Podcasts about 'the curious incident

82. First DaysDeep breaths, positive thinking, everyone will be lovely, you got this! It's all about first days in the Clubhouse!The boys are talking about their first days on jobs! The nerves, the hopes, the first impressions, the dread!Rob shows Jack his first ever TV job on none other than the UK's (second) favourite soap opera, Eastenders! Jack tells Rob about his first experience rehearsing for his first film! There's chat about those massive first days on theatre projects, the similarities with sportsmen and women transferring from club to club and what the boys think they come across like on their first days!@StageDoorAthletic#JackLoxton #RobShawCameron #StageDoorAthletic #FirstDays #EastEnders #SenseOfAnEnding #Nerves #Film #TV #Ferrari #LewisHamilton #NationalTheatre #WestEnd #CuriousIncident #BBC #DannyAndTheHumanZoo #Sport #Theatre #Podcast #SportsPodcast #TheatrePodcastHosts: Jack Loxton & Rob Shaw CameronProducer: James CourtEdited by: Rob Shaw Cameron@jackloxton1 @robshawcameron@thecourtofjames Stage Door Athletic is a [NON]FICTION PEOPLE Podcast© [NON]FICTION PEOPLE LtdPRS Licence Reference: LE-0036019EastEnders - Ricky & Biana BBCFirst Day - The Futureheads ℗ 2004 / 2005 679 Recordings LtdPolperro Beach by Adrian Sutton (From the National Theatre production 'The Curious Incident of the Dog in the Night-Time') ℗ 2020 Cordafonia Records Hosted on Acast. See acast.com/privacy for more information.

In a past episode, Jules and Madeleine went into detail about 'unreliable narrators'. If the effect you want to create in your reader is to make them constantly question the narrative, causing conflict between the reader and the narrator in order to create tension, then an unreliable narrator can be a great choice. However there are other kinds of narrator which can be used similarly but to create more nuanced effects in your reader. This week the dragons look at the 'inadequate narrator'. More details in the episode obviously but children, animals and non humans are all examples of inadequate narrators. What sort of narratives are these characters best for and what are the advantages of using them? On the slab this week Jojo Rabbit, Goodnight Mr Tom by Michelle Magorian, The Rosie Project by Graham Simsion and many more. (NB - Jules and Madeline both refer to 'The Mysterious Case of the Dog in the Night-time'. Obviously they mean 'The Curious Incident of the Dog in the Night-time' by Mark Haddon - apologies for the error!)   Title music: Ecstasy by Smiling Cynic

Sally is joined by special guest HE Manal Ataya, Director General of Sharjah Museums, as she shares her picks of her favourite reads. She talks harnessing the power of anxiety with Sarah Wilson’s 'First, We Make the Beast Beautiful', Mark Haddon’s brilliant breakout novel 'The Curious Incident of the Dog in the Nightime', and the mystery and magical realism of Haruki Murakami’s 'The Wind Up Bird Chronicle.' Plus we get an update on all the latest happenings at Sharjah Museums, everything from their accessibility programs incorporating sign language across Sharjah Museums to their Ramadan campaigns where you can experience the holy month at the Museum for Islamic Civilisations for free. Plus, we get a sneak peak into a special exhibition that Sharjah Museums is planning for this year’s Book Fair, featuring one of the most beloved authors of all time. Listen to #Pulse95Radio in the UAE by tuning in on your radio (95.00 FM) or online on our website: www.pulse95radio.com ************************ Follow us on Social. www.facebook.com/pulse95radio www.twitter.com/pulse95radio www.instagram.com/pulse95radio

Caption: The 2015 Tony Awards! Harvey Weinstein’s hideous, smug face forces us to reflect on how much the world has changed in the last four years. We also talk about the highs and lows of adapting stage-resistant source material with Fun Home, An American in Paris, and The Curious Incident of the Dog in the Night-Time; get carried away by On the Town; and work in references to everything from Beloved to “The Night the Lights Went Out in Georgia.” Follow us on Twitter and Instagram (@mylittletonys) for additional content about this season’s shows! Works referenced/cited: Paulson, Michael, and Patrick Healy. Tony Awards: ‘Fun Home’ Wins Best Musical and ‘Curious Incident of the Dog in the Night-Time’ Best Play The New York Times, 8 June 2015. Theater Talk: "Fun Home" with Lisa Kron, Jeanine Tesori & Alison Bechdel Cast and Creators of the 2015 Best Musical: "Fun Home" Behind the Music of FUN HOME with Lisa Kron and Jeanine Tesori Paulson, Michael. Fun Home,' the Musical, Takes Alison Bechdel's Life to Broadway. The New York Times, 21 Dec. 2017. Pogrebin, Robin. “Bringing 'Fun Home' to the Stage.” The New York Times, 19 Oct. 2018. Brantley, Ben. “Family as a Hall of Mirrors.” The New York Times, 23 Oct. 2013. Brantley, Ben. “Review: 'Fun Home' at the Circle in the Square Theater.” The New York Times, 20 Apr. 2015. Thomas, June. “Fun Home Was the Big Winner at the 2015 Tonys. How Did a Graphic Memoir Become a Musical?” Slate Magazine, 8 June 2015. Paulson, Michael. “'Fun Home' Recoups on Broadway.” The New York Times, 21 Dec. 2017. Broadway Passes The Bechdel Test With 'Fun Home' Mattila, Kalle Oskari. “How a 'Lesbian Suicide Musical' Was Branded as a Feel-Good Broadway Hit.” The Atlantic, 10 May 2016. Schulman, Michael. “Watching Sondheim Watch ‘Fun Home.’” The New Yorker, 19 June 2017. Thurman, Judith. “Backstage at ‘Fun Home.’” The New Yorker, 19 June 2017. Als, Hilton. “Outsiders Take Center Stage.” The New Yorker, 19 June 2017. Rimalower, Ben. “From Falsettos to Fun Home: Lesbian Characters Move from Sidelines to Center Stage.” Playbill, 10 Sept. 2016. Grode, Eric. “Lisa Kron Juggles Two Shows at Public Theater.” The New York Times, 19 Oct. 2018. “Alison Bechdel Draws a Fun Home Coda.” Vulture. Acocella, Joan. “A New ‘American in Paris.’” The New Yorker, 19 June 2017. Als, Hilton. “Ta-Da!” The New Yorker, 19 June 2017. Brantley, Ben. “Carried Away by the Sights! Lights! Nights!” The New York Times, 17 Oct. 2014. Brantley, Ben. “In 'On the Town,' Sailors on Leave Look for Love.” The New York Times, 19 Oct. 2018. Brantley, Ben. “Plotting the Grid of Sensory Overload.” The New York Times, 6 Oct. 2014. Carey, Benedict. “An Autistic-Friendly Version of 'The Curious Incident'.” The New York Times, 21 Dec. 2017. Clarke, David. “BWW Interview: Christopher Wheeldon Talks AN AMERICAN IN PARIS in Movie Theaters.” BroadwayWorld.com, 20 Sept. 2018. Cohen, Stefanie. “'The Curious Incident of the Dog' Journeys to Broadway.” The Wall Street Journal, 2 Oct. 2014. “'Curious Incident' Director Marianne Elliott Isn't Afraid of Big Risks.” Los Angeles Times, 31 July 2017. Geoghegan, Kev. “National Theatre Adapts Mark Haddon's Curious Incident.” BBC News, 6 Aug. 2012. Gottlieb, Robert. An "On the Town" for Our Time. The New Yorker, 20 June 2017. Green, Adam. “The Making of On the Town: How a Group of Young Upstarts Made Broadway History.” Vanity Fair, 10 Apr. 2015. Heller, Allan Kozinn and Scott. “'Curious Incident,' 'On The Town' Steer Clear of Stars in Casting.” The New York Times, 21 May 2014. Isherwood, Charles. “Review: 'An American in Paris,' a Romance of Song and Step.” The New York Times, 13 Apr. 2015. Mackrell, Judith. “Return to Rive Gauche: How Christopher Wheeldon Adapted An American in Paris.” The Guardian, 8 Dec. 2014. Martinelli, Marissa. “An American in Paris: The Musical Is Not Content to Be Simple Escapism.” Slate Magazine, 21 Sept. 2018. Paulson, Michael. “For the Scene Stealers of 'The Curious Incident,' a Happy Second Act, in Dog Years.” The New York Times, 21 Dec. 2017. Pollock, David, et al. “Marianne Elliott, Interview with Theatre Director Who Helmed War Horse.” The Stage, 20 July 2017. Rooney, David. “'An American in Paris': Theater Review.” The Hollywood Reporter, 14 Apr. 2015. Schiff, David. “Misunderstanding Gershwin.” The Atlantic, 1 Oct. 1998. Seibert, Brian. “Christopher Wheeldon's 'An American in Paris' Brings Ballet Values to Broadway.” The New York Times, 21 Dec. 2017. Soloski, Alexis. “An American in Paris Review – Wheeldon's Fine, Fanciful Entertainment.” The Guardian, 13 Apr. 2015. Stasio, Marilyn. “Broadway Review: 'On the Town'.” Variety, 17 Oct. 2014. Suskin, Steven. “Stage Alchemy, Brilliant as Stars.” The Huffington Post, 7 Dec. 2017. Zoglin, Richard. The Curious Incident of the Dog in the Night-Time: Theater Review Time, 6 Oct. 2014. Theater Talk: “An American in Paris”; remembering Jean-Claude Baker

The international lead star of 'Tina: Simply The Best', Caroline Borole joins us and performs some of the hit songs from that incredible show. Other special guests include top actress Kate Normington performing in 'The Curious Incident of the Dog in the Night-Time', and Mpume Mayiyane (Mrs Phelps) in ‘Matilda: The Musical'.

CliffCentral.com — International star EGGSTA sings her latest hit live from Europe. 'The Curious Incident of the Dog in the Night Time' takes to the stage, and Kate Normington stars in it. And we make people laugh with the one and only Stuart Taylor.

International star EGGSTA sings her latest hit live from Europe. 'The Curious Incident of the Dog in the Night Time' takes to the stage, and Kate Normington stars in it. And we make people laugh with the one and only Stuart Taylor.

Simon Stephens joins Artistic Director Scott Graham and Jonnie Riordan and talk about the first time they met and how that moment blossomed into an exciting working relationship from their work on 'The Curious Incident of the Dog in the night time' to 'Fatherland'

Cara Kilda, the animal wrangler for "The Curious Incident of the Dog in the Night-Time" and Dr. Julie Lands Taylor of the Vanderbilt Kennedy Center discuss everything from handling rats on tour to the affects of autism on everyday life.

Mark Haddon, author of 'The Curious Incident of the Dog in the Night Time' talks about his latest novel, 'The Red House' and his story in Granta 119: Britain, 'The Gun'.