Podcasts about Mary Lou Williams

Daryl Russell Grigsby, author of the new Paulist Press book "Catholics for the Common Good: An Eternal Offering" is the guest on this episode of Deacons Pod. The Paulist Deacon Affiliates ask Daryl about the 36 contemporary Catholics profiled in the book, each of whom lived the prayer "Make of us an eternal offering to you" in their commitment to the common good and to human flourishing. In particular, the deacons ask Daryl about his accounts of the inspiring lives of Fr. Pedro Arrupe, SJ, Mary Lou Williams, Fr. Daniel Berrigan, SJ, Sr. Thea Bowman, FPSA, Dr. Paul Farmer, and Sr. Helen Prejean, CSJ. ABOUT THE SHOW: Deacons Pod is a podcast for everyone. But, it's especially created to inspire and give hope to people on the “threshold of faith”: Those who are thinking about going to Church and those who are thinking about leaving Church. Deacons Pod is hosted by the Paulist Deacon affiliates. The podcast is a production of the Paulist Fathers. More at ⁠⁠deaconspod.com

This week, the full crew is in the house! Rob, Stephanie, Dave, Omar, and Nicholas share stories and sharp insights from across Wisconsin.

SINTONÍA: "Walkin' and Swingin'" - Mary Lou Williams"The Lady Who Swings The Band" y "Mary's Idea" - Mary Lou Williams; "Puttin' On The Ritz" - Fred Astaire; "Bye Bye Baby" - Tal Farlow; "Il'l Wait and Pray" (Alternate Take) - John Coltrane; "Hear Me Talking to Ya" - Ella Fitzgerald; "In A Little Spanish Town" - Roy Eldridge; "Air Mail Special" - Lionel Hampton Todas las músicas seleccionadas y presentadas por Mrs. Purple (Rocío de la Rosa) desde RNE en Madrid... Muchísimas gracias a Kamal por su buen hacer y predisposiciónTe sugerimos que escuches el programa una vez hayas visitado su Instagram (@mrs.purple_sessions) donde podrás ver, mientras escuchas el programa, las portadas para obras maestras del Jazz de este increíble ilustrador @mrs.purple_sessions Escuchar audio

On the Thursday, May 8 edition: Gov. Brian Kemp looks to upgrade the infrastructure for the state's 911 emergency hotline; some Georgia health care providers urge state and federal governments to take action against pollution; and today's the birthday of jazz pioneer Mary Lou Williams.

Went back to the "Jazz 45s" box and pulled a few things out that I hadn't played in awhile. Spring is here and it felt right. A short set of selections, new and old - enjoy! Tracklist: Sam Hankins, Eric Kloss, Nautilus, Quincy Jones, Charles Mingus, Takumi Moriya, Phi-Psonics, Unknown artist, Eddie Harris, Jukka Eskola Trio, Mary Lou Williams

durée : 00:30:18 - Jazz Collection - par : Alex Dutilh - Le saxophone ou la trompette illustrent souvent l'imaginaire du jazz. Et si le véritable instrument roi en était le piano, à la fois par la stature de ses improvisateurs et par le fait qu'il s'agit souvent de ses compositeurs les plus prolifique ? - réalisé par : Pierre Willer

In this episode, Kelsie interviews Davida Siwisa James about the overlooked contributions of women during the Harlem Renaissance. James' book, Hamilton Heights and Sugar Hill, published by Fordham University Press, traces 400 years of West Harlem history, including its iconic architecture and luminaries. Highlights include Regina Anderson Andrews, a Schomburg librarian; Mary Lou Williams, a jazz pioneer who shaped Bebop; Lenon Holder Hoyte, a private doll museum curator; and the women who published Langston Hughes and Zora Neale Hurston. These fascinating stories bring Sugar Hill's rich cultural legacy to life. Get ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FREE Learning Materials⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.remedialherstory.com/learn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Remedial Herstory Project⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.remedialherstory.com/giving⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ SHOP ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Remedial Herstory Gear⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.remedialherstory.com/store⁠⁠⁠⁠⁠ Host: Kelsie Eckert and Brooke Sullivan Editor: Tyler Cardwell Producer: Haley Brook

Le 31 décembre 1945, Mary Lou Williams monte sur la scène du Town Hall à New York pour un concert unique en son genre. Pianiste de génie, elle présente sa Zodiac Suite, une œuvre audacieuse mêlant jazz et musique classique, une première dans l'histoire de la musique. Pourtant, derrière ce succès, se cache un parcours semé d'injustices. Exploitée par l'industrie musicale, sous-payée et souvent spoliée de ses compositions, elle lutte pour se faire une place dans un milieu dominé par les hommes. Précoce, autodidacte et dotée d'une oreille prodigieuse, elle impressionne dès son plus jeune âge les plus grands noms du jazz. Ce concert, bien que marqué par des imprévus, symbolise son audace et son avant-gardisme. Il marque aussi la naissance du Third Stream, fusion novatrice du jazz et du classique. Fatiguée des obstacles, elle se retire peu à peu de la scène, mais laisse un héritage musical immense. Aujourd'hui encore, elle reste une figure incontournable du jazz. Merci pour votre écoute Vous aimez l'Heure H, mais connaissez-vous La Mini Heure H https://audmns.com/YagLLiK , une version pour toute la famille.Retrouvez l'ensemble des épisodes de l'Heure H sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/22750 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : Un jour dans l'Histoire : https://audmns.com/gXJWXoQL'Histoire Continue: https://audmns.com/kSbpELwAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvVous aimez les histoires racontées par Jean-Louis Lahaye ? Connaissez-vous ces podcast?Sous le sable des Pyramides : https://audmns.com/rXfVppv36 Quai des orfèvres : https://audmns.com/eUxNxyFHistoire Criminelle, les enquêtes de Scotland Yard : https://audmns.com/ZuEwXVOUn Crime, une Histoire https://audmns.com/NIhhXpYN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Pittsburgh has a strong connection to the world of jazz; in fact, you might say it is sacred ground for this music genre. Many of the legends of jazz - like Billy Eckstine, Billy Taylor, Ray Brown, George Benson, Stanley Turrentine, Mary Lou Williams, Ahmad Jamal, Art Blakey and dozens more - are from this Pennsylvania “burg.”   In this episode, we talk with co-founder and executive producer of MCG Jazz, Marty Ashby, about how MCG Jazz grew out of the organization founded in the 1960's by Bill Strickland as Manchester Craftsman Guild. What started as Strickland's dream to serve and give back to the community, has since grown into a powerhouse program.  As a Craftsman Guild, MCG initially provided a space to develop ceramics, photography and digital design education for urban youth. In the late 80's, Strickland joined forces with jazz guitarist Ashby. Together as co-founders, they started MCG Jazz, where Ashby also continues to grow this legacy program as its executive producer.  Our conversation begins with Marty Ashby telling me about the backstory to this incredible organization, its history, present projects and their vision for the future of keeping Jazz alive for generations to come

durée : 01:00:10 - Sous sol - par : Nathalie Piolé -

MIXOLOGIE : mardi, jeudi et samedi de 19h à 20h. Playlist créée et animée par Serge Mariani composée de l'actualité des sorties d'albums de jazz. La musique bourgeonne à nouveau, fleurit vite et quelques fruits de toute cette germination heureuse sont là déjà, dans cette playlist Mixologie 33ème du nom où j'ai rassemblé, comme le berger ou la bergère son troupeau, une douzaine de compositions extraites d'albums sortis récemment ou sortant en ce début de printemps. Albums de pianistes, Vijay Iyer (avec son passionnant trio), Monty Alexander, Pierre-François Blanchard, de saxophonistes, Sylvain Beuf, Yannick Benoît, ceux de la chanteuse Annie Chen, du batteur Dan Weiss, du contrebassiste Joachim Govin, ceux de groupes plus ou moins radicaux ou marginaux (c'est souvent dans la marge que ce qui importe est écrit), Spëcht, CHRONES, Staircase Paradoxe (plutôt un groupe « rock indé » mais ici avec le pianiste Alexandre Saada), l'album hommage à la compositrice Mary-Lou Williams de tout un orchestre, le Umlaut Big Band. Le jazz peut donc être pastoral et quoi qu'il en soit, de façon générale, si la musique est bonne pour les moeurs, le jazz, lui, est plutôt bon pour le moral. Démonstration au fil de cette nouvelle playlist pour Art District radio. 1/ Arch / Vijay Iyer / album Compassion (2024) / 06.00 2/ Triptyques 1.2 / Spëcht / album Triptyques (2024) / 04.05 3/ Underground Dance / Annie Chen / album Guardians (2024) / 06.20 4/ Terre Lune / Yannick Benoit / album Le Repère (2024) / 05.40 5/ Virgo / Umlaut Big Band / album Zodiac (2023) / 04.30 6/ Nusrat / Dan Weiss / album Even Odds (2024) / 03.40 7/ Lullaby for Freedom / Pierre-François Blanchard / album Puzzled (2024) / 04.00 8/ Oh Why (That's Why) / Monty Alexander / album D Day (2024) / 06.30 9/ Espiègle / CHRONES / album ZONE (2024) / 03.20 10/ Contagious / Staircase Paradox / album Francs Tireurs (2024) / 03.50 11/ Hunt / Joachim Govin / album Tree Vol. 2 (2024) / 04.20 12/ Tarmac / Sylvain Beuf / album Long Distance (2024) / 06.20Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Music includes: Death Ray Boogie by Pete Johnson, When You're Smiling by Errol Garner, Drag Em by Mary Lou Williams, Taboo by Art Tatum, Bach's WTC Book I, No. 19 in A Major by Edwin Fischer and Almost Paradise by Roger Williams. 

In 1944 pianist Mary Lou Williams did something that had never been done before. She headlined an integrated traveling musical revue that toured the country to advocate for a particular Presidential candidate. In the 1940's most stage and concert performances were segregated. However, this multi-racial revue featured a mixture of musical styles. Woody Guthrie was one of the featured performers. Here's the story...

durée : 00:59:09 - Le jazz sur France Musique - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé.

Welcome back to another couple of hours of gorgeous tunes and us two trying to entertain and enlighten you musicaly ,and we are digging deep as well !Aja & Claire Featuring music from : Mary Lou Williams,Cannonball Adderley ,The Cinematic Orchestra, Katrina Kochetova,Thievery Corporation etc.

durée : 01:59:02 - France Musique est à vous du samedi 18 mai 2024 - par : Gabrielle Oliveira-Guyon - Cette semaine dans France Musique est à vous, les recommandations des auditeurs nous emmènent (re)découvrir des œuvres d'Isabelle Aboulker, Morten Lauridsen ou encore Mary Lou Williams, mais aussi Claude Debussy et Jordi Savall. - réalisé par : Emmanuel Benito

Professor of the Practice in the Department of Music at Duke University, Anthony Kelley joined the Duke faculty in 2000 after serving as Composer-in-Residence with the Richmond Symphony for three years under a grant from Meet the Composer, Inc. He received his Bachelor's and Master's degrees from Duke University, and he earned a Ph.D. in Musical Composition from the University of California at Berkeley.In 2021, Kelley was appointed as Composer in Residence for the North Carolina Symphony. His major works for symphony orchestra include: Spirituals of Liberation (commissioned and  premiered in 2022 by the North Carolina Symphony, with Evan Feldman and Michelle Di Russo, conducting); the piano concerto, Africamerica (premiered in 1999, by the Richmond Symphony with piano soloist, Donal Fox and George Manahan, conducting); and The Breaks (commissioned and premiered in 1998 by The American Composers Orchestra under the direction of Gerard Schwartz). The Baltimore, Detroit, Atlanta, Oakland East Bay, Marin (CA) and San Antonio symphony orchestras have also performed Kelley's symphonic music.Among his awards and honors are the Charles Ives Scholarship from the American Institute and Academy of Arts and Letters, and composition fellowships from the North Carolina Arts Council, the Virginia Commission for the Arts and the Mid-Atlantic Arts Foundation.  Some of his other work includes his soundtracks to the H. Lee Waters/Tom Whiteside film, Conjuring Bearden, (2006), and Dante James's film, The Doll (2007), explores music as linked with other media, arts, and sociological phenomena. A recording of Kelley's work, Grist for the Mill (commissioned by the Mallarme Chamber Players), was released in August, 2009 and is available for purchase on iTunes.Support the Show.

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Jazz88's Peter Solomon spoke with pianist Aaron Diehl about his recent recording of Mary Lou Williams' "Zodiac Suite," the influence of pianist and composer John Lewis, and his upcoming performance of music by Lewis, Gunther Schuller and others with members of the Chamber Music Society of Minnesota Sunday, April 7th at Sundin Hall on the campus of Hamline University in St. Paul..

In July of 2019 host Hopeton Hay interviewed Randal Maurice Jelks, author of Faith and Struggle in the Lives of Four African Americans: Ethel Waters, Mary Lou Williams, and Eldridge Cleaver and Muhammad Ali.  In the book Dr. Jelks examined their autobiographical writings, interviews, speeches, letters, and memorable performances to understand how each of these figures used religious faith publicly to reconcile deep personal struggles, voice their concerns for human dignity, and reinvent their public image.Randal Maurice Jelks is an award-winning author, documentary film producer, and professor. He is the author of four books. His writings have appeared in the Boston Review, the Los Angeles Review of Books, blogs, journals, and periodicals.  You can learn more about Dr. Jelks on his web site at Home - Randal Maurice Jelks. Diverse Voices Book Review Social Media:Facebook - @diversevoicesbookreviewInstagram - @diverse_voices_book_reviewTwitter - @diversebookshayEmail: hbh@diversevoicesbookreview.com

Today’s Show Note Links! Wonderful World: Learn all about the phenomenal music scene of Kansas City in the 1930s, HERE. Good Company: Spend some time with the brilliant Mary Lou Williams, HERE. Sounds Good: …and watch Count Basie and His Orchestra as they swing “How High The Moon”, HERE.

On this week's show, the panel returns to 1985 and reviews The Greatest Night in Pop, Netflix's star-studded documentary about how “We Are the World” (a charity single performed by USA for Africa, a supergroup comprised of the most popular artists not only of the time, but arguably, ever) came to be and the legendary night it was recorded. Although it features cameos from Michael Jackson, Lionel Richie, Diana Ross, Paul Simon, Tina Turner, Cyndi Lauper, and more, the documentary manages to be quite modest in its ambition. Then, the three discuss Rustin, director George C. Wolfe's biopic about Bayard Rustin, an advisor to Martin Luther King Jr. whose legacy has often been glossed over. Rustin stars a fantastic Colman Domingo as its titular lead and is a celebratory example of the importance of telling gay/queer stories with queer creatives above and below the line of production. Finally, it's the Slate True-Crime Canon! Cheyna Roth, contributor to the Canon and author of Between Two Wars: A True Crime Collection: Mysterious Disappearances, High-Profile Heists, Baffling Murders, and More joins to break down the monstrous endeavor.  (Roth's other book is Cold Cases: A True Crime Collection) In the exclusive Slate Plus segment, the panel discusses Super Bowl LVIII and analyzes the advertisements, Usher's half-time performance, and the Taylor Swift and Travis Kelce love story at the center of it all.  Email us at culturefest@slate.com.  Outro music: "Self Made Woman" by Katharine Appleton Endorsements: Dana: Her perfect plane movie, Dumb Money, which features a superstar cast that's always in-sync.  Julia: Small Mercies by Dennis Lehane, an “all-consuming tale of revenge, family love, festering hate, and insidious power, set against one of the most tumultuous episodes in Boston's history.”  Steve: A liquidus piano album by Mary Lou Williams, Zodiac Suite. The 1945 album seamlessly mixes classical and jazz influences throughout 12 pieces, each named for a different astrological sign.  Podcast production by Jared Downing. Production assistance by Kat Hong.  Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, the panel returns to 1985 and reviews The Greatest Night in Pop, Netflix's star-studded documentary about how “We Are the World” (a charity single performed by USA for Africa, a supergroup comprised of the most popular artists not only of the time, but arguably, ever) came to be and the legendary night it was recorded. Although it features cameos from Michael Jackson, Lionel Richie, Diana Ross, Paul Simon, Tina Turner, Cyndi Lauper, and more, the documentary manages to be quite modest in its ambition. Then, the three discuss Rustin, director George C. Wolfe's biopic about Bayard Rustin, an advisor to Martin Luther King Jr. whose legacy has often been glossed over. Rustin stars a fantastic Colman Domingo as its titular lead and is a celebratory example of the importance of telling gay/queer stories with queer creatives above and below the line of production. Finally, it's the Slate True-Crime Canon! Cheyna Roth, contributor to the Canon and author of Between Two Wars: A True Crime Collection: Mysterious Disappearances, High-Profile Heists, Baffling Murders, and More joins to break down the monstrous endeavor.  (Roth's other book is Cold Cases: A True Crime Collection) In the exclusive Slate Plus segment, the panel discusses Super Bowl LVIII and analyzes the advertisements, Usher's half-time performance, and the Taylor Swift and Travis Kelce love story at the center of it all.  Email us at culturefest@slate.com.  Outro music: "Self Made Woman" by Katharine Appleton Endorsements: Dana: Her perfect plane movie, Dumb Money, which features a superstar cast that's always in-sync.  Julia: Small Mercies by Dennis Lehane, an “all-consuming tale of revenge, family love, festering hate, and insidious power, set against one of the most tumultuous episodes in Boston's history.”  Steve: A liquidus piano album by Mary Lou Williams, Zodiac Suite. The 1945 album seamlessly mixes classical and jazz influences throughout 12 pieces, each named for a different astrological sign.  Podcast production by Jared Downing. Production assistance by Kat Hong.  Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

Lil Hardin Armstrong, Mary Lou Williams and Nina Simone are notable singers of their time, but trumpeter, composer and director of the Chicago Jazz Philharmonic, Orbert Davis, wanted to highlight their songwriting skills. In a new composition for the Philharmonic, Davis confronts the gender inequalities in jazz. Reset learns more about why Davis wanted to highlight each of the singer-songwriters with his new composition debuting this weekend.

Before Aubrey Gordon was a published author and co-host of the podcast Maintenance Phase, she was the anonymous blogger Your Fat Friend, writing about the lived experiences of fat people in America. Documentarian Jeanie Finlay followed Aubrey's story over the course of a few years in the new documentary "Your Fat Friend," in select theaters today. Finlay and Gordon join us to discuss. Pianist Aaron Diehl's latest album with orchestral group The Knights revives "Zodiac Suite," a relatively obscure work from the great Mary Lou Williams, a mid-20th century composer of music drawing from jazz, classical, religious and other vernaculars. He joins us to perform live. [REBROADCAST FROM SEPTEMBER 13, 2023] Comedian and actor Rachel Bloom has an off-Broadway musical comedy about the tumultuous past few years of her life, including speaking about her dear friend Adam Schlesinger, who died of COVID-19. She joins us to discuss "Death, Let Me Do My Show," which is running at the Orpheum Theatre through Jan. 6. During Hanukah, oil-based cooking is a central tradition for those celebrating the Jewish 'Festival of Lights." Food writer and cookbook author Jake Cohen shares tips and recipes for your holiday festivities.

Pianist Aaron Diehl's latest album with orchestral group The Knights revives "Zodiac Suite," a relatively obscure work from the great Mary Lou Williams, a mid-20th century composer of music drawing from jazz, classical, religious and other vernaculars. He joins us to perform live.  

durée : 00:59:36 - Banzzaï du vendredi 01 décembre 2023 - par : Nathalie Piolé -

Lovie Austin was a busy pianist/arranger/composer in Chicago in the 1920's - as one of the few women in an almost exclusively male business she carved out a niche for herself, influencing other women performers to come, such as Mary Lou Williams. Her instrumental recordings are here from 1924-26 and feature Tommy Ladnier, Natty Dominique, Kid Ory, Johnny Dodds, Jimmy O'Bryant, W.E Burton, Priscilla Stewart and others, with Austin holding it all together as a player, arranger and composer. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

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"Music Feeds the Soul: An Evening of Mary Lou Williams" will celebrate the life and work of the Kansas City jazz icon. The event will take place at Rockhurst University on October 12 at 7:30 p.m., and is free and open to the public.

On stage and on her album Come On & Get It, Judith Owen has stepped out from behind the piano to sing sexually charged jazz and blues songs performed by women during the repressed 1940s and 1950s. Among them: Mary Lou Williams' “Satchel Mouth Baby,” Dinah Washington's “Big Long Slidin' Thing” and Nellie Lutcher's “Fine Brown Frame.” This Welsh-born, London-raised artist says this project has given her permission to be her unapologetic self, even as she has written her share of heartbreaking songs and accompanied guitarist-songwriter Richard Thompson on several projects. Owen is an energetic, empowered storyteller as she recalls meeting husband Harry Shearer while he was dressed up as Spinal Tap bassist Derek Smalls, describes their life in New Orleans and asserts that “sexiness is confidence.” (Photo by Rick Guest.)

Angela and Joshua open Season Seven with an exposé on pianist, musicologist, and The First Lady of Jazz; Mary Lou Williams. This stunning artist's impact crosses multiple genres from jazz to classical and sacred to bebop.  She navigates compositional shifts seamlessly all while providing the world of classical music with a much-needed approach to archival, analysis, and expansion to welcome those previously left out of the industry.  An undisputed artistic prodigy, Williams' expansive influence on Black music positions her as one of the 20th century's most revolutionary musicologists.Featured Music:“Night Life” - Mary Lou Williams, composer/performer“Sagittarius” and “Aquarius”  from Zodiac Suite - Mary Lou Williams, composer“People in Trouble” and "One" from Mary Lou's Mass - Mary Lou Williams, composerSupport the show

The vibraphonist Cecilia Smith connected with Jazz88 to discuss her latest album, "The Mary Lou Williams Resurgence Project Vol. 1". Smith has been on a campaign since the late '90s to shine a light on Mary Lou Williams legacy and her writing. Listen for insight on how Cecilia Smith goes about amplifying and advancing Mary Lou Williams' legacy.

For this episode of Same Difference, we take another deep dive into a Jazz artist that we feel does not get the recognition she deserves. Ever heard of Mary Lou Williams? Yeah, probably not. We barely had, but as you will hear, Mary Lou Williams quietly directed the course of Jazz music during much of the 20th century. You'll hear music and interviews from this tragically overlooked artist, and you will be amazed at just how much she had to do with the development of Jazz over the years!

Yonathan Avishai and I met in a conference room at Bexley Public Library in the village of Bexley in Columbus, Ohio. He was bright, friendly, and alert despite his long flight the day before. Yonathan is an Israeli-born French resident. His flight took him over six time zones, from France to New York and then to Columbus. This was a visit arranged by A Tribe for Jazz, a nonprofit organization here that is focused on improving the legacy of jazz. Having Yonathan Avishai in Columbus was a good thing, for both Yonathan and Strictly Jazz Sounds. This is the 10th episode of Strictly Jazz Sounds, and I'm pleased you are listening to this podcast. I have a conversation with Yonathan Avishai during a visit to my town, Columbus, Ohio where he gave a solo performance and met with A Tribe for Jazz. He set aside some time for us to talk about his career as a jazz pianist, the importance of sharing his music with his community, with local people who want to connect through his music.  What I learned about him was that Yonathan holds fast to the idea that music should be rooted in people's lives. He's not just a musician that gives concerts and shows. He spends many of his days as a music therapist. He says he feels that his music should be shared with the people in his community, with people who need the music beyond the stage or the club. “Music is life” says Yonathan. Yonathan Avishai strongly feels that his music should be accessible to all who want to enjoy it, especially young students. He's very passionate about this yet, talking with him you wouldn't know as he's so soft spoken and reserved. His playing style reveals this as well. Yonathan reminds me of John Lewis, better known for his piano work and composing with the Modern Jazz Quartet. It's the minimalistic style that attracts Yonathan to John Lewis. For Yonathan, the real joy is found in the music of the “masters.” His passion is in the “dance” and the “party” of the sounds of Louis Armstrong, J.P. Johnson, and Jelly Roll Morton. The gleam in his eyes reflected Yonathan's excitement for the music of 100 years ago, founded and created by these masters as well as Mary Lou Williams and Scott Joplin (whose music can only be found on piano rolls). He says the thrill of the music goes beyond the notes. “It's the feeling about being alive.” Yonathan's latest recording, Joys and Solitudes, is on ECM records. He doesn't have an extensive discography, but he is better known for the duos, trios and quartets he's been a part of with fellow Israeli trumpeter Avishai Cohen (Naked Truth, Playing the Room, Cross My Palm With Silver and Into the Silence). Just a reminder that you can subscribe to Strictly Jazz Sounds. You will receive a notice in your email whenever a new episode is ready, and a new article is published on my website. You can listen to Strictly Jazz Sounds on Facebook, Spotify, Apple, Amazon, and other sites where podcasts are available.

Mary Lou Williams' artistic vision and her ability to blend diverse musical influences into a cohesive and unique composition are perfect for concert halls and jazz clubs. Find out more in the latest episode of the 'Rhapsody in Black' podcast.

Listen to the Sun. June 4, 2023 special edition of the Pan-African Journal: Worldwide Radio Broadcast hosted by Abayomi Azikiwe, editor of the Pan-African News Wire. The program features our PANW report with dispatches on the continued fighting between the two military structures in the Republic of Sudan and efforts to end the conflict; demonstrations in the Kingdom of Morocco have focused on the rising rate of inflation; the Senegalese government has blocked access to the internet resulting from the unrest inside the country; and the people of Guinea-Bissau are voting in legislative elections today. For the entire program we present our second installment for Black Music Month.  We pay tribute to Francois Luambo Makiadi (Franco) of the Democratic Republic of Congo (DRC). In the following segments we listen to a recording of a panel discussion on the life, times and contributions of pianist and composer Mary Lou Williams. Finally, we hear an interview with legendary percussionist Max Roach.

On tonight's show, we'll hear 1930s jazz in the first half: Cab Calloway & His Orchestra, Lonnie Johnson, Mary Lou Williams with Andy Kirk and His Clouds of Joy, Coleman Hawkins, and Louis Armstrong. Then we'll have west coast cool with Shorty Rogers, Stan Getz, vocal by Doris Day, Stan Getz with Gerry Mulligan, Oscar Peterson, Gerry Mulligan and Chet Baker, and Dave Brubeck.

Mary Lou Williams is one of the great figures in jazz — pianist, arranger and teacher. We'll listen to some of Mary Lou Williams' earliest recordings as a stride pianist, then as a pianist and arranger as a member of the Andy Kirk band, and later the Benny Goodman, and Duke Ellington bands. We'll hear some of her work with the beboppers of the late 1940s. We'll also sample an interview she did in the 1970s with Marian McPartland, and we'll finish with a live recording she did at the Newport Jazz Festival in 1978.

THIS WEEK's BIRDS: Nara Leão, Joyce, Amelinha (MPB); Uruguayn jazz from Hugo Fattoruso et al.; Mary Lou Williams (from her mass); Keith and Julie Tippett; Ukandanz (new); Balimaya Project; Ivo Perelman w. quartet (Ray Anderson, Joe Morris, Reggie Nicholson); Djely Mamou Kouyatee; vintage Malian rumba from Orchestre Paillote; clarinet music (demitiki)  from Northern Greece (Nikos Gouvas and Athanasios Haros); Arsenio Rodriguez; rembetika from Stelios Kazantzides; cha'abi from Amar el Achab and Mazouni, plus  cha'abi/kabyle from Akli Yahyaten; Kyriakos Sfetsas w. Greek Fusion Orchestra; and much more ...! Full playlist HERE LISTEN LIVE: Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI: 88.1FM Ithaca, 89.7FM Odessa, 91.9FM WINO Watkins Glen. and WORLDWIDE online at WRFI.ORG.  via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. WRFI/WINO has improved and expanded its signal, and can now be heard on one of our frequencies from Northern Pennsylvania to Lake Ontario!!! Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/17020037/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

In this episode we explore the blues. How does the blues get into the bloodstream of jazz? What does this suggest about human life and the spiritual life? How might the blues express our suffering? Or pray our hope? Here's where you can view the chart that Mary Lou Williams used to describe the lineage of jazz: https://jazzwomenarchives.wordpress.com/2019/01/21/mary-lou-williams/ Here's the YouTube clip where Damien Sneed demonstrates Gospel music: https://www.youtube.com/watch?v=SepVdCiM2ek Featured music:“Down Goes Babylon” from Dancing Day, Bill Carter and the Presbybop Quartet Music used by permission from Presbybop Music (BMI)“Out of the Depths” from Psalms Without Words, Bill Carter and the Presbybop Quartet.   Music used by permission from Presbybop Music (BMI)“Coventry Carol” from Fragile Incarnation, Bill Carter and the Presbybop Quartet Music used by permission from Presbybop Music (BMI)Theme music: "All Thumbs" from Faith in a New Key, Bill Carter and the Presbybop Quartet Music used by permission from Presbybop Music (BMI) Announcer: Chris Norton (c) Presbybop MusicSupport the Show.

I like to say we're living in a precedent time, not an unprecedented one. How do we understand that? Being at the museum or writing histories both in poetry and in non-fiction are ways of trying to understand that.  “Gatekeepers” hold an essential role in our culture as those in positions of power who determine what we see and hear — and therefore how we understand our world. The poet Kevin Young holds dual gatekeeping roles as both director of the Smithsonian's National Museum of African American History and Culture as well as the poetry editor for The New Yorker magazine.  In this episode, Young talks about how he holds these responsibilities and likens reading a poem to entering into a museum. He also shares his belief in the power of unexpected transformations, which songs have brought him comfort, and how it's always easiest to write about the place you've just left.  References: Smithsonian's National Museum of African American History and Culture Public Enemy Chuck D Parliament Funkadelic African American Vernacular English Sister Sonya Sanchez Langston Hughes Gwendolyn Brooks Harriet Tubman's shawl David Hammonds' African American Flag Willie Nelson Earth, Wind and Fire John Coltrane's Love Supreme I Want You - Marvin Gay Mary Lou Williams Jean-Michel Basquiat Make Good the Promises Ida B. Wells Book of Hours - Kevin Young Stones - Kevin Young

Our guest, jazz musician Deanna Witkoski, has written a spiritual biography of Mary Lou Williams, whose life and music helped to shape American Jazz and influence Catholic liturgy in the 20th Century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Liz Kinnon (pianist/arranger/composer/educator/film coach), a native of Los Angeles, has performed all over the world with numerous artists, including Dizzy Gillespie, Andy Williams, Barbara Morrison, Sherwood Sledge, Kenia, Octavio Bailly, and Jackie Ryan.Ms. Kinnon's songwriting credits include Say Goodbye on Kenia's Love Lives On CD. Her arrangements have been featured on a variety of recordings and live performances, including The Duke Ellington Memorial Concert with legendary jazz greats Pepper Adams, Sonny Fortune, and full orchestra; strings for Sandy Graham's 2003 CD, By Request; tracks on jazz vocalist Jackie Ryan's last three CD releases and ongoing performances. In May 2007, Ms. Kinnon was commissioned to write and perform her own arrangement of Smile with Maiden Voyage (17-piece big band) at the Kennedy Center's “Tribute to Women In Jazz” and returned in 2010 for a concert to honor jazz icon Mary Lou Williams.During the 1990s, Ms. Kinnon worked as an orchestrator for Emmy award-winning composers Richard Stone, Steve Bernstein, and Tim Kelly on cartoons Animaniacs, Pinky and the Brain, and Histeria; also for composer Shirley Walker on the feature film Mystery Men. Liz went on to compose and record the scores for the documentaries The Life and Times of Jean DePaul (2005) and Nicole Wood: Cars & Beauty (2012) in Los Angeles, CA. She has worked in music preparation for hundreds of films, live performances, and television shows, including many years on the music team for the Academy Awards.As a young faculty member at the Dick Grove School of Music from 1984-1992, Ms. Kinnon taught classes in jazz theory, arranging, and piano. In 2009 she joined the faculty as Jazz Piano Instructor at the Colburn School of Performing Arts and in 2012 she helped to launch Colburn's Adult Studies program, where she is currently the Director of Adult Jazz Workshops and teaches other jazz-related classes.In 2015 Liz drew from her skills as a performer and educator to coach actor Ryan Gosling through preproduction and filming for his role as an accomplished jazz pianist in the film La La Land, for which he won the Golden Globe award for Best Actor. Since then, she has worked as a piano coach on other film projects including Lost Transmissions (Simon Pegg and Juno Temple), Covers (Dakota Johnson), Coda (Eugenio Derbez), Hollywood Stargirl (Uma Thurman and Elijah Richardson), Evolution of Nate Gibson (Hannah Riley), and Mothership.Ms. Kinnon graduated from the Composing and Arranging Program (CAP) at the Dick Grove School of Music in 1982. She returned to school in 2006 and received a Bachelor's Degree in Applied Studies with a minor in Communications from CSU Dominguez Hills in 2008. She was selected as one of five Los Angeles artists in 2010 for the prestigious Teaching Artist Training Program (TAAP) conducted by the Music Center Education Foundation.Ms. Behavin', Liz's first solo CD, was released in March 2007. Many top international artists are featured in this dynamic merging of Brazilian, Latin, and bebop jazz.Support the show

Liz Kinnon (pianist/arranger/composer/educator/film coach), a native of Los Angeles, has performed all over the world with numerous artists, including Dizzy Gillespie, Andy Williams, Barbara Morrison, Sherwood Sledge, Kenia, Octavio Bailly, and Jackie Ryan.Ms. Kinnon's songwriting credits include Say Goodbye on Kenia's Love Lives On CD. Her arrangements have been featured on a variety of recordings and live performances, including The Duke Ellington Memorial Concert with legendary jazz greats Pepper Adams, Sonny Fortune, and full orchestra; strings for Sandy Graham's 2003 CD, By Request; tracks on jazz vocalist Jackie Ryan's last three CD releases and ongoing performances. In May 2007, Ms. Kinnon was commissioned to write and perform her own arrangement of Smile with Maiden Voyage (17-piece big band) at the Kennedy Center's “Tribute to Women In Jazz” and returned in 2010 for a concert to honor jazz icon Mary Lou Williams.During the 1990s, Ms. Kinnon worked as an orchestrator for Emmy award-winning composers Richard Stone, Steve Bernstein, and Tim Kelly on cartoons Animaniacs, Pinky and the Brain, and Histeria; also for composer Shirley Walker on the feature film Mystery Men. Liz went on to compose and record the scores for the documentaries The Life and Times of Jean DePaul (2005) and Nicole Wood: Cars & Beauty (2012) in Los Angeles, CA. She has worked in music preparation for hundreds of films, live performances, and television shows, including many years on the music team for the Academy Awards.As a young faculty member at the Dick Grove School of Music from 1984-1992, Ms. Kinnon taught classes in jazz theory, arranging, and piano. In 2009 she joined the faculty as Jazz Piano Instructor at the Colburn School of Performing Arts and in 2012 she helped to launch Colburn's Adult Studies program, where she is currently the Director of Adult Jazz Workshops and teaches other jazz-related classes.In 2015 Liz drew from her skills as a performer and educator to coach actor Ryan Gosling through preproduction and filming for his role as an accomplished jazz pianist in the film La La Land, for which he won the Golden Globe award for Best Actor. Since then, she has worked as a piano coach on other film projects including Lost Transmissions (Simon Pegg and Juno Temple), Covers (Dakota Johnson), Coda (Eugenio Derbez), Hollywood Stargirl (Uma Thurman and Elijah Richardson), Evolution of Nate Gibson (Hannah Riley), and Mothership.Ms. Kinnon graduated from the Composing and Arranging Program (CAP) at the Dick Grove School of Music in 1982. She returned to school in 2006 and received a Bachelor's Degree in Applied Studies with a minor in Communications from CSU Dominguez Hills in 2008. She was selected as one of five Los Angeles artists in 2010 for the prestigious Teaching Artist Training Program (TAAP) conducted by the Music Center Education Foundation.Ms. Behavin', Liz's first solo CD, was released in March 2007. Many top international artists are featured in this dynamic merging of Brazilian, Latin, and bebop jazz.Support the show

Terri Lyne Carrington has never once pumped the brakes on developing her creativity and expanding her own professional success. The three-time Grammy winner and NEA Jazz Master has set the bar for contemporary jazz drummers and emerged as an inspiration and role model – particularly for female musicians. Her latest book, "New Standards: 101 Lead Sheets by Women Composers," features works written by 101 composers ranging across generations, from legends Lil Hardin Armstrong and Mary Lou Williams through contemporary stars such as Brandee Younger and Cécile McLorin Salvant. She joins me on this episode to talk about various stories from her career and what lies ahead in her discography. Visit the website: https://www.bedroombeethovens.com/ Support the show on Patreon: https://www.patreon.com/bedroombeethovens

Robert Glasper is the only artist to have an album debut in the top 10 of 4 different Billboard charts. He's a musical polymath whose resume ranges from Kendrick Lamar to Herbie Hancock. At the piano, he serves up jazz licks worthy of Mary Lou Williams before segueing into a Nirvana cover. Glasper brings his diverse skill set to bear on his latest project, the score for the HBO series Winning Time: The Rise of the Lakers Dynasty, composed in collaboration with "Succession" soundtracker Nicholas Britell. It's not just Glasper's musical chops that made him the perfect candidate for the gig: in a past life, he was a baller himself. Nate spoke with Glasper about crafting the sound of the 1980s, improvising soundtrack themes on the spot, and what jazz and basketball have in common. Songs Discussed Robert Glasper - Over, FTB, "Winning Time" and "The Photograph" Themes Nicholas Britell - "Succession" and "Moonlight" Themes Morris Day and The Time - Get It Up Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mostly 1940s jazz selections tonight: swing, big band, a little bebop and more. We'll hear: Mildred Bailey & Red Norvo and His Orchestra, Billie Holiday, Sidney Bechet, Artie Shaw, Glenn Miller, Benny Goodman, Dizzy Gillespie, John Coltrane, Mary Lou Williams' Girl Stars, and Erroll Garner. From the 1950s we'll hear Ella Fitzgerald & Louis Armstrong, Miles Davis, Jimmy Scott, Stan Getz with Zoot Sims, Johnny Hodges with Duke Ellington, Sonny Stitt, and Oscar Peterson.