Podcast appearances and mentions of Jessica Curry

Welcome to Dev Game Club, where this week we continue our series on walking simulators with 2012's Dear Esther, played here in a 2017 "Landmark Edition" but based on a 2007 Source mod for Half-Life 2. We of course set the game in its time, spend a fair amount of time on randomness and meaning, and open the cellar door. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: The whole shebang Issues covered: walking simulators, 2012 in games, a little history of The Chinese Room (the company), a little digression on The Chinese Room (the thought experiment), influences, developing in the mod community, the role of randomness, discovering the randomness, justifying the randomness, mod communities replaying games, not discussing games as you play them, writers having the same space to play, 30 seconds of depressing poetry, "cellar door," a quality of lovely phonemes, the facts we know and the things we might interpret, a dreamy narrative space, Tim reveals his baseball knowledge, a metaphor for grief and an otherworldly space, rebirth, a car accident setting vs a gurney setting, things you can miss, not a thing video games would do, appreciating a new design space, directors' commentaries, crematory urns, one of the props, the impact of the ultrasound, needing to relate to the characters, the potential for missing things. Games, people, and influences mentioned or discussed: Fez, The Stanley Parable, The Chinese Room, Dishonored, Halo 4, Diablo III, Kingdom Hearts 3D: Dream Drop Distance, Forza Horizon, New Super Mario Bros U, Far Cry 3, XCOM Enemy Unknown, Alan Wake's American Nightware, Hitman Absolution, Assassin's Creed 3, Max Payne 3, Mass Effect 3, Borderlands 2, Darksiders 2, Spec Ops: The Line, Dragon's Dogma, Fez, Journey, The Walking Dead, Hotline Miami, Spelunky, Papo y Yo, Bastion, Super Hexagon, Sumo Digital, Dan Pinchbeck, Jessica Curry, Rob Briscoe, Independent Games Festival, Korsakovia, Amnesia: A Machine for Pigs, Everyone's Gone to the Rapture, Unity, CryEngine, Little Orpheus, Still Wakes the Deep, Vampire: Bloodlines (series), Hardsuit Labs, Brian Mitsoda, John Searle, Alan Turing, William S. Burroughs, Nigel Carrington, Proteus, Halo, Drew Barrymore, Donnie Darko, Rogue Legacy 2, David Lynch, Lost Highway, Inland Empire, Laura Dern, Waiting for Godot, True West, Sam Shepard, Firewatch, LucasArts, 343 Games, Kevin Schmitt, Metal Gear, Death Stranding, Trespasser, Tacoma, Jedi Starfighter, Daron Stinnett, Outer Wilds, Kirk Hamilton, Aaron Evers, Mark Garcia. Next time: The Stanley Parable Twitch: timlongojr  Discord  DevGameClub@gmail.com 

Today, you get to enjoy the fifth show programmed by one of our patrons from the CONDUCTOR TIER over at our Patreon page.  In this tier, which is $10 USD ($14.50 CAN), donors get all of the benefits of lower tiers PLUS they earn the opportunity to program their very own personal one-hour(ish) show once a year. Today, you can listen to Eldaly Morningstar's long-awaited Patreon playlist. The entire delay is my fault. I've had this script in my hands for a while now, and I've been nothing but lazy and forgetful about finishing this episode,e along with everyone else's Patreon Playlist shows that I still have to deliver. In any case, the show is finally done, and now you get to hear it. As you will witness, Eldaly is a HUGE video game music enthusiast, and you will hear a LOT of AWESOME video game music on the episode, many of which I was unfamiliar with. You'll hear works by Yasunori Mitsuda, Yuki Kajiura, Testukazu Nakanishi, Yoko Shimomura, Colin O'Malley, Peter McConnell, Daniel Teper, Olivier Deriviere, Nima Fakhrara, David Housden, Alistair Kerley, and Jessica Curry. Enjoy the podcast, and thank you for your patience, Eldaly! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Qui no canta els seus mals no espanta. Crítica teatral de l'obra «Turisme rural», de Jordi Galceran. Intèrprets: Joel Cojal, Anna Güell, Ivan Labanda, Mireia Portas i Lluís Villanueva. Espai escènic: Max Glaenzel. Disseny il·luminació: Kiko Planas. Espai sonor: Jordi Bonet. Disseny de vestuari: Nídia Tusal. Caracterització: Núria Llunell. Assessoria màgica: Sergi Buka. Coordinació tècnica: Pere Capell - AP7. Tècnic de so: Efrén Bellostes. Tècnic de so: Enric Alarcón. Vols: Accialt. Auxiliar de maquinària: Clara Ruiz. Construcció d'escenografia: Taller d'escenografia Jorba-Miró. Ajudant d'escenografia: Josep Iglesias. Il·lustració del cartell: Javi Aznarez. Fotografia: David Ruano. Producció executiva: Macarena García. Comunicació i màrqueting: Bitò. Premsa: La Tremenda. Ajudant de producció i regidoria: Maria Piniés. Producció de Bitó amb la coproducció de Focus i la col·laboració de la Generalitat de Catalunya. Agraïments: Àlex Rigola, Robert Gobern. Ajudant de direcció: Muguet Franc. Direcció: Sergi Belbel. Teatre Borràs, Barcelona, 25 setembre 2024. Veu: Andreu Sotorra. Música: I have begun my ascent. Interpretació: Jessica Curry. Composició: Chris Zabriskie. Àlbum: The Dark Glow of te Mountains, 2009.

Nous jouons à "Sur la Route", un jeu de rôle de Nicolas le Vif. Le jeu est une version playtest, et n'est pas encore disponible dans le commerce. Les joueureuses sont Mist, Crystal et Momi. La bande son est extraite des albums "Solarpunk: A possible future" d'un collectif d'artistes et "So let us melt" de Jessica Curry. Rejoindre le Discord pour jouer avec nous : https://discord.com/invite/5V7RQB2X5Z

In this episode, the Graduate Futures team is joined by students Jessica Curry, Iga Paterewicz, Mathilde Weihrich who will be asking questions about all things costume design, and the realities of working in the film industry to our Emmy nominated alumni guest, Jovana Gospavic. Tune in to find out more about Jovana's thoughts and experiences, and how to find roles and navigate as a newbie in the industry. • Email graduate.futures@fashion.arts.ac.uk for a full audio transcript.

Meet IAN GARLIC Ian has over 15 years of experience in Video Marketing. He uses cutting-edge online video marketing to help businesses collect and craft their stories. A Milwaukee native, Ian grew up in Orlando before venturing to the Big Apple where he worked as an agent for a top commercial real estate firm, became an experienced trader for a hedge fund, and mastered marketing consulting for a Fortune 100 Company. His experience in NYC led him to the creation of authenticWEB. Ian co-founded authenticWEB with his wife, Jessica Curry (now Garlic), who worked for Nickelodeon, Disney and Miramax. Ian is known as the go-to video marketing and storytelling expert by businesses and marketers around the world. This is why the Video Case Story brand was born, to focus in video production of customer's testimonials.   For 15 years, he has helped service-based businesses (from lawyers to SaaS companies to highly complex industries) find their most powerful client stories, capture them on video, and deliver them at the perfect time to guarantee MORE leads, BETTER clients, and MORE sales. I know creating online videos that guarantee results is far from easy. He had his own share of failures. From them, he's worked to perfect the formula, capturing stories and using them to build 7 to 8 figure businesses. For him, there is nothing more satisfying than to help a business grow & see the joy it brings to our clients. With his proven system we can make you the authority, without taking up a ton of time and without spending $100,000 on a one-time tv commercial.   Virginia and Ian Talk About How Ian got started in Video & Marketing What lights Ian up about marketing Why people avoid video and what to do about it Elements of a great customer story Strategy for using video Referral maximizer strategy The case study flywheel   Takeaways for this episode Every business changes someone's life You are selling you… get yourself out there! Create your own Oprah effect Someone is searching for you.. Can they find you? Grow into your success Great customer stones open doors Contact Ian Facebook: https://www.facebook.com/IanJGarlic LinkedIn: https://www.linkedin.com/in/iangarlic/ Youtube: https://www.youtube.com/channel/UCJkIpTyKfMO2-85kue0zeoA Website: https://www.videocasestory.com/ Email: ian.garlic@videocasestory.com

Amy Andersson is an Internationally recognized, Grammy-winning conductor and producer. Named by British music critic Norman Lebrecht as “America's most watched Symphony Orchestra Conductor,” Andersson has been praised for her dynamic musicality, expressive technique and cross genre repertoire. She has toured to over twenty-two countries conducting concerts and recording sessions in symphonic, operatic, film, musical theatre and video game genres. She has appeared on the Late Show with Stephen Colbert, CBS Morning News, CBS Evening News and has garnered press coverage in the Wall Street Journal, Variety, Forbes, and Huffington Post. Andersson is founder and conductor of Orchestra Moderne NYC, which debuted at Carnegie Hall and Lincoln Center, and has won critical acclaim for her charismatic and visionary accomplishments as creator and conductor of Women Warriors: The Voices of Change, a live-to-picture symphony production and documentary film. Women Warriors has won over twenty-four international film and music awards including four Telly Awards, a Hollywood Music in Media Award, a GRAMMY in “Best Classical Compendium, a 2022 BMI “Impact Award,” a 2023 SCL “Jury Award” and has screened at film festivals in more than twelve countries, including the Fimucité International Film Music Festival in Tenerife. Known for her commitment to the music of living composers, she has conducted the works of composers Neal Acree, Elitsa Alexandrova, Peter Boyer, Nathalie Bonin, Jessica Curry, Miriam Cutler, Anne-Kathrin Dern, Greg Edmonson, Isolde Fair, Sharon Farber, Steve Jablonsky, Grant Kirkhope, Penka Kouneva, Bear McCreary, Martin O'Donnell, Kol Otani, Starr Parodi, Lolita Ritmanis, Garry Schyman, Yoko Shimomura, Jeremy Soule, George Strezov, Chance Thomas, Nobou Uematsu, Jack Wall, and Austin Wintory, among others, either on the concert stage or in recording sessions. Andersson has made guest appearances the St. Louis Symphony, Houston Symphony, Seattle Symphony, Oregon Symphony, Rochester Philharmonic, Colorado Symphony, Honolulu Symphony, San Diego Symphony, Florida Orchestra, Spanish Philharmonic, Berliner Symphoniker, Royal Philharmonic Concert Orchestra, Stockholm Concert Orchestra, Spanish National Youth Orchestra, Düsseldorfer Symphoniker, Classic FM Radio Orchestra of Bulgaria, Lithuanian National Symphony Orchestra, Junge Deutsche Philharmonie, Neiderrheinsche Symphoniker, LOH Orchestra Sonderhausen, Giessen Philharmonic, Aalborg Symphony Orchestra, Macedonian Philharmonic, Monte Carlo Philharmonic, Jeunesses Musicales Deutschland, Colorado Music Festival Orchestra, National Orchestral of Mexico, and at free-lance orchestras in Switzerland, Belgium, Netherlands, Italy and Ireland. Andersson regularly conducted opera productions in Germany at the Deutsche Oper am Rhein, National Theater of Mannheim, Stadttheater Aachen, Weikersheim Opera Festival, Rheinsberg Chamber Opera, and Schlosstheater Schwetzinger. In 2017 Andersson completed a two year, world tour of the live-to-picture concert Legend of Zelda: Symphony of the Goddesses. Andersson is a devoted teacher and educator and known also for her work with youth orchestras. She was adjunct conducting faculty at the Universität der Künste Berlin, music director of the famed CPE Bach High School of Performing Arts in Berlin, and adjunct faculty in Media and Film Scoring at Brooklyn College/Feirstein Graduate School of Cinema. In Germany she conducted the Rheinberg Chamber Opera Festival and Weikersheim Opera Festival for four summer seasons of productions that featured rising opera singers and youth orchestras. She is currently conducting faculty at the USC Thornton in the Screen Scoring department, and the Hollywood Music Workshop in Baden, Austria. Current projects include Andersson as co-Executive Producer on the soon to be released film (2023)Tahlequah The Whale: A Dance of Grief, by filmmaker Daniel Kreizberg, featuring the music of Lolita Ritmanis. She is also conductor and co-producer of the soon to be released soundtrack.

Collider is passionate about sharing the stories of Rochester entrepreneurs and small business owners! Today on the podcast, we chat with Jessica Curry, longtime local interior designer and owner of Interiors by J. Curry. Thanks for listening! If you find value in this podcast, please consider donating and lending support to Collider's efforts to share the stories of Rochester entrepreneurs and inspire others on their journey. Interiors by J. CurryDonate Photos contributed by Jessica Curry.

Dans le Mag cette semaine, on se penche sur la 4ème édition de Bizarre qui viendra réveiller le Nord du Parc de la Villette du 4 au 14 mai prochain avec Chloé, Decius, Deena Abdelwahed, u.r. trax mais aussi du stand-up, des podcasts, le Queer Family Day ou l'incontournable Bingo Drag. Et juste avant, Antoine Gailhanou détricote pour nous la musique du jeu Everybody's Gone To The Rapture composée par Jessica Curry.

In this episode we go for a simulated stroll through the quaint English village of Yaughton and try to figure out where tf did everyone go? 

Louise Blain looks as gaming music in a post-apocalyptic world and talks to Bear McCreary about his score for the latest instalment in the God of War series. The programme includes music from Alexei Omelchuk's 'Metro Exodus', Jesper Kyd's 'State of Decay' and Jessica Curry's 'Everybody's Gone To The Rapture' with a musical nod in the direction of Tom Clancy as well.

So you're in your mid-50s, you've got a great career going as a television personality in Great Britain, so what might be enjoyable to do next? Why write a hugely successful series of mysteries of course. And that is what Richard Osman has done. His novel The Thursday Murder Club is about four bold septuagenarian friends who meet to discuss about unsolved crimes in their retirement village. The Man Who Died Twice and The Bullet That Missed are two riveting extensions of The Thursday Murder Club. Osman talks about casting the film adaptation of his novels and how his mother's retirement village in England inspired his writing process. The independent bookstore this week is 27th Letter Books and we talk to Erin Pineda, the owner about their incredible story of survival. Books mentioned in the podcast: The Bullet That Missed by Richard Osman The Man Who Died Twice by Richard Osman The Thursday Murder Club by Richard Osman And Then There Were None by Agatha Christie Mystic River by Dennis Lehane One Good Turn by Kate Atkinson I Know Why the Caged Bird Sings by Maya Angelou Scorpionfish by Natalie Bakopoulos Gag Reflex by Elle Nash Parker Looks Up: An Extraordinary Moment by Parker Curry, Jessica Curry and Brittany Jackson Crescenciana: An Art Book and Memoir by Crescenciana Tan + Kenneth Tan

The New York Times bestselling team behind Parker Looks Up returns with this Level 1 Ready-to-Read celebrating friendship that stays strong even over long distances! Parker is writing to her friend, Gia, about the exciting sights she sees during her road trip across America. Even though Parker and Gia are far away from each other, they can still be best friends! --- Support this podcast: https://anchor.fm/avant-garde-books/support

Sumario: Noticias. El juego de la semana: Botworld Adventure (iOS, Android). Juegos que molan: Yakuza – Dead Souls (Playstation 3). Píxel sonoro: Jessica Curry. Japón; ese país que nos horroriza…

THIS WEEK: Joe copies abilities in the installment that truly defined the pink puffball's characteristics in Kirby's Adventure and Peter uncovers what happened when the townspeople of Yaughton encountered a pattern of light with Jessica Curry's work in Everybody's Gone to the Rapture.

Hi! Welcome to this episode of Authors in Focus Podcast. I'm James Reid, a fantasy author publishing as JMD Reid. This podcast is all about getting to know writers, their books, and what makes them tick. We all have a … Continue reading → The post Why Heart, Mind, and Soul Are Important in Writing with Sarah Jessica Curry: Authors in Focus episode 166 appeared first on Fantasy/Sci-Fi Focus.

Lala went to the club with Stassi Schroeder, and gives an update on how the “slidin' into the DMs” is going. She shares the beautiful moment she experienced that was The Dave Chapelle Show's tribute to comedian Bob Saget, and she answers your voicemails and contemplates your advice about Ocean's biting. Plus, she welcomes a very special guest duo, six-year-old Parker Curry and her mom, Jessica, who tell the amazing story about their New York Times best-selling children's book, “Parker Looks Up: An Extraordinary Moment” along with the crazy cute way they met!   Learn more about your ad choices. Visit megaphone.fm/adchoices

Lorraine Ansell and her guest Alyx Jones as they talk voice and music in games. Alyx Jones is dialogue editor at Liquid Violet and has composed music for games including her own game. She is the head writer for Sound Architect and has interviewed many music composers including Jessica Curry. Alyx was on the BAFTA audio juror panel for the 2021 BAFTA games awards. Have a listen and join us as we talk all things audio. Find out more in this episode You can find a video clip of this episode at: www.youtube.com/gamedevlondon More episodes can be found by visiting: anchor.fm/game-dev-london Visit Our Website - www.gamedev.london - for meet ups, game jams, competitions and more! Join Our Discord - www.gamedev.london/join Follow Us On Twitch - www.twitch.tv/gamedevlondon --- Support this podcast: https://anchor.fm/game-dev-london/support

On this episode of Buddycast, we chat with the wonderful Jessica Curry Carlson for Star 104. Hear all about her on air personality and why she loves her job and more all right here on Buddycast! #gobesomeonesbuddy --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/nick-sorensen/support

Today I read, "Parker Looks up" by Parker and Jessica Curry! I hope you enjoy it! If YOU would like to choose the next book to be read on the Gumdrop Readers Podcast then you can send me an email including your name, age, and book request! Ask an adult to help you send it over to; gumdropreaders@gmail.com. You can check me out on Facebook @ "Gumdrop Readers Podcast" and on Instagram @ "gumdrop_readers" Thanks for listening!

On this week's edition we step into a deep and complex digital universe: we take down from our archive shelf a conversation with composer Jessica Curry. From the Archive sees us dig into our extensive contemporary and classical music and cinema podcast archive as we rediscover interviews and discussions with artists, with our long-standing producer and presenter, Ben Eshmade. Subscribe to Nothing Concrete on Acast, Spotify, iTunes or wherever you find your podcasts.Show your support for the Barbican by making a donation and help inspire more people to discover and love the arts. https://www.barbican.org.uk/donate See acast.com/privacy for privacy and opt-out information.

We're trying something new! We really want to talk about some of the great new game music that is coming out every year. But games episodes are so hard to do. The soundtracks are hard to compare, particularly of brand new games where we need to play them fully and work out what tracks are most comparable – where those tracks are even known, or available! So, we've come up with a new approach. We have looked through a lot of the best music and games from the last year and come up with 6 categories to discuss. We really hope you enjoy it, please let us know through our usual platforms - https://www.facebook.com/tristellarmusic/ https://www.instagram.com/tristellarmusic/ Round 1 – Best Game Remix/Arrangement Final Fantasy 7 – Aerith and Tifa Medley – Vocal cover by Andrew and Jillian Aversa, feat. Aeralie Brighton Monkey Island Theme – Arrangement by The Game Brass Round 2 – Best Original Song I'm your GPU – Astro's Playroom - https://youtu.be/C9_ooljYl60 The Way of the Ghost – Ghost of Tsushima - https://youtu.be/uoqWH32i1wg Round 3 - Best Original Song for e-sports Honor of Kings - Evolve - (2020 Honor of Kings World Champion Cup) - Ki: Theory https://youtu.be/cYzVlOU0XbA League of Legends – K/DA – More - https://youtu.be/3VTkBuxU4yk Round 4 - Best Main Theme Empire of Sin – Tommy Buckley - https://youtu.be/_o99gCTHqOM Little Orpheus – Jim Fowler and Jessica Curry - https://youtu.be/vZQw1hbxY_E Round 5 - Most Unique The Pathless (none have returned) – Austin Wintory - https://youtu.be/C_1qUwfaP9U Metamorphosis - https://youtu.be/fUAlHSJ6mtI Round 6 - Most Fun Spyder - https://youtu.be/H4wjbOENtgU Hades - https://youtu.be/Yco-B4BSaj4?list=PL53mjgVKFq7y1B8tEQwdyfW-FG9-LXuzM Stay safe everyone. Wear masks and follow local instruction. And of course, it's even better if you leave us a lovely review wherever you get your podcasts. We're now available on iTunes, Spotify, Deezer, Overcast, Anchor, and virtually anywhere podcasts are available. --- Send in a voice message: https://anchor.fm/soundtrack-showdown/message

When Parker Curry came face-to-face with Amy Sherald's transcendent portrait of First Lady Michelle Obama at the National Portrait Gallery, she didn't just see the First Lady of the United States. She saw a queen—one with dynamic self-assurance, regality, beauty, and truth who captured this young girl's imagination.

Deja también tus pecados digitales y tus comentarios en: https://www.seomental.com/episodio-4:-por-sendas-misteriosas/ En este cuarto episodio me centro en el tema del misterio y el suspense con mi selección habitual de joyitas: Libro: El Nombre de la Rosa de Umberto Eco Película: Lo que la verdad esconde de Robert Zemeckis Tema musical: Homeward Bound (versión de The Leftovers) Serie: The Leftovers Vídeojuego: Everybody's gone to the rapture Herramienta Digital: Zapier Profesional Digital: Sergio Simarro Pecador Digital Invitado: David Ayala El enlace que os comento a la campaña de ayuda para empresas afectadas por el Covid que necesiten potenciar su canal digital es este https://webpositer.typeform.com/to/mfl1Nf Dentro transcripción completa: EPISODIO 4: POR SENDAS MISTERIOSAS Bienvenido, bienvenida, a una edición más de Los 7 Pecados Digitales by SEOmental. Hoy es cuarto episodio. Sigo en racha, cumpliendo con lo que os he prometido, que es traeros cada domingo mi selección personal de recomendaciones frikulturales y de Marketing Digital. Esto es, pues, un libro, una peli, una serie, un tema musical, un videojuego y luego también una herramienta digital que use en mi día a día y un perfil profesional que me haya influenciado positivamente. Todo eso combinado, también con vuestra voz de pecadores digitales (que sabéis que estáis invitados siempre a dejarme vuestros audios o vuestros comentarios en el blog para que yo vaya incluyendo aquí). Hoy tenemos a dos invitados especiales, que os presentaré cuando llegue el momento, y tenemos un programa que viene marcado por el misterio. Las sendas misteriosas, lo he titulado, y hoy todas las recomendaciones van a tener, digamos, ese componente enigmático de suspense, de thriller y de un marcado misterio. El parte de guerra de esta semana en la empresa es que seguimos al pie del cañón, estamos recibiendo mucho feedback positivo de la iniciativa solidaria que lanzamos para ayudar. Todos los días ayudamos con 4 consultorías gratuitas a empresas impactadas por la crisis del coronavirus. La verdad es que saber que estás poniendo tu granito de arena es una recompensa grande, sobre todo cuando ves el agradecimiento de la otra parte. Vamos a seguir manteniendo estas ayudas. Os dejaré el enlace por si conocéis a alguien que le pueda servir esa experiencia que tenemos nosotros en SEO, en Marketing Digital. Sin más, espero dentro del episodio con esto 7 pecados digitales. Vamos allá. [Voz de mujer] Los 7 Pecados Digitales by SEOmental. [Suena diálogo de película] - Maestro, ¿habéis estado alguna vez enamorado? - ¿Enamorado? ¡Muchas veces! - ¿De veras? - Naturalmente. De Aristóteles, Ovidio, Virgilio, Tomás de Aquino. - No, quiero decir de una... - ¡Ah! ¿No estarás confundiendo amor con lujuria? - Tal vez. Bueno, abrimos los 7 pecados digitales con el primero, que es siempre el libro. No sé si, o bien por los segundos que te he dejado una escena de la película o bien por esta maravillosa banda sonora, que suena de fondo te suena ya de qué libro estamos hablando. Se trata de "El nombre de la rosa", de Umberto Eco, todo un clásico moderno porque fue estrenado (lo que pasa es que lleva toda la vida con nosotros) en 1980, publicado, y causó una repercusión muy grande. Era el primer libro del autor, de Umberto Eco, y a todo el mundo le pilló por sorpresa. [Suena banda sonora] El libro rebosa misterio por todos los lados. Seguro que recordáis al personaje de la película (en este caso, que parece que es lo que viene a la mente cuando evocamos el libro), el personaje de Sean Connery que hace de Guillermo de Baskerville, y su pupilo Adso. En fin, es toda una película del típico rol de maestro con pupilo. A través de los ojos del pupilo vamos descubriendo cómo funciona una abadía de esa época medieval que se retrata en la película. Todo es muy oscuro, todo es muy sombrío. La novela te atrapa desde el primer momento y te machaca con unas referencias históricas, físico-políticas de la época que le da una profundidad muy grande. A lo largo de todo el libro vamos a ir desvelando ese misterio de los crímenes que se están cometiendo en esa abadía, y conforme tiramos del hilo estamos más enganchados. Es el típico misterio como un ovillo de lana, que se va desmadejando poco a poco: vamos tirando del hilo hasta que llegamos a lo que está en el centro del ovillo (o en este caso, en el centro de la rosa). Algunos dicen que el título de "El nombre de la rosa" es porque la rosa, en su infinidad de pétalos y tal, nos puede representar ese laberinto que también se retrata en la película. Por si alguno no ha visto la peli o no ha leído el libro, no voy a decir más. Solo que, bueno, es un libro muy recomendable que sin duda te va a atrapar, y con el cual vas a aprender. [Voz de mujer] Los 7 Pecados Digitales by SEOmental. [Suena diálogo de película en inglés] Bueno, Qué será esta película tan trepidante, por el tráiler. No lo he podido conseguir en español, no lo he encontrado: las pelis antiguas rara vez se dejan conseguir en versiones dobladas; pero, bueno, tampoco es tan antigua esta peli. Al sonar estos acordes fantasmagóricos, es el mago Alan Silvestri, uno de los mejores compositores de banda sonora que tenemos, y suele acompañar a su director favorito: al director de esta película que es Robert Zemeckis, y la película "Lo que la verdad esconde". "Lo que la verdad esconde" se estrenó en el año 2000. Digo, Robert Zemeckis les tiene que sonar, por lo menos, de "Regreso al futuro" o de "Forrest Gump": es un auténtico artesano haciendo películas, un contador de historias nato. A mí personalmente me encanta. Esta película, si bien es cierto que pasó sin pena ni gloria por el circuito comercial, la crítica tampoco la recibió muy apasionadamente; pero yo tengo que romper una lanza por ella hoy aquí. He de confesaros que a mí me encantó porque tiene un aura de misterio y un montón de homenajes y de guiños a los maestros del thriller y del suspense de toda la vida, entre ellos Alfred Hitchcock. Bueno, pero ¿cuál es el argumento de la peli? Pues, nada, una parejita madura que vive retirada en una maravillosa casa de estas de campo de gente de pasta americana. La parejita está interpretada por Harrison Ford y Michelle Pfeiffer , los dos muy buenos. Ver a Michelle Pfeiffer en una película ya para mí es garantía de que va a salir algo bueno de ahí. Me encanta Michelle. ¿Qué pasa? Que obviamente las primeras escenas idílicas que nos presentan poco a poco (o más bien pronto que tarde) empiezan a tornarse en un relato de misterio, de una chica desaparecida, de un vecino sospechosamente agresivo y violento. A partir de ahí empiezan a suceder escenas del tipo que nos recuerdan perfectamente a "La ventana indiscreta", por ejemplo, de Alfred Hitchcock, con unos niveles de tensión que llegan a ser inimaginables. Pero cuando te esperas una cosa de la peli (que es que sea una peli de suspense, thriller y tal), de repente se torna en otra cosa y es una historia de fantasmas también. Además, muy bien contada. Ya os digo, con esta banda sonora de Alan Silvestre que le pega muchísimo, y con Robert Zemeckis muy inspirado para meternos esos "jumps scares", esos sustos muy bien colocados y muy bien hilados dentro de la peli. Cabe recalcar que entre los múltiples homenajes obviamente los detractores te dirán "no, esto lo ha copiado, lo ha copiado", no, no son copias: Robert Zemeckis no necesita copiar a nadie, está claro, yo lo entiendo como homenajes. Ahí, en esta peli que os digo que se estrenó en el 2000 pues hay homenajes a, por supuesto, "Al final de la escalera" (que ya la vimos aquí en el primer volumen de Maestros Del Terror). La escena de la bañera de "Al final de la escalera" aquí tiene su propia versión también. Por supuesto, como una buena peli de suspense y de thriller que se aprecie, tiene el típico súper twist, el giro inesperado al final (que no os voy a destrozar). Ya os digo que es una muy buena peli para ver ahora, una tarde lluviosa de domingo. Ya me comentaréis luego qué os ha parecido a vosotros. Aquí la dejo: "Lo que la verdad esconde" de Robert Zemeckis. Que la disfrutéis. [Suena banda sonora] [Voz de mujer] Los 7 Pecados Digitales by SEOmental. Hoy os traigo una serie muy especial. No es la primera vez que la nombramos aquí, en el podcast, ya la trajo mi gran compañero y amigo Víctor Campuzano como su pecado digital confesable. Es una serie que él ya decía que le había marcado y se declaraba fan incondicional de ella. Yo os tengo que decir que es una de las series que sin duda ha marcado mi vida. "The Leftovers", la traducción al español sería "los restos", "las sobras", "la amorraría", "los que se quedan atrás. ¿Por qué este título? Bueno, el argumento es muy sencillo, a la vez que terrorífico: de repente, un día desaparece el 2% de la población. O sea, pero así tal cual, quiero decir: se desvanecen, no están. Lo que parece un argumento de ciencia ficción o paranormal, pronto se torna en el drama humano que supone sobrellevar esa pérdida para ese 98% de la población que sí está aquí y que de repente se encuentra que no se ha podido despedir de ningún ser querido, no tienen absolutamente ni idea de dónde están y, claro, son incapaces de retomar su vida. La serie está cuajada de auténticos momentazos, sobre todo orquestados por la pareja protagonista que es Justin Theroux y Carrie Coon , están asombrosos los dos (de verdad, increíbles). La serie se compone, digamos, de tres temporadas que son como tres actos, muy distintos los unos de los otros. En el primer acto, vamos a ver esas primeras consecuencias justo unos pocos años después de haber sufrido esta desesperación mundial, y se centra también en una secta que se llama "el remanente culpable". No quiero destripar mucho del argumento, porque de verdad que os recomiendo que veáis esta serie si no sabéis qué coger para ver; pero se explora una manera tan realista la novela de Tom Perrotta (que es la novela sobre la que está basada la serie). Se explora de una manera tan realista lo que serían las consecuencias para la humanidad de una pérdida de esas proporciones, de proporciones bíblicas. De hecho, esta suite de fondo que estáis escuchando del maravilloso Max Richter se llama "the departure", "la partida", que es la manera que tiene la Biblia de llamar a ese momento en el que supuestamente los justos son llevados de la tierra; pero no os creáis que la serie se va a mover en esas latitudes religiosas todo el tiempo. Para nada, está jugando constantemente con nosotros como espectadores. Bueno, no en vano es de Lindelof, del creador de "Perdidos", para que os hagáis una idea de quién es el surround que está detrás de esta serie. Entonces, vamos a estar siempre jugando con lo que son las explicaciones racionales, las científicas y las exotéricas. Está tan bien cogido el guión y tan bien contada la historia que cualquiera de ellas, a la que tú te quieras agarrar como espectador, le das credibilidad y sigues, y sigues y te la crees. Tu versión siempre te la vas a creer. Entonces, está muy bien que hayan dejado esa elección al espectador te no se casan ellos mismos con ninguna explicación coherente. No os preocupéis, la serie sí que tiene su final (además, es un final maravillosos, desde mi punto de vista). A mí me dejó muy tocado, no sé cuántas veces lo he visto. A mí la serie me la recomendó mi hermana Miriam (a la que mando un súper abrazo desde aquí; ya te invitaré, como pecadora digital, también a ti). Bueno, ya os digo, esos tres actos (esas tres temporadas) se hacen muy cortas viendo la calidad del episodio, el mimo que hay puesto, las dobles interpretaciones, el drama, también momentos hilarantes, momentos de ciencia ficción (si quieres optar por esa vía o momentos de catarsis religiosa o filosófica que realmente tocan el alma. Al final, sin anticiparos nada, ya os sigo que para mí lo que queda es una historia de amor. O sea, es un pedazo de historia de amor esta serie, lo que pasa es que tienes que tener la paciencia y las agallas de llegar hasta el final y de pasar, a lo mejor, el primer bache que te puede suponer el primer episodio (porque piensas que es una cosa). La serie pronto se va quitando capas, como una cebolla, y te va enseñando lo que lleva adentro. Espero haberte convencido de que tienes que ver The Leftovers. Ha sido una gran olvidada en premios por todos lados, no ha salido en ningún ranking; pero ya os digo yo que merece mucho la pena. Además, hoy aprovecho para hacer otro combo. En este caso, el combo va a ser el de la serie (The Leftovers) y el del tema musical, que bien podía haber sido este de "the departure" que es una por debajo, de Max Richter, pero os traigo otra canción que a muchos os va a sonar. A ver qué os parece. [Suena música] Pues sí, son Simon & Garfunkelm el título de la canción "Homeward Bound" ("volviendo a casa", "rumbo a casa" o "de camino a casa") y esta es la versión interpretada por el protagonista de la serie, es Kevin Garvey que lo interpreta Justin Theroux (como os decía antes) de una manera magistral. En este, que es uno de los mejores episodio de las 3 temporadas, que se llama "asesino internacional", este episodio. Bueno, no puedo develar mucho, pero simplemente deciros que para salir de una situación Kevin tiene que subirse a un karaoke y de una manera muy bizarra elegir una canción, con una ruleta le sale esta canción de Simon & Garfunkelm y le toca cantarla de esta manera tan apasionada que veis aquí. [Suena música] Como podéis ver, el personaje está bastante afectado cantándola y ya os digo que vosotros, cuando la veáis, no podréis evitar también compungiros al escucharla, porque tiene un significado muy grande esta canción. O sea, los maestros Simon & Garfunkelm que son clásicos básicos todos sus temas, y es tan concreto que habla de esa necesaria vuelta al hogar, a la tranquilidad, a lo conocido, al amor que te espera o no te espera cuando vuelvas. Bueno, cuando veáis cómo encaja esta letra de esta canción con el argumento de la serie, os hará click algo en el cerebro (como a mí) y se convertirá automáticamente en una de esas canciones de referencia que cíclicamente está en mi playlist. Bueno, si quieres escuchar la versión original de Simon & Garfunkelm, pues ya sabes, busca "Homeward Bound" y disfrútala. Ya sabes, toca ver "The Leftovers". [Voz de mujer] Los 7 Pecados Digitales by SEOmental. Bueno, llega el momento de vosotros, de los pecadores digitales invitados. Ya sabéis que todos podéis, cualquiera tiene voz en este programa, solo tiene que mandarme un mensaje de audio a través del perfil de anchor.fm/seomental o a través del blog directamente de seomental.com, o directamente por Twitter si queréis también @seomental. Ya sabéis que el hashtag oficial del programa es #pecadores digitales. De esta manera me hizo llegar su pecado digital confesable el otro día David Ayala. David Ayala es uno de los SEO también más reconocibles de nuestro país, más conocido como SEOrosa. Es un tío muy majo, muy simpático y yo tuve la oportunidad de conocerlo en un SEO plus (en uno de los eventos que organizamos en Alicante sobre SEO). Bueno, pues, el tío derrocha creatividad por todos los lados, está en todo lo de SEO, tiene cursos de formación, tiene herramientas, tiene agencia y tiene un pecado digital confesable que compartir con vosotros. [Habla David Ayala] Mi nombre es David Ayala, también conocido como SEOrosa, y mi pecado digital es la serie Dragon Ball. Sí, una serie de dibujos, tengo que decir que soy así de frikie. Me encantan los dibujos animados, el manga, el anime. Me ha encantado siempre, desde pequeño, me siguen encantando y lo sigo viendo. Eso ha hecho mantener en mí el niño pequeño interior vivo, seguir siendo así de frikie como he sido desde el principio, ser yo y qué leches tener la casa llena de monigotes y de todo tipo de figuras de Dragon Ball y de un montón de series. Con lo cual, recomiendo que veas esta serie (si no la has visto). Yo la he vuelto a ver otra vez de nuevo. La he visto entera, desde el capítulo uno hasta el final, y tengo que decir que me encantó de pequeño, me encanta ahora y me seguirá encantado. Y bueno, ¡kame hame ja! [Voz de mujer] Los 7 Pecados Digitales by SEOmental. [Suena diálogo] Soy la doctora Katherine Collins. No sé si alguien escuchará esto. Todo acabó. Soy la única que queda viva. [Suena música] Con esta sugerente intro se nos presenta el video juego de hoy. Se trata de "Everybody’s gone to the rapture" de The Chinese Room. Pedazo de videojuego (claro, cómo si no; sino no os lo traería, sino lo considerase una joyita, una pequeña obra maestra de un estudio independiente). Es uno de esos llamado walking simulators. De hecho, ellos son los creadores de Dear Esther (que es otro pedazo de juego que seguramente también os traeré) y, a los que les guste los de terror, son los creadores de Amnesia: A Machine for Pigs, la segunda parte del terrorífico juego en primera persona. Esto es, pues sí, abismal, narrada al ritmo de ciencia ficción. Bueno, el nombre del título se podría traducir como "todo el mundo ha sido arrebatado", "todo el mundo se ha marchado por el arrebato, por el éxtasis". Vuelve a hacer referencia a eso que os comentaba antes en la serie de "The Leftovers", esa marcha Bíblica de los inocentes (juegan un poco con eso en el nombre). En este caso, llegas a investigar unas extrañas desapariciones en un pueblo, en un pueblo de la campiña británica que está recreado de una manera magistral a través de los gráficos, de las luces, de la sombra, con el motor del CryEngine, que sabéis que es uno de los motores gráficos más potente que hay, y realmente costaba moverlo. Yo me acuerdo cuando lo jugué, me costó un poco de configuración empezar a jugarlo, digamos, de manera fluida; pero una vez superada la barrera técnica, todo era cuesta abajo. El argumento es el típico en estos llamados walking simulators. Aunque a mí no me gusta llamarlos así, porque es mucho más la experiencia que un simulador de paseo. Lo que pasa es que, aparte de andar por escenarios gigantescos e interactuar de 2-3 maneras muy puntuales, no es un juego de disparos ni de mecánicas complicadas; es más bien de investigación, de recrearse en los rincones que vas a ir viendo por ahí. ¿Y qué ha pasado en este pueblo? Pues eso, que empezaron hace un par de semanas una serie de desapariciones inexplicables también, la gente se desvanecía sin dejar rastro, y cuando tú llegas allí te encuentras ya un panorama distópico - apocalíptico (típico pueblo, con la ropa por el suelo, con las mesas puestas de gente que parece que ha sido arrebatada de golpe, sin darse cuenta ellos apenas). Además, todo parece que está conectado con un observatorio astrológico que hay en el pueblo, y en el cual (por lo visto) captaron algún tipo de señal, o de onda, o de patrón (como se llama en el juego) proveniente de, tal vez, una inteligencia artificial o tal vez de extraterrestres. Tú ya te lo tomas como quieras. El tema es que el episodio de hoy de los 7 pecados digitales va de misterio, y esto es un auténtico misterio a desvelar en el videojuego. Tienes que ir investigando diferentes localizaciones en el pueblo y, a través de ese pulso de una luz que va circulando por el pueblo y que de alguna manera te va guiando, pues desbloqueas ciertos diálogos de escenas acaecidas allí, de lo que estaba haciendo la gente justo antes de marcharse. Es como si accedieses a un baúl de recuerdos. Esto es algo muy recurrente en este tipo de juegos, para ir destripándote la historia poquito a poquito, y la vas conociendo sin narradores (o sea, los narradores son los que lo vivieron en primera persona, justo antes de que tú pasases por allí). Todo el arco argumental se divide en 6-7 piezas que son los arcos de diferentes personajes y la historia que les ocurrió a ellos en el pueblo, antes de que tú llegases. Entonces, pues vas a descubrir cómo acabaron ellos, desapareciendo o marchándose a través de este arrebato (que ya lo conocerás cuando llegues al final del juego, que tampoco tiene desperdicio). Tiene momentos también muy íntimos. La música, la banda sonora que está sonando es de Jessica Curry, que es una maravillosa compositora, muy acostumbrada a poner sus notas a este tipo de videojuegos. Solo la banda sonora merece la pena, no tiene desperdicio, la tenéis en buscar a Jessica Curry en Spotify y fliparéis de las bandas sonoras que tiene, lo evocadoras y lo nostálgicas que son. Realmente, te dan ganas de perderte dentro. No olvides que en el hilo conductor, aparte del drama personal que también vas a ir descubriendo, el hilo conductor es ciencia ficción (muchos guiños a los que nos gustan estos temas). Escucharás por las diferentes emisoras de radio que hay repartidas por el pueblo las típicas emisiones de números (que son algo muy recurrente a los que os justa el tema del misterio y tal), las emisiones de números aleatorios que algunos relacionan con códigos de lanzamiento, con el código del hombre muerto ruso. Bueno, algún día entraremos en esas lindes. Sin más, os recomiendo encarecidamente que lo probéis. "Everybody’s gone to the rapture", es cortito, son solo unas pocas horas y las vais a disfrutar de lo lindo. [Voz de mujer] Los 7 Pecados Digitales by SEOmental. Bueno, vamos con la herramienta digital recomendada de hoy que, como el programa va de misterio, os voy a enseñar una que para mí en su momento era muy misteriosa y que ahora, prácticamente, la percibo como magia porque es una herramienta de automatización. Se llama Zapier. Como muchas de las herramientas y de las técnicas que he aprendido en mi vida, esta herramienta me la descubrió también Víctor Campuzano (ya es la segunda vez que lo menciono hoy en el programa) porque él está acostumbrado a automatizar de todo. Ya había probado herramientas como Ifttt, que es algo parecido a la mecánica de Zapier. Básicamente, Zapier lo que hace es conectar múltiples herramientas y crear automatizaciones. Por ejemplo, yo tengo varias automatizaciones en plan "cuando se actualice un post de Facebook en el muro de la empresa de Webpositer me mandas un mensaje a este canal para que la gente lo vea y lo comparta". Fijaos qué automatización más práctica. Tengo otra muy útil que es para gestionar el correo electrónico, porque al final el correo electrónico cuando lo estás leyendo, como no lo gestiones en el mismo momento tiende a acumularse y tiende a dejar ahí "bueno, lo dejo marcado sin leer y ya volveré a él", seguro que os ha pasado esto alguna vez. Yo lo tengo configurado con una automatización que es tan sencilla como "cada vez que yo marco en gmail un correo como favorito (es decir, que le pongo la estrellita), entonces automáticamente me cree una tarea en Asana dentro de una categoría específica y ya lo tengo como tarea. Es decir, ese correo no simplemente ha sido leído y despachado, sino que se ha convertido en una tarea dentro de mi workflow y es la única manera de que no se me pierdan cosas. Fijaos. Esto es solo uno de las múltiples posibilidades. O sea, puedes conectarle, ya os digo, un formulario de Google Form y cada vez que alguien complete una respuesta que te actualice tan fila en un documento en la nube y tú eso ya lo tienes conectado con un data estudio y ¡gualá!, automatizaciones así de potentes y de maravillosas. Tienes un plan gratuito con el cual vas a poder probar todas estas capacidades asombrosas que te digo. Ya sea para compartir cosas de manera automática en redes sociales o para darte un plus de productividad. De verdad que zapier.com, te recomiendo que le eches un vistazo y lo pongas a prueba. Ahí queda la herramienta recomendada de hoy. [Voz de mujer] Los 7 Pecados Digitales by SEOmental. Bueno, vamos a la última parte de los 7 pecados digitales de hoy. Es el profesional digital invitado. Además, me da mucho respeto presentarlo, por dos razones. Primero, porque efectivamente lo respeto un montón y he aprendido mucho de él y como os digo siempre al principio de cada programa, me ha influenciado profesionalmente para él. Segundo, porque la sintonía que le he puesto de fondo pertenece al cierre de uno de mis programas queridos de la radio de todos los tiempos (no lo voy a decir, porque justo es su pecado digital confesable, así que voy a dejar que sea él mismo quien nos lo explique). ¿Quién es Sergio Simarro? Pues Sergio Simarro es un especialista en SEO internacional que trabaja para multitud de empresas grandes, de las que salen por la tele. Tiene una experiencia brutal, y encima tiene una manera de comunicar como profesor, como formador in company que colabora con nosotros, como director de nuestro Master CRO en Webpositer Academy. Entonces, es una persona que está siempre llena de ideas y, sobre todo, llena de soluciones para ponerlas en marcha (que es algo que se suele echar de menos). Mucha gente hay siempre para aportar ideas, pero para ser capaces de ponerlas en marcha hay que estar hecho de otra pasta. La idea por sí no vale nada si no hay alguien que sea capaz de ponerle una hoja de ruta y bajarla a tierra. En eso Sergio es un auténtico especialista. Además, es ministro SEO porque forma parte del Ministerio SEO formado por Iñaki Huerta (mi tocayo), por M. J. Cachoni y por Luis Villanueva (que ya lo habéis tenido aquí en este programa). Ellos 4 tienen un programa en YouTube en el cual suelen comentarte sobre SEO, resolver dudas. Además, Sergio tiene también una Newsletter muy especial sobre temas de CRO que si te gusta te la dejo en un enlace, para que le eches un vistazo. Sin más, te dejo con el pecado digital confesable de Sergio y una sorpresita final que nos deja. [Habla Sergio Simarro] Hola, pecadoras y pecadores digitales. Primero, gracias Iñaki por haberme invitado a tu espacio. Mi nombre es Sergio Simarro, nacido en 1977 y actualmente viviendo en Cepellón, provincia de Alicante. Os voy a contar las tres formas en las que me gano la vida desde hace más o menos unos 20 años. Primero, trabajo como consultor ayudando a empresas a organizar y rentabilizar sus equipos de marketing digital. Segundo, imparto formación en universidades y escuelas de negocio. Ligado a esto, soy el directo de exitoso máster CRO en Webpositer, donde hemos conseguido ser el primer máster CRO de habla hispana y en porción online. Por último doy charlas en congresos y eventos. Realmente, lo que más me apasiona de mi trabajo es aplicar orden y sentido común en empresas que se quieran sentir 100% digitales. Para ello, he desarrollado una metodología propia, llamada Star, que lo que combina son conocimiento, recursos disponibles, time to market, y la implicación por parte de dirección general. A nivel personal, me apasiona el mundo de los animales, particularmente el mundo de los perros y la naturaleza. Tengo 2 perros y para mí es muy habitual mantener video conferencias o llamadas con los clientes mientras estoy en la montaña paseando con ellos. Ahora te voy a confesar mi pecado digital: cada noche me duermo escuchando Iker Jiménez y Carmen Porter en su podcast de cuarto milenio. Para ir acabando te voy a dejar un chiste. Estos son 2 caballos que se van de safari a Kenia y están por la mañana desayunando, y le dice uno al otro "oye, anoche te vi con una muchacha muy interesante, ¿y qué tal? Muy bonita, muy graciosa parecía, era de piel rayada", "si se deja, deja. Yo paso de cebra" Si me queréis encontrar, mi Twitter es @akemola y ahí tengo un Tweet fijado con enlace a mis redes sociales (LinkedIn, Instagram y sobre todo una Newsletter gratuita que envío con contenido muy interesante sobre CRO). Un abrazo fuerte y te deseo lo mejor. [Voz de mujer] Los 7 Pecados Digitales by SEOmental. Bueno, pecadores, pecadoras, se acaba este glorioso día, se acaba este episodio. Te agradezco un montón que hayas compartido tu tiempo conmigo este ratito, que hayas puesto oído a mis recomendaciones, a mis reseñas frikulturales y de marketing digital. De verdad, espero que te haya sido útil alguna y que lo veas, que juegues a ese juego, que escuches esa canción entera, que leas ese libro, que veas esa peli, que sigas a este profesional o al pecador digital invitado. O sea, te he propuesto 7-8 planes frikulturales y de marketing digital. Si solo sigues uno y te gusta, yo ya soy feliz y ya he cumplido el propósito de este programa. Házmelo saber en los comentarios del blog, en seomental.com Ya sabéis que también tienes voz en este programa, quiero que haya más pecadores digitales aquí conmigo. Así que simplemente tienes que entrar en mi perfil de anchor.fm/semental o directamente en mi blog seomental.com, y ahí puedes dejarme un comentario, pasarme un audio, decírmelo por Twitter (que me tienes como @seomental). Eso sí, usa siempre nuestro hashtag oficial de #pecadoresdigitales. Hoy mando un saludo especial a una de nuestras pecadoras digitales más fan. Ella es Milen, que de hecho me ha dado la idea del autor Umberto Eco para el programa de hoy. Así que muchas gracias, Milen, por estar ahí. Espero que te haya gustado el programa. Lo he dicho, pecadores y pecadoras, en la descripción os voy a dejar el enlace a la campaña solidaria de Webpositer, que os he dicho que estamos llevando a cabo para empresas afectadas por el covid. Estamos regalando consultorías desinteresadamente, solo por echar un cable. Si conocéis a alguien que le pueda venir bien y necesite potenciar el canal digital, pues en mi agencia (en Webpositer) somos especialistas en eso. Nada más. Descansa. Nos vemos en el siguiente programa. Adiós. [Voz de mujer] Los 7 Pecados Digitales by SEOmental. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Today we’re expanding vocabulary with descriptions! Parker Looks Up: An Extraordinary Moment, by Parker Curry and Jessica Curry, illustrated by Brittany Jackson, is the recount of a family outing that went viral. When preschooler Parker Curry stumbles upon a particular painting at the museum her whole world changes. In today’s lesson we’ll use famous works of art to build vocabulary in order to write better descriptions. Join National Board Certified Teacher, Reading Specialist, and Literacy Coach Dr. Julie Webb as she describes the teaching possibilities hidden inside this treasured mentor text. Try this lesson in your class tomorrow: https://litcentric.podia.com/litcentric-radio-lessons-growing-bundle The Key to a Better Reading Intervention Program: http://litcentric.com/blog/better-reading-intervention-program/ New York Times article: https://www.nytimes.com/2018/03/12/opinion/michelle-obama-portrait-sherald-parker.html LitCentric Radio Season 5 is generously sponsored by Book Taco: https://booktaco.com/welcome-librarians/

In this episode, Charnaie chats with five-year old Parker Curry and her mother JessicaCurry. Parker is a precocious, charismatic, and talkative five year old, who loves ballet, books and learning Mandarin Chinese. She is the New York Times Bestselling author of the picture book Parker Looks Up which received an NAACP Image Award nomination. Her favorite colors are pink and purple and she lives with her mother, father, younger sister and baby brother in Washington, DC. This is a lively and adorable episode that has a fun. Listen as Charnaie’s children Madison and Barrington interview Parker and Charnaie interviews Parker’s mom Jessica.Connect with Charnaie online in the following places:Blog: http://hereweeread.comPersonal Website: charnaiegordon.comPodcast Email Address: hereweereadpodcast@gmail.comFind Charnaie on the following social media platforms under the username@hereweeread: Instagram, Facebook, Twitter, PinterestFeel free to share this podcast on your social media platforms to help spread the wordto others. Thanks for listening!

Little Orpheus , created by the award-winning studio The Chinese Room, is set in the Soviet Union in 1962. Sure, there's a space race, but "interior-naut" Ivan Ivanovich is being interrogated for his journey to the center of the earth, in charge of a nuclear device, the Little Orpheus, which has mysteriously disappeared. Ivan spins a fantastic tale about his adventures for his Siberian general, who may or may not believe him. Composer Jim Fowler worked with BAFTA Award-winning composer Jessica Curry to craft a soundtrack that's inspired by film music of Shostakovich, Disney, and even The Wizard of Oz! Jim says the lovable character of Ivan, and the gorgeous art created by the Chinese Room gave him and Jessica plenty of inspiration. The soundtrack was recorded at the legendary AIR Studios in London. Long before they arrived at the session, Jim and Jessica gave the studio a "wish list" of the performers they wanted to use. Because they put their requests in so far in advance, they were

What does an orchestra do when it's not on stage? Since its inception, the Philharmonia has been renowned for its work as a recording orchestra. We can regularly be found in the studio recording for film and video games, as well as recording concert works. Join Patrick Bailey to explore the off-stage work of the orchestra, featuring music by composer Jessica Curry. --- We’re in this together. As a charity, we rely on the generosity of individuals like you to support the work we do through successes as well as these periods of difficulty. Please consider making a donation to our Keep the Philharmonia Playing appeal to secure our future and help us stay digitally connected with our audiences around the world. Like many performing arts organisations, the Philharmonia is facing significant disruption during the COVID-19 pandemic. We want to thank all of our supporters, Friends, audience members and wider community at this challenging time. We are doing everything possible to be performing live again soon. https://tickets.philharmonia.co.uk/contributions/donations

Jessica Curry's adventure into the exhilarating, joyous world of video game music continues with guest Paul Wolinski of band 65daysofstatic. Music played in podcast: Yuka Kitamura - Soul of Cinder (Dark Souls III) Jonne Valtonen - Albion Online Main Theme (Albion Online) Disasterpeace - Vignette: Panacea (Hyper Light Drifter) Andreas Waldetoft - A New Dawn (Stellaris: Utopia) Garry Schyman - The Ocean On His Shoulders (BioShock) 65daysofstatic - Escape Velocity (No Man's Sky) 65daysofstatic - Supermoon (No Man's Sky) 65daysofstatic - Debutante, ft. Debbie Clare. 65daysofstatic - Blueprint for a Slow Machine (No Man's Sky) A Shell in the Pit - Farewell (Wandersong) Joel Corelitz - We Run in Tunnels (Hohokum) Erik Satie - Gnossienne No 4 Martin O'Donnell - Vision of a Lasting Flame Yoko Shimomura - Apocalypsis Noctis (Final Fantasy XV) 65daysofstatic - Hypersleep (No Man's Sky) 65daysofstatic - Blueprint for a Slow Machine (No Man's Sky) 65daysofstatic - Heliosphere (No Man's Sky) Takeshi Furukawa - End Titles (The Last Guardian Suite)

Jessica Curry with a special edition of Sound of Gaming looking at video game music on vinyl, including a special report from Newcastle vinyl store 'Chipfreq' plus chiptune and chat from composer Chipzel. Music played in podcast: Chipzel - Courtesy (Super Hexagon) Peter McConnell - Grim Fandango (Grim Fandango) Michiru Yamane - Castlevania Theme (Castlevania) Lena Raine - Sedate (ESC) Chipzel -New Terra (Interstellaria) Chipzel - Come On Down (Dicey Dungeons) Nobuo Uematsu - The Prelude (Final Fantasy VII Remake) Kevin Penkin - Florence (Florence) Joe Thwaites/Jim Fowler - The Organ Ice Station (Blood and Truth) Jonah Senzel Louey's Playhouse - Puzzle Remix (Pony Island) Jim Guthrie/J.J. Ipsen - Aspect Imaginarium (Planet Coaster) Scott Hansen - L (Hohokum) Jonathan Geer - Owlboy Main Title (Owlboy) Chipzel - With Love (Phonetic Symphony) Chipzel - Recovery (Interstellaria)

Rachel changes up the format, creating a top-3 list of various media items available in multiple formats. Here's everything we talked about in the episode: Number 1: Marvel Netflix's Daredevil, Jessica Jones, Luke Cage, Iron Fist, The Defenders, and The Punisher. Number 2: Good Omens "Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch" by Terry Pratchett and Neil Gaiman. Good Omens, Amazon Prime Stardust (2007), Director Matthew Vaughn Coraline (2009), Director Henry Selick American Gods, Starz The "Discworld" series by Terry Pratchett and "The Long Earth" series by Terry Pratchett and Stephen Baxter. Number 3: Everybody's Gone to the Rapture The video games "Everybody's Gone to the Rapture" and "Dear Esther" as well as their original soundtracks composed by Jessica Curry. To self-register for a virtual library card, visit: https://countycat.mcfls.org/selfreg Check out books, movies, and other materials through the Milwaukee County Federated Library System: countycat.mcfls.org www.hoopladigital.com wplc.overdrive.com oakcreeklibrary.org

Jessica Curry continues her look at video game music with composer Wilbert Roget II. Music played in podcast: Wilbert Roget II - A Brotherhood of Heroes (Call of Duty: WWII) Christopher Tin - Baba Yetu (Civilisation IV), ft Soweto Gospel Choir. Christopher Young - The Saboteur Theme (The Saboteur) James Hannigan - Soviet March (Command & Conquer: Red Alert 3) Wilbert Roget II - Cobra in the Hedgerow (Call of Duty: WWII) Wilbert Roget II - Berga (Call of Duty: WWII) Koji Kondo - Legend of Zelda: Suite Wilbert Roget II - Home (Call of Duty: World War II) Claude Vivier - Zipangu Wilbert Roget II - A Matter of Time - Main theme (Mortal Kombat 11) Wilbert Roget II - The Plains (Anew: The Distant Light) Gareth Coker - Shriek's Tale (Ori and Will of the Wisps) Christophe Héral - Food Invaded (Rayman Legends) Marcin Przybyłowicz - The Trail (The Witcher 3: Wild Hunt)

Jessica Curry with news of the winners at the 2020 Games Baftas, plus interviews with nominees for the music award. Music played in podcast: Bear McCreary - Deliverance (God of War) Bear McCreary - Ashes (God of War), ft. Eivor Andrew Prahlow - Timber Hearth (Outer Wilds) Petri Alanko - Loquitur Ahti Sequuntur (Control) Guy Jackson - I Picture You Before Me (Sea of Solitude) J.J. Ipsen - Green Shoots (Planet Zoo) Ludvig Forssell - Spatial Awareness (Death Stranding) Brad Fotsch - Spring Jive (Wattam) Sam Bird - Operation Receiver (Wattam) Daniel Olsén/Jonathan Eng - Sayonara Wild Heart (Sayonara Wild Hearts) ft. Linnea Olsson Laurence Chapman - Heaven's Vault (Heaven's Vault) Ryo Nagamatsu - Sword Search on Koholint Island (The Legend of Zelda: Link's Awakening) British Sea Power - Instrument of Surrender (Disco Elysium) Olivier Derivière - Massacre (A Plague Tale: Innocence) British Sea Power - Disco Elysium, pt. 1 (Disco Elysium)

Jessica Curry has the latest and greatest music for video games plus an interview with composer Sarah Schachner. Music played: Sarah Schachner - Return Of The Medjay (Assassin's Creed Origins) Jessica Curry (arr by Materia Collective) - All the Earth (Everybody's Gone to the Rapture) Yoko Shimomura - The Other Promise (Kingdom Hearts II) Cœur De Pirate ‎– Final Breath (Child Of Light) Sarah Schachner - Main Theme (Call of Duty: Modern Warfare) Sarah Schachner - Ezio's Family (Assassin's Creed Origins) Sarah Schachner - Legion of Dawn (Anthem Legion of Dawn) Yoko Kanno - Hana Wa Saku "Flowers Will Bloom" Joel Nielsen - Apprehension (Black Mesa) Jerry Martin - Under Construction (The Sims) Sarah Schachner - Piccadilly Circus (Call of Duty: Modern Warfare) Mike Morasky - Icosahedron (Half-Life: Alyx) Sam Webster - Puzz (Grindstone)

Jessica Curry has the latest and greatest music for video games. Composing duo The Flight have been behind the scores for Alien: Isolation, Assassin's Creed Odyssey and the Ivor Novello winning Horizon Zero Dawn, which really push the sonic boundaries of how games music can sound. Alexis Smith from the Flight joins Jessica in the studio to talk about how you collaborate on a game and why creating and experimenting with new sounds and instrumentation, from harmonica orchestras to analogue robots, can bring a game score to life. Plus Jessica has a eclectic and surprising mix of musical treats from games, including music by American singer Rhiannon Giddens, an epic opera boss from Nier: Automata and a classic track from the world's most famous - and certainly fastest - hedgehog, Sonic. Get in touch - email soundofgaming@bbc.co.uk Greg Edmonson - Nate's Theme (Uncharted: Drake's Fortune) Rhiannon Giddens/Daniel Lanois - Mountain Hymn (Red Dead Redemption II) David García - The Seed of the Name (Arise: A Simple Story) The Flight - A Wanderer's Work (Horizon Zero Dawn) The Flight - A Resplendent Soil (Horizon Zero Dawn) The Flight - Territory of None (Horizon Zero Dawn) Jared Emerson-Johnson - Ted E. Bear's Mafia-Free Playland And Casino (Sam and Max Save the World) Masato Nakamura - Sonic the Hedgehog: a Symphonic Suite Philip Sheppard - Little One (Detroit: Become Human) Keiichi Okabe - A Beautiful Song (NieR: Automata) The Flight - Hills of Attika (Assassin's Creed Odyssey) The Flight - Athens, Birthplace of Democracy (Assassin's Creed Odyssey) The Flight - Ash Hills (Assassin's Creed Odyssey) The Flight - Beads Fall on Bronze (Horizon Zero Dawn) The Flight - Legendary Animals (Assassin's Creed Odyssey) Kan R. Gao - To the Moon - Main Theme

Jessica Curry has the latest and greatest music for video games. Composer Takeshi Furukawa emerged as one of the most exciting new voices in video game music with his Bafta-nominated score for The Last Guardian, a visually and aurally stunning story of a boy's friendship with a mythical beast. Furukawa-san chats about writing The Last Guardian, working with the London Symphony Orchestra for the game, and why in games it's just as important as film for a composer to have a 'voice'. Plus Jessica has a mix of favourite tracks, something brand new from the cheeky and charming game Wattam and a Classic Track from a brooding Hitman that has stood the test of time courtesy of Jesper Kyd. Get in touch - email soundofgaming@bbc.co.uk Music played: Koji Kondo - Legend of Zelda Suite Bear McCreary - God of War Asuka Takahashi - A Long Time: The Six Years (Wattam) Takeshi Furukawa - Overture: Lore (The Last Guardian) Takeshi Furukawa - Forest (The Last Guardian) Takeshi Furukawa - Sentinel II (The Last Guardian) Takeshi Furukawa - The Parade (Bhopali) George Strezov - CH4 (Surviving Mars) Jesper Kyd - Apocalypse (Hitman: Blood Money) Nobuo Uematsu - Ahead on Our Way (Final Fantasy VII: Piano Collections) Sarah Schachner - Modern Warfare Main Theme (Call of Duty: Modern Warfare) Takeshi Furukawa - Falling Bridge (The Last Guardian) Takeshi Furukawa - Finale II: Escape (The Last Guardian) C418 - Dog (Minecraft) Ary Warnaar - Maki Ya (Scott Pilgrim vs. the World: The Game)

Jessica Curry with the most exciting and inspiring video game music to open your ears and mind. Stand by for, amongst other things, a sonic reimagining of Debussy, a nursery rhyme murder mystery, Deep Space musical dystopia and much loved tracks from two classic franchises. Plus Jessica chats to French composer Olivier Deriviere. Known for his work on Assassin's Creed IV: Freedom Cry, A Plague Tale, and the new GreedFall, Olivier is one of the most in-demand composers working in games today – described as “Game music's eclectic daredevil”, he talks to Jess about pushing the boundaries of what music in games can be and how interactivity has exploded the aural possibilities composers can work with. Get in touch - email soundofgaming@bbc.co.uk Full playlist: Yoko Shimomura - Theme (Kingdom Hearts) Kenta Nagata/Hajime Wakai/Toru Minegishi/Koji Kondo - Dragon Roost Island (The Legend of Zelda: The Wind Waker) Claude Debussy/Daniel Olsén - Clair de Lune (Sayonara Wild Hearts) Olivier Derivière - Making Peace with Ourselves (GreedFall) Olivier Derivière - The Balloon Plan (11-11 Memories Retold) Olivier Derivière - Father (A Plague Tale: Innocence) Jim Fowler - Chasing Shadows (Diggs Nightcrawler) Berlinist - Karasu (Gris) Inon Zur - Main Theme (Fallout 4) Osama Murata - Nozomi's Confession (Shenmue) Jason Graves - Fly Me to the Aegis Seven Moon (Dead Space) Yoko Shimomura - Guile's Theme (Streetfighter II) Floex - The Glasshouse with Butterfly (Machinarium) Olivier Derivière - A Plague Tale (A Plague Tale: Innocence) Olivier Derivière - In Shock (A Plague Tale: Innocence) Olivier Derivière - Together Forever (A Plague Tale: Innocence) Jim Guthrie/J.J. Ipsen - The Light in Us All (Planet Coaster)

Four-year-old Parker Curry had a moment that went viral. Today's featured book, PARKER LOOKS UP, is the story of that moment and that day. We love this book for its here-and-now reality. And how you can truly have a life-altering moment in the middle of an ordinary day. A visit to Washington, DC’s National Portrait Gallery forever alters Parker’s young life when she views First Lady’s Michelle Obama’s portrait.

The BAFTA award-winning composer talks about creating music for video games.

Jessica Curry with the latest and greatest music for video games. Today she's joined by composer Winifred Phillips who has scored some of the biggest game franchises from Assassin's Creed III: Liberation to God of War to Little Big Planet. She's also written a handy composers guide on how to write game music. Jess and Winifred chat about writing for those huge franchises, the glory of live games music concerts and what composers are getting up to in games. Plus composer and musician J.J. Ipsen calls up to introduce an exclusive new release - his music for the brand new game Planet Zoo, and Jess's Classic Track is an absolutely seminal score - music from Chrono Trigger by Yasunori Mitsuda. Get in touch - email soundofgaming@bbc.co.uk Full playlist: Yasunori Nishiki - Main Theme (Octopath Traveller) J.J. Ipsen - Title Theme (Planet Zoo) Laura Shigihara - Fish Heads and Morizora's Cave (Rakuen) Winifred Phillips - Main Theme; Aveline's Escape; Society Suite in 4 Movements (Assassin's Creed III: Liberation) Traditional Russian/Johann Sebastian Bach/Angèle Dubeau - Tetris theme Yasunori Mitsuda - Main Theme; To Far Away Times (Chrono Trigger) Michiru Yamane - Unfinished Business (Skull Girls) Christopher Larkin - City of Tears (Hollow Knight) Winifred Phillips - The Ziggurat Theme (Little Big Planet 3) Winifred Phillips - Main Theme (Dark Eye: Book of Heroes) Gustavo Santaolalla - The Last of Us (The Last of Us)

Jessica Curry celebrates the dazzling musical world of indie games. Most people have heard of the titans of video games - like FIFA, Mario, Call of Duty or Fortnite - but there's also a thriving indie scene pushing the boundaries of what games and their soundtracks can be. For an indie, no adventure is too small, too silly, too bizarre or too bittersweet - and often they dive deeper than huge games into subjects such as grief, love, illness and what it means to be human. Indie soundtracks then can be some of the most experimental music in the whole genre - from tender chamber music to full on electronic freak outs - Jessica plays some of her favourites. Plus Jessica talks to composer Lena Raine, whose BAFTA nominated music for the breakout indie hit Celeste has been one of the most talked about scores of recent years. Get in touch - email soundofgaming@bbc.co.uk Full playlist: Kristofer Maddigan - Ruse of an Ooze (Cuphead) Oli Wood - Buffet Balloons (Overcooked 2) Laurence Chapman - Before the Fall (Heaven's Vault) Gareth Coker - Ori and the Will of the Wisps (extract) Lena Raine - First Steps (Celeste) Lena Raine - Heart of the Mountain (Celeste) Nate Sandberg & Matthew Joynt - The Brothers Swim (Burly Men at Sea) Nate Sandberg & Matthew Joynt - Heroic Feats (Burly Men at Sea) Austin Wintory - I Was Born For This (Journey) Kristofer Maddigan - Die House (Cuphead) Julien Neto - From Cover to Cover (Osmos) Jessica Curry - The End of All Things (Everybody's Gone to the Rapture) Jessica Curry - Liquid Light (Everybody's Gone to the Rapture) Lena Raine - Awake (Celeste) Lena Raine - Anxiety (Celeste) Lena Raine - Beyond the Heart (Celeste: Farewell) Peter Due - City Streets (Forgotton Anne) Andrew Prahlow - Outer Wilds (Outer Wilds)

Epic new soundtracks, VGM classics and the inside track on the world of video game music. This is the Sound of Gaming – with Jessica Curry.

What links pre-war picker George Formby and Wagner, US rock duo The White Stripes and Bruckner, crooning legend Barry Manilow and Chopin? The surprising answer is that they've all shared tunes. Is that because, after 1,000 years of written music, there are no tunes left? What are the essential ingredients of a great tune and how difficult is it to write one? Tom Service seeks answers with the help of maths man Marcus du Sautoy and composer Jessica Curry. David Papp (producer)

Michael Berkeley talks to the philosopher Julian Baggini about the pleasures of serendipity, transience, philosophy and music. The Pig That Wants to Be Eaten, Do They Think You’re Stupid? and What’s It All About? are just three of the eye-catchingly titled books by Julian Baggini. He’s written 19 books in all, is the founding editor of The Philosophers’ Magazine, writes for newspapers, magazines and think tanks, and appears on radio and television. His latest book is How the World Thinks: A Global History of Philosophy. Julian has been described as a philosopher’s philosopher, but he also has a mission to liberate philosophy from its ivory tower and bring it to the general reader. The Pig That Wants to Be Eaten – his collection of 100 brief thought experiments – has been described as ‘mental fun-sized treats’ and ‘the Sudoku of moral philosophy’. Julian tells Michael about the joy he’s felt discovering pieces of music by Brahms, Ravel and Dvorak through chance encounters, and how he’s come to love music written for a video game by Jessica Curry when he met her on University Challenge. He believes that both music and philosophy can help us appreciate beauty, come to terms with the transience of existence, and accept that life can be bitter and sweet at the same time. Producer: Jane Greenwood A Loftus production for BBC Radio 3

Ep: 10 M.O.T.R SAHM- Jessica Curry by Antonia Michaela| Mompreneur

Bleep... bleep.... bleeeeep It's amazing how a few electronic bleeps can tell us so much about what's going on in a video game without us even being aware of it But music in video games has come a long way from the arcades, from the bleeps and bloops of Space Invaders and Super Mario to epic orchestral scores of the Legend of Zelda and Bioshock, Tom Service goes on an interactive odyssey to discover the secrets behind our favourite video game music. Along the way he meets composer Jessica Curry and video game expert Tim Summers who tell us what's really happening in the music when we're playing, the composer tricks of the trade and how video games can get new audiences closer to classical music. bleeeeeeep... GAME OVER.

On today’s episode, we are presenting our long-awaited, highly anticipated TOP 20 FAVOURITE SCORES OF 2017 program. This first part of our countdown celebrates selections 20 through to 11 featuring the film, TV and video game music of Chris Tilton, Don Davis, Benjamin Wallfisch, Bear McCreary, Randy Kerber, Jessica Curry, Naoki Sato, Alexandre Desplat, Austin Wintory and Panu Aaltio. We’ll have part two for you sometime next week. With that, enjoy the countdown! Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Enjoy this bonus episode drawn from the Idle Thumbs Patreon Ruination Online! Each month, we do a livestream where all topics have been posed by high-tier backers of our Patreon campaign: patreon.com/IdleThumbs. Due to popular demand, we're releasing the audio of that stream to the main podcast feed for easier listening. We'll be back with a regular episode of Idle Thumbs next week! Discussed: live episodes, our favorite things, Patreon postcards, San Francisco sightseeing, muting your family, our (questionably) deep knowledge, something confusing about a thief and a genie, buying stuff for your dad, Twin Peaks, Jonathan Blow, FPS Myst, RPG Doom, "Let Us Melt" soundtrack by Jessica Curry, "Switched-On Bach" album by Wendy Carlos, game designers and job titles, platforming, Jodorowsky's Dune (Amazon, iTunes), escape rooms, Keep Talking and Nobody Explodes, Eternal September

It's been a while, a bit behind schedule, but we're back for another go around the turntable! Episode 11 is a bit special, as host Jeremy brings back warrior-poet Tom "Plan Q" Quillfeldt from the Laced Records Blog to stand in for your regular cohosts.  Thanks to Tom for bridging the gap while hurricanes, technology, and other matters keep the usual crew occupied. We begin this episode with several weeks' worth of news and updates in the world of video game music on vinyl, so gird your loins and stay in the know, as we look at announcements, releases, and other juicy tidbits. In our listening party second half, Tom brings the music of Dear Esther by virtuosa composer Jessica Curry, and the melancholy and ethereal sounds of the prototypical "walking simulator" and we fight off the chills of the experience, while appreciating the art and production of the Black Screen Records release. (Information about the Dear Esther Live tour is available here.) Jeremy features the work of power-trio Grant Kirkhope, David Wise, and Steve Burke for a look at the wacky platformer Yooka-Laylee. We explore and appreciate the different styles, background, and history of each contributor to the score, released on vinyl by Laced Records. New episodes very soon! Thanks for sticking with us! Twitter - @vg_grooves, @ajohnagnello, @walnutsoap, @jeremy_lamont, @tquillfeldt Outro: "World 2" (Glitterglaze Glacier) - Yooka-Laylee, by Grant Kirkhope Links: Echoes of the First Dreamer: The Musical Prequel to Golem (Sumthing Else Music Works) Eyes on Me (single) (Amazon.co.jp) Art of Fighting GS005 (Brave Wave Music) Scorn (Kickstarter) Absolver (Laced Records) (Bandcamp signed) The Flame in the Flood (Chuck Ragan) Robinson: The Journey (Black Screen Records) So Let Us Melt (Black Screen Records) Undertale collections (iam8bit) The Adventures of Bayou Billy, swamp green marble variant (ShiptoShore Phono Co) The Adventures of Bayou Billy, white with red splatter variant (TheYetee) Halo Wars 2, Sumthing Else Music Works/Microsoft Studios) Photos of the featured albums' art and vinyl discs are found below!

The Chinese Room was founded by husband and wife duo, Dan Pinchbeck and Jessica Curry. As writer and composer, Pinchbeck and Curry have led their studio to BAFTA wins for Everybody's Gone to the Rapture and helped define a genre with Dear Esther, a title that started life as a Source Engine mod. That latter title was in part a response to Pinchbeck's frustration with games academia of the time, which he felt was too preoccupied with the theory of game design and not enough with the practical application of ideas. He's kept a foot in the academic world thanks to his position as visiting lecturer at the University of Portsmouth, and ongoing discussions with PhD students. And that's where we kick off this week's hour-long chat, with discussion of The Chinese Room's ties to the world outside of the day-to-day running of a successful indie studio. Later in the episode we talk about the delivery of story through game play, the danger of deskilling over the course of a long project, and Pinchbeck's frustration with the heavy focus on frame-rates and the technical minutiae of game creation. First though, we start with him talking about the joy of public speaking and keeping a hand in the wider discussion surrounding game design. Brought to you by the writers and creators of Independent By Design: Art & Stories of Indie Game Creation, the Indie By Design Podcast (IBD) is the show that goes behind the scenes to explore the world of game design and game designers. Visit us at indiebydesign.net - Twitter: @indiebydesign - Facebook/independentbydesign Music by Ben Prunty.    See acast.com/privacy for privacy and opt-out information.

The Chinese Room was founded by husband and wife duo, Dan Pinchbeck and Jessica Curry. As writer and composer, Pinchbeck and Curry have led their studio to BAFTA wins for Everybody’s Gone to the Rapture and helped define a genre with Dear Esther, a title that started life as a Source Engine mod. That latter title was in part a response to Pinchbeck’s frustration with games academia of the time, which he felt was too preoccupied with the theory of game design and not enough with the practical application of ideas. He’s kept a foot in the academic world thanks to his position as visiting lecturer at the University of Portsmouth, and ongoing discussions with PhD students. And that’s where we kick off this week’s hour-long chat, with discussion of The Chinese Room’s ties to the world outside of the day-to-day running of a successful indie studio. Later in the episode we talk about the delivery of story through game play, the danger of deskilling over the course of a long project, and Pinchbeck’s frustration with the heavy focus on frame-rates and the technical minutiae of game creation. First though, we start with him talking about the joy of public speaking and keeping a hand in the wider discussion surrounding game design. Brought to you by the writers and creators of Independent By Design: Art & Stories of Indie Game Creation, the Indie By Design Podcast (IBD) is the show that goes behind the scenes to explore the world of game design and game designers. Visit us at indiebydesign.net - Twitter: @indiebydesign - Facebook/independentbydesign Music by Ben Prunty.    See acast.com/privacy for privacy and opt-out information.

I talk to Jessica Curry and Dan Pinchbeck of The Chinese Room about their lives together as husband and wife but also as coworkers. We talk Dear Esther, Everybody's Gone To The Rapture, the games we enjoy, plus we discuss why Jessica has decided to take another step back from the industry

Composer Austin Wintory talks about his score for The Banner Saga 2, and Patron of the Week Joey Thurmond talks about his favorite music from Bloodborne by Ryan Amon and Everybody's Gone to the Rapture by Jessica Curry. You can support Level with Emily Reese on Patreon.

The composer of the score for Everybody's Gone to the Rapture talks about sexism, elitism, music, and zombies.

TJ, Josh, and Michelle talk about cloggers, serial killer name generator, Scott Stapp, Battlefront was very underwhelming, some light Destiny talk, A LOT of Microsoft talk...mostly bad, PC specs for Battlefront and Fallout 4, Josh is pumped for Cyberpunk 2077, Gary Old Man, Firewatch looks SO much FUN, Jessica Curry thinks men hate women so she quits, and more! Donate HERE! The BruisedThumbs Podcast is brought to you by: Mohu HD TV antennas! Be set free. And CDKey.com. High quality games at a low cost. SUBSCRIBE on iTunes! We’re also on Stitcher!!! Twitch: @BruisedThumbsVG LIVE EVERY MONDAY @ 7:30PM PST Twitter: @BruisedThumbsVG Facebook: @BruisedThumbs YouTube: @BruisedThumbsVG Enjoy! Album cover by: Ruslans Golubevs Intro Music by: Journal (8 Bit) Outro Song: Broforce - The Ballad of Rambro (Broforce OST)

In this episode of the Ward Podcast, we talk about heuristics, artificial intelligence algorithms, and their application to games. We also discuss Nilay Patel’s interview with Steve Jobs screenwriter and director duo Aaron Sorkin and Danny Boyle and the effects of abstracting someone’s life through film or celebrity. The new trailer for Far Cry Primal gets us excited for prehistoric hunting, and we consider the benefits of other developers moving away from the annualized game release in order to reinvent their game franchises. Also, Jessica Curry, co-studio head and composer of The Chinese Room, is taking a step back from her company, so we examine what that may mean for her personal growth as a member of the game industry. Lastly, we think about the best way to structure a game’s narrative, whether it should borrow from the structure from a play versus the structure from a film. Games include Star Wars: Battlefront, Destiny: The Taken King, and Jetpack Joyride. Got a question for the show? Join us on Discord or email us at contact@ward-games.com!

A Composer Tribute to James Horner Twenty-one film, television, video game composers deliver their heart-felt thoughts and reflections about the man, James Horner, and his music. Listen to their thoughts set to many of James Horner's most memorable scores. Episode Highlights 00:00 — Introduction 01:00 — Austin Wintory 02:34 — Debbie Wiseman 03:51 — Greg Edmonson 05:21 — Frederick Wiedmann 07:12 — Jeff Rona 08:51 — Introduction to special tribute 09:23 — Jo Blankenburg 10:41 — Grant Kirkhope 12:07 — Mark Griskey 15:36 — Jason Graves 17:03 — Neal Acree 07:57 — Garry Schymann 20:02 — Sam Hulick 20:45 — Introduction to special tribute II 21:12 — Chance Thomas 23:17 — Jessica Curry 24:10 — Scott Glasgow 27:10 — Rolfe Kent 28:20 — Penka Kouneva 30:30 — James Christopherson 31:36 — Elia Cmiral 32:13 — Olivier Deriviere 33:54 — Kathryn Bostic 36:08 — Close Music Selections 00:00 — "Teaching Mathematics Again" (A Beautiful Mind) by James Horner 00:54 — "Closing Credits" (A Beautiful Mind) by James Horner 02:38 — "Epilogue" (Searching for Bobby Fischer) by James Horner 04:51 — "An Epitaph to War" (Glory) by James Horner 23:44 — "Part 2" (Iris) by James Horner 07:25 — "The Lovemaking" (Cocoon) by James Horner 09:23 — ""Wunderkind" by Jo Blankenburg 10:30 — "Main Title" (Battle Beyond the Stars) by James Horner 12:26 — "Deciding to Build the Field" (Field of Dreams) by James Horner 13:33 — "All Systems Go" (Apollo 13) by James Horner 16:02 — "The Ludlows" (Legends of the Fall) by James Horner 18:48 — "Casper's Lullaby" (Casper) by James Horner 19:52 — "A Kaleidoscope of Mathematics" (A Beautiful Mind) by James Horner 20:48 — "Becoming One of the People…" (Avatar) by James Horner 21:45 — "Suite from Avatar: The Video Game by Chance Thomas 23:17 — "Main Title - Takeoff (The Rocketeer) by James Horner 30:23 — "Rose" (Titanic) by James Horner 29:05 — "My Heart Will Go On" (Titanic) by James Horner 30:23 — "Main Title" (Braveheart) by James Horner 33:08 — "The Passage of Time" (Bicentennial Man) by James Horner 35:02 — "All Love Can Be" (A Beautiful Mind) Notes: Special THANKS to all of the composers listed above who gave of their time to contribute to this project. Also thanks to The Krakower-Poling PR and Costa Communications for their assistance. Austin Wintory - http://austinwintory.com/ Debbie Wiseman - http://www.debbiewiseman.co.uk/ Greg Edmonson - http://gregedmonson.com/ Frederick Wiedmann - http://www.frederikwiedmann.com/ Jeff Rona - http://jeffrona.com/ Jo Blankenburg - http://joblankenburg.com/ Grant Kirkhope - http://www.grantkirkhope.com/ Mark Griskey - http://www.griskey.com/ Jason Graves - http://www.jasongraves.com/ Neal Acree - http://www.nealacree.com/ Garry Schymann - http://garryschyman.com/ Sam Hulick - http://samhulick.com/ Chance Thomas - http://www.chancethomas.com/ Jessica Curry - http://www.thechineseroom.co.uk/ Scott Glasgow - http://www.scottglasgowmusic.com/ Rolfe Kent - http://www.rolfekent.com/ Penka Kouneva - http://www.penkakouneva.com/ Jamie Christopherson - http://www.jamiechristopherson.com/ Elia Cmiral - http://www.eliacmiral.com/ Olivier Deriviere - http://olivierderiviere.com/ Kathryn Bostic - http://www.kathrynbostic.com/ Follow Christopher Coleman Twitter. Support Tracksounds: Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You! Buy Soundtracks at Amazon.com Download the Episode Subscribe and More Info

This episode is the first without our fearless leader, Jim Welch, who is working full-time on his new venture, Kinskii... :( HOWEVER, it was my great pleasure to finally get to chat with someone I have long held in great regard. Since hearing her speak at GDC 2013, I have wanted to get to know Jessica Curry better, and she was so generous to take the time to do so. Despite being in the 11th hour of production on "Everyone's Gone to the Rapture," she shares a glimpse of what we can expect in the next couple of months as the game is released. Enjoy!

This episode takes video game music away from its electronic roots to focus on music played by acoustic instruments. We find variety, with not only acoustic guitar but also piano, organ, and other instrumentation.Download MP3 Tracklist (full info here):

Jessica Curry's score for Amnesia: A Machine for Pigs earns the number 2 spot on Top Score's Countdown to the Best Video Game Soundtracks of 2013.

Jessica Curry's chamber music score for indie game Dear Esther is a wonderful compliment to stunning visuals and compelling narrative.