Podcasts about plotting

Habitat Podcast #395 - In today's episode of The Habitat Podcast, we are back in the studio with Kasey Thren! We discuss: -His client base sits in sandy central Michigan soil, and he's learned to work with it, not against it. -He switched to a First Products no-till drill after decades of rototilling to save time. -He leans on Morgan Composting's Dairy Doo and humic acid instead of pricier synthetic fertilizer blends. -A simple wire utilization cage tells him instantly whether a property has an overbrowse problem. -He warns hinge cuts only survive about 50% of the time, even with perfect timing. -He calls windstorm-style clearcutting a "tornado effect" that jumpstarts natural deer food and cover. -His forester lets him rope off "retainer islands" inside clearcuts just for deer cover. -His rule for clients: if you kill a buck, shoot two does to keep herds balanced. -Boot hygiene is one of his biggest lessons — he's watched deer and coyotes avoid his scent trail on camera. -He started filming quick client videos so his kids could hear his voice if he's ever gone. And So Much More! Shop the New Native Seed Collection from Vitalize Seed here: ⁠https://vitalizeseed.com/collections/vitalize-native-product-line⁠ Use Code HABITAT26 and Get Your Plot Blaster Here: ⁠https://plotblaster.com/⁠ PATREON - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon - Habitat Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Brand new HP Patreon for those who want to support the Habitat Podcast. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon - Habitat Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Latitude Outdoors - Saddle Hunting: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/hplatitude⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Stealth Strips - Stealth Outdoors: Use code Habitat10 at checkout ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/stealthstripsHP⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Midwest Lifestyle Properties - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/3OeFhrm⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Vitalize Seed Food Plot Seed - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/vitalizeseed⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Down Burst Seeders - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/downburstseeders⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 10% code: HP10 Morse Nursery - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/MorseTrees⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 10% off w/code: HABITAT10 Packer Maxx - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/PACKERMAXX⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ $25 off with code: HPC25 First Lite - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/3EDbG6P⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ LAND PLAN Property Consultations – HP Land Plans: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LAND PLANS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Leave us a review for a FREE DECAL - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://apple.co/2uhoqOO⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Morse Nursery Tree Dealer Pricing – ⁠info@habitatpodcast.com⁠ Habitat Podcast YOUTUBE - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCmAUuvU9t25FOSstoFiaNdg⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email us: ⁠info@habitatpodcast.com⁠ habitat management / deer habitat / food plots / hinge cut / food plot Good luck this Fall and if you have a question yourself, just email us @ ⁠info@habitatpodcast.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

The podcast is on summer break, so please enjoy this vault favorite! And don't forget to submit a Courage File for a chance to be featured on the show and win a free editorial assessment and book coaching session in Fall 2026!SUBMIT TO THE COURAGE FILESDownload Your Free Novel Planning Guide! In this episode of Write It Scared, I'm sharing my interview from the Be a Bestseller 6.0 Back to Basics Summit hosted by Emma Dhesi and we discuss practical strategies for planning and outlining your novel in a way that works for you. The highlights:

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In the seventh and penultimate 15 minutes of our screenplay treatment, Napoleon is back in France to go for the top prize - power. But his bid for his ultimate goal is not going to be straightforward and he has to accept that in order to achieve this, he'll have to put aside romantic dreams and do what matters to get this one last job done. That means a new approach to his unfaithful wife Josephine; a reckoning with our antagonist Paul Barras; and a new kind of battlefield - the Council of Five Hundred.Yes, it's episode eight of our screenwriting escapade, in which we continue to forge ahead in our mission of crafting a top-notch screenplay treatment about the life of Napoleon Bonaparte. Alex Stevenson is joined by James Topham (who knows a thing or two about screenwriting) and Ben Deery (who knows a thing or two about acting) to put the movie world to rights. Having analysed the pitfalls and frustrations of Ridley Scott's Napoleon 2023 in the first season the Napoleon Movie Quarter-Hourly, this time round the team have to come up with the magic themselves.As our resident artificial aide-de-camp NAIpoleon Bot-aparte puts it:Alex Stevenson introduces the climax phase of the Napoleon screenplay project and acknowledges the contributions of James Topham and Ben Deery 00:00.Ben Deery revisits an underappreciated Sphinx joke from previous episodes, sparking playful banter about comedic appreciation 00:01:16.James Topham recaps the emotional and psychological journey of Napoleon in Act 2, culminating in a brutal turning point during the Egyptian campaign 00:03:01.Introduction and breakdown of Act 3 structure: the internal-external conflict resolution, new plans, and the heightened sense of sacrifice Napoleon must undergo 00:10:03.Deep dive into the historical coup of Brumaire, exploring how Napoleon's ambiguous resolve and political struggles can be mapped onto the screenplay's climax 00:13:01.Discussion of antagonist dynamics: Paul Barras must return as a strong opposition for the final act, including possible narrative liberties to heighten his role 00:24:28.Insight into the B story: Napoleon and Josephine's tumultuous reunion, tying personal and political stakes together in a pivotal emotional scene 00:34:05.Reference to classic films and psychological theories (e.g., High Society, Taxi Driver, Madonna-Whore complex) to illustrate character developments and narrative arcs 00:39:34.Strategizing the depiction of the coup's high-stakes drama—physical peril, the threat of the guillotine, and how to visually and emotionally convey Napoleon's critical risk 00:52:13.Closing with an explanation of the filmic denouement: what “new normal” the world and characters face after Napoleon's victory, and teaser for the next episode's focus on wrapping up the screenplay 00:54:54.Help us produce more episodes by supporting the Napoleonic Quarterly on Patreon: patreon.com/napoleonicquarterly

There's a contradiction sitting at the center of the Reiner case, and it's the kind retired FBI behavioral chief Robin Dreeke was built to take apart. Reports describe Nick Reiner as almost childlike in custody — unable to fully grasp where he is or why. Yet other reports claim he's simultaneously plotting a revenge tell-all aimed at the family who tried for years to save him. Both can't be the whole truth. So which is it?This look back brings two expert lenses to a case stalled in limbo. First, criminal defense attorney and former prosecutor Eric Faddis on the delay itself: a preliminary hearing pushed to the fall, autopsy reports still unfinished months after the deaths, terabytes of discovery in motion, and what all of it signals about the defense's strategy and the near-certainty of a mental health argument given Nick's documented diagnosis and prior conservatorship.Then Robin Dreeke walks through the behavioral profile. We treat the tell-all reporting carefully — it traces to tabloid sources, not the court record — but the contradiction it describes is worth examining: how someone can present as diminished and disconnected while reportedly nursing a calculated grievance. We go through the listener questions you've been sending: about the medication changes before that night, about whether an insanity defense can actually hold here, and about what it means when a family does everything right and still loses everything. We revisit where things stood at the time of our reporting.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/ Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1 Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#NickReiner #RobReiner #RobinDreeke #BehavioralAnalysis #TrueCrime #EricFaddis #MentalHealth #InsanityDefense #ReinerCase #HiddenKillers

In this week's episode, we take a look at 5 lessons indie authors can learn from tradpub. This coupon code will get you 50% off the audiobook of Dragonskull: Crown of the Gods, Book #9 in the Dragonskull series, (as excellently narrated by Brad Wills) at my Payhip store: JULYCROWN The coupon code is valid through July 20, 2026. So if you need a new audiobook this summer, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 310 of The Pulp Writer Show. My name is Jonathan Moeller. Today is July 2nd, 2026 and today we are discussing five lessons indie authors can learn from traditional publishing. Given how negative I've been about traditional publishing over the years, that may be a bit of a surprise, but we will find out more later. We will also have a Coupon of the Week and a progress update at my current writing, publishing, and audiobook projects. So let's start off with Coupon of the Week. This week's coupon code will get you 50% off the audiobook of Dragonskull: Crown of the Gods, Book #9 of my Dragonskull series (as excellently narrated by Brad Wills) at my Payhip store. That coupon code is JULYCROWN. As always, you can get the coupon code and the links to my Payhip store in the show notes for this episode. This coupon code will be valid through July 20th, 2026, so if you need a new audiobook for your summer travels, we have got you covered. And now for an update on my current writing, publishing, and audiobook projects. I'm pleased to report that Blade of Thieves is now done and published. Once this episode goes out, you should be able to get it at Amazon, Barnes & Noble, Kobo, Google Play, Apple Books, Smashwords, bookshop.org, and my own Payhip store. It's starting off strong, so thank you to everyone who is reading and enjoying it. Thank you for everyone being patient while I got to it. Now that Blade of Thieves is finished, my next main project will be Cloak of Frost, the 15th book in the Cloak Mage urban fantasy novel series. I'm currently 24,000 words into that. I think the rough draft will be about 100,000 words. If all goes well, I hope to have that out in August. My new secondary project is now Blade of Visions, which of course will be the direct sequel to Blade of Thieves. As of this recording, I am 1,000 words into it. In audiobook news, Leanne Woodward has started recording Dragon-Mage and Hollis McCarthy is currently recording Cloak of Worlds, which was the 13th book in the Cloak Mage series. In a few days after this, Brad Wills is going to start recording on Blade of Thieves. So we should have a bunch of new audiobooks coming up for you to listen to before too much longer, if all goes well. So that is where I'm at with my current writing, publishing, and audiobook projects. 00:02:23 Main Topic of the Week: 5 Things Indie Authors Can Learn From TradPub Now onto our main topic this week, five lessons indie authors can learn from TradPub. Given how critical I have been and continue to be of traditional publishing on this blog and my podcast, this might come as a bit of a surprise and this should be in no way an endorsement for anyone to pursue traditional publishing. My blunt opinion is that if you are a new author starting out, you are much, much, much, much, much, much, much, much, much, much better served going indie instead of traditionally publishing. You will retain ownership over your IP. You will potentially be able to make more money and you won't have to deal with the various problems endemic in traditional publishing. Occasionally I see on social media a newish author trying to get an agent or being excited that an agent responded to their query letter or whatever. I don't do this because arguing with strangers on the internet is a waste of time, but I want to tell them, "Don't do this. Go indie. You'll be much happier in the long run and you won't have to worry about your agents stealing all your money," of which there have been documented cases that have happened. Now with all those caveats aside, traditional publishing has lasted for a long time. There is a reason that traditional publishing has survived so many changes and continues in many different forms to this day. And while I wouldn't recommend that you pursue traditional publishing, there are things you can learn from it to enhance your career as an indie author. So today I'm going to talk about five things you can learn from TradPub as an indie author. #1: Your book doesn't exist in a vacuum. Many authors are resistant to their book being put into categories or being paired with similar books. I've frequently noticed that aspiring and first time authors are particularly resistant to the either idea of their book best fitting into a single category or being similar to another authors. It doesn't mean that your book isn't creative or unique, it's accepting the reality of bookselling. Even in the modern indie era, books are still very much classified by a limited number of categories on book sites and ads are built on comparing your books to other authors. Focus on the category that best represents your book if it spans genres and focus extra effort on finding similar authors to help potential readers understand what type of book you are offering. For example, I had this problem with Cloak Games and Cloak Mage for a couple of years because the series is primarily an urban fantasy, but it's also set 300 years in the future. There are increasing science fiction elements in the series. The protagonist has visited several different planets and so forth, so trying to cram that all into an ad description or an ad targeting is a difficult proposition. I had better success when I started describing the series as the Dresden Files crossed with the Shadowrun RPG, which readers of it will say probably captures it quite well and then in the marketing, I always focus on the urban fantasy elements. I don't even mention the sci-fi elements because I think that's a fair representation of the book is that it's 80% urban fantasy with some sci-fi stuff in the background. So that is an example from my own books that I've done where I have emphasized the urban fantasy and contemporary fantasy aspect of Cloak Mage in the advertising and then just didn't mention the rest of the stuff in the other advertising. Traditional publishers even create the feeling of similarity with their own books by using the same artists and styles for their book covers. There was a post going around last year showing all the romance books with blue covers, cartoon figures facing each other while outside, and swooping white font. Book genres have conventions and trends in their covers. Instead of fighting that, you might want to take a time to look at the best sellers in your category to take note of what's working for other authors in your category. A book cover doesn't have to match everything about your book. It just has to give people a quick impression of what the book is about so it makes sense and doesn't confuse people and gives them something that is least in line with genre expectations. My rule of thumb for book covers is always that it should, in a space of two seconds of looking at a book cover, it should tell you the title of the book, the author of the book, and the genre of the book and it should do this all in an aesthetically pleasing and attractive matter. Those are essentially the four rules for a successful book cover, that you look at it and you can within two seconds know the title, the author, the genre, and it's presented in aesthetically pleasing and attractive manner. So to get a good book cover for your category, it would be a good idea to look at the other books in your category and see if you can find a design that while it doesn't copy the other designs, nonetheless follows some of the same design rules. #2: Timing matters. Traditional publishing is largely based on three seasons: spring, summer, and fall. By building the release schedule this way, it offers reliability for booksellers and libraries and each season has a general theme that makes it easier to market new releases. For example, fall has a lot of prestige literary fiction titles while summer might focus more on beach reads and SATs study guides. Indie publishing isn't beholden to this type of thinking about scheduling book releases, but it's smart to learn from what has worked for traditional publishing over the last couple centuries. Book sales in the US are generally a little softer in January and the summer and peak around the winter gift giving season. Thrillers often get published in September and October so they can get the "spooky season" boost from people looking for Halloween adjacent reads. It makes sense to look at the rhythm of what has been working for bookselling in your genre and see if there's a time that is especially advantageous for you to put out your book where you're just starting out and don't have very much in the way of your own sales data yet. For myself, I found what indie authors really need to watch out for is holidays. Publishing a book the day before Christmas or the day after Christmas is not a good idea. One of the reasons I didn't rush to get Blade of Thieves out the last week of June is because a lot of people will be taking the last week of June off because it leads right into the 4th of July holiday, which is why Blade of Thieves came out after 4th of July. I'd say the weakest times in my experience for indie authors are generally on November, December (because of the late Christmas), and then August and September also tend to be fairly weak because that is back to school time, which is very often very expensive and a financial strain for many people, in addition to their time and energy being focused on things other than recreational reading. Also, I've been doing this long enough to say this with some authority is that presidential election years, especially in the run up to the election are always pretty weak times in 2012, 2016, 2020, and 2024, especially 2024. I did notice a dip in sales as we approached the election and the general intensity of the campaigning and the ads and everything picked up. I've come to realize that a significant portion of the reading public, especially in the United States, also overlaps with the very politically involved public. I mean, it's not a perfect Venn Diagram, but there is significant overlap. So as the election season heats up, you can expect to see a drop in sales. I honestly wonder if traditional publishing has that as well. I would look into that at some point. So I'd say for an indie author, be mindful of holidays and don't be alarmed if you see a sales dip before and during the holidays and it might be a good idea if you have a big release to wait until after the holiday to push it. Tip #3: If it's a product, make it a good one. Another thing that many authors reject is the notion that their book is a product to be sold and not just a piece of art. Publishing isn't shy about thinking of their books as products with units just like a can of beans on a shelf and when you're shipping hundreds of thousands of books across the world, the general process isn't all that different (with the possible exception that books are generally quite heavy). When you remove some of that emotional attachment to a book and think of it as a product, it becomes a little easier to work with. And what do I mean by that? It's much easier to tear a book apart in editing, change the cover, fix the blurb, and make ads by thinking of the book as a product that exists next to similar products instead of a special and unique masterpiece. If your book is a product, then make it a good one. Take the time to improve it and look at it from an outsider's perspective. Seek feedback, just like TradPub does through the use of advanced reader copies. Tip #4: Deadlines work. One thing traditionally published authors usually have that indie authors do not is a deadline. The TradPub book is set to be released on a specific date and missing the deadline is a pretty efficient way to get your publisher upset with you as a TradPub writer since that release date has likely been publicized and changing release dates could impact how your book sells against other books. The problem with not having a set deadline for finishing a book is that many indie authors fall prey to waiting for inspiration or letting themselves get into the habit of undisciplined work time. They let, as I often say, the perfect to be the enemy of the possible, or just as importantly, the finished. Some people need an external deadline and pressure from other people in order to work for any meaningful amount of time. It's best to know yourself and if you're the kind of person who needs some structure to work well, to find a way to put that structure and those deadlines into your work as a writer. You can try making deadlines and sharing them with someone else in a form of accountability buddy or making a set of rewards based on making your own deadlines. Plotting out your release schedule at the beginning of another year is a way of doing this. Tip #5: Paper books still matter. A surprising area of opportunity for TradPub has been print books. For some categories like children's books or cookbooks, ebooks have never been the driving force and the demand for physical copies over ebooks has remained fairly consistent. Some of the trend of readers wanting more print books started in the COVID era when people were spending entire days on Zoom meetings and staring at computer screens for work or school and needed a break from their screens in their leisure time. Bookstagram and BookTok have also driven this print trend. These influencers typically use physical books in their photos and videos and they are often arranged in various athletically pleasing ways. Publishers responded with a slew of special and exclusive print editions for this market and existing fans of the series. They often have sprayed edges or color illustrations and are so prized by collectors that some have the [sprayed edges] on the books facing out in their bookshelves or books on stands to display certain interior illustrations. Traditional publishing did not give up on print and neither should you as an indie author. Most of your income as an indie author is probably going to come from some form of ebooks, but print should not be overlooked. Some categories do better than others in the print format, but many readers will want the print version of a favorite book they have already read as an ebook or just prefer print as their preferred reading format. Fortunately, the days of having to buy a large amount of print books and keep them in your garage has passed for indie authors. Many companies, including Amazon, Ingram Spark, and Draft2Digital offer print on demand services for indie authors so you don't have to spend a large sum of money printing your own books. It's worth investigating how the print on demand format might work for you as an indie author. One thing I should also mention is that if you write nonfiction, it's also a very good idea to have a print edition because for certain kinds of nonfiction books, the reader will keep the nonfiction book and reference it again and again and keep it for years as opposed to a fiction book where the reader might read it once and be done with it and if it's not their favorite book, they might not need a print edition. My Linux Command Line Beginner's Guide is also available in print and is my overall bestselling print book because it's essentially a tutorial for learning the basics of the Linux command line and it makes sense therefore that people would want the physical copy as a quick reference when doing things in the Linux command line. In conclusion, there's no point in throwing out the centuries of experience that traditional publishers have in selling books. Although the publishing industry continues to change (and although I still think you're better off self-publishing than pursuing a TradPub deal), it's wise to look at things that are working there and adapt them to suit your needs (although once again, I still think you're better off self-publishing). So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave your view on your podcasting platform of choice. Stay safe and stay healthy and we'll see you all next week.

Bestselling fantasy authors Holly Black and Samantha Shannon on building believable magic systems, researching and constructing immersive worlds, and why the right book often only emerges once you've written the wrong one.   You'll learn Why the most convincing magic on the page often starts with something you once half-believed was real. How writing the wrong version of a book can be the only route to the right one. What the texture of a world quietly promises a reader before the plot even begins. Why putting a character through the worst is often the best thing you can do for a story. When the certainty that your draft is a disaster is just a normal part of the process. What early hype can do to a writer, and why other writers are the antidote. Where to draw the line between research that serves the book and a rabbit hole that doesn't. A method for plotting a long series when you know the destination but not the route. What happens when a character starts refusing what you try to make it do. Episode Links Holly Black — original LWS episode: https://londonwriterssalon.simplecast.com/episodes/127-holly-black-crafting-bestselling-fantasy-world-building-character-development-and-the-prisoners-throne Samantha Shannon — original LWS episode: https://londonwriterssalon.simplecast.com/episodes/068-samantha-shannon-the-art-of-writing-fantasy-fiction-plotting-mental-health About the Guests Holly Black is the #1 New York Times bestselling author of fantasy books, including the Novels of Elfhame, The Coldest Girl in Coldtown, the Spiderwick Chronicles, her adult debut, Book of Night, as well as an Arthurian picture book called Sir Morien. She has been a finalist for an Eisner Award and the Lodestar Award, and the recipient of the Mythopoeic Award, a Nebula, and a Newbery Honor. Her books have been translated into 32 languages worldwide and adapted for film. She currently lives in New England with her husband and son in a house with a secret library. She invites you to visit her online at blackholly.com or follow her @Hollyblack @blackholly. Samantha Shannon is a New York Times and Sunday Times bestselling author of The Bone Season and The Priory of the Orange Tree. Born in West London, she studied English Language and Literature at St Anne's College, Oxford, from 2010 to 2013, specialising in the poetry of Emily Dickinson and Principles of Film Criticism. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers' Hours: writershour.com.*FOLLOW LONDON WRITERS' SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you're enjoying this show, please rate and review this show!

Elizabeth Blackwell was born in London in the early 18th century, and was known in her lifetime for her achievements as a botanical illustrator. Research: “A Genuine Copy of a Letter &c.” Stockholm, August 20. H. Carpenter in Fleet Street, 1747. https://books.google.com/books/about/A_Genuine_Copy_of_a_Letter_from_a_Mercha.html?id=EPRbAAAAQAAJ Alexander, Isabella and Cristina S. Martinez. “2. The First Copyright Case under the 1735 Engravings Act: 
The Germination of Visual Copyright?” From Circulation and Control: Artistic Culture and Intellectual Property in the Nineteenth Century. Marie-Stéphanie Delamaire and Will Slauter, editors. https://doi.org/10.11647/OBP.0247 Beharrel, Will. “Elizabeth Blackwell's Curious Herbal.” The Linnean Society. 7/28/2021. https://www.linnean.org/news/2021/07/28/elizabeth-blackwells-curious-herbal Blackwell, Elizabeth (1737). A Curious Herbal. Containing Five Hundred Cuts of the most useful Plants, which are now used in the Practice of Physick. Engraved on folio Copper Plates, after Drawings, taken from the Life. By Elizabeth Blackwell. To which is added a short Description of ye Plants; and their common Uses in Physick. London: Printed for Samuel Harding in St Martin’s Lane, MDCCXXXVII (1737) Rubenstein QK99.A1 B53 1737 folio v.1 c.1. Scan of preface. https://blogs.library.duke.edu/rubenstein/files/2022/10/blackwell-preface-scaled.jpg Bruce, James. “Lives of Eminent Men of Aberdeen.” Aberdeen. The University Press. 1841. https://archive.org/details/b33028722/ Chelsea Physic Garden. “Curious Herbal; Curious Tale.” Newsletter. Spring-Summer 2005. Child, Lydia Maria. “Biographies of Good Wives.” Boston: Munroe & Francis. 1850. https://archive.org/details/biographiesofgoo00chil_0 Elliott, Brent. “The World of the Renaissance Herbal.” Renaissance Studies. Vol. 25, No. 1. February 2011. Via JSTOR. https://www.jstor.org/stable/24420235 Evenden, Doreen A. "Blackwell [née Simpson], Elizabeth (1699–1758), botanical author and artist." Oxford Dictionary of National Biography. August 08, 2024. Oxford University Press. Date of access 18 Jun. 2026, https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-2540 Grosjean, A. N. L. "Blackwell, Alexander (bap. 1709, d. 1747), agricultural improver and government agent in Sweden." Oxford Dictionary of National Biography. June 08, 2023. Oxford University Press. Date of access 18 Jun. 2026, https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-2539 Huler, Scott. “A Beautiful Find.” Duke Mag. 9/5/2023. https://dukemag.duke.edu/stories/beautiful-find Madge, Bruce. “Elizabeth Blackwell—the forgotten herbalist?” Health Information & Libraries Journal, 18: 144-152. https://doi.org/10.1046/j.1471-1842.2001.00330.x Monroe, Nicky. “Elizabeth Blackwell’s Curious Herbal.” RHS Libraries and Collections. https://www.rhs.org.uk/education-learning/libraries-at-rhs/articles/elizabeth-blackwell Newman, Joyce. “Will The Real Elizabeth Blackwell Please Stand Up?” New York Botanical Garden. 7/1/2013. https://www.nybg.org/blogs/plant-talk/2013/07/exhibit-news/will-the-real-elizabeth-blackwell-please-stand-up/ O’Keeffe, Lynda. “Guest post by Lynda O’Keeffe – A Curious Herbal Elizabeth Blackwell’s Pioneering Masterpiece of Botanical Art.” All Things Georgan. 3/8/2024. https://georgianera.wordpress.com/2024/03/08/guest-post-by-lynda-okeeffe-a-curious-herbal-elizabeth-blackwells-pioneering-masterpiece-of-botanical-art/ Pardoe, Heather and Maureen Lazarus. “Images of Botany: Celebrating the Contribution of Women to the History of Botanical Illustration.” Collections: A Journal for Museum and Archives Professionals, Volume 14, Number 4, Fall 2018, pp. 545–566. RHS Digital Collections. “Elizabeth Blackwell's Curious Herbal.” https://collections.rhs.org.uk/collection/111276 Royal College of Physicians of Edinburgh. “Elizabeth Blackwell: Prison, Plotting and the Curious Herbal.” https://www.rcpe.ac.uk/heritage/heritage-blog/elizabeth-blackwell-prison-plotting-and-curious-herbal Shirk, Henrietta Nickels. “Contributions to Botany, the Female Science, by Two Eighteenth-century Women Technical Communicators.” Technical Communication Quarterly. Vol. 6, No. 3. Summer 1997. Tyson, Janet Stiles. “Introducing Elizabeth Blackwell to Hans Sloane.” British Library Untold Lives Blog. 5/18/2021. Via Archive.org. https://web.archive.org/web/20210619032948/https://blogs.bl.uk/untoldlives/2021/05/introducing-elizabeth-blackwell-to-hans-sloane.html Tyson, Janet Stiles. “The Rubenstein Library’s disruptive copy of A Curious Herbal.” 11/14/2022. https://blogs.library.duke.edu/rubenstein/2022/11/14/a-curious-herbal/ Tyson, Janet. “'A Curious Herbal' as Material Witness.” The Linnean Society. 1/10/2023. https://www.linnean.org/news/2023/01/10/a-curious-herbal-as-material-witness See omnystudio.com/listener for privacy information.

Luke 22:1-6 - Plotting to kill Jesus They knew they'd do it John 12:10-17 Now they're seeking how Careful about how Feared the people Saul…

Leaked audio recordings between powerful right-wing figures in Latin America have revealed a massive and shocking conspiracy—involving the United States and Israel—to forge an international political network with the expressed purpose of undermining leftist leaders in the region. In this episode of The Marc Steiner Show, Marc speaks with Latin-America-based journalist and TRNN correspondent Michael Fox about “HondurasGate,” what the scandal tells us about the machinations of the international far right today, and how those machinations fit into the long, violent history of US imperialism in Latin America. Editor's Note: This episode was recorded before the 2026 presidential elections in Colombia, which resulted in right-wing candidate and Trump ally Abelardo de la Espriella becoming the country's next president. Additional links/info: Michael Fox, Under the Shadow / TRNN, “HondurasGate: Leaks reveal the far-right plan to undermine Latin America's left”José Luis Granados Ceja, DropSite, “Hondurasgate: Key leaked audio files, revealing U.S. intervention in Honduras, found authentic ‘with moderate confidence'”Michael Fox, Under the Shadow / TRNN, “U.S.S. Honduras | Under the Shadow S1E6”Michael Fox, Under the Shadow / TRNN, “Honduras, 2009. La Resistencia. | Under the Shadow S1E7 Part 1”Michael Fox, Under the Shadow / TRNN, “Honduras, 2009. Legacy of a coup. | Under the Shadow S1E7 Part 2”Credits:Producer: Rosette SewaliStudio Production: Cameron GranadinoAudio Post-Production: David Hebden, Stephen Frank Become a supporter of this podcast: https://www.spreaker.com/podcast/the-real-news-podcast--2952221/support.Help us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Follow us on:Bluesky: @therealnews.comFacebook: The Real News NetworkTwitter: @TheRealNewsYouTube: @therealnewsInstagram: @therealnewsnetworkBecome a member and join the Supporters Club for The Real News Podcast today!

We have scheming to do! In order to attend the Fireheart Gala unobserved, Chianti Ginny has made a deal with the great train's owner, Maximus Florideous. Will this exchange play out as promised? Probably not.   !! Content Warnings !! 00:01:45 Job loss, dishonest business practices 00:16:50 Plotting betrayal 00:23:15 The loneliness of activism 00:24:10 Plotting terrorism 01:27:00 Bombs / terrorism   == CREDITS == Cast: Patrick Perini, GM Cleo Birch as Chianti Pompadour / Ginny McMullet  Cinderblocksally as Sir Pantaloon TookIGuess as Mr. "VV" Vincent Emily Greymoore as Monkey Sara Roberts as Guardian Dispatch Crew: Colin Epstein, Producer Emily Greymoore, Producer Nick Plaisance, Lorekeeper Renee Juneau, Chronicler Mason Allan, Game Design Consultant Sean Shepherd, Composer Callahan Bevilacqua, Dialogue Editor Colin Epstein, Writer System: Blades '68 by Evil Hat Follow us on YouTube.

Leaked audio recordings between powerful right-wing figures in Latin America have revealed a massive and shocking conspiracy—involving the United States and Israel—to forge an international political network with the expressed purpose of undermining leftist leaders in the region. In this episode of The Marc Steiner Show, Marc speaks with Latin-America-based journalist and TRNN correspondent Michael Fox about “HondurasGate,” what the scandal tells us about the machinations of the international far right today, and how those machinations fit into the long, violent history of US imperialism in Latin America. Editor's Note: This episode was recorded before the 2026 presidential elections in Colombia, which resulted in right-wing candidate and Trump ally Abelardo de la Espriella becoming the country's next president. Additional links/info: Michael Fox, Under the Shadow / TRNN, “HondurasGate: Leaks reveal the far-right plan to undermine Latin America's left”José Luis Granados Ceja, DropSite, “Hondurasgate: Key leaked audio files, revealing U.S. intervention in Honduras, found authentic ‘with moderate confidence'”Michael Fox, Under the Shadow / TRNN, “U.S.S. Honduras | Under the Shadow S1E6”Michael Fox, Under the Shadow / TRNN, “Honduras, 2009. La Resistencia. | Under the Shadow S1E7 Part 1”Michael Fox, Under the Shadow / TRNN, “Honduras, 2009. Legacy of a coup. | Under the Shadow S1E7 Part 2”Credits:Producer: Rosette SewaliStudio Production: Cameron GranadinoAudio Post-Production: David Hebden, Stephen Frank Become a supporter of this podcast: https://www.spreaker.com/podcast/the-marc-steiner-show--4661751/support.Follow The Marc Steiner Show on Spotify and Apple Podcasts.Help us continue producing The Marc Steiner Show by following us and becoming a monthly sustainer.Sign up for our newsletterFollow us on BlueskyLike us on FacebookFollow us on TwitterDonate to support this podcast

In this episode of The Write Place, I'm joined once again by author Gemma Denham to talk about her new psychological thriller, The Inheritance.Kate and Patrick are struggling financially when an unexpected inheritance seems to offer the perfect escape: a Victorian townhouse on the north-east coast. But from the moment they arrive, things feel wrong. Objects disappear, footsteps sound in the night, and Kate begins to wonder whether someone is getting into the locked house, whether something more unsettling is at work, or whether she is losing her grip on reality. Gemma and I chat about the idea behind the book, balancing thriller and supernatural elements without tipping fully into horror, and why The Inheritance flowed so differently from the difficult second book she originally tried to write. We also talk honestly about second book syndrome, imposter syndrome, Goodreads reviews, publishing timelines, social media, marketing as an author, and the reality of building a writing career after your debut has gone out into the world. In this episode, we discuss: The creepy locked-house setup behind The Inheritance Writing suspense without crossing fully into supernatural horror  Why Gemma's original second book didn't quite work  The pressure that follows a debut novel  Plotting, character journals and visual references  Researching blessings and exorcisms with a local vicar  How reviews can feed imposter syndrome  The difference between writing for yourself and writing with a publisher waiting  Gemma's Darkest Hour and what she learned from pushing through a difficult project You can find out more about Gemma and her books at her website, GemmaDenham.com, and follow her on Instagram, Facebook and X. The Inheritance is available now in paperback and ebook.My book, Real Writers Never Quit, is out now: https://mybook.to/realwritersneverquitFollow me on Instagram: https://www.instagram.com/mrkelly2u/

You can't rush these things.

Just after completing the Olivet Discourse, Matthew pivotsback to the progressing events in the narrative of Holy Week. Only a couple days removed from the Triumphal Entry, and a couple days ahead of the crucifixion, Jesus one last time prepares His disciples for what He is about to endure. All thewhile, the leaders of Israel secretly scheme about how they kill Him. A sermon preached by Caleb Stomberg at Legacy ReformedBaptist Church in East Grand Forks, MN.

Cindy Gustafson has checked off a laundry list of accomplishments during her first 18 months as CEO of Nutrafol.  This includes an app launch designed to improve retention and a product release tailored to reach one of its smallest customer demographics in men over 50. These rollouts happened while she led the team toward double-digit growth during 2025, her first full year as CEO, on a path to soon reach $1 billion in annual sales.  “You need a real commitment to delivering on something someone actually needs [in order to win this category],” Gustafson told host Lexy Lebsack. “We actually have quite a small portfolio of products, [unlike our competitor] brands that have hundreds and hundreds of SKUs. We are not that kind of a brand. We are not that kind of a business.” Instead, Gustafson has stayed hyper-focused on delivering on its main promise of improved hair growth. “We have been so fixated on really delivering against what a customer needs and what a customer is looking for, and staying very, very grounded in that,” she said.  Gustafson is a veteran exec whose CV includes Weight Watchers, Bark, Mindshare and Unilever. She spent 18 months as chief marketing officer of Nutrafol before taking over the CEO role from Nutrafol's co-founder Giorgos Tsetis after its Unilever acquisition. In today's episode of the Glossy Beauty Podcast, Gustafson unpacks her secret sauce for growth, how the supplement consumer has evolved and much more.  

We are Traci and Ellie, two bookish friends who read in any spare minute that we have.  This week, we are chatting about our most anticipated books of Summer 2026! To shop the books listed in this episode, visit our shop at bookshop.org.    Care to join us on Patreon with even more content? We would love to have you join us at From the Bookstacks of Literally Reading! Buyer Beware by Catherine Ryan Howard Nine Lives by Catherine Steadman It Could Have Been Her by Lisa Jewell Big Little Truths by Liane Moriarty The Romance Revival by Christina Lauren The Missed Connection by Tia Williams The Someday Garden by Ashley Poston The MASH Up by Laura Marie Meyers Whistler by Ann Patchett Land by Maggie O'Farrell Villa Coco by Andrew Sean Greer Country People by Daniel Mason The Shampoo Effect by Jenny Jackson Summerland Cove by Ellen Baker Ungodly Rich by Katherine McGee This Immortal Heart by Jennifer Saint  

In the sixth 15-minute section of our screenplay, Napoleon plunges into his darkest hour. Reeling from betrayal and defeat, he confronts the plague-ridden horrors of his campaign in the Levant and faces the brutal consequences of war, both on the battlefield and within himself. The myth of his invincibility shatters as failed sieges and the massacre at Jaffa weigh on his conscience. Josephine's infidelity and his own disillusionment reach a crisis, forcing Napoleon towards a reckoning with his ambitions, relationships, and the cost of power. As despair and self-doubt threaten to overwhelm him, the stage is set for the transformation that will propel him towards his final bid for greatness.Yes, it's episode seven of our screenwriting escapade, in which we continue to forge ahead in our mission of crafting a top-notch screenplay treatment about the life of Napoleon Bonaparte. Alex Stevenson is joined by James Topham (who knows a thing or two about screenwriting) and Ben Deery (who knows a thing or two about acting) to put the movie world to rights. Having analysed the pitfalls and frustrations of Ridley Scott's Napoleon 2023 in the first season the Napoleon Movie Quarter-Hourly, this time round the team have to come up with the magic themselves.As our resident artificial aide-de-camp NAIpoleon Bot-aparte puts it:Alex Stevenson opens the episode by reflecting on its many possible names, likening it to the Beatles' White Album, and notes listener feedback they've received for discussion 00:00:10.01:03 - All three speakers share significant personal updates in rapid-fire, overlapping fashion to create comedic confusion for the audience 04:01 - James Topham reveals the existence of a secret WhatsApp chat with Benjamin Deery (excluding Alex Stevenson), mirroring earlier feelings of exclusion05:52 - James Topham debuts a homemade Napoleon movie trailer, involving Benjamin Deery performing in different voices, to energize the creative process 12:04 - James Topham recaps the previous episode: Napoleon is exiled to Egypt under the guise of glory, his fleet is destroyed, and he discovers Josephine's infidelity, marking his lowest point 20:24 - A historical debate occurs: Alex Stevenson clarifies that Napoleon was enthusiastic about Egypt rather than simply exiled, and discusses how both his ambitions and the political machinations of others shaped his choices 29:38 - The group discusses the "dark night of the soul" as a structural turning point, emphasizing Napoleon's internal reckoning after a series of personal and military setbacks, rather than a literal period of inaction33:30 - Alex Stevenson details three major events for Napoleon's crisis: the plague hospital at Jaffa, a war crime (massacre of prisoners), and the failed siege of Acre—all contributing to his psychological breaking point 41:29 - The B story (Josephine's infidelity) is revealed to have a psychological turning point for both characters, paralleling Napoleon's emotional hardening and the collapse of romantic idealism51:01 - The hosts reveal a major twist: this project is envisioned as a trilogy, meaning there's much more story (and podcasting) ahead than Benjamin Deery anticipated, much to his mock dismayHelp us produce more episodes by supporting the Napoleonic Quarterly on Patreon: patreon.com/napoleonicquarterly

Two inmates charged with plotting an escape from County Jail

Group Guide Use this guide to help your group discussion as you meet this week. 2 Samuel 19:8b-40 Chet Phillips Download TranscriptGood morning. My name is Chet. I'm one of the pastors here. If you will grab a Bible and go to 2 Samuel chapter 19. We're working our way through the book of 2 Samuel. We have made a shift recently.We would always have the passages that we were on on the screen and we have stopped doing that. Our hope is that as people of the Bible, as people of a book, we would grow in our ability to hold and read a book in a culture that has increasingly lost the ability to hold and read a book. And so we want to be people who we practice that together on Sunday mornings. And our hope is that it'll be helpful. We think it may be a kind of an annoying shift, but we hope that it'll bear fruit and we'll see. So we're not promising we'll never go back to putting it on the screen.We are promising we won't quickly. We're going to try to see if we can learn how to hold and read a book. Bring your Bibles with you. If you don't have a Bible, grab one of the black ones that should be in the seat row and one of those little cages in front of you. If you can't reach one easily, smack someone and do like this till they hand you a Bible. We're going to be on page 309.One of the joys of pastoring is getting to perform weddings. You get to celebrate with people. It's a lot of fun to perform a wedding, to get to be there with people during that time. It can be anxiety ridden because people do remember the things you say at their weddings. And if you mess it up, they're upset by that. But it is fun.And one of the blessings that we have as a church is that we have five pastors. So different ones of our pastors get to participate in performing weddings. There was a time there where I went a long time without getting to perform a wedding. Matt Freeman performed some weddings. Raz Bradley performed some weddings. Isaac Hill performed some weddings.Spencer Cary performed some weddings and I didn't perform any weddings. And that's fine. But my wife and I were discussing this at one point. And she said, yeah, I don't know why people don't ask you to perform their weddings. And I was like, yeah, I don't know either. And then we sat there quietly for a little while.And then she said, I do think people want their pictures to look nice. So I said, hold on a second. So it turns out my beloved wife of many years doesn't think that I always have the most pleasant look on my face. That could tip the balance away from me. But one of the things that's happened is I've sat in other weddings performed by our other pastors.I've heard Spencer say several times in weddings as he goes to have the couple give their vows, declare their vows to one another. He'll say, if you are a married person in the room, I would encourage you at this time to consider your vows. As they take their vows for the first times, I would encourage you to consider your vows that you have made and the promises that you have made and what that looks like in your life right now and have the opportunity to reinvest in your vows. And the reason I bring that up is because that's in some ways how we're going to approach this passage this morning.We are in the middle of David who has had to flee from his son who has rebelled against him. And then they had a battle and Absalom died and everyone ran away and it kind of broke up. And now we're going to see today as David returns back from across the Jordan, back over to Jerusalem. And as we read these individual interactions, we're going to see three individual interactions between David and individuals as he comes back and they have to reckon with the return of their king. We're going to take a moment to consider as a gathered people of God, as Christians who've gathered this morning, that we are in a rebellious kingdom waiting for a returning king.We're in a similar situation. Now, this situation plays out differently than ours is going to play out because David is imperfect and this kingdom that he's coming back to is imperfect, as we'll see in the coming weeks. But we're going to just pause. We're going to read one of these stories, try to understand it, and then we're going to pause and consider for a moment our situation with our better king. And then we're going to kind of work our way through in that manner. So that's what we're going to do today.I'm going to pray for us and then we'll hop in to the story. Lord, we ask that you would help us to consider well the position that we're in, to consider well our hearts, to see our lives well in light of your imminent return. That as people who await the return of a good king to set up a righteous kingdom, that we would wait properly and be ready for that day. Help us to study your word well. In Jesus' name, amen. All right, we're going to pick up in 2 Samuel chapter 19 verse 8b.And the reason b just means the back half of verse 8b. The verses were added later, so sometimes you end up needing to pick up in a different place. So it's just, it says, now Israel had fled every man to his own home. So that's after Absalom's rebellion. Absalom dies. Everybody who was helping him flees.And all the people were arguing throughout all the tribes of Israel saying, the king delivered us from the hand of our enemies and saved us from the hand of the Philistines. And now he has fled out of the land from Absalom. But Absalom, who we anointed over us, is dead in battle. Now, therefore, why do you say nothing about bringing the king back? So Israel begins to argue amongst themselves as they've traveled back home as, hey, we, King David was pretty good.He saved us from the Philistines. We held a very unsuccessful rebellion. Why don't we bring the king back? Why aren't we trying to fix this? That's what they start to say. And apparently this word of this makes it to David.David is in Mahanaim. He fled from Jerusalem. So he's crossed over. That's why they're talking about bringing him back because he left. Once he crossed over the Jordan, he's kind of away from the people, even though there are some tribes that would be up here by the Sea of Galilee. And there are some tribes that are over here at Mahanaim.He's kind of out of the main part of the people, the main part of the promised land. They actually had a whole big discussion of whether or not they could settle tribes on that side of the Jordan because the promised land was on the other side of the Jordan. They decided they could, but then they had all this, you know, relational drama over time to try to settle that they're allowed to be over there, but they are still part of Israel. But the main bulk of the land that belongs to them is on the other side of the Jordan. And David is not there. And they're saying, let's bring him back.And most of what we're going to see today is going to happen at the Jordan River. It's going to happen while David is coming back and people are coming up from Jerusalem in that area to meet him at the Jordan. So that's what they're talking about. It says, and King David, this is verse 11. And King David sent this message to Zadok and Abiathar, the priests who were their pro David. They were willing to come with him.He says, say to the elders of Judah, why should you be the last to bring the king back to his house when the word of all Israel has come to the king? So the tribe of Judah is around Jerusalem and that's the tribe that David is from, but they're not murmuring about bringing them back. Everybody else is. And so he sends message to him and says, Hey, say, what are y'all doing? What's the holdup? Why are you taking forever?Verse 12? You are my brothers. We're the same tribe. You are my bone and my flesh. Why then should you be last to bring back the king and say to Amasa? Okay.Amasa is David's nephew and Amasa joined Absalom and was Absalom's general in the battle they just had. Joab is David's nephew who's over his army. Amasa was the over Absalom's army. He says, say to Amasa, are you not my bone and my flesh? God do so to me and more also if you are not commander of my army from now on in place of Joab. So I think David's doing two things there.One, Joab just killed Absalom after David specifically asked him not to. So there seems to be some frustration potentially between David and Joab because Joab is dangerous and willing to not do what David asked. And so there's some hurt there, even though the most recent thing we read was David following Joab's call on how he ought to treat his troops. Amasa would have been in David's army for a long time and only once tried to kill him in a rebellion. But Amasa is probably the strongest figure left in and around Judah.He is over the army. If power is going to shift after Absalom dies, it would most likely shift to Amasa. And so he's saying, hey, you come here, you'll replace Joab, you'll be over my army, and we'll go from there. And so he's in some ways removing Joab, but also removing Amasa as a threat and bringing him back over to his side. That's the game plan here. That's why he says that.Verse 14, and he swayed the heart of all the men of Judah as one man. So they sent word to the king, return both you and all your servants. So the king came back to the Jordan and Judah and came to Gilgal and Judah came to Gilgal to meet the king and to bring the king over the Jordan. And Shimei, the son of Gerah, the Benjaminite from Bahurim, hurried to come down with the men of Judah to meet King David. For the record, when you're reading the Bible, a lot of times people come down from Jerusalem because it is uphill. So they can come down and head north, just so you know, because they are heading down a hill.Down does not mean all south when you're reading your scriptures. So he comes down to meet David, but he's heading northeast. And with him were a thousand men from Benjamin and Ziba, the servant of the house of Saul with his 15 sons and his 20 servants rushed down to the Jordan before the king. And they crossed the ford to bring over the king's household and to do his pleasure. Which got introduced to two people, Shimei and Ziba. Ziba we'll deal with in a second when we talk about Mephibosheth, but he's the one who's related to the situation with Mephibosheth.But let's talk about Shimei for a second. Do y'all remember Shimei, the son of Gerah, the Benjaminite from Bahurim? If you don't remember Shimei, the son of Gerah, the Benjaminite from Bahurim, when David was fleeing in chapter 16, Shimei, the son of Gerah, the Benjaminite from Bahurim, came out while David was in Bahurim and cursed David. So he's a Benjaminite, meaning he was from the people of Saul. He's not of the tribe of Judah. So when David's fleeing Shimei, the son of Gerah, the Benjaminite from Bahurim comes out and basically says, Oh, in your face, David, you deserve this.Oh, God got you. Now all the things that you've done, you man of blood, you wicked, worthless, sorry son. He says all kinds of things to him and throws rocks at him and says everything that you did to the house of Saul is coming back on you, which is really unfair because David didn't do much of anything to the house of Saul. He actually went out of his way to find people in the house of Saul to be nice to. He just was anointed King. And then he ran from Saul for a really long time.But this guy who had more position and more power of being a Benjaminite in the house of Saul comes out and curses him. And while he's doing this, one of David's soldiers basically says, can we kill him? And David says, no, because maybe God told him to curse me. And then we don't want to oppose God. Or maybe God didn't. And God will hear him cursing me.And God will feel sorry for me and be nice to me because this guy's being mean to me. Either way, don't kill him. Let's go. Well, Shimei hears that David is coming back and seems to think something along the lines of, uh-oh. And he heads to go meet him. It says, this is the back half of verse 18.And Shimei, the son of Gerah, fell down before the king as he was about to cross the Jordan and said to the king, let not my Lord hold me guilty. Or remember how your servant did wrong on the day my Lord, the king left Jerusalem. Do not let the king take it to heart for your servant knows that I have sinned. Therefore, behold, I have come this day, the first of all the house of Joseph to come down to meet my Lord, the king. Abishai, the son of Zeruiah answered. This is Joab's brother, one of David's military leaders.Shall not Shimei be put to death for this because he cursed the Lord's anointed? Which cursing the king isn't something to to take lightly. Cursing the Lord's anointed is not something to take lightly. Open rebellion against the king that God placed in the position that he's in is not something to take lightly. And Abishai says, shouldn't he be put to death? But David said, what do I have to do with you?You sons of Zeruiah, that you should this day be as an adversary to me. Shall anyone be put to death in Israel this day? For do I not know that I am this day king over Israel? And the king said to Shimei, you shall not die. And the king gave him his oath. So Shimei comes and lays down before him and says, don't take it to heart.Don't remember it. Please forgive me. I know I was wrong. I shouldn't have said the things I said. I shouldn't have done what I should have done. And Abishai standing there with the king says, let's put him to death.And David says, what do I have to do with you? Why are you an adversary to me? This is a day of rejoicing. This is a day of joy. I'm king in Israel. Nobody's being put to death today.And so he spares him. And there's part of me that goes, yeah, but he just said he was sorry because it didn't work out. Get him. There's part of me that doesn't want this to play out the way it does. But when we consider the position that we're in as we await the return of our king, that it plays out like this is wonderful news.And that we have the same hope is wonderful news. Because we're supposed to approach our king in repentance as well. And we also have an adversary that stands there and accuses us before him. And we are also thankful that God in his grace sent someone to pay for our sin, that Jesus Christ died for our sin, that we might have forgiveness, that we might be able to repent. That's the way we're supposed to approach the return of Jesus. And so I think when we read this story about Shimei, we should ask the question, do you see your sin?Do you know that you need forgiveness? Can you see that you're wrong? I don't think Shimei saw it until he reckoned with the return of David. And I think some of you need to reckon with the return of Jesus that one day he will set up his kingdom. I had a guy who used to work for me when I ran a firework store. He was a young guy and we were talking about he had grown up in the church.We were talking about Jesus and he was in college and he just said, yeah, I like I know the stuff I'm doing is wrong. And I'll need to like repent and, you know, ask Jesus to forgive me. He said, I just, I just don't want to. And I've got plenty of time. I'm young. I've got plenty of time.Now, he doesn't know that we don't know that we don't know that he has plenty of time. Personally, we don't know if we have plenty of time before the Lord returns. He says he's going to return at any time when he wants to. And so the idea that we don't consider the return of the Lord and we continue in our sin, I think it's helpful for us to see, you know, we actually are supposed to approach the Lord in repentance. That's what Jesus says. That's his first message.When he comes to earth, he says, repent for the kingdom of heaven is at hand. That's the proclamation. The kingdom calls us to repentance or an Acts five. When they're preaching the gospel, they say God exalted him. That's Jesus at his right hand as leader and savior to give repentance to Israel and forgiveness of sins. That's our hope is that there's repentance and forgiveness.Second Peter three, when he's talking about the return of the Lord, he says, the Lord is not slow to fulfill his promise. That's the promise of him coming back as some count slowness, but it's patient toward you, not wishing that any should perish, but that all should reach repentance. Do you see your sin? We have care nights and community groups. Do you take the time to consider your sin? Do you take the time to understand your need for forgiveness?You show up and go, I'm doing good about the same. I'm fine. One of the signs of faithfully following Jesus is there should be times when you or someone in your group says, Hey, actually I need to talk to you. I need to come. I know it's not a care night, but I don't sin on a schedule. And so I need to repent now.I don't just wait for like the week leading up to care night to get all my sins out so that I can talk about them on that, you know, that nice scheduled Tuesday. We do that on purpose to build the rhythm of repentance, but it's something that we should do something that we should see our need for a savior and the hope that we have that there is forgiveness because we don't save ourselves, but we do get to have repentance and forgiveness. That's our hope. So I think that's what we should consider as we consider, as we see Shimei on his face before the King, we should consider, do we see our sin?Do we know what happens when he returns? The second interaction and Mephibosheth, the son of Saul came down to meet the King. Now he's in the line of Saul. That's what that means. He's Saul's grandson. Mephibosheth, if you remember, is Jonathan's son.He is crippled in his feet is the way the text describes him. And he is the one who David went and searched out and brought specifically to his table. And David found Ziba and said, is there anybody left that we can be, that I can be nice to in the house of Saul? And Ziba said, yes, there's Mephibosheth. He goes and gets Mephibosheth. And then he places Mephibosheth with Ziba under him as Ziba is his servant.When David flees, Ziba shows up with no Mephibosheth. And David says, where's Mephibosheth? And Ziba says, oh, he was so excited that you're fleeing. He actually said, this is great because today I'll become King. So I just left because I'm on your team.And David says, okay, well, everything that belongs to Mephibosheth is yours. And that's how they leave. When David's returning, Mephibosheth shows up. Verse 24, he had neither taken care of his feet nor trimmed his beard nor washed his clothes from the day the king departed until the day he came back in safety. Mephibosheth looks rough. David's been gone for a while.He's been gone long enough to make it all the way to Mahanaim, to set up himself there, to fight a battle, to have everyone flee back to their homes, to then have arguments, to hear the whispers, to then send a message to Judah, to then have Judah talk it out, send back and him to make it here. It's been a while. Mephibosheth hasn't taken care of his feet, hadn't shaved his beard, hadn't washed his clothes. I don't know if you've ever bumped into someone at CVS who looks like they died that morning, microwaved themselves and then headed into CVS. And you're just like, oh, hey, and you take a step back because you don't want what they have.That's what Mephibosheth looks like. He's not looking good right now, obviously in a state of distress. It says, So Mephibosheth says, yeah, he tricked me. He saddled up and left. But I'm at your mercy.He slandered me to you, but I'm at your mercy. I was a part of a rebellious enemy house of yours until you brought me in and cared for me. I don't have anything else, any other claims to make. I don't have anything. Just you decide. That's Mephibosheth's approach.And the king said to him, why speak any more of your affairs? I have decided you and Ziba shall divide the land. And Mephibosheth said to the king, oh, let him take it all since my Lord, the king has come home safely. And that's most likely just a nice way of saying thank you. He's going to take half of it. He'll accept the gift.The king wants the king says that, but he just says, that's not what I'm most worried about. I'm thankful you're back. Now, I don't know if David's right in his ruling here. I think David was quick in his original ruling with Ziba. I think he's quick in his ruling here. I don't think that Ziba and Mephibosheth could go back to the same situation they were in.That makes some sense. And Ziba did help David as he fled. So I think he just kind of honors Mephibosheth, honors Ziba, cuts it in half and just moves on. But as we consider our position awaiting our king, and I consider Mephibosheth who went into mourning because of the situation that he was in, who had great upheaval in his life. I just started considering how comfortable are we with the situation that we're in? Do we see the need we have for a good king who brings justice?Do we see the need we have for a king to set things right? Do we see that we're not at home here? Because I think it's so easy if we're well fed, if we're well provided for, if we're prosperous enough, if we're comfortable enough to not really long for the king to return. I think there's a lot of things we might be looking more forward to. We're not in a state of mourning and waiting for him to come and set things right. Sometimes we are.Sometimes there's seasons of life where you feel that acutely. But I think it's very easy for us to be comforted to the ability to be dull. Entertained to where our senses are no longer aware of injustice and need and brokenness and the hope of a returning king who sets things right. So I think we need to ask, do I see my need? Do I long for the return of the king? Do I want Jesus to come fix what's broken here?Or am I just fine? And the things I'm most concerned about are simpler and shorter and closer. Because Mephibosheth needed David to come back to fix things for him. Verse 31, the third interaction. Now Barzillai, the Gileadite, had come down from Rogelim and he went on with the king to the Jordan to escort him over the Jordan.So he actually lived on the other side and met David when he fled and helped feed him and helped care for him. And he's coming towards the Jordan with him, not meeting him. He's not coming to the Jordan. He's coming with David and he's kind of at the Jordan. He's basically escorting him on his way out. That's the way he's coming.Verse 32, Barzillai was a very aged man, 80 years old. I don't know how that hits some of y'all, but I'm just reading what it said. He had provided the king with food while he stayed at Mahanaim, for he was a very wealthy man. And the king said to Barzillai, come over with me and I will provide for you with me in Jerusalem. But Barzillai said to the king, how many years have I still to live that I should go up with the king to Jerusalem?I am this day 80 years old. Can I discern what is pleasant and what is not? Can your servant taste what he eats or what he drinks? Can I still listen to the voice of singing men and singing women? Why then should your servant be an added burden to my Lord, the king? Your servant will go a little way over the Jordan with the king.Why should the king repay me with such a reward? Please let your servant return that I may die in my own city near the grave of my father and my mother. But here's your servant, Chimham. Let him go over with my Lord, the king, and you do whatever seems good to you. So David says, you care for us, come with me back to Jerusalem and I'll care for you.You get to eat at the king's table. You get the best of everything. And Barzillai says, no thank you. Mostly what I want is to live where I live, to die among my people, to be buried with my household, and everything good you have to offer is kind of wasted on me. He said, I don't really taste the food I eat anymore. So it doesn't matter who the chef is.I can't hear people sing and dance and enjoy that sort of thing anymore. So it just kind of gets on my nerves. He didn't say that. That's me reading into it. That's the way my grandparents were on some things where they like movies were annoying because of the, you know, you go in and it's like high quality sound and they're like, I can't hear anything. This is obnoxious.I don't want to be there. It'd be like if you were like, hey, we're going to a rave. You want to come? No, I don't. I do not want to participate in anything that is loud and populated. So he says, come to Jerusalem.And he says, no, thank you. But Chimham would probably love that sort of thing. Take him. Chimham. You can taste food. Yeah, cool.You're going to love Jerusalem. That's what he does. And he sends Chimham. Verse 38. Verse 38. And the king answered, Chimham shall go over with me and I will do for him whatever seems good to you.And all that you desire for me, I will do for you. Also, I know our church family usually has quite a few pregnant ladies in it. Chimham, baby name. Boy or girl. Kim or Ham for short. There you go.All right. That's not helpful. Verse 39. Then all the people went over the Jordan and the king went over and the king kissed Barzillai and blessed him. And he returned to his own home. The king went on to Gilgal and Chimham went on with him.And all the people of Judah and also the half the people of Israel brought the king on his way. That's where we're going to stop in our text this morning. And I think in considering Barzillai and his relationship to David, I think one of the things that we need to realize is that when a king comes into his kingdom, he blesses and grants rewards. It's a thing that a king does. And we're told that Jesus does the same thing. Now, it's interesting here because Chimham receives the blessing that he didn't earn.And there's a part of that that's us. That we get the blessing of Christ. We get the righteousness of Christ. We get what Christ has accomplished for us. That that is what actually saves us is the work of Jesus. But also that a king would see those who had served him and bless them and reward them is a thing that the Bible also tells us happens.Jesus tells a parable, the same kind of parable framework over and over where he says there's a master who leaves. And he places people in charge. And when he returns and then he always has this master returning. And sometimes when he returns, they're doing what they're supposed to. And he says, it's great. The master says, well done, good and faithful servant.He says, it's good that the master finds them awake when he returns. No matter when he returns, that they're ready. Sometimes the master returns and they're not ready. They haven't been doing what they're supposed to be doing. And it goes very poorly for them. They're cast out.They're destroyed. Some stories they're torn to pieces. And there's this promise of reward. There's a promise of a returning king who we're supposed to be faithful and at work when he comes back. And it's interesting. If you consider what Barzillai did.Barzillai was wealthy. And he provided for David in the wilderness. He provided for David while he was at Mahanaim. He provided for him while he was in the wilderness. And if you consider your life as a Christian. We've been given gifts.And we're in the wilderness. We're surrounded by people who are in need. Some of that's monetary. Some of that's physical. That we're supposed to be people who care for other people. That all the things that you have aren't meant to terminate on you.But you're supposed to give of your wealth. Of your resources to care and provide for other people. But some of it is like spiritual gifts. Joy. Do you know that you have a wealth of joy that's accessible by you? Because of Christ.That you should share with other people. In a culture where people go yeah they're too hard to deal with. Being around them makes me sad. Well we have a hope that's in Christ. That's not circumstantial. Christians should go into those situations.You should go share some of your joy with somebody. Because you can have yours replenished by Christ. You should go share some of your love with somebody. There are lonely people around you. My family was recently on vacation. And there's other people that came with their child.And were like hey we're going to hang out with y'all. And I had to pray. Because I don't want to hang out with them. I did not come to the beach to make friends with new people and their children. And I had to be like Lord help me. Because maybe I came to the beach to make new friends with people and their children.I need to care for people. And I don't know if I navigated that well. I did have to ask for help. I had to tell my sons hey I know that this isn't what. My son stared at him like. What on earth is happening?I had to be like say hello. That's a human. But they got it from me. Because they just aren't good at acting. I was like hey. And I wanted to just be doing the same thing.Like you've misread the situation. You picked the wrong people. We are not friendly. But I had to ask for help. Because the reality is we can welcome and care and love and give. We should.And we have Barzillai who's faithful. And the king sees it and says I want to reward that. And we have a king who's going to return. And we should be at work when he does. We should be loving and caring and praying and laboring when he does. We should be putting effort towards things that matter when he does.So I think. As we consider. Different individuals who knew that David was coming. And responded in different ways. I think we should ask. Do I see my sin?Do I know I need forgiveness? I think we should ask. Do I see brokenness in the world? Do I know that I'm not at home here? Do I feel too comfortable here? Or do I know I'm a citizen of a future kingdom?And I think we should ask. Am I faithful? Am I doing what I'm supposed to be doing? I want to finish by considering. Second Peter chapter three. It'll be on the screen.We read a bit of this earlier. The Lord is not slow to fulfill his promise. As some count slowness. That's his promise to return. But it's patient toward you.Not wishing that any should perish. But that all should reach repentance. But the day of the Lord will come like a thief. Meaning we won't be ready for it. Jesus says. If the master of the house had known.When the thief was coming. He'd have been ready. But you don't know when the thief is coming. Then he says. So be ready.Be awake. Be alert. Meaning he could come at any point. He told them that in the first century. He's going to return. At a time they don't expect.And I know. If you get on the internet. There's a whole lot of people telling you. The signs have gotten more signy lately. Okay. But he can come whenever he wants to.And if they're telling you. It's more likely now. It is. Because he didn't come yesterday. So it's more likely today.Every day we move forward. It's more likely. He can return whenever he wants. And we're not waiting for some specific thing. That's got to happen. We're waiting for him.And he returns when he wants. But he's going to come like a thief. It says there'll be people still being. There's still going to be things on the calendar. There's still going to be good plans. That people have to do good things.People are going to be engaged. And waiting to get married. That's going to happen. And he's going to return. There's also going to be evil people. Plotting evil things.And they're not going to get to fulfill it. Because he's going to return. There's going to be all these plans at work. All these negotiations. All these things that are happening. These businesses that are going to merge.And these people who are going to do this. And a trip you're going to take. And then he's going to return. Like a thief. And then the heavens will pass away with a roar. And the heavenly bodies will be burned up and dissolved.And the earth and the works that are done on it will be exposed. Everything will be laid bare. Since all these things are thus to be dissolved. What sort of people ought you to be. In lives of holiness and godliness. He says none of this other stuff is going to make it.But we are. And faithfulness is. Holiness is. Godliness is. What sort of people should we be? Waiting for and hastening the coming of the day of God.God. When was the last time you sat and thought, I hope he hurries? When was the last time you sat and waited for it. Longed for it. Hastened it.Prayed, Lord, come on. When was the last time you said. Lord be patient. I want to see them. Repent.Oh Lord. If you could wait a little while. I'm trying. I'm praying. Lord. Can you save them?Can you rescue them? Are we living our life. Knowing that the master can return whenever he wants. But according to his promise. We are waiting for new heavens. And a new earth.In which righteousness dwells. Our good things are not here. But they are to come. If you belong to Jesus. And if you don't belong to Jesus. The offer of repentance.Is for you. That you might come to know him. But may God grant us to be people. Who wait for. And hasten the day of his return. And are ready.When he gets here. Let's pray. Lord we're thankful. That we have a better king. Than David. Who's going to return.And set everything right. We're thankful. We're thankful. That we have a better judge. We're thankful. That we have a hope.In you. And may we look forward. To our reward. May we see. What is to come. And to treasure it.And to value it. Above what we have. In front of us. Lord may your spirit. Help us. And may we daily.Wait. For you.In Jesus name. Amen.

Do you spend your weekends visiting cliffs with your child to find out which ones would be deadliest? Well, that’s something Fiona Hardy did in researching her new ‘cosy crime’ novel, Old Games! In this episode, Fiona joins us to discuss the inspiration for this latest book, her own writing process and how she went from kids to adult fiction! 00:00 Welcome06:31 Writers in the wild11:06 Writing tip: Metrics of success14:31 WIN!: The Clueless Guide to Solving a Mystery by Samera Kamaleddine & Hykie Breeze16:10 Word of the week: ’Obstreperous’16:57 Writer in residence: Fiona Hardy17:50 What is her new book ‘Old Games’ all about?20:09 Plotting and pitching this second novel23:25 Cosy crime without a murder26:19 Writing fight scenes27:41 Realistic consequences28:28 Setting the story in Victoria30:23 Researching crime and cliffs32:42 Balancing bookselling and writing34:11 Daily writing process and goals35:31 Publicity, creating socials and anxiety39:17 How Fiona moved from kids to adult books40:34 Future projects43:39 Writing tip45:10 Final thoughts Read the show notes Connect with Valerie and listeners in the podcast community on Facebook Visit WritersCentre.com.au | ValerieKhoo.comSee omnystudio.com/listener for privacy information.

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In the fifth 15-minute section of our screenplay, Napoleon's journey takes a sharp, downward turn. Success is replaced by mounting setbacks as our hero heads to Egypt - an ambiguous mission that isolates him from power and allies. The Directory's antagonism grows ever more apparent, Josephine's betrayals come to light, and disaster strikes in the form of Nelson's fleet. As loyalty in his own ranks falters, Napoleon faces not only external foes but the erosion of his own myth, setting the stage for the looming low point of his story.In episode six of our screenwriting escapade we continue to forge ahead in our mission of crafting a top-notch screenplay treatment about the life of Napoleon Bonaparte. Alex Stevenson is joined by James Topham (who knows a thing or two about screenwriting) and Ben Deery (who knows a thing or two about acting) to put the movie world to rights. Having analysed the pitfalls and frustrations of Ridley Scott's Napoleon 2023 in the first season the Napoleon Movie Quarter-Hourly, this time round the team have to come up with the magic themselves.This episode features a bonus contribution from our own Prof Alexander Mikaberidze from 35:40 - explaining the precise nature of the incontrovertible evidence of Josephine's infidelity which Junot is supposed to have presented to Bonaparte... As our resident bot NAIpoleon Bot-aparte puts it:A Playful Opening and Format Mash-UpThe episode begins with a tongue-in-cheek parody intro as “Cavalry Matters,” poking fun at historical drama tropes and AI-generated content, before moving into the “Napoleon movie” project focus 00:00:09.Introduction of the Team and Their RolesAlex Stevenson introduces the project collaborators: Benjamin Deery (acting expertise) and James Topham (screenwriting expertise). The trio set out to reimagine Napoleon's story for the screen 00:01:26.Recap and Structure So FarJames Topham recaps their progress, summarizing the story up to scene 20—the film's midpoint. He details five key scenes depicting Napoleon's transition from general to budding ruler and the dynamic with Josephine 00:03:14.Dramatic and Character DevelopmentsThe team walk through significant scenes involving military victories, shifting romantic dynamics (including Napoleon's changing feelings for Josephine), negotiations, and turning points, such as Josephine's infidelity and the metaphorical “unripe pear” scene 00:04:34.Debate over Historical Events and Narrative ChoicesThere's an in-depth discussion about the authenticity and dramatic effectiveness of sending Napoleon to England vs. Egypt, with concerns about narrative payoff and dramatic logic for audiences 00:12:22.Motivations Behind the Egyptian CampaignAlex Stevenson provides historical context for Napoleon's Egyptian adventure, discussing the Directory's motives, the project's ties to myth-making, prestige, and the origins of Egyptology (including the Rosetta Stone) 00:16:16.Identifying the "Bad Guys Close In" PhaseThe team frame the next segment of their narrative as the “bad guys close in” phase, per Blake Snyder's structure. This act will feature setbacks for Napoleon, the Directory as antagonists, and cracks forming within Napoleon's “gang” 00:22:02.Setbacks in Egypt and Antagonist DynamicsA list of major setbacks is outlined: confirmed betrayal by Josephine, isolation after Nelson destroys the French fleet, Ottoman intervention orchestrated by the Directory, and discussions on how to visually and narratively stack these blows for dramatic effect 00:27:32.Reintegrating and Redefining the "Gang"They debate how to portray dissension among Napoleon's loyalists. 00:43:22.Looking Ahead: Approaching the Low PointThe episode closes with a preview of the next section: Napoleon's imminent “all is lost” moment, a stretch defined as the dark night of the soul, where all seems lost before act three begins. 00:51:07.

Open Discussion!

At COP28 in December 2023, the world committed to transitioning away from fossil fuels. Yet in the years since, there’s been little progress. A meeting in Colombia last month hoped to change that, gathering ministers and climate envoys from 57 countries to try and chart a path to end the use of fossil fuels. This week on Zero, Tzeporah Berman, chair of the Fossil Fuel Non-Proliferation Treaty Initiative, tells Akshat Rathi what the conference achieved and where it goes next. Explore further: Fossil Fuel Treaty Initiative website First Conference on the Transition Away from Fossil Fuels Countries Draw Up Next Steps to Decarbonize at Colombia Fossil-Fuel Summit Climate Negotiators Meet in Santa Marta to Discuss Fossil Fuel Transition - Bloomberg Zero is a production of Bloomberg Green. Our producer is Oscar Boyd. Special thanks to Sommer Saadi, Sharon Chen and Laura Millan. Thoughts or suggestions? Email us at zeropod@bloomberg.net. For more coverage of climate change and solutions, visit https://www.bloomberg.com/green.See omnystudio.com/listener for privacy information.

EPISODE DESCRIPTION A Massachusetts Democrat is under fire from his own party after criticizing a Maine Senate candidate tied to Nazi imagery and extremist rhetoric. Meanwhile, JD Vance and the Trump administration say they're uncovering staggering levels of fraud across federal programs — and New York progressives are now openly discussing aggressive property seizure policies critics say resemble socialism and state control. Tara connects the dots between rising extremism, fraud investigations, collapsing blue-state economics, and the growing ideological divide reshaping America. CLICKABLE HEADLINE OPTIONS Democrats ATTACK Jewish Congressman Over Nazi Candidate JD Vance Exposes MASSIVE Fraud Network NYC Moves Toward Socialist Property Seizures Democrats REFUSE To Fight Fraud Blue States Losing Residents FAST Trump Team Recovers BILLIONS In Fraud Crackdown Democrat Civil War Explodes Over Extremist Candidate Socialism Is DESTROYING Blue States SEO KEYWORDS JD Vance fraud investigation, Democrat Nazi controversy, Maine Senate candidate scandal, socialist property seizure, New York housing crackdown, government fraud recovery, Stephen Miller fraud comments, blue state exodus, Democrat civil war, Trump administration fraud cleanup, communist policies America, red state economic growth, New York property seizures, political podcast, Tara Servatius PODCAST SUMMARY Today's episode breaks down the political firestorm surrounding a Massachusetts Democrat who criticized a Maine Senate candidate accused of embracing Nazi symbolism and extremist socialist rhetoric — only to face backlash from members of his own party. Tara also examines the Trump administration's escalating fraud crackdown led by JD Vance and Stephen Miller, including claims that hundreds of billions of dollars have already been recovered from fraudulent COVID relief, student aid, and welfare-related programs. According to administration officials, eliminating fraud could dramatically reshape the federal budget. The show then pivots to New York City, where new housing proposals have sparked outrage among critics who argue progressive leaders are laying the groundwork for government-backed property seizures through code enforcement and nonprofit partnerships. Finally, Tara highlights new economic migration data showing millions of Americans relocating from blue counties to red counties as income growth increasingly favors Republican-led states. FEATURED STORIES Democrat backlash after congressman condemns extremist candidate Jewish Democrat attacked by own party over Nazi imagery criticism JD Vance announces massive fraud recovery efforts Stephen Miller says fraud elimination could balance federal budget Blue-state attorneys general refuse anti-fraud coordination meeting New York housing proposal sparks socialism accusations Millions of Americans fleeing blue counties for red-state economies Study shows red-state income growth outpacing blue states SOUND BITES “The backlash wasn't over the tattoo — it was over calling it out.” “Fraud has become so massive it could reshape the federal budget.” “People are voting with their feet and leaving blue states behind.” “The political divide in America is no longer just ideological — it's economic.” “What starts with landlords never stops with landlords.” THUMBNAIL TEXT OPTIONS DEMS DEFEND THIS?! FRAUD EMPIRE EXPOSED NYC GOES FULL COMMIE BILLIONS STOLEN RED STATES WINNING PARTY IN MELTDOWN YOUTUBE DESCRIPTION A Massachusetts Democrat is being attacked by his own party after criticizing a Maine Senate candidate tied to Nazi imagery and extremist socialist rhetoric. At the same time, JD Vance and Stephen Miller say the Trump administration is uncovering unprecedented levels of fraud involving COVID relief, student aid, and government handouts — with officials claiming fraud elimination alone could dramatically change the federal budget. Tara also breaks down New York City's controversial housing crackdown, why critics ...

Here are today topics: Kelsey Swanson vs Rosie DiMare on RHORIK. Michelle says the RHOA cast is plotting against her!Bethenny Frankel snubs Dina Manzo's daughter! I hope you enjoy today's episode! Follow us on IG: Dahveed: @Living_with_DahveedMarcus: @MrMarcusWhite/@MrHousewives

In the fourth 15-minute section of our movie screenplay we move towards the midpoint, the critical moment where accumulating consequences for our hero Napoleon Bonaparte make him realise his military successes represent a false hope. He's going to have to rethink - and we need to set out in this section of the film why that's the case. In episode four of our screenwriting escapade we continue to forge ahead in our mission of crafting a top-notch screenplay treatment about the life of Napoleon Bonaparte. Alex Stevenson is joined by James Topham (who knows a thing or two about screenwriting) and Ben Deery (who knows a thing or two about acting) to put the movie world to rights. Having analysed the pitfalls and frustrations of Ridley Scott's Napoleon 2023 in the first season the Napoleon Movie Quarter-Hourly, this time round the team have to come up with the magic themselves.As our resident bot NAIpoleon Bot-aparte puts it:Introduction and Project Title DiscussionAlex Stevenson reflects on the complexities of both the project's title and their ongoing efforts to tackle the Napoleon movie's midpoint (00:00:09).Screenwriting Structure and the "Midpoint"James Topham explains the significance of the midpoint in screenwriting, emphasizing the protagonist's realization that their initial insight was a false hope, necessitating a new approach (00:02:16).Napoleon's Myth and PowerBen and Alex Stevenson discuss how Napoleon leaned into myth-making for power, and debate when in his real-life story this strategy likely fails or must be re-evaluated (00:03:47).Limits of Power and FrustrationAlex Stevenson suggests that Napoleon's frustration comes from being undermined by political rivals (the Directory, especially Barras), despite his military successes (00:04:37).Internal vs. External ConflictJames Topham highlights the internal conflict between Napoleon's public myth and his private insecurities, amplified by his relationship with Josephine (00:05:39).Humorous Interlude: The Pug IncidentThe hosts share an anecdote from a Napoleon biography about Josephine's pug being killed, debating its potential inclusion in the screenplay for dramatic or comedic effect (00:08:47).Montage of Military Success and Growing AmbitionA recap of part of the screenplay treatment: Napoleon's rapid victories in Italy, the spread of his legend, and his increasing enjoyment of administrative power (00:10:25).Love Triangle and Character ComplexityThe group discusses Josephine's ambiguous love life, including her affair with Lieutenant Charles. They recognize its importance for the evolving love triangle and consider how this complexity impacts Napoleon's character and the script (00:21:06).The Real Midpoint: Power Struggles and SetbacksAlex Stevenson proposes that the midpoint pivots on Napoleon's frustration with being constrained by the Directory, underscored by a potential “resignation scene” where he realizes his myth is not sufficient for true power (00:27:03).Foreshadowing Future Conflict and DirectionThe episode ends with the group teasing Napoleon's next move, possibly the Egyptian campaign, and reiterating the need to heighten personal and political conflict—while ending on a comedic note debating pears and apples (00:39:23).

How do the binary electronic signals of neurons give rise to subjective experience? Mathematician and machine learning researcher Nina Miolane joined science historian Claire Isabel Webb to explore this question from an unexpected direction: geometry. Plotting the collective firing rate of neurons in 3D space, Miolane's Geometric Intelligence Lab at UC Santa Barbara found the result created a torus. When they trained an artificial neural network on the same task, it converged on the same shape. Miolane posits that biological and artificial intelligence may be reaching for a universal computational design. In this fascinating conversation, Webb and Miolane discussed how geometry is the most ancient branch of physics; it is the language we use to describe the curvature of spacetime and the General Relativity of the universe. Might it also map the universe inside us?

This week on RHOA, K. Michelle reveals a scheme set up regarding a past rumor, Drew threatens to bring the Chicago out and then gets a headache, Cynthia just tries to get all the girls to her gala, and more!Follow me on social media, find links to merch, Patreon and more here! Hosted on Acast. See acast.com/privacy for more information.

Tech giants are increasingly looking beyond Earth to solve one of AI's biggest growing pains: where to put all the computers.

This is the All Local morning update for Saturday May 16th, 2026.

Wes Goldberg and Mike Shearer are back with Good Take on the RealGM Radio YouTube channel, starting with the Cavaliers' overtime win over the Pistons. After Kenny Atkinson claimed Cleveland had the momentum in the series, Wes and Mike debate whether the Cavs are actually in control or if Detroit still has answers. Then it's time for the week's best NBA takes. Wes argues that everyone is talking about the San Antonio Spurs the wrong way. Victor Wembanyama is the headline, but Dylan Harper might be the missing piece who turns San Antonio into the NBA's next great powerhouse. Could Wemby and Harper become the best long-term duo in the league — or even the next Shaq and Kobe? Mike brings a take on why Jalen Duren's restricted free agency could become one of the most interesting storylines of the offseason. Plus, the And-1 take explains why the outrage over the Pacers losing their pick may be overblown. Subscribe to RealGM Radio for Good Take every Thursday, plus smart NBA analysis, playoff reaction, offseason storylines and big-picture basketball conversations. 00:00 Cavs-Pistons Reaction 21:19 Jalen Duren's free agency 36:00 Do the Spurs have the next Shaq and Kobe? 47:30 Enough Pacers outrage 53:16 Lakers Offseason Checklist   RealGM Radio is your top spot for the best weekly NBA coverage. Subscribe to get RealM Radio with Wes Goldberg, the Double Dribble and Good Take every week.   Monday: Double Dribble with Jared Dubin and Mo Dakhil Tuesday: RealGM Radio with Wes Goldberg Wednesday: Double Dribble with Jared Dubin and Mo Dakhil Thursday: Good Take with Wes Goldberg and Mike Shearer   Subscribe to watch more RealGM Radio videos: youtube.com/@RealGMRadio   FOLLOW REALGM ON SOCIAL RealGM on X/Twitter https://x.com/RealGM RealGM on Instagram  https://www.instagram.com/realgmnba/   #nba #victorwembanyama #podcast Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Reports are emerging that OpenAI is considering legal action against Apple allegedly because OpenAI execs aren't happy with Apple's efforts to integrate ChatGPT into its devices. This follows a 2024 deal between the two companies and comes amid the ongoing trial pitting OpenAI CEO Sam Altman against Elon Musk. For more, KCBS' Holly Quan spoke with Bloomberg's Mark Gurman.

It's another febrile day in Westminster with Prime Minister Keir Starmer - for now - clinging on but he's far from safe as a succession of ministers have stepped down, with more expected to go. On top of that, the man who has become the PM's nemesis in the north, Andy Burnham, is apparently down in London. Shopping? Plotting? So it looks like Keir Starmer might just hit the current average tenure of British Prime Ministers - two years, but no more. Is this really the way to run a country in the middle of two wars and a cost-of-living crisis? And could anyone else really do any better? On this episode of The Fourcast, Krishnan Guru-Murthy is joined by the Liverpool Echo's Political Editor Liam Thorp, who has co-authored a book with Andy Burnham on how to transform the country, and the Observer columnist Will Hutton.

More incel content: https://www.youtube.com/playli... We're taking a trip to r/IncelTear to laugh at the memes posted about the most delusional specimens. Incels are a fascinating subculture, but also a very worrying one that doesn't encourage any kind of self-improvement or self-reflection. It's pretty sad when you think about it. We can't let it fester in silence. It doesn't matter what your background is, you always need to treat people like people and not use them simply to get off. Neckbeards seem to learn this lesson particularly slow and it really does make my blood boil... So we must bring it to light so others don't suffer alone. For your fill of neckbeard stories we've got you covered with the freshest weeaboo, niceguy, and neckbeard happenings on reddit. Stick with ReddX for your daily dose of cringe with a side-dish of relatability. You might even feel good for dessert... But who can say? ------------------------------------------------------------ #reddit #neckbeard #incel Join me on Discord dude: https://discord.gg/Sju7YckUWu Check out the Twitch streams: https://www.twitch.tv/daytondo... One-time PayPal donation: https://www.paypal.me/daytondo... Support this channel on Patreon: http://patreon.com/daytondoes Stalk me on the Twitter! http://www.twitter.com/daytond... Visit me over on Facebook: https://www.facebook.com/ReddX... Got a story? I got a subreddit: https://www.reddit.com/r/ReddX... Here's an Amazon link to my microphone: https://amzn.to/3lInsRR Wanna rock the ReddX merch? https://teespring.com/stores/r... Character animations are by: https://twitter.com/DarkleyStu... Check out my other channel: https://www.youtube.com/dayton... Wifey's channel is right over here: https://www.youtube.com/channe... ------------------------------------------------------------ Did I mention that we have playlists??: Full neckbeard story compilations: https://www.youtube.com/playli... All of our neckbeard stories: https://www.youtube.com/playli... All of our legbeard stories: https://www.youtube.com/playli... All of our RPG Horror Stories: https://www.youtube.com/playli... All of our weeaboo tales: https://www.youtube.com/playli... ------------------------------------------------------------ Podcasts can provide some ReddX on the go! Check it out! Spotify: https://open.spotify.com/show/... Soundcloud: https://soundcloud.com/reddxy iTunes: https://podcasts.apple.com/us/... Google Podcast: https://podcasts.google.com/fe... Spreaker: https://www.spreaker.com/show/... Podchaser: https://www.podchaser.com/podc... Deezer: https://www.deezer.com/us/show... Podcast Addict: https://podcastaddict.com/podc... JioSaavn: https://www.jiosaavn.com/shows... We are working on getting listed on Castbox, Audible, and iHeartRadio ASAP! Have you ever met a neckbeard or a nice guy? They are frustrating to deal with, but luckily you aren't alone! These r/neckbeardstories from Reddit are among the top posts of all time and include some of the funniest Reddit stories ever posted on the neckbeard stories subreddit! rSlash NeckbeardStories have all kinds of funny neckbeards in them, but especially the nice guy. And the weeaboo. There is a wide spectrum of neckbeards, and this is but a small slice of it. Listening to ReddX's neckbeard stories playlist is a great experience! These neckbeard stories Top Posts of All Time from Reddit are made for you to enjoy any time you feel like it, so be sure to save my rSlash neckbeard stories playlist to your favorites! Some of the top rSlash entitled parents channels I recommend checking out are the original rSlash, Redditor, fresh, r/Bumfries, VoiceyHere, Mr Reddit, Storytime and Darkfluff. These Reddit story channels inspired me to start my own Reddit story channel, with a focus on Entitled Parents stories and at times going into the r/pettyrevenge and r/choosingbeggars subreddit as well. Because most of my audience prefers Entitled Parents stories of Reddit, I tend to just stick with reading the r/EntitleParents Top Posts of All Time. But I also enjoy getting up close and personal with neckbeards and weeaboos! Subscribe to ReddX for the freshest daily Reddit content. I post relatable readings of Reddit posts and Reddit stories every single day! Journey with me as I relate these amazing Reddit stories to my personal life journey. I'm greatly inspired by the top reddit posts of all time videos and reddit stories on YouTube! YouTube: https://www.youtube.com/channe... Discord: https://discord.gg/Sju7YckUWu Twitch: https://www.twitch.tv/daytondo... PayPal: https://www.paypal.me/daytondo... Patreon: http://patreon.com/daytondoes Twitter: http://www.twitter.com/daytond... Facebook: https://www.facebook.com/ReddX... Merch: https://reddx-shop.fourthwall....

This week on Amigos: Everything Amiga, we dive into Captain Blood — a surreal sci-fi dreamscape packed with alien languages, a Jean-Michel Jarre soundtrack, and some of the strangest gameplay ever released on the Amiga — plus current Amiga news and more!

It's election day across the UK, and speculation is rife about a looming plot to oust Keir Starmer. But should the Labour Party just admit it's not as good at skulduggery as the Conservatives in their heyday?Hugo Rifkind is joined by Sarah Ditum and Matthew Parris, to discuss scheming politicians, the drinking culture in Parliament, and how the 24 hour news cycle changed modern politics. Hosted on Acast. See acast.com/privacy for more information.

In the first 15 minutes of Act 2 of our putative Napoleon movie, we get into "the promise of the premise"—delivering the kind of content audiences expect from a Napoleon film: military campaigns, political maneuveures, personal intrigue... as well as some further development of the love story with Josephine and Napoleon's antagonist Paul Barras; and, above all, the idea of mythmaking as a key theme. In episode four of our screenwriting escapade we continue to forge ahead in our mission of crafting a top-notch screenplay treatment about the life of Napoleon Bonaparte. Alex Stevenson is joined by James Topham (who knows a thing or two about screenwriting) and Ben Deery (who knows a thing or two about acting) to put the movie world to rights. Having analysed the pitfalls and frustrations of Ridley Scott's Napoleon 2023 in the first season the Napoleon Movie Quarter-Hourly, this time round the team have to come up with the magic themselves.As our resident AI bot N-AI-poleon Bot-aparte puts it:1. Three-Act Structure and Threshold CrossingThe end of Act 1 is discussed as a pivotal moment when the protagonist, Napoleon, consciously begins constructing his own myth (00:19:41), a literal and figurative threshold crossing (00:19:55).Detailed walk-through of Act 1 scenes, including:Substituting Josephine for Desiree in the narrative (00:02:39).Key action sequences at Vendemiare and the bridges of Lodi/Arcola (00:03:39, 00:15:14), with discussion on historical accuracy versus dramatic conflation (00:16:10, 00:17:43).Introduction of supporting characters and ensemble around Napoleon (00:06:01), focusing on ambitious opportunists rather than loyalists.Exploration of the dynamics between Napoleon, Josephine, and Barras, including scenes blending political manipulation and sexual intrigue (00:08:24, 00:09:31).The concept that "the story and reality are separate things" is thematically highlighted (00:05:05), with the motif of Napoleon recognizing and starting to orchestrate his public image (00:19:01, 00:19:51).Visual iconography is suggested (e.g., Napoleon with the bicorne hat, the famous bridge painting) to support the myth-making theme (00:19:50, 00:20:24).James Topham and Alex Stevenson discuss "the promise of the premise"—delivering the kind of content audiences expect from a Napoleon film: campaigns, political maneuvers, personal intrigue (00:22:44), reminiscent of "fun and games" sections seen in classic screenplay structures.Suggestions about Act 2 include focusing on:Napoleon's rapid military successes in Italy (00:25:30),His dual role as both general and proto-ruler, highlighting the confluence of military, political, and personal exploits (00:26:32),The beginnings of conflict between Napoleon and the Directory/Barras, including themes of looting, propaganda, and evolving power (00:28:11, 00:29:38).The love triangle between Napoleon, Josephine, and Barras is positioned as a B-story, serving both as counterpoint and commentary on Napoleon's personal limitations and vulnerabilities despite public success (00:34:12, 00:35:25).James Topham notes this B-story should provide the "kernel of a realization" that the main character's myth-making may not resolve deeper internal needs (00:35:00).Strong emphasis on the importance of an active antagonist. Barras is not simply reactive but is shown making tactical moves to rein in Napoleon through proxies and political maneuvers (00:42:09, 00:44:00).Barras's motivations are clarified: survival, controlling or harnessing Napoleon's force, and concern for the stability of the Directory (00:39:09, 00:45:08).Discussion of tonal variation, humor, and the inclusion of sex and farce elements (e.g., the pug scene) to balance dramatic and comedic moments (00:10:26, 00:12:17).Plan for the next episode focuses on Act 2's midpoint—the major reversal where Napoleon must confront the limitations of his current approach (00:49:14).

In this episode, Jeff is joined by V.E. Griffith to brainstorm the plot and character arcs for the second book in Griffith's urban fantasy series. The session focuses on using character growth to drive the plot, a method Jeff advocates as the most effective way to build a story. They explore the growth arcs of two characters and then use the emotional beats of change to outline the plot of the book. For more on the craft of writing, go to DialogueDoctor.com

How can we know if our scene pushes the story forward.  Does our scene contribute to the story?  The ratchet can test our scene.  I talk about the ratchet and show how Cormac McCarthy and F. Scott Fitzgerald used it.  Plus, a technique for searching for instances of telling in our manuscript so we can change them to showing.  And C.S. Lewis's rules of writing.Support the showBuy the master class.

Slightly more than six months before voting day, two of the country's astute political journalists give us their opinions on the lie of the land Guyon Espiner and Thomas Coughlan on coalition partnerships, economic headwinds and burying a leadership crisisFind The Detail on Newsroom or RNZGo to this episode on rnz.co.nz for more details

AP correspondent Charles de Ledesma reports the trial of an Austrian man accused of plotting to attack a Taylor Swift concert begins Tuesday.

AP correspondent Charles de Ledesma reports a suspect pleads guilty to plotting an attack on superstar Taylor Swift's 2024 Vienna concert.

INCOGNI Deal: To get an exclusive 60% off an annual Incogni plan, go to https://incogni.com/beast #ad Michael Wolff and Joanna Coles examine the looming post-Trump power vacuum, mapping out a chaotic and deeply personal succession battle as Donald Trump edges toward lame-duck status and a Republican party already turning on itself. From a flailing JD Vance to an ill-fitting Marco Rubio, a wildcard Tucker Carlson, and the unpredictable rise of Robert F. Kennedy Jr., they unpack a Republican field defined less by ideology than by ego, media power, and proximity to Trump himself. As rival factions circle, alliances fracture, and even loyalists like Marjorie Taylor Greene begin to reposition, Wolff reveals a darker dynamic driving it all: Trump may ultimately sabotage any successor to preserve his own dominance, setting the stage for a brutal, zero-sum fight for the MAGA base where loyalty is fleeting, ambition is naked, and the future of the party hinges on who can survive Trump—while still needing him. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In minutes 15-30 of our screenplay treatment our protagonist Bonaparte has his refusal of the call moment, the love story gets going, the gang gets together, and then it all builds to the end of Act 1 when Napoleon crosses the threshold - and the bridge of Lodi - at the same time. This is really the episode when this project properly gets going - and our hero begins to narrow the gap between his star-following destiny-bound self-perception and his somewhat awkward reality.Here's those secret movie voice notes in full, as recorded between episodes 2 and 3: https://www.patreon.com/posts/those-secret-in-155837568Yes, it's episode three of this odd project. Taking up the challenge of crafting a top-notch screenplay treatment about the life of Napoleon Bonaparte, Alex Stevenson is joined by James Topham (who knows a thing or two about screenwriting) and Ben Deery (who knows a thing or two about acting) to put the movie world to rights. Having analysed the pitfalls and frustrations of Ridley Scott's Napoleon 2023 in the first season the Napoleon Movie Quarter-Hourly, this time round the team have to come up with the magic themselves.As our resident AI bot N-AI-poleon Bot-aparte puts it:The team reviews and refines the first 15 pages of the Napoleon screenplay, breaking down five key scenes that chart Napoleon's journey from imprisonment in 1794 to his emergence as a political and military player.There's an in-depth discussion on revising historical details and narrative structure, including the role of the antagonist (shifting focus from Talleyrand to Barras) and centering Josephine as the driving love interest—replacing Desiree in earlier scenes for thematic cohesion.The episode explores the depiction of Napoleon's character during this formative period, emphasizing his internal ambiguity, uncertainty, and the tension between his self-image versus his reality—touching on his social awkwardness, aspirations, and motivations.The hosts map out the next 15 minutes of the screenplay, focusing on classic screenwriting beats such as the refusal of the call, assembling Napoleon's ‘gang' of key figures, and leading up to a major “crossing the threshold” moment in Italy, with a proposed set piece at the Battle of Lodi bridge.There's a debate about how to balance historical accuracy with cinematic storytelling, such as condensing events for emotional impact, portraying Napoleon's myth-building, and weaving Josephine and Barras into the heart of the story's momentum.

It's News Day Tuesday on The Majority Report   On today's program:   Senator Liz Warren challenges Trump's pick for the Fed chair, Kevin Warsh, to exhibit independence from the president and he fails miserably. Warsh cannot name a single piece of Trump economic agenda that he disagrees with; he cannot even admit that Trump lost the 2020 election.   Elie Mystal, justice correspondent and columnist at The Nation magazine, joins the program for a conversation about Justice Alito's future and other recent Supreme Court activity.   All that and more   New host of Info Wars, Tim Heidecker joins the show to discuss IW's new vision.   Sean Hannity has left the Catholic Church over the Pope's refusal to endorse the war in Iran. Hannity also blames the Mets losing streak on Zohran Mamdani cursing the team by hugging Mr. Met.   A Florida student is facing 15 years in prison for making an obvious joke about Netanyahu in a group chat.   Rep. Brandon Gill (R-TX) and Benny Johnson have an incredibly racist conversation about Somalis and Haitians.   To connect and organize with your local ICE rapid response team visit ICERRT.com The Congress switchboard number is (202) 224-3121. You can use this number to connect with either the U.S. Senate or the House of Representatives. Follow us on TikTok here: https://www.tiktok.com/@majorityreportfm Check us out on Twitch here: https://www.twitch.tv/themajorityreport Find our Rumble stream here: https://rumble.com/user/majorityreport Check out our alt YouTube channel here: https://www.youtube.com/majorityreportlive Gift a Majority Report subscription here: https://fans.fm/majority/gift Subscribe to the AMQuickie newsletter here: https://am-quickie.ghost.io/ Join the Majority Report Discord! https://majoritydiscord.com/ Get all your MR merch at our store: https://shop.majorityreportradio.com/ Get the free Majority Report App!: https://majority.fm/app Go to https://JustCoffee.coop and use coupon code majority to get 10% off your purchase Check out today's sponsors: PROLON: ProlonLife.com/majority Get 15% off plus a $40 bonus gift when you subscribe to their 5-Day Program. FAST GROWING TREES: Get 20% off your first purchase.  FastGrowingTrees.com/majority SUNSET LAKE CBD: Head on over to SunsetLakeCBD.com and use coupon code 420 to save 30% sitewide Follow the Majority Report crew on Twitter: @SamSeder @EmmaVigeland @MattLech On Instagram: @MrBryanVokey Check out Matt's show, Left Reckoning, on YouTube, and subscribe on Patreon! https://www.patreon.com/leftreckoning Check out Matt Binder's YouTube channel: https://www.youtube.com/mattbinder Subscribe to Brandon's show The Discourse on Patreon! https://www.patreon.com/ExpandTheDiscourse Check out Ava Raiza's music here! https://avaraiza.bandcamp.

How can we get readers to admire and respect our hero, maybe even to fall in love with him?  Our hero can save the cat.  Here is how the screenwriters' save the cat technique can apply to our novels.  Also, best seller Lawrence Block on how we can use our pleasure reading to improve our fiction writing skills.Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more.  Each episode is focused and about 30 minutes.  The full class—all 20 episodes—is available now for a one-time price of forty-nine dollars.  If you want structured, concise guidance, click the Buy the Master Class link in the show notes to get started.Support the showBuy the master class.

Netanyahu Vows To Continue War As He Levels Christian Towns In Southern Lebanon! Experts Warn Israel Plotting Nuclear Attacks On Iran! Plus, Trump Pledges “No Nuclear Weapons” Will Be Used Against Iran!

Get 15% off Saily data plans at https://saily.com with promo code Michael Wolff joins Joanna Coles to root inside Donald Trump's mind in real time, as the president wrestles with the Iran war, the spectre of Epstein, and the looming midterms. From bomb threats that evaporate into last-minute negotiations, to backchannel chaos no one can follow, Wolff dissects the whiplash of Trump's decision-making and the relentless fantasy world he inhabits—where he alone knows more than generals, elections are perpetually stolen, and every problem has a Trump-branded solution. Along the way, the conversation touches on Trump's obsession with image and the intricate theater of power he stages, showing how drama, delusion, and ambition collide in the mind of a man still convinced only he can save America. Learn more about your ad choices. Visit podcastchoices.com/adchoices