Podcast appearances and mentions of justin fleming

This week inside The Pastor's Office, Rev. Jonathan A. Mason sits down with Philadelphia Councilmember Jamie Gauthier and the Pennsylvania House of Representatives' Justin Fleming for an in-depth conversation. See omnystudio.com/listener for privacy information.

The Managing Director of the South Carolina Golf Association Justin Fleming sits down to discuss his introduction to golf and all things SCJGA. scgolf.org scjga.org Download the MySCGA app to stay up to date with the South Carolina Golf Association.

A theatre polymath, NIDA graduate John Senczuk's multi-award winning career spans forty years with his work seen nationally and internationally in commissions for opera, dance and drama. He worked concurrently as an academic, with fifteen years at the Faculty of Creative Arts, University of Wollongong (creating and teaching courses in Scenography, Directing and Dramaturgy) before taking senior positions at Toi Whakaari, New Zealand Drama School, and WAAPA (Program Director—Production, Design and Arts Management; Head of Design). He was Chairman of Griffin Theatre Company in 1985, appointing the Company's first artistic director; founding Chair of Paul Mercurio's Australian Choreographic Ensemble; and sat on the Boards of Theatre South, Currency House, Dramaturgical Services Inc., The Seymour Group and Matt Lutton's Thin Ice. For ten years, from 1989, John was associate director of Wollongong's Theatre South where his credits on over thirty productions as director/designer included Hamlet, After Dinner, Twelfth Night, Christian Brothers and The Time is Not Yet Ripe. He has also directed drama, opera and musicals: Bony Anderson (Seymour Group); Flesh and Blood (Festival of Sydney); Irene (with Hollywood legend Debbie Reynolds,) and the premieres of David Williamson's When Dad Married Fury, Justin Fleming's Kangaroo and John Aitken's The Enchanters. John collaborated with Gale Edwards on the book & lyrics for the musical Eureka!, and wrote the Opera libretto for African Queen. Highlights of his career as a designer include L'Orfeo (Oslo Summer Festival) and Sons of Cain (West End). He collaborated on over twenty productions for the Sydney Theatre Company, including David Williamson's Dead White Males and Heretic, and the Australian premiere of Into the Woods; and has worked extensively in both the subsidised and commercial theatre nationally. John submits his PhD Theses (Flinders University) in 2022. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages). www.stagespodcast.com.au

Justin Fleming, Senior Director of the South Carolina Junior Golf Associati --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/thejuniorgolfpodcast/support

Masks and coffee cups are causing major litter problems around the County, we talk to Cllr Niall McNeillus.Love 30 is an organisation calling on a 30k speed limit in urban areas. We speak with Justin Fleming from the organisaton.Shane Cogan DEO of 'Re thinking Rual Ireland' has suggestions on how to improve life for rural dwellers.John Paul visited the vaccination centre which has been set up at the Mallow GAA centre and spoke to staff members there.All your gardening questions answered by Peter Dowdall. See acast.com/privacy for privacy and opt-out information.

Elena Kats-Chernin and Justin Fleming have written a new work for Opera Australia about the life of the brilliant, troubled Australian artist Brett Whiteley, in the second instalment of The Cost of Art, Hannah Reich speaks to theatre-maker Declan Greene, dancer and choreographer Anna Seymour and Urban Theatre Projects' Jessica Olivieri, theatre critic Tim Byrne reviews Bell Shakespeare's new production of Much Ado About Nothing, and an Australian production of Bring It On: The Musical with music and lyrics co-written by Lin-Manuel Miranda is now on tour.

Elena Kats-Chernin and Justin Fleming have written a new work for Opera Australia about the life of the brilliant, troubled Australian artist Brett Whiteley, in the second instalment of The Cost of Art, Hannah Reich speaks to theatre-maker Declan Greene, dancer and choreographer Anna Seymour and Urban Theatre Projects' Jessica Olivieri, theatre critic Tim Byrne reviews Bell Shakespeare's new production of Much Ado About Nothing, and an Australian production of Bring It On: The Musical with music and lyrics co-written by Lin-Manuel Miranda is now on tour.

Can you imagine Justin Fields handing the ball to Kendall Milton, who darts around the end courtesy of a Paris Johnson pancake block? And can you imagine it setting up some play-action love as Fields hits wide receiver Justin Fleming for six? Let your imagination run wild ... because that could become reality. All three Class of 2020 five-stars could don the Scarlet and Gray. Duane Long remains on hiatus but we bring in the Dean of Ohio State recruiting - Bill Kurelic - to offer up the latest on the 15 stars of fun those three combine for.  Also: Two Ohioans earned Buckeye offers recently. Are they headed for Columbus? All of that and more is coming at you on the Tuesday extravaganza. Learn more about your ad choices. Visit megaphone.fm/adchoices

Acclaimed actors John Bell and Jessica Tovey came in to discuss Bell Shakespeare's production of Molière’s 17th century classic comedy, 'The Miser' and how they’ve brought the new (and very Aussie) adaptation by Justin Fleming to life!

Australias first music thanatologist Peter Roberts plays the harp for the sick and dying. Farshid Akhlaghi has made a film about Peter and the special impact hes had on the lives of many, especially in Geelong. Farshid and Peter joined Amy in the studio to discuss the Australian Premiere ofFrom Music into Silence- screening at Cinema Nova in May. Peter also played his harp for us. Acclaimed actors John Bell and Jessica Tovey came in to chat about Bell Shakespeare's production of Molires classic comedyThe Miserand how theyve brought the new adaptation by Justin Fleming to life! Its showing at the Arts Centre in Melbourne. Plus Ben Eltham from New Matilda discussed the federal election campaign so far.

Moderator:  Matthew A. Hopson, DPM, FACFAS Panelists: J. Randolph Clements, DPM, FACFAS; Justin Fleming, DPM, FACFAS Release Date: June,  2017 Run Time: 22min 11sec

Interview with Justin Fleming, who has been in comedy for three years (his anniversary was last Tuesday!).  However Justin does not do things by halves, and he has worked extremely hard to gain a lot of experience in his three years.  Justin runs the workshops for young comedians on a Tuesday at the Comic’s Lounge, as well as Monday nights at the Lounge, and has introduced Roast Battles to Australia.  Round #2 of the Roastbattle Downunder is TONIGHT (Sunday, 7 February) and Shae from MAA will be in attendance! We discuss: Justin’s background of being in a heavy metal band for 20 years and how it gave him stage/acting experience which set him up for comedy, Justin’s comedy style, growing up in Springvale, the point of the Roast Battles (ie, to use wit and insults in a fun way, not to take the jokes personally), his experience of anti-depressants when he was 17 (which didn’t agree with him), Justin’s breakdown which resulted in a hospital visit, how he came across Kundalini Yoga and meditation, doing a Vapashna meditation retreat (which meant silence for 10 days), reflecting on how everything comes and goes (including emotions), being on a more spiritual path, having high expectations of himself, Landmark courses, “wrangling” the comedy audience, philosophy on performing, the mental health issues of J’s parents, Justin and his brother facing identity issues, the Brotherhood of the heavy metal community, his views on the cliques and bullying in Melbourne comedy, Roasting and how it will help comedians to rapidly improve their craft, Justin’s view that life isn’t always smooth sailing and that contrast makes life good, the message that it’s OK to ask for help, learning how to stop playing the victim via YouTube, negative thinking and J’s vivid dreams, difficulty practicing gratitude, therapeutic experiences with mushrooms and understanding himself more profoundly, floatation tanks, the double edge of being on his own, how he obtained a medicinal card in LA, creativity with and without weed, breaking down the clique barriers and constructive criticism.

Stage Door's podcast in which we take an in depth look behind the scenes at the West End musicals we've released on CD. In this episode the spotlight falls on ‘Tess Of The D'Urbervilles’, the 1999 West End musical adaptation of Thomas Hardy's classic novel. Featuring music by Stephen Edwards and a libretto by Justin Fleming, 'Tess' opened at the Sheffield Lyceum on September 6th 1999 and was declared a "landmark in musical theatre" receiving overwhelmingly positive reviews from the critics. Following a brief UK tour, the production transferred to the West End opening at The Savoy on November 10th, 1999 and was universally damned by the critics, one reviewer sighting the show as "the last great musical flop of the Millennium". 'Tess' closed on January 15th 2000 after just 77 performances. 15 years after 'Tess' closed we look back at the ambitious through-sung drama and explore the journey the production underwent during its development. To reflect on the production we're joined by the composer Stephen Edwards, lyricist Justin Fleming, director and adapter Karen Louise Hebden and both actresses who would alternate the role of Tess; Poppy Tierney and Philippa Healey. The programme also features excerpts from the previously unheard live recording of the production recorded on the press night at the Savoy Theatre and featuring Poppy Tierney as Tess.Podcast produced and presented by Tim Hutton for Stage Door Records'TESS OF THE D'URBERVILLES' - ORIGINAL CAST RECORDINGNow available on Stage Door Records. For more information visit:http://www.stagedoorrecords.com/stage9036.html