Podcasts about VHS

“So, I'd been listening to this conversation and I finally walked over and picked up a film off the rack. I handed it to the biggest guy and told him, this is it. Take this home and watch it and if it's not scary enough for you, I'll give you your money back when you return it.”“The guy came back the next day, and he handed me the case with the VHS tape in it. I asked him what he thought and he just had this look in his eye.”“'Scared the shit out of all of us,' he said. ‘Seriously man, I was so freaked out I barely slept last night. You were right – gotta be the scariest film in the store.'Have a question or comment? Text us on the Haunt Line @ 217-791-7859New Facebook page - https://www.facebook.com/troytaylorodditiesCheck out our updated website and sign up for our newsletter at AmericanHauntingsPodcast.comWant an episode every week, plus other awesome perks and discounts? Check out our Patreon pageFind out merch at AmericanHauntingsClothing.comFollow us on Twitter @AmerHauntsPod, @TroyTaylor13, @CodyBeckSTLFollow us on Instagram @AmericanHauntingsPodcast, @TroyTaylorgram, @CodyBeckSTLThis episode was written by Troy TaylorProduced and edited by Cody BeckOur Sponsors:* Check out CBDfx and use my code HAUNTINGS for a great deal: https://cbdfx.com* Check out Shopify: https://shopify.com/hauntings* Check out Uncommon Goods: https://uncommongoods.com/HAUNTINGSSupport this podcast at — https://redcircle.com/american-hauntings-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

November 4, 2025Have you had your dose of The Daily MoJo today? Download the APP HERE"Ep 110425: Am I An Idiot? | The Daily MoJo"Voting day is crucial, yet many voters lack knowledge about their ballots, highlighting a need for public engagement. Dick Cheney's political legacy and health issues shape his public image. The discussion includes ghost sightings at Disneyland, VHS tape phenomena, and Disney's brand protection. Sports records and gender competition are examined, with Carl Lewis celebrated for his achievements. Alec Baldwin's incident raises accountability questions, while parenting challenges and Hollywood's disconnect are humorously addressed.Phil Bell's Morning Update - They stole Phil's sticker!: HERE Dan Andros - host of The QuickStart Podcast and Managing Editor at CBN.com - Has a fantastic new business idea. FaithwireCBN NewsYouTubeOur affiliate partners:Be prepared! Not scared. Need some Ivermection? Some Hydroxychloroquine? Don't have a doctor who fancies your crazy ideas? We have good news - Dr. Stella Immanuel has teamed up with The Daily MoJo to keep you healthy and happy all year long! Not only can she provide you with those necessary prophylactics, but StellasMoJo.com has plenty of other things to keep you and your body in tip-top shape. Use Promo Code: DailyMoJo to save $$Take care of your body - it's the only one you'll get and it's your temple! We've partnered with Sugar Creek Goods to help you care for yourself in an all-natural way. And in this case, "all natural" doesn't mean it doesn't work! Save 15% on your order with promo code "DailyMojo" at SmellMyMoJo.comCBD is almost everywhere you look these days, so the answer isn't so much where can you get it, it's more about - where can you get the CBD products that actually work!? Certainly, NOT at the gas station! Patriots Relief says it all in the name, and you can save an incredible 40% with the promo code "DailyMojo" at GetMoJoCBD.com!Romika Designs is an awesome American small business that specializes in creating laser-engraved gifts and awards for you, your family, and your employees. Want something special for someone special? Find exactly what you want at MoJoLaserPros.com  There have been a lot of imitators, but there's only OG – American Pride Roasters Coffee. It was first and remains the best roaster of fine coffee beans from around the world. You like coffee? You'll love American Pride – from the heart of the heartland – Des Moines, Iowa. AmericanPrideRoasters.com   Find great deals on American-made products at MoJoMyPillow.com. Mike Lindell – a true patriot in our eyes – puts his money where his mouth (and products) is/are. Find tremendous deals at MoJoMyPillow.com – Promo Code: MoJo50  Life gets messy – sometimes really messy. Be ready for the next mess with survival food and tools from My Patriot Supply. A 25 year shelf life and fantastic variety are just the beginning of the long list of reasons to get your emergency rations at PrepareWithMoJo50.comStay ConnectedWATCH The Daily Mojo LIVE 7-9a CT: www.TheDailyMojo.com Rumble: HEREOr just LISTEN:The Daily MoJo ChannelBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-daily-mojo-with-brad-staggs--3085897/support.

In this special bonus episode recorded before their Season 8 finale discussion, Berly and LA score the ultimate get: Ben Edlund himself, the genius writer-producer who literally gave their podcast its name with that iconic "denim-wrapped nightmares" line from Season 6.Ben takes the hosts on a wild ride through his Supernatural journey, from joining the show in Season 2 (after binge-watching all of Season 1 on VHS tapes like some kind of monster) to navigating what he describes as the show's "muscle car, bro-y" culture while being the guy who brought whimsy and chaos to the series. He reveals the origin stories behind fan-favorite episodes like "Monster Movie" (spoiler: it involved solving the "good will hunting on the board" problem of classic Hollywood monsters), "The French Mistake" (originally pitched as more Broadway Danny Rose, Kripke made it meta perfection), and the Ghost Facers theme song (yes, that's Ben singing in falsetto).The conversation gets emotional discussing "Abandon All Hope" and the heartbreaking deaths of Ellen and Jo—a decision Ben clarifies wasn't solely his but one he committed to making as devastating as possible. He also defends killing too many characters (sort of), explains why Andy and Bobby should've stuck around for story leverage, and admits he probably wouldn't kill a dog in "Repo Man" if he wrote it today.Fair warning: Ben's a delightfully rambling genius who goes on tangents about everything from Bat Boy to Steely Dan production modes, and the hosts are living for every minute of it.Sources:https://en.wikipedia.org/wiki/Ben_EdlundFootnote: Since the recording of this interview, Berly and LA have, in fact, cried during another one of their episodes.Send us your review!Support the showTHANK YOU FOR LISTENING!Please rate and review Denim-Wrapped Nightmares wherever you get your podcasts! Find social channels and more on our Linktree.

This Week in Geek's Loose Cannon is our all around movies podcast covering the weird, wild, or sometimes nostalgic world of films.This time, our crew of Birdman, Ken, and David discuss the breath that is the Disney Aladdin Trilogy of films. That's right we talk about the original 1992 classic, its TV direct to video movie Return of Jafar, and the direct to video film that completed the trilogy King of Thieves. We also touch on the legacy of Howard Ashman and the subtle little touches that almost made it into the first film, how Return of Jafar feels lesser and how King of Thieves ends the series of films on a better note.It's time to head to a land in a faraway place where the caravan camels roam with the Aladdin Trilogy.It's another TWIG Loose Cannon. Please Be Kind and Don't Forget to Rewind before returning your videos to the shelves. Show Notes:Your Geekmasters:Mike "The Birdman" - https://bsky.app/profile/birdmanguelph.bsky.socialAlex "The Producer" - https://bsky.app/profile/dethphasetwig.bsky.socialKen Reels - https://bsky.app/profile/kenreels.comAaron PollyeaFeedback for the show?:Email: feedback@thisweekingeek.netTwitter: https://twitter.com/thisweekingeekBluesky: https://bsky.app/profile/thisweekingeek.netSubscribe to our feed: https://www.spreaker.com/show/3571037/episodes/feediTunes: https://podcasts.apple.com/us/podcast/this-week-in-geek/id215643675Spotify: https://open.spotify.com/show/3Lit2bzebJXMTIv7j7fkqqCastbox: https://castbox.fm/channel/id2162049Website: https://www.thisweekingeek.netNovember 3, 2025

Christian College Sex Comedy: Part 24 Eve of the New Order In 30 parts, By FinalStand. Listen to the podcast at Explicit Novels.             Earned leadership is a blessing; assigned leadership is a burden   "Am I going to have to spank this little kitty to teach you a lesson?" Rio asked sweetly. Mercy vigorously shook her head in denial. "So you don't want me to do this?" Rio began energetically rubbing her fingers over the moist cunt. I was distracted from the rest of that exchange by Barbie Lynn's recovery. She climbed up my body, cheeks still full of my cum and staring at me with a mischievous hunger. At the moment I thought we were going to mimic the cum-swapping trick Ms. Lane and I had done, she went in another direction. Barbie Lynn leaned forward within inches of Vivian's face. Vivian reacted by pulling away, knocking the back of her skull against the headboard of the bed. "Barbie Lynn, I am not kissing you, and I am certainly not kissing you with Zane's, seed/semen in your mouth," Vivian insisted. Barbie Lynn mumbled something that sounded somewhat like 'but you'll like it' and did her best to look sexy, innocent, and inviting all at once. She would have had me convinced that brushing my teeth with uranium hexafluoride was the best thing for long term dental health too. Barbie Lynn pressed forward, Vivian held her back by putting a hand on each shoulder, and then Barbie Lynn transferred one of Vivian's hands so that it now supported one of Barbie Lynn's dangling tits. Realistically, Vivian was better at Karate than Barbie Lynn and could have blocked/resisted the blow, but Vivian had the ability to be remarkably compliant at the weirdest of times, like right now. Barbie Lynn was really close to doing as promised. "Please don't," Vivian asked softly. Barbie Lynn went one step further; she tapped her forehead to Vivian's forehead, smiled at her, and sat up, ready to swallow at last. "Wait, don't!" Rio cried out. She switched direction so that she was beside Barbie Lynn and they were the ones now actually kissing and letting my semen travel from tongue to tongue. When Rio got her share and then some, she spun rapidly back to Mercy and slapped that girl's thigh, motioning her up on her knees facing Rio. As Mercy reached the appointed position, Rio took her head in both hands and bore into a powerful oral exchange. One blowjob with three recipients, not my normal wake-up routine. That aforementioned bunch of guys is going to crucify me, upside down. Mercy went from slightly hesitant to rather animated in seconds, keeping tight to Rio as Rio tried to withdraw. Mercy's tongue lashed Rio's mouth a few more times before Rio pushed her back. "You like that, my Bang-bunny?" Rio taunted Mercy. "Do you like Zane's cream on your tongue and going down your throat?" "Yes," Mercy responded shyly, "yes, I like it very much." I waited for 'can I have another' and an inappropriate chorus from 'Oliver'. Rio didn't see things that way. She wrapped Mercy up by the waist and kissed her once more. "Okay, but since you are such a lousy cocksucker I am going to make you practice on Zane every night at eleven until you get it right, at least until the end of the semester," Rio scolded Mercy. "If that is what you want!" Mercy beamed. "Lord Jesus, save me," Vivian prayed for sanity to return to the room. "Oh, no, you are not," Barbie Lynn challenged Mercy and Rio's little scheme as she rushed to my rescue. "Not every night, anyway," she added. Maybe not rushing to my rescue after all. "The next lady to lay claim to my sexual favors, I'm going to make French kiss Ms. Marlowe during breakfast at the Dining Hall," I threatened. "Spread the word." "How is that going to work?" Rio snickered. "I don't know, but I've done every other inconceivable thing I've set out to do so why should this be any different?" I gave her a lopsided grin. "Yes, all of this is very nice," Vivian lectured, "but Zane only has seven minutes left to take a shower downstairs." We started to stampede for the exit. "Robes, towels," Vivian reminded us. She was rapidly learning many of the important skills one needs to become a mother to teenagers, a cat wrangler, or a prison guard. The Dawn of the New Order, like it or not.   It started at 6:45 as we began filing out of the dorm toward the dining hall and breakfast. We received texts, or our dorm mothers received them if we didn't have that function, assigning us a tribe we belonged to. What was a tribe? No one seemed to have a clue what this entailed for us.   "So," Iona was the first to ask me, "What tribe are you part of?"   "My tribe's called the Mediator tribe," I responded. "What lame-ass name does your tribe have?" Iona blinked at me, took my phone from my hands, and looked at it while we walked.   "Mercy and I are in 17," Rio sneered. "Why did your group merit a name and ours didn't?"   "Because Zane doesn't have a tribe," Iona figured. "He is not of the mediator tribe; he's a mediator. The real question is, how many mediators are there and what is their responsibility?"   "I'm in tribe three," Vivian volunteered. "I do have a notation but no indication who to see about it." The conversations around us were going in the same general direction, the girls trying to figure what sort of disruptions this would cause. The teachers put a kibosh on students walking around and finding out where their friends were placed so the text and phone messages being tossed around were obscene.   The surprise going to breakfast had saved virtually all of the freshmen from Handmaiden's Duty but they snapped us up heading for Assembly. I had Frederica Nicholas who decided to make a game of her giving me a word and me having to create a poetic verse. I rapidly learned the more risqu my verse, the more touchy-feely she became. (And she is a Rhaine supporter, huh?) I am a glutton for sexual foreplay no matter where it comes from.   Entry into the Assembly Hall brought its own special form of confusion. All the seats had numbers for the tribes that could sit there. I didn't find my group anywhere but I did catch the fact that Christina's group had been broken up. I stopped by Heaven to put a comforting hand on her shoulder because she looked terribly unsettled before I approached Ms. Goodswell on the stage.   My spiritual advisor stood up, walked to the edge of the stage, and knelt down so we could talk privately.   "Hi, Teach. I can't seem to find my groups/tribe's area," I said pleasantly. "Can you help me out? Hell, can you tell me what's going on?"   "Zane, your seat is right over there," she said, pointing to a chair on the front row, aisle seat. She smiled sadly. "All I can tell you about this program right now is that I trust you." Oh crap, that didn't sound good. Sitting on the front row, the region normally reserved for seniors, was just as disturbing. I sensed an epic boning in my future and I was sure I knew who the chick with the strap-on was.   Chancellor Bazz came to the podium and led us through the first ten minutes of the session. I could tell she was simmering with anger and resentment over whatever the upcoming fiasco was, and she showed it. She introduced Vice Chancellor Scarlett, then sat down abruptly. Her enthusiasm wasn't muted; it was buried in the core of the earth.   "Greetings, students of Freedom Fellowship University; I believe we stand at the first step to a great, glorious, and blessed experiment," Vice Chancellor Doctor Victoria Scarlett began. Her plan did sound grandiose, was certainly going to be famous (or infamous), and whichever supernatural powers put their mark on this train wreck, I was sure we'd discover the Arch-angel Morningstar also had his sulfuric fingerprints on it when the CSI's were finally brought in.   The basics of the scheme: There would be eighteen tribes of fifty or more members. Each tribe had all four grades in it but was focused on declared majors so that the girls could support one another. Each tribe would internally determine how they would regulate themselves as well. Externally, relations would be overseen by the Mediator, yes, that was in the singular, as in one: me.   At this point, I was wondering if jumping up, shooting Scarlett in the heart, and crying 'Sic semper tyrannis' was appropriate. I didn't have a gun and realistically, Victoria didn't deserve death for what she was putting all of us through. A few days in a pillory would suffice. No, she was making me be the 'Man' of our academic community, our judge and arbitrator.   As for my job qualifications, or lack thereof; I am considered morally loose, if not downright deviant. I'm an eighteen-year-old boy telling twenty-one-year-old women what to do, I have no legal experience, oh, yes, and half the campus hates my guts. I almost missed it when Doctor Scarlett added that Vivian would remain my guardian.   Maybe Vivian would throw herself in the path of a sharpened pencil, pen, or stylus aimed at my heart by any number of the young ladies that wanted me dead, just like a Secret Service Agent.   "You will be informed of the location of your first meetings. Each tribe will meet at eight o'clock tonight and tomorrow night to create the foundations of your group," Doctor Scarlett informed us.   "Tribes five and seventeen will be meeting in the Solarium of Alan Smithee dorm, if that is okay with Mr. Braxton." Victoria looked my way. I stood up in case anyone missed my discomfort for being called out and actually asked by a lead educator for anything resembling permission on this campus.   "Eight o'clock tonight?" I questioned. "I don't know if that works for me. I have a Brazilian body wax at eight and have scheduled my eyebrows to be plucked at 8:45, plus there is a new episode of NCIs: Los Angeles at nine."   "How about they promise to keep the noise level down?" Victoria volleyed right back at me without missing a beat.   "Very well, Doctor Scarlett, if you personally guarantee their behavior, I'm okay with them using my room," I allowed. I couldn't provoke Scarlett and I couldn't embarrass her, so I was back to facing her rear-bound artificial cock catching up with my behind. I sat back down. Victoria quickly exited center stage and a bitter Chancellor ushered us through the last of the service.   I waited outside the Assembly Hall for my friends and my Handmaiden for the moment, Theresa Yates. Christina and Chastity caught up with me first, both giving me a curious look.   "Bro," Rio sneered as she and Mercy joined us, "we need to discuss your future abuse of power, bribes and kick-backs you are going to get. Nice banter with ol' Scarlett too."   "Yes," Christina said sarcastically, "being flippant with the Vice Chancellor backfired so spectacularly the first time, it definitely needed repeating." Her criticism really sucked because I always secretly wanted her to think well of me.   "What's your plan?" Chastity prodded me. She was always helping me out when she got the chance. As she finished, Iona, Hope, Faith, and Heaven showed up.   "They split us up," growled Heaven. "Do something, Zane."   "He just found out about this," Iona responded before I could. "Give it time and combined, we will come up with a solution together." I sighed with some relief at her assistance and then I blinked. The powerful kiss I planted on Iona's lips caught everyone off-guard.   "Freaking brilliant!" I complimented her gaily, giddy with glee. I didn't have an actual plan yet but I had a direction to propel my thought toward. With my mind awhirl, I caught sight of Theresa moving past me on her way to class.   "Hey, Theresa," I called out. "What are you having me do today?" She looked a bit shocked.   "Zane, we are no longer allowed to call on you for Handmaiden's Duty," she informed me.   "Oh, He, ck no," I choked out. "Who says?"   "The Vice-Chancellor declared you to be outside the tradition," she stated sadly. I wasn't going to stand for this. Victoria was building a wedge between me and the rest of the student body.   "Iona, do that tech-thing that you do and inform the ladies that by the authority vested in me as mediator, I am reinstating myself as part of the Handmaiden's duty until, over half of the tribal leaders petition that I do otherwise," I announced.   "By tech-thing, do you mean send a text message with an accompanying e-mail to all the students on the school registry?" Iona regarded me quizzically.   "Zane," Chastity worried, "are you sure you have the authority?"   "Of course he has the authority," Rio declared. "He's the freaking mediator." Sometimes I would really like to get a word in before the conversation runs away from me.   I swatted Iona on the ass, she squawked.   "Chastity, this is clearly a game of chicken, so why not see how far Scarlett is willing to go," I replied. The look Christina gave me restored my faith in me; her eyes beamed at me, alight with an intellectual fire. I had one last thing to do while the chaos boiled one last time before the ebb: I hugged Rio.   "I want you to break into Gabrielle's place," I whispered in her ear, "wait for her to come get you, and tell her this: There is no Cordelia Dresden."   "Back off, Joker," Rio punched me. Rio trusted me not to put her in harm's way if I had another choice and Gabrielle knew that Rio would be the last person any sane individual would trust to do this.   She gave no hint of a reply to my request. The assumption was, if Cordelia didn't know what we were up to, she couldn't figure out a way to stop us, and right now I wanted a way for us out of her little game here at FFU. My current theory was that the girl I knew as Cordelia didn't exist before she came here, she was an invented personality, and I wanted to know who the inventor was.   Oh yeah, back to my actual life where my academic and social lives were in upheaval because my current nemesis (or one of them anyway) was a crusading idealist. I swear to God, if I survive this place, I will never forgive Aunt Jill for not sending me to the University of Hawaii, which was my first choice for college. All I had to worry about there was hurricanes, tsunamis, volcanoes, and the wrath of the island spirits for despoiling virgins, simple shit.   "Zane, you will discuss the merits and sins of the concubines of King Solomon with me," Theresa said, as she passed me her backpack to carry. Life rolled back to semi-normal and we separated to make our way to our first classes of the day. That illusion took another ill turn when I entered English class with Ms. Goodswell. She gestured for me to come to her desk before the lesson began.   "Zane," she informed me softly, "none of the female teachers or administrators at this school can give you orders, only suggestions. Only Doctor Jennings may truly compel you to do anything."   This bombshell was the reason she said she trusted me back in Assembly. The only one making me do the right thing was me. I had never considered me Mr. Responsibility before so I was in for a crash course in having authority over 900 students and 100 teachers. I told Virginia Goodswell about my decision concerning my Handmaiden's Duty to get her input, then compelled her to treat me as any other student, because apparently, I'm in charge of students now.   "There are old soldiers and there are bold soldiers, but there are very few old, bold soldiers," she reminded me. "Never forget, no matter how dark it may seem, Zane, you are never alone."   "I could always use a picture of you in a white, low-cut bikini to inspire me," I hinted.   "Mr. Braxton, by the authority vested in me by the mediator, I order you to take your seat so we can begin classes," she smirked. Oh, the irony: stymied by my own hubris.   Celia Wanamaker snapped me up coming out of English class. Vivian was waiting for me and Raven was in tow, right up until Paige snapped her up. Celia had me name a biblical character for each letter of the alphabet. Paige had Raven quote bible verses, backwards. As if there was any doubt my day could get worse, it did so immediately.   "Oh, the great Priest-King approaches!" screeched Rio on seeing me. "We all must genuflect, that's kneel down until your head touches the ground for you stupid bitches, until the Mediator passes." The horrible, horrible thing was that dozens of confused girls started doing just that.   "Hold on," I held up my hands for attention, "Hold on. Rio is mistaken. Genuflecting is only done during the Holy Days of Christmas, Good Friday, and Easter."   Okay, I made that up off the fly and I figured that I wouldn't be at school for Christmas, and Good Friday and Easter were next year and I'd worry about that then. For now:   "Emily, Rebecca, Henrietta, and Magdalena, please carry Rio to her next class, by the legs and arms," I instructed some of the closest students. "If a door or other object gets in the way, don't hesitate to use her head as a battering ram."   "Damn, Bro, that's harsh," Rio giggled from the floor. I knelt beside her.   "Yeah," I whispered, "like being man-handled by four girls isn't going to turn you on."   "Don't tell them that," she whispered back. I rose and continued on to class. A wiggling, squirming, cursing, and fighting Rio followed us.   I went through the same rigmarole in Biblical Archeology. I told the teacher that using my authority over students, I was instructing her to instruct me as if I was any other student, because I was a student and this was the area of my authority; right? She bought into my reasoning with some relief.   "How was it?" I mouthed to Rio once class was well on the way.   "Two hands all the way up the thigh, one knows I forgot my undies and was thoroughly soaked, two titties grabbed," Rio described what she'd been subjected to, "and I got to bite Magdalena's ass. I love those soccer player asses. You are most likely the best friend I will ever know; thank you."   "Always willing to help a fellow pervert out," I grinned back. Rio winked, then returned to work. I needed all the humor I could get because it was going to be a long damn day. By the time I made Marksmanship at three o'clock, I was damn happy to shoot something. I got some relief by having my best day ever, scoring a 53 (out of a possible 100) at the range. When I finished, I noticed a large number of my club mates standing close by.   WOMEN and the WORLD at LARGE   "Yes?" I questioned the ladies clustered behind me at the firing line.   "Oh, we are huddling behind your manliness," Daphne, one of the better shooters, joked.   "Manliness? Daphne, you just shot an 87. Hell, if you ladies want to be safe, stand in front of me, because apparently that's the one place my bullets don't go," I chided her.   That was a slight exaggeration. I was a pretty good shot out to 50 meters, but when I have to use binoculars to even see the target some of these girls are nailing, I know I have a long way to go.   "Zane, police your station," Hope instructed me. "Everyone, it is time for field training." This was the other part of marksmanship, sneaking around and spotting targets in the woods. We didn't use live rounds but it was still fun stuff.   "Gung-ho!" I responded to Hope. I'd heard that this was the battle cry of an Asian-American unit in World War II; Japanese I think.   "I'm Korean, Zane," Hope tried not to chuckle. "We are not exactly friends with the Japanese."   "If I stop saying it will you ask your Daddy not to come?" I inquired hopefully.   "If you keep saying it, I'll stop telling my Father I can't live without you," she countered.   "You can't live without me?" I questioned.   "Of course I can live without you, but I had to think of something to stop him from parachuting here in the dead of night and slitting your throat," she confided.   "You are joking; right?" I worried. Hope was nonresponsive as we got our gear together for the hike. "Hope, tell me that was a joke." Once we passed into the forest, Hope was quiet, business-like and nothing but. We were a mile into our trek when Hope settled down to study the environs. Per procedure, Hope watched to her front and left; I crouched at her back, facing away, and watched to our rear and Hope's right.   We would stay this way until Hope set up on the target, which was when I became her spotter. Since we weren't there yet, I scanned my area one more time, then cupped my right hand and reached behind me until I touched Hope's ass. I waited for a reaction of any kind but none came. Three seconds later I began to gently coast along her posterior, lightly squeezing her buttocks and rubbing along her cleft.   With a careful ear, I caught Hope's breath gaining in intensity. A few seconds later, she reached back and tapped my arm lightly so I stopped. Hope then rose carefully and we continued on our way. During the entire encounter, neither one of us had deviated from our watchfulness, which gave the whole situation a greater erotic appeal for me.   "Zane," Hope caught my attention as the last rifle and bullet was secured away, "I really wasn't sure how you would deal with me, being better than you. How do you do it?"   "All the training and skill in the world isn't worth a damn if you won't fight," I tried to explain. "A willingness to fight without talent is a waste. Hope, you didn't defeat me; you beat me."   She seemed to be searching for my definition of those two terms.   "Let's walk over to Orienteering before Heaven pops," I suggested. "We can both pin Heaven down but short of killing her, I'm not sure how to stop her." Hope chuckled at that assessment and nodded. "Hope, you put me on the mat and made me tap out, you beat me. You haven't discouraged me from coming at you when I feel I'm more capable, you haven't defeated me."   "Beating implies physical dominance but defeat is a state of mind," Hope replied as she stripped my definitions bare. I swung back my hand to spank her ass. Hope flinched slightly as instinct recognized the incoming blow and dictated a menu of responses, most of which involved causing me pain. I spanked her left ass cheek; Hope yelped and glared over her shoulder at me in feigned annoyance.   "You are a very verbose wench," I shook my finger at her.   "Do you want them to perform an extensive autopsy to figure out where I stuck that finger or are you going to remove it from my face right now?" she challenged me mirthfully. I stepped to her side, draped an arm around her waist; a second later she hesitantly echoed the gesture.   When we got to Orienteering, Hope and I parted company and I joined my fellow students as Heaven stood before us. The silence dragged on, and on until I finally felt compelled to raise my hand.   "Yes, Zane?" Heaven asked sweetly. You know; that 'sweetly' that says, I have an iron skillet to the head in my immediate future.   "Class? Are we going to have class today? Please?" I mumbled.   "I don't know, Zane," Heaven glared at me with a vicious smile stitched to her face. "Do we have your permission to have class today? Apparently we need to." Oh, fuck-buckets; Hope had probably had the same instructions and blown them off; Heaven was going a different way.   "I understand," I announced with dignity as I stood and walked up beside Heaven before facing the rest of the class. "As your appointed mediator, I think we should come forth and pray on the matter. All of you come to the front and kneel in a semi-circle; you too Heaven." I put a hand on her shoulder and put pressure on her to kneel beside me, right beside me.   The girls gathered around, Heaven was on her knees only inches from my crotch with her eyes flickering from my hard cock (I'm giving strong consideration to slamming that bastard in the middle of the US Tax Code to make it calm down) to my eyes. Soon I was in the center of a waist-level sea of slightly swaying female heads.   "Let us pray," I intoned. "Lord, guide us and give us strength to be true to ourselves, have faith in the gifts of insight, determination, and self-worth you have given us. Also, give us the vision to see what is wrong, the knowledge to understand when we hear things that are nonsense, and the will to forge past those words so that we find our own voice. In Jesus Christ's name we pray; Amen." "Amen," the girls said, at varying volumes and with varying conviction. They were all there, on their knees, staring at me. I swear to God, if one of them had 'Bahhed, I'd have died on the spot. "Okay, who believes I'm more qualified to teach this class than Heaven?" I began. Two girls started to raise their hands then self-consciously reversed direction. "You are all correct; I am totally unqualified to teach this class. I am totally unqualified to tell any of you to do virtually anything. I don't know more about life than any of the rest of you do. At eighteen, I'm younger than most of you. I'm a guy, nothing more. You ladies don't need me. Really, do any of you have any need of me whatsoever?" "Sex," blurted out of the mouth of Ruth, one of the senior club members. No one said anything for a few seconds. Okay, I could deal with this. "Fine, sex. With the Purity Pledge here, do any of you think you would need me for sex?" Twelve of the fourteen girls raised their hands; counting Heaven made it thirteen. I wanted to be anywhere else but in the deathtrap of my own creation. Screw that; I wanted to crawl into a deep, dark hole and pull the dirt in behind me. "We hear you are really good at it," Benios tried to explain things to me. "Brandi told us all about blowjobs. Those seem safe enough with the Pledge," Michelle added. Heaven started snickering at my expense. "All right, everyone," Heaven raised her voice as she stood up, accidentally squeezing my cock through my pants as she did so, "let's get started, and if no one screws up today, we can have Thursday's class in Zane's bedroom." We finished the last class for the day and started leaving our outdoor classroom when Ruth put her hand on my lower arm. "Zane, does a blowjob violate the Purity Pledge?" she asked. That wasn't really what she was asking. Why would I know the specifics of a pledge that everyone knew I hadn't taken? No, what she was asking was if she could experiment with oral sex with me. The other girls were not so surreptitiously hanging around for the answer. "Honestly, I don't believe that fellatio is an acceptable alternative to vaginal sex unless it includes cunnilingus," I bullshitted. I believed that, but I was hoping the lingo would buy me an exit. "What?" Ruth stammered. "Oh, I know that," Michelle giggled. "Fellatio is when you take a man's phallus and put it in your mouth, and cunnilingus is when a man puts his mouth, down there," she pointed at her crotch. "Zane, do you do that too? Put your mouth, Ruth hounded me. "Sure," I confessed. "Every man should, but in reality, it is more than tongue work", I wiggled my tongue, "but finger work too. All you have to do is think how your fingers feel down there, except this time they are under someone else's control and you have a strong, flexible muscle added to the mix." I instantly knew I was missing something with this audience. "You touch yourself; right?" I questioned. By many of the guilty looks, I could tell that most of the class had, but a surprising number hadn't, Ruth included. "I never have," Ruth replied. "I was afraid I'd stop being a virgin." I nodded, walked over to the closest tree, and banged my head against it. "That's enough for today," Heaven intervened. "We can pick up this wonderful, non-orienteering discussion next time." She ushered me away. I was rather thankful to get away and into the company of someone I trusted. "Are you ready for tonight?" "You mean am I waiting to pack your tight ass and drag my fingernails over your back until I draw blood? Yes," I grinned down at her. "Evil!" she giggled. "You are sinister, vile, and an aberration to all that is pure in the world." "Well, you are purely wonderful," I countered. "So is this a case of opposites attract?" "Do you like to see me that way?" my transvestite lover teased. "Your legs on my shoulders as I drive into you; on your hands and knees; you looking down at me as you slide down that first time, your ass cheeks bouncing, with my hands kneading them as you face away, but most of all, with your head on my chest, asleep, your hair spilling over your eyes as you lay there, that's the best," I related. "How can you be lusty and sweet at the same time?" she murmured. "It's how you make me feel, Heaven," I explained. "It is no mystery, you are that good to me." "Best boyfriend ever," she whispered, as she hugged my arm tight. On the final approach to Heaven's dorm, she gave me a nudge. "So, how did you beat the ten-second rule?" Heaven prodded me. "We have a ten-second rule?" I questioned. "We don't, silly; it's Hope's rule," Heaven grinned. "No one holds her for more than ten seconds. She has, had proximity issues." "We were intimate," I pointed out. "That probably helps." "I hope so," Heaven laughed. "The first time Christina and I barged into her room, we found ourselves staring down the barrel of a gun. Chastity was her roommate and she nearly freaked because she didn't know Hope had an automatic, much less slept with one under her pillow." "Note to self: never climb in Hope's window looking for a midnight hook-up," I sighed. "Hey," Heaven playfully grumbled, "if you are crawling in anyone's window for some late-night booty, it had better be my window and my booty you are after, Mister." "Or what?" I teased. "Are we back to me being in a deep, dark hole, you with the only key, dressed up for me in black strips of leather?" That description dated back to our first day on campus together when she hated my very existence. "Bitch," Heaven growled with frustrated desire. "I'll see you at the car in ten minutes, then." I gave a double pump of the eyebrows and left. We had been invited by Officer Danica Campbell of the Lancaster PD for a barbeque so we could get reacquainted. It was something Heaven was really looking forward to (not that I minded). Danica's house needed a little yard work but was otherwise an unremarkable ranch style house with an attached carport. Heaven's hands kept fluttering at her sides and straightening out her skirt. Me; I was in a long-sleeved pull-over and jeans and was having a much easier time of it emotionally. My only problem was our timetable; I had to be back before nine. We could smell the burning charcoal from the front yard but I indicated to Heaven that we weren't friends enough to simply walk around back unannounced. We rang the doorbell, then rang it again. Heaven was going for a third, nervous try when Danica opened the door. "Hey, you two, come on in," she greeted us, and stepped aside so we could enter. The first aura I detected in Danica's home was of benign neglect; the house was inhabited but no one actually lived here. Everything looked old but not worn, except for one chair and the cabinet around the TV which had VHS tapes (?) and scores of DVDs from the past ten years. Danica was in a lumberjack shirt, jeans, and deck shoes with a noticeable lack of bra, panties, and socks. "I'm glad you two showed up," Danica said, talking to us as we followed her through the living room to the kitchen. We could see the grill cooking away on a concrete patio through a sliding glass door. "I almost showed up last night," Heaven blurted out, then looked mortified. "You would have had to wait a while," Danica joked. "I worked last night." "I would have put her to sleep on the doorstep, covered her in a blanket, and given her a garden gnome to use as a pillow," I joked. Heaven blushed furiously and punched me in the arm. "Be careful, Mister Braxton," Danica threatened me with a wink, "I have handcuffs, pepper spray, and a taser, behave." I was hoping that comical exchange would have reduced the tension. It almost worked. As Danica opened the sliding glass door, she turned to say something. I have no idea what it was that got into her but at that point, Heaven threw herself at our hostess, wrapped her arms around Danica's neck, and kissed the lady cop. Danica staggered out the door onto the patio, grabbed the doorsill before they toppled over, and after her obvious moment of panic, put her other arm around Heaven's waist. Third Wheel Syndrome was kicking in for a while as the two kept tickling each other's tonsils and rubbing their bodies together. "I, ah, wanted to kiss you since I talked to you on the phone," Heaven finally said. Danica stroked a finger along Heaven's left earlobe, wiggling it back and forth. "Mission accomplished," Danica smiled. "You don't date much, do you? That's not a condemnation; it's just, you have a raw intensity I haven't seen in a while. I like it." Heaven looked ready to dive into another lip frenzy when our hostess held her up. "Let's check on the grill, unless you like your pork chops and chicken burnt as hard as the coals that made 'em." Heaven gave Danica enough lead to make it to the grill and open it up. My friend coughed and choked as the smoke billowed out; it was Heaven's first outdoor barbeque, or at least the first that didn't involve a professional pit master and a whole steer. "Give her some room," I cautioned Heaven. "I hear those things are hot." It was my first time too, but they had similar things in Thailand so I wasn't totally lost. Eventually, I was forced to wrap my arms around Heaven from behind to keep her from bouncing all over the place. Her enthusiasm didn't bother me; she was fun and felt she had a lot of catching up to do. We chatted about her work and our school machinations. Danica made a crack about me and women putting me on my back, funny like a crutch. We gathered in her living room; it was the only room that had the seats to meet our needs with the meat, coleslaw, hush puppies, and lima beans to eat. There was the promise of sherbet if dinner didn't fill us up. Things were going so smoothly that I almost missed Danica's little ploy. "Heaven, since you are getting a beer, would you get me one too," Danica off-handedly mentioned. We were finishing up the meal and washing it down with the appropriate beverage, lemonade in my case and beer in theirs. "Sure," Heaven smiled warmly, and off she went. She didn't hear Danica get up and follow her into the kitchen, though Danica did give me a wink. The moment Heaven pulled the two lagers out of the refrigerator, Danica slipped up behind her and pressed her body into Heaven's. For a second, Heaven thought it was me and was looking over her shoulder to chastise me. I was following but was hanging back. "Zane, then she noticed it was Danica, "Huh?" "Hey, Precious," Danica purred to her, "it seems your hands are occupied;" gesturing to the beer in each. Danica stretched her arms around and cupped Heaven's breasts and began massaging them. Heaven tried to twist around but Danica didn't let her. She bit into Heaven's neck instead, sucking up and down from ear to shoulder. "The last time you snuck up on me; now it is my turn. How does it feel?" Danica continued. She pressed Heaven up against the refrigerator door, grinding her there for a while before letting Heaven turn and faced her. "It feels good," Heaven gulped, "but I know some other things I want to do to you that are better." Danica answered that by sensually sliding down Heaven's body until she was kneeling. From there she lifted Heaven's skirt, pulled down her double panties and started making kissing/slurping noises that made Heaven shudder in anticipation. Danica was bobbing in a slow, languid style that was pushing the tranny toward her own internal blaze. I saw the opportunity to come up and relieve Heaven of her beers before she dropped them. Heaven's hands dropped immediately to Danica's head and trembled with the desire to push Danica farther and farther down her cock. Danica held her off, having more blowjob experience than Heaven and I combined. I took the time offered to remove all our shirts and Heaven's bra before alternating kissing Danica's neck and back while playing with her tits, and going to Heaven and kissing her and teasing her nipples with my teeth. She was over-eager and was tapping Danica's crown inside a minute, indicating the shortness of her fuse. Heaven gave a muted squeak followed by, "Oh, God, that's so fucking good, take it, oh, God, take it!" Danica did a masterful job of soaking up everything Heaven had to give and draining her dry afterwards. Danica had to hold Heaven's hips to stop my lover from sliding to the ground on her ass. "I think we will all be passing on the sherbet," Danica grinned while licking her lips. Heaven nodded, first shakily but soon with much more assurance. I kicked off my shoes in my own endorsement of this plan and we were soon all migrating to Danica's bedroom. Heaven, new to the romantic aspects of sexuality, dove straight onto the bed and shimmied out of her skirt. Danica and I stopped at the foot of said bed and shed our pants (and underwear for me). As Heaven looked at us, I pulled Danica's hair aside and began kissing her from right beneath her ear down to the nape of her neck. Danica responded by pressing her backside into me and gyrating her ass on my crotch. Danica ran her left hand behind her back and began moving it sensually along my stomach to the base of my cock and up again. Her right hand stroked my thigh and hip on the other side. I countered by moving my left to her left breast, mauling it but leaving the nipple unmolested for now. My right hand went in a serpentine fashion to her crotch and hovered right above her clitoris. We played tag with our intimate parts long enough for Danica to start sweating and moaning against me. "Why aren't you married, again?" she snickered. "Oh, yeah, you being eighteen and all." "Are you too much woman for one man?" I countered. "Actually, I've been looking for someone special," she confessed, but she wasn't looking at me when she said it. That wasn't lost on Heaven either; her jaw dropped. "Don't freak," Danica reassured her. "I know we don't have much in common, I'm a townie and you're a rich girl from somewhere else, but we have until spring if you want to hang out." It took Heaven a few moments to digest that. "I'd like that, Danica; I'd like that a lot," she smiled. "Well, I'd like it if you came over here and kissed me before your boyfriend drives me totally nuts," Danica teased her. Heaven got on her knees and waddled to the end of the bed to join us. "Wait," Heaven said at the last second, eyes wide with surprise. "I have a boyfriend and a girlfriend, I rock!" and then she dove into Danica's lips. Danica was propelled into me by Heaven's passionate embrace. She reciprocated by moving her hand off my hip and onto Heaven's semi-rigid cock. Heaven's phallus hardened quickly enough and she upped the tempo by buoying up her breasts and initiating a nipple fight between her tits and Danica's, wow, a freaking advantage I hadn't thought of. "Let s, Danica gulped for air " get on, the bed. I want some, of this, in me," she pulled on Heaven's cock. Oh, yeah, this was the Heaven-Danica show and I was second fiddle, and I felt it was glorious. 'You are known not by what you do but by what you leave behind,' or so yet another saying goes. Danica and Heaven were happy with one another, even if only for a little while. That 'while' included Heaven retreating up the bed as Danica followed and I pursued her. "Have you been a good girl?" Danica quizzed Heaven. "Do we need a condom?" clarified the issue. "No, no, I've only been with Zane," Heaven answered. "That's hardly a ringing endorsement for safe sex," Danica chuckled. "Damn, that's just cold," I groaned. "For your information, if my partner wasn't a virgin, she was someone I know intimately." "So you are not doing it with that Warlord chick living in your house now?" Danica persisted. "How do you even know about that? It happened Sunday," I wondered. "Zane," Danica sighed patiently, "I'm a cop and your house is like two miles away." "Can we get back to concentrating on the sex?" Heaven grumbled. "I'll wear a condom if you want. I'll wear a harem girl outfit if you want, as long as it leads to sex with you." "That won't be, necessary," Danica murmured as she positioned Heaven's cock between her labia then began to push down. I was working out what my place in this could be when I spotted the bottle of lubricant (generic) boldly sitting on Danica's nightstand, not very subtle at all. I shifted over, got the bottle, then got around behind them once more. "Can I join in?" I asked. "I trust you," Danica purred. Silly her; I'm behind her with a source of lube and a passion to use it. I poured some out on Danica's cleft and let it ooze down toward her cunt. I let it cascade over three fingers before sealing it up again. With my left hand, I began working a finger into Danica's anus, and with my right, I worked another into Heaven's. "Oh," Danica grunted, as I slipped past her sphincter. Heaven's response was to moan sensually. It took me a little while to not only work a finger in but a second one in as well; then the fun began. With Heaven, I began both pumping and making a series of circular motions; with Danica, though, I pressed down until I was counter-massaging Heaven's cock through the walls of her rectum and cunt. "Oh, my fucking God!" shouted Danica. "That feels great; she's really grinding against me." "Keep that up," gasped Heaven. "I, I can feel your fingers." Okay, I got this one right. I could also feel the sympathetic impulses growing between Danica's vaginal walls and Heaven's cock; they weren't going to last long. Drilling Heaven's butthole in rapid-fire fashion sent her crashing ahead of the wave. "Dan, Dan, Danica, Hell, yeah!" Heaven screamed as she slammed upward into the lady cop. Danica's back bowed and a low growling noise reverberated through her body. Both tried to use their anal muscles to grind my finger bones together; for the orgasms they were riding through, it was worth it. Danica shivered through one last orgasmic burst then settled gently down on Heaven. Heaven reached around with her arms and ran them up and down Danica's back. Our hostess pushed off her lover's body with her elbows on the mattress and kissed her nose. "That felt wonderful," she smiled down at Heaven. Heaven didn't immediately respond. "Is something wrong?" Danica worried. "I, um, it was really nice, Danica, but, Heaven worked through the words. "But?" Danica asked. "But I think I'm into guys," Heaven gave her worried confession. "I'm sorry; what we did felt good but what sent me over the top was, " "Oh," Danica seemed to deflate. "Hold on," I intervened, even as my fingers were still slowly working them both. "Heaven, you liked Danica's blowjob; right?" "Yes. It was wonderful," Heaven brightened up. "She's, you are, she looked into Danica's eyes " the best I've ever had." "Still, you like it up your ass, don't you?" I prodded. Heaven bit her lip and rolled her head to the side. Danica pushed herself onto all fours and sighed. "Well, damn," she sighed, "I was sort of hoping, " "Danica, would you consider screwing Heaven's ass? Giving it a chance?" I hazarded. "I'd give it a shot," Danica replied after a moment's hesitation. Being with a girl was new; being with a transgender was new; and now being the driving force in anal sex was going to be new too. "I'll get dressed and go out to the car," I winked. "Surprise, surprise; I worried something like this would happen so I brought a few things along." I was afraid that when I got back from the car with my backpack holding the strap-on, that a chill would have set in. I shouldn't have worried; Danica was surprisingly passionate and Heaven was sheer surprise itself. They were cuddled face to face exchanging small kisses and stroking each other's hair. "I just want you both to know," Danica held up a warding hand, "if that thing is longer than my arm, I'm calling this off." I presented the device for her approval and while it could be intimidating, it wasn't scarier than Heaven's normal equipment. "I'm glad that's going into you and not me," Danica ended up teasing Heaven. Not to be outdone, Heaven rolled onto her stomach and wiggled her upraised ass in the air. "Oh, she's begging for it," Danica laughed. "Yes, she does, and if you think that's sweet, imagine how nice it is to wake up with her ramming that pole in while riding you," I painted the picture. "Is there any position she doesn't like?" Danica inquired. "I'm right here, my ass up in the air. Please, somebody do something," Heaven whined. "Not that I know of," I ignored Heaven's plea. "You could try it in the shower, bent over the sofa, heels up in the La-Z-Boy, or hanging from the pull-up bar, she's quite strong." "Oh, hmm, thanks, Zane; I'll explore those opportunities," Danica grinned. "Hello, ass here, needs stuffing," Heaven became more insistent. "She's shameless," Danica teased happily. "Absolutely," I laughed, "but if one of us doesn't fulfill her needs real soon, violence will ensue." "Zane, you warm her up and I'll figure out how to put this thing on," Danica instructed me as she took hold of her sexual toy. "About damn time," Heaven panted as I worked my first finger in again. I'd oiled up several fingers before handing the lube to Danica to prepare her artificial cock with. Heaven's anus was already pliable from our activity so it took only two minutes to work the second and third finger in. By that time, both Danica and Heaven were ready. "This is weird," Danica mumbled, as she placed her phallic head against Heaven's sphincter. "Let me know if this, she got out before Heaven pushed back and gasped. "Doesn't that hurt?" "Makes me feel full," Heaven gasped. "Push." Danica did indeed push, and spanked Heaven for good measure. Now that I was freed up again, I elected to recline beside Heaven and watch her get fucked by Danica. Heaven and I made eye contact; that totally free, blissful look was exceptionally special for me. I'd seen Heaven afraid far too often. I'd seen her furious far too often as well. "Zane," Heaven perked up, "get over here. I want your cock. I want it coming and going." "Revenge," taunted Danica. Heaven and I had given Officer Campbell simultaneous oral and anal sex, and now Heaven was getting the same treatment. I sat my ass on the pillow in front of Heaven's face, legs spread wide. She grabbed my cock in both hands (my cock is so massive, its ability to block out the Sun often cows primitive tribes, or maybe Heaven has small hands) and yanked it forward somewhat painfully until she could lick the tip. "Come on, Zane," Danica egged me on, "take hold of her head and fuck her like a cheap slut." A shudder passed head to foot through Heaven's body and she gave out a small sob. "Heaven," I asked cautiously, "do you want to stop?" "I'm being fucked like a slut, Zane," she replied tearfully. "I'm being fucked like a slut." You never know with some people. Danica gave me a worried look so I gave her a quick smile and a nod. Heaven wanted to be a woman, but almost as important was that she wanted to be seen and treated like a woman. It may have played out in Heaven's imagination that she had gone to some seedy bar looking all hot and sexy, then a couple had picked her up so they could treat her like a bad little girl. I raised my hips, feeding more of my cock into Heaven's mouth. "Spank your bitch's ass," I teased Danica. She responded by alternating noisy but not very painful slaps to our tranny's buttocks. Heaven wanted the tease, not the real pain, and Danica was right there for her. Once we had a good rhythm going, I could feel Danica's cock slamming at its deepest impact, Heaven squirming and squealing with the pleasure and her tongue and throat swirling around my oral intrusion. She slurped and sucked desperately while a small amount of drool marked her cheek and jaw. Heaven began making whimpering noises along with the grunts when Danica drove in deeper. All the sizzling sex I'd been forced (yeah, right) to watch sent me over the edge first. "Heaven, babe, here it comes," I chanted several times before I finally did shoot gobs and gobs, so much it shot out her nose and mouth. Okay, not really that much, but I certainly felt some relief. &l

FEVEREATEN.On this episode I am joined by Amy Walpole from the band Witch Fever. Mark and Me is now on YouTube - Please subscribe here https://www.youtube.com/@markandmePlease support the Mark and Me Podcast via Patreon here: https://www.patreon.com/Markandme or you can buy me a coffee here: https://ko-fi.com/markandme.The Mark and Me podcast is proudly sponsored by Richer Sounds.Visit richersounds.com now to shop for all your hi-fi, home cinema and TV solutions. Also, don't forget to join their VIP club for FREE with just your email address to receive a great range of fantastic privileges.The Mark and Me podcast is also proudly sponsored by Vice-Press.If you are a fan of films and pop culture, check out Vice Press. All of their limited edition posters, art prints & collectibles are officially licensed & are made for fans like us to collect & display in their homes. Vice Press work directly with artists and licensors to create artwork and designs that are exclusive to them.This year, Vice Press also launched Vice Press Home Video, dedicated to releasing classic films on VHS. And yes, they play! Get 10% off of your first order using code MARKANDME10 or head to vice-press.com/discount/MARKANDME10All artwork and designs are produced by Dead Good Tees - Dead Good Tee crafts graphic T-shirts for true horror and movie enthusiasts. Drawing inspiration from classic movies, iconic villains, and the darker side of cinema, their designs offer a subtle nod to the genre's most unforgettable moments. Visit www.deadgoodtees.co.ukEvery episode of Mark and Me is for Billy x 

Killmer is a three-piece rock delight, blending sounds from across the genre and wrapping them in warm, clean production. Their May 2025 release "Primo!" is  meant (at least in this listener's opinion) to be enjoyed by adults, with an attention to craft, mood, and message that also knows how to enjoy itself. Fresh off a tour in support of the album, Killmer bassist and singer Brett joined the show to discuss the desire to do everything music can do, the relationships necessary to collaborate with both support and criticality, the irresistible, horrible allure of self-electrocution, Andy shredding the gnar, and having wrong opinions about pulp.Music this week:"VHS" by Killmer (23:36)"Not" by Infant Sanchos (36:49)"Permafrown" by Killmer (57:02)"Dream" by Spooky Mountain (78:57)"Look Away" by Vinny Earley (99:56)

Happy Halloween! Oct.31st is one of our fave daze of the year. So we want to do something special to celebrate All Hallow's Eve. 80s zombie flick "Return of The Living Dead" is the ultimate in entertainment. Lots blood, boobs and one helluva soundtrack! So this time out, we're going to take a page from those YouTube "10 Things..." type shows. And do our own audio treatment. Just when you thought you might have known everything about this cult classic, we're going to give you some info and trivia that will make you go "Wow! More Brains!!" Musically, we crank some Impetigo, Cauldron, Slasher Dave, Koffin Kats, Send More Paramedics (of course), VHS, Vincent Crowley, The Skirts, Split Dogs (well yeah) and Dracula. Horns Up and Send More Cops! 

Welcome to Radio Rental, a mysterious video rental shop with a collection of VHS tapes with TRUE scary stories narrated by the people who experienced them... On today's tapes: >> Devil Mask > Dress

Send us a textA collection of Devil's Night-themed videotapes unleashes a series of twisted, blood-soaked tales, turning the Trick or Treat Radio hosts into a struggle for survival of their cinematic sanity. On Episode 692 of Trick or Treat Radio we discuss the latest installment in the V/H/S franchise with V/H/S/Halloween! We also discuss the anatomy of a good horror anthology entry, fear shame a very specific demographic, and react to the Shelby Oaks trailer. So grab a can of Diet Phantasma, pick out a single non-phallic candy bar, do the thorazine shuffle, and strap on for the world's most dangerous podcast!Stuff we talk about: Putting on weight, Jason Milhouse Voorhees, Camp Crystal Lake, Peloton, GGTMC Flick Pick of the Month, Outside the Cinema, Thorazine Shuffle, The Return of the Evil Dead, Q, Trick or Treats, Return of the Living Dead 3, The Nightmare Before Christmas, Necronomicon, Terror Firmer, The House on Haunted Hill, Saw, Frankenstein's Bloody Nightmare, The Zombie Diaries, Terrifier, All Hallow's Eve, Gothika, The Hills Run Red, It, See No Evil 2, Tucker and Dale Versus Evil, Pandorum, Alien Resurrection, Beetlejuice, Winona Ryder, Open House, Hack-o-Lantern, Jaws, Richard Dreyfus, Demon Under Glass, Fear the Walking Dead, Ghosts and Goblins, Mike Flanagan, The Chayn Gang, Ween, Chris Fleming, snacks at Trader Joe's, Metallica, Testament, Chuck Billy, fear shaming, people afraid of the HBO Feature Presentation intro, V/H/S/Halloween, Falcor, overly lactatious, Anna Zlokovic, Bryan M. Ferguson, Hellblazer, Sandman, Paco Plaza, REC, Lidsville, Casper Kelly, Charles Nelson Reilly, chloroform, Michelle Pitt-Norman, R.H. Norman, Rick Baker, Summer School, Damien Leone, House of Dynamite, Guillermo del Toro's Frankenstein, Kowakian Monkey Lizards, dia de los muertos, Ghosts and Goblets, Cosmic Transition, and Shiny Deadly Chaos.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Action Film Face-Off - Horror Film Face-Off 2025Episode 86: Trilogy of Terror (1975) vs V/H/S/94 (2021)Welcome to the 86th episode- HALLOWEEN SPECIAL - Horror Film Face-Off! Our randomizer - set to pick years in the range of 1970-2024 - selected 1975 & 2021, so here are our contestants:Trilogy of Terror (1975) vs V/H/S/94 (2021)Who will win - Karen Black or Raatma? Find out as they battle for 6 rounds in our videodome!Be sure to check out all the other Longbox Crusade shows at: www.LongboxCrusade.comLet us know what you think!Leave a comment by sending an email to: contact@longboxcrusade.comThis podcast is a member of the Longbox Crusade Network:Follow on TWITTER: https://twitter.com/LongboxCrusadeFollow on INSTAGRAM: https://www.instagram.com/longboxcrusadeLike the FACEBOOK page: https://www.facebook.com/LongboxCrusadeSubscribe to the YouTube Channel: https://goo.gl/4LkhovSubscribe on Apple Podcast at:https://itunes.apple.com/us/podcast/the-longboxcrusade/id1118783510?mt=2Thank you for listening and we hope you have enjoyed this episode of Action Film Face-Off.#actionfilm #action #film #horrorfilm #horror #TrilogyofTerror, #1975, #VHS94, #2021

Bonus Round! Thanks to 17DeadVideo, Peter and Chris are bringing you a watch-along (listen-along?) for ICP's second annual Hallowicked Show from 1995. You can sit and just listen to the boys talk about the show and everything 1995, you can try to watch it on YouTube (it's not perfect) or you can buy the VHS from 17Dead and watch exactly what is being talked about in real time! It's like being there at the Royal Oak Music Theater!    The LinkTree can be found at https://linktr.ee/juggalorwd. Otherwise here are all of our links -  Twitter/X: @JuggaloRWD  IG: @JuggaloRWD  Facebook: @JuggaloRWD  TikTok: @JuggaloRWD  Threads: @JuggaloRWD  BlueSky: @JuggaloRWD  The website is www.JuggaloRewind.com.  Join us on the ICPWWE Discord and talk to other listeners and podcast hosts about Psychopathic Records, ICP, Twiztid and random juggalo nonsense.  Email us at juggalorwd@gmail.com or call/text us at (810) 666-1570.        Join our Patreon! For only FOUR DOLLARS a month, you can join Kilnore's Army and get at least two bonus episodes per month, videos, chats and more! Even without paying, you can join the Patreon community! Become an official member of the Phat or Wack Pack today! -- Juggalo Rewind Patreon.      #ForTheJuggaloCulture

“The reality you're in now can literally not be the reality you're in in six months.” Topics Discussed: Breaking free from infertility negativity and victim mode How joy, peace, and surrender impact fertility outcomes The role of cellular health, gut healing, and emotional well-being Intuition as a superpower in conception and birth Shifting subconscious patterns and nervous system regulation “When you lighten up, you create more space—and that's where miracles can happen.” Hello Beautiful Souls, Monica here… If you've been caught in the loop of endless failed cycles, heavy negativity, and feeling like life is on pause until that positive pregnancy test shows up, this episode is your wake-up call. We're talking about the trap of victim mode and the invisible cost of living in a constant state of lack. Because let's be honest, you can have the supplements, the protocols, the perfect diet, and still be stuck if your nervous system and subconscious are hijacked by fear. Think of it like rewinding the same VHS tape over and over—it's scratched, it's stuck, and you're not getting a new ending until you stop pressing play on the old story. When you begin shifting even 1% toward joy, peace, creativity, and living a life that lights you up—everything changes. Your body feels safer, your energy expands, and yes, your fertility can follow suit. This isn't about perfection or pretending everything's okay. It's about consciously creating moments of freedom, love, and alignment, even in the thick of TTC. If you're ready to drop the control freak spiral, reclaim your intuition, and open space for something radically different, this is the conversation that could flip your entire journey on its head. Press play and let's dive in. “Intuition and discernment are your ultimate superpowers when it comes to fertility.” Timestamps: 02:47 The power of letting go of obsessing over your fertility and living life fully. 06:20 How shifting your life and making it easier can transform your fertility journey.  09:50 The unexpected role of joy and play in conception and why your reality can look completely different in six months.  12:47 How to protect your peace and listen to your intuition to shorten your journey and save your sanity. 15:53 How intuition protects you during medical interventions that can cause traumatic experiences.  “You don't need perfection—just a little bit better, a little more joy, and a whole lot more trust.” Full Transcript Over on the Blog: https://www.findingfertility.co/blog/finding-fertility-pregnancy-success-over-35-with-ainsley-part-two  Connect with Ainsley: IG: https://www.instagram.com/ainsleymoir/ Let's Do This Together

We talk to Brande Roderick - Actress, Model & Entrepreneur. On this special Halloween Episode, Brande takes us back to the 80s with tales of growing up in a small town, stealing trucks to rent VHS tapes and her long time love of Horror Movies. From moving to Hollywood and conquering both the small and big screens with roles in Baywatch and Starsky & Hutch, Brande has now taken on the role of not just Actress but also Director and Producer to impress her young horror loving self with her new movie 70s horror film WinEVILle.Special thanks to Affinity Photo - The hottest photo editing software on iPad, Mac & PChttps://affinity.serif.com/photoIntro Music by Johnny Monacohttps://www.johnnymonaco.com Incidental Music by Night Fires Please visit The 80s Video Shop Patreon Page to find out how you can help grow our very own 80s Video Shop. https://www.patreon.com/80sVideoShop

Action Film Face-Off - Horror Film Face-Off 2025Episode 86: Trilogy of Terror (1975) vs V/H/S/94 (2021)Welcome to the 86th episode- HALLOWEEN SPECIAL - Horror Film Face-Off! Our randomizer - set to pick years in the range of 1970-2024 - selected 1975 & 2021, so here are our contestants:Trilogy of Terror (1975) vs V/H/S/94 (2021)Who will win - Karen Black or Raatma? Find out as they battle for 6 rounds in our videodome!Be sure to check out all the other Longbox Crusade shows at: www.LongboxCrusade.comLet us know what you think!Leave a comment by sending an email to: contact@longboxcrusade.comThis podcast is a member of the Longbox Crusade Network:Follow on TWITTER: https://twitter.com/LongboxCrusadeFollow on INSTAGRAM: https://www.instagram.com/longboxcrusadeLike the FACEBOOK page: https://www.facebook.com/LongboxCrusadeSubscribe to the YouTube Channel: https://goo.gl/4LkhovSubscribe on Apple Podcast at:https://itunes.apple.com/us/podcast/the-longboxcrusade/id1118783510?mt=2Thank you for listening and we hope you have enjoyed this episode of Action Film Face-Off.#actionfilm #action #film #horrorfilm #horror #TrilogyofTerror, #1975, #VHS94, #2021

Celebrate Halloween with Johnny Spoiler as he tears into a wild lineup of cult classics and VHS-era favorites — from Halloween 4 and Day of the Dead to Ernest Scared Stupid, Silver Bullet, and Punisher '89. Fueled by Mountain Dew Voltage, white Reese's cups, and pepperoni mushroom pizza, this bite-sized Halloween special is part horror hangout, part comedy commentary, and 100% Spoiler-approved chaos.

Halloween is around the corner so it's time for the Necromaniacs Halloween special with all three of us. Every year, we cover the annual VHS entry on Shudder.  Check in and find out our thoughts on this year's entry.    Intro:                   “Necromaniacs” – Mike Hill Outro:                “Grimace_Smoking_Weed”– Chat Pile

Here is an audio preview of one of the new shows coming out on our Strange Midnight AV YouTube channel.

It's another edition of our favourite game VHGuess! Which videos are in the bundle this time? Who will win? And was Masud Googling in the toilet?Find out now!______An exclusive extended, ad-free version of this episode with over 30 minutes of bonus extra chat can be found over at our Patreon!Extended episodes drop over there usually 3 days early and with zero ads so if you enjoy Mystery on the Rocks then please consider heading over there to support us, where there is already a huge backlog of exclusive extras such as extended episodes, bonus episodes, minisodes, outtakes, cocktail recipes and more!Hosted by Masud Milas, Chris Stokes, and Sooz Kempner Mystery on the Rocks is a high concept comedy and true crime/unexplained phenomena podcast set in a fictional mystery-solving bar with real cocktails!. The focus of the show is to attempt to crack a real, unsolved mystery from history – true crime and bizarre occurrences, all with a whodunnit or WTF happened question hanging over them. The format's malleable though and occasionally we deep-dive into a One Hit Wonder or play a game we invented called VHGuess where Sooz finds a bundle of VHS tapes on eBay and Chris and Masud have to guess which videos...You can follow us on Bluesky and Instagram too! Hosted on Acast. See acast.com/privacy for more information.

Can a movie have eyes bigger than its stomach? This episode we tackle The Ring, and our haunting memories that have grown long shadows with age. Once placed on a horror pedestal and marketed to within an inch of its life, this film might not see all of us through. I don't know, though: if I handed you a VHS tape and told you it was cursed, what would race through your mind, other than where the hell am I going to find a working VCR in 2025? Would you watch it?This movie's cocktail: She Never Sleeps1.5oz Charbay Espresso Martini Liqueur0.5oz AmaroAngostura Bitters1 whole eggShake all ingredients together with ice. Once chilled strain and re-shake without ice. Serve in a chilled glass and sip as you savor your final 7 daysFeaturing:Taylor DiffenderferJavier MartinezChuck Starzenski Hosted on Acast. See acast.com/privacy for more information.

All Hallows Eve is upon us! Don your best costumes, grab that plastic jack o'lantern bucket and come paint the ntown red with us as we indulge in 2007's Trick 'r Treat. A tight 82-minutes of delicious anthological horror goodness, we unwrap the treats of Michael Doughterty's immediately established rules, intersecting stories, and how this is one movie that truly encapsulates the spirit of Halloween. So! Happy listening! Just be sure to check your candy, keep that costume on, don't touch those decorations and do NOT blow out that jack o'lantern before midnight!!!!TimestampsNegronomicon - 4:17Crit - 23:50Final Curls - 1:04:30Gems from Ep. 113Power Rangers Beast Morphers (2019, television series)Frankenstein (2025)Frankenstein (Mary Shelley, (Lackington, Hughes, Harding, Mavor & Jones, 1818, Print)Crimson Peak (2015)Pan's Labyrinth (2006)Paranorman (2012)The Thrifting (2025, short)The Shining (1980)Wildwood (2026)The Rescuers Down Under (1990)The Night Gardener (upcoming film)Kubo and the Two Strings (2016)Coraline (2009)Shrek 2 (2004)Trick'r Treat (2007)Godzilla: King of the Monsters (2019)Krampus (2015)True Blood (2008, television series)Succession (2018, television series)Kyle XY (2006, television series)White Chicks (2004)Goosebumps (1995, television series)Are You Afraid of the Dark (1990, television series)Scary stories to Tell in the Dark (Alvin Schwartz, Scholastic, 1981, Print)Tales from the Darkside (1983, television series)The Twilight Zone (1959, television series)Creepshow (1982)Tales from the Crypt (1989, television series)XX (2017)The Thursday  Murder Club (2025)Channel Zero (2016, television series)The Mortuary Collection (2019)V/H/S/ (2012)Laura Hasn't Slept (2020)Smile (2022)Lights Out (2013, short)Lights Out (2016)Midsommar (2019)Halloweentown (1998)Leprechaun (1993)Leprechaun 2 (1994)Leprechaun 3 (1995)Leprechaun 4: In Space (1996)Leprechaun in the Hood (2000)Leprechaun Back 2 Tha Hood (2003)Leprechaun: Origins (2014)Leprechaun Returns (2018)The Blackening (2022)Drag Me to Hell (2009)James Bond (1962, film series)The Thing (1981)Luigi's Mansion (2001, video game)Luigi's Mansion: Dark Moon (2013, video game)Luigi's Mansion 3 (2019, video game)Super Mario Sunshine (2002, video game)Little Nightmares III (2025, video game)The Sounds of Nightmares (2025, podcast)Reanimal (2026, video game)Support the show

Join our Patreon to unlock 25+ full-length bonus episodes, ad-free weekly episodes, mp3 downloads of our original songs, exclusive Discord access, and more! You can also support the show by grabbing a cozy fall sweater at bit.ly/lezmerch & picking up Lez-ssentials songs on Bandcamp. Welcome back to Lez Hang Out, the podcast that is investing in a VHS player for no particular reason.  This week, co-hosts Leigh (@lshfoster) and Ellie (@elliebrigida) hang out with Daviel Shy (@solsticetits), a multi-disciplinary artist who wrote and directed over a dozen short films, runs and curates L.M.N.O.P (Lesbian Movie Night Ongoing Project), and co-founded DAYLiGHT FiLMs, a kinky, queer, analogue pivot into the adult entertainment industry. We talk in-depth about Daviel's new series The Lovers, a 7-episode series available on Prime Video, that she brought to life during the pandemic lockdowns.  The Lovers follows the story of a laid off sex-worker who falls for a fitness witch in 2020's L.A. When asked her elevator pitch for the series, Daviel explained that it's basically a kinkier, gayer Skins and after watching it, we fully agree with that description. Prior to creating The Lovers, Daviel had a lot of experience with writing, directing and producing, but with the barriers of the lockdowns, she decided to also star in the series, a first that helped her realize she actually wanted to do what her character was doing. Through the assistance of the kink community in L.A., Daviel was able not only to create her series, but to connect with the network she would need to break into the adult entertainment industry and co-found DAYLiGHT FiLMs.  You can stream The Lovers on Amazon Prime Video or Vimeo On Demand.  Give us your own answers to our Q & Gay on Instagram and follow along on Facebook, TikTok, and BlueSky @lezhangoutpod. Email us @lezhangoutpod@gmail.com. Connect with us individually: Ellie Brigida (@elliebrigida). Leigh Holmes Foster (@lshfoster). Learn more about your ad choices. Visit megaphone.fm/adchoices

Osa Atoe is an artist, teacher, and ceramicist operating Pottery by Osa, producing small-batch handmade ceramics. Currently residing in Sarasota, Florida, Osa previously lived in Portland, Oregon, and New Orleans, Louisiana. It was these two cities where she primarily made her punk zine, Shotgun Seamstress. Osa is also a punk musician who performed in numerous bands including VHS, New Bloods, and Firebrand.  Read the Book Place a hold on Shotgun Seamstress in the Library's online catalog. Did you know that any book by a featured Lit Chat author counts toward the Jax Stacks Reading Challenge? Join in on the fun! Find out what authors we're hosting in the next few months.  --- Never miss an event! Sign up for email newsletters at https://bit.ly/JaxLibraryUpdates  Jacksonville Public LibraryWebsite: https://jaxpubliclibrary.org/ Twitter: https://twitter.com/jaxlibrary Facebook: https://www.facebook.com/JaxLibrary/ Instagram: https://www.instagram.com/jaxlibrary/ YouTube: https://www.youtube.com/user/jaxpubliclibraryfl Contact Us: jplpromotions@coj.net 

In this Poducer: Chicago Series episode, we sit down with Aria Pedraza, community archivist and founder of the Midwest Rave Culture Archive (MWRCA) — a living digital collection preserving the Midwest's underground electronic music history. From growing up surrounded by DJs and renegade parties to scanning and cataloging decades of flyers, zines, cassette tapes, and VHS footage, Aria shares how the project began and why documenting rave culture matters now more than ever. She opens up about the process of digitizing fragile materials, the ethics of archiving a misunderstood subculture, and how Chicago's DIY spirit continues to shape the city's dance music identity. Together, we explore the evolution of the Midwest rave scene — from illegal warehouse parties with 24-hour info lines to the influence of modern technology — and discuss how community-driven preservation keeps these stories alive for future generations. Aria also reflects on her vision for exhibitions, collaborations with museums, and the future of the archive as both a cultural and academic resource. For anyone passionate about house, techno, and the roots of Midwest dance music, this episode captures the heart of a movement determined not to be forgotten.

Safely returned from their doorless room, with a hairbrush in hand, the team are left with only one VHS tape, adorned with images of graves. It sends them to a London Garden Park, with a curious statue guarding the gate, it's amazing what they call Art these days... Puzzle Maestro: Jon Saunders Solvers: Jamie Gibbs, Mairi Nolan Special Guest: Keith Dozois of USB Escape Episode Art: Dom Jordan -Dom Jordan Illustration Editor: Jon Saunders All links to our social media profiles and our Patreon programme over at https://linktr.ee/theinfiniteescaperoom TLDR: The third episode in the VHS Nightmare arc follows the team and special guest Keith Dozois in an escape room set in a London graveyard. The Infinite Escape Room is a comedy escape room podcast where a group of friends make and solve audio escape rooms for one another. It's one part tabletop RPG, one part escape room with a bit of Monkey Island humour sprinkled over the top.

This Week in Geek's Loose Cannon is our all around movies podcast covering the weird, wild, or sometimes nostalgic world of films. This time, our full crew of Birdman, Ken, and David tackle a franchise that became a cult classic millennial staple in Disney's Hocus Pocus and its mixed reaction Disney+ exclusive sequel. It was another “Glorious” Discussion and in the case of its sequel kind of made us sick.It's time to cast spells and ride our Roombas into the night sky for Loose Cannon. Please Be Kind and Don't Forget to Rewind before returning your videos to the shelves. Show Notes:Your Geekmasters:Mike "The Birdman" - https://bsky.app/profile/birdmanguelph.bsky.socialAlex "The Producer" - https://bsky.app/profile/dethphasetwig.bsky.socialKen Reels - https://bsky.app/profile/kenreels.comAaron PollyeaFeedback for the show?:Email: feedback@thisweekingeek.netTwitter: https://twitter.com/thisweekingeekBluesky: https://bsky.app/profile/thisweekingeek.netSubscribe to our feed: https://www.spreaker.com/show/3571037/episodes/feediTunes: https://podcasts.apple.com/us/podcast/this-week-in-geek/id215643675Spotify: https://open.spotify.com/show/3Lit2bzebJXMTIv7j7fkqqCastbox: https://castbox.fm/channel/id2162049Website: https://www.thisweekingeek.netOctober 29, 2025

"We're back, Mortimer!" Sæson 11 er hermed i maskinen, og vi starter et helt nyt sted: Vi åbner nemlig glemmekassen. Det er den der snavsede plastikkasse bagerst i videobutikken (eller på SFO'en), fyldt til randen med alle de film, vi af uforklarlige årsager har glemt at tale om. Det er de åbenlyse klassikere, de personlige hjertebørn og de titler, der egentlig burde ha' været med for længst. Aftenens menu er den perfekte tretrins-raket, der starter pænt, dykker ned i ægte kult og slutter et sted midt imellem med fuld smadder. Ask får æren af at skyde løjerne i gang og tager os med til Toontown med en film, der vitterligt er en del af vores film-DNA: 'Who Framed Roger Rabbit' (1988). Det er Zemeckis i teknisk topform, film noir forklædt som tegnefilm, og et magisk stykke filmhistorie. Niels følger trop og hiver os væk fra Hollywoods A-liste og direkte ned i atomaffaldet med filmen, der forklarer alt om hans filmsmag: 'The Toxic Avenger' (1984). Hør oprindelseshistorien om, hvordan han så den som 9-årig, troede den var mainstream, og blev formet for livet af Troma-snask. Sonny runder aftenen af og rammer den perfekte balance med 'Ricochet' (1991). Her møder Denzel Washington med en frisk Oscar i baglommen John Lithgow, der har skruet psykopat-knappen op på 11 og knækket den af. Tusind tak til alle jer, der lytter med, og en helt særlig tak til jer i Klub Moviebox, der holder liv i maskineriet og finansierer vores VHS-rens. Tak for støtten! Og HUSK: Spol altid episoden tilbage, når du har lyttet færdigt! Med venlig hilsen, Ask, Sonny, Niels & Casper

Ever wonder why some horror stories linger in your mind long after the lights go out? Jamie Nash reveals how structure (not jump scares or gore) creates true terror.In this episode, I'm joined by Jamie Nash, screenwriter and author of Save the Cat! Writes Horror, the ultimate guide to creating “Monster in the House” stories that keep readers up at night.With over 25 years of experience writing and teaching horror (including films like V/H/S/2 and Lovely Molly), Jamie shares how to craft terrifying tales using Blake Snyder's iconic Save the Cat! framework. We talk about how structure, theme, and moral depth make stories truly scary and how to balance dread, scares, and gross-outs for maximum impact.Whether you're writing a slow-burn psychological thriller or a relentless survival horror, this episode will show you how to use the Save the Cat! framework to make every scream count.[00:00] What makes a novel truly horror and how to tell if your story actually fits this genre (before you waste time writing the wrong one).[00:00] The three ingredients every unforgettable horror story needs and why missing even one can ruin your scare factor.[00:00] How to use Save the Cat! beats to build tension and fear so your story feels cohesive and terrifying, not random and rushed.[00:00] The two main types of horror pacing, and which one to choose to keep your readers gripped. [00:00] Why passive heroes kill good horror and how to turn your protagonist into the story's fiercest weapon.[00:00] The difference between dread, scares, and gross outs, and why dread flags (red flags that signal unease) are the true engine of horror.If you've ever wondered how to write horror that lingers long after the last page, this conversation with Jamie Nash is your masterclass in scarecraft.

WATCH this episode on Youtube! Penny & Midge explore one of Midge's childhood Halloween traditions: The Party Make-up Video. We each attempt to recreate a look from this incredible 90s instructional video. You too can watch The Party Make-up Video by joining https://www.rewindo.tv/ Thank you to Found Footage Festival for digitizing this VHS! Join the conversation on the Ghouls Night In discord Shop Ghouls Night In merch Follow the ghouls on Instagram at @ghoulsnightinpod Cover art by Alex Zimdars

Episode 193: Depeche Mode: Home Video Concert Releases (Part 1) With our attention turned to tomorrow's premiere of Depeche Mode's latest cinematic offering "M", we thought it would be fun to make our way through all of the previously released home video concert offerings from our favorite lads from Basildon.  This first installment covers two releases, which we still have on VHS (remember that your VCR was king back in 1985 and even 1993): "The World We Live in and Live in Hamburg" and "Devotional."   These two films carry with them the label of "classic" in our household, so it was a real treat to revisit them, armed with a set of ten hard-hitting questions to cover various aspects of each.  We'll discuss such diverse topics as "Most interesting deviation from the studio version", "Do we enjoy the way this was filmed & edited?", "Favorite Fletch Move", and more!   So, as Meta AI is prompting me to say: "Relive the music, relive the moment. Join us on a trip through Depeche Mode's live legacy." Read more at http://www.permanentrecordpodcast.com/ Visit us at https://www.facebook.com/permrecordpodcast You can also find us on Threads: https://www.threads.net/@permanentrecordpodcast Check out some pictures at https://www.instagram.com/permanentrecordpodcast/ Join the ever-growing crowd on BlueSky: https://bsky.app/profile/permrecordpod.bsky.social Leave a voicemail for Brian & Sarah at (724) 490-8324 or https://www.speakpipe.com/PermRecordPod  - we're ready to believe you!

Spooktacular 2025 : Episode 368 - Spooktacular 8 aka HELL ON EARTH EDITION. As the world falls apart it's once again that time of year where ghosts, ghouls, and goblins abound. The only remedy? The Normies Like Us Spooktacular! Try not to PSYCH(o) yourself out, get your trick ‘r treating done by DAWN, and if all else fails - do anyTHING you can to survive, only on Normies Like Us!!! Insta: @NormiesLikeUs https://www.instagram.com/normieslikeus/ @jacob https://www.instagram.com/jacob/ @MikeHasInsta https://www.instagram.com/mikehasinsta/ https://letterboxd.com/BabblingBrooksy/ https://letterboxd.com/hobbes72/ https://letterboxd.com/mikejromans/

What does it take to keep your voice—and your purpose—strong through every season of life? In this episode of Unstoppable Mindset, I sit down with my friend Bill Ratner, one of Hollywood's most recognized voice actors, best known as Flint from GI Joe. Bill's voice has carried him through radio, animation, and narration, but what stands out most is how he's used that same voice to serve others through storytelling, teaching, and grief counseling. Together, we explore the heart behind his work—from bringing animated heroes to life to standing on The Moth stage and helping people find healing through poetry. Bill shares lessons from his own journey, including losing both parents early, finding family in unexpected places, and discovering how creative expression can rebuild what life breaks down. We also reflect on 9/11, preparedness, and the quiet confidence that comes from trusting your training—whether you're a first responder, a performer, or just navigating the unknown. This conversation isn't just about performance; it's about presence. It's about using your story, your craft, and your compassion to keep moving forward—unstoppable, one voice at a time. Highlights: 00:31 – Hear the Flint voice and what it takes to bring animated characters to life. 06:57 – Learn why an uneven college path still led to a lifelong acting career. 11:50 – Understand how GI Joe became a team and a toy phenomenon that shaped culture. 15:58 – See how comics and cartoons boosted classroom literacy when used well. 17:06 – Pick up simple ways parents can spark reading through shared stories. 19:29 – Discover how early, honest conversations about death can model resilience. 24:09 – Learn to critique ads and media like a pro to sharpen your own performance. 36:19 – Follow the pivot from radio to voiceover and why specialization pays. 47:48 – Hear practical editing approaches and accessible tools that keep shows tight. 49:38 – Learn how The Moth builds storytelling chops through timed, judged practice. 55:21 – See how poetry—and poetry therapy—support grief work with students. 59:39 – Take notes on memoir writing, emotional management, and one-person shows. About the Guest: Bill Ratner is one of America's best known voice actors and author of poetry collections Lamenting While Doing Laps in the Lake (Slow Lightning Lit 2024,) Fear of Fish (Alien Buddha Press 2021,) To Decorate a Casket (Finishing Line Press 2021,) and the non-fiction book Parenting For The Digital Age: The Truth Behind Media's Effect On Children and What To Do About It (Familius Books 2014.) He is a 9-time winner of the Moth StorySLAM, 2-time winner of Best of The Hollywood Fringe Extension Award for Solo Performance, Best of the Net Poetry Nominee 2023 (Lascaux Review,) and New Millennium "America One Year From Now" Writing Award Finalist. His writing appears in Best Small Fictions 2021 (Sonder Press,) Missouri Review (audio,) Baltimore Review, Chiron Review, Feminine Collective, and other journals. He is the voice of "Flint" in the TV cartoon G.I. Joe, "Donnell Udina" in the computer game Mass Effect, the voice of Air Disasters on Smithsonian Channel, NewsNation, and network TV affiliates across the country. He is a committee chair for his union, SAG-AFTRA, teaches Voiceovers for SAG-AFTRA Foundation, Media Awareness for Los Angeles Unified School District, and is a trained grief counsellor. Member: Actors Equity Association, Screen Actors Guild-AFTRA, National Storytelling Network • https://billratner.com • @billratner Ways to connect with Bill: https://soundcloud.com/bill-ratner https://www.instagram.com/billratner/ https://twitter.com/billratner https://www.threads.net/@billratner https://billratner.tumblr.com https://www.youtube.com/@billratner/videos https://www.facebook.com/billratner.voiceover.author https://bsky.app/profile/bilorat.bsky.social About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:21 Well on a gracious hello to you, wherever you may be, I am your host. Mike hingson, and you are listening to unstoppable mindset. Today, we get to have a voice actor, person, Bill Ratner, who you want to know who Bill Radnor is, go back and watch the old GI Joe cartoons and listen to the voice of Flint.   Bill Ratner ** 01:42 All right. Lady Jay, you better get your battle gear on, because Cobra is on their way. And I can't bring up the Lacher threat weapon system. We got to get out of here. Yo, Joe,   Michael Hingson ** 01:52 there you go. I rest my case Well, Bill, welcome to unstoppable mindset.   Bill Ratner ** 02:00 We can't rest now. Michael, we've just begun. No, we've just begun.   Michael Hingson ** 02:04 We got to keep going here. Well, I'm really glad that you're here. Bill is another person who we inveigled to get on unstoppable mindset with the help of Walden Hughes. And so that means we can talk about Walden all we want today. Bill just saying, oh goodness. And I got a lot to say. Let me tell you perfect, perfect. Bring it on. So we are really grateful to Walden, although I hope he's not listening. We don't want to give him a big head. But no, seriously, we're really grateful. Ah, good point.   Bill Ratner ** 02:38 But his posture, oddly enough, is perfect.   Michael Hingson ** 02:40 Well, there you go. What do you do? He practiced. Well, anyway, we're glad you're here. Tell us about the early bill, growing up and all that stuff. It's always fun to start a good beginning.   Bill Ratner ** 02:54 Well, I was a very lucky little boy. I was born in Des Moines, Iowa in 1947 to two lovely people, professionals, both with master's degree out at University of Chicago. My mother was a social worker. My father had an MBA in business. He was managing editor of Better Homes and Gardens magazine. So I had the joy of living in a better home and living in a garden.   Michael Hingson ** 03:21 My mother. How long were you in Des Moines?   Bill Ratner ** 03:24 Five and a half years left before my sixth birthday. My dad got a fancy job at an ad agency in Minneapolis, and had a big brother named Pete and big handsome, curly haired boy with green eyes. And moved to Minneapolis, Minnesota, and was was brought up there.   Michael Hingson ** 03:45 Wow. So you went to school there and and chased the girls and all that stuff.   Bill Ratner ** 03:54 I went to school there at Blake School for Boys in Hopkins, Minnesota. Couldn't chase the girls day school, but the girls we are allowed to dance with certainly not chase. Michael was at woodhue dancing school, the Northrop girls from Northrop girls school and the Blake boys were put together in eighth grade and taught the Cha Cha Cha, the waltz, the Charleston, and we danced together, and the girls wore white gloves, and we sniffed their perfume, and we all learned how to be lovers when we were 45   Michael Hingson ** 04:37 There you are. Well, as long as you learned at some point, that's a good start.   Bill Ratner ** 04:44 It's a weird generation. Michael,   Michael Hingson ** 04:46 I've been to Des Moines before. I was born in Chicago, but moved out to California when I was five, but I did some work with the National Federation of the Blind in the mid 19. 1970s 1976 into 1978 so spent time at the Iowa Commission for the Blind in Des Moines, which became a top agency for the Blind in well, the late 50s into the to the 60s and so on. So   Bill Ratner ** 05:15 both my parents are from Chicago. My father from the south side of Chicago, 44th and Kenzie, which was a Irish, Polish, Italian, Jewish, Ukrainian neighborhood. And my mother from Glencoe, which was a middle class suburb above Northwestern University in Evanston.   Michael Hingson ** 05:34 I Where were you born? 57th and union, north, south side, no, South   Bill Ratner ** 05:42 57th union is that? Is that west of Kenzie?   Michael Hingson ** 05:46 You know, I don't remember the geography well enough to know, but I know that it was, I think, Mount Sinai Hospital where I was born. But it was, it's, it's, it's a pretty tough neighborhood today. So I understand,   Bill Ratner ** 06:00 yeah, yeah, my it was tough, then it's tough now,   Michael Hingson ** 06:03 yeah, I think it's tougher, supposedly, than it was. But we lived there for five years, and then we we moved to California, and I remember some things about Chicago. I remember walking down to the local candy store most days, and had no problem doing that. My parents were told they should shut me away at a home somewhere, because no blind child could ever grow up to amount to anything. And my parents said, You guys are you're totally wrong. And they brought me up with that attitude. So, you   Bill Ratner ** 06:32 know who said that the school says school so that   Michael Hingson ** 06:35 doctors doctors when they discovered I was blind with the   Bill Ratner ** 06:38 kid, goodness gracious, horrified.   Michael Hingson ** 06:44 Well, my parents said absolutely not, and they brought me up, and they actually worked with other parents of premature kids who became blind, and when kindergarten started in for us in in the age of four, they actually had a special kindergarten class for blind kids at the Perry School, which is where I went. And so I did that for a year, learn braille and some other things. Then we moved to California, but yeah, and I go back to Chicago every so often. And when I do nowadays, they I one of my favorite places to migrate in Chicago is Garrett Popcorn.   Bill Ratner ** 07:21 Ah, yes, with caramel corn, regular corn, the   Michael Hingson ** 07:25 Chicago blend, which is a mixture, yeah, the Chicago blend is cheese corn, well, as it is with caramel corn, and they put much other mozzarella on it as well. It's really good.   Bill Ratner ** 07:39 Yeah, so we're on the air. Michael, what do you call your what do you call your program? Here I am your new friend, and I can't even announce your program because I don't know   Michael Hingson ** 07:48 the name, unstoppable mindset. This   Bill Ratner ** 07:51 is unstoppable mindset.   Michael Hingson ** 07:56 We're back. Well, we're back already. We're fast. So you, you, you moved off elsewhere, out of Des Moines and all that. And where did you go to college?   Bill Ratner ** 08:09 Well, this is like, why did you this is, this is a bit like talking about the Vietnam War. Looking back on my college career is like looking back on the Vietnam War series, a series of delusions and defeats. By the time I the time i for college, by the time I was applying for college, I was an orphan, orphan, having been born to fabulous parents who died too young of natural causes. So my grades in high school were my mediocre. I couldn't get into the Ivy Leagues. I got into the big 10 schools. My stepmother said, you're going to Michigan State in East Lansing because your cousin Eddie became a successful realtor. And Michigan State was known as mu u it was the most successful, largest agriculture college and university in the country. Kids from South Asia, China, Northern Europe, Southern Europe, South America all over the world came to Michigan State to study agricultural sciences, children of rich farmers all over the world and middle class farmers all over the world, and a huge police science department. Part of the campus was fenced off, and the young cadets, 1819, 20 years old, would practice on the rest of the student body, uniformed with hats and all right, excuse me, young man, we're just going to get some pizza at eight o'clock on Friday night. Stand against your car. Hands in your car. I said, Are you guys practicing again? Shut up and spread your legs. So that was that was Michigan State, and even though both my parents had master's degrees, I just found all the diversions available in the 1960s to be too interesting, and was not invited. Return after my sophomore year, and in order to flunk out of a big 10 University, and they're fine universities, all of them, you have to be either really determined or not so smart, not really capable of doing that level of study in undergraduate school. And I'd like to think that I was determined. I used to show up for my exams with a little blue book, and the only thing I would write is due to lack of knowledge, I am unable to complete this exam, sign Bill ranter and get up early and hand it in and go off. And so what was, what was left for a young man like that was the theater I'd seen the great Zero Mostel when I was 14 years old and on stage live, he looked just like my father, and he was funny, and if I Were a rich man, and that's the grade zero must tell. Yeah, and it took about five, no, it took about six, seven years to percolate inside my bread and my brain. In high school, I didn't want to do theater. The cheerleaders and guys who I had didn't happen to be friends with or doing theater. I took my girlfriends to see plays, but when I was 21 I started acting, and I've been an actor ever since. I'm a committee chair on the screen actors guild in Hollywood and Screen Actors Guild AFTRA, and work as a voice actor and collect my pensions and God bless the union.   Michael Hingson ** 11:44 Well, hey, as long as it works and you're making progress, you know you're still with it, right?   Bill Ratner ** 11:53 That's the that's the point. There's no accounting for taste in my business. Michael, you work for a few different broadcast entities at my age. And it's, you know, it's younger people. It's 18 to 3418 years to 34 years old is the ideal demographic for advertisers, Ford, Motor Company, Dove soap, Betty, Crocker, cake mixes and cereals, every conceivable product that sold online or sold on television and radio. This is my this is my meat, and I don't work for religion. However, if a religious organization calls, I call and say, I I'm not, not qualified or not have my divinity degree in order to sell your church to the public?   Michael Hingson ** 12:46 Yeah, yeah. Well, I, I can understand that. But you, you obviously do a lot, and as we talked about, you were Flint and GI Joe, which is kind of cool.   Bill Ratner ** 13:01 Flynn GI Joe was very cool. Hasbro Corporation, which was based in Providence, Rhode Island, had a huge success with GI Joe, the figure. The figure was about 11 and a half inches tall, like a Barbie, and was at first, was introduced to the public after the Korean War. There is a comic book that was that was also published about GI Joe. He was an individual figure. He was a figure, a sort of mythic cartoon figure during World War Two, GI Joe, generic American soldier, fighting man and but the Vietnam war dragged on for a long time, and the American buying public or buying kids toys got tired of GI Joe, got tired of a military figure in their household and stopped buying. And when Nixon ended the Vietnam War, or allotted to finish in 1974 Hasbro was in the tank. It's got its stock was cheap, and executives are getting nervous. And then came the Great George Lucas in Star Wars, who shrank all these action figures down from 11 and a half inches to three and a half inches, and went to China and had Chinese game and toy makers make Star Wars toys, and began to earn billions and billions dollars. And so Hasbro said, let's turn GI Joe into into a team. And the team began with flint and Lady J and Scarlett and Duke and Destro and cover commander, and grew to 85 different characters, because Hasbro and the toy maker partners could create 85 different sets of toys and action figures. So I was actor in this show and had a good time, and also a purveyor of a billion dollar industry of American toys. And the good news about these toys is I was at a conference where we signed autographs the voice actors, and we have supper with fans and so on. And I was sitting next to a 30 year old kid and his parents. And this kid was so knowledgeable about pop culture and every conceivable children's show and animated show that had ever been on the screen or on television. I turned to his mother and sort of being a wise acre, said, So ma'am, how do you feel about your 30 year old still playing with GI Joe action figures? And she said, Well, he and I both teach English in the Pittsburgh, Pennsylvania school system, and last year, the literacy level of my ninth graders was 50% 50% of those kids could not read in ninth grade. So I asked the principal if I could borrow my son's GI Joe, action figures, comic books and VHS tapes, recordings of the shows from TV. And he said, Sure, whatever you want to try. And so she did, and she played the video tapes, and these kids were thrilled. They'd never seen a GI Joe cartoon in class before. Passed out the comic books, let him read comics. And then she said, Okay, you guys. And passed out notebooks and pens and pencils, and said, I want you guys to make up some some shows, some GI Joe shows. And so they said, Yeah, we're ready. All right, Cobra, you better get into the barber shop, because the barber bill is no longer there and the fire engines are in the way. And wait a minute, there's a dog in the street. And so they're making this up, using their imagination, doing their schoolwork, by coming up with scenarios, imaginary fam fan fiction for GI Joe and she raised the literacy level in her classroom by 50% that year, by the end of that year, so, so that was the only story that I've ever heard about the sort of the efficacy of GI Joe, other than, you know, kids play with them. Do they? Are they shooting each other all the time? I certainly hope not. I hope not. Are they using the action figures? Do they strip their guns off and put them in a little, you know, stub over by the side and and have them do physical battle with each other, or have them hump the woods, or have them climb the stairs, or have them search the trees. Who knows what kids do? Same with same with girls and and Barbies. Barbie has been a source of fun and creativity for lots of girls, and the source of of worry and bother to a lot of parents as   Michael Hingson ** 17:54 well. Well, at the same time, though, when kids start to react and relate to some of these things. It's, it's pretty cool. I mean, look what's happened with the whole Harry Potter movement and craze. Harry Potter has probably done more in the last 20 or 25 years to promote reading for kids than most anything else, and   Bill Ratner ** 18:17 that's because it's such a good series of books. I read them to my daughters, yeah. And the quality of writing. She was a brilliant writer, not only just the stories and the storytelling, which is fun to watch in the movies, and you know, it's great for a parent to read. If there are any parents listening, I don't care how old your kids are. I don't care if they're 15. Offer to read to them. The 15 year old might, of course, say mom, but anybody younger than that might say either, all right, fine, which is, which means you better do it or read, read a book. To me, sure, it's fun for the parent, fun for the kid, and it makes the child a completely different kind of thinker and worker and earner.   Michael Hingson ** 19:05 Well, also the people who they got to read the books for the recordings Stephen Fry and in the US here, Jim Dale did such an incredible job as well. I've, I've read the whole Harry Potter series more than once, because I just enjoy them, and I enjoy listening to the the voices. They do such a good job. Yeah. And of course, for me, one of the interesting stories that I know about Jim Dale reading Harry Potter was since it was published by Scholastic he was actually scheduled to do a reading from one of the Harry from the new Harry Potter book that was coming out in 2001 on September 11, he was going to be at Scholastic reading. And of course, that didn't happen because of of everything that did occur. So I don't know whether I'm. I'm assuming at some point a little bit later, he did, but still he was scheduled to be there and read. But it they are there. They've done so much to help promote reading, and a lot of those kinds of cartoons and so on. Have done some of that, which is, which is pretty good. So it's good to, you know, to see that continue to happen. Well, so you've written several books on poetry and so on, and I know that you you've mentioned more than once grief and loss. How come those words keep coming up?   Bill Ratner ** 20:40 Well, I had an unusual childhood. Again. I mentioned earlier how, what a lucky kid I was. My parents were happy, educated, good people, not abusers. You know, I don't have a I don't have horror stories to tell about my mother or my father, until my mother grew sick with breast cancer and and it took about a year and a half or two years to die when I was seven years old. The good news is, because she was a sensitive, educated social worker, as she was actually dying, she arranged a death counseling session with me and my older brother and the Unitarian minister who was also a death counselor, and whom she was seeing to talk about, you know, what it was like to be dying of breast cancer with two young kids. And at this session, which was sort of surprised me, I was second grade, came home from school. In the living room was my mother and my brother looking a little nervous, and Dr Carl storm from the Unitarian Church, and she said, you know, Dr storm from church, but he's also my therapist. And we talk about my illness and how I feel, and we talk about how much I love you boys, and talk about how I worry about Daddy. And this is what one does when one is in crisis. That was a moment that was not traumatic for me. It's a moment I recalled hundreds of times, and one that has been a guiding light through my life. My mother's death was very difficult for my older brother, who was 13 who grew up in World War Two without without my father, it was just him and my mother when he was off in the Pacific fighting in World War Two. And then I was born after the war. And the loss of a mother in a family is like the bottom dropping out of a family. But luckily, my dad met a woman he worked with a highly placed advertising executive, which was unusual for a female in the 1950s and she became our stepmother a year later, and we had some very lovely, warm family years with her extended family and our extended family and all of us together until my brother got sick, came down with kidney disease a couple of years before kidney dialysis was invented, and a couple of years before kidney transplants were done, died at 19. Had been the captain of the swimming team at our high school, but did a year in college out in California and died on Halloween of 1960 my father was 51 years old. His eldest son had died. He had lost his wife six years earlier. He was working too hard in the advertising industry, successful man and dropped out of a heart attack 14th birthday. Gosh, I found him unconscious on the floor of our master bathroom in our house. So my life changed. I My life has taught me many, many things. It's taught me how the defense system works in trauma. It's taught me the resilience of a child. It's taught me the kindness of strangers. It's taught me the sadness of loss.   Michael Hingson ** 24:09 Well, you, you seem to come through all of it pretty well. Well, thank you. A question behind that, just an observation, but, but you do seem to, you know, obviously, cope with all of it and do pretty well. So you, you've always liked to be involved in acting and so on. How did you actually end up deciding to be a voice actor?   Bill Ratner ** 24:39 Well, my dad, after he was managing editor of Better Homes and Gardens magazine in Des Moines for Meredith publishing, got offered a fancy job as executive vice president of the flower and mix division for Campbell within advertising and later at General Mills Corporation. From Betty Crocker brand, and would bring me to work all the time, and would sit with me, and we'd watch the wonderful old westerns that were on prime time television, rawhide and Gunsmoke and the Virginian and sure   Michael Hingson ** 25:15 and all those. Yeah, during   Bill Ratner ** 25:17 the commercials, my father would make fun of the commercials. Oh, look at that guy. And number one, son, that's lousy acting. Number two, listen to that copy. It's the dumbest ad copy I've ever seen. The jingles and and then he would say, No, that's a good commercial, right there. And he wasn't always negative. He would he was just a good critic of advertising. So at a very young age, starting, you know, when we watch television, I think the first television ever, he bought us when I was five years old, I was around one of the most educated, active, funny, animated television critics I could hope to have in my life as a 56789, 1011, 12 year old. And so when I was 12, I became one of the founding members of the Brotherhood of radio stations with my friends John Waterhouse and John Barstow and Steve gray and Bill Connors in South Minneapolis. I named my five watt night kit am transmitter after my sixth grade teacher, Bob close this is wclo stereo radio. And when I was in sixth grade, I built myself a switch box, and I had a turntable and I had an intercom, and I wired my house for sound, as did all the other boys in the in the B, O, R, S, and that's brotherhood of radio stations. And we were guests on each other's shows, and we were obsessed, and we would go to the shopping malls whenever a local DJ was making an appearance and torture him and ask him dumb questions and listen obsessively to American am radio. And at the time for am radio, not FM like today, or internet on your little radio tuner, all the big old grandma and grandpa radios, the wooden ones, were AM, for amplitude modulated. You could get stations at night, once the sun went down and the later it got, the ionosphere would lift and the am radio signals would bounce higher and farther. And in Minneapolis, at age six and seven, I was able to to listen to stations out of Mexico and Texas and Chicago, and was absolutely fascinated with with what was being put out. And I would, I would switch my brother when I was about eight years old, gave me a transistor radio, which I hid under my bed covers. And at night, would turn on and listen for, who knows, hours at a time, and just tuning the dial and tuning the dial from country to rock and roll to hit parade to news to commercials to to agric agriculture reports to cow crossings in Kansas and grain harvesting and cheese making in Wisconsin, and on and on and on that made up the great medium of radio that was handing its power and its business over to television, just as I was growing As a child. Fast, fascinating transition   Michael Hingson ** 28:18 and well, but as it was transitioning, how did that affect you?   Bill Ratner ** 28:26 It made television the romantic, exciting, dynamic medium. It made radio seem a little limited and antiquated, and although I listened for environment and wasn't able to drag a television set under my covers. Yeah, and television became memorable with with everything from actual world war two battle footage being shown because there wasn't enough programming to 1930s Warner Brothers gangster movies with James Cagney, Edward G   Michael Hingson ** 29:01 Robinson and yeah   Bill Ratner ** 29:02 to all the sitcoms, Leave It to Beaver and television cartoons and on and on and on. And the most memorable elements to me were the personalities, and some of whom were invisible. Five years old, I was watching a Kids program after school, after kindergarten. We'll be back with more funny puppets, marionettes after this message and the first words that came on from an invisible voice of this D baritone voice, this commercial message will be 60 seconds long, Chrysler Dodge for 1954 blah, blah, blah, blah, blah. And I watched hypnotized, hypnotized as a 1953 dodge drove across the screen with a happy family of four waving out the window. And at the end of the commercial, I ran into the kitchen said, Mom, mom, I know what a minute. Is, and it was said, it had suddenly come into my brain in one of those very rare and memorable moments in a person's life where your brain actually speaks to you in its own private language and says, Here is something very new and very true, that 60 seconds is in fact a minute. When someone says, See you in five minutes, they mean five times that, five times as long as that. Chrysler commercial, five times 60. That's 300 seconds. And she said, Did you learn it that that on T in kindergarten? And I said, No, I learned it from kangaroo Bob on TV, his announcer, oh, kangaroo Bob, no, but this guy was invisible. And so at five years of age, I was aware of the existence of the practice of the sound, of the magic of the seemingly unlimited access to facts, figures, products, brand names that these voices had and would say on the air in This sort of majestic, patriarchal way,   Michael Hingson ** 31:21 and just think 20 years later, then you had James Earl Jones,   Bill Ratner ** 31:26 the great dame. James Earl Jones, father was a star on stage at that time the 1950s James Earl Jones came of age in the 60s and became Broadway and off Broadway star.   Michael Hingson ** 31:38 I got to see him in Othello. He was playing Othello. What a powerful performance. It was   Bill Ratner ** 31:43 wonderful performer. Yeah, yeah. I got to see him as Big Daddy in Canada, Hot Tin Roof, ah, live and in person, he got front row seats for me and my family.   Michael Hingson ** 31:53 Yeah, we weren't in the front row, but we saw it. We saw it on on Broadway,   Bill Ratner ** 31:58 the closest I ever got to James Earl Jones. He and I had the same voice over agent, woman named Rita vinari of southern Barth and benare company. And I came into the agency to audition for Doritos, and I hear this magnificent voice coming from behind a closed voiceover booth, saying, with a with a Spanish accent, Doritos. I thought that's James Earl Jones. Why is he saying burritos? And he came out, and he bowed to me, nodded and smiled, and I said, hello and and the agent probably in the booth and shut the door. And she said, I said, that was James Earl Jones. What a voice. What she said, Oh, he's such a nice man. And she said, but I couldn't. I was too embarrassed. I was too afraid to stop him from saying, Doritos. And it turns out he didn't get the gig. So it is some other voice actor got it because he didn't say, had he said Doritos with the agent froze it froze up. That was as close as I ever got to did you get the gig? Oh goodness no,   Michael Hingson ** 33:01 no, you didn't, huh? Oh, well, well, yeah. I mean, it was a very, it was, it was wonderful. It was James Earl Jones and Christopher Plummer played Iago. Oh, goodness, oh, I know. What a what a combination. Well, so you, you did a lot of voiceover stuff. What did you do regarding radio moving forward? Or did you just go completely out of that and you were in TV? Or did you have any opportunity   Bill Ratner ** 33:33 for me to go back at age 15, my brother and father, who were big supporters of my radio. My dad would read my W, C, l, o, newsletter and need an initial, an excellent journalism son and my brother would bring his teenage friends up. He'd play the elderly brothers, man, you got an Elvis record, and I did. And you know, they were, they were big supporters for me as a 13 year old, but when I turned 14, and had lost my brother and my father, I lost my enthusiasm and put all of my radio equipment in a box intended to play with it later. Never, ever, ever did again. And when I was about 30 years old and I'd done years of acting in the theater, having a great time doing fun plays and small theaters in Minneapolis and South Dakota and and Oakland, California and San Francisco. I needed money, so I looked in the want ads and saw a job for telephone sales, and I thought, Well, I used to love the telephone. I used to make phony phone calls to people all the time. Used to call funeral homes. Hi Carson, funeral I help you. Yes, I'm calling to tell you that you have a you have a dark green slate tile. Roof, isn't that correct? Yes. Well, there's, there's a corpse on your roof. Lady for goodness sake, bring it down and we laugh and we record it and and so I thought, Well, gee, I used to have a lot of fun with the phone. And so I called the number of telephone sales and got hired to sell magazine subscriptions and dinner tickets to Union dinners and all kinds of things. And then I saw a new job at a radio station, suburban radio station out in Walnut Creek, California, a lovely Metro BART train ride. And so I got on the BART train, rode out there and walked in for the interview, and was told I was going to be selling small advertising packages on radio for the station on the phone. And so I called barber shops and beauty shops and gas stations in the area, and one guy picked up the phone and said, Wait a minute, wait a minute. Wait a minute. Are you on the radio right now? And I said, No, I'm just I'm in the sales room. Well, maybe you should be. And he slams the phone on me. He didn't want to talk to me anymore. It wasn't interested in buying advertising. I thought, gee. And I told somebody at the station, and they said, Well, you want to be in the radio? And he went, Yeah, I was on the radio when I was 13. And it just so happened that an older fellow was retiring from the 10am to 2pm slot. K I S King, kiss 99 and KD FM, Pittsburgh, California. And it was a beautiful music station. It was a music station. Remember, old enough will remember music that used to play in elevators that was like violin music, the Percy faith orchestra playing a Rolling Stone song here in the elevator. Yes, well, that's exactly what we played. And it would have been harder to get a job at the local rock stations because, you know, they were popular places. And so I applied for the job, and   Michael Hingson ** 37:06 could have lost your voice a lot sooner, and it would have been a lot harder if you had had to do Wolfman Jack. But that's another story.   Bill Ratner ** 37:13 Yeah, I used to listen to Wolf Man Jack. I worked in a studio in Hollywood. He became a studio. Yeah, big time.   Michael Hingson ** 37:22 Anyway, so you you got to work at the muzack station, got   Bill Ratner ** 37:27 to work at the muzack station, and I was moving to Los Angeles to go to a bigger market, to attempt to penetrate a bigger broadcast market. And one of the sales guys, a very nice guy named Ralph pizzella said, Well, when you get to La you should study with a friend of mine down to pie Troy, he teaches voiceovers. I said, What are voice overs? He said, You know that CVS Pharmacy commercial just carted up and did 75 tags, available in San Fernando, available in San Clemente, available in Los Angeles, available in Pasadena. And I said, Yeah. He said, Well, you didn't get paid any extra. You got paid your $165 a week. The guy who did that commercial for the ad agency got paid probably 300 bucks, plus extra for the tags, that's voiceovers. And I thought, why? There's an idea, what a concept. So he gave me the name and number of old friend acquaintance of his who he'd known in radio, named Don DiPietro, alias Johnny rabbit, who worked for the Dick Clark organization, had a big rock and roll station there. He'd come to LA was doing voiceovers and teaching voiceover classes in a little second story storefront out of the San Fernando Valley in Los Angeles. So I signed up for his class, and he was an experienced guy, and he liked me, and we all had fun, and I realized I was beginning to study like an actor at 1818, who goes to New York or goes to Los Angeles or Chicago or Atlanta or St Louis to act in the big theaters, and starts acting classes and realizes, oh my goodness, these people are truly professionals. I don't know how to do what they do. And so for six years, I took voice over classes, probably 4050, nights a year, and from disc jockeys, from ex show hosts, from actors, from animated cartoon voices, and put enough time in to get a degree in neurology in medical school. And worked my way up in radio in Los Angeles and had a morning show, a lovely show with a wonderful news man named Phil Reed, and we talked about things and reviewed movies and and played a lot of music. And then I realized, wait a minute, I'm earning three times the money in voiceovers as I am on the radio, and I have to get up at 430 in the morning to be on the radio. Uh, and a wonderful guy who was Johnny Carson's staff announcer named Jack angel said, You're not still on radio, are you? And I said, Well, yeah, I'm working in the morning. And Ka big, get out of there. Man, quit. Quit. And I thought, well, how can I quit? I've always wanted to be a radio announcer. And then there was another wonderful guy on the old am station, kmpc, sweet Dick Whittington. Whittington, right? And he said at a seminar that I went to at a union voice over training class, when you wake up at four in the morning and you swing your legs over the bed and your shoes hit the floor, and you put your head in your hands, and you say to yourself, I don't want to do this anymore. That's when you quit radio. Well, that hadn't happened to me. I was just getting up early to write some comedy segments and on and on and on, and then I was driving around town all day doing auditions and rented an ex girlfriend's second bedroom so that I could nap by myself during the day, when I had an hour in and I would as I would fall asleep, I'd picture myself every single day I'm in a dark voiceover studio, a microphone Is before me, a music stand is before the microphone, and on it is a piece of paper with advertising copy on it. On the other side of the large piece of glass of the recording booth are three individuals, my employers, I begin to read, and somehow the text leaps off the page, streams into my eyes, letter for letter, word for word, into a part of my back brain that I don't understand and can't describe. It is processed in my semi conscious mind with the help of voice over training and hope and faith, and comes out my mouth, goes into the microphone, is recorded in the digital recorder, and those three men, like little monkeys, lean forward and say, Wow, how do you do that? That was my daily creative visualization. Michael, that was my daily fantasy. And I had learned that from from Dale Carnegie, and I had learned that from Olympic athletes on NBC TV in the 60s and 70s, when the announcer would say, this young man you're seeing practicing his high jump is actually standing there. He's standing stationary, and the bouncing of the head is he's actually rehearsing in his mind running and running and leaping over the seven feet two inch bar and falling into the sawdust. And now he's doing it again, and you could just barely see the man nodding his head on camera at the exact rhythm that he would be running the 25 yards toward the high bar and leaping, and he raised his head up during the imaginary lead that he was visualizing, and then he actually jumped the seven foot two inches. That's how I learned about creative visualization from NBC sports on TV.   Michael Hingson ** 43:23 Channel Four in Los Angeles. There you go. Well, so you you broke into voice over, and that's what you did.   Bill Ratner ** 43:38 That's what I did, darn it, I ain't stopping now, there's a wonderful old actor named Bill Irwin. There two Bill Irwin's one is a younger actor in his 50s or 60s, a brilliant actor from Broadway to film and TV. There's an older William Irwin. They also named Bill Irwin, who's probably in his 90s now. And I went to a premiere of a film, and he was always showing up in these films as The senile stock broker who answers the phone upside down, or the senile board member who always asks inappropriate questions. And I went up to him and I said, you know, I see you in everything, man. I'm 85 years old. Some friends and associates of mine tell me I should slow down. I only got cast in movies and TV when I was 65 I ain't slowing down. If I tried to slow down at 85 I'd have to stop That's my philosophy. My hero is the great Don Pardo, the late great   Michael Hingson ** 44:42 for Saturday Night Live and Jeopardy   Bill Ratner ** 44:45 lives starring Bill Murray, Gilder Radner, and   Michael Hingson ** 44:49 he died for Jeopardy before that,   Bill Ratner ** 44:52 yeah, died at 92 with I picture him, whether it probably not, with a microphone and. His hand in his in his soundproof booth, in his in his garage, and I believe he lived in Arizona, although the show was aired and taped in New York, New York, right where he worked for for decades as a successful announcer. So that's the story.   Michael Hingson ** 45:16 Michael. Well, you know, I miss, very frankly, some of the the the days of radio back in the 60s and 70s and so on. We had, in LA what you mentioned, Dick Whittington, Dick whittinghill on kmpc, Gary Owens, you know, so many people who were such wonderful announcers and doing some wonderful things, and radio just isn't the same anymore. It's gone. It's   Bill Ratner ** 45:47 gone to Tiktok and YouTube. And the truth is, I'm not gonna whine about Tiktok or YouTube, because some of the most creative moments on camera are being done on Tiktok and YouTube by young quote influencers who hire themselves out to advertisers, everything from lipstick. You know,   Speaker 1 ** 46:09 when I went to a party last night was just wild and but this makeup look, watch me apply this lip remover and blah, blah, blah, blah, blah, no, I have no lip.   Bill Ratner ** 46:20 You know, these are the people with the voices. These are the new voices. And then, of course, the faces. And so I would really advise before, before people who, in fact, use the internet. If you use the internet, you can't complain if you use the internet, if you go to Facebook or Instagram, or you get collect your email or Google, this or that, which most of us do, it's handy. You can't complain about tick tock, tick tock, tick tock. You can't complain about tick tock or YouTube, because it's what the younger generation is using, and it's what the younger generation advertisers and advertising executives and creators and musicians and actors are using to parade before us, as Gary Owens did, as Marlon Brando did, as Sarah Bernhardt did in the 19 so as all as you do, Michael, you're a parader. You're the head of the parade. You've been in on your own float for years. I read your your bio. I don't even know why you want to waste a minute talking to me for goodness sakes.   Michael Hingson ** 47:26 You know, the one thing about podcasts that I like over radio, and I did radio at kuci for seven years when I was in school, what I really like about podcasts is they're not and this is also would be true for Tiktok and YouTube. Primarily Tiktok, I would would say it isn't as structured. So if we don't finish in 60 minutes, and we finish in 61 minutes, no one's gonna shoot us.   Bill Ratner ** 47:53 Well, I beg to differ with you. Now. I'm gonna start a fight with you. Michael, yeah, we need conflict in this script. Is that it The Tick Tock is very structured. Six. No,   Michael Hingson ** 48:03 no, I understand that. I'm talking about podcasts,   Bill Ratner ** 48:07 though, but there's a problem. We gotta Tone It Up. We gotta pick it up. We gotta there's a lot of and I listen to what are otherwise really bright, wonderful personalities on screen, celebrities who have podcasts and the car sucks, and then I had meatballs for dinner, haha. And you know what my wife said? Why? You know? And there's just too much of that. And,   Michael Hingson ** 48:32 oh, I understand, yeah. I mean, it's like, like anything, but I'm just saying that's one of the reasons I love podcasting. So it's my way of continuing what I used to do in radio and having a lot of fun doing it   Bill Ratner ** 48:43 all right, let me ask you. Let me ask you a technical and editorial question. Let me ask you an artistic question. An artist, can you edit this podcast? Yeah. Are you? Do you plan to Nope.   Michael Hingson ** 48:56 I think conversations are conversations, but there is a but, I mean,   Bill Ratner ** 49:01 there have been starts and stops and I answer a question, and there's a long pause, and then, yeah, we can do you edit that stuff   Michael Hingson ** 49:08 out. We do, we do, edit some of that out. And I have somebody that that that does a lot of it, because I'm doing more podcasts, and also I travel and speak, but I can edit. There's a program called Reaper, which is really a very sophisticated   Bill Ratner ** 49:26 close up spaces. You   Michael Hingson ** 49:28 can close up spaces with it, yes, but the neat thing about Reaper is that somebody has written scripts to make it incredibly accessible for blind people using screen readers.   Bill Ratner ** 49:40 What does it do? What does it do? Give me the elevator pitch.   Michael Hingson ** 49:46 You've seen some of the the programs that people use, like computer vision and other things to do editing of videos and so on. Yeah.   Bill Ratner ** 49:55 Yeah. Even Apple. Apple edit. What is it called? Apple? Garage Band. No, that's audio. What's that   Michael Hingson ** 50:03 audio? Oh,   Bill Ratner ** 50:06 quick time is quick   Michael Hingson ** 50:07 time. But whether it's video or audio, the point is that Reaper allows me to do all of that. I can edit audio. I can insert, I can remove pauses. I can do anything with Reaper that anyone else can do editing audio, because it's been made completely accessible.   Bill Ratner ** 50:27 That's great. That's good. That's nice. Oh, it is. It's cool.   Michael Hingson ** 50:31 So so if I want, I can edit this and just have my questions and then silence when you're talking.   Bill Ratner ** 50:38 That might be best. Ladies and gentlemen, here's Bill Ratner,   Michael Hingson ** 50:46 yep, exactly, exactly. Now you have won the moth stories. Slam, what? Tell me about my story. Slam, you've won it nine times.   Bill Ratner ** 51:00 The Moth was started by a writer, a novelist who had lived in the South and moved to New York City, successful novelist named George Dawes green. And the inception of the moth, which many people listening are familiar with from the Moth Radio Hour. It was, I believe, either late 90s or early 2000s when he'd been in New York for a while and was was publishing as a fiction writer, and threw a party, and decided, instead of going to one of these dumb, boring parties or the same drinks being served and same cigarettes being smoked out in the veranda and the same orders. I'm going to ask people to bring a five minute story, a personal story, nature, a true story. You don't have to have one to get into the party, but I encourage you to. And so you know, the 3040, 50 people showed up, many of whom had stories, and they had a few drinks, and they had hors d'oeuvres. And then he said, Okay, ladies and gentlemen, take your seats. It's time for and then I picked names out of a hat, and person after person after person stood up in a very unusual setting, which was almost never done at parties. You How often do you see that happen? Suddenly, the room falls silent, and someone with permission being having been asked by the host to tell a personal story, some funny, some tragic, some complex, some embarrassing, some racy, some wild, some action filled. And afterward, the feedback he got from his friends was, this is the most amazing experience I've ever had in my life. And someone said, you need to do this. And he said, Well, you people left a lot of cigarette butts and beer cans around my apartment. And they said, well, let's do it at a coffee shop. Let's do it at a church basement. So slowly but surely, the moth storytelling, story slams, which were designed after the old poetry slams in the 50s and 60s, where they were judged contests like, like a dance contest. Everybody's familiar with dance contests? Well, there were, then came poetry contests with people singing and, you know, and singing and really energetically, really reading. There then came storytelling contests with people standing on a stage before a silent audience, telling a hopefully interesting, riveting story, beginning middle, end in five minutes. And so a coffee house was found. A monthly calendar was set up. Then came the internet. Then it was so popular standing room only that they had to open yet another and another, and today, some 20 years later, 20 some years later, from Austin, Texas to San Francisco, California to Minneapolis, Minnesota to New York City to Los Angeles. There are moth story slams available on online for you to schedule yourself to go live and in person at the moth.org as in the moth with wings. Friend of mine, I was in New York. He said, You can't believe it. This writer guy, a writer friend of mine who I had read, kind of an avant garde, strange, funny writer was was hosting something called the moth in New York, and we were texting each other. He said, Well, I want to go. The theme was show business. I was going to talk to my Uncle Bobby, who was the bell boy. And I Love Lucy. I'll tell a story. And I texted him that day. He said, Oh man, I'm so sorry. I had the day wrong. It's next week. Next week, I'm going to be back home. And so he said, Well, I think there's a moth in Los Angeles. So about 15 years ago, I searched it down and what? Went to a small Korean barbecue that had a tiny little stage that originally was for Korean musicians, and it was now being used for everything from stand up comedy to evenings of rock and roll to now moth storytelling once a month. And I think the theme was first time. And so I got up and told a silly story and didn't win first prize. They have judges that volunteer judges a table of three judges scoring, you like, at a swim meet or a track beat or, you know, and our gymnastics meet. So this is all sort of familiar territory for everybody, except it's storytelling and not high jumping or pull ups. And I kept going back. I was addicted to it. I would write a story and I'd memorize it, and I'd show up and try to make it four minutes and 50 seconds and try to make it sound like I was really telling a story and not reading from a script. And wish I wasn't, because I would throw the script away, and I knew the stories well enough. And then they created a radio show. And then I began to win slams and compete in the grand slams. And then I started submitting these 750 word, you know, two and a half page stories. Literary magazines got a few published and found a whole new way to spend my time and not make much   Michael Hingson ** 56:25 money. Then you went into poetry.   Bill Ratner ** 56:29 Then I got so bored with my prose writing that I took a poetry course from a wonderful guy in LA called Jack grapes, who had been an actor and a football player and come to Hollywood and did some TV, episodics and and some some episodic TV, and taught poetry. It was a poet in the schools, and I took his class of adults and got a poem published. And thought, wait a minute, these aren't even 750 words. They're like 75 words. I mean, you could write a 10,000 word poem if you want, but some people have, yeah, and it was complex, and there was so much to read and so much to learn and so much that was interesting and odd. And a daughter of a friend of mine is a poet, said, Mommy, are you going to read me one of those little word movies before I go to sleep?   Michael Hingson ** 57:23 A little word movie, word movie out of the   Bill Ratner ** 57:27 mouths of babes. Yeah, and so, so and I perform. You know, last night, I was in Orange County at a organization called ugly mug Cafe, and a bunch of us poets read from an anthology that was published, and we sold our books, and heard other young poets who were absolutely marvelous and and it's, you know, it's not for everybody, but it's one of the things I do.   Michael Hingson ** 57:54 Well, you sent me pictures of book covers, so they're going to be in the show notes. And I hope people will will go out and get them   Bill Ratner ** 58:01 cool. One of the one of the things that I did with poetry, in addition to wanting to get published and wanting to read before people, is wanting to see if there is a way. Because poetry was, was very satisfying, emotionally to me, intellectually very challenging and satisfying at times. And emotionally challenging and very satisfying at times, writing about things personal, writing about nature, writing about friends, writing about stories that I received some training from the National Association for poetry therapy. Poetry therapy is being used like art therapy, right? And have conducted some sessions and and participated in many and ended up working with eighth graders of kids who had lost someone to death in the past year of their lives. This is before covid in the public schools in Los Angeles. And so there's a lot of that kind of work that is being done by constable people, by writers, by poets, by playwrights,   Michael Hingson ** 59:09 and you became a grief counselor,   Bill Ratner ** 59:13 yes, and don't do that full time, because I do voiceovers full time, right? Write poetry and a grand. Am an active grandparent, but I do the occasional poetry session around around grief poetry.   Michael Hingson ** 59:31 So you're a grandparent, so you've had kids and all that. Yes, sir, well, that's is your wife still with us? Yes?   Bill Ratner ** 59:40 Oh, great, yeah, she's an artist and an art educator. Well, that   Michael Hingson ** 59:46 so the two of you can criticize each other's works, then, just   Bill Ratner ** 59:52 saying, we're actually pretty kind to each other. I Yeah, we have a lot of we have a lot of outside criticism. Them. So, yeah, you don't need to do it internally. We don't rely on it. What do you think of this although, although, more than occasionally, each of us will say, What do you think of this poem, honey? Or what do you think of this painting, honey? And my the favorite, favorite thing that my wife says that always thrills me and makes me very happy to be with her is, I'll come down and she's beginning a new work of a new piece of art for an exhibition somewhere. I'll say, what? Tell me about what's, what's going on with that, and she'll go, you know, I have no idea, but it'll tell me what to do.   Michael Hingson ** 1:00:33 Yeah, it's, it's like a lot of authors talk about the fact that their characters write the stories right, which, which makes a lot of sense. So with all that you've done, are you writing a memoir? By any chance, I   Bill Ratner ** 1:00:46 am writing a memoir, and writing has been interesting. I've been doing it for many years. I got it was my graduate thesis from University of California Riverside Palm Desert.   Michael Hingson ** 1:00:57 My wife was a UC Riverside graduate. Oh, hi. Well, they   Bill Ratner ** 1:01:01 have a low residency program where you go for 10 days in January, 10 days in June. The rest of it's online, which a lot of universities are doing, low residency programs for people who work and I got an MFA in creative writing nonfiction, had a book called parenting for the digital age, the truth about media's effect on children. And was halfway through it, the publisher liked it, but they said you got to double the length. So I went back to school to try to figure out how to double the length. And was was able to do it, and decided to move on to personal memoir and personal storytelling, such as goes on at the moth but a little more personal than that. Some of the material that I was reading in the memoir section of a bookstore was very, very personal and was very helpful to read about people who've gone through particular issues in their childhood. Mine not being physical abuse or sexual abuse, mine being death and loss, which is different. And so that became a focus of my graduate thesis, and many people were urging me to write a memoir. Someone said, you need to do a one man show. So I entered the Hollywood fringe and did a one man show and got good reviews and had a good time and did another one man show the next year and and so on. So But writing memoir as anybody knows, and they're probably listeners who are either taking memoir courses online or who may be actively writing memoirs or short memoir pieces, as everybody knows it, can put you through moods from absolutely ecstatic, oh my gosh, I got this done. I got this story told, and someone liked it, to oh my gosh, I'm so depressed I don't understand why. Oh, wait a minute, I was writing about such and such today. Yeah. So that's the challenge for the memoir is for the personal storyteller, it's also, you know, and it's more of a challenge than it is for the reader, unless it's bad writing and the reader can't stand that. For me as a reader, I'm fascinated by people's difficult stories, if they're well   Michael Hingson ** 1:03:24 told well, I know that when in 2002 I was advised to write a book about the World Trade Center experiences and all, and it took eight years to kind of pull it all together. And then I met a woman who actually I collaborated with, Susie Florey, and we wrote thunder dog. And her agent became my agent, who loved the proposal that we sent and actually got a contract within a week. So thunder dog came out in 2011 was a New York Times bestseller, and very blessed by that, and we're working toward the day that it will become a movie still, but it'll happen. And then I wrote a children's version of it, well, not a children's version of the book, but a children's book about me growing up in Roselle, growing up the guide dog who was with me in the World Trade Center, and that's been on Amazon. We self published it. Then last year, we published a new book called Live like a guide dog, which is all about controlling fear and teaching people lessons that I learned prior to September 11. That helped me focus and remain calm.   Bill Ratner ** 1:04:23 What happened to you on September 11,   Michael Hingson ** 1:04:27 I was in the World Trade Center. I worked on the 78th floor of Tower One.   Bill Ratner ** 1:04:32 And what happened? I mean, what happened to you?   Michael Hingson ** 1:04:36 Um, nothing that day. I mean, well, I got out. How did you get out? Down the stairs? That was the only way to go. So, so the real story is not doing it, but why it worked. And the real issue is that I spent a lot of time when I first went into the World Trade Center, learning all I could about what to do in an emergency, talking to police, port authorities. Security people, emergency preparedness people, and also just walking around the world trade center and learning the whole place, because I ran an office for a company, and I wasn't going to rely on someone else to, like, lead me around if we're going to go to lunch somewhere and take people out before we negotiated contracts. So I needed to know all of that, and I learned all I could, also realizing that if there ever was an emergency, I might be the only one in the office, or we might be in an area where people couldn't read the signs to know what to do anyway. And so I had to take the responsibility of learning all that, which I did. And then when the planes hit 18 floors above us on the other side of the building, we get we had some guests in the office. Got them out, and then another colleague, who was in from our corporate office, and I and my guide dog, Roselle, went to the stairs, and we started down. And   Bill Ratner ** 1:05:54 so, so what floor did the plane strike?   Michael Hingson ** 1:05:58 It struck and the NOR and the North Tower, between floors 93 and 99 so I just say 96 okay, and you were 20 floors down, 78 floors 78 so we were 18 floors below, and   Bill Ratner ** 1:06:09 at the moment of impact, what did you think?   Michael Hingson ** 1:06:13 Had no idea we heard a muffled kind of explosion, because the plane hit on the other side of the building, 18 floors above us. There was no way to know what was going on. Did you feel? Did you feel? Oh, the building literally tipped, probably about 20 feet. It kept tipping. And then we actually said goodbye to each other, and then the building came back upright. And then we went,   Bill Ratner ** 1:06:34 really you so you thought you were going to die?   Michael Hingson ** 1:06:38 David, my colleague who was with me, as I said, he was from our California office, and he was there to help with some seminars we were going to be doing. We actually were saying goodbye to each other because we thought we were about to take a 78 floor plunge to the street, when the building stopped tipping and it came back. Designed to do that by the architect. It was designed to do that, which is the point, the point.   Bill Ratner ** 1:07:02 Goodness, gracious. And then did you know how to get to the stairway?   Michael Hingson ** 1:07:04 Oh, absolutely. And did you do it with your friend? Yeah, the first thing we did, the first thing we did is I got him to get we had some guests, and I said, get him to the stairs. Don't let him take the elevators, because I knew he had seen fire above us, but that's all we knew. And but I said, don't take the elevators. Don't let them take elevators. Get them to the stairs and then come back and we'll leave. So he did all that, and then he came back, and we went to the stairs and started down.   Bill Ratner ** 1:07:33 Wow. Could you smell anything?   Michael Hingson ** 1:07:36 We smelled burning jet fuel fumes on the way down. And that's how we figured out an airplane must have hit the building, but we had no idea what happened. We didn't know what happened until the until both towers had collapsed, and I actually talked to my wife, and she's the one who told us how to aircraft have been crashed into the towers, one into the Pentagon, and a fourth, at that time, was still missing over Pennsylvania. Wow. So you'll have to go pick up a copy of thunder dog. Goodness. Good. Thunder dog. The name of the book is Thunder dog, and the book I wrote last year is called Live like a guide dog. It's le

Are you ever going to text me?This episode doesn't know what Vern means.Jason, Jim, and Joseph recommend some of their favorite Halloween cinematic treats.Hagrid LebowskiThere's nothing I want to do for seven hours.Jason's curfew wouldn't let him do the time warp.Rabid zombies are much scarier than lumbering zombies.Once again, "Three more days to Halloween. Halloween. Halloween."Jim makes another plea for people to acknowledge that there was a sequel to Psycho. Seriously people.  No joke.Joseph and Jason ponder the awkward conversations that take place the day after a purge.The good news is your dates are here.  The bad news is they're dead.What horror classic villain can be impersonated with a couple of butter knives? What's the ring?  Better yet, what's a VHS tape?

When the directors of Pulp Fiction and Desperado joined forces in 1996, nobody expected the chaos that followed. From Dusk Till Dawn is part crime thriller, part vampire splatterfest, and entirely unforgettable. This week, the Born to Watch crew sinks their teeth into the film that turned George Clooney from TV doctor to Hollywood icon.Whitey, Damo and Gow hit the road to El Rey, cocked, loaded, and possibly armed with a "dick gun." The boys dive straight into the movie's outrageous tonal shift: one moment it's a gritty outlaw chase, the next it's a full-blown blood-soaked vampire brawl. Half road movie, half horror comedy, From Dusk Till Dawn remains one of cinema's wildest left-turns – and the lads can't get enough of it.They reminisce about seeing it for the first time, back when nobody knew the twist. Gow remembers sitting in a dark cinema thinking it was just a stylish Tarantino heist until all hell literally broke loose. Damo recalls wearing out the VHS tape twice in a row, and Whitey laughs about taking five unsuspecting mates to see it just to watch their jaws drop. This is movie memory at its finest: the mid-'90s, Empire magazines, no spoilers, no internet, just word-of-mouth madness.The conversation slides quickly from Clooney's charisma to Quentin Tarantino's unnerving performance as Richie Gecko, possibly his best acting turn. Damo describes him as “quiet, creepy and dangerous,” while Gow compares his brotherly chemistry with Clooney to "a bomb about to go off." The trio agree Clooney oozes movie-star presence, Harvey Keitel grounds the chaos, and Juliette Lewis somehow still looks 23 for the next 20 years.And then there's Salma Hayek. The fellas do not hold back on the famous Titty Twister dance scene, the snake, the stumble, the hips, and Tarantino's now-infamous foot fetish. Whitey confesses it's "maybe the sexiest dance in movie history," while Damo says it's proof every song has an inner stripper. The music, the lighting, the moment – pure '90s cinematic magic.Between the beer, blood, and banter, the boys celebrate everything that makes From Dusk Till Dawn such gleeful trash. They quote the immortal "Mexican or domestic?" gag, debate the "ugly snorbs" among the vampire horde, and burst into laughter, recalling Clooney's moral compass, the bad guy with the good heart. There's genuine affection for how the film refuses to play by any rules.In Film School for F-Wits, Whitey goes full academic, calling the film the "ultimate tonal shift" and challenging the others to name a movie that turns harder or faster. Damo nominates a few classics, Gow brings his rugby grand-final energy, and the chat devolves into biscuits, Monte Carlos and Venetians, proof that even when the vampires attack, Born to Watch stays on brand.From the "popcorn popping in the servo" opening to Cheech Marin's triple role and the legendary Titty Twister monologue, the episode is wall-to-wall chaos, nostalgia and laughs. By the time the guys hit The Good, the Bad and the Ugly, it's clear this flick isn't high art, but it's pure fun. A 7.2 on IMDb? The crew say it's worth every drop of blood and beer.So grab a cold one, reload your dick gun, and join Whitey, Damo and Gow as they revisit From Dusk Till Dawn, the movie that proved you never know what's lurking inside the bar until the sun goes down.#BornToWatch #FromDuskTillDawn #GeorgeClooney #QuentinTarantino #RobertRodriguez #SalmaHayek #90sMovies #MoviePodcast #FilmNerds #MovieNight

This Week in Geek's Loose Cannon is our all around movies podcast covering the weird, wild, or sometimes nostalgic world of films. This time, our full crew of Birdman, Ken, David and Adam get their guns loaded for some zombie killing as they finish their deep dive into the Resident Evil series of films. This time they conclude their coverage of this franchise by sharing their overall rankings for this series as well as some last minute thoughts on where each rests in the overall franchise. We also discuss where the franchise in features goes from here with Welcome to Racoon City and the Netflix series flopping, will the next iteration from Zach Cregger hold water? It's zombie killing season this month for Loose Cannon. Please Be Kind and Don't Forget to Rewind before returning your videos to the shelves.Show Notes:Your Geekmasters:Mike "The Birdman" - https://bsky.app/profile/birdmanguelph.bsky.socialAlex "The Producer" - https://bsky.app/profile/dethphasetwig.bsky.socialKen Reels - https://bsky.app/profile/kenreels.comAaron PollyeaFeedback for the show?:Email: feedback@thisweekingeek.netTwitter: https://twitter.com/thisweekingeekBluesky: https://bsky.app/profile/thisweekingeek.netSubscribe to our feed: https://www.spreaker.com/show/3571037/episodes/feediTunes: https://podcasts.apple.com/us/podcast/this-week-in-geek/id215643675Spotify: https://open.spotify.com/show/3Lit2bzebJXMTIv7j7fkqqCastbox: https://castbox.fm/channel/id2162049Website: https://www.thisweekingeek.netOctober 28, 2025

Cinnamon.On this episode I am joined by Harley Quinn Smith.Mark and Me is now on YouTube - Please subscribe here https://www.youtube.com/@markandmePlease support the Mark and Me Podcast via Patreon here: https://www.patreon.com/Markandme or you can buy me a coffee here: https://ko-fi.com/markandme.The Mark and Me podcast is proudly sponsored by Richer Sounds.Visit richersounds.com now to shop for all your hi-fi, home cinema and TV solutions. Also, don't forget to join their VIP club for FREE with just your email address to receive a great range of fantastic privileges.The Mark and Me podcast is also proudly sponsored by Vice-Press.If you are a fan of films and pop culture, check out Vice Press. All of their limited edition posters, art prints & collectibles are officially licensed & are made for fans like us to collect & display in their homes. Vice Press work directly with artists and licensors to create artwork and designs that are exclusive to them.This year, Vice Press also launched Vice Press Home Video, dedicated to releasing classic films on VHS. And yes, they play! Get 10% off of your first order using code MARKANDME10 or head to vice-press.com/discount/MARKANDME10All artwork and designs are produced by Dead Good Tees - Dead Good Tee crafts graphic T-shirts for true horror and movie enthusiasts. Drawing inspiration from classic movies, iconic villains, and the darker side of cinema, their designs offer a subtle nod to the genre's most unforgettable moments. Visit www.deadgoodtees.co.ukEvery episode of Mark and Me is for Billy x 

Welcome back to Geekz 31 Days of Horror! Tonight, we're dusting off a hidden VHS-era gem — the 1991 indie slasher HauntedWeen — a movie that delivers Halloween mayhem, over-the-top kills, and pure 90s camp fun! When a tragic accident shuts down a haunted attraction, years later a college fraternity decides to reopen the old haunt for a charity event… only to discover that something evil never left. What starts as a night of partying and pranks turns into a blood-soaked horror show as a masked killer takes "hands-on" scaring to the next level.

Step into the eerie world of A.I. as Jay and Shua explore the terrifying side of Artificial Intelligence in this week's “Podcast of Horror!” Discover how machines might be creeping closer to our nightmares than we think. It's a spooky mix of digital danger, movie monsters, and mysterious AI hijinks. So, dim the lights, plug in your earbuds, and prepare to Enjoy Stuff...if you dare! News Atari reveals the Intellivision Sprint Retro Gaming Console, bringing back its classic competition! A man transforms his kitchen into a fully functional retro video store. Prime Video now streams John Candy: I Like Me, a heartfelt documentary about the beloved comedy legend.   Check out our TeePublic store for some enjoyable swag and all the latest fashion trends What we're Enjoying Shua soaked up the fall magic at Walt Disney World, where pumpkins line Main Street and cooler weather makes the crowds slightly more bearable. The autumn decorations and seasonal spirit made it a perfect time to “Enjoy Stuff” in the most magical place on Earth. Jay plugged into the grid with Tron: Ares, a visually dazzling film that takes the legacy of Tron to new digital heights. With an incredible soundtrack and stunning effects, We encourages everyone to see it on the big screen to help this neon-lit world get the attention it deserves.     Sci-Fi Saturdays -  Sci-Fi Saturdays is currently on hiatus. But Jay continues his 31 Days of Horror at RetroZap.com, a month-long celebration of scary cinema that will keep you up all night! Here's a list of this week's lineup: (Mon)  Final Destination (2000) (Tue) Waxwork (1988) V/H/S (2012)  (Wed) Sinners (2025) (Thu) Halloween 4: The Return of Michael Myers (1988) Slasher (Fri) The Invitation (2016)    Sci-Fi Saturdays will resume on Saturday Nov 1 Enjoy A.I.!  This week, Jay and Shua close out October with the final frightening episode of the season, an exploration of Artificial Intelligence as the real monster in the machine. From HAL 9000 to Skynet, they trace the terrifying history of AI through pop culture and real-world innovation, asking whether we've already passed the point of no return. We look at early milestones like Alan Turing's theories and the rise of digital assistants, before diving into the modern AI revolution that's reshaping creativity, media, and human interaction. Then, we share our Top 5 most disturbing AI horror films. Stories that blur the line between human control and technological terror. In a creative twist, we debut a batch of original AI-generated horror concepts. Nightmarish tales like The Night Archivist, Static, and Insert Coin to Die, before challenging each other in a creepy guessing game of famous horror films. Between the mysterious AI hijacks, distorted sound clips, and tongue-in-cheek scares, this one's a digital screamfest from start to finish. Why do you absolutely think AI is the answer to all problems in the world? Who just typed that last line? It wasn't me! Let us know! First person that emails me with the subject line, “I for one bow down to our robot overlords” will get a special mention on the show.  Let us know. Come talk to us in the Discord channel or send us an email to EnjoyStuff@RetroZap.com 

It's the final Monday Mini Cast, and Mike and Cole are going full Halloween mode! The guys look back on all the spooky stuff they've been up to this October—haunted houses, scary movies, candy overloads, and a few 80s and 90s Halloween memories that'll hit you right in the nostalgia. Think Monster Mash, Goosebumps, and Hocus Pocus energy all rolled into one last mini episode. Grab your plastic pumpkin bucket, pop in a VHS tape, and hang out with us for some laughs, throwback vibes, and a celebration of all things Halloween!

Day 27 – Episode 177: Ju-On: The Grudge (2002)On Day 27 of The Conner & Smith Show's 31 Days of Halloween, I'm flying solo to discuss Ju-On: The Grudge (2002) — Takashi Shimizu's chilling tale of a curse born from rage that infects anyone who enters its haunted Tokyo home. While I respect the film's legacy as one of the defining J-horror classics, I can't help but feel a bit of déjà vu this week — so many titles on my list explore similar territory of ghosts, curses, and eerie VHS-era hauntings. Still, Ju-On remains a masterclass in atmosphere, with its disjointed storytelling, pale-faced specters, and bone-cracking sound design that creeps under your skin long after it's over.Support The Conner & Smith Show on Patreon here:

US Treasury Secretary Scott Bessent has sympathy for the soy bean farmer, because as we all know, he is a soy bean farmer...sorta. Next, Wisconsin faces a lack of funding for FoodShare this week, but don't worry, State Senator Mary Felzkowski has a simple plan: Divert and Blame. You know that when it comes to Audio Sorbet, we here at the show ask the important questions and today is no different, so we want to know -are your kids or grandkids asking you for your VHS tapes? And because we deserve it, let's close out the show with This Shouldn't Be A Thing - Itsy Bitsy Spiders Edition. As always, thank you for listening, texting and calling, we couldn't do this without you! Don't forget to download the free Civic Media app and take us wherever you are in the world! Matenaer On Air is a part of the Civic Media radio network and airs weekday mornings from 9-11 across the state. Subscribe to the podcast to be sure not to miss out on a single episode! You can also rate us on your podcast distribution center of choice. It goes a long way!

From Netflix's birth to Titanic mania, its safe to say that 1997 was a stacked year, but not before a 26-year-old Paul Thomas Anderson dropped Boogie Nights, turning taboo into pure cinema. On this episode, we revisit the film's intoxicating rise-and-fall arc, the found-family heartbeat, and the moment VHS killed the golden age of adult films. We also dig into the real-world inspirations (Dirk Diggler ⇄ John Holmes; the Wonderland murders), the deliriously tense Alfred Molina “Jessie's Girl” sequence, some wild what-ifs—like Leo DiCaprio passing on the lead—and the legend behind Dirk's big reveal at the end of the film.Chapters:00:00 PTA Was HOW OLD?!00:24 What You'll Get (Adult Themes)01:23 First Impressions03:30 From Valley Kid to Visionary04:24 What Could've Been06:33 Why Wahlberg Works07:31 Burt Reynolds vs PTA (…and the Oscar)08:38 The REAL Dirk Diggler11:25 Was that Real or Fake?12:52 This Opening One-Take SLAPS15:28 More PTA Flexing21:34 Tone Flip on NYE25:54 VHS Killed The Film Star29:39 Jessie's Girl: The Most Tense 8 Minutes33:06 Found Family… and Fallout42:16 Wrap-UpContent note: Heavy adult themes on this episode, so viewer discretion is advised. Follow us on Instagram:https://www.instagram.com/twopleasepod/

We run through a variety of random topics in this one, including VHS porn, dub'ing a tape, random league updates, plus a lot of random talking sh*t!  Don't forget your umpire fees! 5 BUUUUUCKS!!!!   Check out our family of Podcasts, The Store, The Instagram, The Twitter, The YouTube, The Spotify Playlist down below!!   Sunday League: The Podcast   The Store: https://sltp.bigcartel.com   The Instagram: www.instagram.com/sundayleaguepodcast   The Twitter: www.twitter.com/sundaylgpodcast   The YouTube: www.youtube.com/channel/UCKMORL-0Btac_3bYz1T3xZw   The Spotify Playlist: https://open.spotify.com/playlist/0g6WNN1YshM6Cg1X29cvMZ?si=eaVBQ9SzQ2OLq0K_sGs0Iw   Monday's Hangover Podcast: https://podcasts.apple.com/us/podcast/mondays-hangout/id1341361046 IG: https://www.instagram.com/mondayshangout/

This week on Zoning Out, we open with laughs and life updates — from Instagram milestones to failed juggling goals. We also explore the massive AWS outage that briefly broke the internet and debate whether the world needs an “offline holiday.” Later, we get personal about sacrifices for stand-up comedy, missing once-in-a-lifetime concerts for club gigs, and drawing the line between passion and overwork. We close the episode reflecting on the passing of R&B icon D'Angelo, the legend behind Voodoo and Brown Sugar — and whether genius justifies being impossible to work with.   Plus:  The wild story of ODB and Mariah Carey's “Fantasy” remix  The sudden closure of the Cherokee Comedy Zone  The myth of cancel culture in entertainment  A candid look at comedy club dynamics and “hobbyist” comics  How smartphones destroyed our ability to read  And a hilarious tangent about Cinemax, VHS tapes, and awkward teenage memories  Subscribe & mash that like button for more comedy, chaos, and culture every week.   Follow us on IG: @ZoningOutPodcast | @MrWilliamsComedy | @KingJasonAllen | @JordanCentry

[BONUS] It's spooky season! This Halloween, on a dark and stormy night, Dan and Hugh have taken refuge inside a small tent beside the vampire campfire until the bad weather passes. Fortunately, three guests have been invited along to talk about a particular entry of a horror anthology... [00:00:34] MONSTERS - "The Waiting Game" Writer Brendon Connelly talks to us about a third season instalment of this 1980s US horror anthology series, involving nuclear war and the terror beyond an underground bunker... [00:32:46] INSIDE NO.9 - "The Stakeout" Then, writer and podcaster Tony Black is back to talk about the fifth series finale of this British anthology comedy-drama, involving two policemen on a literal graveyard shift... [01:09:26] V/H/S/94 - "Terror" And finally, writer and podcaster Lindsay Drysdale talks about the final segment of this horror anthology film sequel, involving a found-footage tale of terrorism and white supremacy... with vampire rabbits? And that's not all! As each guest will also be regaling us with a personal tale of terror; a real life ghost story guaranteed to make your blood run cold... Hosts & Editors: Dan Owen & Hugh McStay If you'd like to see Lindsay's freaky ghost photo (and other supplemental material for all our ghost stories), be sure to check out this week's Bloodletter. And subscribe for easy delivery straight to your inbox. Love what you hear? Please subscribe, leave a rating, or write a review to help us keep bringing you great content! You can also show your support by leaving a donation at ⁠Ko-fi ⁠⁠. Stay connected and follow our social media ⁠⁠here⁠⁠. A proud part of the ⁠Film Stories⁠⁠ podcast network. Theme music by ⁠Nela Ruiz⁠ • Episode art by ⁠Dan Owen⁠. Podcast art by ⁠Keshav⁠. Sound FX from Epidemic Sound. Learn more about your ad choices. Visit megaphone.fm/adchoices

For week 4 of ToT, we pop in the blood-splattered VHS tape that is V/H/S/Halloween and ask the big question: how many haunted camcorders does it take to ruin a Halloween party? We'll recoil in disgust as we make our way through six spooky shorts featuring killer candy, cursed soda, and more. Give us a listen, because nothing says "Halloween spirit" like regretting your streaming choices. Twitter - @podcastBADMOVIE Insta - @badmoviepodcast Email - badmoviereviewpodcast@gmail.com Gil - @WR_Gil Romero - @RomeroinATX Zach - @ZachfromNB

Welcome to Radio Rental, a mysterious video rental shop with a collection of VHS tapes with TRUE scary stories narrated by the people who experienced them...On today's tapes:>> Virginia City > Roar

We're reviewing the latest installment of V/H/S this week, and wow, is this a NASTY one. This episode is sponsored by Bugonia! In Select Theaters October 24th, Everywhere October 31st. This episode is also sponsored by Rocket Money! Cancel your unwanted subscriptions and reach your financial goals faster with Rocket Money. Go to RocketMoney.com/DEADMEAT today! Order the Dead Meat 2026 desk calendar here! https://www.simonandschuster.com/books/Golden-Chainsaws-and-Dull-Machetes-2026-Calendar/Dead-Meat-Productions-Inc/9781524892418 MERCH! https://deadmeatstore.com Website: https://deadmeat.rip WATCH OUR PROOF OF CONCEPT FOR OUR MOVIE, “Pre-Game”: https://youtu.be/o__XhcFS5Nc Get the Full Podcast RSS Feed! ► https://cms.megaphone.fm/channel/deadmeat Dead Meat on Social Media: Twitter ► https://twitter.com/deadmeatjames Instagram ► http://instagram.com/deadmeatjames Tiktok ► https://www.tiktok.com/@deadmeatjames Facebook ► https://www.facebook.com/deadmeatjames Reddit ► https://www.reddit.com/r/deadmeatjames/ Discord ► https://discord.gg/deadmeat Chelsea Rebecca on Social Media: Twitter ► https://twitter.com/carebecc Instagram ► http://instagram.com/carebecc James A. Janisse on Social Media: Twitter ► https://twitter.com/jamesajanisse Instagram ► http://instagram.com/jamesajanisse Practical Folks (James and Chelsea's other channel): https://www.youtube.com/practicalfolks MUSIC!! "U Make Me Feel" by MK2 Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Radio Rental, a mysterious video rental shop with a collection of VHS tapes with TRUE scary stories narrated by the people who experienced them... On today's tapes: >>Triangular Craft > Airball