22:55] Navigating the loss of his brother [24:15] Did the loss from divorce help him handle the other losses in his life? [27:35] Receiving signs from the other side [32:45] Tapping into music and playfulness [40:00] Finding joy while still in darkness [47:10] What his relationship with his ex-wife looks like post-divorce [49:15] What self love looks like for Jon today [51:35] Hope is…   Resources mentioned in this episode: Book: https://www.amazon.com/Rock-Mining-River-Sibling-Grief/dp/1732888892/ref=sr_1_1?keywords=Rock+On%3A+Mining+for+joy&qid=1570199126&sr=8-1  Coure: L.E.A.P 6 week virtual course: https://rockyourshine.com/l-e-a-p-into-light-and-healing-6-week-virtual-course/   Grief Hotline:  https://www.griefresourcenetwork   Connect with Susan http://instagram.com/susan.casey/  https://www.facebook.com/Susan-E-Casey-101187148084982  https://www.youtube.com/channel/UCDcl58l8qUwO3dDYk83wOFA  https://rockyourshine.com/ https://www.tiktok.com/@leapwithsusan?

Tune Talk is a series of videos where I analyze my tunes, discussing the structure, harmony, melody, and suggestions for performance and improvisation. FreeWheeler is a two part composition written for the great trumpeter/flugelhorn player/composer Kenny Wheeler.I am available for online or in person study. Reach out to me at: keith@keithdavismusic.com Keith Davis Music

Tune Talk is a series of videos where I analyze my tunes, discussing the structure, harmony, melody, and suggestions for performance and improvisation. FreeWheeler is a two part composition written for the great trumpeter/flugelhorn player/composer Kenny Wheeler.I am available for online or in person study. Reach out to me at: keith@keithdavismusic.com Keith Davis Music

What a way to kick off our podcasts for 2023 ! Another world exclusive as Bill Wheeler - Paul Weller's Tour Manager joins us to share his story...First credited as part of the set up around the time of 22 Dreams - Bill is the son of the legend that is Kenny Wheeler. We'll hear how he first got involved in the Weller set up via merch to itineraries and taking on a bigger role in the set up, touring the UK, Europe, North America, Japan & Australia in his time with PW.We'll also hear how he got to play on some recordings with Paul Weller with more info below.It's a real honour to have Bill on the podcast so I hope you enjoy our chat.Please do share on social media to spread the word...Find out more at PaulWellerFanPodcast.com/episode-127-bill-wheeler Hosted on Acast. See acast.com/privacy for more information.

Marc van Vugt is a wonderful award-winning composer and jazz guitarist from the Netherlands. In this episode you'll be introduced to several beautiful guitars in his collection that are featured in his new solo album, “The Lonely Coyote” and you'll also get to hear stories from his travels and his perspectives about different musical scenes, composing, and some of the biggest challenges now for musicians worldwide. Please buy me a coffee! (and get access to unique perks) https://ko-fi.com/leahroseman The video version of this is linked here: https://www.leahroseman.com/episodes/marc-van-vugt-guitarist-and-composer https://baiximrecords.bandcamp.com/album/the-lonely-coyote photo: Jiri Büller Timestamps: (00:00) Intro (01:39) “Simiane” intro and performance (08:01)influence of Latin American music, growing up in a small Dutch town (10:49) Paris, Theo van Doesburg house in Meudon, composing the Vandoesburg Suite (15:28) album “The Lonely Coyote”, collection of guitars, touring challenges with a guitar (21:21) baritone guitar (21:22) Martin guitar, technique of playing with a mix of nails and pick (28:20) harp zither (33:44) more about “The Lonely Coyote” ablum, living in the desert, influences of Alberto Gismonti, Ralph Towner, Leo Kottke (40:19) creative process of composing, Kenny Wheeler (48:36) HKU University for the Arts in Utrecht, Hans Kox, Eef Albers, creating the jazz and improvised music department with Bert van der Brink (51:17) Banff, categories of music, the free improvised music scene in the Netherlands (56:03) experience of growing up in a place and time with limited access to music and different musicians in contrast to now with the challenges of exposure YouTube and social media in general (01:01:48) touring and collaborating with local musicians, trips to Indonesia and playing with gamelan players (01:05:06) trip to Brazil (01:07:31) teaching composition (01:12:46) Rogier van Otterloo (01:15:16) writing music for films of Georges Méliès (01:19:12) archtop guitar --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

Jan Garbarek en Folk songs con Charlie Haden y Egberto Gismonti. Bill Frisell y Thomas Morgan en Small Town. Ron Carter, que seretira a sus 85 años y pasa por Cartagena jazz. Y Kenny Wheeler con Leo Konitz, Dave Holland y Bill Frisell. Músicas Posibles. Folk Song. Jan Garbarek  For Turiya. Jan Garbarek, Charlie Haden y Egebrto Gismonti  It should have happened a long time ago. Small Town. Bill Frisell y Thomas Morgan  Light Blue. Flamenco Sketches. Ron Carter  Kind Folk. Kenny Wheeler, Leo Konitz, Dave Holland y Bill Frisell  Escuchar audio

Welcome to a new edition of the Neon Jazz interview series with Canadian Jazz Trumpeter & Composer John Korsrud of the Hard Rubber Orchestra .. He talked about their new 2022 CD CD Iguana that is their fifth release in their 32nd year as a band .. The Hard Rubber Orchestra was formed in 1990 by John and they have commissioned over 50 composers including Kenny Wheeler, Darcy James Argue, Peggy Lee, Brad Turner, Christine Jensen and so many others .. Enjoy this interview …Click to listen.More on the band - https://www.hardrubber.com/Thanks for listening and tuning into yet another Neon Jazz interview .. where we give you a bit of insight into the finest players and minds around the world giving fans all that jazz ..  If you want to hear more interviews, go to Famous Interviews with Joe Dimino on the iTunes store, visit the YouTube Neon Jazz  Channel at https://www.youtube.com/c/neonjazzkc, go The Home of Neon Jazz at  http://theneonjazz.blogspot.com/ and for everything Joe Dimino related go to www.joedimino.com When you are there, you can donate to the Neon Jazz cause via PayPal https://www.paypal.com/donate?hosted_button_id=ERA4C4TTVKLR4 or through Patreon at https://www.patreon.com/neonjazzkc - Until next time .. enjoy the music my friends ..

Mackenzie Horne recommends surprising albums by Bill Evans, Abdullah Ibrahim and Kenny Wheeler, plus we talk about how she got into jazz and found it unexpectedly becoming both her work and her passion. This is a teaser version. The full episode is available, along with many other bonus shows, at patreon.com/thejazzsession.

// ABOUT ANDY MILNE AND UNISON A fearless, versatile explorer as a pianist and composer, Andy Milne has been a distinct and respected voice at the heart of New York's creative jazz scene for almost 30 years, collaborating with dancers, visual artists, poets and musicians spanning jazz, classical, pop, folk, and world music. At the piano, he skillfully blends poetic gravitas with a playful sense of order. He has recorded and toured throughout the world with Ravi Coltrane, Ralph Alessi, Carlos Ward and Carla Cook, and has collaborated with a range of artists including Andrew Cyrille, Sekou Sundiata, Avery Brooks, Bruce Cockburn, Fred Hersch, Ben Monder, Dianne Reeves, Jen Shyu, Tyshawn Sorey and Jamie Baum. A former student of Oscar Peterson, Milne was at the center of the M-BASE Collective as a core member of saxophonist Steve Coleman's bands, as well as performing with Cassandra Wilson and Greg Osby. Milne composed and produced the scores for seven documentary films by acclaimed director William Shatner and has now released eleven recordings as a leader or co-leader. Milne is presently an assistant professor of music at the University of Michigan in their Department of Jazz & Contemporary Improvisation.  Originally from New Orleans, John Hébert, has been a highly sought-after New York bassist since the mid-1990s. A former student of Rufus Reid, he has collaborated extensively with pianists Fred Hersch and Andrew Hill, appearing on celebrated recordings from each pianist. He has also performed with Lee Konitz, Paul Bley, John Abercrombie, Kenny Wheeler, Paul Motian, Uri Caine, Bill Stewart, Mary Halvorson, Tomasz Stanko, David Liebman, and Toots Thielemans, among many others. An accomplished bandleader, Hébert's 2015 Sunnyside release Rambling Confessions — his quartet featuring Milne — received critical acclaim, including 4.5 stars from Downbeat. Over the past decade, he has been named multiple times as a “Rising Star Acoustic Bassist” in Downbeat's Critics Poll and has received multiple GRAMMY Award nominations. Hébert is a full-time professor of bass at Western Michigan University. Clarence Penn is one of the most in-demand jazz drummers in the world. A composer, bandleader, and prolific producer, he performs regularly with Maria Schneider, Dave Douglas and Uri Caine. Since 1991 when he arrived in New York City, Penn has placed his unique blend of mega-chops, keen intellect, and heady musicianship at the service of a staggering array of A-list artists including Ellis and Wynton Marsalis, Betty Carter, Stanley Clarke, Steps Ahead, Makoto Ozone and Michael Brecker. His impressive discography includes several hundred studio albums, including GRAMMY Award-winning recordings from Randy Brecker and Maria Schneider, representing a 360-degree spectrum of jazz expression. He has toured extensively throughout the United States, the Americas, Europe, Japan, and Southeast Asia, as well as composed music for films and commercials, and produced tracks for numerous singers in the pop and alternative arenas. #andymilne #junoawardwinner #jazz

My latest guest is the former music mogul and legendary concert promoter Tim Parsons. It was a real joy to hear his stories from starting out as a "humper" (someone to move equipment) at an ELO gig to promoting Jasper Carrott, punk bands and heavy metal and the mighty Midland Concert Promotions which started in started in January 1978 with Tim and Maurice Jones. It as part of MCP, that Tim worked closely with both The Jam and The Style Council along with the likes of U2, INXS, Simply Red, The Police, Dire Straits, The Boomtown Rats, Oasis and Bon Jovi. We hear about his respect and love for John Weller (Paul's dad and manager ), we hear about the characters in the set up - the likes of Kenny Wheeler, Dave Liddle (Guitar Tech), Ian Harvey (Production Manager) and Ray 'Rat' Salter (Monitor Desk). From the mid-80s to mid-90s, MCP were undoubtedly the biggest in the business. At the height of their success they were putting on hundreds of shows each year, including open air shows in the summer and annual festivals such as Monsters of Rock. We also talk about his involvement in Live Aid in 1985, Oasis at Knebworth in 1996 and much more... Thanks for listening - make sure that you subscribe / follow and leave a review - and if you want to support the podcast financially, you can buy me a virtual coffee or our new official merchandise at paulwellerfanpodcast.com/store

A singer and composer of eclectic tastes and prodigious gifts, Grammy-nominated Theo Bleckmann makes music that is accessibly sophisticated, unsentimentally emotional, and seriously playful. Theo spent 15 years as a member of Meredith Monk's ensemble and appeared on 2002's Mercy and 2008's Impermanence. He has also worked with Philip Glass, John Zorn, Kenny Wheeler, and David Lang, to name a few. Theo has released a series of irreverent albums on Winter & Winter, including recordings of Las Vegas standards, of Weimar art songs, and of popular “bar songs” (all with pianist Fumio Yasuda).Theo shares how his curiosity for sound began at a young age. We chat about how his music is based in jazz, how he maintains his instrument, and his “messy” practice routine. Theo shares about his move from Germany to New York City. We discuss his time working with Laurie Anderson and Meredith Monk, his favorite vocalists, and even indulge in some coffee talk. 

Ike Sturm is a bassist, composer and bandleader in New York City. He is the Music Director for the Jazz Ministry at Saint Peter's Church in Manhattan. He has performed with Alarm Will Sound, the International Contemporary Ensemble, Gene Bertoncini, Ingrid Jensen, Donny McCaslin, Bobby McFerrin, Ben Monder, Maria Schneider and Kenny Wheeler. His large-scale Jazz Mass album received a 4 1/2 star rating from DOWNBEAT magazine and was named among the “Best CDs of the Year.” Ike joins The Playful Musician to discuss his educational ensemble at Saint Peter's Church, Jazz 4 All. We talk about how jazz music is a good fit for churches and Ike shares what it was like growing up with a music icon as a father. We chat how he found his way to the bass, his mentors and musical influences, and how the outdoors influence his music. Ike shares how his playing and writing go hand in hand and how the pandemic has changed his writing process.