Podcasts about nima fakhrara

Today, you get to enjoy the fifth show programmed by one of our patrons from the CONDUCTOR TIER over at our Patreon page.  In this tier, which is $10 USD ($14.50 CAN), donors get all of the benefits of lower tiers PLUS they earn the opportunity to program their very own personal one-hour(ish) show once a year. Today, you can listen to Eldaly Morningstar's long-awaited Patreon playlist. The entire delay is my fault. I've had this script in my hands for a while now, and I've been nothing but lazy and forgetful about finishing this episode,e along with everyone else's Patreon Playlist shows that I still have to deliver. In any case, the show is finally done, and now you get to hear it. As you will witness, Eldaly is a HUGE video game music enthusiast, and you will hear a LOT of AWESOME video game music on the episode, many of which I was unfamiliar with. You'll hear works by Yasunori Mitsuda, Yuki Kajiura, Testukazu Nakanishi, Yoko Shimomura, Colin O'Malley, Peter McConnell, Daniel Teper, Olivier Deriviere, Nima Fakhrara, David Housden, Alistair Kerley, and Jessica Curry. Enjoy the podcast, and thank you for your patience, Eldaly! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

The year is just about over, the stockings have been emptied, the presents have been opened (the first candle has been lit), and we're here with our annual gift to you: an extended catalog of some of our favorite video game music of 2024. Make sure to use the bathroom now, because it's a long one, and we're NOT pulling over until we get to the end.  Happy holidays! And if you feel so inclined, you can tip your editor (me, Arthur) at ko-fi.com/aegies.    Prince of Persia: The Lost Crown (Gareth Coker)  Main Theme Wandering in the Palace The FIrst Immortal Like a Dragon: Infinite Wealth (Chihiro Aoki, Keitaro Hanada, Hyd Lunch, Hidenori Shoji, Yuri Fukuda, Saori Yoshida, 83key, Rintaro Soma) Seize the Victory Waikiki Down Beat We are Clean Pirates  Final Fantasy VII rebirth (Mitsuto Suzuki; Masashi Hamauzu) ​​Battle theme (final phase) Jenova Emergent With Heavy Heart - A Seabreeze Stroll Hell Divers 2 (Wilbert Roget II, Ross Tregenza) The Right Side of History A cup of Libertea The Terminid Horde The Automoton Legion Balatro (LouisF) Theme 1 Theme 5 Theme 2  Penny's Big Breakaway (Tee Lopes) Bauhaus Breakdown Jig's Up, Penny Tutto Finisce a Tarallucci e Vino Sons of the Forest (Gabe Castro) Main theme Fight Demons End  Pepper Grinder (Bartholomew J Robson) Pepper Grinder BugBoss Neon Night The Thaumaturge (Agnieszka Wlazły and Sebastian Syczyński) Devoured by Desire Poet With a Gun Ligia's Lullaby Dragon's Dogma 2 (Satoshi Hori, Hana Kimura, Masahiro Oki, Shusaku Uchiyama, Yoshitaka Suzuki) One Swing for Victory Tale's Beginning Griffin's theme Tales of Kenzera: Zau (Nainita Desai) Zau (feat. Sipho Mhlanga) The Boy and Death The Spirit of Mankind The God of Death  Animal Well (Billy Basso) Animal Well Heraldic Mantencore  Indika (Mike Sabadash) Amos Ruth Genesis Crow Country (Ockeroid) You Came Back Fairy Tale Town An Act of Mercy  Mullet Madjack (Fernando Pepe, Mateus Polati) Jack the Mullet Mad Full Carnage Upgrades  Senua's Saga (David Garcia Diaz with frequent collaborations with Heilung) Seidh A Rite of Blood and Fire Who is Changed and Who is Not  Rogue Prince of Persia (ASADI) Ravine's Sovereignty Ashes of Knowledge Sacred Fire Elden Ring: Shadow of the Erd Tree (Tsukasa Saitoh, Shoi Miyazawa, Tai Tomisawa, Yuka Kitamura, Yoshimi Kudo, Soma Tanizaki) Death Knight The Twin Moon Knight The Promised Consort  Kunitsu Gami (Chikara Aoshima ) Kunitsu-Gami Fierce Foe Still Wakes the Deep (Jason Graves) Dùisgidh e Fhathast na Doimhneachdan Now More Moon Than Earth End Game The Horror Sings Arco (José Ramón "Bibiki" García) Forgotten Memories Riding into the Unknown The Deepest Part of You  Astro Bot (Kenneth C M Yount) I am Astro Bot Astro Bot of War  Metaphor ReFantazio (Shoji Meguro) Traversing the Wastes feat Keisuke Honryo (Chief priest of Myojoji temple) Virga Island Warriors in Valour Nine Sols (FFXX, Im Baek Hun, Troy Lin, Vincent Yang) Main Theme II Farewell Thank Goodness You're Here (James Carbutt) Amble   March Star Wars Outlaws (Wilbert Roget II) Kay Vess, Outlaw Inside an Exogorth  (Cody Matthew Johnson - Galaxy Rejects) Kisses and Spochka (Cody Matthew Johnson - Maia and the Dewbacks) Death Mark - Welcome to Toshara  The Pyke Syndicate  Space Marine 2 (Nima Fakhrara, Steve Molitz) Death is my Duty Machinus Divinatus Combat Voidsong  Black Ops 6 Black Ops 6 (Main Theme) Avalon The Canals  Dragon Age: The Veilguard (Hanz Zimmer and Lorne Balfe) Main Theme In Entropy's Grasp Not the Chosen One Where the Dead Must Go Indiana Jones and the Great Circle (Gordy Haab) The Great Circle A New Adventure Awaits The Path is Revealed Nepal Air

WARHAMMER 40.000 SPACE MARINE II le test par Yohann LemoreÀ savoir► Sortie : 09/11/2024► Plateformes : PS5, Series, PC► Développeur : Saber Interactive► Editeur : Focus Entertainment► Genre : TPS Hack'n Slash ► Age : +18Crédit Audio :WARHAMMER 40.000 SPACE MARINE II soundtrack by Nima Fakhrara ► https://www.youtube.com/watch?v=Ne7Ei6e2heY&t=2495s&pp=ygUld2FyaGFtbWVyIHNwYWNlciBtYXJpbmUgSUkgc291bmR0cmFjaw%3D%3D

Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show. BRENDAN ANGELIDES Brendan Angelides' (formerly known as ESKMO) arrival at the world of scoring in 2016 was exactly the opportunity he had been hoping for. It felt conducive to the narrative process and sonic aesthetic he had developed in his work as a recording artist, being deeply in the mindset of The Echo Society, a collaborative of local Los Angeles artists and composer, at the time and recognizing the potential of his sound within a visual framework. Since 2016, Angelides has written the soundtracks for seven seasons of Billions, as well as Echoes (Netflix), Super Pumped (Showtime) and the 2021 film Naked Singularity. While scoring the four seasons of Netflix's celebrated 13 Reasons Why, he collaborated with Selena Gomez to produce a cover of Yazoo's “Only You.” In 2023, Angelides' embrace of new creative territories expands again as he presents his first video game score with Assassin's Creed: Mirage. Bringing his electronic artistry to the Ubisoft adventure set in ninth century Baghdad, Angelides worked with musicians connected with the region and culture including the New York Arabic Orchestra and Tunisian artist Emel Mathlouthi, whose viral protest song during the Arab Spring inspired the theme for Mirage's courageous female lead. The year also marks Angelides' most ambitious project with The Echo Society to date. Their soundtrack to director Darren Aronofsky's forthcoming film ‘Postcard from Earth' was showcased at the world's largest 4K screen at the Sphere, Las Vegas, across 160,000 speakers and 1600 subwoofers. NIMA FAKHRARA Iranian-born composer Nima Fakhrara has honed his craft for nearly twenty years by scoring more than 100 feature films, multiple AAA game franchises and international television shows, as well as crafting commercial music for boutique brands. This massive body of work led acclaimed director Anna Forester to tap Nima as composer for Bad Robot's latest feature film LOU (2022, starring Academy Award winner Allison Janney). His unique blend of East-meets-West and command of striking, sonic textures and timbres led gaming legend David Cage to select him to compose the music for 2018's wildly successful and critically acclaimed DETROIT BECOME HUMAN and the announcement to the Star Wars video game franchise ECLIPSE. Other gaming credits include WARHAMMER: SPACE MARINES 2, RESIDENT EVIL: REVELATIONS 2 and 1979 REVOLUTION. While his music is found all over the American media landscape, the composer's musical journey started back in Tehran at age five. Young Nima lugged his santur up six flights of stairs for each lesson with a master instructor. This early education imbued Fakhrara with a firm grasp of Persian classical music, an unyielding discipline, and a knack for complex rhythms. After moving to the Washington DC area at age 12, Fakhrara later earned a degree in composition from California State University while simultaneously studying ethnomusicology and Music Anthropology. Studio Soundtracks is made possible in part by the generous support of Spitfire Audio, makers of inspiring sounds and scoring tools for film, in collaboration with the world's best composers, musicians and engineers. More details available at spitfireaudio.com.

Of all the actors to get a John Wick-ian action vehicle, Allison Janney might just be the last one on your list. And yet, here we are with Anna Foerster's Lou, the straight-to-Netflix action thriller starring the West Wing legend, now transformed into a former CIA fixer who's given up the life for an isolated existence on a remote coastal island. But her skills are needed once more when her neighbor (Jurnee Smollett) comes to her in the middle of a rainstorm for help: Her daughter's been kidnapped, and her dangerous ex-husband (Logan Marshall-Green) is the culprit. Together, the two must track them through the mud-soaked forest, Lou calling on her particular set of skills to do one last bit of good.   It's a dark, grimy, psychologically complex thriller, with its crackling corners illuminated by Nima Fakhrara's richly textured score. The Iranian-born composer has worked on everything from video games like Detroit: Become Human to ad campaigns for Balenciaga. His work is characterized by his incredible use of synths and staggered, rhythmic vocals. His score for 2019's Becky, another action thriller involving a transformed character actor (Kevin James), is a muscular, primal scream of a score. Lou follows in a quieter permutation of that tradition. Clacking percussion, halting vocals, and tape-scratch elements from 1980s cassette recordings all culminate in a haunting sound that feels like the lost memories of an aging warrior.   And today, we've got Nima Fakhrara on the podcast to talk about his musical history, his experiences on Lou, and the innovative techniques he used to bring the score to life. (We'll also hear a few exclusive track commentaries from the score.)   You can find Nima Fakhrara at his official website here.   Lou is currently streaming on Netflix You can also listen to the score on your preferred music streaming service courtesy of Netflix Music.

Film and video game composer Nima Fakhrara (Detroit: Become Human; Becky) joins the show to talk about, among other things: diversity in film music, the necessity of being genuine in everything you create, and a few of his latest projects.   Find out more about Nima on his website. Many of Nima's film and video game scores are available on all major streaming platforms.

Kate has an honest conversation with her husband, Nima Fakhrara, about what it was like for him while they were trying to conceive and the pregnancy. A very real look into their multicultural relationship and the struggles that came with it in creating their little family.   --- Send in a voice message: https://anchor.fm/kate-gabrieli/message Support this podcast: https://anchor.fm/kate-gabrieli/support

Detroit: Become Human is a detailed sci-fi narrative with some of Quantic Dream's most ambitious music to date. In order to best score the story's three playable characters, a trio of top tier composers joined the project – each focusing on one thread of an interweaving narrative. For Connor – an android police investigator – Nima Fahkrara mixed an array of hardware synths and custom instruments with electric strings to great effect. Philip Sheppard, known for lavish orchestral arrangements, made the very best of Abbey Road and his own inspiration for Kara's emotional arc. Finally, John Paesano – who gamers may know best for Marvel's Spider-Man – wrote soaring, almost biblical themes to accompany Markus. Though unable to schedule a conversation with John Paesano, I'm fortunate enough to be joined by both Nima Fahkrara and Philip Sheppard throughout this episode. Together, we'll explore their different soundtracks for Detroit: Become Human, the production processes that fuelled them and some thoughts about composing for games in general. Both Nima and Philip have worked extensively in other mediums, and have some interesting perspectives on how they adapt to the world of VGM. Lee Tyrrell on Twitter:https://twitter.com/GreenT128 Nima Fakhrara on Twitter:https://twitter.com/ostadnima Philip Sheppard on Twitter:https://twitter.com/PhilipSheppard Also available through:YouTubeiTunesSpotifyStitcherand many more...Early access, unedited interviews, LIVE shows and more:http://patreon.com/_secretcave

We're talking all things Detroit: Become Human in episode three. It goes without saying that major spoilers lie ahead, but if you're destination is Spoiler Town, SpoilerVille, just west of Ruined It For Myself BLVD, then strap in, pals. And maybe grab a cuppa, 'cause it's a long 'un. What did YOU think of Detroit: Become Human? Let us know over on Twitter @The_Phease and @jches16! Music:- Vault Effect - HQSFX YouTube 'Connor Main Theme (Connor)' - Nima Fakhrara

Nima Fakhrara is a composer, ethnomusicologist and the founder of Zoo Creatives. His film credits include “The Girl in the Photographs”, “Consumed,” “The Signal,” and “Gatchman” (Battle of the Planets), while within video game genre, his credits he has “Resident Evil: Revelations 2 and the 2016 release “1970 Revolution.” One of his most recent projects for a video game is DETROIT: BECOME HUMAN, where is joined by composers Philip Sheppard and Joe Paesano in creating this highly anticipated game's original score.DETROIT: BECOME HUMAN is an adventure game developed by Quantic Dream and published by Sony Interactive Entertainment for the PlayStation 4, released worldwide on 25 May 2018. The plot revolves around three androids: Kara, who escapes the owner she was serving to explore her newfound sentience and protect a young girl; Connor, whose job it is to hunt down sentient androids; and Markus, who devotes himself to releasing other androids from servitude. They may survive or perish depending on dialogue choices that shape the story as customized by the player.In this episode of THE ANNOTATOR, Nima Fakhrara, over 8 tracks of his work, opens up about his main challenge of writing music for one of the games main characters, CONNOR. He talks about how, while creating something cold and robotic, he also needed his music for this android investigator to evoke emotion. That challenge was increased by choosing to use only synths and electronics to accomplish this. Nima Fakhara also talks about how Connor's music is the type of music he believes an android might create for themself.ANNOTATED TRACKS03:22 - Hostage05:19 - Your Choice09:27 - Now11:41 -They All Look the Same15:17 - I Trust You15:31 - Meet Markus18:08 - Wake Up19:32 - Connor SuiteSOUNDTRACKThe original score has not been released.MORE ABOUT THE COMPOSERYou can also hear more music and find out more about Nima Fakhrara at his official site (https://nimafilmmusic.com/) or follow the composer on twitter @ostadnimaABOUT THE ANNOTATORProduced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.FOLLOW USTwitter @audioannotatorFacebook @TheAnnotatorEmail theannotatorpodcast@gmail.comSUBSCRIBEiTunesSpotifyStitcher RadioGoogle Play PodcastsRSS Feed

Topics Covered: 00:03:43 - Bloodstained: Curse of the Moon 00:20:03 - Detroit: Become Human 01:06:38 - Pokemon Let's Go! Email us at: email@saveourprogress.com Follow us on Twitter at: https://twitter.com/SaveOurProgress Or follow the hosts on twitter at: Craig - https://twitter.com/SearosCanoel Paul - https://twitter.com/pomorales Pete - https://twitter.com/HalfTuckPete Zac - https://twitter.com/AronZacField Produced by Zachary Field Podcast Artwork by Natalie Fang Dai Opening Theme https://www.youtube.com/watch?v=yJEPTk7FLmk Pamgaea by Kevin MacLeod [Check out more of Kevin MacLeod over at http://incompetech.com/] Ending Credits Detroit: Become Human "And Then Time Stops" by Philip Sheppard, Nima Fakhrara, and John Paesano

In my latest conversation with Iranian-American composer Nima Fakhrara, we touch upon some of the organic experimentation that gives his recent horror score The Girl in the Photographs its eerie tenor, and the fusion of Persian and vintage electronic sounds for 1979 Revolution: Black Friday (of which both soundtrack albums are available digitally and on CD from Lakeshore Records). This interview is also available as a visual podcast. Visit KQEK.com for more info and related CD reviews. Additional info on the making of the visual podcast is available at my filmmaking site, Big Head Amusements. My interview with Fakhrara on the sci-fi puzzle film The Signal (2014) is also available on iTunes, Libsyn, and YouTube. If you enjoyed this podcast, connect with us on Facebook and follow us on Twitter. Visit KQEK.com for additional film reviews, soundtrack reviews, interviews, and read the Editor's Blog by Mark R. Hasan for additional info and related links.

Jonathan and Brian speak with Nima Fakhrara, the composer on 1979 Revolution, a story driven game set in the Iranian revolution. For more information, checkout the links below.

Iranian-born composer Nima Fakhrara discusses his breakthrough electronic score for The Signal (2014), released digitally and on CD by Varese Sarabande, and featuring an incredible blend of hand-crafted sounds for William Eubank's visually striking sci-fi thriller. Fakhrara also talks about classical Persian music, minimalism, and his love for the hammer dulcimer, which he's performed on several scores for mentor Hans Zimmer.   If you enjoyed this podcast, connect with us on Facebook and follow us on Twitter. Visit KQEK.com for additional film reviews, soundtrack reviews, interviews, and read the Editor's Blog by Mark R. Hasan for additional info and related links. All podcast editing, mixing, and audio restoration produced in-house. For inquiries and demo reels, please visit Mondomark.com.

Welcome the newest episode of Dark Discussions, your place for the discussion of horror film, fiction, and all that’s fantastic. Ed Sanchez, one of the co-director's of The Blair Witch Project, has been quite prolific since that ridiculously huge indy hit. Though he hasn't gotten a wide release of his films since, he has directed a number of gems including Altered, Lovely Molly (which Dark Discussions states was the second best film of 2012), and a segment of V/H/S 2. Each was either written or co-written by Jamie Nash. As with Adam Wingard and Simon Barrett or Jim Mickle and Nick Damici, the two seem to be a pretty dang good team. Their new film, 2014's Exists, is actually the third film this year about a sasquatch, or better known as Bigfoot. Shot in the found footage style, the film is about a group of five young adults that head out in that oh so common cabin in the woods for fun and sun. But one of them brought a bunch of cameras along since the area of Texas they are in is known as a sighting of the mysterious and legendary monster. With a quick setup, a short intro, and some spooky music by composer Nima Fakhrara, the film becomes a nonstop ride that doesn't let up until the very end. Dark Discussions is joined by Kristi Petersen Schoonover, author of Bad Apple and Skeletons in the Swimmin' Hole, to discuss this new film by the duo. Is it better than the prior two Bigfoot films from this year? Is it more than that and actually a top genre/horror film of the year? Your co-hosts discuss the movie and where it stands up against other Bigfoot films as well as genre cinema as a whole. As always we welcome your comments: darkdiscussions@aol.com (written email or attached mp3 files) WWW.DARKDISCUSSIONS.COM

This week we chat with Composer Nima Fakahrara about his work on the feature film "The Signal"This was a unique episode as Nima talks to us about his process of constructing instruments and he was nice enough to send us photos of a few of these instruments for your viewing pleasure.