American actress, playwright and professor
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3 episodes with Anna Deavere Smith
2 episodes with Anna Deavere Smith
3 episodes with Anna Deavere Smith
2 episodes with Anna Deavere Smith
3 episodes with Anna Deavere Smith
2 episodes with Anna Deavere Smith
2 episodes with Anna Deavere Smith
2 episodes with Anna Deavere Smith
2 episodes with Anna Deavere Smith
Show Notes: Tanya Selvaratnam shares her journey from high school to present day. She moved to New York after graduating and worked at Columbia Law School's Center for Chinese Legal Studies. She also assisted Anna Deavere Smith on her show “Twilight: Los Angeles, 1992” about the LA riots. Tanya went back to Harvard for graduate school, studying Chinese language and the history of law. An Adventure in Theatre After her father passed away, she returned to New York, where she was working on the Beijing Women's Conference. Wandering the streets one day, she came across The Performing Garage with a poster on the wall for a show by the Wooster Group. On a whim, she slipped a note on the door offering to help in any capacity and was taken on as an intern. Before long, she was asked to come to rehearsals, and, despite having no intentions of becoming a performer, this led to her performing with the Wooster Group. She toured all over the world with them and with other companies like the Builders Association. On Becoming a Film Producer Currently, Tanya writes books and makes movies. She also advises various organizations, foundations, and corporations. She recently started advising the Open Future Lab in Vienna, Austria. She has also worked as a producer, which began when she worked at the Ms. Foundation for Women, on what was then called "Take Our Daughters to Work Day" as well as the Gloria awards. She also worked with Jed Weintrob, whom she had met at Harvard when she was in his production of “Dracula.” In the late 90s, Jed asked her to produce a movie he was writing at the time. It went on to premiere at Sundance and then the Berlinale in 2002. This led to more work as a producer, and Tanya is still currently producing. The Connection between Event Organizer and Film Producer Tanya shares her experiences in organizing events since high school. While at Phillips Academy Andover, she was the head of the South Asian Students Association and served on the divestment committee during apartheid days. She organized events like readings of poetry, essays, and performances to raise awareness about activism and advocacy. After college, she also organized events for the youth tent at the Women's Conference in China, where she performed a piece called "Wet Sari Syndrome," which was a take on Bollywood movies. Tanya learned the craft of producing films directly from her friend and trusted colleague, Jed. She was willing to work hard, focusing on tasks such as finding locations, cleaning up the set, and figuring out what needed to happen to make the film come together. Tanya was able to tap into her resources and connections to make shoots possible and be attentive to Jed's vision. Dealing with Difficult Times The conversation turns to her experience with bullying and harassment, which she has faced in various situations. She deals with this by focusing on her tasks and work. Tanya goes to Portland to write and escape from these situations, as it provides a safe space to escape the pressures of life. She also talks about her two books, The Big Lie: Motherhood, Feminism, and the Reality of the Biological Clock, which grew out of her own struggles with fertility and Assume Nothing: A Story of Intimate Violence. When dealing with fertility issues, Tanya was shocked at the amount of misinformation surrounding fertility awareness. She talks about the problems with sex education in America and how the book changed when she was diagnosed with two types of cancer. In her second book, she shares her experiences of being entrapped in an abusive relationship with former Attorney General Eric Schneiderman. She explains why she was motivated to write the book and why she went into hiding after her story first became public. Working with Cultural Institutions Tanya has also worked on cultural events around the world, such as at the Rubell Museum in Miami, the Women's Conference in China, with Anna Deavere Smith and the Wooster Group. She has collaborated with major institutions and museums, such as the Brooklyn Academy of Music, Barbican in London, and Victoria Theatre in Singapore. She toured to 62 cities all over the world in a space of 12 years. She's also worked with the Sundance Film Festival and the New York Film Festival. She talks about The Federation, an organization that aims to show how art unites people and keeps cultural borders open. She recently worked with Carrie Mae Weems at the Torino book fair in Italy. Co-directing and Producing a Documentary Short Tanya co-directed and produced a 13-minute documentary short called Love to the Max, which was acquired by the New Yorker magazine and recently nominated for an Emmy Award for Outstanding Documentary Short. The film was inspired by the mother of Max Briggle, who was targeted for loving and supporting her trans kid. Tanya was inspired to make the film after Max Briggle's mother reached out to a women's listserv for help because she'd been approached by child protection services. Tanya has also been working with Catherine Gund for 17 years, producing a film called Paint Me a Road Out of Here, which is about the interconnected journeys of artists Faith Ringgold and Mary Baxter. She is also working on a new book called Love Me and Leave Me, which is about adventures through intimate pleasure and intimacy in many forms. Influential Harvard Professors and Courses Tanya initially thought she would study science at Harvard but found the large classes to be lacking in intimacy. She became interested in Chinese history and legal history, taking classes with visiting scholars and professors like Chang Weijen, William Alford, Professor Kuhn, and Professor Bol; Caroline Reeves, a graduate student, helped her decide what to explore for her thesis. Timestamps: 05:38: Transition to Producing and Social Justice Work 13:22: Challenges and Learning in the Film Industry 20:28: Personal Struggles and Advocacy 34:07: Work with Museums and Cultural Institutions 37:11: Future Projects and Reflections 41:10: Harvard Experiences and Influences Links: Website: Tanyaturnsup.com LinkedIn: https://www.linkedin.com/in/tanyaauthor/ Featured Non-profit: The featured non-profit of this episode of The 92 Report is recommended by Olu Ajilore, class of ‘92, who reports: “The featured nonprofit of this episode of The 92 report is the American Foundation for Suicide Prevention, or AFSP. AFSP is a volunteer organization that supports those affected by suicide through research, education and advocacy. I've worked with our local chapter of AFSP raising funds with their annual out of the darkness walks, and I'm proud to serve on the Scientific Council for AFSP. You can learn more about their work@afsp.org.” To learn more about their work, visit: afsp.org
Anna Deavere Smith once said: "Friendship is a wildly underrated medication." It's medication can fix the most broken of them all, and refusing it can make wounds heal much slower. Ultimately this is God's sweet gift to us on what an earthly depiction of Christ on earth is, so we need to choose our friendships wisely. How do we go about choosing our friends? All this and more, a new episode of the podcast starts now.
What everyone agreed on: Two cars collided. One, driven by a Hasidic Jew, veered off the road and critically injured two Black children, one of whom ultimately died. A crowd formed. Police arrived.What no one agreed on: Anything else.In the summer of 1991, Crown Heights, NY exploded into three days of violence fed by rumors and competing narratives formed from incomplete facts. In the chaos, some saw anti-Black police bias. Others saw violent anti-Semitism. But playwright Anna Deavere Smith heard the honest voices of a divided national narrative. Join us for this remarkable play that features the real words of more than 20 people, interviewed immediately after the events, speaking honestly, the way we do in private. Let's listen.Run time: 2 hours, plus a 15-minute intermissionContent Warning: Fires In The Mirror catalogs reflections of the Crown Heights Riots, a racially-charged conflict that engulfed the New York neighborhood in 1991. This play contains strong language and references to racism, slavery, lynching, antisemitism, sexual violence, and the Holocaust.Phyllis Johnson (all roles) works in Theater, Film, TV, & Voice Over. Nominated for two NY Innovative Theatre Awards, Phyllis understudied A Naked Girl on the Appian Way/Doug Hughes, Director (Broadway). Recent TV projects include Zero Day (Netflix) starring Robert DeNiro, Equalizer (NBC), Uncoupled (Netflix), Law & Order: Season 22 (NBC), Blue Bloods (CBS), and Pose (FX). Phyllis is a voice actor and has leant her voice to 400+ film/TV episodes including Oscar winners and favorites such as Black Swan, American Gangster, and The Devil Wears Prada. She executive produced the award-winning film I'm Through with White Girls. Phyllis is a graduate of the David Geffen Yale School of Drama where she won the Fox Family Foundation Grant and The Oliver Thorndike Prize. FOR TICKETS AND INFORMATION: https://brtstage.org/shows/fires-in-the-mirror/
Composer, pianist, vocalist, and multidisciplinary artist Samora Pinderhughes and drummer/producer Jack DeBoe on their long standing collaborative relationship, what happens when art confronts life's heaviest themes, but the creators meet it with laughter, lightness, and trust. Captured at Winter Jazzfest in early 2024, Samora and Jack talk about the album Venus Smiles Not in the House of Tears, the transformative Healing Project, mental health, and how laughter becomes a tool of resilience in the face of struggle. It's serious, it's playful, and it's deeply human. https://www.third-story.comhttps://leosidran.substack.com
My library finally re-opened post-pandemic and I went in for a celebratory look around. Though it supposedly had been re-modeled, it seemed to look exactly the same. (Except now there seemed to be no way to access the card catalogue? WTF?) I took a look at the theatre section because, you know, Theatre Nerd, and was struck by how much the selection of plays resembled the selection of plays that were in the library when I was growing up. It struck me that the accepted literary canon of theatrical greatness has not really been updated since the 1950s. When I was growing up, the theatre section looked like Arthur Miller and Tennessee Williams. And today, the theatre section looks like mostly Arthur Miller and Tennessee Williams. This doesn't mean that theatre folk only read Miller and Williams but I think it does mean that the culture as a whole still only considers Miller and Williams worth keeping in the collection. There may be a scattered addition from a contemporary writer – maybe if it's a library that's really trying to expand, you'll see some August Wilson or Suzan Lori Parks or an Anna Deavere Smith. My library had an Annie Baker, even. But for the most part, in libraries and bookstores across America, the bulk of a theatre section will be Arthur Miller and Tennessee Williams – maybe, on occasion, some Mamet, Albee, Simon or Durang – but most shelves will be the Miller and Williams collection. I'm curious about this. To keep reading The Canon Is Stuck visit the Songs for the Struggling Artist blog. This is Episode 426 Song: Love Me Tender Image of the Queens Public Library play shelf by me, Emily Rainbow Davis To support this podcast: Give it 5 stars in Apple Podcasts. Write a nice review! Rate it wherever you listen or via: https://ratethispodcast.com/strugglingartist Join my mailing list: www.emilyrainbowdavis.com/ Like the blog/show on Facebook: https://www.facebook.com/SongsfortheStrugglingArtist/ Support me on Patreon: www.patreon.com/emilyrdavis Or on Kofi: http://ko-fi.com/emilyrainbowdavis or PayPal me: https://www.paypal.me/strugglingartist Join my Substack: https://emilyrainbowdavis.substack.com/ Follow me on Twitter @erainbowd Me on Mastodon - @erainbowd@podvibes.co Me on Bsky - @erainbowd.bsky.social Me on Hive - @erainbowd Instagram and Pinterest Tell a friend! Listen to The Dragoning here and The Defense here. You can support them via Ko-fi here: https://ko-fi.com/messengertheatrecompany As ever, I am yours, Emily Rainbow Davis
Actress Anna Deavere Smith is known for her roles on TV series like The West Wing, Nurse Jackie and Black-ish. She's also the playwright and performer behind more than fifteen one-woman shows including the Tony-nominated Twilight: Los Angeles, 1992 and the new This Ghost of Slavery: A Play of Past and Present. She writes scripts based on her interviews with real people in a style she pioneered called “verbatim theatre.” Host Khalilah Brown-Dean spoke with Anna about the politics of art at a live event in New Haven in late-October. The event was part of the Artistic Congress, organized by Long Wharf Theatre and Yale Schwarzman Center. We discussed doubt, courage and her hope that her art inspires people to take action. GUEST: Anna Deavere Smith: Actress and playwright. On TV she is known for roles on The West Wing, Nurse Jackie and Black-ish. One stage, she has written and performed in more than fifteen one-woman shows, including the Tony-nominated Twilight: Los Angeles, 1992 and the new This Ghost of Slavery: A Play of Past and Present. She is also a professor at NYU and founded the Institute on the Arts and Civic Dialogue. See omnystudio.com/listener for privacy information.
In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives. Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives. Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives. Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives. Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives. Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives. Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives. Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics
In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives. Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.
In our final episode of the Shook By A Book series, Kelly talks with actor, writer and celebrated creative mind, Anna Deavere Smith about two books that have stayed with her over the years: Letter From A Birmingham Jail by Dr. Martin Luther King, Jr. and Dibs in Search of Self: The Renowned, Deeply Moving Story of an Emotionally Lost Child Who Found His Way Back by Virginia M. Axline. …. Anna breaks down why these two very different books have been so affecting for her and how they inform her work. Special thanks to The Teagle Foundation for their generous support of this series. Check out Anna performing Letter From a Birmingham Jail at the historic Stanford Memorial Church in 2015. You can also watch Kelly's Tell Me More interview with Anna at pbs.org/kelly. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
The Matt McNeil Show - AM950 The Progressive Voice of Minnesota
Michi Barall is a New York City-based actor, playwright and academic. As an actor, Michi has appeared in new plays by Julia Cho, Philip Kan Gotanda, A.R. Gurney, John Guare, Naomi Iizuka, Han Ong, Jose Rivera, Paul Rudnick, Charles Mee, Sarah Schulman, Anna Deavere Smith, Diana Son, Lloyd Suh, Regina Taylor, Doug Wright and Chay…
Best of Interviews - AM950 The Progressive Voice of Minnesota
Michi Barall is a New York City-based actor, playwright and academic. As an actor, Michi has appeared in new plays by Julia Cho, Philip Kan Gotanda, A.R. Gurney, John Guare, Naomi Iizuka, Han Ong, Jose Rivera, Paul Rudnick, Charles Mee, Sarah Schulman, Anna Deavere Smith, Diana Son, Lloyd Suh, Regina Taylor, Doug Wright and Chay…
Broadway star Chilina Kennedy joins The Art of Kindness with Robert Peterpaul to discuss playing Carole King in Beautiful, acts of kindness throughout her life, her new Off-Broadway show A Sign of the Times and more. CHILINA KENNEDY most recently played Billie Jean King in Love All by Anna Deavere Smith. Broadway: Paradise Square, Beautiful: The Carole King Musical, and Jesus Christ Superstar. Film/TV: “The 2015 Kennedy Center Honors,” With Me. Other: The Band's Visit (International Tour), This Ain't No Disco (Atlantic Theater Company), Mamma Mia! (1st National Tour), A Gentleman's Guide To Love And Murder. Chilina is the composer of the new musicals Wild About You and Silk, and is Artistic Producer of Eclipse Theatre Company. chilinakennedy.com A SIGN OF THE TIMES is a totally original story with such classic songs as “Downtown,” “Gimme Some Lovin',” “Rescue Me,” and “I Know A Place,” plus dozens more, A SIGN OF THE TIMES explodes with the music you love and the spirit that shaped a generation—and our own. For tickets and more info: asignofthetimes.com. Follow Chilina: @chilinakennedy Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices
This podcast is sponsored by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library.Seven women give voice to the voiceless. Seven is a documentary play created with the support of Vital Voices Global Partnership and is a collaboration between the playwrights and seven female activists from around the globe, telling inspiring stories of overcoming adversity to effect real change and improve the lives of women.Written by: Paula Cizmar, Catherine Filloux, Gail Kriegel, Carol K. Mack, Ruth Margraff, Anna Deavere Smith, and Susan Yankowitz.Directed by Judyann ElderProducing Director: Susan Albert LoewenbergShannon Holt as Marina Pisklakova-ParkerJossara Jinaro as Laura AlonsoAlex Kingston as Inez McCormackEmily Kuroda as Mu SochuaSameerah Luqmaan-Harris as Hafsat AbiolaAnnet Mahendru as Farida AziziSarah Shahi as Mukhtar MaiSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
This podcast is sponsored by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library.Seven women give voice to the voiceless. Seven is a documentary play created with the support of Vital Voices Global Partnership and is a collaboration between the playwrights and seven female activists from around the globe, telling inspiring stories of overcoming adversity to effect real change and improve the lives of women.Written by: Paula Cizmar, Catherine Filloux, Gail Kriegel, Carol K. Mack, Ruth Margraff, Anna Deavere Smith, and Susan Yankowitz.Directed by Judyann ElderProducing Director: Susan Albert LoewenbergShannon Holt as Marina Pisklakova-ParkerJossara Jinaro as Laura AlonsoAlex Kingston as Inez McCormackEmily Kuroda as Mu SochuaSameerah Luqmaan-Harris as Hafsat AbiolaAnnet Mahendru as Farida AziziSarah Shahi as Mukhtar MaiSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
This podcast is sponsored by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library.Seven women give voice to the voiceless. Seven is a documentary play created with the support of Vital Voices Global Partnership and is a collaboration between the playwrights and seven female activists from around the globe, telling inspiring stories of overcoming adversity to effect real change and improve the lives of women.Written by: Paula Cizmar, Catherine Filloux, Gail Kriegel, Carol K. Mack, Ruth Margraff, Anna Deavere Smith, and Susan Yankowitz.Directed by Judyann ElderProducing Director: Susan Albert LoewenbergShannon Holt as Marina Pisklakova-ParkerJossara Jinaro as Laura AlonsoAlex Kingston as Inez McCormackEmily Kuroda as Mu SochuaSameerah Luqmaan-Harris as Hafsat AbiolaAnnet Mahendru as Farida AziziSarah Shahi as Mukhtar MaiSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
MSNBC's Ari Melber hosts "The Beat" on Monday, March 4, and reports on the Supreme Court's ruling to keep Donald Trump on the Colorado ballot and recent questioning of pundits' "anti-Biden" narrative. Neal Katyal and Nina Totenberg join to discuss. Plus, a peek into Melber's interview with actress and playwright Anna Deavere Smith in the latest "Mavericks" installment. Watch the full interview at msnbc.com/mavericks.
Guess who's back? We're joined by one of our favourite performers Chilina Kennedy for a return interview on Breaking the Curtain! Chilina chats all about starring as Cindy in the new musical A Sign of the Times coming to New World Stages this February! Set in the Summer of 1965. With the country in transition – as the war in Vietnam rages on and struggles for civil rights and women's liberation command headlines – one aspirational young woman finds herself in New York City, and ready to dive into this brave new world. In A Sign of the Times, journey back to America's most unforgettable decade as a young photographer tries to make her way amid the changing times that defined an era. A totally original story with such classic songs as “Downtown,” “Gimme Some Lovin',” “Rescue Me,” and “I Know A Place,” plus dozens more. Chilina Kennedy most recently played Billie Jean King in Love All by Anna Deavere Smith. Broadway: Paradise Square, Beautiful: The Carole King Musical, and Jesus Christ Superstar. Film/TV: “The 2015 Kennedy Center Honors,” With Me. Other: The Band's Visit (International Tour), This Ain't No Disco (Atlantic Theater Company), Mamma Mia! (1st National Tour), A Gentleman's Guide To Love And Murder. Chilina is the composer of the new musicals Wild About You and Silk, and is Artistic Producer of Eclipse Theatre Company. chilinakennedy.com
Anna Deavere Smith is an acclaimed actress, journalist, and playwright. She's a pioneer of what's known as 'verbatim theater,' which is performance based on conversations and interviews with real people. But after decades of becoming thousands of Americans on stage, what has she learned about our nation? Host Brittany Luse sat down with Deavere Smith in studio to hear her unique perspective about who — and what — America is.
Straight-up Advice on Making a Life in the Arts-For Actors, Performers, Writers, and Artists of Every Kind.
In this episode of High Theory, Geoffrey Sanborn tells us about Plagiarism. A concept emerged with the idea of originality, plagiarism challenges some of our most deeply held notions of individualism and status. Hatred of plagiarism is so baked into our culture that it evokes a gut response of disgust, which prevents us from actually analyzing it as a form of social behavior. In the episode, Geoff talks about websites that promise to “humanize” chatGPT content, like the AI Text Converter and the Plagiarism Remover. He talks about postcolonial theory, as a tool that might help us analyze plagiarism, and invokes Homi Bhabha's idea of “colonial mimicry,” which appears in his 1984 article “Of Mimicry and Man: The Ambivalence of Colonial Discourse.” He also talks about the actress and playwright Anna Deavere Smith, and references David Graeber's book Debt, which we ran an episode on way back in 2020. It was in the early days of High Theory, so apologies for the audio quality, but we think you'll like it. Geoff is a Samuel Williston Professor of English and department chair at Amherst College. He has published many books about nineteenth century American literature, most recently Plagiarama! William Wells Brown and the Aesthetics of Attractions (New York: Columbia University Press, 2016), which was the inspiration for this conversation. It's a really great book! You should read it. The image for this episode was made by Saronik Bosu in 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In this episode of High Theory, Geoffrey Sanborn tells us about Plagiarism. A concept emerged with the idea of originality, plagiarism challenges some of our most deeply held notions of individualism and status. Hatred of plagiarism is so baked into our culture that it evokes a gut response of disgust, which prevents us from actually analyzing it as a form of social behavior. In the episode, Geoff talks about websites that promise to “humanize” chatGPT content, like the AI Text Converter and the Plagiarism Remover. He talks about postcolonial theory, as a tool that might help us analyze plagiarism, and invokes Homi Bhabha's idea of “colonial mimicry,” which appears in his 1984 article “Of Mimicry and Man: The Ambivalence of Colonial Discourse.” He also talks about the actress and playwright Anna Deavere Smith, and references David Graeber's book Debt, which we ran an episode on way back in 2020. It was in the early days of High Theory, so apologies for the audio quality, but we think you'll like it. Geoff is a Samuel Williston Professor of English and department chair at Amherst College. He has published many books about nineteenth century American literature, most recently Plagiarama! William Wells Brown and the Aesthetics of Attractions (New York: Columbia University Press, 2016), which was the inspiration for this conversation. It's a really great book! You should read it. The image for this episode was made by Saronik Bosu in 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of High Theory, Geoffrey Sanborn tells us about Plagiarism. A concept emerged with the idea of originality, plagiarism challenges some of our most deeply held notions of individualism and status. Hatred of plagiarism is so baked into our culture that it evokes a gut response of disgust, which prevents us from actually analyzing it as a form of social behavior. In the episode, Geoff talks about websites that promise to “humanize” chatGPT content, like the AI Text Converter and the Plagiarism Remover. He talks about postcolonial theory, as a tool that might help us analyze plagiarism, and invokes Homi Bhabha's idea of “colonial mimicry,” which appears in his 1984 article “Of Mimicry and Man: The Ambivalence of Colonial Discourse.” He also talks about the actress and playwright Anna Deavere Smith, and references David Graeber's book Debt, which we ran an episode on way back in 2020. It was in the early days of High Theory, so apologies for the audio quality, but we think you'll like it. Geoff is a Samuel Williston Professor of English and department chair at Amherst College. He has published many books about nineteenth century American literature, most recently Plagiarama! William Wells Brown and the Aesthetics of Attractions (New York: Columbia University Press, 2016), which was the inspiration for this conversation. It's a really great book! You should read it. The image for this episode was made by Saronik Bosu in 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
In this episode of High Theory, Geoffrey Sanborn tells us about Plagiarism. A concept emerged with the idea of originality, plagiarism challenges some of our most deeply held notions of individualism and status. Hatred of plagiarism is so baked into our culture that it evokes a gut response of disgust, which prevents us from actually analyzing it as a form of social behavior. In the episode, Geoff talks about websites that promise to “humanize” chatGPT content, like the AI Text Converter and the Plagiarism Remover. He talks about postcolonial theory, as a tool that might help us analyze plagiarism, and invokes Homi Bhabha's idea of “colonial mimicry,” which appears in his 1984 article “Of Mimicry and Man: The Ambivalence of Colonial Discourse.” He also talks about the actress and playwright Anna Deavere Smith, and references David Graeber's book Debt, which we ran an episode on way back in 2020. It was in the early days of High Theory, so apologies for the audio quality, but we think you'll like it. Geoff is a Samuel Williston Professor of English and department chair at Amherst College. He has published many books about nineteenth century American literature, most recently Plagiarama! William Wells Brown and the Aesthetics of Attractions (New York: Columbia University Press, 2016), which was the inspiration for this conversation. It's a really great book! You should read it. The image for this episode was made by Saronik Bosu in 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
Aren't movie weddings SUCH fun?? :) Well it certainly depends on who's attending of course along with the current emotional states of the families involved. This highly acclaimed melodrama from fifteen years ago focuses on the Buchman's, a family which MIGHT not be in the best place at this time despite their oldest daughter Rachel....getting married. (Hence the title) Rachel is played by Rosemarie DeWitt and the potential monkey wrench in her wedding weekend is the return of her sister Kym who is still in recovery after battling drug addiction for most of her life. Kym is played by Anne Hathaway delivering a shattering performance which earned her an Oscar nomination. What follows is a crazy weekend filled with memorable reunions, loads of music, and some intense arguments. This was directed by the late, great Jonathan Demme (Silence of the Lambs, Philadelphia, Something Wild) towards the end of his storied career. It also stars Bill Irwin, Debra Winger, Anna Deavere Smith, and Tunde Adebimpe along with several others.Host & Editor: Geoff GershonProducer: Marlene Gershon https://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/
Thinking Cap Theatre's Artistic Director Nicole Stodard talks with Alisa Solomon, professor at the Graduate School of Journalism at Columbia University, writer, and dramaturg about Fornes' relationship with Susan Sontag. ALISA SOLOMON'S BIO Alisa Solomon is a teacher, writer, and dramaturg in New York City. She is a professor at the Graduate School of Journalism at Columbia University, where she directs the Arts & Culture concentration in the MA program. A theater critic and general reporter for the Village Voice from 1983 to 2004, she has also contributed to The Nation, Jewish Currents, newyorker.com, The Intercept, The New York Times, American Theater, Howlround.com, TDR, and other publications. Her award-winning books include Re-Dressing the Canon: Essays on Theater and Gender, and Wonder of Wonders: A Cultural History of Fiddler on the Roof. Alisa has also edited several books: The Reverend Billy Project: From Rehearsal Hall to Super Mall with the Church of Life After Shopping by Savitri D and Bill Talen; Wrestling with Zion: Progressive Jewish-American Responses to the Israeli-Palestinian Conflict (co-edited with Tony Kushner); The Queerest Art: Essays on Lesbian and Gay Theater (co-edited with Framji Minwalla), a special issue of the journal Theater on theater and social change, and a forthcoming volume of plays and essays by and about Robbie McCauley, The Struggle Continues (co-edited with Elin Diamond and Cynthia Carr). As dramaturg, Alisa's most recent projects are Anna Deavere Smith's Love All and Pipeline Project. --- Support this podcast: https://podcasters.spotify.com/pod/show/thinking-cap-theatre/support
Welcome back to purgatory!!! This week the boys talk about Rachel Getting Married from 2008 and directed by Jonathan Demme and written by Jenny Lumet. The film star's Anne Hathaway, Rosemarie Dewitt, Bill Irwin, Anna Deavere Smith, Roslyn Ruff, Debra Winger, Mather Zickel, Beau Sia, Anisa George and Tunde Adebimpe. Thanks for checking us out and you can find the rest of our back catalog at pobean.com Outro track "Kym's Homecoming" by Zafer Tawil https://youtu.be/xpS-wbtUD7I?si=gX4-S8J4Eby-7YxV
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Enjoy this episode from season 2 of Getty's other podcast, Recording Artists. This series features materials from Getty's archives. This season, titled Intimate Addresses, highlights artists' letters. To hear the rest of the season, subscribe to Recording Artists on your favorite podcast app or on our website here. In 1944, Frida Kahlo is at a crossroads, both in terms of her health and her career. In April of that year, with World War II dragging on, she writes to her gallerist—and former lover—Julien Levy. In this tender and personal letter, she moves from the logistical challenges of sending art across national borders during wartime, to describing her painful new steel corsets, to asking after her many friends in New York, where Levy lives. Unpacking this letter and exploring Kahlo's words written in her own hand provides a new understanding of an artist who has become larger than life in the years since her death at age 47. In this episode of Recording Artists: Intimate Addresses, host Tess Taylor highlights Kahlo's vibrant personality, tracing how her artistic career developed alongside her long-running health struggles and her now-iconic style and persona. Anna Deavere Smith voices the letter. Photographer and poet Rachel Eliza Griffiths, whose work often addresses pain and the body, provides her artist's insight while historian Circe Henestrosa, who co-curated the Kahlo exhibition Making Herself Up at the Victoria and Albert Museum in 2018, shares charming anecdotes and important details of Kahlo's life. For transcripts, images, and additional resources visit our website.
In Season 2 of Getty's podcast series Recording Artists, titled Intimate Addresses, each episode unpacks one letter from one artist, including Marcel Duchamp, Frida Kahlo, M. C. Richards, Benjamin Patterson, Nam June Paik, and Meret Oppenheim. Anna Deavere Smith reads the letters while our host, poet Tess Taylor, speaks with modern-day creators and historians to explore the artists' lives. The season launches September 26, 2023. Subscribe on your favorite podcast app or learn more on our website here.
No Script returns to the legendary Anna Deavere Smith this week, looking at her empathetic portrait of a neighborhood in crisis: Fires in the Mirror. The play is taken from interviews and woven together into a moving tapestry of specificity. Listen in! ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue. https://www.patreon.com/noscriptpodcast ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at: Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Our theme song is “Upbeat Soda Pop” by Purple Planet Music. Credit as follows: Music: http://www.purple-planet.com ------------------------------ Thanks so much for listening! We'll see you next week. ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue. https://www.patreon.com/noscriptpodcast ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at: Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Thanks so much for listening! We'll see you next week.
Get ready for a bumper edition of @EchoChamberFP https://www.instagram.com/echochamberfp/ as we have another 'TWO Parter' for you this week! 'Part ONE' has four features, Broken Lizard & Searchlight Pictures bring us a comedy inspired by a classic story. We get a star studded adventure from Skydance & Apple TV+. We then jump back to an alien visitation from Monkeypaw Productions & Universal Picture. And close things with Psychological Thriller from 20th Century Studios & Hulu. Today we have: Quasi Watch Review: Here. https://youtu.be/G8eMXEeIh9Y Overlook Film Festival: 31st March 2023 Digital Release Date: 20th April 2023 Director: Kevin Heffernan Cast: Steve Lemme, Jay Chandrasekhar, Paul Soter, Erik Stolhanske, Adrianne Palicki, Eugene Cordero, Marcus Henderson, Gabriel Hogan, Hassie Harrison, Gabby Lane, Brian Cox, Kevin Heffernan Running Time: 100 min Cert: 18 Trailer: Here. https://youtu.be/PLUjuJpaTOU Watch via Disney+: Here. https://www.disneyplus.com/en-gb/movies/quasi/7W3ZBPdgAnmJ Watch via Hulu: Here. https://www.hulu.com/movie/quasi-b1c31ae2-34ac-4251-93ed-62181f862353 Website: Here. https://www.searchlightpictures.com/films/quasi/ Twitter: @QuasiMovie https://twitter.com/QuasiMovie Instagram: @quasimovie https://www.instagram.com/quasimovie/ ------------ Ghosted Watch Review: Here. https://youtu.be/pwqlP7PrMPQ Digital Release Date: 21st April 2023 Director: Dexter Fletcher Cast: Chris Evans, Ana de Armas, Adrien Brody, Mike Moh, Tate Donovan, Amy Sedaris, Lizze Broadway, Mustafa Shakir, Anthony Mackie, John Cho, Sebastian Stan, Ryan Reynolds, Anna Deavere Smith, Tim Blake Nelson, Tiya Sircar, Marwan Kenzari, Stephen Park Running Time: 116 min Cert: 12a Trailer: Here. https://youtu.be/IAdCsNtEuBU Watch via Apple TV+: Here. https://tv.apple.com/us/movie/ghosted/umc.cmc.6nodv9rf3ltfk2ar3pfc8hced ------------ Nope Watch Review: Here. https://youtu.be/Vv1rSW0m2x4 TCL Chinese Theatre: 18th July 2022 Theatrical Release Date: 14th April 2023 Digital Release Date: 21st April 2023 Director: Jordan Peele Cast: Daniel Kaluuya, Keke Palmer, Steven Yeun, Michael Wincott, Brandon Perea, Keith David, Wrenn Schmidt, Barbie Ferreira, Terry Notary, Devon Graye, Donna Mills, Osgood Perkins, Sophia Coto, Haley Babula Running Time: 130 min Cert: 15 Trailer: Here. https://youtu.be/In8fuzj3gck Watch via Apple TV+: Here. https://tv.apple.com/us/movie/nope/umc.cmc.5wgdm57j2x5ikq82v129dvx9k Watch via Prime Video: Here. https://www.amazon.com/Nope-Daniel-Kaluuya/dp/B0B8V71GPC/ref=sr_1_1?keywords=Nope&qid=1682549011&s=instant-video&sr=1-1 Watch via Prime Video UK: Here. https://www.amazon.co.uk/Nope-Daniel-Kaluuya/dp/B0B8TYCRCN/ref=sr_1_1?crid=PYP1B5874RDE&keywords=Nope&qid=1682549059&s=instant-video&sprefix=nope%2Cinstant-video%2C112&sr=1-1 Website: Here. https://www.uphe.com/movies/nope Twitter: @nopemovie https://twitter.com/nopemovie Facebook: Here. https://www.facebook.com/nopemovie Instagram: @nopemovie https://www.instagram.com/nopemovie/ ------------ Clock Watch Review: Here. https://youtu.be/pXXmhqx-Aw0 Overlook Film Festival: 31st March 2023 Digital Release Date: 28th April 2023 Director: Alexis Jacknow Cast: Dianna Agron, Jay Ali, Melora Hardin, Saul Rubinek, Grace Porter, Kat Steffens, Nikita Patel, Margaux Susi, Marquel Skinner, Isabelle Du, Rosa Gilmore, Jane Schwartz, Murphee Bloom Running Time: 91 min Cert: 18 Trailer: Here. https://youtu.be/5h3WqGDpeYs Watch via Disney+: Here. Watch via Hulu: Here. Website: Here. https://www.alexisjacknow.com/reel ------------ *(Music) 'Running Away' by Roy Ayers - 1991 --- Send in a voice message: https://podcasters.spotify.com/pod/show/eftv/message
Anna Deavere Smith is one of the most accomplished people in American theater. She's an incredible actor, playwright and scholar. But, Anna's also a trailblazer. Plays like Fires in the Mirror and Let Me Down Easy have pushed the boundaries of traditional theater. But Twilight: Los Angeles, 1992 is perhaps the most exemplary of her work. Anna interviewed over 300 people about the Rodney King beating and its aftermath. And she turned their words into a play where she acted every part. 30 years ago, that show premiered at the Mark Taper Forum in Los Angeles. Now, the show is back at the Mark Taper Forum for a second run. It's been revised for a group of five people of different ages, genders and races. This week on Bullseye, Anna Deavere Smith joins us to talk about the revised production of Twilight: Los Angeles, 1992. Plus, what it's like to revisit such an iconic piece after so many years.
In this conversation recorded for Washington Post Live on March 27, renowned playwright Anna Deavere Smith and former education secretary and creator of Chicago CRED Arne Duncan discuss their new opera, “The Walkers,” which explores Chicago CRED's engagement and collaboration with people throughout the city most at risk of gun violence.
Three decades after bringing “Twilight: Los Angeles, 1992” to the stage, Anna Deavere Smith returns with a new cast and expanded vision. The Survivors Healing Garden offers a safe space for people who've been affected by crime and may be experiencing complicated feelings of anger, grief, and hopelessness.
Introducing YE GODS from award-winning producer-playwright Scott Carter. We all know that faith and ethics are recurring themes in literature from Greek mythology to Shakespeare, to the great Russian novels, Charles Dickens, Emily Dickinson and everything between and after. In this new podcast series, YE GODS WITH SCOTT CARTER takes us on a pilgrimage of sorts, each week he'll be talking to celebrity guests like historian Ken Burns, actor Susie Essman from HBO's Curb Your Enthusiasm, Pulitzer Prize nominated playwright Anna Deavere Smith, neuroscientist-philosopher Sam Harris, best selling author Rabbi Steve Leder and others. Follow and subscribe to YE GODS WITH SCOTT CARTER wherever you're listening to this podcast so you don't miss new episodes every Wednesday. Learn more about your ad choices. Visit megaphone.fm/adchoices
Introducing YE GODS from producer-playwright and frequent guest of History of Literature, Scott Carter. We all know that faith and ethics are recurring themes in literature from Greek mythology to Shakespeare, to the great Russian novels, Charles Dickens, Emiliy Dickinson and everything between and after. In this new podcast series, YE GODS WITH SCOTT CARTER takes us on a pilgrimage of sorts, each week he'll be talking to celebrity guests like historian Ken Burns, actor Susie Essman from HBO's Curb Your Enthusiasm, Pulitzer Prize nominated playwright Anna Deavere Smith, neuroscientist-philosopher Sam Harris and others. Follow and subscribe to YE GODS WITH SCOTT CARTER wherever you're listening to this podcast so you don't miss new episodes every Wednesday. Learn more about your ad choices. Visit megaphone.fm/adchoices
País Estados Unidos Dirección Billy Crystal, Alan Zweibel Guion Billy Crystal, Alan Zweibel Música Charlie Rosen Fotografía Vanja Cernjul Reparto Billy Crystal, Tiffany Haddish, Penn Badgley, Laura Benanti, Louisa Krause, Anna Deavere Smith, Susan Pourfar, Nyambi Nyambi, Kathryn Grace, Alex Brightman Sinopsis El veterano escritor de comedias Charlie Berns (Crystal), que está perdiendo lentamente el control sobre la realidad, se hace amigo de Emma Payge (Haddish), una talentosa cantante callejera. Entablan una inesperada amistad, hilarante y conmovedora, que desafía la brecha generacional y redefine el significado del amor y la confianza.
In 2015 we presented this story about Curtis Carroll, the Stock Market Wizard of San Quentin. Everyone in San Quentin called him Wall Street. He was teaching his fellow prisoners about stocks and had become an informal financial adviser to fellow inmates and correctional officers. After serving 27 years of a 54 years to life sentence in prison, Curtis Carroll, has been released on parole. We hear his story and talk to him about what's next. When Wall Street was put in prison almost three decades ago he couldn't read or write. One day he stumbled on the financial section of the newspaper thinking it was the sports section, which his cellmate used to read to him. An inmate asked him if he played the stocks. “I had never heard the word before,” Wall Street said. “He explained to me how it works and said, ‘This is where white people keep their money.' When he said that I said, ‘Whoa, I think I stumbled across something here.' ” Wall Street taught himself how to read and write beginning with candy wrappers and clothing logos. He pored over financial news: the Wall Street Journal, USA Today, Forbes. On the inside, Wall Street didn't have access to a computer or the Internet, so he called his family members to check the closing prices for the day and told them what to buy. He says business is like a soap opera — he's always trying to anticipate what will happen next. “I like to know what the CEO's doing. I like to know who's in trouble.” “I'm in prison, but I'm on just the same playing field as Warren Buffett,” Carroll says. “I can pick the exact same companies. I can't buy as many shares, but technically we're just the same.” You can find out more about Wall Street, his life and Financial Empowerment, Emotional Literacy Project at ProjectFeel.org. He's also on Instagram (@CurtisWallstreetCarroll) and Youtube (@WallStreetCarroll). The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Brandi Howell and Nathan Dalton. Wall Street's original story was mixed by Jim McKee at Earwax Studios. We are part of PRX's Radiotopia Network. This episode was produced in collaboration with Nancy Mullane and Life of the Law. Many thanks! Special thanks to Curtis Carroll, San Quentin Financial Literacy Program, Anna Deavere Smith, Arnold Perkins, Troy Williams, Lt. Sam Robinson, Tom DeMartini, Zach Williams, Clarence Long, James Fox and the Prison Yoga Project, Tracy Wahl, Jacob Conrad, Nigel Poor, TED, Pop-Up Magazine, and NPR. The Kitchen Sisters are supported by NEA and contributions to the non-profit Kitchen Sisters Productions.
In this episode, Jennifer talks to talent manager, ChiChi Anyanwu, about her journey to becoming a talent manager, what it is like working with her in this capacity, and the makings of a successful client-manager relationship. ChiChi gives tools for submissions, social media, and branding. She also shares the importance of taking one's power back, collaborating, and focusing on doing the work. About ChiChi: ChiChi Anyanwu founded CHI Talent Management in 2020, after 10 + years of working in talent representation and casting in New York. Her experiences in casting made her discover that her true passion was nurturing and developing aspiring talent. The clients she has represented have been seen on Broadway in MJ, Clyde's, Ain't Too Proud, Chicago, and in national tours of Tina, Wicked, Charlie and the Chocolate Factory, and Jesus Christ Superstar. Films: Otherhood, Standing Up, Falling Down, Boogie, Vampires vs. the Bronx. Television: The Deuce, Fosse/Verdon, Power, Gotham, Snowfall, Bull, Madam Secretary, The Code, Alternatino, Godfather of Harlem, Law & Order, Law & Order: SVU, FBI, Wu-Tang: An American Saga, Blacklist. She is a producer for the NOW AFRICA: Playwrights Festival. NOW AFRICA is in partnership with the Center for Art and Public Policy and the Institute of Performing Arts at NYU Tisch School of the Arts and Anna Deavere Smith's Institute on the Arts and Civic Dialogue. NOW AFRICA's mission is to bridge the continental divide and to expose the community to playwrights from the African Diaspora. Other past producing projects include workshop productions of the 1st Gen Nigerian Project at the Bank Street Theatre and the Humanitas Award-winning play Good Grief written by her sister, award-winning playwright/actress, Ngozi Anyanwu, at the INTAR Theatre. ChiChi also teaches at Stonestreet Studios, The New School of Drama and serves as a diversity audience consultant for Broadway and Off-Broadway theatres. ChiChi Anyanwu is a graduate of the University of Pittsburgh with a B.A. in Communication, Theater Studies minor & Certificate in African Studies. Awards/Honors: 2020 grant recipient of the American Express 100 for 100 program. Diverse Representation "The Ten to Watch in 2021" list. ChiChi's IG: @chitalentmgmt ChiChi's Website: www.chitalentmanagement.com Want to coach with Jennifer? Schedule a session here! https://appt.link/jenniferapple Monologue Sourcing Promo Link! https://empoweredartistcollective.com/podcastpromo Learn more: https://www.empoweredartistcollective.com/podcast EAC IG: @EmpoweredArtistCollective EAC TikTok: @EmpowerArtistCollective EAC Facebook: https://www.facebook.com/empoweredartistcollective/ Check Out Our Merch! https://www.empoweredartistcollective.threadless.com/ Any thoughts you'd like to share? Email us at EmpoweredArtistCollective@gmail.com
Today on Boston Public Radio: We begin the show by asking listeners how they're feeling after the first weekday of the Orange Line shutdown. Anna Deavere Smith offers insights into her revival production of “Twilight: Los Angeles 1992” at A.R.T. Deavere Smith is an actress and playwright. She has starred in shows such as “Inventing Anna,” “Nurse Jackie” and “The West Wing.” Jim Aloisi and Stacy Thompson discusses the Orange Line shutdown, including the merits of some of the alternative options, the plausibility of a 30-day deadline, the possibilities for getting the MBTA out of crisis and the future of electric vehicles. Aloisi is the former Massachusetts transportation secretary, a member of the TransitMatters board and contributor to CommonWealth Magazine. Thompson is executive director of Livable Streets. Imari Paris Jeffries talks about his work at King Boston, and the organization's work to create a living memorial of Dr. Martin Luther King, Jr., and Corretta Scott King, “The Embrace,” which will be installed on the Boston Common this year. Jeffries is the executive director of King Boston. Stephanie Leydon and Ellen Shachter discusses the latest from the GBH News series “Priced Out,” including how corporations have disrupted the housing market and the balance between catering to buyers and investors. Leydon is GBH News' director of special projects, and Shachter is Somerville's director of housing stability. Dr. Virginia Sinnott-Stutzman gives some tips about how to keep pets happy in the heat, and answered questions from listeners calling in during another segment of “Ask the Vet.” Sinnott-Stutzman is a senior staff veterinarian at the MSPCA's Angell Animal Medical Center. We end the show by taking calls about whether overplanning vacations makes them less relaxing.
When David Chalian was in first grade, he memorized the names of all the US presidents—in reverse chronological order. His interest in politics was second only to his love of theater. Chalian later found the intersection of his two passions as a journalist covering the larger-than-life characters and intricate storylines in politics. Now the political director at CNN, Chalian joined David to talk about losing his father at a young age, how working for playwright and performer Anna Deavere Smith inspired his career in political journalism, the challenges of covering the 2016 Trump campaign and presidency, and the political climate today—and what it means for Biden, Trump, and the 2022 midterms. To learn more about how CNN protects listener privacy, visit cnn.com/privacy
Episode 127 Notes and Links to Raina Kelley's Work On Episode 127 of The Chills at Will Podcast, Pete welcomes Raina Kelley, and the two discuss, among other topics, their shared love of the Oxford Comma, Raina's single mindedness in reading widely, her circuitous route from studying theater to journalism, cultural criticism, and editorship, the intricacies of keeping a multimedia presence, Andscape's mission and goals and structure, and political activism in sport. Raina Kelley is Vice President and Editor-in-Chief of Andscape, formerly The Undefeated, a Black media platform dedicated to creating, highlighting, and uplifting the diverse stories of Black identity. She is also a former deputy editor at ESPN The Magazine. ESPN Press Room Bio for Raina Kelley Andscape Website Raina on ESPN PRod Pod in March 2022 February 2022 Article from New York Times: “ESPN Rebrands Black-Focused Undefeated Site as Andscape” At about 1:25, Raina talks about her “superpower” of always reading At about 3:40, Raina discusses One Flew Over the Cuckoo's Nest as an indicator of grade-level reading At about 5:00, Raina discusses favorite books At about 6:45, Pete and Raina investigate Castaway and its a passive/proactive protagonist At about 7:45, Raina responds to Pete's questions about Raina's writing and reading journey, and Raina gives background on her formidable drama base At about 10:20, Pete and Raina geek out over Anna Deavere Smith's “magnificent” Twilight: Los Angeles At about 12:30, Raina keeps it cool about her alma mater Yale's Skull and Bones, and how her career path took shape after college At about 15:20, Raina talks about her “long and winding road” to journalism, and how “storytelling” was always her highest priority At about 16:10, Pete asks Raina to compare and contrast theater writing and journalism At about 17:50, Raina and Pete reminisce and lament over 2008-2022 in talking about the drastically-different worlds of Obama and Trump At about 20:20, Raina talks about ideas of “authenticity” and inclusion in contemporary society At about 21:00, Pete uses James Patterson's recent comments as a springboard to ask Raina questions about her experiences as a Black woman in worlds often heavy on white men's influence At about 25:50, Raina explains her role at ESPN: The Magazine, including a detailed explanation of what a “deputy editor” does At about 28:00, Raina responds to Pete's questions about an editor's balancing act in respecting a writer's autonomy and voice while performing one's editing duties At about 31:00, Pete wonders about Raina's sports fandom/interest At about 33:05, Raina shouts out the Best American anthology and its collections of great sportswriting At about 35:00, Raina is asked about reasons for the rise or perception of the rise of players as activists At about 37:50, Raina talks about multimedia's rise in line with the decline of physical newspapers and magazines At about 41:25, Raina talks about what drew her to The Undefeated At about 43:30, Raina discusses the audiences for The Undefeated and Andscape and “fine-tuning” voice and inclusion At about 44:40, Raina talks about a dream collaboration with Hamilton and The Undefeated, under the care of Kelley L. Carter At about 45:40, Raina further discusses Andscape's name origin and its changing role in 2022 At about 47:50, Pete and Raina talk about the idea of the diversity within and among Black points-of-view At about 49:10, Pete highlights three representative articles from the week's Andscape that show a diversity of thought and subject matter At about 50:00, Raina discusses future projects for Andscape, including Jason Reid's book, The Rise of the Black Quarterback, being published through the company's imprint At about 51:30, Pete's son and his jaguar toy make an appearance! At about 52:20, Raina gives contact/social media info You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode. This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for Episode 128 with Vania Patino. Vania is a news reporter for KERO-TV in Bakersfield, CA, a former reporter for KFDA in Amarillo, Texas, and a former standout student in Pete's English 10 honors class. This is going to be quite a treat for Pete! The episode will air on June 21.
Anna Deavere Smith (from broadway as well as Nurse Jackie, West Wing and Inventing Anna) is a deep thinker with an easy laugh—pretty much my favorite combination. She felt like an old friend from minute one. This heart to heart from the set of my PBS show, Tell Me More was followed by a conversation with Princeton professor Andrew Chignell who studies, among other things, hope and optimism, something Anna had a lot to say about. This is what we think of as a perfect Kelly Corrigan Wonders episode—a lot of feeling, a lot of thinking. Enjoy and share.
Alicia Garza welcomes award winning playwright, actress, and educator, Anna Deavere Smith. Deavere Smithshares about her unique creative process, her favorite Toni Morrison work, and her love of “Quarantinis”. Plus, the weekly roundup and a #LadysLoveNotes that every Oaklander needs to hear.Anna Deavere Smith on Twitter & InstagramLady Don't Take No on Twitter, Instagram & FacebookAlicia Garza on Twitter, Instagram, Facebook & YouTubeThis pod is supported by the Black Futures LabProduction by Phil SurkisTheme music: "Lady Don't Tek No" by LatyrxAlicia Garza founded the Black Futures Lab to make Black communities powerful in politics. She is the co-creator of #BlackLivesMatter and the Black Lives Matter Global Network, an international organizing project to end state violence and oppression against Black people. Garza serves as the Strategy & Partnerships Director for the National Domestic Workers Alliance. She is the co-founder of Supermajority, a new home for women's activism. Alicia was recently named to TIME's Annual TIME100 List of the 100 Most Influential People in the World, alongside her BLM co-founders Opal Tometi and Patrisse Cullors. She is the author of the critically acclaimed book, The Purpose of Power: How We Come Together When We Fall Apart (Penguin Random House), and she warns you -- hashtags don't start movements. People do.
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