Podcasts about colonial discourse

In this episode of High Theory, Geoffrey Sanborn tells us about Plagiarism. A concept emerged with the idea of originality, plagiarism challenges some of our most deeply held notions of individualism and status. Hatred of plagiarism is so baked into our culture that it evokes a gut response of disgust, which prevents us from actually analyzing it as a form of social behavior. In the episode, Geoff talks about websites that promise to “humanize” chatGPT content, like the AI Text Converter and the Plagiarism Remover. He talks about postcolonial theory, as a tool that might help us analyze plagiarism, and invokes Homi Bhabha's idea of “colonial mimicry,” which appears in his 1984 article “Of Mimicry and Man: The Ambivalence of Colonial Discourse.” He also talks about the actress and playwright Anna Deavere Smith, and references David Graeber's book Debt, which we ran an episode on way back in 2020. It was in the early days of High Theory, so apologies for the audio quality, but we think you'll like it. Geoff is a Samuel Williston Professor of English and department chair at Amherst College. He has published many books about nineteenth century American literature, most recently Plagiarama! William Wells Brown and the Aesthetics of Attractions (New York: Columbia University Press, 2016), which was the inspiration for this conversation. It's a really great book! You should read it. The image for this episode was made by Saronik Bosu in 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of High Theory, Geoffrey Sanborn tells us about Plagiarism. A concept emerged with the idea of originality, plagiarism challenges some of our most deeply held notions of individualism and status. Hatred of plagiarism is so baked into our culture that it evokes a gut response of disgust, which prevents us from actually analyzing it as a form of social behavior. In the episode, Geoff talks about websites that promise to “humanize” chatGPT content, like the AI Text Converter and the Plagiarism Remover. He talks about postcolonial theory, as a tool that might help us analyze plagiarism, and invokes Homi Bhabha's idea of “colonial mimicry,” which appears in his 1984 article “Of Mimicry and Man: The Ambivalence of Colonial Discourse.” He also talks about the actress and playwright Anna Deavere Smith, and references David Graeber's book Debt, which we ran an episode on way back in 2020. It was in the early days of High Theory, so apologies for the audio quality, but we think you'll like it. Geoff is a Samuel Williston Professor of English and department chair at Amherst College. He has published many books about nineteenth century American literature, most recently Plagiarama! William Wells Brown and the Aesthetics of Attractions (New York: Columbia University Press, 2016), which was the inspiration for this conversation. It's a really great book! You should read it. The image for this episode was made by Saronik Bosu in 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Geoffrey Sanborn tells us about Plagiarism. A concept emerged with the idea of originality, plagiarism challenges some of our most deeply held notions of individualism and status. Hatred of plagiarism is so baked into our culture that it evokes a gut response of disgust, which prevents us from actually analyzing it as a form of social behavior. In the episode, Geoff talks about websites that promise to “humanize” chatGPT content, like the AI Text Converter and the Plagiarism Remover. He talks about postcolonial theory, as a tool that might help us analyze plagiarism, and invokes Homi Bhabha's idea of “colonial mimicry,” which appears in his 1984 article “Of Mimicry and Man: The Ambivalence of Colonial Discourse.” He also talks about the actress and playwright Anna Deavere Smith, and references David Graeber's book Debt, which we ran an episode on way back in 2020. It was in the early days of High Theory, so apologies for the audio quality, but we think you'll like it. Geoff is a Samuel Williston Professor of English and department chair at Amherst College. He has published many books about nineteenth century American literature, most recently Plagiarama! William Wells Brown and the Aesthetics of Attractions (New York: Columbia University Press, 2016), which was the inspiration for this conversation. It's a really great book! You should read it. The image for this episode was made by Saronik Bosu in 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode of High Theory, Geoffrey Sanborn tells us about Plagiarism. A concept emerged with the idea of originality, plagiarism challenges some of our most deeply held notions of individualism and status. Hatred of plagiarism is so baked into our culture that it evokes a gut response of disgust, which prevents us from actually analyzing it as a form of social behavior. In the episode, Geoff talks about websites that promise to “humanize” chatGPT content, like the AI Text Converter and the Plagiarism Remover. He talks about postcolonial theory, as a tool that might help us analyze plagiarism, and invokes Homi Bhabha's idea of “colonial mimicry,” which appears in his 1984 article “Of Mimicry and Man: The Ambivalence of Colonial Discourse.” He also talks about the actress and playwright Anna Deavere Smith, and references David Graeber's book Debt, which we ran an episode on way back in 2020. It was in the early days of High Theory, so apologies for the audio quality, but we think you'll like it. Geoff is a Samuel Williston Professor of English and department chair at Amherst College. He has published many books about nineteenth century American literature, most recently Plagiarama! William Wells Brown and the Aesthetics of Attractions (New York: Columbia University Press, 2016), which was the inspiration for this conversation. It's a really great book! You should read it. The image for this episode was made by Saronik Bosu in 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Kolonialismus ist Geschichte. Doch hinterlässt er Spuren, die bis in die Gegenwart hineinwirken. Die Islamwissenschaftlerin Schirin Amir-Moazami zeigt in ihrem Vortrag, wie eng der Kolonialismus mit liberalem Denken verwoben ist.**********Empfehlungen aus der Folge:Tyler Stovall: "White Freedom. The Racial History of an Idea". Princeton University Press, 2021.Uday Singh Mehta: "Liberalism and Empire. A Study in Nineteenth-Century British Liberal Thought". University of Chicago Press, 1999.Jennifer Pitts: "A Turn to Empire: The Rise of Imperial Liberalism in Britain and France". Princeton University Press, 2006.David Theo Goldberg: "The Racial State". Wiley-Blackwell, 2001.Bhabha, Homi. “Of Mimicry and Man: The Ambivalence of Colonial Discourse.” Routledge 2005.Zygmunt Bauman: "Modernity and Ambivalence". Polity, 1993.Markell Patchen: "Bound by Recognition." Princeton University Press, 2003.Leora Btnitzky: "How Judaism Became a Religion: An Introduction to Modern Jewish Thought". Princeton University Press, 2013.Robin Judd: "Contested Rituals: Circumcision, Kosher Butchering, and Jewish Political Life in Germany, 1843-1933". Cornell University Press, 2007.Ann Laura Stoler: "Duress: Imperial Durabilities in Our Times". Duke University Press, 2016. **********Mehr zum Thema bei Deutschlandfunk Nova:Wertvorstellungen - Russland als Partner der konservativen RechtenKolonialismus: Ewiges Erbe oder bloße Episode?Mehrfach diskriminiert: Das Konzept Intersektionalität**********Den Artikel zum Stück findet ihr hier.**********Ihr könnt uns auch auf diesen Kanälen folgen: Tiktok und Instagram.

Colonial Discourse and Distortions on Buddhism | Dr Kundan Singh | #SangamTalks SrijanTalks

Understanding Indian Political thought in light of Colonial Discourse|Dr. Kundan Singh #SangamTalks SrijanTalks

Colonial Discourse in NCERT History Textbook | Dr. Kundan Singh | #SangamTalks SrijanTalks

COLONIAL DISCOURSE, ANCIENT HINDU POLITY, AND SRI AUROBINDO | Dr. Kundan Singh | #SangamTalks SrijanTalks

Colonial Discourse and Guru Śiṣya Paramparā | Dr Kundan Singh | #SangamTalks SrijanTalks

Colonial Discourse and Varna | Dr. Kundan Singh | #SangamTalks SrijanTalks

Colonial Discourse and History of India | Dr. Kundan Singh | #SangamTalks | SrijanTalks

Guest artist KAREN McLEAN joins Elizabeth Fullerton to chat about her work via Colson Whitehead's 2016 novel 'The Underground Railroad' published by Doubleday. The historical fiction tells of 19th century slaves Cora and Caesar and their attempts to escape to freedom in America's south west.   Starting with her intensely researched art practice, Karen McLean and Elizabeth explore stories of rebellion and suffering amongst individuals and the collective, including female power, body ownership, intergenerational identity, mental illness and a vast knowledge of plants used as a method of resistance. They also delve into the structural legacies created by the sugar, cotton and indigo industries; colonialism, covert operations, syncretic religions, and the rise of the blue devil.   (This episode is co-produced by Jillian Knipe and Elizabeth Fullerton with music by Griffin Knipe and image by Joanna Quinn of Beryl Productions)   KAREN McLEAN instagram karenmclean_art karenmclean.co.uk 'Blue Power' 2021 Block 336 'Ar'n't I A Woman' 2021 Block 336 'The Precariat' 2017 Lewisham Arthouse ARTISTS Anish Kapoor Donald Judd Doris Salcedo El Anatsui Eva Hesse 'Contingent' 1968 Gees Bend Quiltmakers, Alabama Ibrahim Mahama Joseph Beuys Kara Walker Louise Bourgeois Paul Goodwin Sheila Gowda Teresa Margolles Theaster Gates Tracey Emin BOOKS ACTIVISTS THEORISTS Alan Krell 'The Devil's Rope: A Cultural History of Barbed Wire' 2002 Alice Walker 'Everyday Use' 1973 Bell Hooks 'Ain't I A Woman: Black Women and Feminism' 1981 Deborah Grey White 'Ar'n't I A Woman' 1985 Edward Said (Professor of Literature, Columbia University) Emily Zobel Marshall 'Anansi's Journey: A Story of Jamaican Cultural Resistance' 2012 Harriet Tubman, 'Harriet' film 2019 Hilary Beckles 'Natural Rebels' 1989 Homi Bhabha 'Of Mimicry and Man: The Ambivalence of Colonial Discourse' 1984 Jacques Lacan (psychoanalyst) Sojourner Truth (abolotionist, women's rights activist) 'Ain't I A Woman' speech 1851 Toni Morrison 'Beloved' 1987 GALLERIES LOCATIONS RESOURCES Afterprojects, Julie Bentley Birmingham City University Black Cultural Archives, Brixton UK Block 336, Brixton UK Gees Bend Quilting Retreat Goldsmiths University of London UK King's Cross Station, London UK Shakespeare's House, Stratford UK The Gale Plantation, Jamaica, Caribbean The New Art Gallery, Walsall UK The Steamhouse, Birmingham UK Trinidad & Tobago, Caribbean    

Colonial Discourse On India And Hinduism | Dr Kundan Singh | Hindupedia | #SangamTalks SrijanTalks

Colonial Discourse On India & Hinduism | Kundan Singh | Sankrant Sanu |American Schoolbooks On India SrijanTalks

Colonial Discourse On India And Hinduism | Dr Kundan Singh | Rinkoo Wadhera | #SangamDialogues SrijanTalks

In this episode, I discuss the concept of colonial discourse, which is crucial to colonial discourse analysis and also important in the field of postcolonial studies. --- Send in a voice message: https://anchor.fm/masood-raja/message

In this episode, we discuss the Korean short story "My Innocent Uncle" by Chae Man-Sik. We discuss "slippage" humor as it pertains to the nephew and the Joker from Batman: The Dark Knight. And we consider three -isms: ageism, classism, and (internalized) racism as they play out in both the short story and the United States today. We utilize the Norton Anthology of World Literature, 3rd Edition, volume F. Additional references include: “Of Mimicry and Man: The Ambivalence of Colonial Discourse” by Homi Bhabha "The Sad Truth about Ageism in America" by Kathy Harrington-Sullivan "Classism, America's Overlooked Problem" by Matt Gamble Chapter 5 in Flipping the Script: White Privilege and Community Building - "What is Internalized Racism" by Donna K. Bivens We apologize for any sound issues this episode, we unknowingly had a technical difficulty, but it has been remedied for future episodes. Music: Fugue in C# Major, from The Well-Tempered Clavier, Book 1": J.S. Bach Music Synthesizer and Programming: Shawn P. Russell Sound Consultant and Mixing: Shawn P. Russell Recording and Editing: Rebecca L. Salois

What is the nature of secularization? How distant are we from the magical world of the past? Perhaps, we are not as far as many people think. In the fascinating new book, The Language of Disenchantment: Protestant Literalism and Colonial Discourse in British India (Oxford University Press, 2012), we witness some of the discursive practices formulating the Christian myth of disenchantment. Robert Yelle, Assistant Professor of History at the University of Memphis, aims to pull up some of the religious roots of secularism by highlighting the Christian dimensions of colonialism. He achieves this through an examination of colonial British attitudes toward Hinduism and delineates several Protestant projects that assert an ideal monotheism. British colonial discourse in India was integrally tied to religious reform and located false belief in linguistic diversity. Verbal idolatry was specifically addressed through efforts of codification and transliteration. Overall, Yelle's work on British critiques of South Asian mythological, ritual, linguistic, and legal traditions offer new insights on modernity, secularization, religious literalism, and colonialism. We also discussed The Language of Disenchantment is reflective of Yelle's interest in semiotics, which he addressed more explicitly in another new book, Semiotics of Religion: Signs of the Sacred in History (Bloomsbury, 2013). In our conversation we discussed Orientalism, Modernity, Hindu mythology, literary versus oral cultures, Max Muller, magical dimension of ritual, Christian critiques of Jewish law, scripturalism, mantras, and print culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the nature of secularization? How distant are we from the magical world of the past? Perhaps, we are not as far as many people think. In the fascinating new book, The Language of Disenchantment: Protestant Literalism and Colonial Discourse in British India (Oxford University Press, 2012), we witness some of the discursive practices formulating the Christian myth of disenchantment. Robert Yelle, Assistant Professor of History at the University of Memphis, aims to pull up some of the religious roots of secularism by highlighting the Christian dimensions of colonialism. He achieves this through an examination of colonial British attitudes toward Hinduism and delineates several Protestant projects that assert an ideal monotheism. British colonial discourse in India was integrally tied to religious reform and located false belief in linguistic diversity. Verbal idolatry was specifically addressed through efforts of codification and transliteration. Overall, Yelle’s work on British critiques of South Asian mythological, ritual, linguistic, and legal traditions offer new insights on modernity, secularization, religious literalism, and colonialism. We also discussed The Language of Disenchantment is reflective of Yelle’s interest in semiotics, which he addressed more explicitly in another new book, Semiotics of Religion: Signs of the Sacred in History (Bloomsbury, 2013). In our conversation we discussed Orientalism, Modernity, Hindu mythology, literary versus oral cultures, Max Muller, magical dimension of ritual, Christian critiques of Jewish law, scripturalism, mantras, and print culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the nature of secularization? How distant are we from the magical world of the past? Perhaps, we are not as far as many people think. In the fascinating new book, The Language of Disenchantment: Protestant Literalism and Colonial Discourse in British India (Oxford University Press, 2012), we witness some of the discursive practices formulating the Christian myth of disenchantment. Robert Yelle, Assistant Professor of History at the University of Memphis, aims to pull up some of the religious roots of secularism by highlighting the Christian dimensions of colonialism. He achieves this through an examination of colonial British attitudes toward Hinduism and delineates several Protestant projects that assert an ideal monotheism. British colonial discourse in India was integrally tied to religious reform and located false belief in linguistic diversity. Verbal idolatry was specifically addressed through efforts of codification and transliteration. Overall, Yelle's work on British critiques of South Asian mythological, ritual, linguistic, and legal traditions offer new insights on modernity, secularization, religious literalism, and colonialism. We also discussed The Language of Disenchantment is reflective of Yelle's interest in semiotics, which he addressed more explicitly in another new book, Semiotics of Religion: Signs of the Sacred in History (Bloomsbury, 2013). In our conversation we discussed Orientalism, Modernity, Hindu mythology, literary versus oral cultures, Max Muller, magical dimension of ritual, Christian critiques of Jewish law, scripturalism, mantras, and print culture.

What is the nature of secularization? How distant are we from the magical world of the past? Perhaps, we are not as far as many people think. In the fascinating new book, The Language of Disenchantment: Protestant Literalism and Colonial Discourse in British India (Oxford University Press, 2012), we witness some of the discursive practices formulating the Christian myth of disenchantment. Robert Yelle, Assistant Professor of History at the University of Memphis, aims to pull up some of the religious roots of secularism by highlighting the Christian dimensions of colonialism. He achieves this through an examination of colonial British attitudes toward Hinduism and delineates several Protestant projects that assert an ideal monotheism. British colonial discourse in India was integrally tied to religious reform and located false belief in linguistic diversity. Verbal idolatry was specifically addressed through efforts of codification and transliteration. Overall, Yelle’s work on British critiques of South Asian mythological, ritual, linguistic, and legal traditions offer new insights on modernity, secularization, religious literalism, and colonialism. We also discussed The Language of Disenchantment is reflective of Yelle’s interest in semiotics, which he addressed more explicitly in another new book, Semiotics of Religion: Signs of the Sacred in History (Bloomsbury, 2013). In our conversation we discussed Orientalism, Modernity, Hindu mythology, literary versus oral cultures, Max Muller, magical dimension of ritual, Christian critiques of Jewish law, scripturalism, mantras, and print culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the nature of secularization? How distant are we from the magical world of the past? Perhaps, we are not as far as many people think. In the fascinating new book, The Language of Disenchantment: Protestant Literalism and Colonial Discourse in British India (Oxford University Press, 2012), we witness some of the discursive practices formulating the Christian myth of disenchantment. Robert Yelle, Assistant Professor of History at the University of Memphis, aims to pull up some of the religious roots of secularism by highlighting the Christian dimensions of colonialism. He achieves this through an examination of colonial British attitudes toward Hinduism and delineates several Protestant projects that assert an ideal monotheism. British colonial discourse in India was integrally tied to religious reform and located false belief in linguistic diversity. Verbal idolatry was specifically addressed through efforts of codification and transliteration. Overall, Yelle’s work on British critiques of South Asian mythological, ritual, linguistic, and legal traditions offer new insights on modernity, secularization, religious literalism, and colonialism. We also discussed The Language of Disenchantment is reflective of Yelle’s interest in semiotics, which he addressed more explicitly in another new book, Semiotics of Religion: Signs of the Sacred in History (Bloomsbury, 2013). In our conversation we discussed Orientalism, Modernity, Hindu mythology, literary versus oral cultures, Max Muller, magical dimension of ritual, Christian critiques of Jewish law, scripturalism, mantras, and print culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the nature of secularization? How distant are we from the magical world of the past? Perhaps, we are not as far as many people think. In the fascinating new book, The Language of Disenchantment: Protestant Literalism and Colonial Discourse in British India (Oxford University Press, 2012), we witness some of the discursive practices formulating the Christian myth of disenchantment. Robert Yelle, Assistant Professor of History at the University of Memphis, aims to pull up some of the religious roots of secularism by highlighting the Christian dimensions of colonialism. He achieves this through an examination of colonial British attitudes toward Hinduism and delineates several Protestant projects that assert an ideal monotheism. British colonial discourse in India was integrally tied to religious reform and located false belief in linguistic diversity. Verbal idolatry was specifically addressed through efforts of codification and transliteration. Overall, Yelle’s work on British critiques of South Asian mythological, ritual, linguistic, and legal traditions offer new insights on modernity, secularization, religious literalism, and colonialism. We also discussed The Language of Disenchantment is reflective of Yelle’s interest in semiotics, which he addressed more explicitly in another new book, Semiotics of Religion: Signs of the Sacred in History (Bloomsbury, 2013). In our conversation we discussed Orientalism, Modernity, Hindu mythology, literary versus oral cultures, Max Muller, magical dimension of ritual, Christian critiques of Jewish law, scripturalism, mantras, and print culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the nature of secularization? How distant are we from the magical world of the past? Perhaps, we are not as far as many people think. In the fascinating new book, The Language of Disenchantment: Protestant Literalism and Colonial Discourse in British India (Oxford University Press, 2012), we witness some of the discursive practices formulating the Christian myth of disenchantment. Robert Yelle, Assistant Professor of History at the University of Memphis, aims to pull up some of the religious roots of secularism by highlighting the Christian dimensions of colonialism. He achieves this through an examination of colonial British attitudes toward Hinduism and delineates several Protestant projects that assert an ideal monotheism. British colonial discourse in India was integrally tied to religious reform and located false belief in linguistic diversity. Verbal idolatry was specifically addressed through efforts of codification and transliteration. Overall, Yelle’s work on British critiques of South Asian mythological, ritual, linguistic, and legal traditions offer new insights on modernity, secularization, religious literalism, and colonialism. We also discussed The Language of Disenchantment is reflective of Yelle’s interest in semiotics, which he addressed more explicitly in another new book, Semiotics of Religion: Signs of the Sacred in History (Bloomsbury, 2013). In our conversation we discussed Orientalism, Modernity, Hindu mythology, literary versus oral cultures, Max Muller, magical dimension of ritual, Christian critiques of Jewish law, scripturalism, mantras, and print culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the nature of secularization? How distant are we from the magical world of the past? Perhaps, we are not as far as many people think. In the fascinating new book, The Language of Disenchantment: Protestant Literalism and Colonial Discourse in British India (Oxford University Press, 2012), we witness some of the discursive practices formulating the Christian myth of disenchantment. Robert Yelle, Assistant Professor of History at the University of Memphis, aims to pull up some of the religious roots of secularism by highlighting the Christian dimensions of colonialism. He achieves this through an examination of colonial British attitudes toward Hinduism and delineates several Protestant projects that assert an ideal monotheism. British colonial discourse in India was integrally tied to religious reform and located false belief in linguistic diversity. Verbal idolatry was specifically addressed through efforts of codification and transliteration. Overall, Yelle’s work on British critiques of South Asian mythological, ritual, linguistic, and legal traditions offer new insights on modernity, secularization, religious literalism, and colonialism. We also discussed The Language of Disenchantment is reflective of Yelle’s interest in semiotics, which he addressed more explicitly in another new book, Semiotics of Religion: Signs of the Sacred in History (Bloomsbury, 2013). In our conversation we discussed Orientalism, Modernity, Hindu mythology, literary versus oral cultures, Max Muller, magical dimension of ritual, Christian critiques of Jewish law, scripturalism, mantras, and print culture. Learn more about your ad choices. Visit megaphone.fm/adchoices